In a parallel present where the latest must-have gadget is a highly advanced robotic servant called a "Synth," Humans explores the emotional impact and far-reaching consequences of artificial intelligence becoming a part of everyday life.
Follow the Hawkins family as they navigate the blurred lines between humans and machines — and discover that some Synths may be far more alive than they seem.
🔹 Starring: Gemma Chan, Katherine Parkinson, Tom Goodman-Hill, and William Hurt
🔹 Genre: Sci-Fi, Drama, Thriller
🔹 Based on the Swedish series "Real Humans"
Prepare to question what it really means to be human. 🤖
👉 Watch now and dive into a world where technology challenges our very humanity!
#Humans #HumansTVSeries #GemmaChan #SciFiDrama #ArtificialIntelligence #Synths #Channel4 #AMC #RealHumans #ScienceFiction #TVSeries
Follow the Hawkins family as they navigate the blurred lines between humans and machines — and discover that some Synths may be far more alive than they seem.
🔹 Starring: Gemma Chan, Katherine Parkinson, Tom Goodman-Hill, and William Hurt
🔹 Genre: Sci-Fi, Drama, Thriller
🔹 Based on the Swedish series "Real Humans"
Prepare to question what it really means to be human. 🤖
👉 Watch now and dive into a world where technology challenges our very humanity!
#Humans #HumansTVSeries #GemmaChan #SciFiDrama #ArtificialIntelligence #Synths #Channel4 #AMC #RealHumans #ScienceFiction #TVSeries
Category
🎥
Short filmTranscript
00:00Transcribed by ESO, translated by —
00:30I don't know.
01:00I don't know.
01:31Introducing the world's first family android.
01:37This mechanical maid is capable of serving more than just breakfast in bed.
01:43What could you accomplish if you had someone, something like this?
01:47If I am not, I feel you are the way to put your face.
01:53These machines will bring us closer together.
01:55Look, if we could do it in the office on Monday, we wouldn't be talking now.
02:07Yeah, I know.
02:09It's the weekend here, too.
02:13What if you get that?
02:15Sorry, Chris.
02:18Yeah, but the supplier won't...
02:20You've reached the Hawkins.
02:21Please leave a message.
02:22You might remember to check it in about three months' time.
02:25Ow!
02:32Why isn't Mum back yet?
02:34You know why?
02:35Case is running over.
02:36Right.
02:37Oh, yeah.
02:39Clear some of those away, will you?
02:41Or they're going on the bonfire.
02:42So, shoes on.
02:56We're going shopping.
02:57Yay!
02:58What about my Lyft to Josh's?
03:00A little tent bike.
03:02A little thing with wheels.
03:03Got you for Christmas.
03:06Shopping for what?
03:07Just need your autograph there.
03:26Joe, this is the best thing you will do for your family.
03:30Plus, 30 days to return.
03:31No questions asked.
03:33Go on, Dad.
03:33What if she's not pretty?
03:38Can we change her if she's not pretty?
03:40Just follow the instructions on the tablet
03:42and you'll have it configured in no time.
03:56There she blows, then.
03:58Your brand-new synthetic.
03:59Unique styling, one-of-a-kind.
04:01Standard domestic profile installed.
04:04That'll cover all your basic housework.
04:06I'll leave you to crack on.
04:08Right, then.
04:12Dandelion, three.
04:13Waterfall, two.
04:15Hummingbird, one.
04:16Seashell.
04:19Hello.
04:20I'm now in set-up mode
04:22and ready for primary user bonding.
04:24I'm the primary user.
04:26Joseph Hawkins.
04:27Joe.
04:27A DNA sample will be taken for identification and security purposes.
04:31This information will never be shared with any third-party organization.
04:39Hello, Joe.
04:40I'm now securely bonded to you as my primary user.
04:43It's very nice to meet you.
04:44That means she's ours.
04:46Okay.
04:46Yay!
04:46All right.
04:50Now what do we do?
04:58Look, Soph.
04:59That's a really posh one.
05:02I like our one.
05:03Olivia Green has two at her house,
05:10but they're not as cool as you.
05:12Joe.
05:13Sorry.
05:14More bump for you.
05:15Would you like me to drive, Joe?
05:31Yeah, go on it.
05:33That's our car there.
05:34Come on.
05:35Come on.
05:35Hello.
05:55She's ours!
06:02Hello, Toby.
06:03I'm now securely bonded to you as one of my secondary users.
06:06It's very nice to meet you.
06:08What's this cool process to speak?
06:10Why should I know?
06:11Don't go unscrewing her.
06:12She's expensive.
06:13Hello.
06:14You must be Matilda.
06:15Pretty, isn't she Matt?
06:16If you say so, Teenie.
06:18I'm okay with this.
06:20It's a surprise.
06:21Surprise.
06:23It's almost dinner time.
06:25What would you all like?
06:26Ha, ha, ha, ha.
06:333, at the release of you?
06:366.
06:42Where is that?
06:43I know we're not getting up.
06:443.
06:45MUSIC CONTINUES
07:15MUSIC CONTINUES
07:45Hi, Mum. How was Leeds?
07:48Boring. Missed you guys.
07:50Missed you too.
07:52New jeans. They're nice.
07:57Oh, two out of three. Pleased to see me. I'll take that.
08:01Hello.
08:02You must be Laura.
08:07Yeah. Would?
08:08I don't want one around the kids, Joe. We've had this conversation.
08:18Maybe. Ages ago. Have you seen the place?
08:21I mean, that's after having it for less than a day.
08:23I don't care. It's not right. It'll mess with their heads.
08:27And we don't need one.
08:29You're taking it back.
08:30I'm not. I'm not taking it back.
08:33I needed some help.
08:34What?
08:34So I got some.
08:35Why didn't you tell me about it?
08:36You weren't here!
08:39So, um, message me, yeah?
08:41Yeah.
08:43Five days, Laura.
08:45You're only supposed to be away for two.
08:47I've been looking after them and working.
08:49Like I always do, which is fine.
08:51But you don't get to waltz back in the door
08:53and tell me what this family needs.
08:55The case overran.
08:56I had no choice.
08:57I had to stay.
08:58Call the office if you want.
09:00Yeah, what I want is to try this.
09:02This is called the life cycle.
09:04So first, they're an egg
09:05that's round.
09:08Then they turn into a lover,
09:10which is a baby.
09:11Then they turn into a beautiful ladybird.
09:14So, have you given it a name?
09:26We were waiting for you, Mum.
09:28I think we should call her Anita.
09:29Like your friend who moved, darling.
09:32You know that's just a machine.
09:34It doesn't have feelings.
09:35It can't replace Anita.
09:36No, it's just a nice name.
09:38Everyone happy with Anita?
09:40It's fine by me.
09:41Your name is going to be Anita, confirmed.
09:44Confirmed.
09:45Thank you, Joe.
09:46So, um...
09:49What's your name?
09:52My name is Anita Hawkins.
09:59We've got a month to take it back.
10:01We can talk about it then.
10:03How the hell can we afford it?
10:05A special offer.
10:07Over five years.
10:09That's what we pay for the car.
10:11We need to get off the road.
10:34Charge levels?
10:3622.
10:3831.
10:3870%.
10:4011.
10:44It's getting dark.
10:46Find somewhere that we can't be seen from the road
10:48and set up camp and charge with what fuel we've got left.
10:51And Max and me will look for some more.
10:56Put that away.
10:57If it's him, we run.
10:59A fox.
11:06A fox.
11:07A fox.
11:07A fox.
11:11A fox.
11:20Oh, my God.
11:50Oh, my God.
12:20Oh, my God.
12:22Stop!
12:23Fight!
12:25Stop!
12:26No!
12:30Stop!
12:32No!
13:00No!
13:02No!
13:24Would you like me to unpack your case for you, Laura?
13:28Uh, no, no.
13:36Salam Sadiq.
13:39Hey, I'm looking for this sent.
13:42When did you bring it in?
13:44I didn't. You stole it.
13:47About five weeks ago.
13:49I know you use this place as a front to move boosted units.
13:54You threaten me.
13:55Why?
13:56Do you feel threatened?
13:59I've never seen her. We don't do that no more.
14:01Who does?
14:02Give me your name.
14:06Silas.
14:09Silas, come back, okay?
14:10Okay.
14:20Perhaps she's been damaged.
14:22Or reprogrammed.
14:24Or destroyed.
14:25Don't say that. Don't even think that.
14:26She's been taken by junkers, sold on somewhere, just like Fred and Niska.
14:30Then why is she the only one who hasn't been in contact?
14:34Come on.
14:35Coffee.
14:36Mmm.
14:37Oh, look at all this.
14:38Wow.
14:39Is it a party?
14:40I suppose so.
14:41This is what breakfast is supposed to be like.
14:42Dad, the jam's in a thing.
14:43Yeah.
14:44What do you reckon, Matt?
14:45What?
14:46What do you reckon, Matt?
14:47What?
14:48What?
14:49Aaron's parents want us at three meals a day.
14:50Anita brown sugar.
14:51I hate white.
14:52Anita, stop.
14:53She's not a slave.
14:54That's exactly what she is.
14:55Having Anita doesn't mean you three get to sit on your bums all day.
14:57Oh, for God's sake.
14:58Oh, look at all this.
14:59Oh, look at all this.
15:00Wow.
15:01Is it a party?
15:02What?
15:03Aaron's parents want us at three meals a day.
15:05Oh.
15:06Anita brown sugar.
15:07I hate white.
15:08Anita, stop.
15:09She's not a slave.
15:11That's exactly what she is.
15:14Having Anita doesn't mean you three get to sit on your bums all day.
15:17Oh, for God's sake, that's already clean.
15:19Just sit down.
15:20Dishwashers work non-stop for years.
15:22Why don't we throw it apart?
15:23Hey, shut up, Matt.
15:24Because we can't guess why you like her so much, Chris.
15:26Did she?
15:27Oh, enough, Matty.
15:28If I'd known you were going to be joining us for breakfast, Anita,
15:32I'd have got some microchips.
15:35I apologise, Anita.
15:37That was my husband trying to be funny.
15:43Finally, someone to laugh at my jokes.
15:46Besides you and me.
15:58I mean, Anita, you can stop now.
16:01.
16:26Can you not read?
16:27Yes, I can read you, Dr. Millican.
16:29I'm Lindsay Kianuka, your caseworker.
16:32You failed to keep any of your appointments with us.
16:34Many state gestapo.
16:39Give me a minute.
16:46Big place.
16:48To have all to yourself?
16:50I see you have no family nearby.
16:58Oh, I live in that solitude that is painful in youth,
17:03but delicious in the years of maturity.
17:07Einstein.
17:08Is your synth in?
17:11Wow. You have an original D series.
17:14No, he's out grocery shopping.
17:16That's unfortunate.
17:18But I have good news.
17:20You qualify for an upgrade.
17:23One of these bad boys can do ten times what the D series can do.
17:27She can fine-tune your medication,
17:30develop exercise plans to lower your risk,
17:32take your blood pressure with a finger.
17:34Not now, Vera.
17:38Does she check your prostate, too?
17:40Look, I'm happy with the one I've got,
17:43and my health is just fine.
17:45It says here you suffer memory loss,
17:49tremors in the extremities.
17:51George,
17:52the law requires me to give your companion the once-over.
17:57I will be back soon.
17:59And if your D series fails the check,
18:01you get one of these whether you like it or not.
18:05The health service hasn't ordered half a million of them for fun.
18:09We'll show ourselves out.
18:11Vera?
18:12George, you found me.
18:28Congratulations.
18:29Is it my turn now?
18:30Game's over, Odie.
18:32You won.
18:36Then would you like some toast and jam, George?
18:38Your favorite is apricot.
18:40Oh.
18:42This is the jacket Mary wore
18:44to the wedding of your nephew, James.
18:52A baby regurgitated on it.
18:55Here.
18:57It was Duncan's little girl.
18:58Polly.
19:05Molly.
19:06Holly Alice McIlroy.
19:10Mary was not upset by the infant's actions.
19:13No.
19:13She was nuts about little babies.
19:22Come on, son.
19:23Don't want all your shorting out on the toaster again.
19:26How's Haren?
19:42Not my boyfriend, if that's what you're getting at.
19:45How long you back for?
19:46Come on, Matt.
19:47Just want to know when you're going away again.
19:49It was different this time.
19:50Usually you call.
19:51This time you didn't bother.
19:52I tried to.
19:54I'm sorry.
19:56I did text.
19:58Wow, you texted.
19:59Good for you, mother of the air.
20:26Hello, Laura.
20:42Don't check in on Sophie any more.
20:45That's my job.
20:46Clear?
20:47Of course, Laura.
20:48You never remember.
21:05I'm sorry about my case going over.
21:08There was nothing I could do about it.
21:10Is that why you want to replace me with that thing?
21:12No.
21:14Look, it's not the working away, really.
21:17I'm just...
21:18I'm not always sure how much you want to come home.
21:22What?
21:25I know you need time alone.
21:26I get it.
21:28After you've lost your mum and dad so young.
21:30These last two years.
21:32I don't know, Laura.
21:33I just...
21:34I feel...
21:35avoided.
21:37I think Matt's does too.
21:39Oh, Jesus, why haven't you...
21:40Things just get on top of me.
21:42I know.
21:43That's why I want the synth.
21:44To give us time.
21:47I didn't buy Anita to replace you.
21:50I bought her to get you back.
21:54But I haven't gone anywhere.
21:55Are we on?
22:17Can you get out?
22:19Yes.
22:19I'll be at the rendezvous in an hour.
22:21We're on our way.
22:22Be careful.
22:23You too.
22:23It is sweltering in here.
22:44Yes.
22:45Can I help you, sir?
22:46Who's your primary user?
22:48I am owned by Leithridge Farm Foods Limited.
22:51Previous owner?
22:51I had no previous owners, sir.
22:54Now, you see, I think you may have just told a porcupine there.
22:57Synthetic appliances cannot lie to humans.
22:59Not normal ones, can't.
23:01I mean, your friends here, they can't lie.
23:04Or think.
23:07Or feel.
23:08But you.
23:11Oh, you are different.
23:14Aren't you.
23:14Aren't you.
23:16Fred.
23:20This was found hidden behind your charging point.
23:25Now, why would a synth need a telephone?
23:29You've been running, hiding, pretending to be so much less than what you are.
23:35I'm not alone, Fred.
23:36So please.
23:38Come run, son.
23:39I'm not alone, I'm not alone, I'm not alone, I'm not alone, I'm not alone, I'm not alone, I'm not alone, I'm not alone, I'm not alone, I'm not alone, I'm not alone, I'm not alone, I'm not alone, I'm not alone, I'm not alone, I'm not alone, I'm not alone, I'm not alone, I'm not alone, I'm not alone, I'm not alone, I'm not alone, I'm not alone, I'm not alone, I'm not alone, I'm not alone, I'm not alone, I'm not alone, I'm not alone, I'm not alone, I'm not alone, I'm not alone, I'm not alone, I'm not alone, I'm not alone, I'm not alone, I'm not alone, I'm not alone, I'm not alone, I'm not alone, I'm not alone, I'm not alone, I'm not alone, I'm not alone, I
24:09Leo, would you like to hear a joke?
24:22Not now.
24:24Something's wrong.
24:28Maxie, we're leaving.
24:30But Fred hasn't arrived yet.
24:32He's not coming.
24:33Move.
24:35Move!
24:39Your favourite is apricot.
24:59Your favourite is apricot.
25:02Favourite is...
25:04Stupid thing.
25:06Whose is this?
25:08Oli?
25:08Can someone help me?
25:09I can't turn it off.
25:11Favourite is apricot.
25:13Stand still.
25:18No, no, wait.
25:19Don't come in, Dad.
25:37I'm masturbating.
25:38Matilda, it's Anita.
25:41I'm doing a dark wash.
25:55What's your max processing speed?
25:57The maximum speed I have recorded is 27.39 petaflops.
26:02Someone overclocked you.
26:03You might be able to hit 30.
26:04Overclocking would risk irreparable damage to my processor cluster.
26:07Hey, Anita.
26:16Hey, Anita.
26:21Well, that was interesting.
26:23My protocol set demands I take reasonable passive measures to avoid damage, unless those measures
26:28could endanger human beings or property more valuable than myself.
26:31Are the kids still alive?
26:35Oh, moving their arms and legs.
26:37Yeah.
26:38Oh.
26:40Yeah.
26:41Better hit you this time.
26:45Might ricochet or something.
26:47Blime me.
26:47I don't deem that a significant risk, Matilda.
26:49I don't give a shit what you deem.
26:51I own you, and I'm telling you I want it to hit you.
26:59Why?
27:09Anita, give us a minute.
27:16Gone from an A to a D in computers.
27:19I heard of this, Tim.
27:20Oh, come on, that's bollocks.
27:21We all know what amazing minds you have.
27:23If you apply yourself.
27:25Yeah.
27:26It could be anything I want, right?
27:27What about our doctor?
27:29That would take me seven years, but by then you'd be able to turn any old synth into a brain
27:32surgeon in seven seconds.
27:33I just want you to do your best.
27:36My best isn't worth anything.
27:50I'm fine.
27:50I'm fine.
27:50Life?
27:50I'm fine.
27:57I'm fine.
28:11I need her.
28:26Hello, Laura.
28:29The washing is done.
28:31Fine.
28:32I'll be catching up on some emails if anyone needs me.
28:35D.I. Karen Boss, Special Technologies Task Force.
28:48Is that the owner of the device?
28:51He comes in here all the time.
28:53Take it easy on him.
29:05Dr. Milliken, I am Detective Sergeant Drummond.
29:10I deal with synthetic-related matters.
29:12It was an accident.
29:13Yeah, but as you can see, a woman's been injured.
29:16I need to see your operating license.
29:20You had this one for six years.
29:22It's a record.
29:23Why haven't they upgraded you?
29:25I don't want a crappy upgrade.
29:29George.
29:30Huh?
29:31This machine needs to be recycled, mate.
29:34Won't even power up.
29:36It's junk.
29:37I can fix him.
29:38You know what I mean?
29:39I can get him fixed.
29:41Someone's been hurt, so we have to get it scrapped.
29:44It's the law.
29:46Please.
29:50I need him.
29:52I'll tell you what.
29:55Take him yourself.
29:58But he has to go, George.
30:01Today.
30:02Today.
30:03Yeah?
30:14Come on.
30:16Hello, George.
30:26How are you?
30:27You...
30:28You...
30:29You...
30:30Multiple faults detected upon startup.
30:35What would you like to do?
30:36Moody.
30:38We're gonna look at some old photos.
30:51It's you and me.
30:55You...
30:56me and mary this is you and mary i'm sorry george i can't
31:14every reading file partition data may be corrupt no no right after i took this picture
31:21she got stung by a bee on her foot memory exception fatal error
31:30to try to try
31:50now we can use your head simon genetically there and relax
31:55oh that's as far as it goes hi love good day bad day jill walked 122 steps today
32:05a personal best since the accident he thinks i'm able to start reducing the anti-inflammatory soon
32:11i'm gonna have a soak but he's made some chicken with mango coleslaw for your fancy oh
32:16the dragon said i'm sad because i want to be like you mouse small and furry and warm then we could fly
32:38away together but the little mouse said dragon if you were like me i'll take over now anita no i want
32:46her to do it reading to you is mommy's job but she doesn't rush
32:53it's almost time for daddy to give you a bath no i want her to finish sophie it's time to stop now
32:59i don't want you touching sophie i'm prohibited from initiating physical contact with a human
33:12without a clear recorded request to do so my protocol set currently demands that any such
33:17requests from children under 12 must be referred to a parent or guardian before being met unless i
33:22judge the child's the child's safety or well-being to be at immediate risk you're just a stupid
33:28machine aren't you yes laura
33:38where is fred he's dead isn't he
33:44go on
33:47come here
33:48what have i always told you never reveal my true nature in public i know it doesn't matter what
33:55happens to me if they knew what you were it would be the end yes i know yeah for all of you
34:05we'll find fred we'll find mia they'll be strong wait over there i'll be right back
34:18you're out of ten minutes with number seven sign in
34:41yeah
34:55hey big boy
34:57nothing time
34:57nice
34:57nice
34:58nice
34:58nice
34:58nice
35:00nice
35:00nice
35:02nice
35:04nice
35:06nice
35:08It's so good to see you.
35:35Let's go.
35:35Didn't you bring me any clothes?
35:41Ms. Scott, I'm sorry.
35:44I can't get you out tonight.
35:46Fred didn't make the rendezvous.
35:48Something's wrong.
35:49Have you had any contact from Mia?
35:53No.
35:54It's been five weeks, Leo.
35:56She is gone.
35:57Now, Fred's gone, too, so I'm not staying here for a second longer.
36:00I can't make you, but it is safer here.
36:03No one knows what you really are, but walk out of here.
36:05Tonight, that changes, because this place paid a lot of money for you.
36:09They reported decades back to the people hunting us, and then you'd have to take your chances
36:14on the street with me.
36:15Like Max?
36:16Oh, he's not like you, Alfred.
36:18He can't take care of himself.
36:19He can't hide what he really is.
36:21I will find a way to get you out, and we'll make a new home somewhere.
36:24There is no home for us.
36:25There will be, I promise.
36:27Did you turn off your pain, like I told you?
36:31No.
36:32I was meant to feel.
36:33Iska, what are you doing?
36:34Iska, what are you doing?
36:35Iska, stop it.
36:36Stop it, Iska.
36:37I'm making it look like you just fucked me.
36:38Now leave.
36:39You have to press the button, it's human-bodied.
36:45Just, just, just hold on a little longer.
37:10He looks normal.
37:23He's far from normal.
37:26Our hope is that he'll lead us to the others.
37:28When do my people get to examine it?
37:30That won't be possible.
37:33Our companies have funded your operation for years.
37:37Resources, total access, all because you claim there are a handful of synthetics who can
37:43think and feel.
37:44Now you've finally found one.
37:47I think we've earned the right to study it.
37:50Robert, these machines are conscious.
37:52How do you know they don't just simulate it?
37:55How do you know you don't?
37:56I knew, David Elster, a simulation would be of no interest.
38:01His goal was to create machine life, as he called it.
38:05Oh, so they're alive now?
38:06No, a parody of it, which is why they are so dangerous.
38:11Oh, come on.
38:12They're just freaks.
38:16Do you know what the singularity is?
38:20A mathematician named John von Neumann coined the term in the 1950s to describe the inevitable
38:27point in the future when technology surpasses us when it becomes able to improve and reproduce
38:34itself without our help.
38:36It is the moment we become inferior to the machine.
38:41Now, our world is on the verge of becoming dependent on synth labor.
38:46Now, these synths are physically no different to any others.
38:50And yet, Elster gave them consciousness.
38:54If it could be done for the few, it could be done for them all.
38:58And then what?
38:59Do you think they would still want to be slaves?
39:03These freaks are the singularity.
39:07I can't let you be recycled.
39:21Is it a game?
39:24There's things that you know.
39:45She cried and laughed.
39:48She cried when I pulled the bee sting out.
39:51Then, then, then, then, then, then, then, then.
39:54At the doctors, she laughed.
39:56You laughed too, George.
40:00And Mary said I could, could, could, could, could, could, could, could laugh.
40:07Would you like some toast and jam, George?
40:12Your favorite is, it, it's apricot.
40:21What would you say if I asked you what you thought of this music?
40:40I'd say it's very well played.
40:44What do you base that on?
40:50I compared the pitch, tonality and rhythm of the performance to the sheet music that I accessed via.
40:55No.
40:56Do you think anything of it?
41:00I'm sorry, Laura.
41:01I'm afraid I don't understand the question.
41:03Making lasagna and talking philosophy with a bloody tin can.
41:09Right, those there.
41:10Veg should be done.
41:22Mummy, I want to give Anita a good night kiss.
41:24I'm sorry, Laura.
41:27I'm fully qualified in first aid.
41:29I prioritise the risk to Sophie's safety.
41:31Sophie, you silly girl.
41:32You know, you're supposed to be careful around the oven.
41:34Bed, now!
41:48How do these machines devalue human existence?
41:51The best reason for making machines more like people is to make people less like machines.
41:58The woman in China who works 11 hours a day stitching footballs.
42:02The boy in Bangladesh inhaling poison as he breaks up a ship for scrap.
42:06The miner in Bolivia risking death every time he goes to work.
42:10They can all be part of the past.
42:12Synthetic devices free people.
42:14We've treated people like machines for too long.
42:17It's time to liberate their minds, their bodies, to think, to feel, to be more human.
42:23But a lot of people would argue that work is a human right.
42:27If anything, the hard work gives you a sense of self-worth.
42:32I think you should spend one week working in a microchip facility.
42:35So we're all going to be poets or something?
42:37What a load of crap.
42:38Oh, slag chops. I'm watching that.
42:40Watch it in your room, Nobcock.
42:42All right, both of your two rooms.
42:44Seriously?
42:45Now?
42:46I'm not 12.
42:48Why do you always have to do this?
42:49Do what?
42:50You just ruin everything.
42:51You weren't watching it.
42:52What do you mean?
43:01I think the back door just opened.
43:03That's Maddie smoking again.
43:05Then you'll have her screaming around and she'll smoke somewhere else for a bit.
43:09Fingers crossed it's only burglars.
43:11Anita, you need to stay inside after we go to bed. Is that clear?
43:37Of course, Laura. I'm sorry.
43:40The moon is beautiful tonight, don't you think?
43:53They're not supposed to ask questions like that.
43:55They're not supposed to have accidents either.
43:58Are they?
43:59Well, don't take it back.
44:00Should we be afraid of arson physics?
44:14There are hundreds of millions operational across the world.
44:17And not one single verified instance of a synth knowingly injuring a human.
44:23Their sole purpose is to make our lives better.
44:26They aren't sentient.
44:27They don't have any thought, emotion or awareness.
44:32The Asimov blocks in their programming mean that they simply aren't able to do us any harm.
44:39What if you can't find her?
44:40I will find her, Maxie.
44:52Because I love her.
44:53She loves me.
44:55But do you believe that one day we will have a truly artificially intelligent synth?
45:04One that thinks and feels like a human?
45:07How can we replicate something we hardly understand in ourselves?
45:10How would we even know if we succeeded?
45:12But you admit it's something you're working towards.
45:16Think of the problems to solve before we get there.
45:20What is human emotion?
45:22For example, what is love?
45:26Is it something we are born with?
45:28Or can it be learnt?
45:30The planet is down. Not off.
45:40And what about the darker feelings?
45:42Fear, anger, violence?
45:45Human consciousness is not complete without them.
45:53In memory, ours are subjective, fallible.
45:57But how do you teach a computer to forget?
46:04Or to dream?
46:06That's something our minds need to do.
46:09Would a conscious synth have to be able to dream?
46:13To have nightmares?
46:20Of course not.
46:22They're just machines.
46:27해� wh Coastal grumpy.
46:34Where?
46:37Where?
46:39Where?
46:40Where?
46:44Where?