- anteayer
Título: Dick Tracy’s Dilemma.
Año: 1947.
País: Estados Unidos.
Dirección: John Rawlins.
Guión: Robert Stephen Brode.
Cómic Original: Chester Gould.
Dirección de fotografía: Frank Redman.
Montaje: Marvin Coil.
Dirección de Arte: Lucius O. Croxton, Albert S. D’Agostino.
Set: Darrell Silvera.
Música: Paul Sawtell.
Sonido: Terry Kellum, Jean L. Speak.
Efectos Especiales: Russell A. Cully
Maquillaje: Gordon Bau.
Productor: Herman Schlom
Productora: RKO Radio Pictures.
Intérpretes: Ralph Byrd, Lyle Latell, Kay Christopher, Jack Lambert, Ian Keith, Bernadene Hayes, Jimmy Conlin.
Sinopsis: Dick Tracy investiga el robo de una fortuna en pieles, una estafa a una aseguradora y varios asesinatos, todo ello relacionado con un gigantesco asesino que lleva un garfio en lugar de la mano derecha.
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Año: 1947.
País: Estados Unidos.
Dirección: John Rawlins.
Guión: Robert Stephen Brode.
Cómic Original: Chester Gould.
Dirección de fotografía: Frank Redman.
Montaje: Marvin Coil.
Dirección de Arte: Lucius O. Croxton, Albert S. D’Agostino.
Set: Darrell Silvera.
Música: Paul Sawtell.
Sonido: Terry Kellum, Jean L. Speak.
Efectos Especiales: Russell A. Cully
Maquillaje: Gordon Bau.
Productor: Herman Schlom
Productora: RKO Radio Pictures.
Intérpretes: Ralph Byrd, Lyle Latell, Kay Christopher, Jack Lambert, Ian Keith, Bernadene Hayes, Jimmy Conlin.
Sinopsis: Dick Tracy investiga el robo de una fortuna en pieles, una estafa a una aseguradora y varios asesinatos, todo ello relacionado con un gigantesco asesino que lleva un garfio en lugar de la mano derecha.
SÍGUEME EN:
Web: https://www.clubcinema7.com/
Twitter: https://twitter.com/clubcinema07
Instagram: https://www.instagram.com/clubcinema07/?hl=es-la
Facebook: https://www.facebook.com/clubcinema07/
Cursos y Talleres : https://espacionuevoapolo.com/
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CortometrajesTranscripción
00:00The End
03:00Left four.
03:06Right seven.
03:09Hold to a left.
03:17This ought to do it.
04:46Hulks.
04:47Hulks.
04:54Hulks.
05:18I'll notify Dick Tracy at once.
05:23Call car 15.
05:25Call car 15.
05:26Call car 15.
05:27Car 15.
05:28Car 15.
05:29Patent speaking.
05:30Contact Dick Tracy at once.
05:31Have him go to the Flawless Fur Warehouse.
05:32Dillon reports some shenanigans.
05:33Busted fuse box in the garage.
05:34Then tell him to call.
05:35Then tell him to call an electrician.
05:36Not Dick Tracy.
05:37Now, wait a minute, Pat.
05:38The night watchman's disappeared.
05:39It might be homicide.
05:40Oh, that's different.
05:41I'll tell Tracy right away.
05:42Roger.
05:43Pennies for a blind old man?
05:45Oh, that's different.
05:46I'll tell Tracy right away.
05:48Oh, Roger.
05:50Pennies for a blind old man?
05:51Oh, that's different.
05:52I'll tell Tracy right away.
05:53Roger.
05:54Good.
05:55Pennies for a blind old man?
06:00Pennies for a blind old man?
06:03Hello, sightless.
06:04Hi, Patent.
06:05Is it a nice night?
06:07Lovely night, lovely night.
06:08Thank you very much.
06:18Hey, Jigger.
06:19Come here.
06:24Well, what's on your mind, copper?
06:27Where's Tracy?
06:28In the back room, snooping around.
06:30Say, why don't you bloodhounds hold your conventions someplace else?
06:33We like the atmosphere around here.
06:35It's so wholesome.
06:37Looking for me, Pat?
06:39Yeah, we have to make a call.
06:41Oh.
06:42You find out what you're looking for, Tracy?
06:43No.
06:44And see that I don't.
06:45I understand Hatchet Harry's been hanging around here.
06:47Why, that's a big mistake.
06:49Say, you know I run a respectable joint.
06:51Do I?
06:52Come on, Pat.
06:53Come back again, Mr. Tracy.
06:56Bring the folks.
06:58Pennies for a blind old man?
07:01Sightless, I want you to do me a favor.
07:03What is it, Mr. Tracy?
07:04I want to know what's going on in Jigger's back room.
07:06Mr. Tracy, you know I can't see a thing.
07:08Now, keep your eyes open, will you?
07:13Five bucks.
07:16He put that coffee on while I was in here.
07:18Ten minutes later, when I came back, the coffee was boiling over, the lights were out, and there was no hoax.
07:25Did this watchman ever leave the job before?
07:27No, I'm sure of that, because he was a most reliable man.
07:30That's why I'm afraid something happened to him.
07:32What did you do after you called headquarters?
07:34I called Mr. Humphreys.
07:35He's the owner of the place here, because all the doors were unlocked.
07:38Did you take a look around the inside?
07:39No, I thought we'd best wait when Mr. Humphreys came.
07:43Let's see what happened to the lights.
07:54Those fuses were yanked out on purpose.
07:56See if we can dig some up, Pat, so we can have some light.
07:58Right.
08:09Who's that?
08:19It's the police, Mr. Humphreys.
08:22Well, you gave me a scare.
08:24I guess everything's all right.
08:26There's a fortune and furs in that vault tonight.
08:28This is Detective Tracy from headquarters.
08:30You better take a look inside, Mr. Humphreys.
08:32I'd rather wait to open the vault.
08:34You see, when Officer Dillon phoned me, I reported his call to my insurance company,
08:37and their representatives are going to meet me here.
08:40We're here, Humphreys.
08:44This is Mr. Tracy of police headquarters.
08:46How are you?
08:47I'm Peter Premium, Vice President of the Honesty Insurance Company.
08:50This is Mr. Cutt, my investigator.
08:52He's not just from headquarters.
08:54That's Dick Tracy, Homicide.
08:56That's right.
09:00Say, Dick, I think I'll go out to the car and see if I can get a radio pickup on that night watchman.
09:04Okay, Pat.
09:05May I have the combination now, Mr. Humphreys?
09:07Certainly.
09:08Certainly.
09:29Well, it's cleaned out.
09:30Yeah, it's cleaned out, and the ink is hardly drying your policy.
09:33Cutt, I want a thorough investigation of this.
09:35So do I.
09:36I've never had a robbery before.
09:38It's a strange coincidence that as soon as I switch insurance to the Honesty Company, I have one.
09:43Are you insinuating that I...
09:44Wait a minute.
09:45Move your foot.
09:46Looks like we got robbery and you got your homicide.
09:49Mr. Humphreys, may I have an inventory of your loss with a detailed description of each item?
09:53We can give you that.
09:54There's something wrong about the watchman being slugged or killed inside the vault.
10:01Something sour about the whole business.
10:03How many of your employees know the combination of the vault, Mr. Humphreys?
10:05None of them.
10:06Oh, Dick.
10:07Dick.
10:08I got a radio report.
10:09The night watchman's turned up.
10:10Where is he?
10:11They've got him down at the morgue.
10:12He's dead.
10:13All right.
10:14Better go with him.
10:15I'll check for you later.
10:23The medical examiner told us not to move him until you got here, Mr. Tracy.
10:26I see.
10:30Is that him, Cud?
10:31Yeah, that's the night watchman, all right.
10:33Where was the body found?
10:34On Macy near Grand.
10:36Apparently thrown out of a car.
10:37Did that kill him?
10:38No.
10:39He was dead when he was tossed out.
10:40He was killed by a vicious blow that split his skull.
10:42As you can see, it's pretty ugly.
10:45Hmm.
10:46Looks like he'd been hacked with a cleaver.
10:48I don't think so.
10:49A cleaver wouldn't tear the flesh like that.
10:51Well, it's a cinch.
10:52It's not a bullet or a knife wound.
10:53Here's what he had on him.
11:00Hasn't been fired.
11:01Well, poor fellow never had a chance to use it.
11:03Well, there's not much here.
11:07Hey, there's writing on it.
11:08What?
11:12Well, it isn't very clear.
11:15What do you make of it?
11:16Offhand, great.
11:18I'd say it looks like, uh, like, uh...
11:21Like what, Pat?
11:22Like scribbling.
11:25We'll take a closer look at this in the laboratory.
11:27Thank you very much, Bill.
11:29When I photographed this, I darkened all the letters
11:32so it would be reproduced more easily.
11:34Well, we take the first word.
11:37First letter is D.
11:39Second letter is an A.
11:41And the last letter is definitely Y.
11:43Now, in between, it could be an N.
11:45Well, it could be anything.
11:47Does Danny mean anything to you?
11:49Not yet.
11:50D, A, I...
11:53Could be an S.
11:54Y.
11:55Could be Daisy.
11:56Now, let's take a look at the next word.
12:01T-H-R-U.
12:03Through.
12:04The next one is easy.
12:05It's got to be of.
12:06And the last one definitely is T-H-E-N.
12:09Or that could be an M.
12:11Them.
12:12It can't be through of them.
12:14It must be three of them.
12:15Hawks must have been trying to tell us
12:16that three men did the job.
12:18Well, we'd only figure out this first word.
12:21D-A-I-S-Y.
12:23Daisies.
12:25Three of them.
12:26Three Daisies.
12:27Now we're getting into poetry.
12:29This last scribbling looks like a license plate number.
12:32Six, seven...
12:34No, that could be a T.
12:35You see?
12:36Six T-N-two...
12:38Something, something.
12:40Whenever there's a T in a license plate number...
12:42A truck!
12:43You're right, Pat.
12:44Then maybe he meant there were three Daisies on a truck.
12:46No, he would have written three Daisies.
12:48Daisy and three of them indicate two separate ideas.
12:52I think Daisy was the name on the truck.
12:55Then there were three guys driving it.
12:57Yes, I think that's it.
12:58Now let me have that, will you?
12:59Certainly.
13:04Thank you very much, Collins.
13:06Johnson, put this on the air right away.
13:08Get it out to all cars.
13:09Yes, Mr. Tracy.
13:13Calling all cars.
13:15Calling all cars.
13:17Be on the lookout for a truck marked Daisy.
13:20Driven by three men.
13:22License plate number six T and two.
13:25Blank, blank.
13:26Wanted for robbery and murder.
13:36Go take care of that sand.
13:37Right.
13:47That ought to do it.
13:48Mm.
13:49This door better be waiting for us, too.
13:55Cats! Cats!
13:56That guy don't bring another but cats!
14:01Come on.
14:18Pennies for the blind!
14:20Pe...
14:22нд....
14:23sih?
14:24Bless you.
14:25Bless you.
14:26Pennies for the blind!
14:27Pennies for the...
14:29Pennies for the blind!
14:30all right you need it.
14:32You too.
14:33Hey.
14:38Look, Syphus, how many times do I have to tell you beggars aren't permitted in here?
14:54How many times do I have to tell you I ain't no beggar?
14:56I'm a merchant.
14:57Well, what are you doing in here, a merchant?
14:58Uh, I'm looking for two customers of mine.
15:01Well, can you show them to me?
15:02No, I...
15:03Well, and they're not here.
15:04Come on.
15:04Hey, wait a minute.
15:08That's a funny one.
15:38Waitin' around gives me the jitters, too.
15:52I want my door, and I want it quick.
15:54I want to blow this town.
15:55It ain't ready yet.
15:57Would you stop playin' with that cat so I can talk to you?
15:59Well, uh, talk.
16:01Cat don't mind.
16:03Oh, you're such a smart character, ain't you?
16:06You couldn't just hit that night watchman over the head, could you?
16:08You had to get fancy and tear him up.
16:11Now the whole homicide squad's on our tail.
16:13Can't the boss get rid of the stuff?
16:15Nobody will touch it now.
16:17Hot furs are bad enough, but he's got to tie him up with a murder.
16:20We'll never get out, though, now, never.
16:21All because of you and that itchy hangnail.
16:26You can't use your brains, can you?
16:28Instead of your brains, you gotta use that hunk of steel like some stupid animal.
16:32I don't know what's the matter with you.
16:34You're a killer, Claude.
16:36You're nothing but a crazy, stupid killer.
16:51Yeah.
16:54Oh, it's you, boss.
16:57Yeah.
17:00Yeah, I'll be there.
17:03The boss have good news?
17:06Found somebody who's interested.
17:09Wants to see the furs tonight.
17:10There, you see, Sam?
17:12We're gonna get our dough after all.
17:13When are you going?
17:15Better be at the end of Hemp Street in an hour.
17:21There's someone in the alley.
17:29I was only gonna talk.
17:32Leave it there.
17:51Hamstreet.
18:13Hamstreet.
18:21Hamstreet.
18:22Hamstreet.
18:23Hamstreet.
18:24Hamstreet.
18:25Hamstreet.
18:26Hamstreet.
18:27Hamstreet.
18:28Hamstreet.
18:29Hamstreet.
18:30Hamstreet.
18:31Hamstreet.
18:32Hamstreet.
18:33Hamstreet.
18:34Hamstreet.
18:35Hamstreet.
18:36Hamstreet.
18:37Hamstreet.
18:38Hamstreet.
18:39Hamstreet.
18:40Hamstreet.
18:41Hamstreet.
18:42Hamstreet.
18:43Hamstreet.
18:44Hamstreet.
18:45Hamstreet.
18:46Hamstreet.
18:47Hamstreet.
18:48Hamstreet.
18:49Hamstreet.
18:50Oh, my God.
19:20Please, mister. Please. I didn't do nothing.
19:30Please, mister.
19:39Let me in, somebody. Please, let me in.
19:43Yeah, what's going on out here?
19:45You gotta let me in there, mister.
19:46No one's allowed in here. Beat it.
19:47But, mister, somebody's gonna kill me, I swear. He's right down there.
19:50Now, look, old man, you're drunk and I'm busy, so beat it, would you?
19:55No, no, no. Beat it. Get out of here.
19:57No, but I tell you, he's there somewhere, mister.
19:59Please, let me... let me in. Please, let me in, mister.
20:03He...
20:04I'll come back to you.
20:18, much.
20:20By the way, I'll come back to you till the morning.
20:26You still hanging around?
20:39I was just going, mister.
20:40I'm gonna stay right here until you do.
20:41Oh, that'll be fine.
20:42Thanks, mister.
20:43Thanks.
20:56You stick around.
21:15I'll be right out.
21:16Okay.
21:17Softy now, the fair Ophelia.
21:20Nymph in thy orisons be all my sins remembered.
21:25No, no, Vitamin.
21:26Not like that.
21:27No?
21:28My dear Tess, after 49 years in the theater, you're telling me.
21:35Well, Dick probably forgot his key.
21:36You let him in, Vitamin.
21:38But don't tell him I'm here.
21:39Something tells me this is what you've been waiting for.
21:49I'm sorry.
21:50Oh, ye gods!
21:51What have we here?
21:52Where's Mr. Tracy?
21:53Mr. Tracy buys his fresh fruit from a dependable dealer.
21:57But I've got to see him.
21:58It's important.
21:59You shall not cross this threshold until you've been thoroughly disinfected.
22:02Take your ridiculous presents elsewhere.
22:05But mister, you don't understand.
22:06I've been through enough tonight.
22:07Well, you're not going through here.
22:09But look, mister.
22:10Tell him it's about the furs.
22:12They're going to meet the fence at the end of Hen Street in half an hour.
22:15I wonder what that cab was doing here.
22:16Must have brought Tess.
22:17She said she'd be over tonight.
22:18But, Vitamin, he might have been important.
22:20What importance could Dick Tracy possibly attach to an impecunious peddler?
22:25Oh, Dick at last.
22:31Hello, Pat.
22:32Hello.
22:33Sorry to be late, Des, hello.
22:37Must have brought Tess. She said she'd be over tonight.
22:42But, Vitamon, he might have been important.
22:44What importance could Dick Tracy possibly attach to an impecunious peddler?
22:51Oh, Dick at last. Hello, Pat.
22:53Hello. Sorry to be late, Tess. How long have you been here?
22:56Three acts of Hamlet. Going on four.
22:58Greetings from the Melancholy Dane. Just in time for Miss Soliloquy.
23:03Before you go into that, Vitamon, who was in that cab that just left here?
23:05Oh, merely a person of no consequence?
23:08Vitamon said he was a peddler.
23:10Yes, a peddler with a most grandiloquent name.
23:14Uh, visionary, I believe he called himself.
23:19Visionary? Could it have been Sightless? Did Sightless stop by here?
23:22Stopped by? He practically stormed the gates like a Trojan army of twelve.
23:26But I held the fortress, didn't I, Tess?
23:28Look, Vitamon, Sightless is an ordinary peddler.
23:30That is your opinion.
23:33What did he say?
23:34Why, I made a point of forgetting it immediately.
23:37Look, Vitamon, Sightless wouldn't have come here if it hadn't been important.
23:40What did he say?
23:41Well, in a quaint language all his own, I believe he mentioned something about something that was going to happen at the end of some street in some, uh, half an hour.
23:51Oh, that's great.
23:52What was going to happen?
23:54I think he said somebody was going to build a fence there.
23:57Build a fence?
23:58Fence.
23:59Maybe it has some connection with the furs.
24:00Yes, yes, yes.
24:02He said something about furs, too.
24:04Vitamon, Sightless said somebody was going to meet a fence, didn't he?
24:06I suppose that makes sense.
24:08It certainly does.
24:09Now, look, try to remember.
24:11At the end of what street did he say?
24:14Let me think.
24:16Let me meditate.
24:19Ah, me thinks he said it was at the end of, um, flax street?
24:24There's no such street.
24:25Well, something like flax.
24:27Uh, rope, uh, flannel, crepe de chine.
24:30That's gabardine.
24:31Rope.
24:33Flax.
24:34Could it have been hemp street?
24:35Hemp street?
24:36That's more like it.
24:37Hemp, flax, rope by any other name would smell.
24:40Vitamin C, the test gets home all right, will you?
24:42Enchanted.
24:43I'll see you later.
24:44Come on, Pat.
24:45Come on, Pat.
25:15Longshot Lily.
25:35So she's in the fencing business.
25:37Do we surprise her?
25:38No, not yet.
25:39What we're interested in is who's going to meet her.
25:45Hey, she's not going to wait.
25:55Dick Tracy.
25:56You're not running out on your date on my account, are you?
25:58Do you think I make dates on street corners?
26:00I, I just stopped for a moment to light a cigarette.
26:03Is there a law against it?
26:05No, I guess there isn't.
26:06Then I'll be on my way if you don't mind.
26:09Could I give you a lift?
26:10No, thanks.
26:11I'll give you one.
26:12Pat, you can drive Lily's car.
26:13He's coming with me.
26:14Right.
26:14Come on.
26:18What are you trying to pull, Tracy?
26:19You can't treat me like a criminal.
26:21I'm a lady.
26:23A lady with a date.
26:24Who were you going to see, Lily?
26:26Nobody.
26:27I told you I had no date.
26:29Well, you have one now.
26:30Let's go.
26:30What were you doing on Hemp Street?
26:40I told you.
26:41I was on my way home.
26:43I stopped for a few minutes to have a cigarette.
26:46I never could do two things at the same time.
26:48Then why were you so startled when you saw me?
26:51Force of habit, I guess.
26:53Every time I see a cop, I want to get out of his way.
26:56Look, Lily, you and I both know what you were doing there.
26:58What's wrong with parking on Hemp Street?
27:01Ordinarily nothing.
27:03The two people were to meet there tonight about a little matter of hot furs.
27:07Somebody was going to buy them from somebody who had them to sell.
27:09I'm not interested in furs.
27:12I've got all I need.
27:14And anyway, what would I buy them with?
27:17That $60 you've got in your hand?
27:23Lily, did you lose anything tonight?
27:27No.
27:27Well, then I'm a rich man.
27:29Look what I found.
27:31$20,000 stuffed under the front seat of her car.
27:34Is it yours, Lily?
27:36Certainly it's mine.
27:37I won it in a poker game tonight.
27:39Hmm, some game.
27:41You're barking up the wrong tree, Tracy.
27:43I'm no grifter.
27:44Poker, yes.
27:45The race is sure.
27:46Longshot Lily, that's me.
27:49Gambling's my dish, not fur robberies.
27:51Okay, Lily.
27:52But you'll have to tell me who lost to $20,000.
27:54And also, who was in the game.
27:55I'll tell you that.
27:57Maybe.
27:58On a witness stand.
28:00Well, give Lily a chance on the witness stand.
28:03Booker on suspicion of murder.
28:04Murder?
28:05Oh, you're bluffing, Tracy.
28:06Not a bluff, Lily.
28:08I watched him was killed during the robber's tonight.
28:10You can't pin a murder rap on me.
28:11Then start talking.
28:12All right, all right.
28:14I'll tell you what happened.
28:15Some guy called me tonight and asked me if I'd be interested in some hot furs, dirt cheap.
28:19I said yes.
28:20He said he'd call me back later, so I waited.
28:22And you called him back?
28:23You don't catch me on that one, Tracy.
28:25I don't know the guy, so I don't have his number.
28:27He called me back.
28:28He said to show up at Hemp Street with the dough.
28:31Somebody meet me there.
28:33Somebody did meet me there, all right.
28:36The rest is history.
28:37Who was it called you, Lily?
28:38He didn't take the trouble to introduce himself.
28:40Who was it?
28:41I swear, Tracy, I don't...
28:42Look, Lily, you're in enough trouble without shielding a murderer.
28:44Who was it?
28:44You've got to believe me, Tracy.
28:45You've got to.
28:46The guy was an absolute stranger.
28:48I don't know how he happened to call me, but he did.
28:50I've got a reputation.
28:51I play long shots.
28:52Even you know that.
28:53I take big chances.
28:55People know it.
28:55It gets around.
28:57Lots of guys know about me, but I don't know about them.
28:59That guy could have been anybody.
29:01Anybody.
29:02Believe me, Tracy.
29:03I don't know who it was.
29:04I swear I don't.
29:09Turn this over to the property clerk.
29:11Hold her as a material witness.
29:14This way, please.
29:23You know something, Dick?
29:24I don't think she's lying.
29:26Maybe not.
29:27I'll have a sight.
29:28Let's take a look at her.
29:29Anyway, we'll have to find out from him who was in that back room.
29:34Who's there?
29:35Dick Tracy wants to see you at headquarters.
29:39Okay.
29:39Just a minute.
29:40Who's there?
29:41Dick Tracy wants to see you at headquarters.
29:41Dick Tracy wants to see you at headquarters.
29:44Okay.
29:45Just a minute.
29:45You're not from Tracy.
29:46No.
29:47Just brought back something that belongs to you.
29:52Take them.
29:52They're yours.
29:53They're your trademark sightless.
29:54Thanks.
29:54Thanks.
29:55Thanks.
29:55Thanks.
29:56I found them in the alley, back in the blink in the throat.
29:57No, no.
29:58I wasn't there.
29:59No.
30:00No.
30:01I wasn't there.
30:02No.
30:03No.
30:04No.
30:05No.
30:06No.
30:07No.
30:08No.
30:09No.
30:10No.
30:11No.
30:12No.
30:13No.
30:14No.
30:15No.
30:16No.
30:17No.
30:18No.
30:19Take them.
30:20They're yours.
30:21They're your trademark sightless.
30:22Thanks.
30:23Thanks.
30:24I found them in the alley, back in the blink in the throat.
30:25No, no.
30:26No.
30:27I wasn't there.
30:28You had to tell them, didn't you?
30:29No.
30:30You at the stool at Tracy.
30:31No.
30:32I didn't see them.
30:33I...
30:46I could not hear them.
30:47Well, please.
30:48Come hear.
30:49I'll find them.
30:50I'll find them.
30:51Come in.
30:52Come in.
30:53Come in.
30:54Come in.
30:55Come in.
30:56Come in.
30:57Let's go there.
31:10Come in.
31:13Come in.
31:14Come in.
31:15the door beyond the stairs.
31:22Sighthooks.
31:34He's gone, poor guy, just like Hawks.
31:39I didn't see anyone come out as we drove up.
31:41Then there's a chance we've got him trapped in the building.
31:43I'll call headquarters and have the blocks around him.
31:45Do you suppose he was making a phone call when we drove up?
31:47Could be.
32:15Oh, my God.
32:16Oh.
32:17Oh.
32:18Oh.
32:19You know what?
32:20Oh.
32:21You could take a plane.
32:22You could take a plane.
32:23Oh.
32:24Oh.
32:25Oh.
32:26Oh, my God.
32:28Come on.
32:58How do you like that?
33:19He slugged me.
33:20If you weren't my friend, I'd say you had it coming to you.
33:23Why didn't you wait until we had the block surrounded?
33:25You know, I was just wondering that myself.
33:27Anyway, I winged him.
33:28And I know now what he used to kill Hawks and Sightless.
33:30I was coming up the stairs...
33:31Tell me about it on the way down.
33:33He has no right hand.
33:34There's an iron hook attached to his forearm, and that's his weapon.
33:37I saw it, and I felt it.
33:38Maybe you're right.
33:39Come on.
33:40I want to show you something.
33:41Look at these scratches.
33:42They're brand new, aren't they?
33:44Say, he uses that hook for everything, doesn't he?
33:46It must have been an important caller.
33:47He would never have stopped to use this phone.
33:49You're right.
33:50As a reward for your good work tonight, I'm going to give you a nice, safe job
33:54finding out who he was calling.
33:56You mean me?
33:57That's right.
33:58I'll explain in headquarters.
34:00I'll tell you what these scratches give us, Pat.
34:03What's the first thing you do when you dial a telephone number?
34:05Why, I, uh, look for a nickel.
34:07Oh, no.
34:08Oh, I dial the exchange.
34:09That's right.
34:10You dial the first two letters of the exchange.
34:13Well, these scratches appear only in the first two holes.
34:16I get it, Dick.
34:17The exchange the killer was dialing has got to be here.
34:20Correct.
34:21In checking a list of exchanges, you'll find there's only one exchange
34:24with a combination of these letters.
34:26BA for banning.
34:27But what about these other two scratches?
34:29That's even simpler.
34:31Since they appear in the first hole, the killer could only have been dialing the number one twice.
34:35Then we know the number the killer started to dial is banning one, one, something, something.
34:40Now, all we have to do is find the complete number and we'll know who the killer is trying to call.
34:44But there's lots of telephone numbers that start that way.
34:46I know.
34:47Dozens, maybe.
34:48Sure.
34:49Maybe even as many as a hundred.
34:50Mm-hmm.
34:51And that's why I'm giving you the job, Pat, of finding the exact number.
34:54You mean you want me to call every number starting with BA-1-1?
34:57Now, look, Dick.
34:58Get to your desk, Pat, and start in.
35:00But, Dick, who do I say is calling and who am I supposed to be?
35:03A guy's got to know those things.
35:05I can't just walk into something blind.
35:07Find anything, Donovan?
35:09I think this is it, Mr. Tracy.
35:11Well, that looks like the bird all right.
35:13Mm-hmm.
35:14According to this, he hasn't been around since bootleg days.
35:17Used to be a hijacker.
35:18Coast guard cut around him.
35:20Lost his right hand and crippled his right leg.
35:22Yep, that's him.
35:24Did a stretch in the pen.
35:25Only been out about six months.
35:27Calls himself a lot of things.
35:28But his most popular name is The Claw.
35:30Well, Pat, I guess that's the answer to your question.
35:32Yep.
35:33Shall we send out a pickup on him?
35:34No.
35:35Not yet, anyway.
35:36The Claw isn't in this alone.
35:37Furs aren't in his line.
35:38He wouldn't know how to dispose of them.
35:40Any idea who the higher up is?
35:42I'm depending on Pat to tell me that.
35:44You mean you want me to imitate this guy?
35:46Use your deepest baritone, Miss Patton.
35:48Here's your telephone.
35:50Now, I guess you're all set.
35:52This is The Claw speaking.
35:54No, no, no.
35:56This is the... this is Pat.
35:59Hmm.
36:00This is The Claw speaking.
36:04See that he keeps that pitch, Donovan?
36:06Right.
36:07Let me know the minute you get results.
36:08Yes, Dick.
36:09I mean, uh, gotcha, boss.
36:11Hello.
36:12Yes.
36:13Dick, Vitaman's grieving dreadfully.
36:14I feel that you ought to speak to him.
36:15What's the matter with him?
36:16Well, his conscience.
36:17The news about sightless came over the radio, and...
36:18Oh, dear, I told him that we all felt bad about it, but take a look for yourself.
36:32Snap out of it, Vitaman.
36:41It's true you did send sightless away from the house, but you don't...
36:43If I hadn't, he'd still be alive.
36:45The solution to your entire dilemma was on the lips of that peddler, and I silenced them forever.
36:51Now I needs must atone for me crime.
36:55But, Vitaman, there's nothing you can do now.
36:58Nothing?
36:59There's nothing so difficult to do as...
37:02Nothing?
37:05What is it, Dick?
37:06Vitaman, there is something you can do.
37:08But I don't know whether you...
37:09Butch me no buts, sir.
37:11Put me to the test.
37:14Hello?
37:15This is the claw speaking.
37:19I quit, wise guy.
37:21What did they say this time?
37:22This is the claw, eh?
37:24Then go scratch yourself.
37:25Insults.
37:26That's all I get.
37:27A man in my position.
37:29Uh-uh, uh-uh, uh-uh.
37:30I'm sorry, Pat.
37:31You're in my custody.
37:32Orders from the Chief.
37:33He just called.
37:34Where was he calling from?
37:35Home in bed?
37:36No, he's on his way to Humphreys.
37:37What do I care where he was on his way to?
37:39Well, that's so as you'll know where to report to him after you've located his man.
37:43Then ask him where he'll be a year from Thursday.
37:46Let's see.
37:47Where was I?
37:48Oh, Tracy.
37:49Good evening, Mr. Humphreys.
37:50I hope it's not too late for a call.
37:51Certainly not.
37:52Come in.
37:54Sit down, Mr. Tracy.
37:55I, uh, suppose if you had any good news, I wouldn't have to ask you.
37:58That's right.
37:59I had hoped to recover your furs tonight, but something went wrong.
38:01You mean they're still in the city?
38:02I'm sure of it.
38:03And we hope to get them back for you shortly.
38:05Please don't take offense at this, Tracy, but tell me frankly.
38:08Did Premium ask you to come over here and tell me that?
38:10No, why should he?
38:11Well, tonight, it's not.
38:12It's not.
38:13It's not.
38:14It's not.
38:15It's not.
38:16It's not.
38:17It's not.
38:18It's not.
38:19It's not.
38:20It's not.
38:21It's not.
38:22It's not.
38:23It's not.
38:24It's not.
38:25It's not.
38:26It's not.
38:27It's not.
38:28It's not.
38:29It's not.
38:30Well, tonight, the period of grace for the insurance company expires.
38:34And they have to produce either the furs or the money.
38:37You think they'll stall on their settlement?
38:39It was just an idea.
38:41What I really wanted to ask you was, how long has it been since the combination was changed
38:46on your vault?
38:47The insurance company insisted on it being changed when they wrote the policy.
38:51Who actually made the change?
38:52I don't know.
38:53Uh, Cudd brought a serviceman over with him.
38:56Well, thank you very much, Mr. Humphries.
38:58Yes, sir.
38:59I hope to have some news for you soon.
39:01Okay.
39:02And the same to you with many unhappy returns.
39:06Dick just called again.
39:07He seems disappointed with you.
39:08I'm not too happy about him either.
39:14Hello?
39:15Hello.
39:16This is the Claw speaking.
39:17How about time you called?
39:18Hey, hey.
39:19He knows me.
39:20What number did you call?
39:21I don't know.
39:22I'll have a trace.
39:23Keep talking.
39:24What do I say?
39:25What do I talk about?
39:26Furs, women, anything.
39:27Furs, women, anything.
39:28Yeah, I'm still on the line, boss.
39:32Well, you see, I couldn't, boss.
39:36I ran into a little trouble.
39:38Donovan, Donovan.
39:39He hung up.
39:40What number did you dial?
39:41I don't know.
39:42Well, think.
39:43Think.
39:44I can't think.
39:45You can't think.
39:46No, no.
39:47Fine.
39:48Fine.
39:49Fine.
39:50Fine.
39:51Fine.
40:06Oh.
40:07Hello, Tracy.
40:08Hello, Cud.
40:09Who is it?
40:10I'm Tracy.
40:11Remember me?
40:12I found your corridor open, so I walked right in.
40:15Keeping rather unusual business hours, aren't you?
40:17Did you find out anything?
40:18Did you know that somebody changed the combination on Humphrey's vault shortly before the robbery?
40:22Mm-hmm.
40:23One of the conditions under which we wrote the policy.
40:25It's not unusual.
40:26Should be done periodically anyway.
40:28Do you know the new combination?
40:30I do.
40:31I went with the serviceman that did the job.
40:33Do you know it too, Mr. Premium?
40:35Yes.
40:36As a matter of fact, I do.
40:38Say, what are you driving at, Tracy?
40:40Are you suggesting that Cud and I are in on this robbery?
40:43I'm not suggesting anything yet.
40:44But somebody provided the fees with the combination on that vault.
40:47Shall I take it?
40:48No, I'll answer it.
40:49Hello?
40:50Yes?
40:51Oh, I can't go into that tonight.
40:52Have him call me back tomorrow.
40:53Is that the Claw?
40:54Who is the Claw?
40:55He's a two-time killer, and he's got Humphrey's furs.
40:56He tried to sell him to a fence, but something went wrong.
40:57Well, if you know who he is, why don't you arrest him?
40:58I don't know where he is.
40:59But as he failed in contacting the fence, I thought it was wrong.
41:00Well, if you know who he is, why don't you arrest him?
41:01I don't know where he is.
41:02But as he failed in contacting the fence, I thought he might call you tonight.
41:03And offer to sell the furs back at a big cut under their real value.
41:04Well, we did have such an idea, but we didn't know who had them.
41:05Tonight's our deadline.
41:06And if we don't get the furs back, we'll have to settle with Humphrey's.
41:07An experienced fur thief would know that.
41:08The Claw has no experience with furs.
41:09But the man behind him has.
41:10I don't know where he is.
41:11I don't know where he is.
41:12But as he failed in contacting the fence, I thought he might call you tonight.
41:15And offer to sell the furs back at a big cut under their real value.
41:17Well, we did have such an idea, but we didn't know who had them.
41:20Tonight's our deadline.
41:21And if we don't get the furs back, we'll have to settle with Humphrey's.
41:23An experienced fur thief would know that.
41:25The Claw has no experience with furs.
41:28But the man behind him has.
41:30Pat!
41:31Pat!
41:32What in the world happened to you?
41:34I've got it, Dick.
41:35I've got it.
41:36You've got what?
41:37The man, higher up.
41:38Banning, 1126.
41:39Well, who is it?
41:40Humphrey's.
41:41Well, how do you like that?
41:42The guy figures to collect $100,000 on his policy,
41:45and still have his money.
41:46I've got it, Dick.
41:47I've got it.
41:48I've got it.
41:49You've got what?
41:50The man, higher up.
41:51Banning, 1126.
41:52Well, who is it?
41:53Humphrey's.
41:54Well, how do you like that?
41:55The guy figures to collect $100,000 on his policy,
41:58and still have his furs.
42:00Are you sure of this, Tracy?
42:01I'm sure.
42:02And I've got a crooked finger to prove it.
42:05It adds up, Cud.
42:06Humphrey's is counting on you buying back the furs tonight.
42:09Sure.
42:10He gets his furs back in the morning,
42:11plus his cut of the dough we pay to get him back.
42:13Then, Tracy, why don't you do something?
42:15Why don't you lock him up?
42:16No, let me get my hands on him.
42:18By locking him up now, you risk losing your furs.
42:21And we might never catch the killer.
42:23But Humphrey's can tell us where the furs are hidden.
42:25Don't you think he'll deny his connection with the crime?
42:27That means a trial.
42:29Giving the killer more time than ever to skip town with the furs.
42:31That sounds reasonable.
42:33Well, then what do we do?
42:34You and I are gonna stick right here.
42:36I'm more certain than ever now that the killer will give you a call tonight.
42:39You and Pat pay Humphrey's a friendly little call.
42:42Right.
42:43I think I'm gonna enjoy this.
42:45You know, Tracy, I gotta admit it.
42:48I'm kinda glad you dropped in here tonight.
42:50Hello?
42:51Is, uh, he back here tonight?
42:52I'm here tonight.
42:54I'll see.
42:55Hello?
42:56Is, uh, he back there?
43:00I'll see.
43:01No, he ain't in.
43:02No, he ain't in.
43:03That's funny.
43:04No, he ain't in.
43:05That's funny.
43:06You're supposed to make a very important call for me tonight.
43:08Good morning's night.
43:09Good morning, Tracy.
43:10I am so excited to have him come, Tracy.
43:11I'll see.
43:12Hello?
43:13Hello?
43:14Is, uh, he back there?
43:15I'll see.
43:16No, he ain't in.
43:29That's funny.
43:30You're supposed to make a very important call for me tonight.
43:34He was supposed to make a very important call for me.
43:36Why, Cudd, I didn't expect to see you here tonight.
43:47Any news about the furs?
43:49Plenty.
43:49Oh, Humphreys, one of the first rules of our company
43:52is to always keep our clients covered.
43:54I don't know what you mean.
43:56Step inside.
43:56Just a minute.
44:06Not here.
44:21He's got to be here somewhere.
44:30Hey, he's here.
44:32He's drunk.
44:33Let me see.
44:36He's not drunk.
44:36He's been hurt.
44:40Well, looks like he added another tattoo mark to his collection.
44:44Is he dead?
44:45Just about.
44:49Hey, he looked to me like he had time to call the insurance company.
44:54Maybe we ought to help him.
44:56I've had some experience sniping out bullets.
44:58But why waste some time?
45:00Look, we're the perfect set-up, Terry.
45:02It'll be twice as much dough on it for us if we call the insurance company.
45:05It's just you and me.
45:06Yeah, but what's going to happen when he finds out we double-crossed him?
45:09Yeah, by that time we'll be seeing the world.
45:10Come on.
45:11That guy and his cat's open.
45:19Maybe your hunch was wrong, Tracy.
45:30There could have been a slip-up somewhere.
45:32Come on.
45:33Come on.
45:38Hello?
45:39Is this the honesty insurance company?
45:40Yes.
45:41Yeah, whom I'm speaking of?
45:42Peter Premium.
45:44Who's this?
45:44Never mind who this is.
45:47Look, how'd you like to get them Humphrey Furs back tonight, eh?
45:50All right, listen carefully.
45:52$50,000 back of the blanket skull in half an hour.
45:56Come by yourself.
45:57$50,000.
45:59Back of the blinking skull.
46:01And I'm warning you.
46:02No cops.
46:03I understand.
46:07No cops.
46:08What do you know about that?
46:10Back of the blinking skull.
46:12Are you going, Tracy?
46:14Alone?
46:15You heard what the man said.
46:17No cops.
46:18Good luck.
46:19Buy a pencil from a poor blind man.
46:24Buy a pencil from a poor blind man.
46:28Buy a pencil from...
46:30Preby, a random shekel for a myopic mendigant.
46:35Peasant.
46:39Ye gods, tis now the very witching time of night.
46:43But not a suspicious character in sight.
46:47Methinks I have failed, Dick Tracy.
46:49Hey, Sam.
46:53What's the matter?
46:54Look.
46:56What?
46:57Sightless.
47:01What's the matter with you?
47:02You believe in ghosts?
47:02Come on.
47:03Yeah, but...
47:03I said come on.
47:06Hey.
47:06A pencil from a poor blind man?
47:14I'm expecting someone to show in about 15 minutes.
47:16Let him in.
47:17And no one else.
47:17Okay, Sam.
47:18I'm expecting someone to show in about 15 minutes.
47:19I'll be there.
47:19I'll be there.
47:20I'll be there.
47:20I'll be there.
47:20I'll be there.
47:21I'll be there.
47:21My most profound apologies.
47:29On your way, brother.
47:30We've got to draw the line somewhere.
47:32There's no mojos.
47:33That epithet is applicable only to him who is afflicted with impecuniosity.
47:38I'm sorry.
47:39I'm sorry.
47:40I'm sorry.
47:41I'm sorry.
47:42I'm sorry.
47:43I'm sorry.
47:44I'm sorry.
47:45I'm sorry.
47:46I'm sorry.
47:47I'm sorry.
47:48It's applicable only to him who is afflicted with impecuniosity.
47:52Come again?
47:53Come again.
47:54I haven't left.
47:55There, keeper of the hooch.
47:57Okay.
47:58Name it.
47:59Fetch me something savory and salubrious.
48:02Concocted perhaps from citrus grown in the gardens of Granada.
48:06Chilled by the snows of San Marieta.
48:09Served in a chalice by Chilini.
48:12Sorry, Bob.
48:13We've got it.
48:14In language comporting with your intelligence.
48:17Lemonade.
48:19Lemonade?
48:20Dear me.
48:21Doesn't anyone understand English anymore?
48:47Hey.
48:48I'm sorry.
48:49I'll get some fun.
48:50I'll do the same thing.
48:52Bye-bye.
48:53I'm sorry.
48:54I'll get some coffee.
48:55Hello, Bob.
48:56Oh, wait, man.
48:57What did you do?
48:58I'm sorry.
48:59I'll take some coffee.
49:00I'll do it.
49:01I'll do it.
49:02Mm-hmm.
49:03I'll have to take some coffee.
49:04You gotta make some coffee.
49:05For some coffee, you might have to take some coffee.
49:06I'll keep her in the kitchen.
49:07I'll just wait for it to the kitchen.
49:08I'll do it.
49:09Well, it's okay.
49:10Come on. Smile, kid. Smile.
49:12In a few minutes, you and me are going to be 50 grand rich.
49:40Come on.
49:55Somebody winged you, huh?
49:57Just a scratch.
50:05Had me out cold for a while, though.
50:08I, uh, I think you'll let Jigga take a look at that.
50:11He's pretty good with them things.
50:13I'll be all right.
50:17I think you ought to take him a seat, Jigga.
50:19Okay.
50:22I've got to stick around.
50:24You can't go around like that.
50:28I've done it before.
50:29I think Sam is right. You ought to have that looked after.
50:34You guys sound like you're trying to get rid of me.
50:37Oh, no. No, you're wrong.
50:42You sure act like maybe a black cat ran across your path.
50:55You're wrong about me, Sam.
50:56I can't do this.
50:57I had nothing to do with it.
50:58No, Claude, no.
50:59I didn't want to hurt you.
51:00I had nothing to do with it.
51:19No, Claude, no. I didn't want to hurt you.
51:22No tricks.
51:23Yes?
51:24Boss?
51:25Boss?
51:26This is the claw.
51:27No tricks.
51:28Yes?
51:29Boss?
51:30This is the claw.
51:31I just wanted to tell you.
51:32Somebody from the insurance company is on his way down.
51:36I'll take him to the junkyard on Primrose Street.
51:37We'll have our dough in a few minutes.
51:39Come on.
51:40I'll take him to the junkyard on Primrose Street.
51:41I'll have a dough in a few minutes.
51:42I'll take him to the junkyard.
51:43I'll take him to the junkyard on Primrose Street.
51:44No tricks.
51:50Yes?
51:51Boss, this is the claw.
51:55I just wanted to tell you, somebody from the insurance
51:58company is on his way down.
52:00I'll take him to the junkyard on Primrose Street.
52:03We'll have our dough in a few minutes.
52:06And, uh, boss, uh, we'll only have to split it two ways.
52:14Fine, claw. Fine.
52:18What's the matter?
52:20Anything wrong?
52:21No.
52:23Everything's swell, Carl.
52:26Everything's swell.
52:29It's a flame-up!
52:31I'm waiting for this.
52:44Sure, you get the money and the gun Jay, but they'll always go down.
52:49You know, I think we need two
53:10Okay, Jigar, you lead the way.
53:12Lead the way where?
53:14Hey, you cops can't shove me around.
53:16I run a respectable joint.
53:18Talk that over in the back room. Get going.
53:32Let me out of here!
53:34Let me out of here!
53:36Oh, Dick Tracy.
53:40I'll be right with you, Vitaman.
53:49Okay, Jigar, where'd he go?
53:51I don't know, Trexy.
53:52I know. I heard everything.
53:54The furs are in the junkyard on...
53:55Not Black Street.
53:56No, on Primrose Street.
53:59Vitaman, I'll make you a police commissioner for this.
54:01All headquarters. Haven't sent a squad car.
54:03Aye, aye, sir.
54:05Hey, these pipes are hot, Tracy.
54:07You better get used to the heat, Jigar.
54:35You better get used to it.
54:36As you know, We weren't sure you were lush.
54:42Let's go.
55:12Come on.
55:42Come on.
56:12I know you're there.
56:25Come out.
56:42Come on.
56:43Come on.
56:44Come on.
56:45Come on.
56:46Come on.
56:47Come on.
56:48Come on.
56:49Come on.
56:50Come on.
56:51Come on.
56:52Come on.
56:53Come on.
56:54Come on.
56:55Come on.
56:56Come on.
56:57Come on.
56:58Come on.
56:59Come on.
57:00Come on.
57:01Come on.
57:02Come on.
57:03Come on.
57:04Come on.
57:05Come on.
57:06Come on.
57:08Come on.
57:10Come on.
57:11Come on.
57:12Let's go.
57:42Let's go.
58:12I couldn't get that police commissioner's job for you, Vitamon.
58:31You?
58:32That spilled for a while.
58:33This is to show our appreciation.
58:35Haven't you anything to say, Vitamon?
58:37For the first time in my life, I'm speechless.
58:40You know, I think we should give you a badge more often.
58:43Oh, fortunately, I happen to have a little speech of acceptance with me.
58:49My dear friends, cannons to right of the...
58:52Vitamon, I have a table reserved for us at a nearby restaurant.
58:55Suppose you say that speech until then.
58:56Oh, Dick, how nice dancing.
58:57Why not?
58:58Tracy, I'm glad you're still here.
58:59I just got a report on Hatchet Harry.
59:01What about him?
59:02One of our men spotted him in the freight yards.
59:04Sorry, Tess.
59:05Come on, Pat.
59:06Vitamon, you won't mind taking Tess to dinner for me, will you?
59:10Don't you need me?
59:11I think we can manage.
59:15Sometimes I wish I'd been born a super criminal.
59:18Why, my dear?
59:19Because then I might get to see something of Mr. Dick Tracy.
59:23Oh?
59:40I think that this is not my fault.
59:41Why, my dear friend, you?
59:42Why, my dear friend.
59:43That was my fault.
59:44If I was to watch, he'd be a teacher.
59:45This is not my fault.
59:46What did I do?
59:47That was my fault.
59:48Now, that was my fault.
59:49My, my dear friend, you said, I have no want to as a doll.
59:50What's your fault.
59:51One of our breasts is wrong.
59:52And, you mean that, you could be the guy who had this shit before my life.
59:53I think that, you know that I was a blind man.
59:55And, I think that I'm so happy.
59:56And so, I'm happy.
59:58There's no need to do that.
59:59We can give him an action.
00:00I don't see you.
00:01The day you want to make this lot easier.
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