Man or Monster? (1971) – The Yellow Curse Awakens - video Dailymotion

alexa cat

A cursed man returns from death with terrifying powers, torn between the beast within and his fading humanity. Man or Monster? explores the darkness of the soul in this 1971 cult horror film filled with eerie atmosphere and psychological suspense.  This vintage horror classic blends supernatural elements with moral conflict, making it a must-watch for fans of 70s genre cinema.  Video sourced from public domain material. Edited for educational and entertainment purposes.

Transcript

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00:03:52Oh, my God.

00:04:22Oh, my God.

00:04:52Oh, my God.

00:05:21Langdon, I'm sick.

00:05:25I'm dying.

00:05:29Langdon pleading for pity.

00:05:32Langdon the traitor.

00:05:35Langdon the murderer, rapist, thief.

00:05:40Langdon the evil man.

00:05:42They recognized evil man.

00:05:51Please.

00:05:53I'm too weak to try to run.

00:05:56I'll do anything you ask.

00:05:58Just don't kill me.

00:06:00What have you got to offer?

00:06:05No.

00:06:08Please.

00:06:09No.

00:06:10I...

00:06:11I...

00:06:12I...

00:06:13I'm scared.

00:06:15You can't kill me.

00:06:20There's nothing like a wild animal.

00:06:25I'm a human being.

00:06:28Just like you are.

00:06:30Shut up.

00:06:31Would you serve me, Langdon, without question, loyally, for the rest of your life?

00:06:41No.

00:06:42I...

00:06:42I swear.

00:06:44No need for that.

00:06:46I always take a man at his word.

00:06:48You really are sick, you know.

00:07:11That fruit you just ate is extremely toxic.

00:07:16As a matter of fact, you should be dead.

00:07:18And it's a wonder you're not.

00:07:23Starving is such a wretched business, isn't it?

00:07:28Wretched, painful, dirty.

00:07:34Dirty.

00:07:39When was the last time you heard some fresh meat to eat?

00:07:42Your friend isn't coming, Langdon.

00:07:51She died of bullet wounds a while ago.

00:07:54Leaving a trail of canned beans and dried fish behind her.

00:07:59But then she wasn't really a friend, was she?

00:08:04In a way, though, she did come through for you.

00:08:09In a way.

00:08:10Come now, it's good meat.

00:08:20Probably better than anything you ever tasted.

00:08:25Eat, my boy.

00:08:31Eat.

00:08:31Eat myself.

00:08:44Eat.

00:08:50Eat.

00:08:53Eat.

00:10:53Cause us never to forget that our life is short and uncertain.

00:10:58Let your Holy Spirit lead us through this world in holiness and justice, all the days of our lives.

00:11:05And after we have served you on earth in the comfort of our faith and in perfect charity to all men, may we joyfully come to your kingdom through Jesus Christ our Lord.

00:12:34Are you quite comfortable, Langdon?

00:12:39Leave me alone.

00:12:42I know just how you feel, my boy.

00:12:46Believe me, even I don't enjoy everything I have to do.

00:12:52But we have our rules, the same as everyone else.

00:12:55Can I have a moment's peace?

00:12:58Hardly.

00:12:59It's one thing to be melancholy, dear boy, but quite another to be inane.

00:13:10I think you'll find this new situation quite interesting.

00:13:16In fact, I think I will too.

00:13:19Mr. Earle is here, Mrs.

00:13:33Yes, I'm ready.

00:13:37Dr. Porfirio Santos wanted in surgery B immediately.

00:13:41Dr. Porfirio Santos, please.

00:13:43Telephone call for Dr. Gorris at main lobby desk.

00:13:49Dr. Gorris, telephone call.

00:13:54Believe me, Mrs. Rogers, I'm as surprised and shocked as you are.

00:13:59There was not the slightest basis for suspecting that there was anything wrong.

00:14:03That is why I would like your permission to have an autopsy performed on the, on your husband.

00:14:11I would like to see my husband.

00:14:13Of course.

00:14:14We haven't moved him from his room.

00:14:16I want to see his face.

00:14:23What happened to his face?

00:14:25Mangleby on recognition in an industrial accident.

00:14:32He's had a number of operations.

00:14:35I've been helping here and there.

00:14:39Now, Lander.

00:14:40Just what the hell are you trying to pull, doctor?

00:15:10Asked him for Porfirio to come here immediately.

00:15:17Phil?

00:15:20Get these bandages off his face.

00:15:23But he can't be alive.

00:15:25You do it.

00:15:26Right now.

00:15:40Lord.

00:15:41Well, what would you say?

00:15:43When did he come here?

00:15:44Did he come here?

00:15:45Did he come here?

00:15:46Mecan?

00:15:46Any sondern?

00:15:48I know.

00:15:49Dad.

00:15:50I'm on your way.

00:15:51What?

00:15:52What?

00:15:53What do you think?

00:15:55What about you?

00:15:56I'm here.

00:15:57What?

00:15:59Are you?

00:15:59What does he come here?

00:16:00I can't be.

00:16:01You know.

00:16:02I'm here.

00:16:03I can hold him.

00:16:04What are you doing?

00:16:05What am I saying?

00:16:07Someone will find a place.

00:16:10Oh, my God.

00:16:11Is it a place to take care of my friends?

00:16:14I've seen the place.

00:16:16Bye.

00:16:17Bye.

00:16:18Bye.

00:16:19Bye.

00:16:20Bye.

00:16:21Bye-bye.

00:16:22Bye.

00:16:23Bye-bye.

00:16:24Bye-bye.

00:16:26Bye-bye.

00:16:29Good.

00:16:30Bye-bye.

00:16:34Bye-bye.

00:16:36Don't touch him

00:16:47Get help quick

00:16:55Doctor doctor

00:17:05Doctor doctor

00:17:35Philip?

00:18:05I think I'm rediscovering the nicest part of the house.

00:18:15You never used to think that.

00:18:18You used to make a joke of all the trouble I went to having it done.

00:18:22Come sit by me.

00:18:35It's not too cold for you.

00:18:40No.

00:18:49You've had a pretty rough time of it, haven't you?

00:18:53I never expected you to say anything like that.

00:18:57I've been away a long time. You should expect to be surprised. I do.

00:19:03I don't know you anymore.

00:19:06Are you sorry?

00:19:08No.

00:19:12I've never been afraid of you before.

00:19:17You are getting chilly.

00:19:33I know you are.

00:19:35You hear a little bit of a little bit.

00:19:36I don't know.

00:19:37I don't know.

00:19:38You are not looking for any other tentas.

00:19:39I'm sorry you've got to be.

00:19:40I'm sorry.

00:19:41You don't know who the tentas is.

00:19:42I love you.

00:19:44You are not seeing that.

00:19:45You are doing nothing.

00:19:46You got to be careful and lovely.

00:19:47I'm sorry.

00:19:48You are coming.

00:19:50You are coming.

00:19:51I'm going.

00:19:52I'm sorry.

00:19:53I'm sorry.

00:19:54You are coming.

00:19:55You are coming.

00:19:56I'm sorry.

00:21:58Why not?

00:22:00Have you got a clear conscience, Earl?

00:22:02What do you think I ought to do about Julia?

00:22:06I don't know what you mean.

00:22:11There aren't many women who could have stood by you all this time.

00:22:13You're right.

00:22:15You see, that's the point.

00:22:16Things aren't going to get any better.

00:22:18And there's nothing that she or I can do about it.

00:22:22So what are you going to do?

00:22:23Just throw her out like your board of directors?

00:22:24Would you like that?

00:22:30All right, Phil.

00:22:32Come out with it.

00:22:33If you're implying that there's ever been anything between Julia and me...

00:22:36Earl, I'm just trying to make things easy for you.

00:22:40Easy?

00:22:40Easy.

00:22:42Easy.

00:22:46Julia knows what a disaster our marriage has been, but she's not the kind to let go or walk away.

00:22:52Principles.

00:22:53She's not going to just wake up one morning and realize that it's you she's wanted all along.

00:22:59If I threw her out, neither one of us would ever see her again.

00:23:03Why should you care?

00:23:05I don't want to hurt her any more than I have to.

00:23:08If she can make a good life for herself with you, why shouldn't she have a chance for it?

00:23:12So why don't you and I kind of help her along, Earl?

00:23:42Why, here's Tom Milton.

00:23:48Remember him?

00:23:49You inhabited him in 54.

00:23:5255, I think.

00:23:54You know I can't for the life of me remember what I did with him.

00:23:59I'll have to look it up.

00:24:03Actually, Langdon, since I happened to be in the neighborhood, I thought I'd look you up and have a little therapy session with you.

00:24:10You know, bringing you back with your own face was an irresistible temptation.

00:24:16But it may turn out to be an awful mistake.

00:24:19What have I done?

00:24:21Nothing yet.

00:24:23But having a face of your own is encouraging you to think about personal identity.

00:24:29And you know we can't have that.

00:24:32I take no pleasure in it.

00:24:34Naturally not.

00:24:36But your mind wanders.

00:24:40Why do you think I keep bringing you back, Langdon?

00:24:44Apart from the pleasure you get out of it.

00:24:47To awaken the latent evil in the people that I come in contact with.

00:24:51Good.

00:24:53I knew you'd be sharp enough to grasp that.

00:24:56It isn't as easy as it might seem to find qualified agents.

00:25:00Human nature is so ambiguous that the propagation of evil is left entirely to chance.

00:25:10There's been a great deal said about the scarcity of truly good men.

00:25:15Why, truly evil men are just as hard to find.

00:25:18Do you realize, Langdon, that if you really put your mind to it, you could be a saint?

00:25:27For our side, of course.

00:25:29Nothing seems worth doing.

00:25:31You want to die.

00:25:37Is that it?

00:25:39Yes.

00:25:40What fantasies people pick up!

00:25:43This is all there is, you know.

00:25:47You have to stop thinking of yourself as a man groping towards some sort of fulfillment within a measured span of time.

00:25:57Because surely you can see that you stopped being mortal some twenty-odd years ago.

00:26:02So, what am I?

00:26:05Well, you're in transition.

00:26:07You're still part man, becoming, hopefully, a quality.

00:26:13A pure moral force, so to speak.

00:26:17I am a man.

00:26:19Damned, maybe, but still a man.

00:26:21Who knows shame and sorrow and revulsion and regret.

00:26:32You have no idea how distasteful I find this.

00:26:38I wish there was some subtler and equally effective way of making a point with you.

00:26:45Do try to remember, Langdon.

00:26:48I find you quite useful, but I don't want you to be anybody.

00:26:53Not anybody at all.

00:26:57The pain you feel is only a slight pressure on the kidney.

00:27:02If you vex me further, I can be much more imaginative.

00:27:26Can I get you a drink?

00:27:32Earl stopped in this afternoon.

00:27:39I figured he would.

00:27:42He told me.

00:27:46He said you had to talk about me.

00:27:51Yes.

00:27:53What did you tell him?

00:27:55I think you know what I told him, Julia.

00:28:03Just what do you take me for?

00:28:06What was his attitude?

00:28:09I don't know what you mean.

00:28:14Did he seem interested in the idea?

00:28:16What was the point of telling him all those lies?

00:28:34What are you trying to do to me?

00:28:36About four months ago, you let an airline pilot pick you up at the Savoy Bar.

00:28:45Now, that bothered you a lot, didn't it?

00:28:50You hadn't spoken to me in months.

00:28:52You didn't care whether you lived or died.

00:28:55You didn't care what happened to me.

00:28:57How was I supposed to feel?

00:29:00Just the way you did feel, Julia.

00:29:02The trouble is, you've never been able to forgive yourself for it.

00:29:08How long have you known?

00:29:10What difference does it make?

00:29:13Philip, suddenly I don't understand you at all.

00:29:16Earl is as close to being what he seems to be as anyone you've ever known.

00:29:25With him, you'd never have to wonder where you stood.

00:29:28And that's what you've always wanted, isn't it?

00:29:30And it's not supposed to matter whether I love him or not.

00:29:34What do you want, Julia?

00:29:35Love you've had.

00:29:37Why don't you settle for something you can live with?

00:29:40Who are you?

00:29:42As far as you're concerned, I am and can only be.

00:29:47Whoever.

00:29:49Or whatever you think I am.

00:29:55Philip?

00:30:06I need you.

00:30:08I don't want to lose you.

00:30:12Whoever.

00:30:13Whatever you are.

00:30:14I don't want to lose you.

00:30:42I don't want to lose you.

00:30:45I don't want to lose you.

00:30:46I don't want to lose you.

00:34:32Philip, is that you?

00:34:45Philip, let me in, please.

00:34:49I'm very tired, Julia.

00:34:52I'll talk to you later, all right?

00:34:54Is there anything wrong?

00:34:57No.

00:35:02There must have been some kind of weapon used.

00:35:13Nobody could have done that with his bare hands.

00:35:16I don't know, Lieutenant.

00:35:19Even a weapon has to be handled.

00:35:27What kind of a weapon would you need to rip out a man's heart with a single blow?

00:35:33You're not sure it was a single blow.

00:35:35I wouldn't swear to it, no.

00:35:36Not on something as mutilated as that.

00:35:40But I would guess he was hit no more than three times.

00:35:44Once on the head and twice across the body.

00:35:47With the force of a jackhammer.

00:35:49And that's not all.

00:35:51We picked up bits of tissue from his heart, lungs, digestive tract

00:35:56that looked as if they'd come out of a meat grinder.

00:36:01No.

00:36:02Well, how else can you explain the way he's been acting?

00:36:06All right.

00:36:07He's having a hard time fitting into things.

00:36:11Do you really think sending him away again will help him?

00:36:15I'm only suggesting that he needs psychiatric help.

00:36:18That amounts to the same thing.

00:36:19Don't you see?

00:36:23He needs us.

00:36:24He needs me.

00:36:26Not some stranger poking around in his mind the way they did with his body.

00:36:29He's all alone.

00:36:35And he doesn't want to beg for anything.

00:36:41That's why I said all those things to you yesterday.

00:36:44I wish that were true.

00:36:47It is true.

00:36:49Maybe he is lonely in a way.

00:36:51But I can't reach him.

00:36:53And I don't think you can.

00:36:55He's grown hard.

00:36:56Mean even.

00:36:57He can hurt you, Julia.

00:36:59And we can't risk that, can we?

00:37:02He's my brother.

00:37:06That's hard to believe, too.

00:37:08Julia, I'd make very sure of my own feelings if I were you.

00:37:12What?

00:37:13Why has he become so important to you?

00:37:16Only a week ago, you weren't sure you wanted to stay.

00:37:20What's he done to you?

00:37:22Or is it something that you've done to yourself?

00:37:24So now we're both dangerous.

00:37:29Nobody's harmless.

00:37:30Even to himself.

00:37:32Are you sure you're helping him this way?

00:37:36No.

00:37:39Are you sure you're helping me?

00:37:41Did I rake you?

00:37:54I guess you did.

00:37:55I didn't hear you come in.

00:37:58Beware the Coloradans bearing gifts.

00:38:04What's the occasion?

00:38:05An attack of guilt, probably.

00:38:06I spent the entire day indulging myself.

00:38:11Drove around, shopped, ate a fantastically expensive lunch,

00:38:16went to a movie.

00:38:19Open it.

00:38:28The cook says you haven't had anything to eat all day.

00:38:30You must be starved.

00:38:32Not really.

00:38:38Dinner should be about ready.

00:38:39I'll go see.

00:38:40Julia.

00:38:44Take care.

00:38:59Bye.

00:39:04Bye.

00:39:08Bye.

00:39:12Bye.

00:39:13Bye.

00:39:13Love me.

00:39:43Love me.

00:40:13Philip, who are you doing?

00:40:24I don't...

00:40:25Philip, please.

00:40:27Philip.

00:40:30Philip.

00:40:34Philip, let me in.

00:40:36Go away, Julie.

00:40:37Go away for your own good.

00:40:40Philip, please let me in.

00:40:43Philip, please let me in.

00:40:54Philip, please let me in.

00:41:07Let's go.

00:41:37Let's go.

00:42:07Let's go.

00:42:37Let's go.

00:43:07Let's go.

00:43:37Let's go.

00:44:07Let's go.

00:44:37Let's go.

00:44:38Let's go.

00:44:39Let's go.

00:44:40Let's go.

00:44:41Let's go.

00:44:43Let's go.

00:44:45Let's go.

00:44:47Let's go.

00:44:49Let's go.

00:44:50Let's go.

00:44:51Let's go.

00:44:52Let's go.

00:44:53Let's go.

00:44:59Let's go.

00:45:00If it's Matteo you're looking for, he won't be here till morning.

00:45:10And if you've come to steal, you're wasting your time.

00:45:18I know you're there.

00:45:30Are they looking for you?

00:45:44It's not a bad place to hide.

00:45:48Unless they saw you come in.

00:46:00Phil?

00:46:23Phil?

00:46:30What does it mean, Errol? Where is he?

00:46:50Operator, I'd like to call police headquarters, please.

00:46:54I'm assuming that this is still somewhere in this area.

00:46:57I've stripped eight precincts of every man they can spare.

00:47:00We've sealed off all possible exits from the district.

00:47:03We've started a house-to-house search.

00:47:05What about the army?

00:47:07They're on alert, but they won't come in until we ask for them.

00:47:11I'm not going to have a panic if we can help it.

00:47:14As you all know, no specific description of the fugitive has been issued.

00:47:19Except for that he's male, of medium build, with heavily scarred and mutilated face.

00:47:24Frankly, that's all I'm prepared to believe at this point.

00:47:30I thought you might want to look at this, sir.

00:47:34Pictures of a window in the house of Philip Rogers, a well-known American businessman.

00:47:40The man had an argument with his wife and locked himself in.

00:47:45Apparently, this is how he got out sometime during the night.

00:47:51Notice that there are no tool marks or abrasions of any kind on the iron bars.

00:47:56Which means that Rogers, or whoever bent those bars, did it with his bare hands.

00:48:02The man was crying.

00:48:03The man had been late, but he burnt himself.

00:48:05The man is a regular red one.

00:48:08The man has his Exacted accent.

00:48:11The man has his own red one.

00:48:12It can be a square as well.

00:48:13He's on the other.

00:48:15The man has his own red one.

00:48:18The man has his own red one.

00:48:21The man has his own red one.

00:48:24He's out of the black and white.

00:48:26He's in his cela.

00:48:27Do you have a look at this?

00:48:28The man is the other.

00:48:59I'm making some soup.

00:49:07I can't offer you anything else.

00:49:22Mateo hasn't come in yet.

00:49:27I don't know it.

00:49:29I thought not.

00:49:31Why did you help me?

00:49:33The odor of blood was very strong on you when you came in last night.

00:49:38I can still smell it.

00:49:40I know it well.

00:49:42And that's why you helped me?

00:49:44I did not help.

00:49:46I just left you alone.

00:49:49I would do as much for a stray dog.

00:49:51You don't belong here.

00:49:56No.

00:49:57My nephew Mateo is the caretaker here.

00:49:59I'm just visiting him.

00:50:02Speaking of belonging, the police are liable to be here soon.

00:50:05And they may wonder what someone like you, a foreigner, is doing in a place like this.

00:50:11Yes, I guess they would.

00:50:17I see.

00:50:20What?

00:50:21That it makes real difference to you whether you are lost or saved.

00:50:25All you want is to make an end.

00:50:29No one is ever saved.

00:50:32You are an optimist.

00:50:35If things were as simple as that, there would be no need for life to run so long.

00:50:41Who are you?

00:50:50Who I am now is of no great interest to anyone.

00:50:55My name is Sabasasnar.

00:50:58The bandit?

00:51:00You have a long memory.

00:51:03Yes.

00:51:04Sabasasnar, the bandit.

00:51:06They didn't hang you then?

00:51:08No.

00:51:09They kept me in prison for 30 years, hoping that I would die quietly.

00:51:16But after a while, it was no longer important.

00:51:21Only I remembered.

00:51:23And I remember as though it all happened yesterday.

00:51:30What about the others?

00:51:32The ones who followed you?

00:51:34Many of them are dead.

00:51:36The others believe I died long ago.

00:51:38It is better that they do.

00:51:41I do not have much time left.

00:51:43Time for what?

00:51:46To do what remains to be done.

00:51:52You two-faced old bastard.

00:51:55You haven't given up, have you?

00:51:57You're still rooting around for that blood-soaked soul of yours.

00:52:04You old fool, it's gone.

00:52:09And you'll never find it again if you live to be a thousand.

00:52:11You're quite wrong.

00:52:14That is the one thing we never lose.

00:52:17Not even if we long to be rid of it.

00:52:21And he who gave it to you

00:52:22remains forever a part of it.

00:52:26That is why you are in such agony.

00:52:27Philip Rogers, a well-known businessman of this city in connection with the killing.

00:52:56Rogers is 35 years old, 5 feet, 9 inches tall, of medium build.

00:53:02I have nothing more to say.

00:53:12I'm interested in locating my husband, not in having him hunted down like a criminal.

00:53:16No one has even implied that he is one, Mrs. Rogers.

00:53:20But surely you can understand that we are obliged to take certain measures in the interest

00:53:24of public safety.

00:53:26We do want to find your husband, Mrs. Rogers.

00:53:29And perhaps it's in his best interest that we do.

00:53:31I'm not a complete fool, Inspector.

00:53:33Philip, where?

00:53:46Langdon.

00:53:48Joseph Langdon.

00:53:50I'm in no position to say.

00:53:52I never saw Langdon when he shipped the old files back to the States years ago.

00:53:57Surely it must be possible to send his file back here with photographs.

00:54:01But what for, Inspector?

00:54:03Joseph Langdon is dead.

00:54:05Not only is that a matter of record, you were one of those who witnessed his death.

00:54:10I thought I did.

00:54:11I saw him hit.

00:54:13I saw him fall down a rabbi in a hundred feet high.

00:54:16Twenty-four years ago.

00:54:17The man you're holding is thirty-five.

00:54:20He wasn't even in his teens at the time.

00:54:22Just what are you trying to prove?

00:54:26I don't know.

00:54:29The man you have is Philip Rogers.

00:54:32He has personal records that go back to the day he was born.

00:54:36There's a perfectly valid explanation for his change in appearance.

00:54:40His wife, his brother, his friends all know who he is.

00:54:42On the other hand, even if Langdon were alive today, he'd be well over fifty.

00:54:47And he wouldn't look at all like that.

00:54:49It just doesn't add up.

00:55:01Sorry to have wasted your time, Colonel.

00:55:04Not at all.

00:55:04You didn't say much in there.

00:55:21I'm not going to suggest that you should take a long rest, if that's what you're driving at.

00:55:25Maybe I should.

00:55:29I never put much faith in hunches before.

00:55:34And I can't question the facts.

00:55:38Why am I so sure that that man is Joseph Langdon?

00:55:42This is all so pointless, Landon.

00:56:05Let me die, then.

00:56:06I can't.

00:56:08And won't.

00:56:10Look at it this way.

00:56:12I have commitments that go back to the beginning of time.

00:56:17To hell with that.

00:56:19My life is all I'll ever know of time.

00:56:24Do what you like with me.

00:56:26I'm not afraid of you anymore.

00:56:28What incredible arrogance.

00:56:32Just who do you think you are?

00:56:35What makes you think you can ever get away from the man who placed his soul at my feet in trade for a bag full of rotting meat?

00:56:44You gave me the idea.

00:56:47You said I was still becoming.

00:56:50And had a choice.

00:56:52It was a mistake.

00:56:54But not a disastrous one.

00:56:55I've been making things easy for you.

00:57:01I've given you something to resist, haven't I?

00:57:04A convenient scapegoat for this recent transports of self-indulgence.

00:57:12Well, no more, Langdon.

00:57:15The next time you have a transformation, it will be entirely your doing.

00:57:20Do bear that in mind.

00:57:22You will not have another one unless you bring it on yourself.

00:57:25You will not have another one.

00:57:26You will not have another one.

00:57:27You will not have another one.

00:57:28You will not have another one.

00:57:29You will not have another one.

00:57:30You will not have another one.

00:57:31You will not have another one.

00:57:32You will not have another one.

00:57:33You will not have another one.

00:57:34You will not have another one.

00:57:35You will not have another one.

00:57:36You will not have another one.

00:57:37You will not have another one.

00:57:38You will not have another one.

00:57:39You will not have another one.

00:57:40You will not have another one.

00:57:41You will not have another one.

00:57:42You will not have another one.

00:57:43You will not have another one.

00:57:44You will not have another one.

00:57:45You will not have another one.

00:57:46You will not have another one.

00:57:47You will not have another one.

00:57:48You will not have another one.

00:57:49It won't be any better tomorrow.

00:57:57You really want to go through with it?

00:57:59Yeah.

00:58:01Let Earl and me go ahead. You can meet us later.

00:58:03No, I'm staying with you.

00:58:06Give it a few moments.

00:58:09Come on, let's do it.

00:58:13Let's do it.

00:58:16I'm going to tell you.

00:58:19Let's do it.

00:58:49Let's do it.

00:58:51I'm not going to tell you.

00:58:56Let's do it.

00:58:57Well done.

00:59:27Get a doctor quickly.

00:59:34No, I'm not hurt.

00:59:36I'm okay.

00:59:57Roger, I'll call you.

01:00:27Where are we going?

01:00:42You're not going back to the house.

01:00:44Why not?

01:00:45Oh, Philip, it wouldn't be safe.

01:00:47You saw those people back there.

01:00:49They've already convicted you.

01:00:50Hiding isn't going to do me any good, Julia.

01:00:52Well, anything's better than just sitting in that house waiting.

01:00:55Earl found a place in a quiet part of town.

01:00:58We can stay there for a while.

01:01:02We're leaving the country, Philip.

01:01:06Was this your idea, Earl?

01:01:08No.

01:01:10I'll go along with whatever you want.

01:01:13It was my idea.

01:01:14Earl made the arrangement.

01:01:16Tomorrow night we're driving out to Corban across the bay.

01:01:19There'll be a fishing boat waiting for us.

01:01:21I won't let them take you, Philip.

01:01:25I've waited too long for you.

01:01:28What do you make of it?

01:01:40Oh, probably the smart thing to do would be to forget it altogether.

01:01:45By the way, we decided not to book the man who owns that.

01:01:49He won't leave.

01:01:52Who was Joseph Langdon?

01:01:59A U.S. Army deserter, convicted of collaborating with the Japanese,

01:02:06while a prisoner of war in World War II.

01:02:09Also of torturing and informing on his comrades in arms.

01:02:14He escaped from the American stockade here, enjoying some native wartime contacts in the mountains.

01:02:19But he was too much even for them.

01:02:21Murder, village, rape, very often for no comprehensible reason.

01:02:28Finally, he was alone.

01:02:30We tracked him down and killed him.

01:02:35Or so we thought.

01:02:38His body wasn't recovered.

01:02:40No.

01:02:41He was hit at least a half dozen times and fell off a high cliff into a river.

01:02:46We had divers looking for his body for almost a week, but they found nothing.

01:02:52I wonder what he was like.

01:02:55Educated, soft-spoken, it was very hard to dislike him if you knew nothing about him.

01:03:01But there was a hard, cold hatred inside him, which no one could account for, or bother to.

01:03:15After our meeting with the military attache the other day,

01:03:20I went to see a friend at Army Intelligence.

01:03:24He dug this up for me.

01:03:33Inspector DeSantos here?

01:03:35Yes, Mr. Rogers.

01:03:37We've been waiting to hear from you.

01:03:54Are they still in the house?

01:04:01I left them less than an hour ago.

01:04:03Inspector, I hope you understand my position.

01:04:07Your brother and Mrs. Rogers will not know of our presence here,

01:04:10unless some imminent danger to either or both of them arises.

01:04:13I'm rather concerned about Mrs. Rogers.

01:04:17So are we.

01:04:18Now.

01:04:30You should be asleep.

01:04:36You won't be much help if you don't get some rest.

01:04:38Will you stay with me, Philip?

01:04:48Will you promise not to leave me?

01:04:51You shouldn't have waited for me.

01:04:55There was nothing left to wait for.

01:04:57I did think that.

01:05:06Then you came back and changed everything.

01:05:10There's no such thing as a dead end.

01:05:12You can always get out.

01:05:15The way you came.

01:05:18You didn't.

01:05:19You came back to me.

01:05:20And you kept coming back.

01:05:21To use you.

01:05:22That's just another way of saying that you need me.

01:05:23That's all I want, Philip.

01:05:24That's all I want, Philip.

01:05:48That you need me as much as I need you.

01:06:18That's all I want.

01:06:19You just come back and what I want.

01:06:20And you sort of nowhere.

01:06:21You stay there, Philip.

01:06:22It doesn't matter anyone.

01:06:23You haven't only食べ none.

01:06:24You have to leave you alone.

01:06:25Me waiting for the judgment.

01:06:26No, this is lying.

01:06:27You are laughing for the Mohammedanza.

01:06:28I was starving for pooping myself.

01:06:29Do when I try not to blame myself.

01:06:30That's just another way.

01:06:31You will Athena.

01:06:32I can't wait for a tourist scene.

01:06:33What do you do?

01:06:37For you?

01:06:38Lots of pains.

01:06:39I wonder the genetics.

01:06:43Tell me you love me for that, buddy.

01:07:13Philip?

01:07:15Philip?

01:07:17No!

01:07:39No!

01:07:41No!

01:07:53No!

01:07:54No!

01:07:55No!

01:08:11No!

01:08:12No!

01:08:14Hold your fire!

01:08:21Take two men outside and follow him.

01:08:23Keep your distance.

01:08:25Don't try to take him, but find out where he goes and report to me.

01:08:28Yes, sir.

01:08:29Julia?

01:08:39Julia?

01:08:41You did not tell me that you had a visitor around here some nights ago.

01:08:56It was nobody of any importance.

01:09:00It was the American killer.

01:09:03The police let him go today for lack of evidence.

01:09:06But you know he was here that night, don't you?

01:09:10It was of no importance.

01:09:12No?

01:09:15Ruben and his cousin saw him leaving with dried blood all over his clothes.

01:09:20He's a rich man.

01:09:30How much did he give you to keep quiet?

01:09:33He gave me nothing.

01:09:34He gave me nothing.

01:09:35He was tired and needed a place to sleep.

01:09:43You old liar.

01:09:45I took you in when no one would have you.

01:09:51I let you stay.

01:09:53Gave you whatever food and money I could spare.

01:09:59Me, with a sick wife and four children to worry about.

01:10:04He gave me nothing.

01:10:06It wouldn't help you to be stubborn, old man.

01:10:20Who is it?

01:10:29Who's out there?

01:10:30Speak up!

01:10:33He won't hurt you.

01:10:35Get away from there!

01:10:38He needs me.

01:10:42Please, Mateo, let him in!

01:10:50No!

01:10:51Leave him alone!

01:10:58He means no harm.

01:10:59He's just afraid.

01:11:05Like you.

01:11:08He won't give you away.

01:11:10I promise you.

01:11:12I promise you.

01:11:13Mrs. Rogers, it's imperative that we know as much about your husband as you can tell us.

01:11:24It's imperative that we know what happened last night.

01:11:30Did he say anything that might help us locate him?

01:11:32I'm sorry, Inspector.

01:11:33I can't permit you to continue.

01:11:35You let us know as soon as her condition improves?

01:11:37Yes.

01:11:38But I cannot tell you when that will be.

01:11:41Yes.

01:11:42But I cannot tell you when that will be.

01:11:53I'll come by and see her again before I leave.

01:11:57I'd get some rest if I were you, Mr. Rogers.

01:11:59I'm okay.

01:12:01Julia?

01:12:05No.

01:12:07No.

01:12:09No.

01:12:11No.

01:12:13No.

01:12:15No.

01:12:17No.

01:12:19No.

01:12:21No.

01:12:23No.

01:12:25No.

01:12:26No.

01:12:36No.

01:12:48No.

01:12:51No.

01:12:52No.

01:12:54No.

01:12:55No.

01:12:55you better get a doctor yes I was just waiting for you to change you know what

01:13:17will you do I don't know I'm tired of running but it's all I can do they can't

01:13:23kill me what is your name Joseph Langdon my name is Joseph Langdon

01:13:47you have a name and a face you speak you think and there is an awful pain inside you

01:13:56whatever else you might be you are still a man

01:14:00there is a clinic nearby I'll bring a doctor here

01:14:09stay out of sight when I come back with him what for I will help you find a place to hide for a while

01:14:18until you know what you must do it's no good somebody tried to help me once

01:14:25I destroyed her you cannot harm me you see I want nothing from you

01:14:32don't worry they won't see us we are too big to know this I have a good feeling

01:14:52I think I'll have a better day today than I have had in a long time

01:14:59don't know

01:15:10don't know

01:15:14There's a hill to the right of us.

01:15:44Tall grass to the left, the road turns left on the side of the hill.

01:15:55Walking to the grass now.

01:15:57You can't come with me.

01:15:59You will never find your way out of here.

01:16:01I will be your eyes.

01:16:02What I tell you, now.

01:16:04Hold!

01:16:11Put your back!

01:16:17Get out of here.

01:16:25Put your fire!

01:16:32Cease firing!

01:16:39London!

01:16:40There is no way out of there.

01:16:43Come out and give yourselves up!

01:16:47Come out or be burned out!

01:17:03It's no good.

01:17:05No, only a few meters away.

01:17:08The galley, they can't reach us.

01:17:11London, this is your last chance.

01:17:17They're not going to get themselves up.

01:17:25If we wait any longer, we'll lose them.

01:17:33Fire!

01:17:47Fire!

01:17:49Fire!

01:17:50Fire!

01:17:51Fire!

01:17:52Fire!

01:17:53Fire!

01:17:54Fire!

01:17:55Fire!

01:17:56Fire!

01:17:57Fire!

01:17:58Fire!

01:17:59Fire!

01:18:00Fire!

01:18:01Fire!

01:18:02Fire!

01:18:03Fire!

01:18:04Fire!

01:18:05Fire!

01:18:06Fire!

01:18:07Fire!

01:18:08Fire!

01:18:09Fire!

01:18:10Fire!

01:18:11Fire!

01:18:12Fire!

01:18:13Fire!

01:18:14Fire!

01:18:15No, we're going back.

01:18:26Don't shoot, we're coming out.

01:18:55Shoot!

01:19:05No!

01:19:25Don't shoot!

01:19:37Don't shoot!

01:19:49Don't shoot!

01:20:01Don't shoot!

01:20:17Don't shoot!

01:20:27Don't shoot!

01:20:39Don't shoot!

01:20:49Don't shoot!

01:20:53Don't shoot!

01:21:05Don't shoot!

01:21:19Don't shoot!

01:21:31Don't shoot!

01:23:11No one.

01:23:13I alone am answerable for what I am.

01:23:17I will not serve.

01:23:19But I also am.

01:23:23And will not be overcome.

Man or Monster? (1971) – The Yellow Curse Awakens

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