- 2 days ago
Wings of the Past – A Hawk's Journey is a poignant adventure drama that follows an aging hawk returning to its birthplace for one final mission. As it soars across vast landscapes and confronts the echoes of its past, the hawk embarks on a deeply emotional and philosophical journey through memory, nature, and the true meaning of freedom. With breathtaking cinematography and a meditative narrative, this film invites viewers to reflect on life, legacy, and the silent wisdom of the wild.
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Short filmTranscript
00:00The End
00:30The End
01:00Don't worry, young old boy. She'll be all right.
01:30Your mother wants to stop to you, Jay.
01:31Your son is bright out today, Jay.
01:51Why, of course it is. It's...
01:55Does everything smell... it's pretty and fresh and it's always down in the spring?
02:01Sure. Everything's just like you love it.
02:05It's sort of waiting for you to be in.
02:08Take it.
02:09Opened.
02:19Right. Who is it?
02:22That's the way you looked the day I took you away from your father.
02:33I didn't want to tell you this before, Jay.
02:38Didn't want you to know until you had to.
02:42Then, my father...
02:44He's still waiting for you to come back.
02:47Promise me you'll go to him.
02:50But, Mother, I...
02:52I've suffered what I've done, son.
02:55Every year your father sends a letter to the post office.
02:58I've seen it year after year, and had to fight myself not to claim it, and read it.
03:08It always comes on the same day, your birthday, and is addressed to Jack King.
03:17Promise me you'll claim the letter and go back to him.
03:23Well, I... Of course I will, but...
03:29Jay, that locket...
03:33...it's the only thing I have...
03:36...to prove to him...
03:38...that you are his...
03:40...son.
03:47Pull up the shades for me, please.
03:53I want to see the sunlight...
03:57...once of all.
04:08Doctor.
04:23I'll have the last one ready for you in just a minute, Betty.
04:29Do you think if I put a good luck charm in them this year that Jack might get one of them?
04:34Well, he never has, but there's always the chance that some way, somehow, he may get one of them.
04:39Uncle Jim, why are you so sure that Jack's still somewhere in the West?
04:44Why, the West is in his blood, just like it's in mine and in his mother's. Why, he couldn't live any other place.
04:49Shall I have these letters registered again this year?
04:52Yes, sure.
04:54And don't forget that good luck charm you were talking about.
04:56I won't.
04:58You know, I believe a foster daughter is almost as good as a son any day.
05:01Almost?
05:03Well, perhaps I should have said...
05:05...better.
05:07No, she didn't mean it.
05:09Anything else you wanted to start?
05:11Come on in.
05:13Come on in.
05:14The West is in his blood, just like it's in mine and his mother's.
05:16Anything else you wanted to start?
05:18Come on in, Jeff.
05:20Morning, Kate.
05:22Morning, Miss Betty.
05:23Hello, Jeff.
05:24Riding to town?
05:25Perhaps.
05:27The rustlers are pretty bad and much right now.
05:29I reckon I'd better go along with you in case...
05:31Dickie's going with me. He's all the protection I'll need.
05:34Well...
05:35The foreman of a ranch like the XXX should be much too busy to waste time.
05:40Uncle Jim! Uncle Jim!
05:42Now, see here, young fella, you don't mean to tell me the Indians have been chasing you again.
05:46No, sir!
05:47Take that distance!
05:48It's Tony!
05:49He's going to quit!
05:50Tony!
05:51I quit!
05:52I...
05:53Pietro Antonio's called the Tony.
05:55Quit!
05:56What's wrong now, Tony?
05:57When I run this ranch, I am the top girl boy.
06:01All right.
06:02They push me in the chock wagon.
06:03All right.
06:04They give me the heaven to wear.
06:06All right.
06:07I don't say anything, but now I quit.
06:09But what's happened, Tony?
06:11He's telling me a story about somebody shooting a heaven from somebody else's head.
06:15Now, he wants me to stand there and put an apple in my head while he shoots.
06:20Who told you to do that?
06:21I wouldn't have hit him up with Jim.
06:23Honest, I wouldn't have.
06:24I can shoot as straight with my slingshot as you can with your six-shoots.
06:29Three times have I told you to let Tony alone.
06:31I know, sis, but I wouldn't have hit him. Honest.
06:34I quit.
06:35This time I quit for a shoe.
06:36Now, Tony, look.
06:38I don't cook no more.
06:40I've got some place where I can ride horses.
06:42Tony, anybody can ride, but not many people can cook.
06:45Why, a cook's the most important person on a ranch.
06:48The top hand of all.
06:49What do you think, Uncle Jim?
06:51Well, he sure is an important man around here.
06:55Why, Tony, if you quit, I'm afraid we'd have to close up the ranch.
06:59Well, for you, Mr. King, I cook.
07:02But no apples on my head.
07:04Dickie?
07:05We're going to ride your town.
07:07We'd better get you going.
07:09Let's get across and...
07:14She's one of the smartest women I ever knew, Jeff.
07:17Yes, I reckon she is.
07:18Anything I can do for you?
07:20A couple of yearlings I'd like to have you look over.
07:22All right, let's go.
07:29Good morning, Ben.
07:54Well, if it ain't Jay Price in the flesh.
07:57In the flesh, all right.
07:58But the name ain't Price.
07:59Now, Jay, you ain't gonna tell me your Daniel Boone forgot to stay dead.
08:03Nope.
08:04And the name ain't Price anymore, either.
08:06It's King.
08:07Sure.
08:08Maybe my name's Daniel Boone, man.
08:10Is there a letter here for Jack King?
08:13Sure, there's a letter here for Jack King.
08:15Comes registered every year like one does to every town in this part of Texas.
08:19It's mine, Ben.
08:20I want it.
08:23Sharon, come over here.
08:24You've got something to settle.
08:25Glad you're having to drop in right now, Sharon.
08:27What's the trouble?
08:28Jay's been trying to tell me that his name ain't Price.
08:29What's on your mind, son?
08:30My right name's King, Sharon.
08:31My mother told me so before she died.
08:32And he wants one of those letters registered to Jack King.
08:33You say your mother told you your name was King?
08:34Known with over 20 years as Jay Price.
08:35That's the only name I have in you, too, until not long ago.
08:36Did I get the letter?
08:37Well, have you got any proof that your name is King?
08:38Only my word for it.
08:39I know, but those letters come registered for King.
08:40Ben, you couldn't give you one of those without proof.
08:41Then I don't get it.
08:42What's the matter here, Price?
08:43Something valuable in that letter?
08:44Something valuable in that letter?
08:45You'll have to get us proof.
08:46That's all the proof I need.
08:47Give me that letter.
08:48No, wait a minute.
08:49Get me that letter.
08:50A mail robbery is a pretty serious offense.
08:51You better think it over, son.
08:52I'll worry about that later.
08:53I'll get you for a start like this, Price.
08:54You're going to have to get the letter, Price.
08:55You're going to have to get the letter.
08:56I'm going to have to get the letter.
08:57I'm going to have to get the letter.
08:58I'm going to have to get the letter.
08:59I'm going to have to get the letter.
09:00Well, you got any proof that your name is King?
09:01Only my word for it.
09:02I know, but those letters come registered for King.
09:03Ben, you couldn't give you one of those without proof.
09:04Then I don't get it.
09:05What's the matter here, Price?
09:06Something valuable in that letter?
09:07You'll have to get us proof.
09:08There's all the proof I need.
09:09Give me that letter.
09:20Then you'll have to ride some, Sheriff.
09:50I'm going to justice.
10:08Oh, my gosh.
10:14I honored my heart.
10:19Go get some water.
10:45Go get some water.
10:47Hello, Joe.
11:11Good morning, Jeff.
11:12You are on time, eh?
11:14Any reason why I shouldn't be on time?
11:15Oh, I do not know.
11:17Why do you want to see me?
11:28What is it, Sandra?
11:29What's the matter, boy?
11:30There's a meeting of the vigilantes of the XXX Ranch this afternoon.
11:43You've got your orders.
11:45I want a hundred head of cattle out of the Bar-El herd.
11:47All right.
11:48And you will be?
11:49At the meeting.
11:50It'll be to our advantage to learn how they plan to track the hawk.
11:53The hawk, eh?
11:55And all the time you make them think you're a very great man.
11:58Most of the cowhands will be at the meeting.
12:00You shouldn't have any trouble at all.
12:02Maybe not.
12:04I steal just as you wish.
12:05The hawk, eh?
12:14Looks like we're going to have some fun at my father's ranch, old-timer.
12:22All of you know what we're up against.
12:24The hawk has been rustling our cattle so successfully that none of us are safe.
12:29Now, there's just one answer to that.
12:33We've got to put a stop to it.
12:34Sure we do.
12:35That's why I've called you here today to organize the vigilantes.
12:38We've got to get the hawk.
12:41We're with you, Jim.
12:43What do you want us to do?
12:44Well, I want you to elect a chief, first off.
12:47Then we'll determine what we can do.
12:49Now, you all know Jeff.
12:51How about electing him chief of the vigilantes?
12:54How about electing yourself, Jim?
12:56Oh, I'm too old.
12:58We want a younger man.
13:00Now, are you all agreed on Jeff Murdoch?
13:03Right.
13:05Looks as though you're elected, Jeff.
13:07Thanks, boys.
13:08Thanks.
13:09I hereby pledge myself to do everything I can to help capture the hawk.
13:13That's right.
13:16Tony, how would you like to be a vigilante and help capture the hawk?
13:21I don't know what you're talking about.
13:23Look, Uncle Jim's getting together a gang to go after him.
13:28That's very good.
13:29He's a very bad man.
13:31Well, I thought maybe you could help him.
13:33You want to be a cowboy and ride a horse.
13:36Well, I thought maybe he was a hero and...
13:38You think that I could catch him?
13:40I'll show you.
13:40I'll show everybody.
13:41Ah, boy, Tony!
13:42All right.
13:49All right.
13:49Good luck.
13:51See you, dear.
13:54Uncle Jim!
13:55Tony wants to join the vigilante.
13:57What's that?
13:58I want to help him to catch this hawk.
14:00I want to join this...
14:02When do you have to talk to Jeff there?
14:04He's just been elected chief of the vigilante.
14:06You'll have to show us how good you can ride, Tony.
14:08I'll show you.
14:08I'll show you all.
14:09Fine.
14:10I'll have a horse saddle for you right away.
14:12Boys, saddle a horse for Tony.
14:15Now, Tony, if you can ride good enough, you can come right along with us.
14:18Just in a minute.
14:19I'll go in and get ready, huh?
14:20Hurry up.
14:23Jeff, what are you going to do?
14:25Saddle wildfire for him?
14:26You can't do that.
14:28I guess it won't hurt him.
14:29Jeff, don't!
14:33Uncle Jim, Jeff's going to saddle wildfire for Tony.
14:36He might be killed.
14:37No, he may get a hard bump.
14:39But maybe that'll cure him of one to ride.
14:41I don't think that's fair.
14:42Oh, he'll be all right.
14:59Well, looks like we're home, partner.
15:02You don't want a ride, Tony?
15:09What's the matter with that horse?
15:10He seems a little bit nervous.
15:12He's all right.
15:13You just stick.
15:17Maybe you have a little more sleepy horse for me to ride, eh?
15:21Oh, boy, Tony!
15:22Run, Tony!
15:23I ride him.
15:26I ride anything.
15:28You better climb up on the fence or you can get into the saddle.
15:37It's OK!
15:38Get out!
15:39Get out!
15:39Get out!
15:40Get out!
15:41Come on!
15:42Get out!
15:42Get out!
15:43Get out!
15:43Get out!
15:44Get out!
15:44Get out!
15:45Get out!
15:45Get out!
15:46Get out!
15:46Get out!
15:47Get out!
15:47Get out!
15:48Get out!
15:49Get out!
15:50Get out!
15:51Get out!
15:52Get out!
15:53Get out!
15:53Get out!
15:54Get out!
15:54Get out!
15:55Get out!
15:55Get out!
15:56Get out!
15:56Get out!
15:57Get out!
15:57Get out!
15:58Get out!
15:58Get out!
15:59Get out!
15:59Get out!
16:00Get out!
16:00Get out!
16:01Get out!
16:01Get out!
16:02Get out!
16:03Get out!
16:04Get out!
16:05Get out!
16:06Get out!
16:07Get out!
16:08Get out!
16:09Get out!
16:10Get out!
16:11Get out!
16:12Get out!
16:13Get out!
16:14Get out!
16:15Get out!
16:16Get out!
16:17Get out!
16:18Get out!
16:19I never saw such fast action in my life. Who is he?
16:23I don't know, but he's hurt. Get some water.
16:25Yes, ma'am. Where did this cowboy come from?
16:27What difference does that make?
16:29Gee, he was wrong, wasn't he?
16:31Guess he kind of saved my life.
16:37The kid.
16:39I'm all right.
16:43That's the first time in my life I ever woke up so bad.
16:45You're all right when you can talk like that.
16:59Gee, we all forgot about Tony.
17:01Thanks, mister. Guess you kind of saved my life.
17:05Deadly.
17:15my name is king i want to thank you glad to meet you sir mr king my name's price i just
17:31wrote in from texas welcome up the house i want to look at that arm oh there's nothing
17:36much the matter with it oh well we'll get over anyhow where's tony here he comes now
17:45what a beauty is he yours what's his name come here boy his name is zandra but he never goes
18:09to strangers come on at least he never went to strangers oh but we're not strangers are we
18:17zandra mr king mr king what is it the horse he just cut out a hundred here to borrow cattle
18:27hills well zandra looks like i'll thank you jeff will you take him around to the crowd for me
18:46reckon i will but uh was there something you wanted to say to me what's this texas cow hand
18:52hanging around here for you mean jay you know he's been around here doing nothing for over a week
18:58i wasn't aware that it was any of your business what mr price does suppose i make it glad to know
19:04the interest you're taking in the ranch reckon he might strangers in this part of the country
19:08ain't exactly welcome right now shall we tell him oh i didn't mean any harm miss betty
19:15i was thinking yes well maybe someday you and me might sort of we've been over all that before
19:22jeff my answer is still the same
19:29oh you i've been wanting to talk to you aiming to be moving along soon texas i don't know why
19:45maybe you better start thinking about it as a matter of fact i was thinking of staying here just as long
19:50as mr king will let me you heard me say something about moving along when you go out murdoch and close
19:56the door behind you
20:03you got to go on out and play dickie try to keep out of trouble
20:08how's the ambulance oh feeling pretty good this morning that summer that's fine mr price i thought
20:13we agreed to drop them in well maybe we'd better start all over again
20:21how's the ambulance feeling pretty good this morning betty that's better well
20:26say it say what jake jake jake how was the ride oh glorious how can people live in the city when
20:36they might have the open plains in the mountains you love the west don't you tell me home i've ever
20:41known why shouldn't i you know you talk like my mother she loved it too like that tell me about her what was
20:49she like
20:51someday i'll tell you about her
20:55i'm afraid i'll have to be moving along moving along
20:58why of course i can't stay here why not uncle jim will be needing new hands and drive to the market
21:04you reckon he might hire me i'd kind of hate to leave it what
21:09well betty ever since i first opened my eyes and i saw you bending over me
21:14your arm i haven't asked you a thing about it yeah i i reckon i better wait till i can use it
21:20before i go on with what i was trying to say hey you big sissy
21:27uh what have i done to deserve that you've been telling me about all the fights you have with the
21:33indians and here i'll find you hanging around a girl all the time but there aren't any indians
21:39around right now dickie mr price can't be fighting them all the time no but there's the hawk you
21:45can't tell when he'll be popping up zandra's talking to you dickie what's he saying he wants you to
21:54run and play with him oh go on i can make up a better story than that okay come on why don't you
22:04go down and see uncle jim about that job i will oh son how's the arm all good as it ever was
22:14looking over some of the stock oh just kind of marking time for the drive starts i i've been
22:19thinking uh need a good cow hand for the drive well i don't know you thinking of signing on you'll have
22:25me sure thing you know i was thinking about that myself that's fine
22:34you know i have a son somewhere just about your age where is he i don't know
22:41i'm hoping he'd come home sometime but he hasn't showed up yet no
22:48will you report to murdoch in the morning yeah you don't need to go into work until you have to
23:04how'd you get him with a swing shot ah gone you couldn't hit a barn with that thing is that so
23:10well i can hit anything with it that you can with your gun partner in my country them's fighting words is
23:17that so well you ain't in your country this is no matter and i'm the best shot in this thing you'll have to
23:24prove that all right i will you wait here i gotta get some well what happened to you tony someday i'll
23:39ride it at the wild horse and when i do i'm gonna break his neck you better stay away from him
23:44ah i got the target what is it what are you gonna do with it wait
24:01you shoot first shoot from the hip when i count three let's go get ready you better be good partner
24:15one two three
24:24well how's that
24:26you ought to shoot better than that interesting uh let's see what you can do all right
24:31all right all right you ready
24:40okay okay count one two three
24:54if you ever want some lessons come out in the summer sometime
25:06okay
25:21happy why shouldn't that be oh i don't know i thought maybe you might have someone back in
25:27texas you might like to see no my mother was the only one i ever had back there and she's dead
25:32i'm sorry you know you're a lot like her am i how oh i don't know sort of something in your voice
25:41and eyes see that clump of trees over there race you
25:46are you glad you signed up with uncle jim it means a whole lot for him to sell his cattle this year
26:14doesn't it more than ever before the droughts killed most of them and well he needs the money or give
26:20up the triple x is it as bad as that
26:30betty will you promise me something anything in the world jim will you have confidence in me
26:37no matter what happened whatever made you say that why shouldn't i of course did you think you
26:44had to ask me to have confidence in you betty i don't say it please what girl likes to hear a man say
26:52i love to look out holy man
27:02isn't there any place in nevada we can get rid of you
27:05nice riding boy we'll make a call hand out of you yet yeah boys in yet that was more mr king
27:26well i ain't seen them okay you'll always find something to keep busy about well look after
27:32room smoky yes sir hey hey what are you up to now young fella
27:51hey connie have you seen thrift sure down at this table thanks
27:55he wasn't lame on me a while ago looks like there's a stone right there miss betty
27:59hey hey buddy why vicky back from town so soon yeah got some place to tell you all right i'll be
28:04through here in a minute no you don't understand it's about james what is it can't tell you here
28:11it's private take care of him for me yes come on why all this mystery here read this
28:30where did you get this post office did uncle jim see it no i sneaked it down before he could see it
28:37oh geez sis does that mean that jay's a mail robber it can't be jay isn't a thief well what are we
28:45gonna do i'm going to find jay and ask him what it means hey wait can i go with you oh dickie
28:50dickie dickie i want to go alone you like jay an awful lot don't you yes dickie an awful lot
29:07dickie this is a
29:10dickie
29:12dickie
29:14dickie
29:15dickie
29:16dickie
29:18dickie
29:20dickie
29:24Why, Betty?
29:47Jay, something's happened.
29:48I must talk to you.
29:49What's the matter?
29:50Were you ever in any trouble before you came here?
29:53Trouble?
29:54What sort of trouble?
30:01Well.
30:02Jay, is this true?
30:03Where did you get it?
30:04Dickie took it from the post office in town.
30:07Does anyone else know this besides you and Dickie?
30:09No.
30:10Oh, Jay, what does it mean?
30:12Betty, do you remember I asked you this afternoon to have faith in me?
30:16Yes, but...
30:17Do you still have that faith in me?
30:19Oh, if you could only tell me what it means.
30:21Jay, are you guilty of mail robbery?
30:24I took a letter, if that means I'm guilty.
30:26Why did you take it?
30:27Because it belonged to me.
30:29I can't prove that it was mine.
30:31Oh, Betty, you've got to believe in me.
30:33Jay, I do.
30:34I can prove everything later.
30:38You've got to get out of here.
30:39Someone might recognize you.
30:40I'll take that chance.
30:42But you will be careful.
30:44Don't you worry.
30:45Everything will be all right.
30:46I'll take that chance.
30:47I'll take that chance.
30:48I'll take that chance.
30:49I don't want Jay to be a mail robber.
30:53Oh, jeez, Andrew.
30:55I don't want Jay to be a mail robber.
31:02Come in.
31:04Right in, son.
31:05Certainly, Mr. Kane.
31:06I hear you had to give Dickie a lift back to the ranch this afternoon.
31:12Yeah, I told the kid not to leave his pony standing with the bridle left.
31:15Oh, give him time.
31:16He'll be all right.
31:17Sure.
31:18Now, both of you know how much it depends on getting my cattle to the station on time.
31:24Every dollar I have is tied up in those cattle.
31:27Either I get them to the market or I'm going to lose the ranch.
31:31They'll get there.
31:32I hope so.
31:34Well, that's all, boys.
31:40I guess I'll turn in.
31:41We've got to get started before daylight.
31:43An old man needs all the rest he can get.
31:46Good night, sir.
31:47Good night, son.
31:48Good night, Jeff.
31:49Good night.
31:49Good night.
31:49Good night.
31:51Good night.
31:52Good night.
31:53Good night.
31:53Good night.
31:54Good night.
31:55Good night.
31:56Good night.
31:57Good night.
31:58Good night.
31:59Good night.
32:00Good night.
32:01Good night.
32:02Good night.
32:03Good night.
32:04Good night.
32:05Good night.
32:06Come on, boys, give me something hot.
32:36Come on, boys, give me something hot.
33:06Come on, boys, give me something hot.
33:36Come on, boys, give me something hot.
33:58There's no concentration in your bare hands.
34:02Sure does.
34:28To be continued...
35:28Hello, Joe.
35:42Are your men ready?
35:44My men always ready.
35:45Good.
35:46King starts the herd in the morning before daybreak.
35:48And you?
35:49I ride with them.
35:51So, the hawk will finally be on the scene of one of his row things, eh?
35:56Yeah.
35:56Well, by nine o'clock we should have entered the divide.
35:59You have your men hiding in the canyon.
36:02The rest should be easy.
36:03But what about the vigilantes?
36:05We'll take care of them.
36:07Good.
36:21Quick, Mark.
36:22I don't expect you to come along, Texas.
36:33Sorry, I couldn't have disappointed you.
36:35Why did you follow me out here?
36:37Because I knew the hawk needed a little watching.
36:40What do you know about the hawk?
36:42I'm not to keep you from trying to rustle a triple-X herd in the morning.
36:45Oh, so that's it, huh?
36:46Yeah, that's it.
36:48I'm up.
36:48I'm up.
36:49I'm up.
36:49I'm up.
36:51Okay.
36:51I'm up.
36:51I'm up.
36:53I'm up.
37:06You can't get by with this, Murdoch.
37:24Get out of here. I'll kill him!
37:26I steal capital for you. I do what you tell me.
37:29But there are some things a man does not do.
37:36Never seen that before.
37:39That's mine. Where did you get it?
37:41Sure, it's yours.
37:42Do you think you're going to have a chance to prove that you're King's son?
37:45Well, you can't do it without this.
37:48Well...
37:49The King will never see this wonk it.
37:51Come on. Watch him till I get back.
38:06There you go.
38:08So, we'll be back on it.
38:09But I'll get back to you.
38:11Yes, it is.
38:12Well...
38:13There's a lot to watch.
38:14Yeah, you can get back.
38:15Well, I'm, you know, I'm staying here.
38:16Yes, I can.
38:17How about you?
38:18I won't go.
38:19We'll get back to you.
38:20Maybe you want that.
38:21I won't go.
38:22I won't go.
38:23I won't go.
38:24I won't go.
38:25I won't go.
38:26I won't go.
38:27I won't go.
38:28I won't go.
38:29I won't go.
38:30I won't go.
38:31I won't go.
38:32I won't go.
38:33I won't go.
38:34Gabby!
38:44Gabby!
38:46Gabby!
38:48Gabby!
38:50Gosh!
39:04Gabby!
39:12Tony?
39:13Yes?
39:14Did Dickie sleep in the bunkhouse last night?
39:16Why, no.
39:17Tony, he didn't sleep here either.
39:18Maybe he's gone.
39:19Gone?
39:20Are you joking?
39:21I don't make a joke, Miss Bailey.
39:23Don't say anything about this to Mr. King.
39:24I'm going to find the boys.
39:30Smokey, have you seen Dickie around?
39:32Well, Miss Betty, not since last night.
39:34Do you know where he went?
39:35Last I saw him, he left with that Texas cowboy.
39:38Jay Price?
39:39Where's he?
39:40Well, he didn't come back last night either.
39:47There's Dickie's pony now.
39:48Something's happened to him.
40:02Geez, Linda.
40:03I'm sure glad you're here.
40:04Geez, Linda.
40:05I'm sure glad you're here.
40:24Go get him, Jack!
40:25Go get him, Daddy.
40:26You've got him!
40:27No!
40:28I'm fine!
40:29It's not the way he has to wait it's time.
40:33Oof!
40:34Bring him up, you don't kill me!
40:35Oof!
40:36Oof!
40:37Oof!
40:38Oof!
40:39Oof!
40:40Take off of it, Dennis!
40:41No, no!
40:42Watch him!
40:48Come on, Dickie!
40:50Come on, Vicki.
41:02Everything ready?
41:02Yeah.
41:03Then get the herd started.
41:04We join the vigilantes at the Divide.
41:06We've got it done before they get there.
41:20Well, boys, you're just in time.
41:34Jeff's got the cattle all rounded up, ready for the drive.
41:37Jim, there's something I think you ought to know.
41:39What is it?
41:40This is Sheriff Palmer, Texas.
41:42Is there anything I can do for you?
41:44Is this Jim King of the XXX?
41:46That's me.
41:47Have you got a cowhand working for you by the name of Price?
41:49Yes.
41:52Take a look at that.
41:56He was here, Sheriff, but he's gone now.
41:58What do you mean, gone?
41:59Where's he heading?
42:00I don't know.
42:01He just happened to disappear sometime last night.
42:04There must be some mistake.
42:05No mistake, young lady.
42:07He's wanted for mail robbery.
42:08Well, I'm afraid we can't help you any, Sheriff.
42:10The boy's gone.
42:12Well, Jim, the boy's got the herd started.
42:25Reckon I'll see you at the divide.
42:27Good luck, Jeff.
42:28Nothing's gonna happen unless the hawk shows up and starts trouble.
42:31Let's go.
42:32In for a cup of coffee.
42:33I think we will.
42:34Come on, boys.
42:35Who's that?
42:36It's Jay.
42:37Oh?
42:38Don't be hasty, Sheriff.
42:39Don't!
42:40Don't!
42:41I think we will. Come on, boys.
42:51Who's that?
42:52It's Jay.
42:53Who? Don't be hasty, Sheriff.
42:57Don't!
43:11Quick, sis. You've got to help Jay.
43:13What is it? Tell me.
43:15Jay's got one of the rushers tied up in the cabin.
43:18The lost creep.
43:19Just tied Jay there, but Xander and I got him loose.
43:22I'm going to the cabin.
43:24All four, three, three, three, four, four, three, four, four, five, four...
43:31Now, come on, we will be there.
43:39Your hands as men are needs. We either the broken back, Navaid.
43:42Another ten minutes and we'll be there.
43:54I hope he's ready to strike again.
44:02I don't like the way we got to work.
44:03The vigilantes are going to be riding with the herd.
44:06Well, we work quick, that is all.
44:07Come on, we go.
44:20Come on!
44:24Come on, we go.
44:54Come on, we go.
45:24Come on, we go.
45:36Reckon I got to this time, Texas.
45:38A male robbery ain't so easy to wiggle out of.
45:40There he is, boys.
45:53If you want those rustles, you better go on after them.
46:01That's right, Sheriff.
46:02Go get them, boys.
46:06The vigilantes.
46:07They're not too many for us.
46:08Well, I reckon you've given me a pretty good chase, son, but I've caught up with you.
46:31Are you guilty of this charge, Jay?
46:33Well, I took a letter, but it belonged to me.
46:37What kind of a letter?
46:38The letter you wrote your son in Texas.
46:40You say that was your letter?
46:42Sir, who are you?
46:45Your son.
46:46I have known this boy for a number of years, as Jay Price.
46:50Is this your son?
46:51My son.
46:53But why didn't you tell me?
46:55Because I lost the proof.
46:56And then I learned about the hawk.
47:00What do you know about the hawk?
47:02Enough to hang you.
47:04That's funny.
47:05Maybe you're going to try to frame me as being the hawk.
47:08That's exactly what I'm going to do.
47:10That's a pretty thin story, Price.
47:11Come on, we're going back to Texas.
47:13Wait just a minute.
47:14Haven't you any proof that you're my son?
47:18Sure.
47:18Jeff Murdoch has the proof in his best pocket.
47:20That's good.
47:21What would I want of your proof?
47:23What sort of proof is it?
47:24A locket that I lost when I saved Dickie from wildfowl.
47:27It was given to me by my mother.
47:28Texas, you're crazy.
47:30Come along, people, Tex.
47:31I don't want any more trouble with you.
47:32Look.
47:44If you want the hawk, there he is.
47:46And if you need proof, he can give it to you.
48:14I don't want any more trouble.
48:44I don't want any more trouble.
49:14I don't believe that male robbery charge is old water, Sheriff.
49:19This is my son.
49:21I guess I made a mistake after all.
49:23Well, I'll be heading back to town.
49:26I'll take the hawk with me.
49:28Oh, Jay.
49:30Steady, Betty.
49:31Steady.
49:35Look, look.
49:36I ride him.
49:36I ride him.
49:37Hey.
49:38Good boy, Tony.
49:39Sorry.
49:40Good boy.
49:41Thanks, Daddy.
49:42atory.
49:43Ha, ha, ha.
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