🎬 Eternal Evil (1985) | Full Movie 👁️🔥 Supernatural Thriller Horror Cult Gem - video Dailymotion

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📖🧠 When the mind leaves the body... murder begins. Eternal Evil (1985), also known as The Blue Man, is a chilling, underrated supernatural horror film from Canada that explores astral projection gone violently wrong.  📺 A successful TV director becomes obsessed with controlling his mind through meditation and out-of-body experiences. But when people around him begin dying mysteriously, he starts to suspect that his astral form — his soul — is committing murders while his body sleeps. Now, he must uncover the truth before he loses himself… or kills again.  🎬 Directed by George Mihalka (My Bloody Valentine, 1981), Eternal Evil is a moody, cerebral horror thriller that combines the paranoia of psychic powers with the gritty style of 1980s genre filmmaking. With themes of identity, possession, and spiritual danger, this Canadian cult classic is perfect for fans of psychological horror, body horror, and occult cinema.  ⚠️ Think Scanners meets The Entity — low-budget but deeply atmospheric. ________________________________________ 📺 Watch More Classic Horror, Sci-Fi & Cult Films: Classic Movie Playlist: https://www.youtube.com/playlist?list=PLYSxyPafGbnT7hNTlq29mZQJKn7wrNglY ________________________________________ 🔖 Hashtags: #EternalEvil #TheBlueMan #FullMovie #80sHorror #SupernaturalThriller #AstralProjection #CultClassic #CanadianHorror #GeorgeMihalka #PsychicHorror #OccultMovies #PublicDomainMovies #FreeMovies #RetroHorror #MindOverMurder ________________________________________

Transcript

00:00:00Piano music

00:00:30Oh, my God.

00:01:00Oh, my God.

00:01:30Oh, my God.

00:02:00Oh, my God.

00:02:30Oh, my God.

00:03:00Oh, my God.

00:03:30Oh, my God.

00:04:00I'm thirsty.

00:04:03There's plenty of water upstairs.

00:04:05Come on.

00:04:06Help me up.

00:04:07I'm getting old.

00:04:08Okay.

00:04:08Can I have my gun?

00:04:19Okay, but don't shoot anybody.

00:04:22Hi, buddy.

00:04:26Hi, buddy.

00:04:26Hi.

00:04:27Hi.

00:04:28Hi.

00:04:29Hi.

00:04:30Hi.

00:05:00Is it Matthew?

00:05:12Yeah.

00:05:14Is he all right?

00:05:16Yeah, he's fine.

00:05:18I put him to bed.

00:05:30Hello, I'm Johnny.

00:05:41I'm two years old, and I'm sad.

00:05:43My diaper's wet.

00:05:45I wouldn't be in this mess if my mommy and daddy bought Flushies,

00:05:48a new disposable diaper.

00:05:50Flushies fit snug about around my body.

00:05:52Hi.

00:05:53Sorry.

00:05:54Can I go to the bathroom?

00:05:55I gotta go to the bathroom.

00:05:56Only if you promise to change your diapers.

00:06:01Take five, everyone.

00:06:02Take five, everybody.

00:06:04I'm sorry.

00:06:05I'm sorry.

00:06:06Don't be sorry.

00:06:07Go to the bathroom.

00:06:08Go on.

00:06:08Yeah, right.

00:06:09Okay.

00:06:11Okay.

00:06:12That's funny.

00:06:12Yeah.

00:06:13That's great.

00:06:14I love it.

00:06:14I mean, every day, they think of newer and better ways for people to wipe their ass,

00:06:18while the other half of the world's starving to death.

00:06:20You go on and on about how you hate making commercials, but you keep doing them.

00:06:25What am I supposed to do?

00:06:26Make another film.

00:06:29Well, what's your problem?

00:06:31Don't tell me you haven't had an idea in seven years.

00:06:34Come on, Carl.

00:06:34After Wandering Soul was released, no one had hired me to photograph their idiot nephew's

00:06:38wedding.

00:06:41Besides, I own half the company, and I can't just run off.

00:06:44You know damn well you're only as trapped as you want to be.

00:06:47Oh, wow.

00:06:49Well, we're going around in circles again.

00:06:52There's something else he is bothering you today.

00:06:58What is it?

00:07:01Okay.

00:07:03You asked for it.

00:07:04You know that when I did Wandering Soul, I started experimenting with astral projection.

00:07:12And I know it didn't work, because I didn't understand it.

00:07:15There was nothing to understand, don't you see?

00:07:17Six months ago, I went to one of those boring industry cocktail things that Jennifer Alls

00:07:22hates to go to, and I met a woman, Janice, a dancer.

00:07:26She got me back into it.

00:07:27Into what?

00:07:28Some lunatic notion about traveling outside your body?

00:07:32Come on.

00:07:33How can you sit there and judge me like that, Carl?

00:07:35Have you ever tried it?

00:07:36Do you even want to understand?

00:07:39Let me tell you something, man.

00:07:41It's incredible.

00:07:43The surge of energy that you get when you leave your body.

00:07:46The sense of total freedom.

00:07:49Great.

00:07:51I'm delighted.

00:07:52But just remember where it's coming from, okay?

00:07:55No, think what you like.

00:07:57But it's given me the strength to be able to put up with this mundane bullshit that I have

00:08:00to waste what's ever left in my creative juice.

00:08:03It's given me a whole new outlook on life.

00:08:05And maybe death, too, for that matter, because now I know there's a way out.

00:08:09And why haven't you told me all this before?

00:08:13Who is this woman, this Janice?

00:08:15Some kind of guru?

00:08:17An incredible woman.

00:08:19Who makes no demands, but is always there.

00:08:20Someone that I can relax with.

00:08:22I don't have to live up to any expectations.

00:08:25Don't you see what you're doing?

00:08:26No.

00:08:27What am I doing, Carl?

00:08:28Running away from my problems instead of facing up to them?

00:08:31Is that what I'm doing?

00:08:32For the first time in my life, I'm beginning to see things a little differently.

00:08:35And you tell me I'm out to lunch.

00:08:38Then I'll wait.

00:08:39I'll leave a word I'm saying.

00:08:41For Christ's sake, Paul, you can't just leave like that.

00:08:44Watch me, Dr. Meister.

00:08:46Hey, Alan.

00:09:08Hello, Paul.

00:09:09I'm curling.

00:09:10Must have been a good shoot.

00:09:11Terrific.

00:09:12Any calls?

00:09:13Dr. Meister, about 15 minutes ago.

00:09:21Called again, told I can't be reached.

00:09:23Ever.

00:09:38Mr.

00:10:05Mr.

00:10:06Oh, my God.

00:10:36Oh, my God.

00:11:06Oh, my God.

00:11:36Oh, my God.

00:12:06Oh, my God.

00:12:36Oh, my God.

00:13:06Oh, my God.

00:13:36You know, chicken again.

00:13:42You know, it's hard having an appetite when your food smells like paint stripper.

00:13:46I'm sorry.

00:13:48I was working on a dresser.

00:13:49Well, can't you do it outside?

00:13:51It smells like a toxic dump in here.

00:13:53It's dangerous, you know.

00:13:54And that gun in your den isn't dangerous?

00:13:57Oh, for God's sakes, Jennifer.

00:13:59Jesus.

00:13:59Let's not fight again, let's not fight again, all right, Poe?

00:14:01I just put Matthew to bed.

00:14:05How is he?

00:14:08He's fine.

00:14:10If he's fine, why is he getting up all the time?

00:14:13Maybe it's because we're all the time, maybe it's because we're always fighting about paint stripper and guns in the house, late night business meetings.

00:14:19I'm sorry.

00:14:21I guess a lot of it's been my fault.

00:14:27No, it's not all your fault.

00:14:30Well, a good chunk.

00:14:33I want to help, Poe.

00:14:38Just tell me how.

00:14:41I don't know.

00:14:43I still love you.

00:15:00Dr. Meister!

00:15:03Dr. Meister!

00:15:09Holy shit.

00:15:22Sweet Jesus.

00:15:33I just don't want to know.

00:15:39Oh, my God!

00:15:40I like that thing.

00:15:56Yeah, yeah, we know it's not a thing.

00:16:00I like that thing.

00:16:02So, you know, always in that rhythm.

00:16:06Everything.

00:16:08Oh, it's great to finally get out of the city.

00:16:26Better enjoy it while we can, since your old man's still on the farm.

00:16:31What?

00:16:32Since where?

00:16:38Well, if it ain't Supercop, how you doing, Stuart?

00:16:52Calling me in for simple heart attacks now?

00:16:54What's the matter?

00:16:55You lonely?

00:16:56Well, it came in as a simple heart attack.

00:16:59But check this out.

00:17:03Officially, they're calling this a heart attack.

00:17:10Jesus.

00:17:11You like that, huh?

00:17:14You know, maybe you're in the wrong business.

00:17:17How about interior decorating?

00:17:19You know, speaking of interiors, this one's a beauty.

00:17:25It might still be a heart attack.

00:17:27But if it is, it's the weirdest one I've ever seen.

00:17:30No kidding.

00:17:32You, uh, gonna dig in?

00:17:35You bet your lunch.

00:17:37I want to take care of it.

00:17:40You think I'll to put it in just a little bit.

00:17:42A little bit too.

00:17:43There!

00:17:44It's a little bit too far.

00:17:45The only thing I've ever seen in my life is no good.

00:17:48And I can't take care of it.

00:17:49You know, it's a beautiful room.

00:17:50By the way, I can't try and keep it.

00:17:51It's a beautiful room.

00:17:52By the way, I can't do this here.

00:17:53I can't do this, not do this.

00:17:54It's a beautiful room.

00:17:55It's a beautiful room for you.

00:17:56I can't do this anymore.

00:17:57Here it's a beautiful room.

00:17:59But, it's a beautiful room for you.

00:18:00But that's a beautiful room for me.

00:18:02Come on.

00:18:03Hi, Granddad, he's here.

00:18:16I can see that.

00:18:18Where's Rex?

00:18:19Hey, didn't you see him?

00:18:20He's around.

00:18:22Rex!

00:18:23Here's my...

00:18:24Oh, it's good to see you.

00:18:33Oh, get over here.

00:18:44Dad, how come you didn't tell me that you were going to sell the farm?

00:18:47I was going to.

00:18:48I only put it up for sale yesterday.

00:18:57Are you in there, boy?

00:18:58I'm going to find you.

00:19:03Oh, my God, what happened?

00:19:22Oh, my God.

00:19:24Please, please.

00:19:27Come take a peek at this story.

00:19:29It looks like a goddamn abstract.

00:19:34Every rib is broken, but they're jutting out as if they've been broken from inside the body.

00:19:41You figure it out.

00:19:43Every vital organ, the liver, pancreas, kidneys, lungs, even the heart, is either punctured or completely ravaged.

00:19:52Remember those red welts on his chest and abdomen?

00:19:57Mm-hmm.

00:19:57Massive hemorrhage.

00:20:00That's insane.

00:20:01Tell me about it.

00:20:05Any traces of drugs or other foreign substances?

00:20:09Nothing.

00:20:11Well, what is it?

00:20:13I don't know what it is.

00:20:15I just know what it looks like.

00:20:17Looks like our dear Dr. Meister swallowed a bomb.

00:20:32I'll have to stitch you up.

00:20:34I was afraid you'd say that.

00:20:37What the devil got into your dog, Bill?

00:20:40It was just an accident.

00:20:47Bill?

00:20:49I don't know, Tom.

00:20:52I don't know.

00:20:54Are you sure Paul's not hungry?

00:20:56Maybe we should ask him again.

00:20:58He just wants to be alone for a while, Dad.

00:21:00He'll eat later.

00:21:01He'll eat later.

00:21:02He'll eat later.

00:21:10How are you doing, buddy?

00:21:15Okay.

00:21:18That's the scaredest I've ever done.

00:21:20Yeah, it was.

00:21:33You having fun?

00:21:34Why do they make such stupid machines?

00:21:36Ruth, you should stick to producing.

00:21:38Hope that wasn't one of our spots.

00:21:41No, some porno thing I've had for years.

00:21:45What happened to you?

00:21:47The dog bit me.

00:21:48It's terrible.

00:21:49I thought my cat was ruthless.

00:21:51How was your weekend?

00:21:54Good night.

00:22:05Paul?

00:22:06You know me.

00:22:08Well, you know what I am?

00:22:10I spent half my life chasing every six-footer that moved.

00:22:15But this weekend, something different happened.

00:22:20She.

00:22:22It was more than just the sex.

00:22:23It was laughter and talking and...

00:22:27just watching her.

00:22:30God, I'm so confused.

00:22:31I think I'm in love with a woman.

00:22:36Yeah, Helen?

00:22:37Paul, Dr. Meister's secretary for you.

00:22:40I told you I couldn't be reached for him.

00:22:42But she says it's very important.

00:22:44Put her on.

00:22:45What's that?

00:22:47Yes, Mae.

00:22:47What's so important?

00:22:48Dr. Meister's dead.

00:22:50Guard found him in the hallway this morning.

00:22:54Mr. Sharp.

00:22:55Mr. Sharp, are you there?

00:22:56A split second after Matthew woke me up.

00:23:17a split second after matthew woke me up i vaguely remember traveling but i didn't know where i'd

00:23:28been it's only when we got to the farm and i saw that for sale sign that i knew i'd been there

00:23:33you traveled to the farm why are you so upset because i felt weird and i didn't know why

00:23:39until the dog attacked me and i can't understand it because i've known that dog since he was a puppy

00:23:43i don't think you should worry about it paul maybe the dog was sick

00:23:49i think you should be happy that you can travel out of body you're not listening to me janice i can't

00:23:57control my destination i can't even remember where i've been it's starting to get a little bit scary

00:24:04do you think people can predict their dreams most people don't even remember them

00:24:10this isn't a dream this is real absolutely that's what sets you apart do you remember how

00:24:20trapped you used to feel yeah i gotta get some control janice i can't go on like this

00:24:29please don't give up you will be able to control your destination

00:24:39you will remember

00:24:45i can't

00:24:48i saw something last night

00:25:02i saw something that i know isn't real

00:25:09and yet i swear to god i saw it

00:25:15maybe i am getting old

00:25:19god damn it i hope i'm not getting senile

00:25:23what did you say

00:25:25how's it hangin'

00:25:53you want your seat

00:26:01yeah

00:26:02you know good thing meister wasn't taking on new patients

00:26:06use the appointments calendar

00:26:08they only want the most recent

00:26:10for now anyway

00:26:11that's what i'm doing what are you looking for anyway

00:26:13how the hell should i know

00:26:15weirdos

00:26:15logical start

00:26:17yes

00:26:32paul sharp place

00:26:34who shall i announce

00:26:36bill pearson

00:26:37yeah i'm his father

00:26:38oh

00:26:40up the stairs

00:26:42around and all the way down the hall

00:26:45paul

00:26:50you're very nice on this way

00:26:52up

00:26:52who are you

00:27:12what brings you here

00:27:13hello paul

00:27:15come on in

00:27:24Oh, Jesus.

00:27:45Matthew!

00:27:50Matthew.

00:27:52Why did you do that?

00:27:55You know, I spent hours.

00:27:58Why did you do it?

00:27:59I'm not supposed to tell.

00:28:02What are you talking about?

00:28:04Who told you that?

00:28:06Nobody.

00:28:08Come on, Matthew.

00:28:10You can tell me.

00:28:11I'm your friend.

00:28:14I have a friend.

00:28:16Matthew!

00:28:17Matthew!

00:28:20He thought he was seeing a ghost.

00:28:23He recognized me.

00:28:26So what did you tell him?

00:28:28I told him he was crazy.

00:28:31Impressive argument.

00:28:32Very funny.

00:28:33You can only be seen if you want to be seen, you know.

00:28:40But why would I want to be seen?

00:28:44I don't know.

00:28:45Maybe you wanted to scare him.

00:28:47It bothers you, doesn't it?

00:28:51Yes, it bothers me.

00:28:54Why?

00:28:55Because Pearson and I have never been the best of friends.

00:28:57I had no reason to go there in the first place.

00:28:59I think you should stop, Paul.

00:29:06You're getting very nervous and edgy.

00:29:12Take better care of yourself.

00:29:13You sound like Jennifer.

00:29:15No, she's right.

00:29:16My health isn't my main concern right now.

00:29:18You know what I mean?

00:29:19I like you healthy.

00:29:25Before, I couldn't control my destinations.

00:29:28Now, I can't even control what is going to happen.

00:29:30It's bugging the hell out of me.

00:29:36I read that Dr. Meister died.

00:29:39Is that the real reason you're upset?

00:29:41No.

00:29:43Are you sure?

00:29:44Leave it alone, Jess.

00:29:46Paul.

00:29:52You came to me because I can help you.

00:29:55Well, here I am.

00:29:57Why don't you talk to me?

00:30:03Did you go to Dr. Meister?

00:30:06No.

00:30:08I mean, out of body.

00:30:11You visited your father-in-law, but you...

00:30:14You didn't remember that.

00:30:16That was different.

00:30:18How?

00:30:22How did Dr. Meister die, Paul?

00:30:25He died of a heart attack.

00:30:26It was in the newspapers.

00:30:27What are you getting at?

00:30:28You think I could have killed him while I...

00:30:30I think that you should stop.

00:30:30Is it possible for someone to unwillingly harm somebody while traveling?

00:30:40Unwillingly?

00:30:43Or willingly?

00:30:44Unwillingly?

00:30:45Unwillingly?

00:30:46Unwillingly?

00:30:47Unwillingly?

00:30:48Unwillingly?

00:30:49Unwillingly?

00:30:50Unwillingly?

00:30:51Unwillingly?

00:30:52Unwillingly?

00:30:53Unwillingly?

00:30:54Unwillingly?

00:30:55Unwillingly?

00:30:56Unwillingly?

00:30:57Unwillingly?

00:30:58Unwillingly?

00:30:59Unwillingly?

00:31:00Unwillingly?

00:31:01Unwillingly?

00:31:02Unwillingly?

00:33:33About an hour ago.

00:33:35Who is he?

00:33:37Chicken farmer.

00:33:41Shit.

00:33:41I wonder if he was selling chickens to Meister.

00:33:46I wonder if he was selling chickens to Meister.

00:33:46I wonder if he would think of his fish.

00:33:52What?

00:33:53What about the?

00:33:54How?

00:33:55How?

00:33:57How?

00:33:59How?

00:35:04I see ghosts all the time, myself.

00:35:08Well, if you think Bill Pearson was crazy, this should confirm it.

00:35:13He swore the ghost he saw was Paul Sharpe, his son-in-law.

00:35:17I got every one pinned down except, uh, these two.

00:35:23Yeah, probably. Just a couple of funeral rats.

00:35:26Do I dump them?

00:35:27Oh, no.

00:35:29Show me Paul Sharpe's.

00:35:30I'm just getting to that.

00:35:35Mr. Paul Sharpe.

00:35:38And here's the ice field.

00:35:40He was a patient of Meister's.

00:35:42Uh-oh.

00:35:44Uh-oh.

00:35:45Uh-oh.

00:35:58Aggressive to satisfied astral projection, Janice.

00:36:02Come here.

00:36:03Come here.

00:36:20Oh, Bradley from Purple Toys.

00:36:23Oh, Murdoch from Telecrop.

00:36:28I never forget a face.

00:36:30Do I know you?

00:36:31I'm here to see Paul Sharpe.

00:36:33Oh, oh, he's in.

00:36:34He's in.

00:36:35I know.

00:36:36I know.

00:36:37Down the hall.

00:36:38Hi, Paul.

00:36:46Yeah.

00:36:47Sergeant Detective Kaufman.

00:36:51What can I do for you?

00:36:52Routine questions about your father-in-law.

00:36:55Your father-in-law?

00:36:56He's dead.

00:36:58Where were you the night that he died?

00:36:59Why?

00:37:01I'm asking the questions.

00:37:02About a heart attack?

00:37:04Slow day at the office.

00:37:05Like I said, where were you the night that he died?

00:37:10I was at home.

00:37:12In bed.

00:37:13That's better.

00:37:14With your wife?

00:37:16These days, you can't take anything for granted.

00:37:19Least of all the sanctity of the bedroom.

00:37:20Why?

00:37:22You got problems with the sanctity of your bedroom?

00:37:25Dr. Meister also died of a heart attack, didn't he?

00:37:29You were a patient of his.

00:37:31How do you know?

00:37:32I read your file.

00:37:33You look surprised.

00:37:36I'm a cop.

00:37:37I'm allowed.

00:37:38I'd like those files back, if you don't mind.

00:37:40So?

00:37:40Talk to your lawyer.

00:37:41I will.

00:37:42Good luck.

00:37:44How did you hurt your arm?

00:37:47A dog bit me.

00:37:49Your father-in-law's dog bit you.

00:37:51You talk to the dog, too?

00:37:52Right.

00:37:56You make movies?

00:37:58A long time ago.

00:38:00I make commercials now.

00:38:01By the way, do you know these people?

00:38:09No.

00:38:10Shame.

00:38:14Listen, I'm aware of the fact that I may be the only link between Carl Meister and Bill Pearson,

00:38:18but it's strictly coincidental, and I'd like to know why you're leaning on me.

00:38:22Am I leaning on you?

00:38:23I think you are, yes.

00:38:25Thanks for your time, Paul.

00:38:27I'm sure we'll talk again.

00:38:33By the way, your father-in-law was becoming senile.

00:38:37He thought he was seeing ghosts.

00:38:51Hello again.

00:38:52I'd like to use a phone, if I may.

00:38:54Of course.

00:38:55There's one right here there.

00:38:58Mick, do me a favor, will you?

00:39:13Go to Videoscope Limited and see if you can get me a video of a film called The Wandering Soul.

00:39:18The Australian Outback, tribes living sometimes 500 miles apart, can reportedly communicate with each other.

00:39:26This in a vast expanse of isolated wilderness devoid of telephone, telegraph, or any other means of electronic communication.

00:39:33How, then, is this communication achieved?

00:39:36One answer is astral projection.

00:39:38Wandering souls.

00:39:41A notion which defies logic and all existing religious beliefs, but in our highly industrialized, secular, North American society,

00:39:49William and Monica Duval may be just that.

00:39:52Wandering souls.

00:39:53As I was saying, Paul, our bodies, as you've seen them now, will soon be dead.

00:39:57And what happens then?

00:39:59We shall find others suitable success, as you might say.

00:40:02You make it sound as if taking over another body was the easiest thing in the world.

00:40:06Heavens, of course it isn't.

00:40:07We don't want just anyone.

00:40:09Weaklings, simpletons, intellectual vagrants.

00:40:13Why would we want them?

00:40:15Now, lodgings, if you'll pardon the expression, of a certain physical, intellectual, and social standing are much more fascinating.

00:40:28The process can be quite lengthy depending on the quality or resistance of the individuals.

00:40:33For instance, it's quite impossible to appropriate those firmly rooted or satisfied with their lives.

00:40:39Basically, you must prepare your hosts.

00:40:43Basically, you must prepare your hosts.

00:40:44Play with their minds.

00:40:45Confuse them.

00:40:47Isolate them from those they love or need.

00:40:50Set loose the answers.

00:40:51Monika and I have seen life and death through many eyes.

00:40:59Vita es morte es vita.

00:41:02Life is death is life.

00:41:05When William takes another body, what will you do?

00:41:09Remarkably enough, we've never been apart for long, regardless of whom we have become.

00:41:15What you're talking about here is spiritual vampirism.

00:41:18That sounds ghastly.

00:41:19Well, that's what it is.

00:41:20You have no qualms about destroying someone's life for the sake of your own survival?

00:41:25You speak of destruction.

00:41:27I speak of rebirth.

00:41:30Imagine.

00:41:31A thousand-year-old mind inside a thirty-year-old body.

00:41:35You have...

00:41:36Bringing with me the wisdom of ages.

00:41:40What would happen if you die before you take over another body?

00:41:43Oh, what a dreadful thought.

00:41:45If your body dies prematurely, your soul weakens considerably.

00:41:51Unless a host is immediately available,

00:41:54and you manage to keep your wits about you,

00:41:56you become disoriented simply because you've lost home base.

00:42:01Unfortunately, it's happened.

00:42:03And it was not the most enjoyable experience.

00:42:07I shudder at the thought of having to compete once more

00:42:10with centuries of lost, demented souls who will do anything to return.

00:42:14It's rather a nasty realm up there.

00:42:16But there's also a higher level of spirituality.

00:42:20Couldn't you use your powers to achieve that

00:42:22instead of continuing this endless cycle of destruction?

00:42:27Such is our failing, Monica's and mine,

00:42:30that we cannot resist the attraction of this imperfect world.

00:42:33By the time this film was completed,

00:42:38Monica and William Duvall were dead.

00:42:40And here's what time you applied to be evil.

00:42:45Let's go.

00:42:47Okay.

00:42:57Let's go.

00:42:58Oh, my God.

00:43:28Oh, my God.

00:43:34Pick it up.

00:43:44Stop that, please, Matthew.

00:43:47I said stop it.

00:43:59I told you to stop, Anne.

00:44:11What's the matter with you?

00:44:15Anne, you go upstairs.

00:44:17You must do it.

00:44:21I'll walk.

00:44:25I'll walk.

00:44:29To be continued...

00:44:59I don't know where he is.

00:45:29I know I need you.

00:45:37You're sleeping.

00:45:47I don't see your love.

00:45:49It's hot.

00:45:52I can't.

00:45:57I'm a good boy.

00:46:19Matthew!

00:46:21Matthew, I'm sorry, baby.

00:46:23It's okay.

00:46:25It's just me.

00:46:26It's just your old mom.

00:46:28Somebody's going to die.

00:46:30Matthew, nobody's going to die.

00:46:34Come on, sweetie.

00:46:44What happened?

00:46:46He was trying to get the keys to the basement.

00:46:56Astral projection?

00:47:00Astral projection?

00:47:02Basically, astral projection is the ability to travel outside one's body.

00:47:08The vehicle being a dream.

00:47:10Astral dreams, it's called.

00:47:12Well, imagine yourself as two entities.

00:47:14The physical entity and the spiritual entity.

00:47:18Astral projection occurs when the spiritual entity separates itself from the physical entity.

00:47:22And takes off.

00:47:24As in death, for instance.

00:47:26You believe in souls.

00:47:28It most often occurs to people when they're in medical operations or they're in a coma.

00:47:34Do you really believe that?

00:47:36There are people who do.

00:47:38And if I can't show their frauds, then how can I refute them?

00:47:42Do you believe in God?

00:47:44Well, do you believe in reincarnation?

00:47:48Stuart, there are whole countries of people that believe in reincarnation.

00:47:52So, who is perfect to the answer, eh?

00:47:56Have you ever heard of wandering souls?

00:48:00Wandering souls?

00:48:01Uh, yes.

00:48:02Plato speaks of wandering souls.

00:48:05People who, for one reason or another, died before they were ready.

00:48:10Will you be ready, sir?

00:48:11I can assure you, I will not be ready.

00:48:13Um, these people wander sort of aimlessly, as you can imagine, around graveyards.

00:48:17In the vein, I can assure you hope, of trying to re-enter the world of the living.

00:48:22Would you cut that lecture?

00:48:24Probably.

00:48:25What about spiritual vampires?

00:48:30Forget it.

00:48:32Now, going back to astral projection for a second.

00:48:35Theoretically speaking, if I'm traveling outside my body, and I come and visit you, would you be able to see me?

00:48:44There are many factors to consider, but, uh, yes, I don't see why not.

00:48:48What would I look like?

00:48:49Oh, well, the authors differ on this, but, uh...

00:48:54They claim that some of them can be quite real-looking.

00:48:57Could it be hazy, translucent blue, something like that?

00:49:01Well, I hardly consider that real-looking.

00:49:04Uh, but yes, that is the most common sighting.

00:49:06So, if I was a little strange, I mean sensitive, I might think that I was seeing a ghost.

00:49:14Never the cynic, eh, Stuart?

00:49:16Excellent.

00:49:17But don't make the mistake of discounting the abstract too easily, huh?

00:49:21What's up?

00:49:22Toast the newlywed!

00:49:23Huh?

00:49:24Oh, Helen and I got married last night.

00:49:31Holy shit.

00:49:32Oh, typical office story, you know.

00:49:33The boss marries the receptionist.

00:49:34All the best, buddy.

00:49:35Thanks.

00:49:36There's something about her.

00:49:37Oh, I'll hear you.

00:49:38What's up?

00:49:39I'll hear you.

00:49:40I'll hear you.

00:49:41What's up?

00:49:42Toast the newlywed!

00:49:43Huh?

00:49:44Oh, Helen and I got married last night.

00:49:48Oh, holy shit.

00:49:49Oh, typical office story, you know.

00:49:52typical office story you know the boss marries the receptionist something

00:50:04about her she makes me feel things I've never felt before and the first person

00:50:11I've told she doesn't want her flying around not yet anyway you know how people

00:50:15where is she now oh at home recuperating you're getting any sleep mm-hmm I'm fine

00:50:26she's Amelia Lambrough dance pretty good one to her used to be anyway she dropped

00:50:33out of the West End Dance Company about a year ago no one's heard much since her

00:50:37she's Isis a family named Carmichael but she never uses it also a dancer but not

00:50:44much up here she dropped out a short time after Lambrough she'd really get off this

00:50:52stuff how'd you trace into the West End we had a file on Lambrough a minor drug

00:50:58bust a couple of years back grass yes that's those drugs any

00:51:04connection to Paul Sharp none I can get a fix

00:51:07hello Isis I'm looking for Amelia Lambrough what can you read she's not home I know so where is she

00:51:27don't know let me go go

00:51:30go

00:51:34Let's go.

00:52:04Let's go.

00:52:34Let's go.

00:53:04Let's go.

00:53:05That was great.

00:53:06I think I made a mistake, Paul. Can you do another take?

00:53:08It sounded great to me.

00:53:09Okay, everybody, let's move over here for a new camera position for the beauty shot.

00:53:14Let's go.

00:53:15Come on, everybody.

00:53:16Let's go.

00:53:17Paul, Paul.

00:53:18I think she's right.

00:53:19She did make a mistake.

00:53:20Don't make a mistake.

00:53:21Do you want to direct this piece of shit?

00:53:22No, no.

00:53:23I'm just saying it may be a problem.

00:53:24No, listen.

00:53:25Hey, I think you should try it.

00:53:26See how you like it.

00:53:27Hey, wait a minute.

00:53:28I'm paying the bills.

00:53:29Paul, please.

00:53:30Just one more, all right?

00:53:31You tell me what to do, you fat faggot.

00:53:32I've been carrying you and this company for years and I had enough.

00:53:35You direct it.

00:53:37I'm sorry, you can get it done.

00:53:38Get it done, I don't care how you do it, but get it done.

00:53:45I'm going to talk to her.

00:53:59I'll talk.

00:54:00Get her to call me.

00:54:01Let me go, okay.

00:54:02Get her to call me.

00:54:03Hey.

00:56:04My goodness, but you're anxious to meet me.

00:56:15Jesus.

00:56:16How flattering.

00:56:18I'm sorry, but the party is over.

00:56:22As you can see, you'll have to go.

00:56:24Listen, Lambrou.

00:56:25You've had your ass busted before, so don't push me.

00:56:28Are you here to arrest Lambrou?

00:56:33How disappointing.

00:56:38She's not here.

00:56:40You're Emilio Lambrou.

00:56:41You think so?

00:56:42You want to play games?

00:56:51No.

00:56:52I'm sorry.

00:56:55I try to be hospitable to all my guests, even if they do break and dent her.

00:57:01My name is Jess.

00:57:09Now, will you kindly get out of here?

00:57:15Or you'll be very sorry.

00:57:21That sounds like a threat.

00:57:25Do you feel threatened?

00:57:28Not by you, I don't.

00:57:29Jesus.

00:57:43Jesus.

00:57:47Are you afraid of death, Jevon?

00:58:07Don't be.

00:58:11Peter, as much as Peter.

00:58:19Look, let's get the bullshit.

00:58:22All I want to know is what you know about Paul Sharp.

00:58:30I could watch you.

00:58:37Oh, I'm sorry.

00:58:44I thought Scott was, uh...

00:58:46No, he's, uh, of many clients.

00:58:48No.

00:58:49Anything I can do?

00:58:51No, no.

00:58:54Congratulations, by the way.

00:58:55I haven't seen you since...

00:58:56Since our shotgun wedding.

00:58:58Yeah.

00:59:01Scott is a wonderful man.

00:59:03Yeah, he is.

00:59:04I'm happy for both of you.

00:59:07Listen, um...

00:59:08He'll be gone a while.

00:59:10Join me for lunch?

00:59:12Sure, why not?

00:59:13Good.

00:59:24Have a good nap.

00:59:25To us.

00:59:39To us?

00:59:41Anyone else here?

00:59:45No.

00:59:47Cheers.

00:59:48Salted.

00:59:49I know what you're thinking.

00:59:56This mysterious woman walks into the company,

00:59:59and six months later,

01:00:01now he's my partner.

01:00:02Oh.

01:00:03Not exactly.

01:00:04Pretty close.

01:00:08But let's not talk about that.

01:00:12Let's talk about us.

01:00:13We hardly know each other.

01:00:16We will.

01:00:18I have a feeling you and I

01:00:20are going to be very good friends.

01:00:23After all,

01:00:24if your wife can take long strolls

01:00:27with that detective,

01:00:32I don't see why you and I

01:00:34can't enjoy a pleasant meal.

01:00:35I don't see.

01:00:48Oh,

01:00:49so...

01:00:51...

01:03:23Matthew?

01:03:25Matthew?

01:03:37Matthew?

01:03:41Matthew?

01:03:42Listen to me.

01:03:43Do you hear me?

01:03:45Open your mouth.

01:03:46Come on, spit that up.

01:03:48That's it.

01:03:49That's it, baby.

01:03:50More.

01:03:50Come on.

01:03:55Matthew?

01:03:57Stick with me.

01:04:01Spit it out.

01:04:02Get it out.

01:04:04Paul?

01:04:05Matthew?

01:04:16Matthew?

01:04:16Who is it?

01:04:20Ah, I'm coming.

01:04:26Oh, I'm coming.

01:04:34Please.

01:04:35No.

01:04:38Oh, please.

01:04:39Oh, please.

01:04:43Oh, please.

01:04:45Oh, my God.

01:05:15Oh, my God.

01:05:45I buried my wife.

01:05:47So tell me again you don't know that cool, Janice.

01:05:50You went to the office.

01:05:51You fell asleep.

01:05:52What'd you do then?

01:05:53You call home?

01:05:54Stay away from me, Coughlin.

01:05:56I mean it.

01:05:57Tell me that was a goddamn heart attack.

01:06:00Son of a bitch.

01:06:15Hello, Scott.

01:06:38Oh, Helen.

01:06:40What a lovely surprise.

01:06:42Did you bring the car?

01:06:43You know what?

01:06:44I feel great.

01:06:46Let's go to that new sushi restaurant.

01:06:47Let's go to that new sushi restaurant.

01:07:18This body's dying, Monica.

01:07:21I've mistolding you.

01:07:24Tonight we'll be together again.

01:07:27Forever.

01:07:29Monica, if William dies first, what will you do?

01:07:33Remarkably enough, we've never been apart for long,

01:07:36whomever we became.

01:07:37Basically, you must prepare your hosts, play with their minds, confuse them, isolate them from those they love or need.

01:08:00He made me drink it.

01:08:03Who made you drink it?

01:08:11He was my friend.

01:08:19Once this is done, it becomes merely a question of making an entrance and sending their soul into exile, as it were.

01:08:28And you mean you just enter?

01:08:29Oh, no.

01:08:30They want us.

01:08:32By then, they have despaired of this earth and are grateful to leave.

01:08:35Monica and I have seen life and death through many eyes.

01:08:39Who is your friend?

01:08:44Huh?

01:08:48The blue man.

01:08:51He said his name was William.

01:08:57Oh, God.

01:09:00I want to see Mommy.

01:09:06Go to sleep now, okay?

01:09:09Good boy.

01:09:12Life is death is life.

01:09:15Life is death.

01:09:28Vita es muerte.

01:09:31Te es vita.

01:09:33Te es vita.

01:09:34Shit.

01:09:35Blue man.

01:10:05I'll be right back.

01:10:34I'll be right back.

01:11:04I'll be right back.

01:11:34I'll be right back.

01:12:04Don't go to hell.

01:12:08Janice is mine.

01:12:11Bastard.

01:12:12No, I'm going to lock you in the trunk.

01:12:14You'll be nice and cozy until all this is over.

01:12:17One stupid move, and I'll shoot you.

01:12:20You understand?

01:12:21I'll be right back.

01:12:23Let's go.

01:12:32Stop.

01:12:35I'll be right back.

01:12:42I'll be right back.

01:12:44I'll be right back.

01:12:46I'll be right back.

01:12:55I'll be right back.

01:12:56I don't know.

01:13:26I don't know.

01:13:56I don't know.

01:14:26You killed him.

01:14:28You made me think I did.

01:14:30I've been expecting you.

01:14:45Don't be afraid.

01:14:50It's over, William.

01:14:51I'm not going to be one of your victims.

01:14:54I've admired you since the first time we met, dear boy.

01:14:58You sensed that, didn't you?

01:15:09You liked it.

01:15:11You need me.

01:15:17As you, I will make you the great filmmaker.

01:15:22You've always known you could be.

01:15:24I know you so much better than you know yourself.

01:15:32I don't want you.

01:15:34All those awful fairy tales about death.

01:15:41Death is beautiful.

01:15:43It brings peace and it's life.

01:15:50It brings freedom from all remorse.

01:15:55You kill them.

01:16:00I'm not going to let you take Matthew.

01:16:02Matthew?

01:16:05Matthew is already mine.

01:16:07He's always been mine.

01:16:09My best friend will take good care of Matthew.

01:16:16Don't you feel trapped?

01:16:28Trapped?

01:16:31Locked inside that body.

01:16:35Locked inside that body.

01:16:39You can't stand being locked in.

01:16:45You can't stand being locked in.

01:16:53You never need to go again.

01:17:02Get out of my time, please.

01:17:09You too.

01:17:11Now.

01:17:13Me.

01:17:15Let me in.

01:17:30Marita!

01:17:33Marita!

01:17:34Marita!

01:17:39Oh, my God.

01:18:09Oh, my God.

01:18:39Oh, my God.

01:19:09You're both looking good.

01:19:14Yeah, well, it's been a tough couple of months, but we're slowly putting it together.

01:19:17Matt's been great.

01:19:18Yeah.

01:19:18Kept us both going.

01:19:19I sold the company.

01:19:22You did?

01:19:23Yeah.

01:19:24They're making another film.

01:19:25That's great.

01:19:26Yeah.

01:19:28How's Kaufman doing?

01:19:30He got out of the hospital and quit the force.

01:19:32Yeah, something he'd been wanting to do for a while, it seems.

01:19:35Anyway, he's traveling now.

01:19:36Where exactly?

01:19:37I'm not sure.

01:19:38Well, good for him.

01:19:38Oh, my God.

01:19:44And will he make it?

01:19:54Thanks.

01:19:55Well, I'll be off.

01:19:57Well, good to see you, Mick.

01:19:58Take it easy.

01:19:59You too.

01:20:00Bye-bye.

01:20:01What's yours?

01:20:03Chutty-fruity ripples.

01:20:04No, thanks.

01:20:05Oh, good.

01:20:06I still miss money.

01:20:18So do I, man.

01:20:19So do I, man.

01:20:36Do I, man.

🎬 Eternal Evil (1985) | Full Movie 👁️🔥 Supernatural Thriller Horror Cult Gem

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