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🌡 Saddle up for romance, redemption, and rugged frontier justice in The Light of Western Stars β€” a thrilling 1940 Western based on the bestselling novel by Zane Grey! With sweeping landscapes and bold characters, this cinematic gem blends action and heart against the wild, untamed West.

🎞️ Plot Summary:
When Eastern socialite Gene Stewart arrives in the frontier territory, he’s looking for nothing but a good time. But after a dramatic encounter with a strong-willed ranch owner, he’s pulled into a violent land feudβ€”and a surprising path of self-discovery and heroism.

πŸ•°οΈ Year Released: 1940
🎭 Genre: Western, Romance, Action
🎬 Directed by: Lesley Selander
⭐ Starring: Victor Jory, Jo Ann Sayers, Russell Hayden

🌟 Why Watch It?
βœ”οΈ Based on Zane Grey’s beloved Western novel
βœ”οΈ Classic themes of redemption and frontier bravery
βœ”οΈ Scenic outdoor cinematography and Western action
βœ”οΈ Memorable performances from Western film veterans

πŸ”” Don’t forget to LIKE πŸ‘, COMMENT πŸ’¬, and SUBSCRIBE πŸ”” for more vintage Westerns, adventure stories, and public domain classics!

πŸ‘‡ Watch more Wild West Classics here:
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πŸŒ„ Ride into danger, duty, and destiny in The Light of Western Stars – a timeless Western tale of courage and change.
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Transcript
00:00:00The End
00:02:30Did you see Senor Jean?
00:02:44Oh!
00:05:35Stand you in front of a wall, send you to jail for life.
00:05:38Maybe we'll meet socially, in the same Mexican Calaboos.
00:05:41What are you hinting at?
00:05:43Just this, that if I do ride south, I'll be healed of my own guns.
00:05:48I won't be carrying those rotten shooting tools you're running across the border these
00:05:51nights.
00:05:52Set up three whiskeys.
00:05:53I'll take three too.
00:05:54From that sheriff always.
00:06:03Say, Gene.
00:06:04Yeah?
00:06:05You've seen plenty of fighting everywhere.
00:06:07Why is it they got to go start a war across the border?
00:06:10Well, I'm darned if I know, Nils.
00:06:12Unless it's just that over there they think the world's getting a little too crowded to live in.
00:06:18You know, gentlemen, I think that humans are greater fools than animals or even bugs.
00:06:25Now, we'll take bugs, for instance.
00:06:27They don't fight each other.
00:06:28They believe in live and let live.
00:06:30Of course, nobody's ever given bugs rifles or got them drunk or...
00:06:36That reminds me.
00:06:37I'm not going any further with this conversation unless I get a thanks.
00:06:45And how to continue.
00:06:47It's always been my idea that if you give children cat pistols to play with,
00:06:52when they get older they want real guns.
00:06:54Real guns that shoot real bullets and kill real people.
00:07:02And the sad part of it is there's always someone who will sell them to them.
00:07:07Someone, for instance, that wants to run everything.
00:07:11And boss everybody.
00:07:12You know, gentlemen, there's other things besides this that make men drunk.
00:07:21Yes, sir.
00:07:23Power does.
00:07:25Power makes men lie and cheat and steal and betray their friends.
00:07:31It even makes them give their best friends this.
00:07:36Will you shut up?
00:07:37They do kill each other across the border.
00:07:39Who cares?
00:07:41Not you, Hayworth.
00:07:42You don't care.
00:07:44Not as long as each poor devil killed is another dirty dollar in your pocket.
00:07:50I make allowances for a whiskey-soaked brain.
00:07:52Well, you don't have...
00:07:53Shall I lock him up, Mr. Hayworth?
00:08:13Not now.
00:08:16Give him about an hour and then I'll watch this.
00:08:18Poco!
00:08:26Didn't I tell you not to follow me here tonight?
00:08:29Ah, didn't I?
00:08:32Oh, Senor Jim, when you're drunk, you're loco.
00:08:35Where you go, Poco, she go too.
00:08:38You fall down, I take you home.
00:08:40Well, I may not be long.
00:08:42Well, let's have some more.
00:08:48Still well, Ryder, dancing with your girl.
00:09:09Take care of me.
00:09:33Hey, what is this?
00:09:35I'm cutting in.
00:09:36You are not.
00:09:37Oh, yes, I am.
00:09:38Hey, Benita doesn't want to dance with him.
00:09:41Who says she don't?
00:09:43Take a walk.
00:09:44Hey, wait a minute.
00:09:44She hasn't done anything.
00:09:45Ah, shut up.
00:09:55Keep your shirt on, Danny.
00:09:57You ought to know no Stillwell Ryder's got a chance with the law on this town.
00:10:02Get out of here.
00:10:04Go on, Danny.
00:10:05Get out.
00:10:05Get out.
00:10:08Why don't you two big bad boys pick on someone your own size?
00:10:18Be a sport.
00:10:19Give those kids a break.
00:10:22Why, Danny intends to marry Benita.
00:10:26Since marriage is so sacred to you, Stuart, I'm surprised you don't try it.
00:10:30I would.
00:10:30I would if I could make up my mind which one to take.
00:10:34Honest, there's so many women after me, I positively have to fight them off.
00:10:38As if any woman who thought anything of herself would tie up with a booze hound.
00:10:43Yeah?
00:10:43Yeah.
00:10:45Well, you look like a gambling man.
00:10:48I'll just make you a little proposition.
00:10:49This says that I'll marry the first girl that hits town.
00:10:54The liquor's talking.
00:10:55This dinero's talking louder.
00:10:58That's easy money.
00:10:59Put up.
00:11:00Take care of that, Eddie.
00:11:01All right, Stuart.
00:11:07Thanks, Sheriff.
00:11:09It'll be mine before the week's out.
00:11:10Keep it now, Eddie.
00:11:15Yeah?
00:11:17You sure?
00:11:20Magnifica.
00:11:20Polka, wait a minute.
00:11:21You don't by any chance mean fat.
00:11:24Oh, no.
00:11:25No, no.
00:11:25Fat.
00:11:26Encanto.
00:11:27Deliciosa.
00:11:29Attractiva.
00:11:29Polka, you rascal.
00:11:30If you're lying to me, I'll trim your ears like a bulldog.
00:11:33Come on.
00:11:34How is that for that dough, Sheriff?
00:11:36And with a bride.
00:11:37Here comes the bride.
00:11:38A broken fire by the tree.
00:11:41Hold it.
00:11:42The tree is a friend.
00:11:53Move.
00:12:04Where?
00:12:08Hello.
00:12:34Now, look here.
00:12:35You don't look like the sort of person
00:12:36who would deliberately make matters worse for yourself.
00:12:38Excuse me.
00:12:44Are you married?
00:12:46Are you married?
00:13:04Come on, come on.
00:13:07Hurry up.
00:13:08In the name of the authority
00:13:11I'm going to be the judge of peace
00:13:13from New Mexico.
00:13:15I'm going to celebrate this afternoon.
00:13:16Come on.
00:13:17Come on.
00:13:25Come on.
00:13:27Come on.
00:13:29Come on, come on, hurry up.
00:13:52ΒΏDΓ³nde estΓ‘ el anillo de casamiento?
00:13:54Don Manuel, she want the ring.
00:13:55You gotta have a ring.
00:13:57Excuse me, have you got a ring?
00:13:59I say, have you...
00:14:01Never mind.
00:14:04Give me your hand.
00:14:06Give me your hand.
00:14:07Look, I don't want to be rough with you.
00:14:08Now give me your hand.
00:14:13Go on.
00:14:17Say, see, lady, and say it quick.
00:14:20SΓ­.
00:14:20SΓ­.
00:14:24Now your name, miss.
00:14:26You'll be branded pretty and it won't even sting.
00:14:28So what is it?
00:14:29Madeleine Hammond.
00:14:31Says her name is Madeleine Hammond.
00:14:33She...
00:14:33Madeleine Hammond.
00:14:38You're not Al Hammond's sister.
00:14:40Yes.
00:14:41Well, uh, you...
00:14:43Get him out of here.
00:14:44I know your brother.
00:14:53Matter of fact, I think a lot of him.
00:14:56Miss Hammond, I don't know how to explain this.
00:14:58It was just a fool bet that I...
00:14:59Take me to my brother.
00:15:01I can't do that.
00:15:02He's up in the mountains with my boss.
00:15:03Well, then get me out of this horrible place.
00:15:05Yes.
00:15:06Yes, certainly.
00:15:07Wait a minute, Benita.
00:15:17Just a minute, Benita.
00:15:18You must help me.
00:15:19Uh, just...
00:15:21Just a moment, please.
00:15:25Benita, Benita, what's the matter?
00:15:28Danny, he killed a man.
00:15:30Was it Sneed?
00:15:31Si.
00:15:32They fight again after you go.
00:15:34What am I going to do?
00:15:36Well, where's Danny now?
00:15:37Here, Ryan.
00:15:38I don't know where.
00:15:39Look, Benita, you take my horse and ride across the border.
00:15:42I'll get word to Danny to join you in Cherikawa.
00:15:44The sheriff can't get him there.
00:15:46Oh, God!
00:15:47No, no, no.
00:15:48No, you save that for Danny.
00:15:49Come on, Benita.
00:15:50Come on.
00:16:01I'll get you right out of here.
00:16:17A man's been shot and they're searching for the killer.
00:16:20Hurry, please.
00:16:21I'm staying here.
00:16:25Where do you think you'd bring up with that drunken mob?
00:16:29Miss Hammond.
00:16:30Miss Hammond, please, don't you think you could, uh, uh, yeah.
00:16:51Hey, boys, look around there.
00:16:53I'll go get here.
00:17:01I'll go get here.
00:17:01Hey, Sheriff.
00:17:23Look here.
00:17:25I'll go get here.
00:18:26Well, I just brought your bags from the station.
00:18:32What would you like for breakfast?
00:18:34I hope I didn't appear disagreeable last night.
00:18:37That didn't matter. I've been warned.
00:18:40I beg your pardon.
00:18:42I'm Florence Kingsley.
00:18:44Miss Kingsley.
00:18:46Miss Kingsley.
00:18:48So you're the reason I had to make this miserable trip.
00:18:51Yes.
00:18:53Bury my brother.
00:18:54You can't stop him.
00:18:55I'll take him home.
00:18:56I'll keep him here.
00:18:57I'll stop his allowance.
00:18:58That would be the best thing that ever happened to him.
00:19:00He'll have to get a job.
00:19:01A job?
00:19:02Out here we work and like it.
00:19:04You wouldn't understand that.
00:19:05My brother worked.
00:19:06That's funny.
00:19:07Why don't you laugh then?
00:19:08Work at what?
00:19:09Punching cows.
00:19:10He's been doing it for fun.
00:19:12Now he'll get paid for it.
00:19:13How dare you interfere in my affairs?
00:19:15Because your brother happens to be my affair now.
00:19:17Perhaps I'd better tell you what I think of you.
00:19:22If I returned the compliment, I could be arrested.
00:19:25You're scheming, impertinent.
00:19:27Can I be a little...
00:19:27This isn't my house.
00:19:29If you don't like it, you know what you can do.
00:19:31I wouldn't stay here another minute.
00:19:34If you go out like that, you'll get sunburned.
00:19:40Say nothing of what the cowboys might do if they saw you.
00:19:43It's my nightgown.
00:19:47And my robe, too.
00:19:49Get my things.
00:19:50My bags.
00:19:50Where are they?
00:19:51My clothes.
00:19:52Get off and let me alone.
00:19:55Why did I come to this awful place?
00:19:59I made Alfred write to you about us.
00:20:01I knew that would bring him.
00:20:03You seem to forget that the doctor sent him out here.
00:20:06You didn't care anything about him.
00:20:08You gave him all the money he wanted and that ended your responsibility.
00:20:11You were off somewhere in Europe having a good time.
00:20:14I didn't want to fall in love with Al.
00:20:16I was sorry for him.
00:20:18That'd be for anything that was sick.
00:20:21Only for me, he would have been sent back to you in a pine box.
00:20:24But I threw a rope on him.
00:20:26I've got a claim on him and I'm going to hang on to him in spite of you and high water.
00:20:30I'm not after your money.
00:20:31We don't want it.
00:20:32The best thing that ever happened to Al is to have to fight for his bread and butter and for me.
00:20:35Please, Majesty, don't try to rob Al of his chance to be a man.
00:20:42You're rich.
00:20:43You've got everything, and I...
00:20:44Come on.
00:20:58Sit down.
00:21:06Here.
00:21:06I'm sorry I let go.
00:21:13You have a terrible temper.
00:21:17But maybe it's a good thing.
00:21:19I mean, for Alfred.
00:21:22Where is he?
00:21:24Gene rode to get him last night.
00:21:26Gene.
00:21:26Oh, that's the gentleman who...
00:21:30Who brought me here.
00:21:32Yes.
00:21:33He borrowed my horse.
00:21:35Still was ranches high up in the mountains.
00:21:37It's a hard and dangerous ride.
00:21:38Worse at night.
00:21:40You let him go in that condition?
00:21:41Tired her sober.
00:21:42I'd like to see anyone who can stop Gene Stewart when he makes up his mind about anything.
00:21:46He's a fighter.
00:21:48You'd better get dressed.
00:21:49I'll go start breakfast.
00:21:51They'll be here any minute.
00:21:52All right.
00:21:56Give me one of those, too.
00:22:17Doc, this needle come out all right.
00:22:20Only the good die young.
00:22:23Did you get anything out of that Mexican justice of peace?
00:22:26Ah, he's got a mouth like a mouth trap.
00:22:28All he says,
00:22:28Minio Sabi, Minio Sabi.
00:22:30And I can't find Hider Herr Bonita.
00:22:32Get your mind off women.
00:22:34I pay you for protection,
00:22:35and you stand around with a mouth full of teeth.
00:22:47Those cracks Stewart made last night about gun running may have a smelly echo.
00:22:50But, my good friend, if I land in a federal pen, you'll be inside looking out with me.
00:22:58And all because of one loudmouthed, drunken cowboy.
00:23:07Where'd you get these?
00:23:09Down at the railroad station last night.
00:23:12There were tracks there, too.
00:23:15Gene Stewart.
00:23:15He bet me he'd marry the first girl that hit town.
00:23:21Well, here's wishing him a honeymoon.
00:23:24Alone.
00:23:27Any place in the desert across the border.
00:23:29There they are.
00:23:50Welcome to our city, your majesty.
00:23:52Alfred, how well you look.
00:23:53Hello.
00:23:53Oh, stop.
00:23:54You smell like a horse.
00:23:55Oh, you'll get used to that.
00:24:10Alfred, I can't get over the change in you.
00:24:12Whom do I thank?
00:24:14Well, who do you thank?
00:24:14Of course, I've had a horrible example.
00:24:24Boy, I wouldn't have your head this morning for a million bucks.
00:24:27Oh, majesty, this is Bill Stilwell.
00:24:29This is my sister, Bill.
00:24:30She holds the money bags.
00:24:32I aim to be right nice to her, then.
00:24:33We all try to.
00:24:36I've been trying to sell your brother the prettiest piece of land in the southwest.
00:24:39I guess I'll have to go to work on you.
00:24:42He said you were tough, but you don't look hard to me.
00:24:44Well, we'll talk about that later.
00:24:48I don't aim to help send along any.
00:24:50But, Gene, you look as if you need a drink.
00:24:52Come on into town with me.
00:24:53Oh, wait a minute.
00:24:55He'll be right along.
00:24:57Oh.
00:25:01I want to thank you for getting my brother.
00:25:03Yeah.
00:25:05You better put on your hat.
00:25:06Do you want to get sunstroke?
00:25:07Well, if I get it, I guess I got it coming.
00:25:11Men are such fools.
00:25:14I choose to overlook what happened last night because you were not wholly accountable.
00:25:19It's very kind of you to put it that way.
00:25:21Of course, I shall depend on you to keep it quiet.
00:25:23I certainly will.
00:25:25Don Manuel is my friend.
00:25:27That is, when I'm sober.
00:25:28It's not so much for your sake as that of your pretty little Mexican friend.
00:25:34I feel sorry for her.
00:25:35For Benita?
00:25:38Benita?
00:25:39What a very pretty name.
00:25:41Well, I...
00:25:41Oh, what a beautiful animal.
00:25:56Hello, Poco.
00:25:57Your Senor Gene.
00:25:58What's his name?
00:26:01Pal.
00:26:02That's short for Palomino.
00:26:04He's bred straight through from the old Moorish barbs, aren't you, pal?
00:26:08If for no other reason than the love of this beautiful creature, I should think you'd want to be decent.
00:26:15That's all.
00:26:16You may go.
00:26:17You may go.
00:26:47I've stood a lot from you, Gene.
00:27:03More, I guess, than I would from a son.
00:27:06But after last night...
00:27:07What have you heard, Bill?
00:27:09About you and Miss Hammond.
00:27:10It's all over town.
00:27:12Where, for instance?
00:27:14Adobe Saloon.
00:27:17Well, I won't worry anymore, Bill.
00:27:20Thanks for everything you've done.
00:27:23You better get a new foreman.
00:27:28James!
00:27:29Wait!
00:27:29Wait!
00:27:29Leave me alone, Poco.
00:27:46No.
00:27:47No, go in.
00:27:48Someone kill you.
00:27:49Let go of me, Poco.
00:27:49Are you here?
00:27:50Please, Senor Gene.
00:27:51Go jeep.
00:28:07Snake eyes.
00:28:13Yeah.
00:28:14Snake eyes.
00:28:15hello steward come in to collect that bit no where's bonita where you'll never
00:28:45lay hands on her again then you helped her across the border yeah for a rum hound you're getting
00:28:51to be quite a spark you met a woman on that midnight train i met a lady you met al hammond's
00:28:59sister i know because i saw her bags at the depot you took her over to flow kingsley's
00:29:06what you do carry your arms they're rolling once in a tracks or maybe you've took to wearing these
00:29:14geeks and losing them on the trail
00:29:16oh come on don't be bashful open up we're all listening
00:29:26don't make me go over there and ask the lady what happened
00:29:31well this is one bet i don't mind losing
00:29:36so
00:29:48so
00:30:00so
00:30:12so
00:30:25so
00:30:37beating up an officer carries a heavy penalty steward
00:31:02gene you better ride
00:31:05that bad
00:31:08you won't head a posse for a month
00:31:11but he has friends
00:31:13i'll go over the river
00:31:15what about your mail
00:31:16just mark it address unknown
00:31:19i won't be coming back
00:31:21at least
00:31:23not right away
00:31:26i hurt you poco
00:31:38but he's not hurt here but
00:31:40you hurt me here
00:31:42everything she's all right now
00:31:47nothing hurt poco anymore when
00:31:49you smile at him like that
00:31:51come on folks
00:31:53all right i'll buy your ranch
00:32:04but i'll expect you to remain in charge
00:32:06at least until my brother learns the ropes
00:32:08i'll be glad to stay
00:32:10all right
00:32:11we'll make that part of a deal
00:32:13thank you very much
00:32:15i cannot take pal where i'm going
00:32:37well can i sell a thing i love
00:32:42won't you accept him as some small apology for the trouble i've caused you
00:32:55jean stewart
00:32:57take him to the stable for me
00:33:05where's mr stewart now
00:33:12oh poco he not know
00:33:15senor jean no tell me
00:33:17but i ride and ride
00:33:20someday i'll find him
00:33:21adios senora
00:33:24that's strange
00:33:27what
00:33:28poco called you senora
00:33:30yes he did
00:33:33in spanish that means married woman
00:33:36does it
00:33:38it's hard
00:33:40yes isn't it
00:34:03and he has been married for her
00:34:08you
00:34:08i
00:34:09i
00:34:10i
00:34:11i
00:34:11i
00:34:12i
00:34:12i
00:34:12i
00:34:13i
00:34:13so
00:34:14back
00:34:15i
00:34:16i
00:34:18men
00:34:19i
00:34:20i
00:34:20i
00:34:21i
00:34:21my
00:34:22i
00:34:23i
00:34:23i
00:34:23i
00:34:24i
00:34:27i
00:34:29i
00:34:29i
00:34:30i
00:34:31i
00:34:31Alfred, Alfred, what happened?
00:34:43Somebody shot me, sis.
00:34:52Did it happen this side of the border?
00:34:55Yes.
00:34:56Were they Americans?
00:34:57They must have strong reasons for not wanting their presence known.
00:35:02This is the 20th century.
00:35:04There are supposed to be no more frontiers where men can shoot their fellow creatures without being punished.
00:35:08Bill, I want something done about this.
00:35:14I wish Gene Stork were here.
00:35:18So do I, if it would do any good.
00:35:57Maestad.
00:36:08Maestad.
00:36:14SeΓ±ora.
00:36:18SeΓ±ora.
00:36:20SeΓ±ora.
00:36:21SeΓ±ora.
00:36:21SeΓ±ora.
00:36:27It's Polko.
00:36:43Better get your cutters.
00:36:46Take it easy, Polko.
00:36:48Let's see.
00:37:00Maestad.
00:37:01Maestad.
00:37:02What, Polko?
00:37:03He wants to see her in Ebs.
00:37:04Si.
00:37:05Si.
00:37:05You take me, Maestad.
00:37:06Pronto.
00:37:07Get him up here, Nell.
00:37:09Come on, come on.
00:37:09Oh, I wish we'd never seen this place.
00:37:12For all I care, they can give it back to the Indians.
00:37:14You're going with me to Boston.
00:37:16And when you're married, it will be in St. Stephen's with civilized decency.
00:37:20Sis, these last few months haven't taught you a thing.
00:37:23In a crisis, you revert right back to type.
00:37:25Nothing but a New England starch skirt.
00:37:27Sorry for coming in this way, Miss, but Polko here is in a pretty bad way.
00:37:34Says he's got to see you.
00:37:44Polko.
00:37:50It is El Capitan, SeΓ±ora.
00:37:52Captain?
00:37:53Si.
00:37:53El Capitan Jean.
00:37:55Yes, Polko.
00:37:55El Capitan is in bad fight.
00:37:57Soldiers all killed.
00:37:59Was Captain Stewart killed?
00:38:00Oh, no.
00:38:01El Capitan no killed.
00:38:04El Capitan mucho enfermo.
00:38:06Deserto.
00:38:08Yerva la muerta en al alma.
00:38:10He means Jean is alone.
00:38:13Deserted.
00:38:14Sick at heart and mind.
00:38:15Don't they?
00:38:16In Chiricaba.
00:38:18El Capitan dies soon if someone don't take him away.
00:38:21Which means he's drinking himself to death.
00:38:25Jean's shadow ain't so bad.
00:38:26But for a man like Jean to be drawn away like...
00:38:29You go to Chiricaba.
00:38:30Oh, majestad.
00:38:32Only you can say the words to bring El Capitan back to life.
00:38:36Did Captain Stewart send you?
00:38:38Oh, no.
00:38:38Oh, no.
00:38:39He'd kill me if he know.
00:38:41But I don't care if...
00:38:43If he live.
00:38:44You go.
00:38:45Please.
00:38:47Polko.
00:38:47He'd die for you if you go.
00:38:49Oh.
00:38:49Oh.
00:38:50I'll try, Polko.
00:39:10I'll try.
00:39:13I'll go to Mexico.
00:39:14Oh, gracias.
00:39:16Gracias, majestad.
00:39:17Gracias.
00:39:18Yes.
00:39:44Yes.
00:39:44Yes.
00:39:45Yes.
00:39:45Yes.
00:39:45Gracias,ε…ˆη”Ÿ.
00:39:46byie lgou, looks like this.
00:39:46Come on, come on.
00:40:16Come on, come on.
00:40:46Come on, come on.
00:41:16Oh, Gene.
00:41:19When you've lost your pride, you've lost everything.
00:41:22I haven't got any time for pride.
00:41:25Go away, will you?
00:41:27Go on.
00:41:29I'm going to take you home with me.
00:41:31Oh, no, you're not.
00:41:32I'm going to stay right here.
00:41:43Come on, Gene.
00:41:45Oh, silly.
00:41:48And that one is quite a party.
00:41:51Let's have a bottle, and we'll all have to...
00:41:53Come on, wait a minute.
00:41:55Come on, come on.
00:41:55Don't be pushing them.
00:41:57Come on, come on.
00:41:58Come on, come on.
00:42:28Why did you bring me here?
00:42:32To talk to you.
00:42:33Sit down.
00:42:34Thanks.
00:42:37I'm not worth the trouble.
00:42:39Probably not.
00:42:41The doctor tells me there is no physical treatment that ever really cures a drunkard.
00:42:45The desire to change must come from within.
00:42:50And?
00:42:52Because my own life has been somewhat useless,
00:42:55I've decided to try my hand at being useful.
00:42:58So?
00:43:00You'll become, shall we say, a sort of biological experiment.
00:43:06Look, Miss Hammond, do you realize the south of the border I'm a criminal?
00:43:10Well, I am.
00:43:11I'm a filibuster and that's practically a professional killer.
00:43:15There's imprisonment or worse hanging over my head.
00:43:18You see, you do know right from wrong.
00:43:22So you can stop killing your fellow beings just as you can stop drinking, if you choose.
00:43:27I'm afraid if I tried to stop, it would kill me.
00:43:32So sorry for yourself, aren't you?
00:43:34Yes, I guess I am.
00:43:36You see, what comes after death is so uncertain and down deep I'm really pretty yellow.
00:43:48Could death be worse than what we're both going through?
00:43:51No.
00:43:57Then why don't you try to stop me?
00:44:00Well, at least make an effort to.
00:44:02Other men have quit.
00:44:04Men who've fallen lower.
00:44:05Men who are weaker.
00:44:06I have faith in you, Jean Stewart.
00:44:12You have...
00:44:13If I could believe that...
00:44:20Without faith, we are only dust.
00:44:25I'll quit.
00:44:28You...
00:44:28You won't fail me.
00:44:30I've done a lot of bad things in my life, Miss Hammond.
00:44:33But I've always tried to keep my word.
00:44:39I won't fail you.
00:45:03I won't fail you.
00:45:05I won't fail you.
00:45:07I won't fail you.
00:45:07I won't fail you.
00:45:07I won't fail you.
00:45:21You won't fail you.
00:45:21I won't fail you.
00:45:24This is your horse, Helen.
00:45:26Oh.
00:45:28Oh, and this is Monty.
00:45:29How do you do?
00:45:30Howdy, Miss.
00:45:31Majesty.
00:45:32Where on earth did you ever get that?
00:45:40That's my foreman, Gene Stewart.
00:45:42Now I know why you didn't come home to Boston.
00:45:59Oh, Helen, stop it.
00:46:00He looks my way off, faint.
00:46:08Well, I haven't seen much of you in the last few days.
00:46:11My job is to keep your cattle this side of the border.
00:46:14These times, that's quite a chore.
00:46:16Who's the little girl with the pretty eyes?
00:46:23A friend of mine.
00:46:25Oh, social error.
00:46:27You're looking very well today.
00:46:30Do me a favor, will you?
00:46:31Please don't take your friends that way, towards the border.
00:46:34Something there I shouldn't see?
00:46:35Plenty.
00:46:36Not pretence the reason for your long absence.
00:46:39Or maybe your little Mexican friend, Benita.
00:47:15All ready?
00:47:24All right.
00:47:34Nels!
00:47:35Monty!
00:47:36Bill!
00:47:36Boys, quick!
00:47:37What's wrong here?
00:47:38I found the trouble.
00:47:38The man who shot Al?
00:47:39Maybe.
00:47:40Anyway, he had a reason to.
00:47:41Where?
00:47:41Up in the Ghost Rocks.
00:47:42Ghost Rocks.
00:47:42See, see.
00:47:43We're riding up there, Bill.
00:47:44Maybe Miss Hammond won't like it.
00:47:45We'd better get Sheriff Hawes.
00:47:46We don't have to get the sheriff.
00:47:47He's right there.
00:47:47Did you see him?
00:47:48You bet Polka saw him right in about an hour ago.
00:47:50See, I saw him.
00:47:50He's in with the gunrunners.
00:47:52Gunrunners?
00:47:52You bet.
00:47:52Nat Hayworth and his gang are using this ranch as the headquarters to shove the rotten guns
00:47:56over the border.
00:47:56You lead, Gene.
00:47:57We'll follow.
00:47:58Well, come on.
00:47:58Come on, Monty.
00:47:58Come on, let's go.
00:47:59Let's go.
00:48:22I've paid you enough.
00:48:27We've checked on you.
00:48:28I know how much of this junk you moved over the border in the last month.
00:48:31You're getting more out of this than I am.
00:48:33So what?
00:48:47Who is it, boss?
00:48:48Who is it?
00:48:55So Stuart's back.
00:48:57I told you there'd be trouble when you potted young Al Hammond.
00:48:59I'll take care of Stuart.
00:49:01No, you don't.
00:49:02Stuart's got enough men with him to clean you out.
00:49:06Let me handle this.
00:49:07Let me handle this.
00:49:37This is the boundary of my ranch.
00:49:46On the other side of those rocks is the land of the Aztecs.
00:49:49So romantic.
00:49:51Not half so interesting to me as that booted Adonis we left behind.
00:49:54We're heading.
00:50:22Guess.
00:50:23A can of be it you don't know about those nesters up there.
00:50:26As a matter of fact, I just warned them to get out.
00:50:30And it's taken you since daylight to do that?
00:50:32You get the owner, Miss Hammond, to swear out an eviction notice and I'll serve it.
00:50:36Now, we're not going in for an illegal red tape.
00:50:39We're curious to know what your friend Hayworth is hiding.
00:50:41We're riding up there to find out.
00:50:43And if he fires at us on this property, we're shooting back.
00:50:47I'm warning you, don't take the law in your own hands.
00:50:49You're not soldiering for some foreign nation now, Stuart.
00:50:53Or are you?
00:50:55Come on, Speed.
00:51:02Well, what are we waiting for, team?
00:51:04We get that next club of rocks, spread out, take advantage of cover, and don't shoot first.
00:51:09Let's go.
00:52:19Get them back to the ranch, quickly.
00:52:40Come on, folks.
00:53:11Hold him! That's a woman!
00:53:41Are you crazy?
00:53:59Let go!
00:53:59You're not going up there!
00:54:00No, but you could!
00:54:01Well, those of the men that tried to kill your brother...
00:54:02They'd have killed you!
00:54:03And what of it?
00:54:04I can't trust you out of my sight!
00:54:05Liquor, women, guns, fighting, that's all you ever think about!
00:54:07Majesty, please!
00:54:08Never thinking about those who love you!
00:54:09Those who never know what you're doing are when you'll be brought home dead!
00:54:12What you need is some of your own medicine, and I'm going to give it to you!
00:54:14Let go!
00:54:15Majesty, listen!
00:54:16I command you, let go!
00:54:39Bye!
00:54:43Bye!
00:54:46Bye!
00:54:47Bye!
00:54:49Bye!
00:55:01Oh, my God.
00:55:31Oh, my God.
00:56:01Oh, my God.
00:56:31Oh, my God.
00:57:01Now, who do you suppose could have plugged a fine citizen like Mr. Hayworth?
00:57:13Gene Stewart?
00:57:14That's right.
00:57:15Oh, my God.
00:57:16Oh, my God.
00:57:18Oh, my God.
00:57:22Oh, my God.
00:57:24Oh, my God.
00:57:26Oh, my God.
00:57:32Oh, my God.
00:57:35Bye.
00:57:38Bye.
00:57:39Bye.
00:57:40Bye.
00:57:41Bye.
00:57:56Jean.
00:58:05Who hurt you, Polko?
00:58:13I got that warrant for you, Stuart.
00:58:27And it covers everything in the book.
00:58:29Including the murder of Nat Hayworth.
00:58:31Senor G, make them let me go.
00:58:34Hold it, Jean.
00:58:36Take it easy, Benita.
00:58:38You'll have a chance to take care of him in jail.
00:58:41Just like you did on his big grunt and cherry cowl.
00:58:44They killed my husband, Danny.
00:58:47He resisted arrest.
00:58:48And they say they kill you, too.
00:58:50Don't give them an excuse to get you.
00:58:55See this?
00:58:56It's a request from military authorities across the border
00:58:58to deliver you for court-martial.
00:59:00I hope they stand you against Adobe Wall.
00:59:03You're coming or we've got to take you.
00:59:05You're coming or we've got to take you.
00:59:10I'm sorry.
00:59:11Let's go.
00:59:13Let's go.
00:59:14Hello.
00:59:20Let's go.
00:59:22Let's go.
00:59:23Let's go.
00:59:24Let's go.
00:59:26Let's go.
00:59:27Riva
00:59:32You you couple need to lose quick
00:59:35You
00:59:57Posse you turn around and ride straight out. No look back
01:00:06Not you Senor Hawes
01:00:08Not you Senor Sneed you no move
01:00:15Get down from you horses
01:00:30So
01:00:32You would turn El Capitan Stewart over to be killed, huh?
01:00:35No
01:00:38No, no, I I don't think you live long enough to do that
01:00:43You are the kind of Americanos who who kick us and beat us and call us greasers
01:00:48Even a poor little girl like bonita
01:00:51You make my people think all gringos bad like you
01:00:58Not kind and good like senor jean
01:01:02But I I've learned now
01:01:06I I've learned mucho from my Capitan
01:01:09And so
01:01:11I
01:01:12I give you a chance
01:01:14I
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01:03:41Surely you understand that?
01:03:45Yes.
01:03:47Yes, I do.
01:03:49Have faith, dear.
01:04:10Have faith, dear.
01:04:40Wait.

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