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πŸ’ΌπŸŽ²πŸ’” In the thrilling mystery Monte Carlo Nights (1934), a suave American becomes entangled in a web of crime and deception while chasing love in the glittering world of Monaco. Packed with suspense, elegance, and noir intrigue, this hidden gem of pre-Code cinema keeps you guessing till the end.

πŸ“½οΈ Plot Summary:
Bill Roberts, a well-meaning American, is falsely accused of murder in glamorous Monte Carlo. As he tries to clear his name, he uncovers a sophisticated smuggling ringβ€”and finds unexpected romance. The film blends mystery, action, and continental charm in the heart of Europe’s most dazzling casino city.

πŸ•°οΈ Year Released: 1934
🎭 Genre: Mystery, Romance, Crime Drama
🎬 Directed by: William Nigh
🎞️ Starring: Warren Douglas, Rose Hobart, Lawrence Gray

🎯 Why Watch It?
βœ”οΈ A suspenseful blend of crime and romance in exotic Monte Carlo
βœ”οΈ Pre-Code drama with stylish performances and snappy dialogue
βœ”οΈ Noir elements with glamorous European flair
βœ”οΈ A forgotten public domain gem with timeless appeal

πŸ”” Don’t forget to LIKE πŸ‘ | COMMENT πŸ’¬ | SUBSCRIBE πŸ”” for more vintage mysteries, golden-age thrillers, and rare cinematic treasures!

πŸ‘‡ Watch More Classic Films in This Playlist:
πŸ“Ί https://www.youtube.com/playlist?list=PLYSxyPafGbnT7hNTlq29mZQJKn7wrNglY
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🎞️ #MonteCarloNights #ClassicMystery #1930sCinema #PreCodeHollywood #VintageThriller #PublicDomainMovies #GoldenAgeFilm #OldHollywoodMystery
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πŸŽ²πŸ’” Glamour, betrayal, and danger collide under the lights of Monte Carlo. Monte Carlo Nights (1934) delivers vintage thrills in high style!
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Transcript
00:00:00The End
00:00:30The End
00:01:00The End
00:01:30The End
00:02:00The End
00:02:10Did you put a bet down for me, Larry?
00:02:11Why, of course I did.
00:02:12Oh, goody, goody.
00:02:13I hope I win.
00:02:14Yeah, so do I.
00:02:15Blue boy seems to be having trouble at the post.
00:02:23Can't seem to get them lined up.
00:02:25May I?
00:02:35Why, what's the matter?
00:02:36Why are you staring at that young man?
00:02:39He's awfully good-looking.
00:02:41You're not the only one who thinks so merry.
00:02:43Oh, I imagine he's quite a lady killer.
00:02:45Larry Sturgis is a most notorious young rascal.
00:02:48But he's still good-looking.
00:02:49He drinks too much.
00:02:51He has a nice smile.
00:02:52He gambles prodigiously and runs around with chorus girls.
00:02:56Oh, then he isn't married.
00:02:58You ought to be ashamed of yourself.
00:02:59He's a licentious rake.
00:03:01Oh, dear.
00:03:01Why would all interesting men are like that?
00:03:04Because they're men.
00:03:06They're all!
00:03:20A thousand, your horse loses.
00:03:22I'll take that best, ma'am.
00:03:25Larry, Blue boy, will you buy me a mick home?
00:03:27Baby, I'll buy you anything.
00:03:30I'll buy you anything.
00:04:00You're in this wait.
00:04:18But Bob, Blue boy.
00:04:22Come on, Blue boy.
00:04:23Come on, you me, Cole.
00:04:25Keep quiet, baby.
00:04:26You're rockin' the ball.
00:04:27Come on, Sam.
00:04:28All right give me a chance to get even I can't expect me to win twice in a row how come on
00:04:53Larry don't be a packer do it for me. How much I sell a face
00:05:11He's going to ride his own horse. It's the most dangerous people face course in the country. Maybe you'll break his neck
00:05:20Come on Larry show him how nice you're looking yourself
00:05:22Aw quit it Maisie. Look at that. Oh be still my fluttering part
00:05:32Nellie
00:05:34He's got nice legs. Ha ha ha ha
00:05:39I gotta go down to the paddock. Good luck. So long, Elliot. We're all for ya. Don't fall off your horse, darling
00:05:45Good luck. Thank you
00:05:52The idea speaking to that young man when you've never met him
00:05:55Who is the girl? Oh, that's little Mary of the front of millions
00:06:02Looks like you have opposition
00:06:04Is that so? I've got Larry Sturgis who?
00:06:07And how?
00:06:08Yeah
00:06:09I'm going down to the car
00:06:11I'm going down to the car
00:06:12Why?
00:06:13I can see better there
00:06:14Me two day after the race
00:06:15But Mary
00:06:16The beauty
00:06:31Oh my God!
00:06:39Oh my God!
00:06:41I
00:07:11All right, you'll be all right. Don't worry. You don't want to be careful
00:07:26Oh, he's terribly hurt
00:07:30Put him in my car
00:07:35To the hospital quick
00:07:36Mary, wait for me
00:07:49All right, he'll be all right. Never mind. You're good. You'll make code. I'll take care of that
00:08:00How do you feel?
00:08:03Wonderful
00:08:06Oh
00:08:09Is it your collarbone?
00:08:11I don't think so
00:08:13Matter of fact, I'm sure it isn't
00:08:15Where does it hurt most?
00:08:19Right here
00:08:21Maybe something very serious
00:08:23I don't think I'll ever get over it
00:08:25We'll be at the hospital in a jiffy
00:08:26Tell him not to drive so fast
00:08:32Slower
00:08:37Are you comfortable?
00:08:39Would you move your arm a little higher?
00:08:41Is that better?
00:08:43Is that better?
00:08:45That's grand
00:08:46If I die now, it doesn't matter
00:08:47Is that better?
00:08:48Is that better?
00:08:49That's grand
00:08:50If I die now, it doesn't matter
00:08:51If I die now, it doesn't matter
00:08:52To the hospital
00:08:53Is that better?
00:08:54Is that better?
00:08:56No, it's not better
00:08:58If I die now, it's not better
00:08:59It's not better
00:09:01I'm not going to be there
00:09:02I'm not going to be there
00:09:03Confounded scandal sheets. They ought to be suppressed. Yes, sir. Your tie looks very bad for going to church.
00:09:23What time is it? I'm thinking about quarter of noontime, sir.
00:09:26Aren't you waking me early yet? Oh, I tried, but no can do. You have a big night with honorable bachelor dinner.
00:09:33You're having big heads like a giant this morning. That's when I try waking you up. You're hitting me with big pillow feather. Forget it.
00:09:46Uh-oh. Hello, Larry. Hello, Maisie. Haven't seen much of you lately. Oh, I'm sorry. I've been very busy, you know. Too busy to see me, huh? Well, as a matter of fact, Maisie, I... Yeah, I know. I just read the paper. Now, see here, Maisie, it's all over between us. I told you that.
00:10:02You don't get rid of me that easy. You'll talk to me, or I'll talk to the newspaper.
00:10:09All right. What do you want? What do you think I want? You've taken me places. You've promised me things. You've made me the laughingstock of this town. It's up to you, Larry, darling.
00:10:22Mark my words. You're going to be sorry. I'm the best judge of that. It isn't too late to change your mind even now. But I don't want to change my mind. I love him.
00:10:40You're a foolish girl. There have been a dozen women in his life. He told me about them. I've done everything I could to prevent this marriage. Because I love you.
00:10:51He loves me, too. Well, it's after twelve. Everything is ready. Shall I tell the audience to start? Where is Mr. Sturges? Why, it's me here. Not unless your eyesight's better than mine.
00:11:01Well, it is difficult to rehearse without a bridegroom. It's practically impossible. I'm phoning.
00:11:08Well?
00:11:10My press agent says he can tell my life story to the Sunday papers. I'll break the front page the night before your wedding.
00:11:25Happy, sir.
00:11:31Hello? Oh, yes, Miss Vernon. Yes. No? Mr. Sturges, he's very busy. I think maybe he's upsetting elephants and have apricot on hand. Oh, I tell him you're waiting at church. You wait? Oh, he waits. No? Oh, he's not having hangover. Goodbye.
00:12:01Did I have a promise to marry you? Why, of course you did. That's what hurts. Why, even in your letters. My lawyer wants me to sue for $100,000. But I'm not too hard-hearted. I don't want to interfere with your happiness.
00:12:18No, of course not. You know, I was just thinking of making you a present of $50,000.
00:12:24Why, Larry, darling. Would that make you any happier? Why, of course. Where are those letters?
00:12:34My lawyer has them. You get your lawyer over here with those letters. Max, come in now.
00:12:39How do you do, Mr. Sturges? I hope we haven't inconvenienced you. Not much. Well, these are the letters, huh? Oh, yes. Thank you.
00:12:57I didn't think you were clever enough, Maisie, to work this out by yourself. Sorry, Larry. Ladies must live.
00:13:02I didn't think you were clever enough.
00:13:32I'm sorry, madam. There is another service at once, and we can't wait any longer. Come, dear. Just a moment more. Perhaps something's happened to us.
00:13:50It's very distressing. Distressing? It's mortifying. Come, dear.
00:13:54Larry!
00:14:00Larry!
00:14:01So you thought you could get away by busting into a church, but you didn't get away with it, me lad.
00:14:06What is it, Larry?
00:14:07I had a traffic accident and ran into someone.
00:14:09Officer, we're going to be married.
00:14:12Well, marry him if you want her, but I know where he's going to spend his honeymoon.
00:14:16Listen, let me explain.
00:14:17Go ahead, explain.
00:14:18I'll wait, but you'll tell it to the judge.
00:14:20Hurry, hurry. There's just time.
00:14:22Well, go ahead, but I'll go with it.
00:14:24Wait a minute.
00:14:25What kind of a church is this?
00:14:26Oh, it's a Protestant church.
00:14:28Oh, I'll wait outside.
00:14:34Oh, I'm sorry I'm late.
00:14:36You're sorry.
00:14:37You would have an accident.
00:14:39We might have expected that.
00:14:40Happy?
00:14:51Mm-hmm.
00:14:53Well, read these and see how you feel.
00:15:03Nice handwriting.
00:15:05But I wanted you to read them.
00:15:07I want you to know everything.
00:15:08I'm not interested in those.
00:15:11All I'm interested in is keeping you on my side until after we're married.
00:15:14Then after that?
00:15:16You'll find out.
00:15:19Just think.
00:15:20Tomorrow night, we'll be on the Muretanias.
00:15:23Denise, Rivera, Carlo.
00:15:26You'll love it there.
00:15:28I've always wanted to go.
00:15:29You know anything about the Met?
00:15:31Not much.
00:15:33They have a wheel right here.
00:15:34Here?
00:15:35Uh-huh.
00:15:35Come on.
00:15:39I'll show you.
00:15:48Slow down.
00:15:49Slow down.
00:15:54Good evening, Mr. Sturgis.
00:16:02Hello, Branton.
00:16:04He's one of the biggest gamblers in town.
00:16:06He seems to know you rather well.
00:16:08He should.
00:16:08I've been a cuss-race for years.
00:16:10Do you ever win?
00:16:11Not very often.
00:16:12But I feel lucky tonight.
00:16:14It's yours with me.
00:16:17All that now.
00:16:20Here's a place on his own.
00:16:21All that now.
00:16:22Oh, hello, Gumby.
00:16:30You're not closing me up again tonight.
00:16:32I want to talk to you.
00:16:33In your office.
00:16:36Number four.
00:16:39We are in the place.
00:16:46That's it.
00:16:47What's the matter, you both?
00:16:48Waiter.
00:16:49Do you have a drink, dear?
00:16:50No, thanks.
00:16:51Three in my favor.
00:16:52Number nine.
00:16:53Nine.
00:16:54How's the game tonight?
00:16:55How's the game?
00:16:58Branton,
00:16:58there comes a time when the police need help.
00:17:01Well, when the best man in the department
00:17:03comes to a lawbreaker for assistance,
00:17:05it must be an emergency.
00:17:07Did you read in the paper
00:17:08about the killing of that bank messenger
00:17:09this afternoon?
00:17:11Yes.
00:17:11Terrible thing.
00:17:12Yeah.
00:17:13The killer got away with 50 grand.
00:17:16We found his hideout,
00:17:17but missed him by minutes.
00:17:19I picked this up in his apartment.
00:17:22What do you make of it?
00:17:25Flage 7, 14, 28, and 29.
00:17:29It looks like a roulette system.
00:17:30Exactly.
00:17:31Oh, you keep it.
00:17:33The man that killed that messenger
00:17:34was a gambler.
00:17:36Do you know anybody
00:17:37that plays that combination?
00:17:39No.
00:17:40Well, the stolen money
00:17:41was mostly new $20 bills.
00:17:44Here's the serial number.
00:17:47Watch out for that stolen money.
00:17:49If you see anybody play
00:17:50that 7, 14, 28, and 29,
00:17:53you know what to do.
00:17:54Sure.
00:17:56So long.
00:17:57So long, Andy.
00:17:57I think you'd better
00:18:06come into my table, Mr. Brandon.
00:18:08Now, what's it doing?
00:18:09Young Sturges
00:18:09taking the wheel for a ride.
00:18:11So what?
00:18:12Well, he's in the bank
00:18:13for over 9 grand now,
00:18:14and I thought you might want to know.
00:18:1513 repeats.
00:18:27Black.
00:18:27I didn't think he'd win
00:18:28on that again.
00:18:29That's an old habit of mine.
00:18:31That 13 come up
00:18:32three times in five minutes.
00:18:33Well, I wish I had his luck.
00:18:34Yeah, maybe you don't live right.
00:18:36All bets down.
00:18:39Let him ride.
00:18:41Hey, Wall, where you been?
00:18:42Give me another one
00:18:43just like that.
00:18:45You mind, honey?
00:18:46Must you?
00:18:48Just that one.
00:18:51Darling, don't you think
00:18:51we'd better be leaving?
00:18:52Oh, it's the shank of the evening.
00:18:54I'm just getting started.
00:18:57You seem to have done
00:18:57pretty well for yourself.
00:18:5813 repeats.
00:18:59Black.
00:19:00Even.
00:19:00I'll say,
00:19:01I'm just getting started.
00:19:07I think you've got enough.
00:19:08I don't.
00:19:10You'd better cash in.
00:19:12What do you mean?
00:19:12I can't play anymore?
00:19:13Well, not tonight.
00:19:15Oh, you think I'm lit, huh?
00:19:16Well, aren't you?
00:19:18All right, I'll quit.
00:19:19But I won't play here anymore.
00:19:21Oh, I'm sorry
00:19:21if you feel that way about it.
00:19:22Well, I do.
00:19:27There's $11,500.
00:19:29Well, I'll give you a check for it.
00:19:30No check.
00:19:31I paid with cash
00:19:32and I want to be paid with cash.
00:19:33Oh, I'm sorry,
00:19:33but I can't allow you
00:19:34to leave here
00:19:35in your condition
00:19:35with that much cash.
00:19:37I try to protect my customers.
00:19:38Ah, you.
00:19:39Oh, Larry, please.
00:19:40All right, honey.
00:19:44Give me a check.
00:19:45Stop in the office
00:19:46on your way out
00:19:46and I'll give it to you.
00:19:47Thanks for the contribution.
00:19:51Well, maybe I can have
00:19:53some of his luck.
00:19:56Blues, I suppose, sir.
00:19:58$11,000.
00:19:59All now?
00:20:15Anything wrong with that money?
00:20:17No.
00:20:18Not a thing.
00:20:19I didn't know
00:20:23you liked gambling so much.
00:20:25Oh, I've lost
00:20:25a lot of money there, Brandon.
00:20:27You know,
00:20:27there's certain satisfaction
00:20:28in getting some of it back.
00:20:30Well, you don't want me
00:20:31to gamble?
00:20:31I don't.
00:20:32Well, I won't.
00:20:34Ah.
00:20:35Oh, tomorrow's
00:20:37an important day.
00:20:40The biggest day
00:20:41in my life.
00:20:43Hey.
00:20:43Get these coats, will they?
00:20:48Honey, you'll be all right.
00:20:50I'm going to go get that check.
00:20:51You wait here.
00:20:56You see the way
00:20:56Brandon was looking
00:20:57at that money?
00:20:57Yes.
00:20:58He knows something.
00:20:59You were a fool
00:21:00to come here.
00:21:00I'll take care of Brandon.
00:21:02Someone's coming.
00:21:03Well, get out of here.
00:21:04Wait for me in the car.
00:21:05Hello, Gunby?
00:21:06This is Brandon.
00:21:08You'd better get over here
00:21:08as quickly as you can.
00:21:11Come in.
00:21:12Is my check ready?
00:21:16Yes, I have a good wheel.
00:21:17You'd better leave here
00:21:18right away.
00:21:18There's going to be trouble here.
00:21:19Trouble?
00:21:20Yes, there's a murderer
00:21:21in this place.
00:21:24What's wrong with that?
00:21:27Mr. Ben.
00:21:31Nothing's going wrong here.
00:21:37What happened?
00:21:40Well, he was
00:21:40just sitting here.
00:21:42Somebody shot him.
00:21:42There's no one here
00:21:43but you and Mr. Brandon.
00:21:45Yes, and you still
00:21:46got the gun in your hand.
00:21:48Somebody better call the police.
00:21:51Yeah.
00:21:52Yeah, somebody better
00:21:53call the police.
00:21:54What's the number?
00:21:55Spring, 3-100.
00:21:56I want it.
00:22:09OK.
00:22:09I'm going to win the police.
00:22:10That's a good one.
00:22:11I'm going to get this one.
00:22:11I can't stand there.
00:22:13I have no hope.
00:22:13I'll be on the way.
00:22:14I want it.
00:22:15I'll be on the Wood.
00:22:16I want it.
00:22:17I'll be on the good one.
00:22:18I've got two other people.
00:22:19Now, I'll be on the way.
00:22:20I'll be on the way.
00:22:21I'll be on the plain ones.
00:22:21Why did you kill him?
00:22:27That's the hundredth time you've asked me that.
00:22:29Well, why did you?
00:22:30I didn't.
00:22:31Where'd you get the gun?
00:22:32I picked it up off the floor.
00:22:33I never saw it before.
00:22:34You had the gun in your hand when the people came in and saw you standing over Brandon.
00:22:37I told you I picked it up after the shot was fired.
00:22:39Well, why did you pick it up?
00:22:40I don't know.
00:22:41For five hours, you've been asking me these same questions.
00:22:44I'm getting fed up.
00:22:45You don't have to answer our questions if you don't care to Mr. Sturgis.
00:22:47What reason would I have for killing a man like Brandon?
00:22:49That's what we'd like to find out.
00:22:51You won $11,000 from him, didn't you?
00:22:53Yes, but when you went to his office, he refused to pay you and you quarrel.
00:22:56There was never any question of this paying me.
00:22:58You just made out the check one.
00:23:00Oh, but I've answered all these questions before.
00:23:02You're trying to put words in my mouth.
00:23:04Wait a minute, son.
00:23:05Wait a minute.
00:23:06We're as tired of this as you are.
00:23:07Give us a lowdown.
00:23:08We'll try to make the disease as few as we can.
00:23:11That'll be all, boys.
00:23:12Wait outside.
00:23:19Can I get out of here for a minute?
00:23:20Sure.
00:23:22Thanks.
00:23:24Have a cigarette?
00:23:26Yeah, thanks.
00:23:29Never thought I'd even get me like this.
00:23:31Sorry to have to put you through this.
00:23:32It's a matter of routine.
00:23:34Well, you seem quite human about it anyway.
00:23:36All cops are human.
00:23:38But they have duties to perform.
00:23:40Now, Mr. Sturgis,
00:23:42can't you remember anything that happened which might help me?
00:23:45Well, I'm a bit confused about the whole thing.
00:23:47But I seem to remember that Brad didn't want me out of there.
00:23:50He said something about a murderer being there.
00:23:52Is that all?
00:23:53Well, that's all I can clearly remember.
00:23:55It's not much of a defense.
00:23:57Well, surely you don't, uh, you,
00:23:59you were drinking.
00:24:00Yes.
00:24:01And you were gambling.
00:24:03Yes.
00:24:04A man was killed.
00:24:06It looks as though you might have done it.
00:24:09Now, a smart prosecutor will make a good case of it.
00:24:11I've seen them go to the chair on glass evidence.
00:24:16It doesn't seem possible that anything like this could happen to me.
00:24:19Well, I'm not thinking of myself so much, but...
00:24:23Hello.
00:24:27It's Miss Vernon.
00:24:28You want to speak to her?
00:24:29Yes.
00:24:30Let her come in.
00:24:33It's a bit unusual, but...
00:24:35I'm sorry for the young woman.
00:24:37I'll let you talk to her for five minutes.
00:24:39Yes, I appreciate that.
00:24:42Larry.
00:24:43No, I'll let her be in there.
00:24:47Go in there if you wish.
00:24:49All right.
00:25:09Did you pick up that bird that ran the roulette wheel for Brandon?
00:25:13No.
00:25:14Looks like it grabbed the bill and squirm.
00:25:15Keep after him.
00:25:16Get him.
00:25:17Bring him in.
00:25:20Now, keep your chin up, dear.
00:25:21Things will straighten themselves out.
00:25:23Only...
00:25:24Only today will still have been our wedding day.
00:25:26It isn't much like we thought it would be, is it?
00:25:32Oh, there must be something I can do.
00:25:34There is.
00:25:35I want you to stay out of this.
00:25:37I'll get the finest criminal lawyer money can buy.
00:25:40And when I'm through,
00:25:42I'll never gamble again.
00:25:44You promise?
00:25:45I promise.
00:25:46I promise.
00:25:46Sorry.
00:25:54Time's up.
00:26:00You don't think they'll convict him, do you?
00:26:02I'm going to do everything I can to help you.
00:26:05Oh, thank you.
00:26:16Thanks for all you've tried to do for me.
00:26:34Oh, I haven't given up your case yet.
00:26:36Someday I'll get the man that played those numbers.
00:26:39That's a pretty slim clue.
00:26:41I know it is.
00:26:42But he's got a bankroll and he'll play.
00:26:43He's smart and cunning,
00:26:46but he can't give up roulette.
00:26:48My hunch is that he'll go to Nice or Monte Carlo.
00:26:51The biggest roulette games in the world.
00:26:55Respecto, we've got to get going to catch that train.
00:27:04Goodbye.
00:27:09No car.
00:27:13Goodbye.
00:27:21Goodbye.
00:27:23No.
00:27:43You got the mace to that, I got the fire.
00:27:53Hold up, game, huh?
00:28:04Thanks.
00:28:06Hey, are these necessary?
00:28:07Sorry, Studges.
00:28:09Take my conception.
00:28:11Object to my company, eh?
00:28:14Well, I may have been hooked up with worse, but I don't know when.
00:28:31We finally picked this guy up, Inspector.
00:28:34Well, he's been looking for you for a long time.
00:28:36I didn't take the money, I would take care of that later.
00:28:39I want to know who killed Brandon.
00:28:42I don't know.
00:28:42I was at the wheel when it happened.
00:28:44Oh.
00:28:45Did you see anyone play that combination that night?
00:28:51Yeah.
00:28:52Who was it?
00:28:54I don't know.
00:28:55Now, come across.
00:28:57But I tell you, the guy's a killer.
00:28:59I don't want to get bumped off.
00:29:00That's the reason I was hiding out.
00:29:01What's his name?
00:29:06What's his name?
00:29:08Jim Daggett.
00:29:14Hello, Al.
00:29:15See what you can get on a guy named James Daggett and call me back.
00:29:20Yeah.
00:29:21Better yet, if you have anything, come up.
00:29:23You've got a lot to learn.
00:29:34Because you're going to get a lot of razzin' up the big house.
00:29:38They don't like you fancy cake eaters up there.
00:29:41And if you stick with me, I'll get you in with the right crowd.
00:29:50I've got social standing.
00:29:51Ah, you're talking too much, but that's all right.
00:29:54He's in good company.
00:29:56Yeah?
00:29:56I'll use my influence to get you a room with a southern exposure.
00:30:00Five more miles to the river bridge.
00:30:19Just sigh.
00:30:23Once over that, you're out of circulation.
00:30:30I have it, Inspector.
00:30:41Let's hear it.
00:30:41James Daggett.
00:30:42Wanted in Kansas City for mail robbery.
00:30:44Wanted in Galveston for express hold-up.
00:30:46Reward of $5,000.
00:30:48Never been apprehended, photographed, or fingerprinted.
00:30:50Travels with a pretty girl known as Blondie Roberts.
00:30:54This fellow will give you a description.
00:30:55Take him down.
00:30:56Come on, buddy.
00:31:00I want you to cover all railroads, bus lines, and outgoing steamships.
00:31:05Once we get Daggett, I'll clear young Sturgis.
00:31:13Give me the DA.
00:31:14Coming to the bridge now.
00:31:29You better take your last look.
00:31:32Yeah.
00:31:33You better take a last look.
00:31:36Come on.
00:31:38Come on, get me.
00:31:39Come on.
00:31:40Come on.
00:31:43Come on.
00:31:44I hit something, kid.
00:32:12What?
00:32:12Come on.
00:32:13Come on.
00:32:13Come on.
00:32:13Come on in.
00:32:15Pull me in.
00:32:16Come on.
00:32:18There it is, boy.
00:32:19Pull me off.
00:32:23Come on.
00:32:26I can't.
00:32:29I must have hit something.
00:32:32What's the matter?
00:32:34Oh.
00:32:35I can't make it, kid, but you can.
00:32:37I can't.
00:32:38I can't make it, kid, but you can.
00:33:04I'll ditch the cuffs.
00:33:08I'll tell him you drowned.
00:33:10I can't make it.
00:33:10I can't.
00:33:11I can't.
00:33:11I can't.
00:33:30I can't.
00:33:31Mary, oh, my dear, if you'd only cry, it would do you good.
00:33:37You mustn't let this ruin your life.
00:33:40If you'd married him, you'd never have been happy.
00:33:42You have no right to say that.
00:33:49Larry's father died, a young man, because of liquor and women.
00:33:56Larry was weak, charming, lovable.
00:33:59Perhaps it wasn't his fault.
00:34:01It was inherited.
00:34:04Suppose children had come from your marriage.
00:34:07Suppose they'd inherited Larry's nature.
00:34:09Then what?
00:34:11You'd never have known a moment free from care and worry.
00:34:15Stop it, I'll never believe that, never.
00:34:17Oh, I'm sorry if I've hurt you.
00:34:20And I'll never stop loving Larry.
00:34:22Oh, my dear.
00:34:25Because I love you, I can say this.
00:34:26But for your sake, it's better that Larry's passed out of your life.
00:34:32Oh, Emma, please go away.
00:34:35Please go away.
00:34:37All right, dear.
00:34:38Larry.
00:34:56Larry.
00:34:56Larry.
00:34:56Hello?
00:35:01Police headquarters?
00:35:06May I speak to Dr. Glenby, please?
00:35:12Look.
00:35:15I'm sorry.
00:35:16I'm sorry.
00:35:17I'm sorry.
00:35:18I'm sorry.
00:35:19I'm sorry.
00:35:20I'm sorry.
00:35:21Please.
00:35:27Then would you tell him that this villain wants to see him the first thing in the morning?
00:35:51I'm sorry.
00:36:01What's up?
00:36:05Come on.
00:36:07The game is done.
00:36:10It is done.
00:36:13It is done.
00:36:16The game is done.
00:36:20It is done.
00:36:23It is done.
00:36:26It is done, Madame.
00:36:37Oh, Madeline.
00:36:45Good morning, Monsieur.
00:36:46What did you jump to when I touch you?
00:36:48Oh, I don't know.
00:36:49I'm nervous, maybe.
00:36:50Can I buy a drink?
00:36:51I'm always thirsty, Monsieur.
00:36:53All right.
00:37:04A bottle of Chateau Rose.
00:37:11Monsieur, I feel sorry for you.
00:37:16Why?
00:37:17You seem so lonesome.
00:37:19There have been three months in Monte Carlo, yet you speak to no one except me.
00:37:25You come to the casino, yet you do not play.
00:37:28You always seem to be looking for someone you do not find.
00:37:33You've been a good little friend, Madeline.
00:37:36We could be better friends, Monsieur.
00:37:39I like you very much.
00:37:41And you've been so good to me.
00:37:43And yet, each night, you leave me and go home alone.
00:37:48Go home alone.
00:37:49I know you well enough right now.
00:37:58You can this evening, Monsieur.
00:38:03There is another girl.
00:38:06Some girl back in that America whom you love.
00:38:10Isn't that so?
00:38:12You see, Madeline knows.
00:38:15Sometimes you speak to me, but always you are thinking of her.
00:38:20Perhaps.
00:38:21She must be very lovely.
00:38:24She is very lovely.
00:38:29Suppose we drink a little toast to the lady whom you love, wherever she is.
00:38:38All right.
00:38:40I just came from the prefect of police.
00:39:08They have a line on this woman called Blondie.
00:39:11So Dagger can't be far off.
00:39:13I don't think we made a mistake in coming here after all.
00:39:17I'll never give up.
00:39:18All I care about is clearing Larry's name.
00:39:21Where is your aunt?
00:39:22I left her at the hotel.
00:39:23She was tired after the trip.
00:39:25Perhaps you'd better get some rest, too.
00:39:27I'd like to stay here.
00:39:29You know, this is where Larry and I were going to spend our honeymoon.
00:39:33I understand.
00:39:34Do you mind if I leave you for a while?
00:39:37I'll be at the casino if you need me.
00:39:46There comes Antoine Apollyon.
00:39:48I don't like that thick smile on his face.
00:39:50That smile is a very bad sign.
00:39:53Ah, good morning, my dear Monsieur.
00:39:55Good morning, Marquis.
00:39:56And my starving ladies.
00:39:58You look thirsty.
00:40:00I am.
00:40:02Oh, Chateau Rolls.
00:40:05Of yourself.
00:40:06Did you know I did a very foolish thing this morning?
00:40:10Here it comes.
00:40:12I'll get away from my villa with empty pockets.
00:40:21Have you such a thing as Emile, Madelon?
00:40:23Am I the sort of girl who goes about carrying thousand francs in her purse?
00:40:28No.
00:40:29You are not.
00:40:33But since I am desolate of money,
00:40:35perhaps Monsieur will be kind enough to loan me some for a few hours.
00:40:40If he does, he can kiss him goodbye.
00:40:43How much did you lose this morning?
00:40:46Very little.
00:40:47I hope you will not repay you what you loaned me yesterday.
00:40:50I have fixed upon a table
00:40:53where it seems my luck
00:40:55has definitely established itself.
00:40:57What kind of blood?
00:40:59The usual?
00:41:01Ah, thank you, Monsieur.
00:41:03I shall repay you within the hour.
00:41:09Adieu, Adieu.
00:41:10You left him to have quite a hold on here, Uncle.
00:41:15He broke the bank once.
00:41:17He was famous for a day.
00:41:18He can never forget it.
00:41:20If we hadn't met you,
00:41:22you can imagine what would have become of it.
00:41:24You have been so good to us.
00:41:26Perhaps the next man will not be like that.
00:41:31It will not be like that.
00:41:38Come on, my dad.
00:41:39Tell him a little bit.
00:41:40Oh, that's all.
00:41:41Come on.
00:41:42Come on.
00:41:43Tell him a little bit.
00:41:44Come on.
00:41:45Come on.
00:41:46Come on.
00:41:47Come on.
00:41:48Come on.
00:41:49Come on.
00:41:50Come on.
00:41:51Let's get out of here.
00:41:52I've got to hide someplace.
00:41:53My room.
00:41:54Come on.
00:41:55Come on.
00:41:56Come on.
00:41:57Come on.
00:41:58Come on.
00:41:59Let's get out of here.
00:42:00I've got to hide someplace.
00:42:01My room.
00:42:02Come on.
00:42:03I've got to hide.
00:42:04I've got to hide.
00:42:05I've got to hide.
00:42:06I've got to hide.
00:42:07I've got to hide.
00:42:08I've got to hide.
00:42:09I've got to hide.
00:42:10I've got to hide.
00:42:11I've got to hide.
00:42:12I've got to hide.
00:42:13I've got to hide.
00:42:14I've got to hide.
00:42:15I've got to hide.
00:42:16I've got to hide.
00:42:17I've got to hide.
00:42:18I've got to hide.
00:42:19I've got to hide.
00:42:20I've got to hide.
00:42:21I've got to hide.
00:42:22I've got to hide.
00:42:23I've got to hide.
00:42:24I've got to hide.
00:42:25I've got to hide.
00:42:26You must tell me, Monsieur, what is the matter? And who is this man you're afraid of?
00:42:45A detective from America. A detective? Yes, here to take me back for a crime I didn't commit.
00:42:49That's why I'm here at the casino. The only clue I have is numbers. Numbers? Yes, a system on a roulette.
00:42:56Larry isn't there. I know. I just saw him. Where did he go? Up there.
00:43:10Why didn't you tell me? I wouldn't watch for those numbers. You stay here. I'll go down and see the trolley.
00:43:26All over a second.
00:43:42No matter what you have to do, bring him to me.
00:44:00Yes, sir. No way, sir. Get him to the hospital.
00:44:07Who is this Larry? This woman, no. Where is he? The murderer went that way.
00:44:13I mean the man I just saw you with. I will not tell.
00:44:18You can't take him away. He's done nothing. He's good. He's no criminal.
00:44:38That's the man that the American officer wants.
00:44:41Mary. Come, Monsieur. No, no.
00:44:46Thanks for your loyalty, madeline.
00:44:52I'm almost to the best.
00:44:56So, you're the woman he loves. You don't need to reply.
00:45:00I saw it in his face when he looked at you just now.
00:45:04Let me go.
00:45:05Not until you hear what I have to say.
00:45:08Love. You don't even know its meaning.
00:45:10If you love him, you wouldn't let him take him away.
00:45:12You would fight for him.
00:45:15If he loved me, I would not hand him over to the police,
00:45:17no matter what he had done.
00:45:19You do not deserve the love of a man like that.
00:45:22Now you may go.
00:45:33You didn't fool me for a minute.
00:45:53I knew you weren't dead.
00:45:55And Mary?
00:45:57I didn't tell her my suspicions.
00:45:58But down in her heart, I guess she hoped.
00:46:04She hoped so much she couldn't wait to tell me over to police.
00:46:07She had the good sense to obey my orders.
00:46:10Now the time is short.
00:46:12I came here to get the man that killed Brandon.
00:46:16But he got me instead.
00:46:19Would you like to wear my shoes?
00:46:23Would you give me that chance?
00:46:25You heard, Captain?
00:46:28Yes, sir.
00:46:30Get those papers.
00:46:34It's your warrant and extradition papers for James Daggett.
00:46:39You must get Daggett tonight before he gets a chance to get away.
00:46:44Pick up his companion, Blondie Roberts, and you'll get him.
00:46:50Remember, he's dangerous.
00:46:53He's dangerous.
00:46:56Take my gun and badge.
00:47:06Good luck.
00:47:09Thanks.
00:47:10Well, what are they going to do to you?
00:47:11Don't worry, Madeline.
00:47:12The American officer is my best friend.
00:47:13Come, monsieur.
00:47:14There's no time to lose.
00:47:15Let's go.
00:47:16Don't come in unless I whistle.
00:47:17Good luck, monsieur.
00:47:18You'll.
00:47:19You'll get him.
00:47:20Don't worry, Madeline.
00:47:21The American officer is my best friend.
00:47:22Come, monsieur.
00:47:23There's no time to lose.
00:47:24Let's go.
00:47:35Don't come in unless I whistle.
00:47:37Good luck, monsieur.
00:47:38Good luck to you.
00:48:08Oh, man, wow. I knew it was wind that time. But why didn't you bet on it?
00:48:31Alas, madam, I very foolishly could be away from my villa without my wallet.
00:48:35Now, isn't that too bad?
00:48:37Permit me to introduce myself. I am the Marquis Napoleon de Savoie.
00:48:43Marquis? Napoleon? Fancy meeting one of the Napoleons here.
00:48:48You know, I'd like to learn this game. It looks so fascinating with all those pretty little ships.
00:48:54It is the game of kings.
00:48:56Do you think you could teach me?
00:48:58It would be a pleasure, madame.
00:49:00You are not playing, would you mind?
00:49:03Oh, no, no.
00:49:05You are not playing.
00:49:27Quiet.
00:49:41Over there.
00:49:43If this is a stick-up, you've come to the wrong place.
00:49:47I've just taken over Gunby's job.
00:49:50Oh, yeah?
00:49:52Yeah.
00:49:57Sit down.
00:50:06Where's Daggett?
00:50:08I don't know.
00:50:10And if I did, can you see me telling you?
00:50:12You saved yourself a lot of trouble.
00:50:14If I tell, he'll kill me.
00:50:16I'll take care of that.
00:50:18I've seen you somewhere before.
00:50:21Who are you?
00:50:22My name is Sturgis.
00:50:24Why, I read about you.
00:50:26I've seen your pictures in the papers.
00:50:28How about your...
00:50:28Dead?
00:50:29Not too dead to get Daggett.
00:50:31He did kill Bran, didn't he?
00:50:33So what if he did?
00:50:34Just because I got mixed up with the criminal doesn't make me one.
00:50:39There's a reward of $5,000.
00:50:42You want it?
00:50:45They'll give him the chair.
00:50:46He deserves it.
00:50:48I'm no stool pigeon.
00:50:50$5,000 is a lot of money.
00:50:52Keep you for a long time.
00:50:54And he'll be where he can't harm you.
00:50:56I've never done a dirty trick like that.
00:50:59It's your one chance to square yourself with the police.
00:51:02I'll guarantee you'll get off scot-free.
00:51:07Have you got the money in cash?
00:51:09$5,000 in American money is yours when I take him in custody.
00:51:14Are you ready to take him now?
00:51:15Yes.
00:51:15He has some papers or money or something somewhere in this room that he wouldn't even trust me to bring to him.
00:51:23He sent me on ahead to see if the coast was clear.
00:51:26If I call him, he'll be here in a few minutes.
00:51:29Call him.
00:51:35If you make a mess of this, you know, it'll mean both of us.
00:51:38You know how sure he is with that gun.
00:51:39If he thinks there's anyone here, he'll come in the door shooting.
00:51:44Call him.
00:51:56It's all clear, Jim.
00:52:03Come on over.
00:52:03You'll be here in a few minutes.
00:52:15I saw him with that woman in his arms.
00:52:18The first thing a detective learns is not to jump at conclusions.
00:52:23But if he loved me, he'd never let me go on believing him dead.
00:52:27And if you loved him, you'd give him a chance to explain.
00:52:30Okay.
00:52:33All right, stick him up.
00:52:43Up.
00:52:46Keep him up there.
00:52:49I'll let you have it like you gave it to Gundy.
00:52:53And Brandon.
00:52:55Now rest on him.
00:52:56All right, let me have him back here.
00:53:03Get in there.
00:53:11Where's Blondie?
00:53:13I'm sorry, Jim.
00:53:14What did you do, get paid for a double-crossing me?
00:53:16I couldn't help it.
00:53:17It was either you or me, and you'd have gotten it anyhow.
00:53:19Why, you little...
00:53:19There he is.
00:53:23Good work, Monsieur Sturgis.
00:53:25And we have the woman, too.
00:53:26I'm sorry, I promised to let her go.
00:53:29You are making a mistake, Monsieur.
00:53:31I'll take care of that.
00:53:33Come on.
00:53:38Well, what's that?
00:53:40Are you sure you'll get the chair?
00:53:43Dead sure.
00:53:50Goodbye.
00:54:10But you're full of mistrust.
00:54:12Right now, he's trying to prove himself for you.
00:54:19Hello.
00:54:20Yes, Larry.
00:54:25Good work, boy.
00:54:27He's got baggage.
00:54:32Then my part's finished.
00:54:34If he has anything to say, he'll come to me.
00:54:36Where are you going?
00:54:37Now, don't do anything hasty.
00:54:50Good work.
00:54:50Good work, mesdames et messieurs.
00:54:52Incredible.
00:54:53Madame had no right to win.
00:54:55She should have bet my number.
00:54:56But you lost.
00:54:58Yes, but that is part of my system.
00:55:00I will win this time.
00:55:02Now, let me play for you.
00:55:03There is another safe...
00:55:04Oh, no, no, no, no, no, no.
00:55:05I don't like 17.
00:55:06I like this pretty green number over here
00:55:08where the little donuts are.
00:55:10Oh, madame, we'll lose.
00:55:11Rien n'a plus, madame.
00:55:12Madame cannot win.
00:55:13The double zero.
00:55:16Incredible.
00:55:19Marvellous.
00:55:20Terrific.
00:55:21But only madame has no system.
00:55:24Now, let me show you.
00:55:25I don't know much about this game.
00:55:28Boy, I couldn't have done it better myself.
00:55:57The woman admitted that Daggett had killed Brandon.
00:55:59What did you do with her?
00:56:00Well, let her go.
00:56:02Why?
00:56:03Well, I made a bargain with her.
00:56:05Well, what good is her confession
00:56:06if you didn't hold her as a witness?
00:56:09Oh.
00:56:16Unless you get that woman,
00:56:17we're no better off than we were.
00:56:21So I answered?
00:56:26Hello?
00:56:27You sure?
00:56:36Wait.
00:56:38Don't go without the police.
00:56:44The double zero.
00:56:46The American lady has broke the bank.
00:56:49And she knows nothing about the game.
00:56:51She has no system.
00:56:55Napoleon, all I know is that this game is your waterloo.
00:56:59I've been looking for you everywhere.
00:57:00Look what I've got.
00:57:02I want to talk to you.
00:57:04Mary, I just broke the bank.
00:57:05Aunt Emma, please.
00:57:07Let's get out of here.
00:57:08Fine.
00:57:08I'm just beginning to enjoy myself.
00:57:11What is it?
00:57:11I can't tell you here.
00:57:13Wait till I get the money for these.
00:57:15Let me help you to carry on.
00:57:16I wouldn't think of inconveniencing you.
00:57:20Where do I go for this?
00:57:21Right over there.
00:57:22I feel like I'm going for you.
00:57:24I can't tell you.
00:57:25I'm going for it.
00:57:26I can tell you about the bank.
00:57:26I don't know.
00:57:27Hey.
00:57:28Attention!
00:57:28Attention!
00:57:30Ah, très bien, madame.
00:57:32You look for madame?
00:57:33I'm going to start with this.
00:57:35I'm going to start with this.
00:57:37I'll start with this.
00:57:39How much?
00:57:41Double.
00:57:43Double.
00:57:45Good permission.
00:57:51One cup.
00:57:53One cup.
00:57:55Push it, Mr. Man.
00:57:57I'll press two.
00:57:59Faites vos jeux, Mesdames et Messieurs.
00:58:07Les jeux sont faits.
00:58:11Ils ne viennent pas plus.
00:58:15Ils ne viennent pas plus.
00:58:21Fini.
00:58:23Ils ne viennent pas plus.
00:58:25Ils ne viennent pas plus.
00:58:27It's a 60 secondes.
00:58:2925.
00:58:3125.
00:58:3325.
00:58:35...
00:58:3725.
00:58:3925.
00:58:4125.
00:58:4525.
00:58:4725.
00:58:4815.
00:58:5025.
00:58:51I can't see him!
00:59:21So you're a killer, eh?
00:59:31Valerie!
00:59:32Ladies and gentlemen!
00:59:33Do not be alarmed!
00:59:34Everything is all right!
00:59:36Resume me, I'll play!
00:59:47Madeline was a great help to me.
00:59:49I wish she would fall me from the casino.
00:59:51That's why I was with her all the time.
00:59:55She doesn't believe me.
00:59:56Uh-uh.
00:59:57Oh, yes, I do.
00:59:58But the man you arrested?
01:00:00It was Blondie's brother, the decoy.
01:00:02So she could go to Daggett,
01:00:04and they make their getaway.
01:00:05I kind of slipped up a little bit there, eh, Chief?
01:00:08Not as much as you think.
01:00:10When Daggett confessed,
01:00:11he implicated Blondie's brother
01:00:13in the killing of that bank messenger.
01:00:15So, you see, you killed two birds with one stone.
01:00:18So I stand a chance of a permanent job.
01:00:20Any time you want.
01:00:21Oh, no you don't!
01:00:23Well, uh, do I have to go back?
01:00:25Not unless you care to.
01:00:27We always wanted to spend our honeymoon in Monte Carlo.
01:00:30Didn't we?
01:00:32Uh-oh.
01:00:33How are we?

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