- 2 days ago
#ShowFilm98
#Acapulco
#Acapulco
Category
🎥
Short filmTranscript
00:00EZ! EZ! EZ! EZ!
00:13Aroma! Slow down!
00:16I'm not even going fast.
00:18Who taught you how to drive?
00:19Well, not my dad, so maybe he should show some support.
00:22I'm so proud of you!
00:24Look, I'm sorry for interrupting the audition.
00:31It's just that there's a situation with Gustavo.
00:34First of all, he is very thankful that you hired him to paint a mural for the reopening.
00:38Of course. Painting something that embodies the spirit of Las Colinas seems right up his alley.
00:43Yes, yes. It's just that he has this process that I normally stay out of as his wife.
00:48But as his boss, I'm hoping you could put a foot up his ass.
00:54Paloma, whatever he painted is fine.
00:57I'm an art collector. I approach things with an open mind.
01:01Maybe he's posing a question to the viewer to look within?
01:22That, there's nothing there.
01:25What?
01:28I'm so...
01:31He didn't...
01:33Nope.
01:34How is this possible?
01:36He's been out here for weeks!
01:39And we're only four days away from the opening!
01:42Yep.
01:43I'm sorry.
01:44I'm blocked.
01:50This is normally where I get my best ideas, but I'm getting nothing here.
01:54He calls it cocooning.
01:57Nada!
01:58Dios mio.
01:59Maybe you could inspire him with one of your stories?
02:03Oh, Palomita. Of course!
02:06It was the winter...
02:08Without me.
02:17Um...
02:18You wanna emerge from your chrysalis so we can talk?
02:24Oh...
02:25Yeah, sure.
02:26It just takes me a second to be cocooned.
02:29Uh-huh.
02:34Uh...
02:35Maybe if you flip me?
02:37Uh-huh.
02:38Uh...
02:39Uh-huh.
02:40Uh...
02:41Uh-huh.
02:42Uh-huh.
02:43Uh-huh.
02:44Uh-huh.
02:46Gustavo.
02:47Uh-huh.
02:48Uh-huh.
02:49Come on.
02:50Uh-huh.
02:51Listen, Gustavo.
02:52Things might seem tough now, but you'd be surprised at what you're capable of when your back is against the wall.
03:00Just like mine was in 1986.
03:04I could barely sleep after I let the walk out from Las Colinas.
03:08How could I? We were going on strike.
03:11¿Por qué estás despierta tan temprana?
03:12Ay, doña Rosita estaba cantando alabanzas dormida.
03:16Te andas miedo del que crees.
03:18Entonces me puse a llenar solicitudes de admisión para la UNIA.
03:23¿Ese es tu calter para la huelga?
03:25Tienes que envolver el palo con muchas cintas y no te vas a caer de ampollas.
03:28¿Y tú cómo sabes eso?
03:29Sentido común.
03:31Además, organicé la protesta en mi escuela para que pusieran Fanta en las máquinas de refrescos.
03:35Soy toda una revolucionaria.
03:36Qué tierna, pero esto no es una marcha de refrescos.
03:39Esto es la vida real.
03:40Así que mejor quedate con tus solicitudes.
03:42¿Esta para qué se coge la vez?
03:43No, no, no, se va a robar la hoja.
03:46Sara was mainly applying to local colleges,
03:49but Aida had picked up an NYU application for her
03:52while she was on her college tour in the States.
03:54But she just couldn't allow herself to dream that big.
03:58Ale, ale, aleluya.
04:02Cristo es el sol de este reino.
04:07Meanwhile, because of the strike,
04:10Alejandro Vera was working with a skeleton crew.
04:12Scabs.
04:13So he had to take on extra duties
04:15that were way below his pay grade.
04:17Your drink, miss.
04:36Diane?
04:38It is John.
04:40Are you all right? You look like you've seen a ghost.
04:43Oh, was it the one in room 237?
04:45No, I'm just surprised to see you.
04:47Well, I recently had a financial windfall after selling my prized hotel to a chicken with his head cut off,
04:53so I figured I'd cash in on a long overdue vacation.
04:57Okay, we both know you're up to something.
05:01But to show you I'm the bigger person while you're here doing whatever it is you're doing,
05:05I will provide a five-star service with a smile.
05:09Oh, wonderful. I'll have the Caesar salad with exactly nine croutons.
05:13That's one, two, three, four, five, six, seven, eight, nine. Gracias.
05:24The staff had started to assemble on the picket line with one additional soldier I hadn't expected.
05:30Hey, what are you doing out here?
05:32I'm closing my boutique until the streak is over.
05:34In solidarity. And I already made up my mind, so don't try to change it.
05:39Julia, did you give Diane my note?
05:41Yes, I did. I gave it to her before she went to the beach this morning.
05:44Hi.
05:45She also says she misses you very much, and she mentioned something about your musk on her pillow,
05:49but I turned out after that.
05:50My queen moves back into Las Colinas the moment we go on a strike and I can't cross the picket lines to see her.
05:56It's like the gods of love are conspiring against us.
06:01How did she look, by the way? Were her lips doing that thing?
06:04I'm gonna go with a yes.
06:05Come on, let's go.
06:06Hello, everyone. Thank you all for being here today.
06:09I'm so excited to be your leader and determined to guide you to victory.
06:17Yeah?
06:19Good question. Haven't thought of that.
06:21Since we can't technically go into the hotel, I think the nearest one is at the gas station.
06:26Maybe, uh, one kilometer away.
06:30Oh, uh, what's the situation on Shade?
06:34Oh, God, um, uh, yeah.
06:36Uh, we're a little exposed out here.
06:39Uh, maybe tomorrow we wear sunscreen?
06:41You look like that Swiss boy from Kids Club we had to send to the hospital.
06:45Okay, I guess we should get started.
06:47Uh, Maxi? Which way should we walk?
06:51Um, another question.
06:54Uh, uh, I'm gonna go with... to the right.
06:59Right.
07:01No, uh, my right.
07:03You go here.
07:05Uh, your right.
07:07Just get in circles. Circles.
07:11You know what, uh, actually, an oval, oval.
07:14While we were beginning our long journey to worker rights, Nora and Esteban were on their own quest to find the truth about what happened to our neighbor, Juan.
07:22O sea, ¿quién, quién podría escribir algo así?
07:25Es obvio.
07:26El asesino estaba jugando con Juan.
07:28Es un psicópata.
07:30Igualito que Freddy Krueger.
07:32O esa gente que quiere comprar boletos para el camión en el camión.
07:36Oh.
07:37Híjole, no.
07:38Sabes que esto ya se está poniendo demasiado peligroso.
07:40Yo creo que tenemos que llamar a la policía.
07:41No.
07:42No.
07:43Nosotros vamos a ser los principales sospechosos.
07:45Nuestras huellas digitales están por toda su casa.
07:47En la cocina, en el baño.
07:48¿Eh?
07:49Ah, es que me puse un poquito de solución.
07:51Es que ese señor tiene un olor.
07:53Ah, no.
07:54Tenía.
07:55Ay, pobre.
07:58Espérate.
07:59¿Eh?
08:00Yo vi esto en alguna parte.
08:01Espérame.
08:02Mira, mira, mira.
08:03Cuando hicieron las obras, aquí en la cuadra pegaron en las puertas este aviso.
08:10¡Eh!
08:11Eso quiere decir que el asesino vive en nuestra calle.
08:14Ahora lo que tenemos que averiguar es de quién es esta letra.
08:17Ay, yo abro.
08:22Buenos días.
08:23Estoy recaudando fondos para una beneficencia muy importante.
08:27Si firma aquí su donación puede ayudar a huérfanos ciegos.
08:30¡Claro! ¡Qué buena idea!
08:32¿Entonces quiere ayudar a los huérfanos ciegos?
08:35Niño, por favor, eso no importa ahorita.
08:37Mira, la respuesta a nuestras preguntas está enfrente de nosotros.
08:40¿Estás seguro?
08:41Ajá.
08:42¿Pero cómo, Esteban? Pues si estás cieguito.
08:43¿Qué?
08:44Ah, no, no, no.
08:45Mira, tenemos que organizar una recolección de firmas
08:48y luego comparamos la letra de nuestros vecinos con la nota.
08:50¡Ándale!
08:51Ah, sí, ¿verdad?
08:52Muy buena idea.
08:53Yo no estoy ciego.
08:54¿Quieren donar o no?
08:56Ah, este, sí, claro, mijo.
08:58Dale algo, dale algo.
08:59Sí.
09:00Dale.
09:01Dale.
09:04¿Estás checándome?
09:06Perdón, me tenía que asegurar.
09:08Gracias, mijo.
09:09¡Gracias!
09:10¡Gracias!
09:11¡Gracias!
09:12Esteban!
09:13¡Gracias!
09:14¡Gracias!
09:15¡Gracias!
09:16¡Gracias!
09:47¡Gracias!
09:48¡Gracias!
09:49¡Gracias!
09:50¡Gracias!
10:21¡Gracias!
10:22¡Gracias!
10:53¡Gracias!
10:54¡Gracias!
10:55¡Gracias!
10:56¡Gracias!
10:57¡Gracias!
10:58¡Gracias!
10:59¡Gracias!
11:00¡Gracias!
11:01¡Gracias!
11:02¡Gracias!
11:03¡Gracias!
11:04¡Gracias!
11:05¡Gracias!
11:06¡Gracias!
11:07I need to go plant some buby traps I made for Veta.
11:09¡¿La estás cobrando?!
11:12!
11:13¡Este es el colmo!
11:13¡Cómo te aprovechas de un hombre moribundo!
11:16Veto tiene razón, Lupe.
11:18No puedes aprovecharte y lucrar con los trabajadores en huelgas.
11:21Mis amiguitos oferta y demanda no están de acuerdo.
11:25Agua, cigarros.
11:28I'm Jan Thank you very much.
11:32Paco, ¿estás bien?
11:33Eh, vengo del baño.
11:35It's far too far.
11:37I know.
11:38I have to shoot again.
12:05Yeah.
12:06What do we want?
12:10My woman!
12:14What do we want?
12:35We're in the depot of the neighbor's dead.
12:37This is our war room.
12:40Ah.
12:42What is a war room?
12:43It's an abandoned place where revolucionaries
12:47discuss strategy and drink coffee.
12:50And...
12:53I don't know.
12:54It's what happens in all the movies.
12:58Why don't we start your list of questions for Alejandro Vera?
13:01You have a list, right?
13:07100% I have several words in my mind.
13:11I have so much to teach you.
13:16To achieve your goal, you will have to do several things.
13:26First, take energy.
13:31Más, más, más.
13:33Pónganse ropa adecuada.
13:35Más, más, más.
13:38Un grito rebelde.
13:41Más, más, más.
13:43Más, más, más, más.
13:45Más, más, más.
13:47Manden un mensaje claro.
13:48No los dejaremos.
13:49Unidos venceremos.
13:51¡Lowen!
13:53¡Lowen!
13:55¿Le gustaría firmar la petición para que pongan el top aquí afuera?
13:58Sí, finalmente algo de justicia.
14:00¿Y una fotito?
14:01Es para nuestros registros.
14:03¿Sondría?
14:05No te vayas de mí.
14:09Te necesito aquí, mi amor.
14:13A la medianoche.
14:15Pedía más, más.
14:17Proyecten seguridad.
14:19Surse a list of our demands.
14:20Ante la indiferencia.
14:21I'll get back to you.
14:24Más, ¿no le parece que pasan los carros muy rápido aquí mañana?
14:27¿No le gustaría que fuche?
14:32Siempre dele seguimiento a su progreso.
14:34Y pase lo que pase que no se les olvide celebrar sus victorias.
14:43Más, más, más.
14:45Más, más.
14:46Más, más.
14:47Más, más.
14:48Más, más.
14:49Más, más.
14:50Más, más.
14:51Más, más.
14:52Más.
14:53Más.
14:54Más.
14:55Más.
14:56Más.
14:57Más.
14:58Más.
14:59Más.
15:00Más.
15:01Más.
15:02Más.
15:03Más.
15:04Más.
15:05Más.
15:06Más.
15:07Más.
15:08Más.
15:09Más.
15:10Más.
15:11Más.
15:12Más.
15:13Más.
15:14Más.
15:15Más.
15:16Más.
15:17Más.
15:18Más.
15:19Más.
15:20Más.
15:21Más.
15:22Más.
15:23Más.
15:24Más.
15:25Más.
15:26Oh!
15:27Over here!
15:28Hey, give me that!
15:29Hey, come on!
15:30Hey!
15:31Hey, over here!
15:32Oh!
15:36Johnny Scoops, a little help!
15:39Help!
15:41Help!
15:43Hello?
15:45Don't worry, the kid got out.
15:48After a while.
15:49Listen, you and I both know you can't do this forever.
15:51Eventually, the hotel will go down and take you with it.
15:54Unless there was someone to take it off your hands.
15:59Even if I sold it back to you, Diane, the workers would still be on strike.
16:02Not for long.
16:03They love me and I love them.
16:04So sell it back to me and the strike stops immediately.
16:07You can walk away and never think about Las Colinas.
16:10Or me again.
16:12Vera hated that he was considering her offer.
16:15But the idea of leaving his mess behind was very tempting.
16:21How?
16:22You want this, Phyllis?
16:25We will fight all your attacks!
16:27Want to cut our pay?
16:28Rhodey did the match?
16:31My dearest Diane,
16:34though I am separated from your love across enemy lines,
16:38I trojan powered only by the memory of your bosom.
16:42You're giving bosom.
16:43You're giving bosom.
16:48Why are we taking this?
16:50It's at night.
16:51I didn't know if he was there.
16:53He feels good.
16:59Hey folks!
17:00I know it's been a long week, but you should all be proud because the line is holding strong!
17:05Yeah!
17:06It'll be even stronger once I'm done with this.
17:09Can someone please take that away from Dulce?
17:11There's no need for violence of any kind when the tides are turning.
17:15Speaking of, at the advice of my revolutionary training, we have contacted Red Nacional 7,
17:21who will be sending a reporter to the picket line tomorrow.
17:25This is really going to put the pressure on Vera.
17:27So it's only a matter of time before he caves!
17:29Wait!
17:30Sorry!
17:31Sorry!
17:32Excuse me!
17:33Wait!
17:34Wait!
17:35Wait!
17:36Are we talking like two days matter of time or like,
17:38my baby will be forced to drink agua de horchata
17:40because his father won't be able to afford formula matter of time?
17:42Memo, I know you're worried about baby stuff.
17:45Of course I'm worried about baby stuff.
17:47And can you blame me?
17:48Look, I get it.
17:49But I have to do what is best for everyone,
17:51which means sticking to our demands.
17:53We want our benefits back!
17:54Yeah!
17:55Along with lunch!
17:56Overtime!
17:57We aren't just cogs on a wheel.
17:59We are human beings who deserve respect!
18:08I had been on the outs with the staff for so long,
18:11it was nice to be back in everyone's good graces.
18:13It felt like they believed in me again.
18:15And no, I don't remember if they actually lifted me in the air,
18:19but I'm gonna go with it.
18:21The next day on the picket line,
18:23I carried that feeling with me.
18:25We are struggling!
18:27We are struggling!
18:28We are struggling!
18:29We are struggling!
18:30We are struggling!
18:31But you have to pay attention.
18:32Our people are struggling!
18:33We are struggling!
18:34Like if we do,
18:35we are willing to offer Tank and the Guard of Fanta...
18:37We are trying to give you up.
18:38We are struggling.
18:39We are struggling!
18:40Okay...
18:41Sure.
18:42If you think about it...
18:43You are the right fool.
18:44You are willing to show strength?
18:45Which is to you?
18:46Who are you, Memo?
18:47You are to me.
18:48I like the tank, and also the brave people of the NASA.
18:523, 2, 1.
18:54Good afternoon, I'm Minerva Luz Cruz,
18:57reporting live from Las Colinas,
18:59where the employees of the hotel are in bail.
19:02It's with me Máximo Gallardo,
19:04chief of operations of the resort.
19:06Mr. Gallardo, how are the moods of the workers?
19:09We feel blessed.
19:11It may be the sun out of here,
19:13but inside of us,
19:15the flames of change are also burning.
19:18Well done, but they are facing a powerful corporation.
19:25Are they sure that they have the temple
19:27to take this fight to their last consequences?
19:30Of course, we have the temple,
19:32because we have the ones to each other.
19:35And we won't let them intimidate
19:38by a owner who doesn't care about their employees.
19:41It was the moment we'd been waiting for.
19:48And with all eyes on me, I knew there was only one way to respond to his response.
19:54It was the moment we'd been waiting for.
19:57And with all eyes on me, I knew there was only one way to respond to his response.
20:03I knew there was only one way to respond to his response.
20:10I knew there was only one way to respond to his response.
20:16I don't agree with that.
20:18Go ahead, Maxi.
20:20Woo!
20:21Where you going, Maxi?
20:22Que chingon!
20:23You were like Zapata leading the charge against the government fascists.
20:28Check it out.
20:29Uh...
20:31Well, listen.
20:33You're a great artist.
20:35I mean, you got me dead wrong in this picture.
20:38in this picture.
20:39I look nothing like this.
20:42Really?
20:44Not even when you were younger?
20:46Especially when I was younger.
20:48Yeah.
20:50Okay.
20:51Before you go all in on this idea for the mural,
20:55you should know that my colleagues
20:56had a less enthusiastic reaction that day.
21:00What was that?
21:02I rebelled against the system, right?
21:04I guess.
21:07Aunque sea, pudiese haber leído la respuesta de Vera.
21:11Eso es justo lo que él quería que yo hiciera.
21:13Que accediera a su primera oferta.
21:15Por eso se esperó a que hubiera cámaras.
21:17Las usó para presionarme.
21:18Máximo, sigues diciendo yo, yo, yo.
21:22Pero esto no se trata solo de ti.
21:24Sé que las cosas se están poniendo tensas.
21:26Pero estamos a nada de lograr todo lo que queremos.
21:29Solo hay que mantenernos unidos.
21:31Ah, ¿y tú crees que esta es la mejor forma para que él sea?
21:33Seguro que sí.
21:35Lo tenemos en la palma de la mano.
21:37Para mañana, nos va a rogar que regresemos.
21:42I couldn't have been more wrong.
21:44Because the next day,
21:45Vera called my bluff and hired workers to replace us.
21:48Ixtapa's best.
21:50And when I say replace us, I mean literally.
21:52This was a second-rate Hector,
21:55Beto,
21:57Memo,
21:59And even...
22:01Acherrion.
22:02Esa soy yo.
22:03Any other great ideas, Máximo?
22:05Memo didn't even have time to process his anger,
22:07since it was time for Lorena's sonogram.
22:09Recuerden que a estas alturas,
22:10su bebé es del tamaño de un limón.
22:12Okay.
22:13Esa es la cabecita de nuestro hijo.
22:14O hija.
22:15No sabremos el sexo hasta su próxima cita.
22:17No me importa que sea.
22:19Adoro nuestro limoncito.
22:20to process his anger since it was time for Lorena's sonogram.
22:23Remember that at this height,
22:25your baby is the size of a lemon.
22:27OK.
22:50Nuestro bebé va a estar tan orgulloso de nosotros.
22:55O sea, vinimos directo de la huelga,
22:58de pelear por nuestros derechos.
23:00Ay, cuánto drama.
23:03Sí, aunque no nos alcance para comprarle
23:06las cosas que necesita, ¿no?
23:09Ay, qué importa.
23:11En vez de una cuna,
23:12el bebé puede dormir con nosotros en la cama
23:15y podemos conseguir que nos hereden una ropita.
23:18¿Y quién necesita una silla de bebé para el carro?
23:21¿Para eso está el tablero?
23:23No lo había pensado así.
23:25Claro, es una superficie plana en el coche.
23:27Es perfecta para...
23:28No, no, no, no.
23:31A lo que me refiero es que
23:33no me había dado cuenta que esta huelga
23:38pues haga sentir orgulloso al bebé.
23:42Obvio.
23:44No estamos marchando por hoy.
23:47Estamos marchando por su futuro.
23:50Su futuro.
24:02Tenemos la firma de todos los vecinos, menos uno.
24:06Ay, pues sí, pero qué tan probable es que el señor Cabrera sea un monstruo.
24:09Sí, sí era un monstruo.
24:12Cuando vivía yo en el otro departamento, siempre lo escuchaba gritarles a los vecinos.
24:18¿Qué si de la basura? ¿Qué si de la música muy fuerte?
24:22¿Y siempre se andaba peleando con un tipo algo como sensación?
24:27¿Con Juan? ¿Nuestro vecino muerto?
24:32Sí, ese mero. Diario se estaba peleando por un lugar de estacionamiento.
24:37Un día, el señor Cabrera le puso a Juan una sorpresita en su coche.
24:43Sí saben a qué me refiero.
24:46¿Se peleaba con Juan y no quiso firmar la petición?
24:49Es nuestro sospechoso.
24:51Ay, Estevita, sí, pero a ver, el señor Cabrera ya está muy mayor.
24:55O sea, ¿tú crees que va a tener fuerza para pegarle a Juan en...
24:59en la posada?
25:17Era caca.
25:21No puedo creer que Vera nos reemplazara.
25:34Como si no fuéramos nada.
25:37En serio, perdóname.
25:40Estaba intentando ayudarle, pero creo que te llevé por el camino equivocado.
25:44No, Sarape. Esto es culpa mía.
25:47Emo tenía razón.
25:49Hice la huelga sobre mí en vez de tomar en cuenta a todos.
25:54Supongo que a una parte de mí le gustó que el Estafne volviera a querer.
26:00¿Y qué vamos a hacer?
26:01Lo único que podemos hacer?
26:03Preguntarle a Vera si su oferta sigue en pie.
26:07Trajo empleados de fuera. Eso debe de costarle mucho dinero.
26:12Tal vez podamos hacerle un gran razón.
26:15Aunque tengamos que ceder en ciertas cosas.
26:18Nunca nos vamos a rendir.
26:20Memo.
26:21¿Qué haces aquí?
26:22Hemos sacrificado sangre, sudor, lágrimas.
26:27No nos podemos echar para atrás.
26:30Ni ahora ni nunca.
26:32Porque eso...
26:34es el futuro para nuestros limoncitos.
26:40Guau.
26:41No lo pude haber dicho mejor.
26:43Por eso tienes que venir conmigo.
26:44Oh, I'm glad you're here.
26:56We'll be doing the talking.
26:58I mean, if you're ready.
27:01Whatever, I'm ready.
27:02So here goes.
27:04I would normally give you a big speech with lots of fancy words.
27:06But instead, I'm gonna shut up.
27:08And let Memo tell you about the kind of people we are at Las Colinas.
27:15Señor Vera.
27:17Here, we lift each other up when we're down.
27:24We stick to what we believe in.
27:30We work until we can't.
27:33And then we work some more.
27:35And no matter how tired or beaten down we are,
27:40we always bring joy to what we do.
27:44So you can hire whoever you want to work in this hotel.
27:49Just know they will never be us.
27:52And you will be reminded of that every day
27:55when you see us out there on the picket lines.
27:57Do you want me to say it again?
28:00Oh, no, no, no.
28:01Please, Harry, I lost years of my life listening to that.
28:06Well, you will get your demands.
28:11All of them.
28:13All of them.
28:15Oh, wow. Really?
28:16Can you throw in a 10% raise on top?
28:18Don't push it.
28:19We won't.
28:20I'm gonna go tell everyone.
28:25We won't!
28:26Not that I'm not extremely happy, but...
28:39What just happened?
28:41This.
28:44For the first time in 10 years,
28:46Las Colinas got knocked off the top spot
28:48on Leisure Magazine's best hotels in Acapulco.
28:51That's why I need you and your team back.
28:53Because you know this place better than I do.
28:54And turns out that Ixtapa's best happens to be Las Colinas' worst.
29:01They are rude, they are late,
29:04and they broke into my good tequila.
29:07This was a gift from Gene Wilder.
29:12I can't believe this.
29:15Alma del Mar is number one.
29:17Oh, sorry. Don't mind me just doing some late reading.
29:28You must have seen the list.
29:31Well, it's hard not to when it's a big, bold print.
29:37Alejandro, my offer still stands.
29:41Diane, no matter how bad it gets,
29:43even if we are the last hotel in the world on that list,
29:48I promise you,
29:50I will never sell this place back to you.
29:56Mi amor.
29:58The clouds have lifted.
30:00We can be together again.
30:04Though Diane was realizing that her dreams of owning the hotel
30:08were officially over,
30:09Sarah was beginning to realize that her dreams were more possible than ever.
30:17Because fighting for people wasn't just something she was good at.
30:23It was a passion.
30:26A flame.
30:28And it needed to be fanned.
30:31Orale.
30:35That was a really good ending.
30:37Nah.
30:38Nobody wants a pilot who can't land the plane.
30:41What?
30:46I think I know what I'm gonna paint for our mural.
30:49I just hope it makes you proud.
31:01Is that what this is about, Gustavo?
31:06Listen, I only gave you this job because I trust you.
31:09I mean, you, you married my daughter in secret, but you make her happy.
31:17And you were there for her all of those years that I wasn't.
31:21So, you don't need to impress me.
31:24You've already done that.
31:26In spades.
31:27In spades.
31:31Thank you, thank you, thank you.
31:33You're gonna love what I'm gonna do.
31:36It's gonna be amazing.
31:38You're gonna love it, Maximo.
31:40Gustavo!
31:42You're not gonna tell me what it is?
31:44Gustavo!
31:46Gustavo!
31:47It's fabulous.
31:49It's fantastic.
31:51It's dynamic.
31:53It's very explosive.
31:55It's economic.
31:57It's automatic.
31:59It's romantic.
32:00Very, very sexy.
32:02It's fabulous.
32:04It's fantastic.
32:06It's dynamic.
32:07It's very explosive.
32:09It's economic.
32:11It's automatic.
32:12It's romantic.
32:13Very, very sexy.
32:14Seaway, oh-oh, conoce el fabulosti.
32:17Oh-oh-oh.
32:20Seaway, sí, sí, te mueves mejor.
32:24Oh-oh-oh.
32:26Seaway, oh-oh, esto es fabulosti.
32:31Oh-oh-oh.
32:33Seaway, sí, sí, te mueves mejor.
32:37Oh-oh-oh.
32:44Seaway, sí, te mueves mejor.
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