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#Hell Motel
#Hell Motel
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Short filmTranscript
00:00I
00:30Sorry, can we cut?
00:44Can we cut?
00:46Cut!
00:47Hey.
00:49Hey, hey, Paige.
00:50Hey, you okay?
00:51You okay?
00:51Oh, man, I thought this might be too triggering.
00:53If you need time, you just say the word.
00:55No, no, no, no, I'm fine, really.
00:57You sure?
00:57Yeah.
00:58No, not right now, please.
01:00And what is it?
01:02Tell me anything?
01:04I guess I just don't fully understand why Caitlin is standing here waiting to die.
01:09Okay, okay, but she doesn't die.
01:12She doesn't die, right?
01:14Emma jumps out at the last second, distracting Baphomet and-
01:18Right, that's my point.
01:19Caitlin doesn't save herself here.
01:20Caitlin always saves herself.
01:22And after what I've been through, the last thing I would do in her situation is wait for
01:26someone else to save me.
01:27Someone get those writers on set to fix this mess?
01:34Of course, Caitlin should be saving herself.
01:37Duh.
01:38This is why you're the queen.
01:53What?
01:55It's a reboot.
01:57There's no rules.
01:58And you're not the star of it all.
02:00You sure about that?
02:01It's not going to be a problem.
02:03The line comes right here.
02:04No.
02:04Hey, and do me a favor, okay?
02:07On the next take, why don't you give me something to work with?
02:10Hold it.
02:13Like you could actually kill someone.
02:18Can't wait to do it again.
02:19Emma, stay back.
02:30Okay, then I can take him.
02:31And then he'll take you.
02:32I've danced this dance more times than I care to remember.
02:36Sorry, I...
02:37I'm not shitting on the writers.
02:39No, shit on them.
02:40They're garbage.
02:41Studio script at the bottom of the barrel.
02:43Okay, I've danced this dance.
02:46Who actually talks like that?
02:47Just, uh, corny white guys over 50, apparently.
02:51Exactly.
02:52So, can we simplify it?
02:54Yeah.
02:55Like, okay, what if she says,
02:59and then he'll take you.
03:01Trust me, Emma, I know what I'm doing.
03:02Mm-hmm.
03:03Right?
03:04Yeah.
03:04No, that's a million times better.
03:06Straight to the point.
03:07Right?
03:07Because, I mean, that's what it's actually like
03:09when your life is on the line.
03:11Sorry.
03:12If I'm being a diva expecting rewrites,
03:14I don't want to be proud.
03:16No, no, hey, not at all.
03:16No, no, we are so lucky to have you.
03:19No, I just...
03:23I wanted to respect your privacy,
03:26but we can actually make this mean something.
03:31Okay, because you have firsthand knowledge
03:33of what it's really like,
03:34that fear, that panic, that real-life hell.
03:37You can mind things.
03:39Every other slasher pretends to get.
03:41So now, I need to hear your thoughts.
03:47I'm sorry.
03:47I should not have asked you to go into that.
03:50No, no, no, it's not that.
03:51It's not...
03:51I've just never had a director
03:55make me feel like an equal before.
03:57And not just a pretty face and a pair of tits, you know?
04:02Well, that's a crime.
04:03I've always been a fan.
04:04I pitched you for the reboot from day one, okay?
04:08Wow, well, I guess all it took for them to say yes
04:11was for me to become a final girl for real.
04:12These just arrived for you, thank you.
04:16Thank you so much.
04:18These are beautiful.
04:20Yeah.
04:20Did you?
04:21No, I didn't.
04:24Saw the news.
04:25Break a leg, but not really.
04:27You've got enough scars already.
04:29Andy.
04:31Andy?
04:32From...
04:33Okay, Andy.
04:36Very sweet of him.
04:37Mm-hmm.
04:44So, you can trace a straight line
04:48from the comedies of Euripides
04:50right up to the slapstick
04:52of Chaplin, Keaton, and Arbuckle.
04:55But where is it now?
04:57It's changed genres.
04:59Action movies, for sure.
05:01I like this.
05:02Tell me how.
05:03Well, it's all violence, right?
05:05Like, comedians, just guys hitting each other.
05:08Yeah, and the silence, they...
05:10They crank it up.
05:11Chaplin stabbing people
05:13with, like, the nastiest pitchforks
05:15and following it up with one-liners
05:16like action heroes do.
05:19Good.
05:20Great lateral thinking.
05:21Then we get to horror.
05:24You're a cri de cour.
05:26But, like, the final girls
05:28say the same thing
05:29when they kill the mass killer
05:31or when the dickhead gets taken down.
05:32Yes, you've said this all before,
05:34but we are here to talk comedy.
05:37But, Professor,
05:38we are here for your horror of knowledge, sir.
05:43Well, I'm sure you could all transfer out
05:45if I'm not matching your expectations.
05:46You are an expert in horror
05:48and academia in real life.
05:50Why are you pretending like that's not true?
05:53What do you want, hmm?
05:55What do you mean?
05:55No, what do you want, hmm?
05:57You obsessive idiot.
05:59What, you want a goddamn autograph?
06:01What, you want some grisly tidbit
06:03to feed into your death fetish?
06:06Because humanity's saddest and worst instinct
06:09excites you?
06:10Is that what you want?
06:16Hey, that's mine.
06:19All right, get out, everyone.
06:21We're done for the day.
06:23I will be speaking to the head of English about this.
06:29Asshole.
06:30Hi, Andy.
06:55Come in.
06:57Or the hostess.
06:58Thank you so much.
07:01Can I take your coat?
07:03Uh, sure, thanks.
07:07Look, sorry, sending those flowers is weird.
07:09I know what you've reached out before now.
07:10Okay, sorry.
07:11Can I start, please?
07:14Yeah.
07:17I'm the asshole here.
07:19And you weren't weird at all.
07:21You are not an asshole.
07:23Sending those flowers was so thoughtful
07:25and I could say that I was just so busy with the movie
07:28that I forgot to say thank you, but I just...
07:31Okay.
07:32I mean, you just wanted to put it behind you.
07:34That might sound more believable if I wasn't playing Caitlin again.
07:37Hey, it's your job.
07:38There's no judgment.
07:39Well, maybe a little judgment.
07:42Maybe.
07:43It's fine.
07:44It's natural.
07:45We often make a living.
07:47Yeah.
07:47Anyways, um, we wrapped a few months ago
07:53and there's actually a screening tomorrow night.
07:55Oh.
07:56And instead of avoiding you,
07:59I thought not only do I want to say thank you for the flowers
08:03with dinner and reconnect,
08:05but I thought you probably saw that the premiere's coming up
08:08as part of the Spine Chiller Showcase.
08:10My algorithm's going to let me forget.
08:12Yeah, well, it's your part of the news cycle.
08:15Good luck escaping it.
08:16I thought maybe you want to come with me as my date.
08:24And look, I promise it's nothing crazy, okay?
08:26I swear, there's no red carpet.
08:28It's just a genre critic sneak peek at a small venue
08:31and I would really love you to see you with me.
08:33I think you'd really appreciate what the filmmaker's done here.
08:37I really do.
08:38I mean it.
08:39Yeah, he's taking a lot of my input
08:41and it's more than just your standard slasher flick.
08:46Can I, can I think on it?
08:50Yeah.
08:52You can even say no and I'd understand.
08:56Oh, shit.
08:57The stove.
08:58One sec.
09:00Uh, can I help?
09:04No, no, no.
09:04You know what, just open the wine.
09:06The glasses and the opener are on the credenza.
09:13Yeah, saddle's never been a word
09:15to describe the Doom Service merch.
09:17You could kill someone with this.
09:18And Caitlin did in Doom Service 3, peephole.
09:23I hope you like stir fry.
09:25It was supposed to be beef stew
09:26but I waited too long to start cooking
09:28and I didn't want to serve you shoe leather.
09:30Uh, you know, we could have ordered in.
09:32Still can if this is too much.
09:34No, you and I need something extra normal.
09:37And cooking really chills me out.
09:39Well, cheers.
09:40Cheers.
09:43You know, the way you spoke about Doom Service,
09:48I gotta say,
09:50I didn't expect all this.
09:53Those films were my life since I was a teen
09:55and now they are again.
09:57Which is, uh,
10:00I'll admit, a surprise.
10:02For me too.
10:05I said no
10:06and then I said no again
10:07and the third time I said no
10:09they promised me
10:10I'd be a part of the entire new trilogy.
10:13An offer you couldn't refuse.
10:15Yeah.
10:17I want to act
10:18and if they're going to give me a say
10:20in the kind of stories we tell
10:21then maybe I just need to embrace it.
10:24Right?
10:24Don't worry, okay?
10:32What would I have to worry about?
10:34After what we went through?
10:36Ah, well,
10:37you and shovels,
10:39maybe.
10:40And bathtubs.
10:41Don't forget bathtubs.
10:44Oh, how could I forget?
10:51So, how about you?
10:52How have the past few months been?
10:54And again,
10:55I'm sorry that I didn't check in, okay?
10:57Stop apologizing.
10:58Seriously.
10:59If there's a correct way
11:01to maintain a friendship
11:02forged in the crucible of mass murder,
11:05I don't know it.
11:06Crucible of mass murder.
11:08There's that brain of yours.
11:09Tell me they've given you full tenure.
11:12Oh, well,
11:12I would need a PhD for that.
11:14But you specialize in true crime entertainment
11:16or however you put it
11:18and you're the survivor
11:19of the most infamous killings sprees
11:21since the Manson murders.
11:22That should at least qualify you
11:24for an honorary PhD
11:26or at the very least
11:27a humongous raise, right?
11:30Well, life after Cold River
11:32has not been as lucrative for me
11:33as it has for you.
11:36So I was not trying to shame you with that.
11:39I'm glad you're doing well.
11:41We both deserve some kind of happiness
11:43after all that.
11:44It's just...
11:46What?
11:49You can tell me anything.
11:52Hey, if there's anyone
11:53who's going to get you or me,
11:54it's us.
11:58Sometimes I feel like I'm still there.
12:02Like something's unresolved.
12:06Do you ever feel like that?
12:07No.
12:10Just like...
12:12What if we miss something?
12:14Like...
12:15I don't know.
12:16Floyd and Shirley?
12:17How do we know for sure it was them?
12:19Because they killed everyone
12:20in that exact same spot 30 years ago.
12:22Yes, 30 years ago.
12:24When they were younger
12:25and stronger
12:25and...
12:27Kawaiian.
12:28He was a big guy.
12:30He could take care of himself.
12:32You honestly believe
12:33that Floyd got the better of him?
12:34Well, maybe it wasn't Floyd.
12:35With Shirley?
12:37That's even more unlikely.
12:39Not if he didn't see it coming
12:41and he wouldn't have.
12:42Shirley pretended to be so nice.
12:44She got so close to me
12:45and one stab in the neck
12:46is all it would have taken.
12:49Hey, listen.
12:51If we had missed anything,
12:52the police would have found it by now.
12:55Unless they weren't looking.
12:57And why would they?
12:58Floyd and Shirley,
12:59they tick all the boxes.
13:01It's easy.
13:01It shuts it down.
13:03They tick all the boxes
13:04because they're guilty.
13:05Not you,
13:06not me,
13:07not some stranger in the woods.
13:09Them.
13:12Okay.
13:13You know what?
13:13Let's go through all the murders.
13:15Okay?
13:17Hemingway.
13:18They could have easily been the ones
13:20to boil him to death in the sauna.
13:21Are you sure?
13:22I mean, they'd just arrived.
13:23Yeah, but they'd already been there
13:24an hour by then
13:25and they knew the hotel's layout.
13:28Portia and Crow,
13:29anyone could have killed them.
13:31Floyd,
13:31he took part in killing Ruby
13:33and he loved it.
13:35Kawhi and I still think
13:36it was Shirley
13:36the way she was sucking up to him.
13:38And Adriana,
13:39we were all in our separate rooms
13:40when she died
13:40so they could have snuck out
13:42unnoticed easily.
13:44And when Blake was killed,
13:45same thing.
13:46Not to mention,
13:47I found Floyd and Shirley
13:48the next morning
13:49surrounded by the poor guy's remains
13:50and the cherry on top.
13:51They tried to frame you.
13:52Well, they did a pretty good job of that.
13:55Andy,
13:56listen,
13:57what you're feeling
13:58is not doubt,
14:00it's trauma.
14:03We lived in a fearful state
14:04for days,
14:05trapped,
14:06while we watched people die
14:07horrible deaths.
14:09You seem fine.
14:11Don't believe it.
14:13I've been keeping busy
14:14and the movie will keep me busy
14:16until we're out in theaters.
14:18And then maybe I'll fall apart after that.
14:20Or maybe I won't,
14:21ever.
14:22Who knows?
14:22I do feel a strange victory
14:26over those two, though.
14:29And if the killer had gotten away...
14:31That's my worry.
14:32Always.
14:33Then I would be looking
14:34out the window all the time.
14:35But we did it, Andy.
14:37We put those two assholes
14:39in the ground.
14:40So please,
14:41please try and be happy, okay?
14:43Try and be happy
14:44about everything we have
14:45that we feared we'd lose.
14:47We owe that
14:48to the rest of them.
14:50Right?
14:50Right.
14:54Yeah.
14:55You're right.
15:03Something's still bothering you.
15:05Hey, there's no secrets
15:07between us.
15:08You kept me sane
15:10and you didn't have to,
15:11so please let me help you.
15:13I just want to preface this by saying
15:19I know people do things
15:23that don't make sense.
15:24Yeah, obviously.
15:25I mean, I almost took a bath
15:26with a crazy lady I didn't know,
15:28so...
15:29Come on.
15:30What's the question?
15:31Okay, fine.
15:35Okay.
15:36The drop-down ceiling in your room.
15:38After Floyd and Shirley,
15:39before the police arrived,
15:42I saw a stain.
15:44It was a bloodstain.
15:47And?
15:48I looked behind
15:51the ceiling tile
15:51and I...
15:52I found a heart.
15:58What?
16:00Portia's.
16:01I guess.
16:02Like you'd hidden it
16:03as some sort of trophy
16:04or something.
16:06I have no idea
16:06what you're talking about.
16:08I saw it with my own eyes, Paige.
16:11Okay, so denying it,
16:12you can't,
16:13because I know
16:14what I saw.
16:15Well, I know
16:15what I didn't hide
16:16in my goddamn ceiling, Indy.
16:18Come on.
16:20I mean,
16:20could Adriana have done it?
16:22Maybe.
16:23Or Crow
16:24is some kind of, like,
16:25wacky magic thing?
16:26But me?
16:27Then why was it there?
16:28And how did it get there?
16:30I didn't put it there.
16:31Portia definitely didn't.
16:32But Floyd and Shirley,
16:33maybe it was
16:34some kind of ritual thing
16:35or...
16:36Or maybe the same way
16:38that they hid
16:39that book in your room.
16:41They hid Portia's heart and mine
16:43so that they could frame me
16:45if framing you
16:46didn't pan out.
16:57Of course.
16:58Yeah.
17:01Framing me
17:01actually makes a lot of sense.
17:02Yeah.
17:03God, I'm so...
17:04You're right.
17:05I'm so sorry.
17:06So you thought
17:06I was collecting body parts
17:08like a serial killer
17:09and you still came
17:10to meet me for dinner?
17:11Honestly,
17:11I didn't know what to think.
17:12Why?
17:13Why didn't you go
17:13to the police with this?
17:14I couldn't.
17:14Why if you thought
17:16I was some sick psychopath?
17:17Because...
17:18Why?
17:18I knew I had to protect you.
17:29Even if I put it there,
17:32you wouldn't know
17:33I was the real killer.
17:37Even then.
17:38Mom.
17:50Mom.
17:54Mom?
17:56Nina.
17:56Mom?
17:56Mom?
17:59Mom?
17:59Mom?
17:59Mom?
18:04Mom?
18:35ride up. The hearse?
18:38Yeah, it's hard to forget.
18:41So ridiculously over the top.
18:47Arriving at that stupid motel, I hated it.
18:52I hated myself, I hated how I caved for the money.
18:56Yeah, how much did I pay you?
18:58Not enough. I needed it, trust me.
19:01Everyone else was just so weird and pleasant and self-involved.
19:10And opportunistic.
19:11And we weren't.
19:13And we were different.
19:15I was there for research, and despite your payday,
19:20you seemed to be there to atone for your part in things.
19:23That's a way of putting it, I guess, maybe.
19:27It ended up that way in the end.
19:29Maybe that's why we survived.
19:32Because we didn't deserve to be killed.
19:37There's no moral code.
19:39We survived because we worked together and we beat those psychos.
19:45If they killed you, I don't know what I'd do.
19:47Well, you wouldn't be doing this, that's for sure.
19:49True.
19:52What's that they say about the connection between death and sex?
19:55No, this is different.
19:57I'm glad I found you.
19:59Glad I found you too.
20:01So, tonight, you never gave me an answer.
20:12I mean, I'm kind of a completionist, and I have seen all the other movies.
20:18Yay!
20:20Now, okay, you get freaked out.
20:22All you have to remember is that the blood is just food coloring and corn syrup,
20:26and all the knives are made out of rubber paint.
20:28Can you tell me what I'm in store for, at least, thought-wise?
20:32I mean, they're going to incorporate Floyd and Shirley, right?
20:36And if you're still alive, let me guess.
20:40After being murdered in the last movie, Caitlin is brought back by some kind of spell.
20:47And so now she has her own supernatural powers, the perfect match against Baphomet.
20:53And since it's a trilogy, it appears like she vanquishes Baphomet, except right at the end,
21:01he lurches on.
21:02Alive again.
21:04I'm close, right?
21:06No, not human.
21:08Are you sure you want me to spoil it?
21:09Yes.
21:10Okay.
21:11So, first off, only Doom Service 1 and 2 are considered canon now.
21:14Everything after them never happened, so this is really more like a new DS3,
21:18and Caitlin is just still alive.
21:22I hate that.
21:23No, that's such a disservice to the franchise.
21:25So there's the guy crapping all over them.
21:27No, I only took issue with the real-life aspects.
21:30They distorted it.
21:31The movies themselves are actually kind of fun.
21:34Okay.
21:35Can I get that on record?
21:36I don't know.
21:37They're supposed to be fun.
21:39But I guess all those endless sequels weren't exactly cinematic gems.
21:43No.
21:44But they have new charms.
21:45So this must take place years later then.
21:48Yeah.
21:49And since it's a reboot and not just a sequel, and this is what really sold me,
21:53we discovered that Caitlin actually has a daughter.
21:57Someone young and hot to draw on all the fanboys.
22:00Real Caitlin didn't have a daughter.
22:02No, but everyone loves a final girl, and now they have two.
22:06And if that wasn't enough, we'd discover that Baphomet is actually Caitlin's first husband.
22:11She really broke his heart when she left him for that Joey dude.
22:13Okay, but the ex-husband in real life was cleared.
22:17I mean, not after being hounded into an early grave.
22:19Well, this ain't real life, and in our movie, he is alive and back for revenge.
22:24I really have to hand it to the team.
22:26Clutches at the heart strings.
22:28No, clutches at the purse strings.
22:30I can't believe they're mining a horrible tragedy all over again.
22:33Andy, just watch it tonight, okay?
22:37See what you think.
22:38Because if it does well, critically and at the box office,
22:42this could mean an entirely revived career for me.
22:45I could get some amazing parts and put Caitlin behind me,
22:48and everything that we went through would have almost been worth it.
22:56Why don't we grab some sleep, okay?
22:58It's gonna be a long night.
23:00From Nick and Sam and Shudder to David at Hollywood Suite,
23:16we all knew the only way we could make the new doomed service slay
23:21was if we stuck to the OG history of the crazy murders
23:25that made these movies what they are.
23:29And that is the bloodiest, raunchiest horror sleaze flicks around.
23:35Yes!
23:44So, if you really want that gross-out gore, that crazy violence,
23:49and that yummy tingle down there, I know you do.
23:53Then you gotta cast someone who can run in a G-string and heels
23:56and strut blood like a second skin.
23:59Yeah, I'm talking about a gal who is always too hot to die,
24:04the number one sleaze queen in the world,
24:07Paige Harper.
24:09I'm like, thank you.
24:13I love you!
24:15Thank you guys so much for being here.
24:19Thank you, Aaron.
24:20Yeah.
24:21I'm really glad my mom's not here to hear me describe like that.
24:26I know you all know that I had to take a little break,
24:29a chance to sit a doomed service out.
24:31There was only so much blood this gal could have gushed on her.
24:34But after I lived through the real Cold River Massacre,
24:41I realized something.
24:43I am Katelyn.
24:46No, no. I'm better.
24:48Because this mama didn't die.
24:50And armed with that experience,
24:52I knew deep down in my blood-soaked heart
24:54that I had to come back to my doomed service family
24:57and kick some Baphomet butt
24:59because Katelyn is...
25:01Say it with me now, please.
25:03Katelyn is...
25:04Do what to die!
25:06Do what to die!
25:11One more thing.
25:13I think you deserve to hear from me here first.
25:16Not only is Katelyn back,
25:18you get to have her for three horny blood-soaked movies.
25:24Yes.
25:26Yeah.
25:27We are indeed.
25:28We are indeed doing a trilogy.
25:30Yes.
25:31But what none of you know is that Katelyn had a daughter.
25:37Mm-hmm.
25:38We are going to surprise you during the screening,
25:40but the cat's out of the bag.
25:42So, let's welcome to the stage,
25:44Paula Lynn!
25:45I present you our next leading lady,
25:59Katelyn's long-lost daughter, Emma!
26:03Emma!
26:04Emma!
26:05Emma!
26:20Oh, my.
26:22I have to say,
26:23being drenched in your love is almost as good as being drenched in blood.
26:28Oh, my God!
26:43Oh, he's coming!
26:44He's coming this way!
26:47keys
26:51Don't go down there!
27:05Fight me, Baphomet!
27:11That's right, I'm back!
27:15And I hate to break it to you, but you're not too hot to die!
27:21You know, for an arch-demon in the underworld, you sure are dumb.
27:27Cause I want my soul machete back.
27:30And she's corny for demon gods!
27:51No!
27:52No!
27:55No!
27:56That was not what we shot! They told me I'd be in all three, but they chopped my goddamn head off using a body double!
28:02And they didn't even have the guts to call me in for a reshoot, which tells you how shifty it all is, right?
28:08Look, I know it doesn't feel like it, but you wanted to put Kayla behind you!
28:12On my terms, Andy, mine!
28:13What the hell was that?
28:14What the hell was that?
28:15Do you know how humiliating that was to have my part reduced to a tiny bit like that?
28:18You lied to me!
28:19No, I did not lie!
28:20No, I did not lie!
28:21No, I did not lie!
28:22Yes, you did!
28:23No, I did not lie!
28:24Yes, you did lie!
28:25And you promised me!
28:26I promised you I would do all I could!
28:27We all did, okay?
28:28But when we tested the movie, Paula Lind was just, she was, she's off the charts!
28:32I had that audience eating out of the palm of my hands!
28:33Yes, and you're gonna bring them back, okay?
28:34But she's gonna make them stay!
28:35She's...
28:36She's...
28:37She's...
28:38She's...
28:39I...
28:40That's the way we're gonna do it!
28:41What the hell was that?
28:42Do you know how humiliating that was to have my part reduced to a tiny bit like that?
28:44You lied to me!
28:45No, I did not lie!
28:46No, I did not lie!
28:47No, I did not lie!
28:48Yes, you did lie!
28:49And you promised me!
28:50Yes, you did lie!
28:51And you promised me!
28:52back okay but she's gonna make them stay she's she's a star i'm sorry
29:08well you will be all of you because you're going to be getting calls from my agents
29:13and my lawyers okay no
29:16yeah you you do whatever you have to do
29:25oh wow andy uh it is such an honor get the out of my face
29:32asshole
29:44let's get out of here do what go where go go go back to my apartment and stare at a phone
29:48that's ever gonna be good for this garbage no i'm not i'm not andy just like you're not too good for
29:54your college then who am i i'm not a god damn final girl
30:09i promise you mama baphomet may have gotten away but i will avenge your death
30:27you okay
30:40might as well see what stupid thing they do to my severed head
30:46we may have just found you but now i'll never forget
30:50we may have just found you but now i'll never forget
30:55no one will
31:03no one will
31:07no one will
31:09no one will
31:13no one will
31:17no one will
31:19no one will
31:22got you
31:25that's the real caitlin
31:28did they put her in the movie
31:30i don't know
31:33i just can't believe this is my life
31:38you and i'm sad
31:42the video you mean that i'm so happy i might break
31:46the most beautiful woman in the world
31:50you are a flatter
31:53these are cold hard facts people
31:56those are the real photos
32:07these photos i mean maybe this crime scene photographer is a wizard he's an artist can you believe this
32:16let's play
32:20that's adriana jesus
32:22what the hell is going on
32:24that bastard
32:25where is
32:34where is he he needs to turn the
32:36shit off
32:39hey where is the projection
32:41did you take our crime scene photos and put them in the movie i don't want that crap in the movie do you know where the booth is
32:45shouldn't it be over there
32:48i'm gonna go look for the lights
33:03hey open the door
33:04get that out of my eyes
33:18oh
33:30oh
33:34What I like about murder art is
33:39It's that
33:40Staring at a car crash impulse
33:43And let's admit
33:45There's a killer in all of us
33:47Right?
33:59Wait
34:00Ow
34:01Ow
34:06Ow
34:07Oh
34:07Ow
34:10Ow
34:12Oh
34:14Oh, my God.
34:44You were back there.
34:53Back there, alone with Aaron.
34:55And so were you.
34:55Stay back. Stay back.
34:58Paige, I didn't do this.
35:00Then who did?
35:01This was your plan all along, wasn't it?
35:03Get us up there. Cut us off.
35:05Pick us off one by one.
35:07So I could go to jail for the rest of my life?
35:08No, because them Floyd and Shirley showed up.
35:10Which I had nothing to do with.
35:12And you got them to take the blame for you.
35:14Even asking me about that heart in my ceiling.
35:16Just to throw me off your scent.
35:19You're the scent.
35:21You killed everyone to make yourself relevant again.
35:23But then you found out you got killed off.
35:26Well, you didn't like that, so your true colors came out.
35:30I'm not a murderer.
35:31No, you're an actor.
35:34What are you doing?
35:35I'm making sure he's okay.
35:37You sliced him with a machete.
35:38Of course he's not okay!
35:44What are you trying to prove?
35:49With those bits you added at the end, huh?
35:53How could I pull that off?
35:56Well, you interviewed everyone involved with the movies.
35:58Maybe he rebels with the editor?
36:04Is he dead too?
36:06I'm not going to let you turn me into one of your cover stories.
36:09I read everything you've written on these movies and the murders.
36:15You know, because I was interested in getting to know the guy who saved my life.
36:21They were pretty damn obsessive, Andy.
36:24From the woman who lives and breathes the only character she's ever played?
36:28Was so much so that she goes on some method slaughter fest?
36:31Any actor worth their salt can sense how their scene partner's doing.
36:39And you...
36:40You held your breath every time Caitlyn was on screen.
36:44Every time.
36:46Because I'd never seen those videos before.
36:49Bullshit.
36:51They're from your sick little personal collection, aren't they?
36:58You in love with her?
37:00No.
37:00No?
37:01If you didn't show up with your wine and talk a good game just so you could fuck the fake Caitlyn?
37:05Shut your dirty goddamn mouth!
37:08Ball's honey.
37:10The real Caitlyn was nothing like you.
37:17You turned her into a bloody softcore wet t-shirt joke.
37:22She was a special woman and it was obvious from those videos.
37:27They were a private glimpse into a woman you've disrespected.
37:30And for you to make that some cheap and sexual thing.
37:34Oh my god.
37:36Oh my god.
37:36Oh my god.
37:41You weren't in love with her.
37:45I did.
37:47I did love her.
37:49She was your mother.
37:54Mom.
37:55That's why you killed everyone.
38:05You killed everyone.
38:06No, I didn't.
38:07No, I didn't.
38:07No, I didn't.
38:07No, I didn't.
38:07Same way you drowned Shirley.
38:11Chopped Floyd's head off with a goddamn shovel.
38:15It was you.
38:17Just like you would do to anyone that didn't worship you.
38:22You!
38:34Oh my god.
38:35Eddie!
38:35I'm sorry!
38:35I'm sorry.
38:37I'm sorry.
38:38I'm sorry.
38:50I'm sorry. I'm sorry. I'm sorry. I'm so sorry. I'm sorry. I'm so sorry.
38:55You gave me no choice.
39:00You must have hated me. You must have hated me for playing her.
39:04I hated that. Everyone thought she was shit.
39:08I know.
39:10But then you...
39:13You...
39:14Then you changed...
39:17My mind about you.
39:23I'm sorry. I'm so sorry.
39:26I never considered how much those movies better than everyone in either room came in.
39:30I'm so sorry for my part. I'm so sorry.
39:33Please, please, please.
39:35Everyone, freeze! Now!
39:37Please, you have to believe me. You have to believe me.
39:40You have to believe me. Please forgive me.
39:42Don't move!
39:43Let me see your hands!
39:44Hands!
39:45Help me!
39:47Andy!
39:48She's trying to kill me!
39:50Andy, no!
39:51She killed him!
39:52And everyone at the Cold River Motel!
39:54Jesus, Andy, tell them the truth!
39:58Drop it!
39:59Cut the knife!
40:01WOODON GASPS
40:18Is that worth it?
40:22Final girl...
40:25I know, girl.
40:33See you in hell.
40:55Hey, Katie. We're so glad to have you audition for Doom Service Hell Motel. Have a seat. We'll do a couple of takes.
41:17Okay. Rolling, rolling. Standby.
41:21And action.
41:25I think a slower turn is good. And Carter, can we punch in a little bit more?
41:33100%.
41:34Close. Real close. That's it. Thank you.
41:38See you in hell.
41:41Can we do one more? I'd love to have the eyes that are just dead.
41:45Okay.
41:46Yeah, just take your turn. I love it. Action.
41:55See you in hell.
42:12And scene. That's it. Great work, Katie.
42:14You think so? Yeah.
42:16I hope so. I would literally go for this part.
42:46Go ins.
42:48Go ins.
42:49Okay.
42:50Go ins.
42:54Go ins.
42:55Go ins.
42:571.
42:59Go ins.
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