- yesterday
Full Episode Of Designed For Desire
Category
🎥
Short filmTranscript
00:00I'm Cecilia, just your average coffee delivery girl trying to make ends meet.
00:07Little did I know, I'm about to land my dream job and meet the love of my life.
00:17Okay.
00:24This is insane.
00:26Hi, did anyone order these?
00:31Artless Barber!
00:32Whoa!
00:35You've got to be kidding me! Look, you've got it all over me!
00:39Do you have any idea how much this costs? And if they can't get it out-
00:42That's enough!
00:47You.
00:51In my office. Now.
00:53What?
00:56What's your name?
01:05Uh...
01:09Cecilia Brooks?
01:10Ms. Brooks, is there a reason why you came here to interview us a designer, dressed like this?
01:15Oh, I think you have the wrong idea, Mr. Mercer. I'm not here for-
01:22I don't want to hear excuses.
01:31Change into this.
01:32Excuse me?
01:33You'll learn things are very fast-paced here.
01:45I don't have time to ask twice.
01:57I don't have time to ask twice.
01:58I don't have time to ask twice.
02:03I don't have time to ask twice.
02:27Hello, this is Cecilia.
02:29Miss Brooks, we need $200,000 to move forward with your grandfather's surgery.
02:33Until then, we cannot proceed.
02:35Okay, one second.
02:37Hello? Miss Brooks?
02:40Shit.
02:45Who is this woman? His girlfriend or something?
02:47I wasn't done with my interview.
02:50We'll touch base soon, okay?
02:55Oh! Good luck.
02:59I thought you weren't interested.
03:02Take off your clothes. Right now.
03:05So, Miss Brooks, what do you see in this room?
03:09So, Miss Brooks, what do you see in this room?
03:25Well, it's deliberate, controlled, powerful. It's impressive, but...
03:35But?
03:36It's not satisfying.
03:40Bold again.
03:42Bold again.
03:46Tell me, how do you know it's satisfying?
03:48Satisfaction lies somewhere in between.
03:52You think you can give me that?
03:54Think you can take the risk and find out?
03:57All yours.
04:09Hey.
04:13The women out there would do anything to be in the position you're in.
04:16Unless you have other ideas.
04:25Don't make me regret this risk.
04:27I don't plan to.
04:31The position's been filled.
04:32Go home.
04:35Get out!
04:36Damn.
04:37It doesn't have to be so rude.
04:38Pappy, your phone's upside down.
04:53Hi. How are you feeling?
04:54Hey, jubilation?
04:55Not doing too well, honey.
04:56Damn hospital postponed my surgery again.
04:57I'm so sorry, Pappy.
04:58I'm working things out with the hospital.
04:59I have some good news today, though.
05:00I'm sorry.
05:01Uh, I think that's my landlord.
05:02We have to go.
05:03Love you.
05:04Bye-bye.
05:05Oh.
05:06What the hell is he doing here?
05:07Oh.
05:08What the hell is he doing here?
05:09Oh.
05:10What the hell is he doing here?
05:11Oh.
05:12I'm sorry.
05:13Uh, I think that's my landlord.
05:14We have to go.
05:15Love you.
05:16Bye-bye.
05:18Oh.
05:19What the hell is he doing here?
05:22What are you doing here?
05:25Oh.
05:26What the hell?
05:27Hey.
05:28Whoa, whoa, whoa.
05:29Guys, whoa.
05:30Hey, don't take that.
05:32I did not agree to this.
05:37Actually, you did.
05:39The signing must reside on Mr. Mercer.
05:43I can't quite hear you.
05:45Must reside with Mr. Mercer for the duration of the project?
05:50Mm.
05:51How long?
05:52Keep reading.
05:53And definitely without exception?
05:57A gift.
06:03What the fuck?
06:05A gift in exchange for being kidnapped?
06:09No thanks.
06:10I need to know where you're at at all times.
06:17It's a tracker.
06:18What?
06:19Like a dog collar?
06:21Do you think you own me now?
06:23Uh-uh.
06:24I wouldn't do that.
06:25Come on.
06:26Let's go.
06:27This is insane.
06:28Just give me a second to put Crumpet in his carrier and call my grandfather.
06:31No.
06:32There are no animals in the mansion.
06:34You must say goodbye to your little crumpet.
06:37What?
06:38Absolutely not.
06:39I told you in the contract that I will take care of everything.
06:44I don't care about the contract.
06:46What?
06:47Oh, my God!
06:48Goodbyes are always so hard.
06:49Put me down!
06:50What are you doing?
06:55Welcome back, Miss Brooks.
06:57So, I'm not allowed to leave?
06:59If you leave, your contract will be terminated immediately.
07:02And what?
07:03You're just going to leave me all alone in here?
07:05Would you like me to join you?
07:17No, no, no, no.
07:18Why is it making that sound?
07:20Damn, if I leave, Pappy dies.
07:22Shit.
07:23I'm trapped with this monster.
07:25Oh, my God.
07:26Is this really happening?
07:27I'm stuck.
07:28This is your uniform.
07:41Work hours have started already.
07:43Tidy yourself up.
07:45Report to Mr. Mercer.
07:48Oh, and, uh, chop chop, Miss Brooks.
07:52Mr. Mercer does not like to be kept waiting.
07:56No, I, um, just didn't want to disturb you.
08:00No, I, um, just didn't want to disturb you.
08:01I don't mind if you stare.
08:02Sorry, Sarah.
08:03I was just interested in your build.
08:05No, I, um, just didn't want to disturb you.
08:07No, I, um, just didn't want to disturb you.
08:08I don't mind if you stare.
08:09Sorry, Sarah.
08:10I was just interested in your build.
08:11The building, the building, the build of the mansion that we're building to work on today.
08:12What time were we leaving for?
08:13What time were we leaving for?
08:14The car leaves in 10 minutes.
08:15No, I, um, just didn't want to disturb you.
08:16No, I, um, just didn't want to disturb you.
08:18I don't mind if you stare.
08:19Sorry, Sarah.
08:20I was just interested in your build.
08:21The building, the build of the mansion that we're building to work on today.
08:23What time were we leaving for?
08:24The car leaves in 10 minutes.
08:25Great.
08:26I'll be ready.
08:27All right.
08:28I'll be ready.
08:29How much further?
08:30How much further?
08:31I did.
08:32I was just interested in your build.
08:34I was just interested in your build.
08:35I was just interested in your build.
08:36The building, the build of the mansion that we're building to work on today.
08:40What time were we leaving for?
08:41The car leaves in 10 minutes.
08:42Right.
08:43I'll be ready.
08:45I'll be ready.
08:48Pull up slow, bass slow, she know, eyes locked in the rear view, glow, leather hot, she sliding
08:54close, talk, sleep, but her body froze, go grill, smile.
08:56How much further?
08:59Patience, Miss Brooks.
09:10Oh, my God.
09:17Hey, Foxy! I got something that'll keep that jaw clenched.
09:21Wow. Original.
09:22Mr. Mercer! We didn't know you was coming in today.
09:25Get off my property.
09:26What?
09:27You're fired. Leave.
09:29Oh, what the hell?
09:30I worked on the last nine Mercer mansions, and now I'm fired because of this bitch?
09:36If I collapse your loan...
09:38Wait, did he just stand up for me?
09:41Sir, how about you?
09:43Continue your work with Miss Brooks, and I'll handle this.
09:48Come on.
09:51Everything's nearly finished.
09:52I'm gonna have a team come in and make some final measurements over here.
09:56And I'll ensure they know how to keep their mouth shut.
09:59Uh, is this all marble?
10:06Seeing her in my house gives me a strange feeling.
10:08Wow.
10:09It's so beautiful.
10:11What is it about her? Why do I want to...
10:13Follow me.
10:20Wow, an elevator?
10:22By the way, what you did out there, thank you.
10:25I'd dismiss you just as fast if I wasn't pleased with your work, Miss Brooks.
10:28Remember that.
10:31Your first task for the client.
10:34I don't know anything about the client.
10:36Who is...
10:38We don't ask about the client.
10:40We only worry about what they desire.
10:42Okay.
10:43Am I allowed to know what the purpose of this room is?
10:46Yes.
10:47Great.
10:48The client would like this room transformed into their BDSM chambers.
11:02I hope she doesn't see right through me.
11:04So, how would you do it?
11:09Uh...
11:11Um...
11:12Paint me a picture.
11:14Right.
11:16Uh, over here I would put a chaise lounge.
11:22Velvet.
11:23Obviously.
11:24Obviously.
11:25And over here would be a great place to mount a swing.
11:27One with adjustable heights and handles.
11:30And next to it we could put a cabinet for whips and toys and things.
11:36You're very well versed.
11:38I read a lot.
11:40Certain genres of certain books have certain details.
11:45Right, right.
11:46Of course.
11:48Yeah, it's perfectly normal.
11:49A lot of women read fantasy and romance and fantasy romance.
11:54Anyway, uh...
11:57This would be a great place to...
11:59Mount...
12:00Walk us.
12:03I'm drowning in the heat
12:09Afraid of what I need
12:15Your touch is like a flame
12:19But I can't turn your way
12:20Don't pick up.
12:21Hello?
12:22Miss Brooks, I'm sorry.
12:23We need the payment.
12:24Uh, I understand.
12:25Is there anything I could do now to hold him there?
12:26Anything that could be done right now?
12:27We need your payment, Miss Brooks.
12:28By tomorrow morning.
12:29All $200,000.
12:31Okay, I'll get it to you, I promise.
12:33Sorry.
12:34Your contract explicitly states that I received 100% of your attention at work.
12:40Who was that?
12:42It's personal.
12:43There are no personal calls at work.
12:45I'm sorry.
12:46Sorry.
12:48Your contract explicitly states that I receive 100% of your attention at work.
12:55Who was that?
12:57It's personal.
12:59There are no personal calls at work.
13:02I'm sorry.
13:09Mr. Mercer, it won't happen again.
13:12I'll get to work right away. I'll have designs to you by tomorrow morning.
13:16Take it off.
13:20What?
13:24Your jacket.
13:26Mr. Mercer.
13:30I won't ask twice.
13:39What's this for?
13:46It's perfect.
13:48Now go get dressed.
13:48No need to pout in this, Brooks.
14:11You'll be reading some of the top designers.
14:13I don't understand. How does this take priority over work?
14:17Am I your date or your designer?
14:19You are.
14:22When I say you are.
14:24Ladies and gentlemen, it is my pleasure to welcome you all to the annual architectural ball, proudly hosted by the Mercer Group.
14:45I'd also like to welcome and introduce our newest interior designer, Ms. Cecilia Brooks.
15:00I thought you said you had the job.
15:02I did everything that I could.
15:04Mitch must have slept with him in the interview.
15:06Fine.
15:08I'll fix it myself.
15:13So without further ado, please enjoy your drinks and have a wonderful night.
15:17Let me have this dance.
15:26Oh, okay.
15:30Sterling.
15:32I was hoping that maybe we could walk and talk.
15:37Or maybe dance and discuss.
15:40You must be working so hard.
15:42I was thinking maybe you would benefit from a designer who really knows you.
15:50Your past.
15:52I'm not interested in rehashing our relationships, no.
15:56It was just a flight.
15:57It doesn't mean we can't be close.
16:01Sterling could be a difficult person to work for.
16:04You know you can come to me if you need anything.
16:16Get your hands off of her.
16:20What the hell are you doing here, Vincent?
16:25Folks, looks like the jester came to play.
16:31Get him out of here.
16:34It's all right, folks.
16:38Enjoy the party.
16:38It's okay.
16:40Yeah, you're okay.
16:42Why don't you go grab a drink?
16:43I'm going to take care of this.
16:52Crazy night, huh?
16:54Too crazy.
16:55I'm Nora.
16:56A close friend of Sterling's.
16:58So, tell me.
17:00How's the new position treating you?
17:01It's demanding.
17:05I'm the client.
17:07What's your feel on them?
17:08Oh, I'm not at liberty to discuss that.
17:10Come on, it must be crazy, right?
17:13I really can't.
17:19Oh, how embarrassing.
17:25What are you doing in here?
17:26Cecilia, I'm sorry.
17:27I'm so done with their whole world.
17:32Yeah, the head of the board was barking my ear off.
17:36Stop it.
17:37What?
17:38I'm just trying to help.
17:39Help?
17:40Really?
17:41That's rich.
17:42I mean, I am rich.
17:45You.
17:46You are a lot of things.
17:48From the moment I met you, you've controlled every aspect of my life.
17:50Every movement I make.
17:52You're obsessive, cryptic, a perfectionist.
17:56But you're not rich.
17:58Not where it counts.
18:18Feel excuse me.
18:19I have work to do.
18:22This hand.
18:37What if?
18:39Maybe cuffs?
18:42What if we hang something around here?
18:43Is that me?
19:02Did I say you could come in here?
19:04Uh, you'll be happy to know that I worked on these all night.
19:13Maybe if you stayed at the gala, you would have learned something.
19:20Learned what?
19:21You follow through with your obligations so you wouldn't waste your time working on garbage.
19:25Garbage?
19:27I'll need five more by tomorrow morning.
19:29That will take me all night.
19:30Even making those two took me all night and I barely got them done in time.
19:34You've done it once before.
19:36You can do it again.
19:37Don't you think maybe, just maybe, that's an unreasonable amount of time?
19:42Maybe. I don't care.
19:44Wait.
19:46I should have remembered.
19:47It's not in the contract.
19:58Oh my god.
20:04Excuse me, miss.
20:05Where's my grandfather?
20:07I'm sorry.
20:08Usually if they're not in the room, it's because the insurance ran out or...
20:12Miss Brooks?
20:25Yes?
20:26I just wanted to inform you that your grandfather just received his first round of stem cell treatment.
20:31He's being very well taken care of.
20:33I don't understand.
20:33How is that possible?
20:35I can't afford that.
20:36I told you.
20:39I'll take care of everything.
20:40What?
20:42I can't believe this.
20:50Oh, but...
20:51But why?
20:53Why would you do that?
20:54Well, when I said I needed your undivided attention,
20:57I meant it.
20:58Now the only thing you have to worry about is me.
21:05I'm not your slave.
21:11Five designs.
21:12By tomorrow morning.
21:19You're welcome.
21:20I've been expecting you.
21:28I have a feeling I'll be impressed.
21:30Brushed work is not work to be proud of.
21:37Is this you?
21:39And my parents.
21:39They must be so proud of you.
21:41They never got to see it.
21:42I inherited this company before I was old enough to run it.
21:45I'm so sorry.
21:47It was a long time ago.
21:48What happened?
21:49They vanished.
21:50On a work trip into Europe.
21:52Guess I don't control everything after all.
21:54I'm going to deliver these designs to everyone.
21:57I have a surprise for you.
22:04To your first approval.
22:10It's beautiful.
22:11I do have a request, though.
22:16I was wondering if I could...
22:18I could have a little freedom.
22:20From what?
22:21Me?
22:22No.
22:22No, not you.
22:25From this.
22:26Well...
22:28I need to keep track of you.
22:30I mean, what if...
22:32Sterling.
22:34I'm not your parents.
22:36I'll be fine.
22:37I just don't know if I'm ready for that yet.
22:39But you continue to impress me.
22:41I mean, you'll be free as a bird.
22:57I do have more surprises to show you.
22:59But, um...
23:01You're going to have to wait until tomorrow.
23:03Hmm.
23:04Full of surprises.
23:05Aren't you?
23:06And that's why I can't let you go.
23:27What are you two doing here?
23:29There's not supposed to be anyone working today.
23:30We were just swinging by to assess a minor electrical concern.
23:33It seems that the search...
23:34It's nothing urgent.
23:34We're going to come back tomorrow with the rest of the crew and get it resolved.
23:39Okay.
23:41Thank you for the update.
23:43Thank you, Mr. Mercer.
23:48I've ordered these beautiful pieces.
23:50White marble.
23:53What the hell?
23:55Hmm.
23:59It's kind of beautiful.
24:00No, no, it's a mistake.
24:05It's not too perfect.
24:06It's bold.
24:08It's not trying hard.
24:08It just...
24:10is.
24:11Well, I like my work to be...
24:13Intentional.
24:16Well, I would argue that this...
24:18elevates the intention of the space.
24:21The juxtaposition between...
24:23control and chaos.
24:24You have good eyes, Ms. Brooks.
24:27Follow me.
24:28Your second task for the client.
24:37Master bedroom and nursery.
24:40Oh.
24:41The client's a family man.
24:42We don't discuss the client.
24:44Only satisfy their needs.
24:49Would you like to see your designs?
24:50Yes.
24:50Yes.
24:50Yes.
24:50Yes.
24:50Yes.
24:50Yes.
24:50Yes.
24:51Yes.
24:51Yes.
24:51Yes.
24:51Yes.
24:51Yes.
24:51Yes.
24:51Yes.
24:51Yes.
24:51Yes.
24:51Yes.
24:51Yes.
24:52Yes.
24:52Yes.
24:52Yes.
24:53Yes.
24:53Yes.
24:54Yes.
24:54Yes.
24:55Yes.
24:55Yes.
24:56Yes.
24:57Yes.
24:58Yes.
25:06Yes.
25:08Yes.
25:08Yes.
25:09Is it not what you thought?
25:10No, it's not that.
25:12It.
25:17The power went up.
25:18There's no signal.
25:19Yeah, the soundproofing they put up, uh, cuts signal.
25:24What? No.
25:38It's not funny.
25:39I'm not laughing.
25:41How long until someone notices that we're gone?
25:43I don't know. An hour? Maybe two?
25:46Is it Nora? The client?
25:50What? No, you're not supposed to ask about the client.
25:54Just tell me.
25:55No, it's not.
25:57Is she... more?
26:00I built this room because I believed in your vision.
26:04I cleared your schedule. I cleared your stressors.
26:08All because... I wanted you.
26:16I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I... I
26:46Sir, your seven o'clock is waiting upstairs.
27:00Tuck your shirt in, sir.
27:08I know. I know.
27:13Where the hell are you?
27:14Calm down, sweetie. Put Crumpet down.
27:19Listen, sweetie. I work for Mr. Mercer.
27:22He hired me to take care of your grandpa and Crumpet until you return.
27:26Sweetie, what are you doing home?
27:29What am I doing?
27:31This is Agnes, my nurse. She's taking care of me.
27:35Oh, I'm sorry. I'm so embarrassed.
27:41Um, hello?
27:42Hello?
27:43Why are you in your apartment?
27:45If you're there, there's no need for Agnes to stay employed.
27:48Cece, you're ruining my chances.
27:50Go back, Cece.
27:52Oh, okay, okay.
27:54Everything's all right. Agnes has taken very good care of me.
27:57Okay, okay, Pappy. I'll go.
27:59Um, it was nice meeting you, Agnes.
28:00Nice to meet you, dear.
28:01Nice to meet you, dear.
28:13What the hell? He has a girlfriend?
28:16What was I thinking?
28:17What was I thinking?
28:19What was I thinking?
28:28Oh, my God.
28:58I've got you now, bitch.
29:08I found her address.
29:26Sterling.
29:27Sterling, can we talk?
29:30I don't have the time, Miss Brooks.
29:32Sterling, it's important, please.
29:33Well, I'm dealing with something.
29:34Figure it out yourself.
29:35You might want to ask me why I'm here, you psycho.
29:48I don't give a damn what you have to say.
29:51I don't trust you.
29:52Well, maybe you should start.
29:54Because I know a dirty little secret about you.
29:56You're about to be broke.
30:04I'm here to offer you a buyout.
30:07Get out.
30:08Hear me out.
30:10Instead of your accounts being compromised, facing bankruptcy,
30:15and becoming the embarrassment of architecture,
30:17we could merge as Hale Mercer.
30:21Even has a nice name.
30:23Oh, you're way out of line.
30:24Am I?
30:26Because someone pretty close to you seems to be worried about you.
30:29Besides, if you don't accept this buyout,
30:33I'll publish the information,
30:36and Mercer Designs will go bye-bye.
30:39Is that a threat?
30:40Think of it more of a bribe.
30:48Get the hell out of my property.
30:50And out of my sight.
30:52Now!
31:05Miss Brooks, in my office immediately.
31:09Are you sure you want me in there,
31:10and not your other woman friend?
31:12What are you talking about?
31:13Hand me your sketches.
31:17I have designs, but they're not the originals.
31:20The originals are missing or lost.
31:23What do you mean, lost?
31:24I finished the designs last night, and I fell asleep,
31:27but when I woke up, they weren't in my room anymore.
31:29You're lying.
31:30I'm lying?
31:32Why don't you tell that to the next girl you bring over?
31:36Excuse me?
31:37You're so careless.
31:38Careless?
31:39Me?
31:40I'm pretty sure you're the one who's talking about losing sketches.
31:43Something you won't have to deal with anymore.
31:47Marley's going to be taking you to the project mansion.
31:50Hopefully you can figure out your sketches problems there.
31:54You may go.
31:54Take her and her belongings to the project mansion.
32:04Anything I should know, sir.
32:07She can't be trusted.
32:09And check the cameras.
32:09We have them all.
32:11We have them all.
32:13Yes, sir.
32:18Miss Brooks.
32:19What are you doing here?
32:22I had to get some artwork for the client.
32:29You don't trust me.
32:32You don't trust me.
32:32You're not trusting me?
32:36You were the one with another woman after all that
32:39I did this all for you bullshit.
32:41Okay, what woman are you talking about here?
32:43You can't lie to me.
32:44I saw you with her.
32:45I saw you...
32:46Okay, okay, okay.
32:47If it makes you feel any better, I...
32:49I promise I'm looking into it.
32:55You promise?
32:58I promise.
32:59I'll see you.
33:00Oh, my God!
33:03Your hands like smoke, they fire my skin.
33:08Every move, a little sin.
33:12Pull me closer, don't let go.
33:15Kiss me in the dark, don't say I'm...
33:19I thought you didn't trust me.
33:20That you were mad at me?
33:21No, you're too hard to reset.
33:22Touch me where the light won't go.
33:28Love me deep, pull me slow.
33:32Kiss me in the dark, take all I hide.
33:36Let's go inside.
33:37Let's go inside.
33:45Love me deep, pull me deep, pull me deep.
33:51Eyes like knives, you cut right through.
33:54Every look says what you do.
33:58Pull me under, soft and deep.
34:01You're the secret I can't keep.
34:04Breath on glass, you trace my name.
34:07No one else can play this game.
34:10You don't ask, you just take.
34:14And I give, and I pray.
34:18Well, hello.
34:20I'm here for Mr. Brooks.
34:21I'm sorry, what exactly is this for?
34:23I'm the treatment nurse.
34:25I'll be taking him to his appointment for today.
34:27Oh, Mr. Brooks doesn't have an appointment today.
34:29I can assure you he does.
34:34Well, thank you for coming.
34:36Can I bring Crumpet?
34:38Yes, Mr. Brooks.
34:40Bring the cat.
35:00Hello, Cecilia.
35:02I'll need your full cooperation.
35:03I have something of yours you might want back.
35:06Now that I've got your attention,
35:08I need a little favor.
35:10Bring me Mercer's Legacy One design.
35:12You can't do this.
35:14But see, I already have, sweetheart.
35:16Give me the designs.
35:18Tell Sterling and your sweet old pappy dies
35:21and your little cat too, your choice.
35:23I've been reviewing project management assets
35:26four days late on the Hudson property.
35:29The client is not happy.
35:31Mr. Mercer is not happy.
35:34Pick it up or I'll give your work to her.
35:35She's three days ahead.
35:38Is that a personal email?
35:39Sweetie, you don't have to do this.
36:00Too late, old man.
36:02Who the fuck are you?
36:04Your worst nightmare.
36:06Baby?
36:08I'm glad I'm so glad you made it.
36:09I set all this up for you.
36:12This better work.
36:16No, no, you won't eat.
36:17Mm-mm-mm-mm-mm.
36:18You won't eat.
36:39You won't eat.
36:40I won't eat.
36:41Then we're over.
36:42I'll join you.
36:43show me the video yes sir
36:56she knew how to invade the cameras
37:01i can't identify her but
37:03you knew her enough to let her in
37:05keep this video between us
37:08yes sir
37:10cecilia
37:24sterling you're not working from home
37:27today what are you doing here
37:28who have you been talking to no one i
37:31just i needed to pick up some paint
37:33samples and this was on the way on the
37:36way to what we're like 20 miles south of
37:39home
37:40i'm getting my necklace cleaned so if
37:44you can't find me or track me for any
37:47reason that's why
37:49why do you need your necklace cleaned i've
37:56just been working a lot the drafting table
37:58is super dusty and i i don't want to get
38:00messed up
38:01i'm trusting you right now i know
38:14what the hell is going on
38:30good girl right on time well don't hesitate now sweetheart or they're dead
38:43good girl right on time well don't hesitate now sweetheart or they're dead
38:56what the hell are we gonna do
38:57what dot com
38:58come on cecilia do it
39:04Sterling Mercer's legacy designs, just like I asked.
39:10Oh, Sterling, you won't even know what hit you.
39:14Now let my grandfather go.
39:16He's all yours. A deal is a deal, pretty lady.
39:25Zizi, don't! Get out of here!
39:27Look, look!
39:34I've had a change of heart.
39:46Please. No.
39:49This way.
39:59Wow.
40:01You really know how to tie the room together, darling.
40:03Look, Sterling has my location.
40:06You have no idea what you're in for.
40:07Oh, but I think I do.
40:11You see, when that timer goes off,
40:15you and that little tracker and this entire place will go bye-bye,
40:19and then that will pave way for the construction site of all hail designs.
40:25He'll find me. And when he does...
40:27That's very unlikely, Cecilia.
40:30Now that Sterling has this video, no one's coming to save you.
40:35Screw you.
40:37Screw both of you!
40:38Oh, oh, oh.
40:39But I almost have everything I need.
40:45His financials, his accounts.
40:47You see, the only thing that is missing, my dear,
40:51is the contact for Sterling's project mansion.
40:55What?
40:56Why does that matter?
40:58Well, once I have the contact, I can put in a bid under his.
41:05Therefore, Mercer will no longer have any names attached to any property.
41:11That will never happen.
41:13Who's the client?
41:20How much was the bid offer?
41:23I don't know.
41:26Or you'll remember.
41:29Trust me.
41:30Even if I did, I wouldn't tell you.
41:33So, tell me, who is the client?
41:48He took care of my family.
41:50I'm never going to sell him out.
41:56Unless you forget, sweetheart.
41:58You already gave me the plans.
42:01So, therefore, you are already a betrayer.
42:05Promise?
42:06I don't know anything.
42:10Well, I can see that you're a lady of your word,
42:13which makes it kind of harder to believe you.
42:15So, tell you what.
42:18This is how it's going to go.
42:21You're going to tell me,
42:22and then you, Pappy, and little Kitty
42:25can go free
42:27while Mercer Designs burns to the ground.
42:31Or
42:32I could kill you
42:35right here.
42:37Right now.
42:39And Mercer Designs falls anyway.
42:44Okay.
42:45Decisions, decisions, darling!
42:47Wait, no!
42:47No, I'll tell you!
42:48I'll tell you anything you want to know, please!
42:49Don't touch him!
42:51I'll tell you!
42:51I'll tell you!
42:51Tell me
43:02everything.
43:04I don't...
43:07I don't know a lot.
43:09I just...
43:11I know she's very private.
43:13Very secretive.
43:15She only talks to Sterling.
43:17She's an older, conservative woman.
43:21Liar!
43:22That night that I dosed Sterling
43:25with that sleeping elixir,
43:27I found your little project mansion
43:30and that newly built BDSM room.
43:33Oh, and then all the plans
43:34that I stole from Cecilia's bedroom?
43:36They were for a nursery.
43:38Both rooms that an elderly woman
43:40wouldn't need in a new home.
43:42You drugged him?
43:43Yes!
43:43I drugged him!
43:51And then I ransacked his mail.
43:53That's where I found you,
43:55your address,
43:57and your little cat, too.
44:03Well, then.
44:05Looks like you chose
44:07Oh!
44:09Oh, I'm sorry, my sweetness,
44:11but our short little affair
44:13is over.
44:15Excuse me.
44:17Well, obviously,
44:19I don't need your services any longer.
44:22Besides,
44:23I don't do witnesses.
44:33Sterling, help me, please!
44:35Sterling, wait, it's a trap!
44:36Sterling, please!
44:37You have to help me!
44:38Watch out!
44:46Tell me how to disarm it!
44:48Now!
44:51Black wire!
44:52You little bitch!
45:00Laura, stop!
45:01Put down the knife!
45:03She kidnapped me!
45:04I've been waiting here for hours for you!
45:06Put down the knife!
45:08Come on, let me at her one last time!
45:10She betrayed you!
45:11She's the one who gave up the legacy one in the third floor!
45:16Wait, how do you know about the legacy one project?
45:18That was confidential.
45:19That little bitch,
45:20she told Vincent everything!
45:22No, she's lying!
45:24It's all because of her!
45:28She drugged you!
45:29No, I didn't, you bitch!
45:31When I thought I saw you with that woman?
45:32Then now you lost the designs!
45:36No!
45:37No, that wasn't me!
45:38Okay, Vincent made me do it!
45:40He said he threatened my family!
45:42I had no other choice!
45:44I don't believe you.
45:46Arrest her!
45:48No!
45:49No!
45:51Jump the knife!
45:53No!
45:54No!
45:54No!
45:54No!
45:54No!
45:54No!
45:54No!
45:55No!
45:55No!
45:55No!
45:55No!
45:55No!
45:56No!
45:56No!
45:56No!
45:57No!
45:57No!
45:57Wait, no, no, I'm Heinz-verse!
46:05I'm so sorry!
46:07It's okay.
46:08It's okay.
46:09But I gave him your designs.
46:10I didn't know what else to do.
46:11I was trying to save them.
46:12I didn't mean to.
46:13You're safe.
46:14You're safe.
46:15Okay?
46:16Vincent, we'll be able to touch the project.
46:25I'm so happy you found me.
46:26I thought...
46:28I'll always find you.
46:32How?
46:36Because I know you.
46:39That moment in the parking lot, I knew from your eyes that you needed me.
46:48I will always keep you safe.
46:53Hey, hey, would you two take us someplace else?
46:56Sorry, Pappy.
47:00I'll take you and Crump at home.
47:07Oh, thank goodness you're okay.
47:10I want to tell you something, sweetheart.
47:13I love Agnes.
47:14I really mean it.
47:16Okay, Pappy.
47:17Just get some rest.
47:18I mean it, Cece.
47:20When a man knows, he knows.
47:26Agnes, it's been a long time since I've met someone as caring as you.
47:30And I'd like you to be my wife.
47:33Yes!
47:34I love you, Agnes.
47:45Marley, what are you doing here?
47:47Miss Brooks.
47:48Mind coming with me?
47:50Will you give me a second?
47:51I want to change first.
47:52I'm sad.
48:11Woke up and the sky was pink.
48:14Coffee tastes like sugar dreams.
48:17Traffic sounds like melodies.
48:19This is really beautiful we work well together glad you think so Cecilia
48:46yes Sterling I have something I need to tell you about there isn't a legacy Kali well there is but
49:02it's not who you think I don't follow
49:08it's me what this this is my legacy
49:16come here I need to show you something
49:21I made this for you wait one second
49:33I thought if we put them next to each other it would create balance
49:48but then you came in you're kind old intuitive
50:12beautiful you gave this place a soul Cecilia Brooks would you share the love we built together
50:27yes yes Sterling
50:33I said yes to you to forever to to every dream we're walking through
50:51you
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