- yesterday
Full Episode Of Designed For Desire
Category
🎥
Short filmTranscript
00:00I'm Cecilia, just your average coffee delivery girl trying to make ends meet.
00:07Little did I know, I'm about to land my dream job and meet the love of my life.
00:17Okay.
00:24This is insane.
00:26Hi, did anyone order these?
00:31Artless Pervert!
00:32Whoa!
00:35You've got to be kidding me! Look, you've got it all over me!
00:38Do you have any idea how much this costs? And if they can't get it out...
00:42That's enough!
00:47You.
00:51In my office. Now.
00:53What?
00:56What's your name?
01:05Uh...
01:09Cecilia Brooks?
01:10Ms. Brooks, is there a reason why you came here to interview as a designer, dressed like this?
01:15Oh, I think you have the wrong idea, Mr. Mercer. I'm not here for-
01:22I don't want to hear excuses.
01:31Change into this.
01:32Excuse me?
01:33You'll learn things are very fast-paced here.
01:45I don't have time to ask twice.
01:50I don't have time to ask twice.
01:51I don't have time to ask twice.
01:55I don't have time to ask twice.
02:25Hello, this is Cecilia.
02:29Miss Brooks, we need $200,000 to move forward with your grandfather's surgery.
02:33Until then, we cannot proceed.
02:35Okay, one second.
02:37Hello? Miss Brooks?
02:40Shit.
02:44Who is this woman? His girlfriend or something?
02:47I wasn't done with my interview.
02:50We'll touch base soon, okay?
02:55Oh! Good luck.
02:59I thought you weren't interested.
03:02Take off your clothes. Right now.
03:04So, Miss Brooks, what do you see in this room?
03:25Well, it's deliberate. Controlled. Powerful. It's impressive. But...
03:36But?
03:37It's not... satisfying.
03:41Bold again.
03:42Tell me, how do you know it's satisfying?
03:48Satisfaction lies somewhere in between.
03:52You think you can give me that?
03:54Think you can take the risk and find out?
04:04All yours.
04:05Hey.
04:13The women out there would do anything to be in the position you're in.
04:17Unless you have other ideas.
04:25Don't make me regret this risk.
04:27I don't plan to.
04:28The position's been filled.
04:32Go home.
04:35Get out!
04:36Damn.
04:37He doesn't have to be so rude.
04:52Pappy, your phone's upside down.
04:53Hi. How are you feeling?
04:58Hey, jubilation?
05:00Not doing too well, honey.
05:02Damn hospital postponed my surgery again.
05:05I'm so sorry, Pappy.
05:07I'm working things out with the hospital.
05:09I have some good news today, though.
05:12I'm sorry.
05:13Uh, I think that's my landlord.
05:14I have to go.
05:15Love you.
05:15Bye-bye.
05:18Oh.
05:20What the hell is he doing here?
05:23What are you doing here?
05:25Oh.
05:26What the hell?
05:28Hey.
05:29Whoa, whoa, whoa.
05:30Guys, whoa.
05:31Hey, don't take that.
05:36I did not agree to this.
05:38Actually, you did.
05:42The signing must reside on Mr. Mercer.
05:44I can't quite hear you.
05:46Must reside with Mr. Mercer for the duration of the project?
05:50Mm-hmm.
05:51How long?
05:52Keep reading.
05:54And definitely without exception?
06:02A gift.
06:03What the fuck?
06:06A gift in exchange for being kidnapped?
06:09No thanks.
06:13I need to know where you're at at all times.
06:17It's a tracker.
06:18What?
06:19Like a dog collar?
06:20Do you think you own me now?
06:23I wouldn't do that.
06:25Come on.
06:25Let's go.
06:26This is insane.
06:27Just give me a second to put Crumpet in his carrier and call my grandfather.
06:30No.
06:31There are no animals in the mansion.
06:34You must say goodbye to your little Crumpet.
06:37What?
06:38Absolutely not.
06:39I told you in the contract that I will take care of everything.
06:44I don't care about the contract.
06:45What?
06:46Oh my God.
06:47Goodbyes are always so hard.
06:49Put me down.
06:50What are you doing?
06:51Welcome back, Miss Brooks.
06:57So, I'm not allowed to leave?
06:59If you leave, your contract will be terminated immediately.
07:03And what?
07:03You're just going to leave me all alone in here?
07:05Would you like me to join you?
07:06No, no, no, no.
07:18Why is it making that sound?
07:20Damn, if I leave, Pappy dies.
07:23Shit.
07:23I'm trapped with this monster.
07:26Oh my God.
07:26Is this really happening?
07:28I'm stuck.
07:28I'm stuck.
07:36This is your uniform.
07:41Work hours have started already.
07:43Tidy yourself up.
07:45Report to Mr. Mercer.
07:49Oh, and, uh, chop chop, Miss Brooks.
07:53Mr. Mercer does not like to be kept waiting.
08:06No, I, um, just didn't want to disturb you.
08:25I don't mind if you stare.
08:27Sorry, Sarah.
08:28I was just interested in your build.
08:31The building, the build of the mansion that we're building to work on today.
08:39What time are we leaving for?
08:41Car leaves in 10 minutes.
08:43Great.
08:44I'll be ready.
08:55How much further?
08:59Patience, Miss Brooks.
09:01Oh, my pink pepper.
09:16Hey, Foxy.
09:18I got something that'll keep that jaw clenched.
09:20Wow.
09:21Original.
09:22Mr. Mercer.
09:23We didn't know you was coming in today.
09:25Get off my property.
09:26What?
09:27You're fired.
09:28Leave.
09:29Oh, there.
09:30No.
09:30I worked on the last nine Mercer mansions, and now I'm fired because of this bitch?
09:36If I collapse your loan...
09:38Wait, did he just stand up for me?
09:41Sir, how about you?
09:43Continue your work with Miss Brooks, and I'll handle this.
09:48Come on.
09:49Everything's nearly finished.
09:52I'm going to have a team come in and make some final measurements over here, and I'll ensure
09:56they know how to keep their mouth shut.
09:58Uh, is this all marble?
09:59Uh, is this all marble?
10:06Seeing her in my house gives me a strange feeling.
10:09It's so beautiful.
10:11What is it about her?
10:12Why do I want to...
10:13Follow me.
10:14Wow, an elevator?
10:21By the way, what you did out there, thank you.
10:25I'd dismiss you just as fast if I wasn't pleased with your work, Miss Brooks.
10:29Remember that.
10:35Your first task for the client.
10:38I don't know anything about the client.
10:40Who is...
10:40We don't ask about the client.
10:43We only worry about what they desire.
10:46Okay.
10:47Am I allowed to know what the purpose of this room is?
10:50Yes.
10:51Great.
10:52The client would like this room transformed
10:56into their BDSM chambers.
11:01I hope she doesn't see right through me.
11:06So, how would you do it?
11:09Uh...
11:10Um...
11:12Paint me a picture.
11:13Right.
11:16Uh, over here I would
11:18put a chaise lounge.
11:22Velvet.
11:23Obviously.
11:23Obviously.
11:24And over here would be a great place to mount a swing.
11:27One with adjustable heights and
11:29handles.
11:31And next to it we could put a cabinet
11:33for whips and toys and things.
11:35You're very well versed.
11:38I breed a lot.
11:39Certain genres of certain books
11:42have certain details.
11:44Right.
11:45Right.
11:45Of course.
11:47Yeah, it's perfectly normal.
11:48A lot of women read fantasy and
11:50romance and fantasy romance.
11:53Anyway, uh, this would be a great place to mount wall cuffs.
12:01I'm drowning in the heat
12:06Don't pick up.
12:20Bye.
12:20Bye.
12:27Hello?
12:29Miss Brooks, I'm sorry.
12:30We need the payment.
12:32Uh, I understand.
12:34Is there anything I could do now to hold him there?
12:36Anything I could be done right now?
12:38We need your payment, Miss Brooks.
12:39By tomorrow morning.
12:41All $200,000.
12:42Okay, I'll get it to you.
12:45I promise.
12:48Sorry.
12:49Your contract explicitly states that I receive 100% of your attention at work.
12:55Who was that?
12:58It's personal.
12:58There are no personal calls at work.
13:02I'm sorry.
13:09Mr. Mercer, it won't happen again.
13:11I'll get to work right away.
13:13I'll have designs to you by tomorrow morning.
13:18Take it off.
13:20What?
13:21Your jacket.
13:26Uh, Mr. Mercer.
13:30I won't ask twice.
13:38Uh, what's this for?
13:45It's perfect.
13:48Now go get dressed.
13:51No need to pout in this, Brooks.
14:11You'll be reading some of the top designers.
14:13I don't understand.
14:14How does this take priority over work?
14:17Am I your date or your designer?
14:19You are.
14:21What I say you are.
14:35Ladies and gentlemen,
14:38it is my pleasure to welcome you all to
14:40the annual architectural ball
14:43proudly hosted by the Mercer Group.
14:45I'd also like to welcome and introduce
14:51our newest interior designer,
14:55Miss Cecilia Brooks.
14:56I thought you said you had the job.
15:02I did everything that I could.
15:04Bitch must have slept with him in the interview.
15:06Fine.
15:08I'll fix it myself.
15:13So without further ado, please enjoy your drinks
15:15and have a wonderful night.
15:17May I have this dance?
15:26Oh, okay.
15:30Sterling!
15:32I was hoping that maybe we could walk and talk.
15:37Or maybe dance and discuss.
15:39You must be working so hard.
15:42I was thinking maybe you would benefit from a designer
15:47who really knows you, your past.
15:52I'm not interested in rehashing old relationships, no.
15:56It was just a flight.
15:57It doesn't mean we can't be close.
16:01Sterling could be a difficult person to work for.
16:08You know you can come to me if you need anything.
16:16Get your hands off of her!
16:18What the hell are you doing here, Vincent?
16:25Folks, looks like the jester came to play!
16:31Get him out of here.
16:36It's all right, folks.
16:38Enjoy the party.
16:38It's okay.
16:40Are you okay?
16:42Why don't you go grab a drink?
16:43I'm going to take care of this.
16:48Crazy night, huh?
16:54Too crazy.
16:55I'm Nora.
16:56A close friend of Sterling's.
16:58So, tell me.
17:00How's the new position treating you?
17:03It's demanding.
17:05The client?
17:07What's your feel on them?
17:08Oh, I'm not at liberty to discuss that.
17:10Come on.
17:11It must be crazy, right?
17:13I really can't.
17:16Oh!
17:18Oh, how embarrassing.
17:25What are you doing in here?
17:26Cecilia, I'm sorry.
17:28I'm so done with their whole world.
17:32Yeah, the head of the board was barking my ear off.
17:36Stop it!
17:37What?
17:38I'm just trying to help.
17:39Help?
17:40Really?
17:41That's rich.
17:42I mean, I am rich.
17:45You.
17:46You are a lot of things.
17:48From the moment I met you, you've controlled every aspect of my life.
17:50Every movement I make.
17:52You're obsessive.
17:53Cryptic.
17:54A perfectionist.
17:56But you're not rich.
17:58Not where it counts.
17:59Feel excuse me.
18:19I have work to do.
18:20This hand.
18:37What if?
18:39Maybe cuffs?
18:41What if we hang something around here?
18:43I'm sorry.
18:45Is that me?
19:02Did I say you could come in here?
19:04Uh, you'll be happy to know that I worked on these all night.
19:07Maybe if you stayed at the gala, you would have learned something.
19:20Learned what?
19:21You follow through with your obligations so you wouldn't waste your time working on garbage.
19:25Garbage?
19:26I'll need five more by tomorrow morning.
19:29That will take me all night.
19:30Even making those two took me all night and I barely got them done in time.
19:34You've done it once before.
19:36You can do it again.
19:37Don't you think?
19:38Maybe.
19:39Just maybe.
19:40That's an unreasonable amount of time.
19:42Maybe.
19:43I don't care.
19:44Wait.
19:46I should have remembered.
19:47It's not in the contract.
19:48Oh my god.
20:04Excuse me, miss.
20:05Where's my grandfather?
20:07I'm sorry.
20:08Usually if they're not in the room, it's because the insurance ran out or...
20:10Miss Brooks?
20:25Yes?
20:26I just wanted to inform you that your grandfather just received his first round of stem cell treatment.
20:31He's being very well taken care of.
20:33I don't understand.
20:33How is that possible?
20:35I can't afford that.
20:37I told you.
20:39I'll take care of everything.
20:40What?
20:41I can't believe this.
20:50Oh, but...
20:51But why?
20:53Why would you do that?
20:54Well, when I said I needed your undivided attention, I meant it.
21:00Now the only thing you have to worry about is me.
21:05I'm not your slave.
21:06Five designs by tomorrow morning.
21:19You're welcome.
21:26I've been expecting you.
21:28I have a feeling I'll be impressed.
21:29Brushed work is not work to be proud of.
21:37Is this you?
21:38And my parents.
21:39They must be so proud of you.
21:41They never got to see it.
21:42I inherited this company before I was old enough to run it.
21:46I'm so sorry.
21:47It was a long time ago.
21:48What happened?
21:49They vanished.
21:50On a work trip into Europe.
21:52Guess I don't control everything after all.
21:53I'm going to deliver these designs to everyone.
21:56And I have a surprise for you.
22:04To your first approval.
22:05It's beautiful.
22:13I do have a request, though.
22:16I was wondering if I could...
22:18I could have a little freedom.
22:20From what?
22:21Me?
22:22No.
22:22No, not you.
22:25From this.
22:26Well, I need to keep track of you.
22:30I mean, what if...
22:32Sterling.
22:32I'm not your parents.
22:36I'll be fine.
22:37I just don't know if I'm ready for that yet.
22:40But you continue to impress me.
22:41I mean, you'll be free as a bird.
22:57I do have more surprises to show you.
22:59But, um...
23:00You're going to have to wait until tomorrow.
23:03Hmm.
23:04Full of surprises.
23:05Aren't you?
23:11And that's why I can't let you go.
23:24What are you two doing here?
23:29There's not supposed to be anyone working today.
23:30We were just swinging by to assess a minor electrical concern.
23:33It seems that the search...
23:34It is nothing urgent.
23:34We're going to come back tomorrow with the rest of the crew and get it resolved.
23:39Okay.
23:41Thank you for the update.
23:43Thank you, Mr. Mercer.
23:43Thank you, Mr. Mercer.
23:44I've ordered these beautiful pieces.
23:50White marble.
23:53What the hell?
23:59It's kind of beautiful.
24:01No, no.
24:01It's a mistake.
24:02It's not too perfect.
24:06It's bold.
24:07It's not trying hard.
24:08It just...
24:10is.
24:11Well, I like my work to be...
24:13Intentional.
24:16Well, I would argue that this...
24:18elevates the intention of the space.
24:21The juxtaposition between...
24:23control and chaos.
24:24You have good eyes, Ms. Brooks.
24:27Follow me.
24:28Your second task for the client.
24:37Master bedroom and nursery.
24:40Oh.
24:41The client's a family man.
24:42We don't discuss the client.
24:44Only satisfy their needs.
24:49Would you like to see your designs?
24:58Is it not what you thought?
25:11No, it's...
25:12It's not that.
25:12It...
25:17The power went up.
25:18There's no signal.
25:20Yeah, the soundproofing they put up...
25:22cuts signal.
25:24What?
25:25No.
25:25No.
25:28It's not funny.
25:39I'm not laughing.
25:41How long until someone notices that we're gone?
25:43I don't know.
25:44An hour?
25:46Maybe two?
25:47Is it Nora?
25:49The client?
25:50What?
25:51No.
25:52You're not supposed to ask about the client.
25:54Just tell me.
25:55No.
25:56It's not.
25:57Is she...
25:58More?
26:00I built this room because I believed in your vision.
26:04I cleared your schedule.
26:06I cleared your stressors.
26:08All because...
26:10I wanted you.
26:11No.
26:24You're here.
26:25I'm here.
26:26No.
26:26I miracles.
26:27I forgot my life.
26:28No.
26:29I'm comfortable.
26:30Sir, your seven o'clock is waiting upstairs.
27:00Tuck your shirt in, sir.
27:09I know.
27:11I know.
27:13Who the hell are you?
27:15Calm down, sweetie.
27:17Put Crumpet down.
27:20Listen, sweetie.
27:21I work for Mr. Mercer.
27:23He hired me to take care of your grandpa and Crumpet until you return.
27:27Sweetie, what are you doing home?
27:30What am I doing?
27:32This is Agnes, my nurse.
27:34She's taking care of me.
27:36Oh.
27:37I'm sorry.
27:38I'm so embarrassed.
27:42Um, hello?
27:44Why are you in your apartment?
27:46If you're there, there's no need for Agnes to stay employed.
27:49Cece, you're ruining my chances.
27:51Go back, Cece.
27:52Oh, okay, okay.
27:54Everything's all right.
27:56Cece has taken very good care of me.
27:57Okay.
27:58Okay, Pappy.
27:59I'll go.
28:00Um, it was nice meeting you, Agnes.
28:02Nice to meet you, dear.
28:13What the hell?
28:15He has a girlfriend?
28:17What was I thinking?
28:18What was I thinking?
28:19What was I thinking?
28:23What was I thinking?
28:24What was I thinking?
29:00I got you now, bitch.
29:08I found her address.
29:26Sterling.
29:28Sterling.
29:29Can we talk?
29:30I don't have the time, Miss Brooks.
29:32Sterling, it's important.
29:33Please.
29:33Well, I'm dealing with something.
29:34Figure it out yourself.
29:45You might want to ask me why I'm here, you psycho.
29:48I don't give a damn what you have to say.
29:51I don't trust you.
29:52Well, maybe you should start.
29:54Because I know a dirty little secret about you.
30:00You're about to be broke.
30:01I'm here to offer you a buyout.
30:07Get out.
30:08Hear me out.
30:10Instead of your accounts being compromised, facing bankruptcy, and becoming the embarrassment of architecture.
30:17We could merge as Hale Mercer.
30:21He even has a nice name.
30:23Oh, you're way out of line.
30:24Am I?
30:26Because someone pretty close to you seems to be worried about you.
30:29Besides, if you don't accept this buyout, I'll publish the information.
30:35And Mercer Designs will go bye-bye.
30:39It's not a threat.
30:40Think of it more of a bribe.
30:48Get the hell out of my property.
30:50And out of my sight.
30:52Now!
31:05Miss Brooks, in my office immediately.
31:09Are you sure you want me in there and not your other woman friend?
31:12What are you talking about?
31:13Hand me your sketches.
31:17I have designs, but they're not the originals.
31:20The originals are missing or lost.
31:23What do you mean, lost?
31:24I finished the designs last night and I fell asleep, but when I woke up, they weren't in my room anymore.
31:29You're lying.
31:30I'm lying?
31:32Why don't you tell that to the next girl you bring over?
31:35Excuse me?
31:37You're so careless.
31:38Careless?
31:39Me?
31:40I'm pretty sure you're the one who's talking about losing sketches.
31:43Something you won't have to deal with anymore.
31:47Marley's going to be taking you to the project mansion.
31:50Hopefully you can figure out your sketches problems there.
31:54You may go.
32:01Take her and her belongings to the project mansion.
32:03Anything I should know, sir?
32:06She can't be trusted.
32:09And check the cameras.
32:11We have a mole.
32:13Yes, sir.
32:18Miss Brooks.
32:21What are you doing here?
32:22Well, um, I, uh, had to get some artwork for the client.
32:31You don't trust me.
32:33That too.
32:35You're not trusting me?
32:37You were the one with another woman after all that, I did this all for you bullshit.
32:41Okay, what woman are you talking about here?
32:43You can't lie to me.
32:44I saw you with her.
32:45I saw you with her.
32:46Okay, okay, okay.
32:48If it makes you feel any better, I...
32:49I promise I'm looking into it.
32:55You promise?
32:58I promise.
32:59Oh.
33:00Oh.
33:00Oh.
33:00I thought you didn't trust me.
33:20That you were mad at me?
33:21No, you're too hard to her, sir.
33:22I promise.
33:36Let's go inside.
33:37Eyes like knives, you cut right through.
33:54Every look says what you do.
33:57Pull me under, soft and deep.
34:01You're the secret I can't keep.
34:04Breath on glass, you trace my name.
34:07No one else can play this game.
34:10You don't ask, you just take.
34:14And I give, and I pray.
34:18Well, hello.
34:20I'm here for Mr. Brooks.
34:21I'm sorry, what exactly is this for?
34:23I'm the treatment nurse.
34:24I'll be taking him to his appointment for today.
34:27Oh, Mr. Brooks doesn't have an appointment today.
34:29I can assure you he does.
34:34Well, thank you for coming.
34:36Can I bring Crumpet?
34:38Yes, Mr. Brooks.
34:39Bring the cat.
34:40Hello, Cecilia.
35:02I'll need your full cooperation.
35:04I have something of yours you might want back.
35:06Now that I've got your attention,
35:08I need a little favor.
35:10Here, bring me Mercer's Legacy One design.
35:12You can't do this.
35:13But see, I already have, sweetheart.
35:16Get me the designs.
35:18Tell Sterling, and your sweet old pappy dies.
35:21And your little cat, too.
35:22Your choice.
35:23I've been reviewing project management assets.
35:27You're four days late on the Hudson property.
35:29The client is not happy.
35:31Mr. Mercer is not happy.
35:34Pick it up or I'll give your work to her.
35:35She's three days ahead.
35:36Is there a personal email?
35:39Is there a personal email?
35:39Sweetie, you don't have to do this.
36:00Too late, old man.
36:01Who the fuck are you?
36:04Your worst nightmare.
36:06Baby.
36:08I'm so glad you made it.
36:09I set all this up for you.
36:12This better work.
36:13No, no, you won't eat.
36:17Mm-mm-mm-mm.
36:47show me the video yes sir
36:56she knew how to evade the cameras i can't identify her but we knew her enough to let her in
37:05keep this video between us yes sir
37:17cecilia sterling you're not working from home today what are you doing here
37:28who have you been talking to no one i uh just i needed to pick up some paint samples and this
37:34was on the way on the way to what we're like 20 miles south of home i'm getting my necklace cleaned
37:42so if you can't find me or track me for any reason that's why
37:49why do you need your necklace cleaned i've just been working a lot
37:57the drafting table is super dusty and i i don't want to get messed up
38:00it's a woman thing
38:04i'm trusting you right now i know
38:14what the hell is going on
38:30good girl right on time
38:51well don't hesitate now sweetheart or they're dead
38:56come on cecilia do it
39:01sterling mercer's legacy designs just like i asked
39:09oh
39:10sterling you won't even know what hit you
39:13now let my grandfather go
39:15he's all yours a deal is a deal pretty lady
39:19i've had a change of heart
39:42please
39:47no
39:48this way
39:50wow
40:00you really know how to tie the room together darling
40:03sterling has my location
40:05you have no idea what you're in for
40:07oh but i think i do
40:11you see
40:12when that timer goes off
40:15you and that little tracker and this entire place will go bye-bye and then that will pave way for the construction site of all hail designs
40:24he'll find me and when he does that's very unlikely
40:29unlikely cecilia now that sterling has this video
40:33no one's coming to save you
40:35screw you
40:37screw both of you
40:38oh oh oh
40:41but i almost have everything i need
40:45his financials accounts
40:47you see the only thing that is missing my dear
40:51is the contact for sterling's project mansion
40:55what
40:56why does that matter
40:58well
40:58once i have the contact
41:01i can put in a bid under his
41:04therefore mercer will no longer have any names
41:07attached to any property
41:10that will never happen
41:17who's the client
41:20how much was the bid offer
41:23i don't know
41:26will you remember
41:29trust me
41:31even if i did
41:32i wouldn't tell you
41:40so
41:44tell me
41:46who is the client
41:49he took care of my family
41:50i'm never going to sell him out
41:56unless you forget sweetheart
41:59you already gave me the plans
42:02so therefore you are already a betrayer
42:05promise
42:07i don't know anything
42:11well i can see that you're a lady of your word
42:13which makes it kind of harder to believe you
42:15so
42:17tell you what
42:18this is how it's gonna go
42:21you're gonna tell me
42:22and then you
42:24pappy and little kitty
42:26will go free
42:28while mercer designs burns to the ground
42:31or
42:34i could kill you
42:35right here
42:38right now
42:39and mercer designs falls anyway
42:44okay
42:45decisions decisions
42:46wait no
42:47no i'll tell you
42:48i'll tell you anything you want to know
42:49please don't touch him
42:51i'll tell you
42:51tell me
43:04everything
43:06i don't
43:08i don't know a lot
43:09i just
43:11i know she's very private
43:13very secretive
43:15she only talks to serlene
43:16she's an older conservative woman
43:21liar
43:23that night that i dosed sterling with that sleeping elixir
43:27i found your little project mansion and that newly built bdsm room
43:33oh and then all the plans that i stole from cecilia's bedroom
43:36they were for a nursery
43:38both rooms that an elderly woman wouldn't need in a new home
43:41and then i ransacked his mail
43:53that's where i found you
43:55your address
43:59and your little cat too
44:03well then
44:05looks like you chose
44:07i'm sorry my sweet miss but
44:12our short little affair
44:14is over
44:15excuse me
44:16well
44:18obviously i don't need your services any longer
44:22besides
44:24i don't
44:25do
44:26witnesses
44:26yes
44:33sterling
44:33help me please
44:34sterling wait it's a trap
44:35no
44:36sterling please you have to help me
44:37watch out
44:46tell me how to disarm it
44:48now
44:51black wire
44:56you little
45:00bitch
45:00Nora stop
45:01put down the knife
45:03she kidnapped me i've been waiting here for hours for you
45:06put down the knife
45:08come on let me at her one last time
45:09she betrayed you
45:11she's the one who gave up the legacy one in the third floor
45:16wait how do you know about the legacy one project that was confidential
45:18that little bitch she told vincent everything
45:22no she's lying
45:24it's all because of her
45:26she drugged you
45:29no i didn't you
45:30bitch
45:31when i thought i saw you with that woman
45:34then how you lost the designs
45:36no
45:37no that wasn't me
45:38okay vincent made me do it he said he threatened my family i had no other choice
45:44i don't believe you
45:46arrest her
45:51jump the knife
45:52don't
45:54don't
45:54don't
45:55don't
45:55they saved you please
45:57you have the right
45:58when you're silent
45:59don't
46:00anything you say
46:01can't move against you
46:02don't get this
46:03i'm sorry
46:03wait no no i'm hindsworth
46:05i'm so sorry
46:07it's okay
46:07it's okay
46:08but i gave him your designs
46:10i didn't know what else to do
46:11i was trying to save them
46:12i didn't mean to
46:13you're safe
46:14you're safe
46:15okay
46:15vincent will be able to touch the project
46:18i'm so happy you found me
46:27i thought
46:28always
46:29find you
46:32how
46:36because i know you
46:39that moment in the parking lot i knew
46:41from your eyes
46:43that you needed me
46:44i will always keep you safe
46:53hey
46:53hey
46:54would you two take it someplace else
46:59sorry babby
46:59i'll take you and crump at home
47:07oh thank goodness you're okay
47:09i want to tell you something sweetheart
47:13i love agnes
47:14i really mean it
47:16okay babby
47:17just get some rest
47:18i
47:18i mean it cc
47:20when a man knows
47:21he knows
47:25agnes
47:26it's been a long time since i've met someone as caring as you
47:30and i'd like you to be my wife
47:31ah
47:33yes
47:35i love you agnes
47:45marley what are you doing here
47:47miss brooks
47:48mind coming with me
47:50will you give me a second
47:51i want to change first
48:01to me
48:28i don't know
48:31this is really beautiful
48:40we work well together
48:44glad you think so, Cecilia
48:46um
48:49yes, Sterling?
48:52I have something I need to tell you
48:54about?
48:58there isn't a legacy, Kalaya
49:00well, there is, but
49:02it's not who you think
49:05I don't follow
49:08it's me
49:12what?
49:13this, this is my legacy
49:16come here
49:19I need to show you something
49:21I made this for you
49:30wait, one second
49:33I thought if we put them next to each other it would create balance
49:48but then you came in
50:05you're kind
50:08bold
50:09intuitive
50:12Sterling
50:13beautiful
50:15you gave this place a soul
50:19Cecilia Brooks
50:23would you share the love we built together?
50:31yes
50:32yes, Sterling
50:33I said yes to you
50:45to forever too
50:47to every dream
50:49we're walking through
50:53to another person
51:00I changed my life
51:01to everyone
51:02while they say
51:03I'm stuck
51:04for you
51:05to request
51:05to me
51:06that's when I see you
51:07when I see you
51:08in a moment
51:08there is always
51:09I subscribe
51:09that I can see you
51:10for you
51:10for me
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50:54
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