- 7/24/2025
Full Episode Of Designed For Desire
Category
🎥
Short filmTranscript
00:00I'm Cecilia, just your average coffee delivery girl trying to make ends meet.
00:07Little did I know, I'm about to land my dream job and meet the love of my life.
00:17Okay.
00:24This is insane.
00:26Hi, did anyone order these?
00:31Artless Barber!
00:32Whoa!
00:35You've got to be kidding me! Look, you've got it all over me!
00:39Do you have any idea how much this costs? And if they can't get it out-
00:42That's enough!
00:47You.
00:51In my office. Now.
00:53What?
00:56What's your name?
01:09Cecilia Brooks?
01:10Ms. Brooks, is there a reason why you came here to interview as a designer, dressed like this?
01:15Oh, I think you have the wrong idea, Mr. Mercer. I'm not here for-
01:22I don't want to hear excuses.
01:31Change into this.
01:32Excuse me?
01:33You'll learn things are very fast-paced here.
01:45I don't have time to ask twice.
02:10Hello, this is Cecilia.
02:29Ms. Brooks, we need $200,000 to move forward with your grandfather's surgery.
02:33Until then, we cannot proceed.
02:35Okay, one second.
02:37Hello?
02:38Ms. Brooks?
02:40Shit.
02:44Who is this woman?
02:46His girlfriend or something?
02:47I wasn't done with my interview.
02:50We'll touch base soon, okay?
02:55Oh!
02:56Good luck.
02:59I thought you weren't interested.
03:02Take off your clothes.
03:03Right now.
03:08So, Ms. Brooks, what do you see in this room?
03:25Well, it's deliberate, controlled, powerful.
03:33It's impressive, but...
03:36But?
03:37It's not satisfying.
03:41Bold again.
03:42Tell me, how do you know it's satisfying?
03:48Satisfaction lies somewhere in between.
03:52You think you can give me that?
03:54Think you can take the risk and find out?
04:04All yours.
04:05Hey.
04:13The women out there would do anything to be in the position you're in.
04:17Unless you have other ideas.
04:25Don't make me regret this risk.
04:26I don't plan to.
04:30The position's been filled.
04:32Go home.
04:35Get out!
04:36Damn.
04:37He doesn't have to be so rude.
04:38Don't make me regret it.
04:52Pappy, your phone's upside down.
04:53Hi.
04:57How are you feeling?
04:58Hey, jubilation?
05:00Not doing too well, honey.
05:02Damn hospital postponed my surgery again.
05:05I'm so sorry, Pappy.
05:07I'm working things out with the hospital.
05:09I have some good news today, though.
05:12I'm sorry.
05:13I think that's my landlord.
05:14I have to go.
05:15Love you.
05:15Bye-bye.
05:18Oh.
05:20What the hell is he doing here?
05:23What are you doing here?
05:25Oh.
05:26What the hell?
05:28Hey.
05:29Whoa, whoa, whoa.
05:30Guys, whoa.
05:31Hey, don't take that.
05:36I did not agree to this.
05:38Actually, you did.
05:42The signing must reside on Mr. Mercer.
05:44I can't quite hear you.
05:47Must reside with Mr. Mercer for the duration of the project?
05:50Mm-hmm.
05:50How long?
05:52Keep reading.
05:54And definitely without exception?
06:02A gift.
06:04What the fuck?
06:06A gift in exchange for being kidnapped?
06:09No thanks.
06:10I need to know where you're at at all times.
06:17It's a tracker.
06:18What?
06:19Like a dog collar?
06:21Do you think you own me now?
06:23I wouldn't do that.
06:25Come on.
06:25Let's go.
06:26This is insane.
06:27Just give me a second to put Crumpet in his carrier and call my grandfather.
06:30No.
06:31There are no animals in the mansion.
06:34You must say goodbye to your little crumpet.
06:37What?
06:38Absolutely not.
06:39I told you in the contract that I will take care of everything.
06:44I don't care about the contract.
06:45What?
06:46Oh, my God.
06:47Goodbyes are always so hard.
06:49Put me down.
06:50What are you doing?
06:54Welcome back, Miss Brooks.
06:57So, I'm not allowed to leave?
06:59If you leave, your contract will be terminated immediately.
07:03And what?
07:03You're just going to leave me all alone in here?
07:05Would you like me to join you?
07:17No, no, no, no.
07:18Why is it making that sound?
07:20Damn, if I leave, Pappy dies.
07:23Shit.
07:23I'm trapped with this monster.
07:25Oh, my God.
07:26Is this really happening?
07:28I'm stuck.
07:29This is your uniform.
07:41Work hours have started already.
07:43Tidy yourself up.
07:45Report to Mr. Mercer.
07:49Oh, and, uh, chop chop, Miss Brooks.
07:53Mr. Mercer does not like to be kept waiting.
07:56Enjoy the view?
08:19No, I, um, just didn't want to disturb you.
08:25I don't mind if you stare.
08:27Sorry, sir.
08:28I was just interested in your build.
08:31The building.
08:32The build of the mansion that we're building to work on today.
08:39What time are we leaving for?
08:41Car leaves in ten minutes.
08:42Great.
08:44I'll be ready.
08:55How much further?
08:59Patience, Miss Brooks.
09:00Feel pressure deeper, make hearts near.
09:03Danger, Asia.
09:04She like the danger of eating the rye.
09:07Can't fake the hunger, nowhere to hide.
09:10Oh, my fucking fucking.
09:11She want the power, takes the control.
09:16Hey, Foxy.
09:18I got something that'll keep that jaw clenched.
09:20Wow.
09:21Original.
09:22Mr. Mercer.
09:23We didn't know you was coming in today.
09:25Get off my property.
09:26What?
09:27You're fired.
09:28Leave.
09:29Oh, what the hell?
09:30I worked on the last nine Mercer mansions, and now I'm fired because of this bitch?
09:36If I collapse your loan...
09:38Wait, did he just stand up for me?
09:41Sir, how about you?
09:43Continue your work with Miss Brooks, and I'll handle this.
09:48Come on.
09:51Everything's nearly finished.
09:52I'm gonna have a team come in and make some final measurements over here.
09:55And I'll ensure they know where to keep their mouth shut.
09:58Uh, is this all marble?
10:06Seeing her in my house gives me a strange feeling.
10:09It's so beautiful.
10:10What is it about her?
10:12Why do I want to...
10:13Follow me.
10:20Wow, an elevator?
10:21By the way, what you did out there, thank you.
10:25I'd dismiss you just as fast if I wasn't pleased with your work, Miss Brooks.
10:29Remember that.
10:35Your first task for the client.
10:38I don't know anything about the client.
10:40Who is...
10:40Who is...
10:41We don't ask about the client.
10:43We only worry about what they desire.
10:46Okay.
10:47Am I allowed to know what the purpose of this room is?
10:50Yes.
10:51Great.
10:52The client would like this room transformed into their BDSM chambers.
11:01I hope she doesn't see right through me.
11:06So, how would you do it?
11:09Uh...
11:10Um...
11:12Paint me a picture.
11:13Right.
11:14Over here, I would put a chaise lounge.
11:22Velvet.
11:23Obviously.
11:23Obviously.
11:24And over here would be a great place to mount a swing.
11:27One with adjustable heights and...
11:29Handles.
11:31And next to it, we could put a cabinet for whips and toys and things.
11:35You're very well versed.
11:37I read a lot.
11:40Certain genres of certain books have certain details.
11:44Right.
11:45Right.
11:45Of course.
11:47Yeah, it's perfectly normal.
11:48A lot of women read fantasy and romance and fantasy romance.
11:55Anyway, uh...
11:56This would be a great place to mount wall cuffs.
12:03I'm drowning in the heat
12:06Afraid of what I need
12:12Your touch is like a flame
12:18But I can't turn your way
12:21Don't pick her.
12:27Hello?
12:29Miss Brooks, I'm sorry.
12:30We need the payment.
12:32I understand.
12:34Is there anything I could do now to hold him there?
12:36Anything I could be done right now?
12:38We need your payment, Miss Brooks.
12:39By tomorrow morning.
12:41All $200,000
12:42Okay, I'll get it to you.
12:45I promise.
12:48Sorry.
12:49Your contract explicitly states that I receive 100% of your attention at work.
12:55Who was that?
12:56It's personal.
12:58There are no personal calls at work.
13:02I'm sorry.
13:09Mr. Mercer, it won't happen again.
13:11I'll get to work right away.
13:13I'll have designs to you by tomorrow morning.
13:14Take it off.
13:20What?
13:24Your jacket.
13:27Mr. Mercer.
13:30I won't ask twice.
13:31Uh, what's this for?
13:45It's perfect.
13:48Now go get dressed.
13:48No need to pout in this, Brooks.
14:11You'll be reading some of the top designers.
14:13I don't understand.
14:14How does this take priority over work?
14:17Am I your date or your designer?
14:19You are.
14:22When I say you are.
14:24Ladies and gentlemen,
14:38it is my pleasure to welcome you all to
14:40the annual architectural ball
14:43proudly hosted by the Mercer Group.
14:49I'd also like to welcome and introduce
14:51our newest interior designer,
14:54Mr. Cecilia Brooks.
15:00I thought you said you had the job.
15:02I did everything that I could.
15:04Bitch must have slept with him in the interview.
15:06Fine.
15:08I'll fix it myself.
15:13So without further ado,
15:14please enjoy your drinks
15:15and have a wonderful night.
15:24Let me have this dance.
15:26Oh, okay.
15:30Sterling!
15:32I was hoping that maybe we could
15:35walk and talk.
15:37Or maybe
15:37dance and discuss.
15:40You must be working so hard.
15:42I was thinking
15:44maybe you would benefit
15:46from a designer who
15:47really knows you.
15:50Your past.
15:52I'm not interested in rehashing
15:53our relationships, no.
15:56It was just a flight.
15:57It doesn't mean we can't be close.
16:01Sterling could be a
16:02difficult person to work for.
16:08You know you can come to me
16:10if you need anything.
16:16Get your hands off of her!
16:18What the hell are you doing here, Vincent?
16:25Folks, looks like the jester
16:26came to play!
16:31Get him out of here.
16:36It's alright, folks.
16:38Enjoy the party.
16:38It's okay.
16:40Are you okay?
16:42Why don't you go grab a drink?
16:43I'm gonna take care of this.
16:48Crazy night, huh?
16:54Too crazy.
16:55I'm Nora.
16:56A close friend of Sterling's.
16:58So, tell me.
17:00How's the new position
17:01treating you?
17:03It's demanding.
17:05And the client?
17:07What's your feel on them?
17:08Oh, I'm not at liberty
17:09to discuss that.
17:10Come on, it must be crazy, right?
17:13I really can't.
17:16Oh!
17:18Oh, how embarrassing.
17:25What are you doing in here?
17:26Cecilia, I'm sorry.
17:28I'm so done
17:29with their whole world.
17:32Yeah, the head of the board
17:34was barking my ear off.
17:36Stop it!
17:37What?
17:38I'm just trying to help.
17:39Help?
17:40Really?
17:41That's rich.
17:42I mean, I am rich.
17:45You.
17:46You are a lot of things.
17:48From the moment I met you,
17:49you've controlled
17:49every aspect of my life,
17:50every movement I make.
17:52You're obsessive,
17:53cryptic,
17:54a perfectionist.
17:56But you're not rich.
17:58Not where it counts.
17:59Phil, excuse me.
18:19I have work to do.
18:20this hand what if maybe cuffs what if we hang something around here
18:50is that me did i say you could come in here uh you'll be happy to know that i worked on these
19:07all night
19:07maybe if you stayed at the gala you would have learned something
19:19learned what you follow through with your obligations so you wouldn't waste your time working on garbage
19:25garbage i'll need five more by tomorrow morning that will take me all night even making those two
19:32took me all night and i barely got them done in time you've done it once before you can do it
19:37again don't you think maybe just maybe that's an unreasonable amount of time maybe i don't care
19:44wait i should have remembered it's not in the contract
19:49oh my god
19:58excuse me miss where's my grandfather
20:06i'm sorry usually if they're not in the room it's because the insurance ran out or
20:10miss brooks
20:23yes
20:25i just wanted to inform you that your grandfather just received his first round of stem cell treatment
20:30he's being very well taken care of
20:32i don't understand how is that possible
20:34i can't afford that
20:36i told you
20:38i'll take care of everything
20:40what
20:40i can't believe this
20:43oh but
20:51but why
20:52why would you do that
20:54well when i said i needed your undivided attention
20:57i meant it
21:01now the only thing you have to worry about
21:03is me
21:05i'm not your slave
21:11five designs
21:12by tomorrow morning
21:19you're welcome
21:22i've been expecting you
21:27i have a feeling i'll be impressed
21:29brushed work is not work to be proud of
21:32is this you
21:38and my parents
21:39they must be so proud of you
21:41they never got to see it
21:42i inherited this company before i was old enough to run it
21:45i'm so sorry
21:47it was a long time ago
21:48what happened
21:49they vanished
21:50on a work trip into europe
21:51guess i don't control everything after all
21:53i'm gonna deliver these designs to everyone
21:56i have a surprise for you
21:59to your first approval
22:05it's beautiful
22:11i
22:13do have a request
22:15though
22:16i was wondering if i could
22:17i could have a little freedom
22:19from what
22:20me
22:21no
22:22no not you
22:23i'm this
22:25well
22:26i need to keep track of you
22:29i mean
22:30what if
22:31sterling
22:32i'm not your parents
22:35i'll be fine
22:36i just don't know if i'm ready for that yet
22:39but you continue to impress me
22:41i mean
22:41you'll be free as a bird
22:43i do have more surprises to show you
22:59but um
23:00you're gonna have to wait till tomorrow
23:03full of surprises
23:05aren't you
23:06and that's why i can't let you go
23:12thank you
23:24what are you two doing here
23:28there's not supposed to be anyone working today
23:30we were just swinging by to assess a minor electrical concern
23:33it seems that the circuit
23:34it's nothing urgent
23:34we're gonna come back tomorrow with the rest of the crew and get it resolved
23:37okay
23:39thank you for the update
23:42thank you mr mercer
23:43i've ordered these beautiful pieces white marble
23:50what the hell
23:53it's kind of beautiful
24:00no no it's a mistake
24:02it's not too perfect
24:06it's bold
24:07it's not trying hard
24:08it just
24:09is
24:10well i like my work to be
24:12intentional
24:13well i would argue that this
24:18elevates the intention of the space
24:20the juxtaposition between
24:22control and chaos
24:24you have good eyes miss bruce
24:25follow me
24:28your second task for the client
24:36master bedroom
24:38and nursery
24:39oh
24:40the client's a family man
24:42we don't discuss the client
24:44only satisfy their needs
24:46would you like to see your designs
24:50is it not what you thought
25:10no it's
25:11it's not that
25:12the power went up
25:18there's no signal
25:19yeah the
25:20soundproofing they put up
25:22uh
25:22cuts signal
25:23what
25:24no
25:25it's not funny
25:39i'm not laughing
25:40how long until someone notices that we're gone
25:43i don't know
25:44an hour
25:45maybe two
25:46is it norah
25:48the client
25:49what
25:50no
25:51you're not supposed to ask about the client
25:53just tell me
25:54no
25:56it's not
25:57is she
25:57more
25:58i built this room because i believed in your vision
26:03i cleared your schedule
26:06i cleared your stressors
26:07all because
26:08i wanted you
26:11so
26:18are you
26:19they're
26:21are
26:23they're
26:24they're
26:25are
26:25they're
26:28are
26:29they're
26:32they're
26:35they're
26:36i
26:36are
26:41Sir, your 7 o'clock is waiting upstairs.
27:01Tuck your shirt in, sir.
27:09I know.
27:11I know.
27:14Where the hell are you?
27:15Calm down, sweetie.
27:17Put Crumpet down.
27:20Listen, sweetie, I work for Mr. Mercer. He hired me to take care of your grandpa and Crumpet until you return.
27:27Sweetie, what are you doing home?
27:30What am I doing?
27:32This is Agnes, my nurse. She's taking care of me.
27:36Oh, I'm sorry. I'm so embarrassed.
27:42Um, hello?
27:44Why are you in your apartment? If you're there, there's no need for Agnes to stay employed.
27:49Ceci, you're ruining my chances.
27:52Go back, Ceci.
27:53Everything's all right. Agnes has taken very good care of me.
27:58Okay, okay, Pappy. I'll go.
28:00Um, it was nice meeting you, Agnes.
28:02Nice to meet you, dear.
28:03What the hell? He has a girlfriend?
28:17What was I thinking?
28:21What was I thinking?
28:24What was I thinking?
28:25I don't think I told you.
28:26I don't think I'd be Italian.
28:30What was I thinking?
28:32No.
28:34You're my thing.
28:37Rain, you're doing your job.
28:39You're doing my job.
28:41I'm sorry.
28:43You're doing my job.
28:45When you're doing my job, you're starting to work.
28:48I don't want to spend my job in this young man.
28:50You're going to your job.
28:52Gotcha now, bitch.
29:08I found her address.
29:22Sterling.
29:29Sterling, can we talk?
29:30I don't have the time, Ms. Brooks.
29:32Sterling, it's important, please.
29:33Well, I'm dealing with something.
29:34Figure it out yourself.
29:45You might want to ask me why I'm here, you psycho.
29:48I don't give a damn what you have to say.
29:51I don't trust you.
29:52Well, maybe you should start.
29:54Because I know a dirty little secret about you.
30:00You're about to be broke.
30:04I'm here to offer you a buyout.
30:07Get out.
30:08Hear me out.
30:10Instead of your accounts being compromised, facing bankruptcy,
30:15and becoming the embarrassment of architecture,
30:17we could merge as Hale Mercer.
30:20Even has a nice name.
30:23Oh, you're way out of line.
30:24Am I?
30:26Because someone pretty close to you seems to be worried about you.
30:29Besides, if you don't accept this buyout,
30:33I'll publish the information,
30:35and Mercer Designs will go bye-bye.
30:39Is that a threat?
30:40Think of it more of a bribe.
30:45Get the hell out of my property.
30:50And out of my sight.
30:52Now!
30:53Now!
30:53Miss Brooks,
31:06in my office immediately.
31:09Are you sure you want me in there,
31:10or not your other woman friend?
31:12What are you talking about?
31:13Hand me your sketches.
31:17I have designs, but they're not the originals.
31:20The originals are missing or lost.
31:23What do you mean, lost?
31:24I finished the designs last night,
31:26and I fell asleep,
31:27but when I woke up,
31:28they weren't in my room anymore.
31:29You're lying.
31:30I'm lying?
31:32Why don't you tell that to the next girl you bring over?
31:36Excuse me?
31:37You're so careless.
31:38Careless?
31:39Me?
31:40I'm pretty sure you're the one
31:41who's talking about losing sketches.
31:43Something you won't have to deal with anymore.
31:47Marley's going to be taking you
31:48to the project mansion.
31:50Hopefully you can figure out
31:52your sketches problems there.
31:54You may go.
32:01Take her and her belongings
32:02to the project mansion.
32:04Anything I should know, sir.
32:06She can't be trusted.
32:08And check the cameras.
32:11We have a mole.
32:13Yes, sir.
32:18Miss Brooks.
32:21What are you doing here?
32:23Well, um...
32:25I, uh, had to get some artwork
32:28for the client.
32:31You don't trust me.
32:33That, too.
32:35You're not trusting me?
32:37You were the one with another woman
32:38after all that
32:38I did this all for you bullshit.
32:41Okay, what woman are you talking about here?
32:43You can't lie to me.
32:44I saw you with her.
32:45I saw you...
32:46Okay, okay.
32:47Okay.
32:48If it makes you feel any better, I...
32:49I promise I'm looking into her.
32:55You promise?
32:58I promise.
32:59I promise.
33:00No!
33:10Oh!
33:12I thought you didn't trust me.
33:20That you were mad at me?
33:21No, you're too hard to receive.
33:22Let's go inside.
33:52You cut right through. Every look says what you do. Pull me under, soft and deep. You're the secret I can't keep. Breath on glass, you trace my name. No one else can play this game. You don't ask, you just take. And I give, and I pray.
34:17Well, hello. I'm here for Mr. Brooks. I'm sorry, what exactly is this for? I'm the treatment nurse. I'll be taking him to his appointment for today. Oh, Mr. Brooks doesn't have an appointment today. I can assure you he does. Well, thank you for coming. Can I bring Crumpet? Yes, Mr. Brooks. Bring the cat.
34:47Hello, Cecilia. I'll need your full cooperation. I have something of yours you might want back. Now that I've got your attention, I need a little favor. Bring me Mercer's Legacy One design.
35:12You can't do this. But see, I already have, sweetheart. Give me the designs. Tell Sterling, and your sweet old pappy dies. And your little cat, too. Your choice.
35:23I've been reviewing project management assets. You're four days late on the Hudson property. The client is not happy. Mr. Mercer is not happy. Pick it up or I'll give your work to her. She's three days ahead.
35:38Is that a personal email?
35:42Sweetie, you don't have to do this.
36:00Too late, old man.
36:02Who the fuck are you?
36:04Your worst nightmare.
36:06Baby!
36:07I'm so glad you made it. I set all this up for you.
36:10This better work.
36:16No, no, you won't eat.
36:17No, no, no, no, no, no, no, no.
36:40Show me the video.
36:56Yes, sir.
37:00She knew how to evade the cameras. I can't identify her, but we knew her enough to let her in.
37:05Keep this video between us.
37:09Yes, sir.
37:23Cecilia!
37:25Sterling!
37:26You're not working from home today?
37:27What are you doing here?
37:28Who have you been talking to?
37:31No one. I, uh, just, I needed to pick up some paint samples and this was on the way.
37:35On the way to what?
37:37We're like 20 miles south of home.
37:40I'm getting my necklace cleaned.
37:41So if you can't find me or track me for any reason, that's why.
37:54Why do you need your necklace cleaned?
37:56I've just been working a lot.
37:58The drafting table is super dusty and I don't want it to get messed up.
38:00It's a woman thing.
38:10I'm trusting you right now.
38:13I know.
38:28What the hell is going on?
38:30Good girl.
38:50Right on time.
38:52Well, don't hesitate now, sweetheart.
38:55Or they're dead.
38:58Come on, Cecilia.
38:59Do it.
39:00What the hell is going on?
39:05Sterling Mercer's legacy designs.
39:08Just like I asked.
39:10Oh.
39:11Sterling, you won't even know what hit you.
39:14Now let my grandfather go.
39:16He's all yours.
39:17A deal is a deal, pretty lady.
39:24Cece, don't!
39:26Get out of here!
39:27Look, look!
39:28Look, look!
39:40I've had a change of heart.
39:46Please.
39:48No.
39:48This way.
39:49This way.
39:59Wow.
40:01You really know how to tie the room together, darling.
40:04Sterling has my location.
40:05You have no idea what you're in for.
40:07Oh, but I think I do.
40:11You see, when that timer goes off, you and that little tracker and this entire place will go bye-bye.
40:19And then that will pave way for the construction site of all Hale designs.
40:25He'll find me.
40:26And when he does-
40:27That's very unlikely, Cecilia.
40:30Now that Sterling has this video, no one's coming to save you.
40:35Screw you.
40:37Screw both of you!
40:38Oh, oh, oh.
40:40But I almost have everything I need.
40:44Hmm?
40:45His financials, his accounts.
40:47You see, the only thing that is missing, my dear, is the contact for Sterling's Project Mansion.
40:55What?
40:56Why does that matter?
40:58Well, once I have the contact, I can put in a bid under his.
41:05Therefore, Mercer will no longer have any names attached to any property.
41:11That will never happen.
41:16Who's the client?
41:19How much was the bid offer?
41:23I don't know.
41:25Oh, you'll remember.
41:29Trust me.
41:30Even if I did, I wouldn't tell you.
41:42So, tell me.
41:46Who is the client?
41:48He took care of my family.
41:50I'm never going to sell him out.
41:52Unless you forget, sweetheart.
41:58You already gave me the plans.
42:02So, therefore, you are already a betrayer.
42:05Promise?
42:06I don't know anything.
42:08Well, I can see that you're a lady of your word, which makes it kind of harder to believe you.
42:15So, tell you what.
42:18This is how it's going to go.
42:21You're going to tell me, and then you, Pappy, and little Kitty can go free.
42:27While Mercer Designs burns to the ground.
42:31Or, I could kill you.
42:35Right here.
42:37Right now.
42:39And Mercer Designs falls anyway.
42:41Okay.
42:45Decisions, decisions, darling.
42:46Wait, no.
42:47No, I'll tell you.
42:48I'll tell you anything you want to know.
42:49Please, just don't touch him.
42:51I'll tell you.
42:52I'll tell you.
42:52Tell me everything.
43:06I don't...
43:08I don't know a lot.
43:09I just...
43:11I know she's very private.
43:13Very secretive.
43:15She only talks to Sterling.
43:17She's an older, conservative woman.
43:21Liar!
43:22That night that I dosed Sterling with that sleeping elixir,
43:27I found your little project mansion and that newly built BDSM room.
43:33Oh, and then all the plans that I stole from Cecilia's bedroom?
43:36They were for a nursery.
43:38Both rooms that an elderly woman wouldn't need in a new home.
43:42You drugged him?
43:43Yes!
43:43I drugged him!
43:45And then I ransacked his mail.
43:53That's where I found you, your address, and your little cat, too.
44:00Well then, looks like you chose...
44:08Oh!
44:09Oh, I'm sorry, my sweetness, but our short little affair is over.
44:15Excuse me.
44:17Well, obviously I don't need your services any longer.
44:21Besides, I don't do witnesses.
44:33Sterling, help me, please!
44:34Sterling, wait, it's a trap!
44:36No!
44:36Sterling, please, you have to help me!
44:38Watch out!
44:38Tell me how to disarm it!
44:48Now!
44:51Black wire!
44:59You little bitch!
45:00Nor, stop!
45:01Put down the knife!
45:03She kidnapped me!
45:04I've been waiting here for hours for you!
45:07Put down the knife!
45:08Come on, let me at her one last time!
45:10She betrayed you!
45:11She's the one who gave up the Legacy One in the third floor!
45:15Wait, how do you know about the Legacy One project?
45:17That was confidential.
45:18That little bitch.
45:20She told Vincent everything!
45:22No, she's lying.
45:23It's all because of her!
45:28She drugged you!
45:29No, I didn't, you bitch!
45:31When I thought I saw you with that woman?
45:34Then I lost the designs.
45:36No!
45:37No, that wasn't me!
45:38Okay, Vincent made me do it!
45:40He said he threatened my family!
45:41I had no other choice!
45:44I don't believe you.
45:46Arrest her!
45:48No!
45:51Stop the knife!
45:55Vincent, you can't leave!
45:57You have to wait for me!
45:58You're silent!
46:00Anything you say can't even use against you or you're going to fall!
46:02Get this, Boxer!
46:03Wait, no, no, I'm timeless!
46:05I'm so sorry!
46:07It's okay.
46:08It's okay.
46:08But I gave him your designs.
46:10I didn't know what else to do.
46:11I was trying to save them.
46:12I didn't need to.
46:13You're safe.
46:14You're safe.
46:15Okay?
46:16Vincent, we'll be able to touch the project.
46:18I'm so happy you found me.
46:26I thought...
46:27Always find you.
46:31How?
46:32Because I know you.
46:38That moment in the parking lot, I knew from your eyes that you needed me.
46:48I will always keep you safe.
46:53Hey, hey, would you two take it someplace else?
46:59Sorry, Babby.
47:00I'll take you and Crump at home.
47:02Oh, thank goodness you're okay.
47:10I want to tell you something, sweetheart.
47:13I love Agnes.
47:14I really mean it.
47:16Okay, Babby.
47:17Just get some rest.
47:18I mean it, Cece.
47:20When a man knows, he knows.
47:25Agnes, it's been a long time since I've met someone as caring as you.
47:30And I'd like you to be my wife.
47:31I love you, Agnes.
47:45Marley, what are you doing here?
47:47Miss Brooks.
47:48Mind coming with me?
47:50Will you give me a second?
47:51I want to change first.
47:52Oh, my God.
48:09Cause I know.
48:10Woke up and the sky was pink.
48:14Coffee tastes like sugar dreams.
48:17Traffic sounds like melodies
48:20Since you've been around
48:22Everything feels brand new
48:24Sunlight dancing in my
48:27Come here.
48:28I don't know what you do
48:31But love just fits like truth
48:33You got a...
48:35This is really beautiful.
48:42We work well together.
48:45Glad you think so, Cecilia.
48:47Um...
48:49Yes, Sterling?
48:52I have something I need to tell you.
48:56About?
48:58There isn't a legacy, Collian.
49:01Well, there is, but...
49:04It's not who you think.
49:07I don't follow.
49:11It's me.
49:12What?
49:14This...
49:14This is my legacy.
49:15Come here.
49:20I need to show you something.
49:22I made this for you.
49:31Wait, one second.
49:33I thought if we put them next to each other,
49:46it would create balance.
49:48Balance.
49:48But then you came in.
50:05You're kind.
50:08You're kind.
50:09Old.
50:11Intuitive.
50:12Sterling.
50:13Close.
50:15Beautiful.
50:17You gave this place a soul.
50:22Cecilia Brooks.
50:25Would you share the love we built together?
50:28Yes.
50:32Yes.
50:32Yes, Sterling.
50:40I said yes to you
50:44To forever, too
50:47To every dream
50:49We're walking through
50:53To飢 conclusively
50:54To our home we're living
50:55To be the home I'm living
50:56And to like it
50:58To keep falling
50:59From never to
51:00To'.
51:03By the end,
51:03I've had a little
51:05In my life I thank you
51:05To the damit
51:06I have a whole
51:08To be the life I work
51:08To be the son in mates
51:09I see the people
51:10I need them
51:10To be the house
51:11To be the young
51:12To be the real
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