Designed For Desire #FullMovie

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Transcript

00:00I'm Cecilia, just your average coffee delivery girl trying to make ends meet.

00:07Little did I know, I'm about to land my dream job and meet the love of my life.

00:25This is insane.

00:27Hi, did anyone order these?

00:31Artless pervert!

00:33Whoa!

00:34You've got to be kidding me! Look, you've got it all over me!

00:39Do you have any idea how much this costs? And if they can't get it out-

00:42That's enough!

00:47You.

00:51In my office. Now.

00:53What?

00:57What's your name?

01:05Uh.

01:09Cecilia Brooks?

01:10Ms. Brooks.

01:11Is there a reason why you came here to interview as a designer, dressed like this?

01:15Oh, I think you have the wrong idea, Mr. Mercer. I'm not here for-

01:22I don't want to hear excuses.

01:31Change into this.

01:32Excuse me?

01:33Yolanda thinks they're very fast-paced here.

01:36I don't have time to ask twice.

01:46Hello? This is Cecilia.

01:48Ms. Brooks, we need $200,000 to move forward with your grandfather's surgery.

01:53Until then, we cannot proceed.

01:55Okay, one second.

01:57Hello?

01:59Ms. Brooks?

02:00Shit.

02:04Who is this woman? His girlfriend or something?

02:07I wasn't done with my interview.

02:10We'll touch base soon, okay?

02:11Oh!

02:16Good luck.

02:20I thought you weren't interested.

02:22Take off your clothes.

02:23Right now.

02:24No.

02:39A gift?

02:40In exchange for being kidnapped?

02:42No thanks.

02:46I need to know where you're at, at all times.

02:50It's a tracker.

02:51What?

02:52Like a dog collar?

02:54Do you think you own me now?

02:55Uh-uh.

02:56I wouldn't do that.

02:57Come on.

02:58Let's go.

02:59This is insane.

03:00Just...

03:01Give me a second to put Crumpet in his carrier and call my grandfather-

03:03No.

03:04There are no animals in the mansion.

03:07You must say goodbye to your little...

03:09Crumpet.

03:10What?

03:11Absolutely not.

03:12I told you, in the contract, that I will take care of everything.

03:17I don't care about the contract.

03:18What?

03:19Oh my god!

03:20Goodbyes are always so hard.

03:22Let me down!

03:23What are you doing?

03:27So, Miss Brooks, what do you see in this room?

03:31Well...

03:33It's...

03:34Deliberate.

03:36Controlled.

03:37Powerful.

03:39It's impressive.

03:40But...

03:41But?

03:43It's not...

03:45Satisfying.

03:47Bold again.

03:51Tell me.

03:52How do you know it's satisfying?

03:54Satisfaction lies...

03:56Somewhere in between.

03:57You think you can give me that?

03:59Think you can take the risk and find out?

04:02No.

04:10All yours.

04:14Hey.

04:17The women out there would do anything to be in the position you're in.

04:21Unless you have other ideas.

04:23Don't make me regret this risk.

04:31I don't plan to.

04:34The position's been filled.

04:36Go home.

04:39Get out!

04:40Damn.

04:41He doesn't have to be so rude.

04:42Pappy, your phone's upside down.

05:00Hi.

05:01How are you feeling?

05:02Hey, jubilation?

05:04Not doing too well, honey.

05:06Damn hospital postponed my surgery again.

05:08I'm so sorry, Pappy.

05:10I'm working things out with the hospital.

05:13I have some good news today, though.

05:16I'm sorry.

05:17I think that's my landlord.

05:18I have to go.

05:19Love you.

05:20Bye-bye.

05:23Oh.

05:25What the hell is he doing here?

05:27What are you doing here?

05:29Oh.

05:30What the hell?

05:32Hey!

05:33Whoa, whoa, whoa.

05:34Guys, whoa.

05:35Hey, don't take that!

05:36I did not agree to this!

05:41Actually, you did.

05:43The signing must reside with Mr. Mercer.

05:47I can't quite hear you.

05:49Must reside with Mr. Mercer for the duration of the project?

05:53Mm-hmm.

05:54How long?

05:56Keep reading.

05:57And definitely without exception?

06:05A gift.

06:07What the fuck?

06:09A gift?

06:10In exchange for being kidnapped?

06:12No thanks.

06:13I need to know where you're at at all times.

06:20It's a tracker.

06:21What?

06:22Like a dog collar?

06:24Do you think you own me now?

06:26I wouldn't do that.

06:27Come on.

06:28Let's go.

06:29This is insane.

06:30Just...

06:31Give me a second to put Crumpet in his carrier and call my grandfather.

06:33No.

06:34There are no animals in the mansion.

06:37You must say goodbye to your little Crumpet.

06:39What?

06:40Absolutely not!

06:41I told you in the contract that I will take care of everything.

06:46I don't care about the contract.

06:48What?

06:49Oh my god!

06:50Goodbyes are always so hard.

06:52Put me down!

06:53What are you doing?

06:57Welcome back, Miss Brooks.

06:59So...

07:00I'm not allowed to leave?

07:02If you leave, your contract will be terminated immediately.

07:05And what? You're just gonna leave me all alone in here?

07:07Would you like me to join you?

07:11No, no, no, no.

07:12Why is it making that sound?

07:13Damn, if I leave, Pappy dies.

07:14Shit.

07:15I'm trapped with this monster.

07:16Oh my god.

07:17Is this really happening?

07:18I'm stuck.

07:19This is your uniform.

07:20Work hours have started already.

07:21Tidy yourself up.

07:22Report to Mr. Mercer.

07:23Report to Mr. Mercer.

07:24Oh, and, uh...

07:25Chop chop, Miss Brooks.

07:26Oh, and, uh...

07:27Chop chop, Miss Brooks.

07:28Mr. Mercer does not like to be kept away.

07:29Oh my god.

07:30Oh my god.

07:31Is this really happening?

07:32Oh my god.

07:33Is this really happening?

07:34I'm stuck.

07:35Oh my god.

07:36Is this really happening?

07:37I'm stuck.

07:38I'm stuck.

07:39If you areima.

07:40Hmm.

07:42This is your uniform.

07:43Work hours have started already.

07:46Tidy yourself up.

07:47Report to Mr. Mercer.

07:51Oh and, uh...

07:52Chop chop, Miss Brooks.

07:54Mr. Mercer

07:56does not like to be kept waiting.

07:58Enjoy the view?

08:22No, I, um, just didn't want to disturb you.

08:27I don't mind if you stare.

08:28Sorry, sir, I was just interested in your build.

08:33The building, the build of the mansion that we're building to work on today.

08:41What time are we leaving for?

08:42Car leaves in ten minutes.

08:44Great. I'll be ready.

08:46How much further?

09:00Patience, Miss Brooks.

09:02Oh, my fucking...

09:13Hey, Foxy!

09:19I got something that'll keep that jaw clenched.

09:22Wow. Original.

09:23Mr. Mercer!

09:24We didn't know you was coming in today.

09:26Get off my property.

09:28What?

09:28You're fired.

09:30Leave.

09:31Oh, what the hell?

09:32I worked on the last nine Mercer mansions, and now I'm fired because of this bitch?

09:38If I collapse your lung...

09:39Wait, did he just stand up for me?

09:41Sir, how about you continue your work with Miss Brooks, and I'll handle this.

09:49Come on.

09:51Everything's nearly finished.

09:53I'm gonna have a team come in and make some final measurements over here,

09:56and I'll ensure they know how to keep their mouth shut.

09:58Uh, is this all marble?

10:07Seeing her in my house gives me a strange feeling.

10:10It's so beautiful.

10:11What is it about her?

10:13Why do I want to...

10:14Follow me.

10:21Wow, an elevator?

10:23By the way, what you did out there, thank you.

10:26I'd dismiss you just as fast if I wasn't pleased with your work, Miss Brooks.

10:30Remember that.

10:35Your first task for the client.

10:38I don't know anything about the client.

10:40Who is...

10:41We don't ask about the client.

10:44We only worry about what they desire.

10:46Okay.

10:47Am I allowed to know what the purpose of this room is?

10:51Yes.

10:52Great.

10:52The client would like this room transformed into their BDSM chambers.

11:02I hope she doesn't see right through me.

11:06So, how would you do it?

11:11Uh...

11:11Paint me a picture.

11:14Right.

11:14Uh, over here, I would collect a chaise lounge.

11:22Velvet.

11:23Obviously.

11:24And over here would be a great place to mount a swing.

11:27One with adjustable heights and...

11:29Handles.

11:31And next to it, we could put a cabinet for whips and toys and things.

11:35You're very well versed.

11:38I read a lot.

11:40Certain genres of certain books have certain details.

11:44Right, right.

11:45Of course.

11:47Yeah, it's perfectly normal.

11:48A lot of women read fantasy and romance and fantasy romance.

11:53Anyway, uh, this would be a great place to mount wall cuffs.

12:03I'm drowning in the heat

12:07Afraid of what I need

12:12Your touch is like a flame

12:18But I can't turn your way

12:21Hello?

12:29Miss Brooks, I'm sorry.

12:30We need the payment.

12:32Uh, I understand.

12:34Is there anything I could do now to hold him there?

12:36Anything that could be done right now?

12:38We need your payment, Miss Brooks.

12:39By tomorrow morning.

12:41All $200,000.

12:43Okay, I'll get it to you.

12:45I promise.

12:48Sorry.

12:48Your contract explicitly states that I receive 100% of your attention at work.

12:55Who was that?

12:57It's personal.

12:59There are no personal calls at work.

13:02I'm sorry.

13:09Mr. Mercer, it won't happen again.

13:11I'll get to work right away.

13:13I'll have designs to you by tomorrow morning.

13:14Take it off.

13:20What?

13:24Your jacket.

13:27Mr. Mercer.

13:30I won't ask twice.

13:31What?

13:32Uh, what's this for?

13:45It's perfect.

13:48Now go get dressed.

13:48No need to pout in this, Brooks.

14:11You'll be reading some of the top designers.

14:13I don't understand.

14:14How does this take priority over work?

14:17Am I your date or your designer?

14:19You are.

14:22When I say you are.

14:24Ladies and gentlemen, it is my pleasure to welcome you all to the annual architectural ball,

14:43proudly hosted by the Mercer Group.

14:45I'd also like to welcome and introduce our newest interior designer,

14:55Mr. Cecilia Brooks.

15:00I thought you said you had the job.

15:02I did everything that I could.

15:04Bitch must have slept with him in the interview.

15:06Fine.

15:07I'll fix it myself.

15:13So without further ado, please enjoy your drinks and have a wonderful night.

15:25May I have this dance?

15:27Okay.

15:31Sterling.

15:33I was hoping that maybe we could walk and talk.

15:37Or maybe dance and discuss.

15:40You must be working so hard.

15:43I was thinking.

15:45Maybe you would benefit from a designer who really knows you.

15:50Your past.

15:52I'm not interested in rehashing old relationships, no.

15:56It was just a flight.

15:58Doesn't mean we can't be close.

16:01Sterling could be a difficult person to work for.

16:04You know you can come to me if you need anything.

16:16Get your hands off of her.

16:18What the hell are you doing here, Vincent?

16:25Folks, looks like the jester came to play.

16:29Get him out of here.

16:31It's all right, folks.

16:38Enjoy the party.

16:38It's okay.

16:40Yeah, you're okay.

16:42Why don't you go grab a drink?

16:43I'm going to take care of this.

16:44Crazy night, huh?

16:54Yeah, too crazy.

16:55I'm Nora, a close friend of Sterling's.

16:58So, tell me, how's the new position treating you?

17:03It's demanding.

17:05And the client?

17:07What's your feel on them?

17:08Oh, I'm not at liberty to discuss that.

17:10Come on, it must be crazy, right?

17:13I really can't.

17:17Oh, how embarrassing.

17:25What are you doing in here?

17:26Cecilia, I'm sorry.

17:27I'm so done with their whole world.

17:32Yeah, the head of the board was barking my ear off.

17:36Stop it.

17:37What?

17:38I'm just trying to help.

17:39Help?

17:40Really?

17:41That's rich.

17:42I mean, I am rich.

17:45You.

17:46You are a lot of things.

17:48From the moment I met you, you've controlled every aspect of my life, every movement I make.

17:52You're obsessive, cryptic, a perfectionist.

17:55But you're not rich.

17:58Not where it counts.

18:18Phil, excuse me.

18:19I have work to do.

18:25Oh, this hand.

18:37What if?

18:39Maybe cuffs?

18:42What if we hang something around here?

18:43Oh, this hand.

18:45What if?

18:47What if?

18:48What if?

18:49What if?

18:50What if?

18:51What if we hang something around here?

18:53Is that me?

19:02Did I say you could come in here?

19:04Uh, you'll be happy to know that I worked on these all night.

19:07Maybe if you stayed at the gala, you would have learned something.

19:20Learned what?

19:21You follow through with your obligations so you wouldn't waste your time working on garbage.

19:25Garbage?

19:26I'll need five more by tomorrow morning.

19:29That will take me all night.

19:30Even making those two took me all night and I barely got them done in time.

19:34You've done it once before.

19:36You can do it again.

19:37Don't you think?

19:38Maybe, just maybe, that's an unreasonable amount of time.

19:42Maybe.

19:43I don't care.

19:44Wait.

19:46I should have remembered.

19:48It's not in the contract.

19:49Oh my god.

20:04Excuse me, miss.

20:05Where's my grandfather?

20:07I'm sorry.

20:08Usually if they're not in the room, it's because the insurance ran out or...

20:11Miss Brooks?

20:25Yes?

20:26I just wanted to inform you that your grandfather just received his first round of stem cell treatment.

20:31He's being very well taken care of.

20:33I don't understand.

20:33How is that possible?

20:35I can't afford that.

20:38I told you.

20:39I'll take care of everything.

20:40What?

20:42I can't believe this.

20:50Oh, but...

20:51But why?

20:53Why would you do that?

20:54Well, when I said I needed your undivided attention, I meant it.

21:00Now the only thing you have to worry about is me.

21:05I'm not your slave.

21:06Five designs by tomorrow morning.

21:19You're welcome.

21:26I've been expecting you.

21:28I have a feeling I'll be impressed.

21:29Brushed work is not work to be proud of.

21:38Is this you?

21:39And my parents.

21:39They must be so proud of you.

21:41They never got to see it.

21:42I inherited this company before I was old enough to run it.

21:46I'm so sorry.

21:47It was a long time ago.

21:48What happened?

21:49They vanished.

21:50On a work trip into Europe.

21:52Guess I don't control everything after all.

21:53I'm going to deliver these designs to everyone.

21:56And I have a surprise for you.

22:04To your first approval.

22:05It's beautiful.

22:13I do have a request, though.

22:16I was wondering if I could...

22:18I could have a little freedom.

22:20From what?

22:21Me?

22:22No.

22:22No, not you.

22:25From this.

22:26Well, I need to keep track of you.

22:30I mean, what if...

22:32Sterling, I'm not your parents.

22:36I'll be fine.

22:37I just don't know if I'm ready for that yet.

22:40But you continue to impress me.

22:41I mean, you'll be free as a bird.

22:57I do have more surprises to show you.

22:59But, um...

23:01We're going to have to wait until tomorrow.

23:04Full of surprises.

23:05Aren't you?

23:11And that's why I can't let you go.

23:27What are you two doing here?

23:29There's not supposed to be anyone working today.

23:30We were just swinging by to assess a minor electrical concern.

23:33It seems that the search...

23:34It's nothing urgent.

23:35We're going to come back tomorrow with the rest of the crew and get it resolved.

23:39Okay.

23:41Thank you for the update.

23:43Thank you, Mr. Mercer.

23:43I've ordered these beautiful pieces.

23:50White marble.

23:53What the hell?

23:59It's kind of beautiful.

24:01No, no.

24:01It's a mistake.

24:05It's not too perfect.

24:07It's bold.

24:07It's not trying hard.

24:08It's just...

24:09It's just...

24:10It is.

24:11Well, I like my work to be...

24:13Intentional.

24:16Well, I would argue that this elevates the intention of the space.

24:21The juxtaposition between control and chaos.

24:24You have good eyes, Ms. Brooks.

24:27Follow me.

24:34Your second task for the client.

24:37Master bedroom and nursery.

24:40Oh.

24:41The client's a family man.

24:42We don't discuss the client.

24:45Only satisfy their needs.

24:48Would you like to see your designs?

24:50Is it not what you thought?

25:11No, it's...

25:12It's not that.

25:16It...

25:17The power went up.

25:18There's no signal.

25:19Yeah, the...

25:20Soundproofing they put up, uh...

25:22Cuts signal.

25:24What?

25:25No.

25:38It's not funny.

25:39I'm not laughing.

25:41How long until someone notices that we're gone?

25:43I don't know.

25:44An hour?

25:46Maybe two?

25:47Is it Nora?

25:48The client?

25:50What?

25:51No.

25:52You're not supposed to ask about the client.

25:54Just tell me.

25:55No.

25:56It's not.

25:57Is she...

25:58More?

26:00I built this room because I believed in your vision.

26:04I cleared your schedule.

26:06I cleared your stressors.

26:08All because...

26:10I wanted you.

26:11I was already...

26:36I...

26:37Sir, your seven o'clock is waiting upstairs.

27:01Tuck your shirt in, sir.

27:07I know. I know.

27:12Who the hell are you?

27:15Calm down, sweetie. Put Crumpet down.

27:20Listen, sweetie. I work for Mr. Mercer.

27:23He hired me to take care of your grandpa and Crumpet until you return.

27:27Sweetie, what are you doing home?

27:29What am I doing?

27:32This is Agnes, my nurse. She's taking care of me.

27:35Oh, I'm sorry. I'm so embarrassed.

27:42Um, hello?

27:44Why are you in your apartment?

27:46If you're there, there's no need for Agnes to stay employed.

27:49Cece, you're ruining my chances.

27:51Go back, Cece.

27:52Oh, okay, okay.

27:54Everything's all right. Agnes has taken very good care of me.

27:57Okay, okay, Pappy. I'll go.

27:59Um, it was nice meeting you, Agnes.

28:02Nice to meet you, dear.

28:03What the hell?

28:15He has a girlfriend?

28:23What was I thinking?

28:24What the hell?

28:37What the hell?

28:38Oh, boy.

28:43Huh?

28:44Gotcha now, bitch.

29:08I found her address.

29:14Sterling.

29:29Sterling, can we talk?

29:30I don't have the time, Miss Brooks.

29:32Sterling, it's important, please.

29:33Well, I'm dealing with something.

29:34Figure it out yourself.

29:44You might want to ask me why I'm here, you psycho.

29:48I don't give a damn what you have to say.

29:51I don't trust you.

29:52Well, maybe you should start.

29:54Because I know a dirty little secret about you.

30:00You're about to be broke.

30:04I'm here to offer you a buyout.

30:07Get out.

30:08Hear me out.

30:10Instead of your accounts being compromised, facing bankruptcy, and becoming the embarrassment of architecture,

30:17we could merge as Hale Mercer.

30:21Even has a nice name.

30:23Oh, you're way out of line.

30:24Am I?

30:26Because someone pretty close to you seems to be worried about you.

30:29Besides, if you don't accept this buyout, I'll publish the information, and Mercer Designs will go bye-bye.

30:39Is that a threat?

30:40Think of it.

30:42Or of a bribe.

30:48Get the hell out of my property.

30:50And out of my sight.

30:52Now!

30:59Miss Brooks, in my office immediately.

31:09Are you sure you want me in there, or not your other woman friend?

31:12What are you talking about?

31:13Hand me your sketches.

31:17I have designs, but they're not the originals.

31:20The originals are missing or lost.

31:23What do you mean, lost?

31:24I finished the designs last night, and I fell asleep, but when I woke up, they weren't in my room anymore.

31:29You're lying.

31:30I'm lying?

31:32Why don't you tell that to the next girl you bring over?

31:36Excuse me?

31:37You're so careless.

31:38Careless?

31:39Me?

31:40I'm pretty sure you're the one who's talking about losing sketches.

31:43Something you won't have to deal with anymore.

31:47Marley's going to be taking you to the project mansion.

31:50Hopefully you can figure out your sketches problems there.

31:54You may go.

32:01Take her and her belongings to the project mansion.

32:04Anything I should know, sir.

32:06She can't be trusted.

32:09And check the cameras.

32:11We have them all.

32:13Yes, sir.

32:18Miss Brooks.

32:21What are you doing here?

32:22Well, um, I, uh, had to get some artwork for the client.

32:31You don't trust me.

32:33That too.

32:35You're not trusting me?

32:37You were the one with another woman after all that, I did this all for you bullshit.

32:41Okay, what woman are you talking about here?

32:43You can't lie to me.

32:44I saw you with her.

32:45I saw you with her.

32:46Okay, okay, okay.

32:48If it makes you feel any better, I...

32:49I promise I'm looking into her.

32:55You promise?

32:58I promise.

32:59I promise.

33:00You're the one with another woman after all that, I don't know what you're saying.

33:18I thought you didn't trust me.

33:20That you were mad at me?

33:21No, you're too hard to receive.

33:22I don't know what you're saying.

33:52You cut right through.

33:54Every look says what you do.

33:58Pull me under soft and deep.

34:01You're the secret I can't keep.

34:04Breath on glass, you trace my name.

34:07No one else can play this game.

34:10You don't ask.

34:12You just take.

34:14And I give.

34:15And I pray.

34:18Well, hello.

34:20I'm here for Mr. Brooks.

34:21I'm sorry, what exactly is this for?

34:23I'm the treatment nurse.

34:25I'll be taking him to his appointment for today.

34:27Oh, Mr. Brooks doesn't have an appointment today.

34:29I can assure you he does.

34:34Well, thank you for coming.

34:36Can I bring Crumpet?

34:38Yes, Mr. Brooks.

34:39Bring the cat.

34:40Hello, Cecilia.

35:02I'll need your full cooperation.

35:04I have something of yours you might want back.

35:06Now that I've got your attention, I need a little favor.

35:10Bring me Mercer's Legacy One design.

35:12You can't do this.

35:14But see, I already have, sweetheart.

35:16Give me the designs.

35:18Tell Sterling and your sweet old pappy guys.

35:21And your little cat, too.

35:22Your choice.

35:23I've been reviewing project management assets.

35:27You're four days late on the Hudson property.

35:29The client is not happy.

35:31Mr. Mercer is not happy.

35:34Pick it up or I'll give your work to her.

35:35She's three days ahead.

35:38Is that a personal email?

35:39Sweetie, you don't have to do this.

36:00Too late, old man.

36:02Who the fuck are you?

36:04Your worst nightmare.

36:06Baby.

36:07I'm so glad you made it.

36:09I set all this up for you.

36:12This better work.

36:16No, no, you won't.

36:39Show me the video.

36:56Yes, sir.

37:00She knew how to evade the cameras.

37:02I can't identify her, but we knew her enough to let her in.

37:07Keep this video between us.

37:09Yes, sir.

37:10Cecilia.

37:24Cecilia.

37:25Sterling.

37:26You're not working from home today?

37:27What are you doing here?

37:29Who have you been talking to?

37:31No one.

37:31I just, I needed to pick up some paint samples and this was on the way.

37:35On the way to what?

37:37We're like 20 miles south of home.

37:40I'm getting my necklace cleaned.

37:43So if you can't find me or track me for any reason, that's why.

37:49Why do you need your necklace cleaned?

37:56I've just been working a lot.

37:58The drafting table is super dusty and I don't want to get messed up.

38:03It's a woman thing.

38:04I'm trusting you right now.

38:13I know.

38:28What the hell is going on?

38:34Good girl.

38:50Right on time.

38:53Well, don't hesitate now, sweetheart.

38:55Or they're dead.

38:58Come on, Cecilia.

38:59Do it.

39:00Do it.

39:00Sterling Mercer's legacy designs.

39:08Just like I asked.

39:10Oh.

39:11Sterling, you won't even know what hit you.

39:14Now let my grandfather go.

39:16He's all yours.

39:18A deal is a deal, pretty lady.

39:25Cece, don't!

39:26Get out of here!

39:27Look, look!

39:30I've had a change of heart.

39:46Please.

39:48No.

39:49This way.

39:50You really know how to tie the room together, darling.

40:04Sterling has my location.

40:06You have no idea what you're in for.

40:07Oh.

40:08But I think I do.

40:11You see, when that timer goes off,

40:14you and that little tracker

40:17and this entire place will go bye-bye

40:19and then that will pave way

40:21for the construction site

40:22of all hail designs.

40:25He'll find me.

40:26And when he does...

40:27That's very unlikely, Cecilia.

40:30Now that Sterling has this video,

40:33no one's coming to save you.

40:35Screw you.

40:37Screw both of you!

40:38But I almost have everything I need.

40:44His financials, his accounts.

40:47You see, the only thing that is missing, my dear,

40:52is the contact for Sterling's project mansion.

40:55What?

40:56Why does that matter?

40:58Well, once I have the contact,

41:01I can put in a bid under his.

41:05Therefore, Mercer will no longer have any names

41:07attached to any property.

41:11That will never happen.

41:17Who's the client?

41:20How much was the bid offer?

41:23I don't know.

41:26Will you remember?

41:29Trust me.

41:30Even if I did,

41:32I wouldn't tell you.

41:42So,

41:43tell me,

41:45who is the client?

41:48He took care of my family.

41:50I'm never going to sell him out.

41:56Unless you forget, sweetheart.

41:58You already gave me the plans.

42:02So, therefore,

42:03you are already a betrayer.

42:05Promise?

42:06I don't know anything.

42:09Hmm.

42:10Well, I can see that you're a lady of your word,

42:13which makes it kind of hard to believe you.

42:15So,

42:17tell you what,

42:18this is how it's going to go.

42:19You're going to tell me,

42:22and then you,

42:24Pappy,

42:24and little Kitty

42:25can go free

42:27while Mercer Designs burns to the ground.

42:31Or,

42:32I could kill you

42:35right here.

42:37Right now.

42:39And Mercer Designs falls anyway.

42:41Okay.

42:46Decisions,

42:46decisions,

42:46darling.

42:47Wait, no!

42:47No, I'll tell you!

42:48I'll tell you anything you want to know.

42:49Please,

42:49just don't touch him!

42:51I'll tell you!

42:52I'll tell you!

42:53Tell me

43:02everything.

43:06I don't...

43:08I don't know a lot.

43:09I just...

43:11I know she's very private,

43:13very secretive.

43:15She only talks to Sterling.

43:17She's an older,

43:19conservative woman.

43:21Liar!

43:23That night that I dosed Sterling

43:25with that sleeping elixir,

43:27I found your little project mansion

43:30and that newly built BDSM room.

43:33Oh,

43:33and then all the plans

43:34that I stole from Cecilia's bedroom?

43:36They were for a nursery.

43:38Both rooms that an elderly woman

43:40wouldn't need in a new home.

43:42You drugged him?

43:43Yes!

43:43I drugged him!

43:50And then,

43:51I ransacked his mail.

43:53It's where I found you,

43:55your address,

43:57and your little cat, too.

44:03Well then,

44:04looks like you chose...

44:07Oh!

44:09Oh, I'm sorry,

44:10my sweetness,

44:11but our short little affair

44:13is over.

44:15Excuse me.

44:16Well,

44:17obviously,

44:19I don't need your services

44:20any longer.

44:22Besides,

44:24I don't

44:24do

44:25witnesses.

44:33Sterling,

44:33help me,

44:34please!

44:34Sterling, wait,

44:35it's a trap!

44:36No!

44:36Sterling,

44:37please,

44:37you have to help me!

44:38Watch out!

44:38Tell me how to disarm it!

44:48Now!

44:51Black wire!

44:59You little bitch!

45:00Nora,

45:01stop!

45:01Put down the knife!

45:03She kidnapped me!

45:04I've been waiting here

45:05for hours for you!

45:06Put down the knife!

45:08Come on,

45:08let me at her one last time!

45:10She betrayed you!

45:11She's the one

45:12who gave up

45:12the Legacy One

45:13and the third floor!

45:16Wait,

45:16how do you know

45:16about the Legacy One project?

45:17That was confidential.

45:19That little bitch,

45:20she told Vincent

45:21everything!

45:22No,

45:23she's lying!

45:24It's all because of her!

45:28She drugged you!

45:29No,

45:29I didn't,

45:30you bitch!

45:31When I thought

45:32I saw you

45:32with that woman?

45:34Then now you

45:34lost the designs.

45:36No!

45:37No,

45:37that wasn't me!

45:38Okay,

45:39Vincent made me do it!

45:40He said he threatened

45:41my family!

45:42I had no other choice!

45:44I don't believe you.

45:46Arrest her!

45:48No!

45:51Stop the knife!

45:52They saved you,

45:57please!

45:57You have the right

45:58when you're silent!

46:00Anything you say

46:01can't move against

46:01you and you're going to fall!

46:04Wait,

46:04no,

46:04I'm timeless.

46:05I'm so sorry!

46:07It's okay,

46:08it's okay.

46:08But I gave him

46:09your designs,

46:10I didn't know

46:10what else to do.

46:11I was trying

46:11to save them.

46:12I didn't mean to.

46:13You're safe,

46:14you're safe.

46:15Okay?

46:16Vincent will be able

46:17to touch the project.

46:22I'm so happy

46:26you found me.

46:26I thought...

46:28Always

46:28I'll find you.

46:31How?

46:36Because I know you.

46:38That moment

46:39in the parking lot,

46:40I knew

46:40from your eyes

46:42that you needed me.

46:48I will always

46:49keep you safe.

46:53Hey,

46:54hey,

46:54would you two

46:54take it someplace else?

46:59Sorry,

46:59Babby.

47:00I'll take you

47:00and Crump at home.

47:01Oh,

47:07thank goodness

47:08you're okay.

47:10I want to tell you

47:12something,

47:12sweetheart.

47:13I love Agnes.

47:14I really mean it.

47:16Okay, Babby.

47:17Just get some rest.

47:18I mean it,

47:19Cece.

47:20When a man knows,

47:21he knows.

47:25Agnes,

47:26it's been a long time

47:27since I've met

47:28someone as caring

47:28as you.

47:29and I'd like you

47:31to be my wife.

47:33Yes!

47:35I love you,

47:36Agnes.

47:45Marley,

47:46what are you doing here?

47:47Miss Brooks.

47:48Mind coming with me?

47:50Will you give me a second?

47:51I want to change first.

47:59I want to change first.

48:29This is really beautiful.

48:43We work well together.

48:45I'm glad you think so, Cecilia.

48:49Yes, Sterling?

48:52I have something I need to tell you.

48:56About?

48:57There isn't a legacy, Kalaya.

49:01Well, there is, but...

49:04It's not who you think.

49:07I don't follow.

49:11It's me.

49:12What?

49:13This... this is my legacy.

49:18Come here. I need to show you something.

49:27I made this for you.

49:32Wait one second.

49:41I thought if we put them next to each other, it would create balance.

49:48Balance?

49:48But then you came in.

50:07You're kind.

50:09Bold.

50:11Intuitive.

50:13Sterling.

50:13Beautiful.

50:15Beautiful.

50:17You gave this place a soul.

50:22Cecilia Brooks.

50:26Would you share the love we built together?

50:31Yes.

50:32Yes, Sterling.

50:41I said yes to you

50:44To forever, too

50:47To every dream

50:49We're walking through

50:52Who?

50:53What?

50:54Am I%,

50:54Sorry.

50:55To every dream

50:56Amen.

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