- 2 days ago
Nina, an art dealer, has her weekly massage appointment and is surprised to find out her usual masseur, Douglas, has sent a replacement named Fitch.
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Short filmTranscript
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00:03:59Great, Deed. I mean, there you are. You're standing right in front of me.
00:04:04Hi, Nina.
00:04:06Hello, Deedee.
00:04:07How was your day?
00:04:09Very pleasant, in a grim sort of way.
00:04:16So, how are things around here?
00:04:19Oh, did that, uh, what's his name, that strange, bald lawyer call?
00:04:24No.
00:04:25How about Douglas? Did he reconfirm for this afternoon?
00:04:27No, don't call.
00:04:29Well, if he ever does call me here, it's fine to give him the number in the car, not the lawyer.
00:04:36Oh.
00:04:37He represents Murphy, the artist that I'm showing next month.
00:04:41Douglas already has the number.
00:04:42Which means he must still be coming, since he didn't call.
00:04:48Well, yeah.
00:04:51So.
00:04:53What?
00:04:53Oh, how were things around here, you were about to say?
00:04:58Gardener King.
00:04:59And how is Mr. Lee?
00:05:00He cleared out that underbrush where you asked about.
00:05:03Good.
00:05:04He did the deep root fertilization, too.
00:05:07I paid all the bills.
00:05:08The checks are on your desk.
00:05:09All you have to do is sign them.
00:05:11And I bought some haddock from the fishermen this morning.
00:05:13I made a curry sauce to go with it.
00:05:14All you have to do is pop it in the oven and ask the directions.
00:05:18And you'd like to go home now?
00:05:21Go.
00:05:28Oh, uh, Mr. Lee said he won't be back again for three weeks.
00:05:33He has to go to Taiwan.
00:05:34I think he was trying to tell me some family thing.
00:05:36No doubt.
00:05:37You want to know if you wanted his nephew to come back the next two weeks?
00:05:40Uh, you said yes, I hope?
00:05:42You're a good little wife, Dee Dee.
00:05:43Every woman should have one.
00:06:13She picks up a lot.
00:06:14Yes, I think we do.
00:06:15I know.
00:06:20You're a good girl.
00:06:30Okay.
00:06:35Doesn't it change the word?
00:06:36No.
00:07:06Hmm.
00:07:36Hmm.
00:08:06Hmm.
00:08:08Hmm.
00:08:18Hmm.
00:08:34Can I help you?
00:08:48Hi.
00:08:50Yes?
00:08:52I'm Fitch.
00:08:54Fitch.
00:08:56Fitch?
00:08:58I'm here for your appointment.
00:09:00Well, where's Douglas?
00:09:02Didn't he call you?
00:09:04Said he was going to.
00:09:06He said he would call you.
00:09:09To tell me what?
00:09:11Couldn't make it.
00:09:12Douglas.
00:09:13That's what he said.
00:09:15So, where should we set up, Nina?
00:09:18Well, wait, wait, wait.
00:09:20Just a minute.
00:09:22We're, uh...
00:09:24We're usually this way, but where is he, do you know?
00:09:27Who?
00:09:28Douglas.
00:09:30Didn't come up?
00:09:32I don't understand.
00:09:33My assistant confirmed the appointment.
00:09:36Um, listen, the thing is, I'm...
00:09:39I'm really very accustomed to working with...
00:09:43The sun also rises.
00:09:45I liked it.
00:09:47Well, you see, I'm very accustomed to working with him, Douglas.
00:09:51And the thing is that I like him.
00:09:54I really like him, and, um...
00:09:57Well, it takes time, at least for a woman, you know,
00:09:59it really takes time to feel comfortable,
00:10:01really comfortable with a man who, you know, really...
00:10:04Doug's got the touch.
00:10:06Without even picking up a phone or...
00:10:19Douglas.
00:10:21When you have a relationship with someone, a business relationship,
00:10:24we go back, he and I, you...
00:10:26You expect some consideration.
00:10:28He seemed to be in a rush.
00:10:30He's very young.
00:10:32He's not so terribly young.
00:10:35No, not so young, but...
00:10:37He is young. Younger than he thinks he is.
00:10:40Besides, he could have not called either one of us.
00:10:43He's very talented.
00:10:45He is. Good-looking kid, too.
00:10:48Women seem to go for him.
00:10:50A lot of his clients are women.
00:10:52Most, really.
00:10:55Outside's nice.
00:10:57Especially if you have some privacy, and you have some privacy.
00:11:01Douglas does me outside.
00:11:04It's really hard.
00:11:05I don't imagine if you don't.
00:11:07Twice.
00:11:09You dig it.
00:11:10You do.
00:11:17It's cold out here right now.
00:11:20Well?
00:11:21What would you suggest?
00:11:23Some dark and quiet place.
00:11:26I was in such a hurry getting over here.
00:11:29I've got my oils and things.
00:11:32But as for cows and sheep, I'll need some.
00:11:36All right.
00:11:37I left some stuff in the car.
00:11:49Oh my god.
00:11:50Oh my god.
00:11:51I'm in such a way.
00:11:52You know?
00:11:53Bitch.
00:12:23Fitch?
00:12:29Fitch?
00:12:33Fitch?
00:12:38Fitch?
00:12:53Fitch?
00:12:56I'm fascinated with things.
00:12:59That is, I'm fascinated with the fascination with things.
00:13:03This is my bedroom.
00:13:05I thought it might be.
00:13:12My mother had a spectacular jewellery collection, as I recall.
00:13:18I wanted to wash up.
00:13:20When I happened to walk by...
00:13:24Thanks.
00:13:26Well, I wanted to wash up.
00:13:50What massage is about in the end is healing.
00:13:55There are ways to heal people without words or prayers or drugs.
00:13:59That's it.
00:14:00That's the essence.
00:14:02I never really gave it much thought.
00:14:05Healing.
00:14:07Massage, in those terms.
00:14:08Try not to over-intellectualize the years.
00:14:12It makes life so great.
00:14:14I'm, uh...
00:14:15I'm more intuitive, I think.
00:14:19How old are you?
00:14:20Why do you ask?
00:14:25I don't know, why not ask?
00:14:27I mean, you never learn anything if you don't ask, right?
00:14:30Older than you.
00:14:32The laying on of hands...
00:14:34There's power in it.
00:14:36But in our culture...
00:14:38There are so many Western prejudices against illness and healing.
00:14:41We're really pretty tight arsed, medically speaking.
00:14:43You just think about it.
00:14:45When was the last time your doctor really touched you?
00:14:48I don't mean probed or examined you.
00:14:51But touched you.
00:14:53Well, if it never happened, it was too recent.
00:14:56I don't like doctors.
00:14:58That's because they consult with you.
00:15:00They talk with you over the phone.
00:15:02Or they prescribe drugs.
00:15:04Or they prescribe drugs.
00:15:06But they don't personally heal you.
00:15:08They leave that to time, or to chemistry.
00:15:11I don't like doctors because I don't like doctors because I don't like doctors.
00:15:15I don't like doctors because I don't like doctors.
00:15:19or they prescribe drugs
00:15:22but they don't personally
00:15:25heal you. They leave that to time
00:15:28or to chemistry.
00:15:30I don't like doctors because
00:15:32I don't like doctors.
00:15:35You've known Doug how long?
00:15:39Not long.
00:15:40Long enough to like him?
00:15:43How long does that take?
00:15:47It goes back
00:15:49to the ancients, you know.
00:15:52What's that?
00:15:54Massage.
00:15:56Maybe even earlier
00:15:57some historians think.
00:16:00The Greeks
00:16:01were mainly into massage as a
00:16:03treatment, a healing aid.
00:16:07They have
00:16:07records with people like Socrates and Plato
00:16:09being massaged
00:16:11daily and Plato lived to 104.
00:16:14Socrates did not.
00:16:16But the Romans
00:16:18being who they were
00:16:19essentially Italians
00:16:21without the loafers
00:16:22were the first to come up with the idea of
00:16:25massage
00:16:26as a form of foreplay.
00:16:29Courtizans became
00:16:30quite good at it.
00:16:32They became part of the transaction
00:16:33finally.
00:16:34Well, you don't have to be a rocket scientist
00:16:36to make the connection.
00:16:38Massage is sexual.
00:16:39Very sexual.
00:16:42Can be.
00:16:42Doesn't have to be.
00:16:44Shouldn't always be.
00:16:46Mom,
00:16:47I wasn't talking about a sweating,
00:16:50screaming, orgasmic epiphany.
00:16:51It's just that you're lying there naked.
00:16:53Someone's touching you in places
00:16:54you sure wouldn't let your father touch you
00:16:56and it's arousing.
00:17:00Um.
00:17:04This is my desk.
00:17:06It's a form of communication.
00:17:08You just have to make sure
00:17:09you're both speaking
00:17:10the same language.
00:17:14Well,
00:17:15looks like we're
00:17:16ready to get started.
00:17:18We've already started.
00:17:20What do you mean?
00:17:21Well, most of any massage
00:17:22worth having
00:17:23takes place in their head
00:17:24and I'm sure you've been preparing.
00:17:27Why?
00:17:28You in a hurry?
00:17:30No.
00:17:36Funny little thing, eh?
00:17:37Maybe you'd like some music.
00:17:42What happened to that music
00:17:43you were playing
00:17:43before you turn it off?
00:17:45I'll find something.
00:17:46I'll find something.
00:18:07when you're out.
00:18:12Uh-oh.
00:18:13Uh-oh.
00:18:19Uh-oh.
00:18:20Uh-oh.
00:18:20I'd say we're ready.
00:18:50So what are we working on, Nina?
00:19:08Any complaints, maladies?
00:19:10Any part of the body needs special attention?
00:19:13The part that starts with my hair line and ends with my toes.
00:19:20It's my job, you know.
00:19:35You were going to say something about how tense I am.
00:19:40Douglas is always telling me how much tension I have,
00:19:43especially in my upper back and shoulders.
00:19:47It's all because of my job.
00:19:50I have a gallery.
00:20:05Well, a couple of them, actually.
00:20:07One here in town, off Melrose.
00:20:10One in New York.
00:20:11Rebecca.
00:20:14Anyway, it's your business, your baby.
00:20:17You know what they say about responsibility falling on your shoulders.
00:20:22It's best not to talk too much.
00:20:25Was I talking too much?
00:20:28Well, it's your message.
00:20:28You can do anything you like.
00:20:31You really should try to relax.
00:20:34You can't keep going all the time.
00:20:37Or is that what the people at work do?
00:20:40Hmm.
00:20:41People I work with, relaxation is limited to what they can purchase in a vial.
00:20:45Say it's working already?
00:21:07Well, no, it's mine.
00:21:07I understand that.
00:21:20Oh...
00:21:20Hmm.
00:21:22Hmm.
00:21:23about 400 gauss potency perfect for those hard to treat areas
00:21:41now you really must visit my gallery a very interesting installation going in next month
00:21:50i think you should see what's that it's a history of women's fashion as a form of bondage
00:21:57come see it you'll enjoy it it has a point of view ironic satiric point of view exactly
00:22:06well i'll tell you and this is why so much of art today is so pointless that what we
00:22:11actually our society suffers from is a kind of bankruptcy of spirit well i'm sure people have
00:22:18said something like that as long as there's been people around to say it yeah except this time
00:22:21it's true i'm sure they said that too
00:22:34if you're talking about today the way we live it's fear that's what defines us this yours
00:22:40fear of change fear of the future technology changing things faster than people can take it
00:22:53in turns us into strangers everyone that's why people create the art they create bad faith
00:23:00what is blaming someone else something else technology as though we had no responsibility over
00:23:08ourselves our actions yeah so what would you suggest i suggest we look inward all of us
00:23:16for starters and then i suggest we look outward
00:23:21then do we all sit around cross-legged humming like gnats we could we might why not
00:23:32or else we could just go out and kill all the gallery owners
00:23:35what do you think of it
00:23:50where do you show
00:23:54where do i show
00:23:55do you have any family fitz wife children
00:24:07mother father
00:24:11gone now they've been dead a while i have a sister back in sydney
00:24:17i try to stay close to my family it's important don't you think
00:24:21my sister's in boston my brother's in georgia somewhere my parents are retired in florida but
00:24:28we work at it it's important don't you think
00:24:35i think so family staying close
00:24:40what makes you think that think what a bankruptcy of spirit is that really what we're about
00:24:48call it what you like the essence of it is is that we have lost our way
00:24:53as a civilization spiritually i'm saying i've been around and the one thing i've learned is we don't
00:24:59know what we don't know
00:25:18what we're going to do
00:25:24my work i suppose has a spiritual side to it
00:25:28each artist is unique
00:25:30each has individual needs
00:25:34where do i show
00:25:39people like me don't show anywhere
00:25:41i'm not in fashion
00:25:54of course there is a little matter of compensation
00:25:58people understand that when they come to me
00:26:01usually that's why they come to me
00:26:04artists are rarely as concerned with the idea of their
00:26:07they're earning a living as everyone else seems to be
00:26:26oh nina
00:26:27what's this
00:26:33it's a shiatsu thumb for when i get tired
00:26:46so what's the um spiritual side to your way
00:26:52this is not too hard for you is it mayna
00:26:53why do you ask
00:27:01i had aspirations artistic aspirations except i saw myself up on stage somewhere as a performer
00:27:12only problem was i couldn't sing or dance
00:27:16i quit audition
00:27:17you see my gift is i know how to sell
00:27:22now kneel up head this in
00:27:29and what happened to him
00:27:31who knows really
00:27:38like this
00:27:38i like what i do
00:27:45where i've ended up
00:27:48who i am
00:27:49i get enormous satisfaction from it
00:27:55you happy fitch
00:27:57happy
00:28:00well you said you've done all this traveling around
00:28:02i was just wondering if it made you happy
00:28:15made me a better person
00:28:17sure i suppose so
00:28:19happier than most people if that's what it's about
00:28:23but there's more to happiness
00:28:26than just being happy
00:28:27meaning what
00:28:35well to most people
00:28:37the culture of civilizations the idea of happiness is not some trivial thing
00:28:41it's not a good job or a new car in the drive
00:28:45it's something else entirely
00:28:48something spiritual
00:28:57it's not a good job
00:29:08sometimes what's wrong
00:29:10is what you'd call illness
00:29:13but other times it comes from outside
00:29:19drawn by our own evil thoughts and those of it too hard
00:29:22what's this
00:29:26mushroom tea
00:29:28it'll cleanse you
00:29:30and that way
00:29:32he can see the source of the trouble
00:29:34and the hope you say
00:29:36the actual face of the two heart who's causing it
00:29:41tell me you've got a crystal in that bag of yours
00:29:44no
00:29:45i guess i could stand to know the two hearts causing me my pain
00:29:49works though
00:29:50this kind of healing
00:29:52modern medicine and any science when you think about it
00:29:56is a belief system
00:29:58a religion
00:30:00like any other religion
00:30:02medicine works because we believe it will work
00:30:05you know sometimes it just works
00:30:08and a lot of times it doesn't
00:30:09and the medicine man is this is crystals
00:30:23this is the teaching crystal
00:30:38this is the shaman's crystal
00:30:40he looks through it
00:30:45at each of the centers
00:31:02cool
00:31:10the
00:31:15they understand themselves
00:31:17the hope is
00:31:26i like clergymen even less than i like doctors
00:31:30that's because you worship at the temple of art
00:31:32which is a whole lot like the temple of science when you get down
00:31:35your god is a jealous god the most jealous god of all
00:31:43and a god of reason
00:31:44oh what do you suggest that i convert
00:31:47become a hopi mystic
00:31:50can you do that by the way
00:31:52convert to another race
00:31:54point i was making really is that
00:31:57without realizing it
00:31:59we've given up one form of mysticism for another more socially acceptable form of mysticism
00:32:04you know i don't know about you but i've never seen a black hole or a quark they may exist they may not
00:32:10personally i have no way of knowing what i do know is
00:32:14that i've seen hopis walk away healed by a medicine man using no more than a pair of hands
00:32:19and a few crystals
00:32:21christ you're patronizing
00:32:24all i'm saying is that
00:32:26we everyone
00:32:29have replaced the system of belief with a system of disbelief
00:32:33and that it's found its way into everything we do and think we've lost our capacity for wonder
00:32:39and this is the insidious part
00:32:41no one even knows it's happened
00:32:43except for you
00:32:44they understand themselves the hopis
00:32:59i just got it
00:33:09what do you think
00:33:10it doesn't matter what i think
00:33:17well what do you mean it doesn't matter what you think i
00:33:21i want your opinion
00:33:26there's only one reason to do art it needs to be done
00:33:29you did it so why discuss it
00:33:35oh come on i just wanted to know what you think
00:33:39where have you been fitch in your travels
00:33:46what places and i can sometimes remember
00:33:48or wherever the spirit takes me the far east africa
00:33:52a year with the aborigines in australia
00:33:56sort of massaged away from one end of the world to the other huh
00:33:59i envy that
00:34:02while traveling the world
00:34:04having no responsibilities
00:34:06no responsibilities
00:34:08just the opposite i think
00:34:11why did you come here tonight
00:34:13why wouldn't i
00:34:15the far east africa aborigines
00:34:19i'm not your style
00:34:21dug up
00:34:23did he
00:34:24i like him
00:34:28he said of all the people he knew
00:34:30you were the one who was most
00:34:32what
00:34:34adrift
00:34:37adrift
00:34:38that was the word
00:34:42why would he say that
00:34:43doug's got the touch
00:34:47and what do you suppose that means adrift i mean
00:34:50what does that mean
00:34:51your heart your spirit you're searching
00:34:57how would he know he's a kid
00:34:59not as much of a kid as he thinks he is turn over
00:35:04all my life it's been the same thing
00:35:08men refusing to see me for what i am
00:35:11projecting their idea of who i should be on me instead
00:35:15now even the guy who does my massages
00:35:18wants me to be something i'm not
00:35:20and what's that
00:35:22a tormented career obsessed woman
00:35:24i mean why not take a little risk
00:35:27and actually get to know someone on a more complex level
00:35:32i really thought more of douglas
00:35:34i know he's your friend but
00:35:37i really thought more of him
00:35:38so is it a risk
00:35:41what
00:35:41complexity
00:35:44just now you said he wouldn't risk knowing you on a more complex level so is
00:35:49complexity dangerous
00:35:51isn't it
00:35:53well you said it was
00:35:55it is getting to know someone is always a risk
00:35:58in what way in every way in every conceivable way
00:36:12i'm not sure i get it
00:36:26i find myself thinking about you all the time
00:36:42is that a bad thing
00:36:47that's what i was gonna ask you
00:36:51is everything in your life always so complicated
00:36:54no
00:36:57just the important things
00:37:07i think
00:37:11i think
00:37:12i think
00:37:13i think
00:37:15Intimacy, whether it's emotional or intellectual or sexual,
00:37:38I think it can be very threatening.
00:37:41Threatening or a risk?
00:37:44Semantics?
00:37:46Christ.
00:37:48No, I'm just trying to understand you.
00:37:49You said Doug didn't.
00:37:51So I'm trying to.
00:37:53Lay down.
00:37:55That's what these are for.
00:38:08Colors draw things out of you, even in silence.
00:38:11Well, as much as a man might be tempted, I don't think he's going to bolt for the door the minute he's had sex with his wife.
00:38:20Obviously, you don't think I can.
00:38:22That's how Doug always does it.
00:38:24Yeah, but Doug can get away with it.
00:38:27Get away with it how?
00:38:29Being gay.
00:38:34Gay?
00:38:35Doug.
00:38:37You knew he was gay?
00:38:39Of course.
00:38:41You said you did.
00:38:43Yeah, sure.
00:38:45He's usually very upfront about it.
00:38:47Very upfront.
00:38:48That's how he and I met.
00:39:02He thought I was gay.
00:39:04Well, actually, a friend of his I worked on, he thought I was gay.
00:39:07You're not?
00:39:10No.
00:39:12But Doug thinks everybody's gay.
00:39:14That's part of his charm.
00:39:18I think he's bisexual.
00:39:19In some half-arsed way.
00:39:22Nevertheless.
00:39:25How?
00:39:27Well, it was all the same to her.
00:39:29Classical music.
00:39:31Classical art.
00:39:33Didn't matter who or what it was.
00:39:34It was all lovely.
00:39:37The woman, and I've almost come to admire this about her over the years,
00:39:42didn't have a critical bone in her body.
00:39:46She was the type of person they created public television for.
00:39:50One night, it was one of these Saturday night deals and there was a very important client coming.
00:39:57All the men were supposed to wear black tie.
00:40:02About ten minutes before the guests were to arrive,
00:40:06I came downstairs dressed, ready.
00:40:10My father took one look at me.
00:40:15And let's say he wasn't pleased.
00:40:18Why?
00:40:20It was my bow tie.
00:40:22He said that by wearing one of those clip-on bow ties, I was humiliating him beyond humiliation.
00:40:29He said that a real gentleman ties his own tie.
00:40:34You look like a bus boy.
00:40:36That's nice.
00:40:39You were how old?
00:40:42Seventeen.
00:40:44But he wasn't ranting, you have to understand. Never.
00:40:48What did you do?
00:40:50I pulled the tie apart.
00:40:52What do you mean?
00:40:53Well, it wasn't a clip-on, you see.
00:40:56It was one of your standard J-Press bow ties.
00:40:59I'd tied it so well, I'd done it so perfectly that it looked too good.
00:41:07What did he do then?
00:41:09He told me to retire.
00:41:10Retire?
00:41:15Retire?
00:41:16Retire?
00:41:40That's it?
00:41:41That's it.
00:41:42No.
00:41:46Heat, like a hot bath, can sometimes stimulate or relax.
00:41:59This is a kind of Japanese acupuncture where we use heat instead of needles.
00:42:05And we put it on here.
00:42:10And we put it on here for nervous tension.
00:42:16How about you?
00:42:20How about me what?
00:42:23Married?
00:42:25No.
00:42:27Never?
00:42:29Never.
00:42:30Close?
00:42:32Maybe, I suppose so.
00:42:34Depends how close you mean.
00:42:37A serious relationship.
00:42:39A meaningful relationship.
00:42:40You've had one of those, I would hope.
00:42:43I would hope so.
00:42:45But nothing that stirred the old conjugal instinct.
00:42:49An instinct, is that what it is?
00:42:51The desire to mate, sure.
00:42:53The desire to mate is not the desire to marry.
00:42:57No, I suppose not.
00:42:58No more than standing in a firing squad is the same as standing in front of a firing squad.
00:43:05Right.
00:43:07What's getting married about anyway?
00:43:09Two people, swept up in some out of control, delusive kind of passion, swearing to God they're going to stay that way for the rest of their lives.
00:43:16Oh, they are romantic.
00:43:19For me what comes out of an experience isn't nearly so interesting as the experience itself.
00:43:33How many people know passion? I mean really know it.
00:43:35Who was she?
00:43:38How did you meet her?
00:43:52I was running from myself and she wasn't.
00:43:57Some people from the moment they're born, know what their destiny is, they live with it.
00:44:02It's as much a part of them as the color of their eyes.
00:44:08Is it on?
00:44:11It's on.
00:44:13Okay, don't look.
00:44:19I went down to St. James Infirmary
00:44:24To see my baby there
00:44:27She was stretched out on a long white table
00:44:35So cold, so pale, so fair
00:44:40But it makes them a little old too.
00:44:44It's because they understand.
00:44:47Understand what?
00:44:49Everything.
00:44:57You're rich.
00:45:01It's not your fault.
00:45:03That's why you're here.
00:45:06Because you can afford to run away from your problems.
00:45:08Problems.
00:45:18So what happened to her?
00:45:38You're a woman.
00:45:39I know you're doing it at home.
00:45:40No, no, no.
00:45:41You have to wait.
00:45:42Come on.
00:45:48It's not.
00:45:54You're a woman that's on the edge.
00:45:56People drift apart.
00:45:57I mean, I'm not sure you're here.
00:45:59You know, it's definitely not my own problems.
00:46:00People drift apart
00:46:07Not always
00:46:09More often than not
00:46:12You get to a point of knowing a person
00:46:15Then you start asking what's left
00:46:17Or maybe you just think you've gotten to that point
00:46:20Well that's what I found
00:46:22At some point
00:46:25You just realize there are not going to be any more surprises
00:46:28Just decide what it is you want me to do
00:46:35Just decide and tell me
00:46:41And you like surprises?
00:46:45Or is it variety?
00:46:50I don't
00:46:51I don't like surprises
00:46:53I don't like variety
00:46:55Variety is some guy in a leather jockstrap
00:46:58He's just had his nipples pierced
00:47:00Don't think I haven't dated them
00:47:03I guess I shouldn't blame people for what they think of me
00:47:14No more than I blame myself
00:47:16Seeing something for the first time
00:47:34Looking at you
00:47:35What's that?
00:47:39An empty room
00:47:40A locked door
00:47:43So much of what people do is just invention anyway
00:47:56Inventing themselves
00:47:59Inventing their friendships
00:48:01Is that what you did?
00:48:05Invent yourself
00:48:06Didn't you?
00:48:10Poor little rich boy run off to join the Indians
00:48:13You know
00:48:15The most dangerous thing in the world
00:48:19Is to think you've got time to play it safe
00:48:21Is that what it seems like?
00:48:41It's what it is
00:48:42Where do you show?
00:48:51Where do I show?
00:48:58We're alike, I guess
00:48:59You and me
00:49:00You know nothing about me
00:49:07Don't I?
00:49:08Not a thing
00:49:10I know self-indulgence is not self-fulfillment
00:49:14At least I don't go hiding behind things
00:49:17Yes you do
00:49:19In the worst possible way
00:49:21You hide behind your soul
00:49:22Behind all this
00:49:23Ooga-booga bullshit
00:49:24Which it is
00:49:38All relationships are a form of currency
00:49:43I've come to the unfortunate conclusion
00:49:45I'm using you
00:49:47Just like you're using me
00:49:49Using you
00:49:50Using me
00:49:51And on and on it goes
00:49:52The money part
00:49:55It's
00:49:55At least honest
00:49:58Hi, this is Nina
00:50:02At the sound of the tone
00:50:03The voice you hear will be your own
00:50:04Hey Nina, you there?
00:50:08Hey, it's me, Douglas
00:50:09You got an answer?
00:50:13Listen, sorry about the switch
00:50:15But something came up
00:50:17And actually I was just kind of calling
00:50:20To see if Fitch made it by there
00:50:21Look, I know you really like him
00:50:23He's a really decent guy
00:50:24And I don't know
00:50:26Maybe he's already been there left
00:50:27So anyway
00:50:29I will see you same time next week
00:50:31Okay, same place
00:50:32All right
00:50:33Ciao, Bella
00:50:34Bye-bye
00:50:35Thanks
00:50:37Are you mad?
00:50:42Don't be upset
00:50:43You're tense
00:50:45Don't be tense
00:50:46Well, I can't say this is the most relaxing massage I've ever had
00:50:56But it's the best
00:50:58I wasn't being totally honest
00:51:06About what?
00:51:09Men
00:51:10Men and me
00:51:12As much as I choose not to believe it
00:51:16The truth is
00:51:16I've been involved with a lot of them
00:51:18Always more of the same
00:51:20Sorry to say
00:51:22But the middle of last year
00:51:27This man suddenly came into my life
00:51:31Or I guess if I was being totally honest with myself
00:51:34I came into his
00:51:37An artist
00:51:41You have to understand
00:51:44In my world
00:51:45So much is done for effect
00:51:47And here was someone who did nothing for effect
00:51:50He was who he was
00:51:53No apologies
00:51:54He treated me well
00:51:56Very well
00:51:58Better than I treated him
00:51:59And all he expected in return
00:52:04Was for me to be me
00:52:06Even now
00:52:08Especially now
00:52:13Some strange way you're pretending
00:52:17Liking my work
00:52:19Being involved with me
00:52:20And wanting to go to bed with me right now
00:52:22And everything
00:52:23No
00:52:24You couldn't
00:52:26Give yourself up
00:52:28I don't want to
00:52:58it's been a long time
00:53:01a long time since my various husbands blew through my life
00:53:06but still
00:53:09too much stuff
00:53:11you don't want to admit how much people affect you
00:53:16but they do
00:53:17maybe you should, maybe that's the key
00:53:23admitting just how much they are with you still
00:53:30we are alike, aren't we, Fitch?
00:53:53a woman is there
00:54:02miss, miss, miss, miss, you okay?
00:54:21miss, miss, shit
00:54:24okay
00:54:28uh, roger, we're about a few miles south of Colton, right here on Route 4
00:54:33we're going to be heading outside with one fatality female
00:54:37uh, transport you can't stop the fire
00:54:39over
00:54:40copy 2, four, one fatality female
00:54:42close her up
00:54:43uh, yeah, yeah, listen, we're going to need it
00:54:46if it's foggy down there, you can miss that turn very lady
00:54:50you're coming down here, you know
00:54:51I came to a place not long ago
00:54:58it was a lonely place
00:55:02an empty place with no hope
00:55:05and I thought
00:55:06no way out
00:55:08it's a place I could have been lost in forever
00:55:13but slowly I began to understand something
00:55:17that I allowed myself to stay in that place
00:55:21and it was up to me to get myself out
00:55:23and so I chose hope
00:55:25I chose belief
00:55:28I don't knowWr
00:56:50But you can't wait too long or you may find yourself believing in nothing.
00:56:57How do you feel?
00:56:59Good.
00:57:00Very good.
00:57:07Good.
00:57:08Good.
00:57:09Good.
00:57:11Good.
00:57:13Good.
00:57:15Good.
00:57:16Good.
00:57:17Good.
00:57:18Good.
00:57:19Good.
00:57:20Good.
00:57:21Good.
00:57:22Good.
00:57:23Good.
00:57:24Good.
00:57:25Good.
00:57:26Good.
00:57:27Good.
00:57:28Good.
00:57:29Good.
00:57:30Good.
00:57:31Good.
00:57:32Good.
00:57:33Good.
00:57:34Good.
00:57:35was it 100 that i owed you did i say that no that's what kind of charges me i'll make it 50
00:57:45then take it honestly take it 75 then all right 75 with a 25 tip you do like getting your own way
00:57:56don't you what's that it's something we're all looking for and that would be information
00:58:04about you about me and you
00:58:06now i want you to think about not dropping it and that's all i want you to think about
00:58:15not dropping it concentrate try hard and by the time i count to 10 it'll fall from your hand and
00:58:24you'll have no power over controlling it one two three four five
00:58:30keep it where did you learn that sort in a movie once i gotta be going i'd like you to come back
00:58:42next week i'm flattered i'm serious same day what about doug what about him well i don't like taking
00:58:51his gig away douglas is young so so he'll find someone to replace me with women like him that's
00:59:00what you said well it's not as i don't want to come back do you
00:59:05yes then i'll talk to him i'll explain the situation if it's that big a problem i'll have
00:59:13you both come just not at the same time very nice meeting you i hope i wasn't too um what
00:59:22confrontational
00:59:24of course you were i've got to be off
00:59:31of course you have to be off
00:59:44you
00:59:45you
00:59:46you
00:59:52you
01:00:56Is it on?
01:01:08It's on.
01:01:08Okay, don't look.
01:01:38God bless her, wherever she may be, she can search the whole wide world all over.
01:01:51She'll never find a man as sweet as me.
01:01:59I went down to St. James in...
01:02:03I'm going down to St. James in...
01:02:05I'm going down to St. James in...
01:02:09I'm going down to St. James in...
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