- 2 days ago
Category
🎥
Short filmTranscript
00:00Stop, police!
00:07Stop that!
00:10No!
00:12Excuse me!
00:15Terms are you!
00:17What are you sucking down in hell?
00:21Stop!
00:30Perhaps I should explain.
00:41My name is Enola Holmes.
00:44You may remember me.
00:46After solving my first case...
00:49Hello.
00:51I started a business.
00:54A detective agency.
00:57Open and ready for my first clients.
01:01I was going to join the pantheon of great Victorian detectives.
01:05Detective Fields.
01:06Mackenzie Mackintosh.
01:07Sir Alfred Hornblower.
01:09And the infamous Reginald Swain.
01:13And best of all, I would be joining my brother.
01:16I would be his equal.
01:19A detective in my own right.
01:22Worthy of the home's name.
01:26Congratulations.
01:30Or so I thought.
01:33Am I dressing the secretary?
01:40How old?
01:42Stone of crows.
01:43You're young.
01:44But my age is an advantage.
01:45I can go to places others can't.
01:47Explore where others won't.
01:49And I can fight.
01:50I know jiu-jitsu.
01:51But you're a girl.
01:56Yes, I am.
01:58What experience have you had?
02:04The Tewkesbury case.
02:05Well, that was Sherlock Holmes.
02:06That was Sherlock Sherlock.
02:07Sherlock.
02:08Sherlock Holmes, wasn't it?
02:09I assure you, it was mine.
02:11Good man, that Tewkesbury.
02:13Brave that.
02:14Tell me.
02:15Tell me.
02:16Tell me.
02:17Yes.
02:18Might your brother be free?
02:20Read all about it!
02:22Read all about it!
02:23Sherlock Holmes and the case of the Brixton corpse.
02:28So, my brother.
02:30While I had not a single case, Sherlock has been drowning in them.
02:35Though his latest appears to be vexing him.
02:39My mother, meanwhile, is still on the run.
02:44And trying not to draw attention to herself.
02:48Though that's never been her forte.
02:53Yes.
03:11And then there is...
03:14Him.
03:15My Lords, reform is not a task to be accomplished.
03:18Nor a bill that can be passed.
03:20Rather, it is a constant need for change.
03:24Lord Tewkesbury, the champion of change and progress.
03:30A man to approach with the noblest cause.
03:45But I had no time for distractions.
03:47And besides, he's still in Lincoln Poop.
03:50Too many people make it their sole purpose in life to fit into the world around them.
03:57This is a mistake.
04:00It's your path, Enola.
04:03Sometimes you'll stumble.
04:06Sometimes you'll fall.
04:08But no matter how lost you feel, if you stay true to yourself, the path will always find you again.
04:16But my path, it seemed, had come to an end.
04:24I was a failure.
04:25All I could do now is go home.
04:29Enola Holmes?
04:56Yes.
04:57I come to the right place then.
05:01Is it true you find lost people?
05:06Where did you get this?
05:08It's months old.
05:10I found it on the street.
05:11And who have you lost?
05:16My sister.
05:17Watch the gap.
05:34She disappeared a week ago.
05:44Everyone says she's run away, but Sarah wouldn't do that.
05:47Not to me.
05:48She's my only family now.
05:55This way.
06:00The other girls are still at work.
06:05Tea.
06:10Might I see her bedroom?
06:12Ours, you mean.
06:14You're standing in it.
06:19We're lucky.
06:20Most girls here are five to a room.
06:22This might help.
06:31Oh, Sarah likes to leave cheese out for them.
06:36She's soft.
06:37What does she look like, Sarah?
06:43About this tall.
06:46Pretty.
06:47Very pretty.
06:48Green eyes.
06:49Red hair.
06:51Freckles.
06:51Red hair.
06:53We weren't sisters in the usual way.
06:55Found sisters.
06:57Sarah took her in.
06:59Who's this, Bess?
07:01Enola Holmes.
07:02She's a detective.
07:04She looks like she'd blow over in the wind.
07:06May.
07:10So, Bessie, what was Sarah wearing the day she disappeared?
07:15What's she doing?
07:16Shh.
07:17She's wasting her time.
07:19It was her other dress.
07:21The green one.
07:24Does she like reading?
07:26Oh, yes.
07:27She taught herself.
07:29Sarah said you had to learn about the world if she's going to live in it.
07:32Make-up.
07:39Did she have a suitor?
07:41Nah.
07:41But there's plenty of taking an interest.
07:46She weren't much of a gardener.
07:52Look.
07:52How about you quit sniffing round?
07:54Quiet, May.
07:55Just let her do her job.
08:02The 12th of March.
08:14Does that date mean anything to you?
08:16That's enough.
08:17We don't need help from people like you.
08:19I found her, so she's staying.
08:26Bloody girls poking their nose in.
08:30And she didn't leave a note?
08:32Just this.
08:33She worked two jobs, you see.
08:38We couldn't get by without it.
08:40Washed glasses at a pub.
08:41Some place called the Stag Antlers.
08:45You can have it.
08:46Oh.
08:47No.
08:48It's all right.
08:49We'll figure that out later.
08:51So, tell me.
08:53When was the last time you saw her?
08:55Week ago.
08:56At the match factory.
08:58She had a fight with Mr. Crouch, the foreman in his office.
09:01What about?
09:02He said she was thieving.
09:04But Sarah's honest.
09:05The match factory.
09:07Is that where she works?
09:09Where we all work.
09:10We're match girls, ain't we?
09:13Then that's where we'll start.
09:15So, you'll take it.
09:16You'll take the case.
09:22Thank you, Miss Holmes.
09:26At last, my first case.
09:29Well, actually, my second.
09:31I shall find you, Sarah Chapman.
09:33Red hair, green dress, make-up, science books, 12th March.
09:37Whatever you've been up to.
09:40The game is afoot.
09:43Stay with me.
09:44Follow my way.
09:47How many girls work here?
09:49500.
09:50Maybe six.
09:53How do I look?
09:54Is my neckerchief all right?
09:55Oh, well, it's around your neck.
09:58Morning, bestie.
09:59Morning, Doris.
10:06Mouth.
10:07Neck.
10:09Mouth.
10:11Mouth.
10:12Come on.
10:13Neck.
10:14Out.
10:15Please, Mr. Crouch.
10:16Set out.
10:18Mouth.
10:19What are you looking at?
10:21Oi.
10:22You go.
10:23Name in the register.
10:30Mouth.
10:32What are you looking for?
10:34Cyphers.
10:35That's the phosphorus.
10:46Don't worry.
10:47You get used to the smell.
10:56Is this why she worked?
11:00Put the matches on the comb.
11:02Slide it along.
11:06Up and into the box.
11:09Simple enough.
11:11You try.
11:12That is a penny off your wages.
11:30She's just learning the way, Mr. Crouch.
11:33Well, she'd better learn quicker or it's a penny off yours too.
11:35Anyone else want a money, Doc?
11:39About you, eh?
11:40No.
11:41Didn't think so.
11:45Right, back to work.
11:53I need to get up into that office.
11:56Not a hope.
11:57All it takes is one small thing to change the rules of the world.
12:19Wait.
12:40Faster fingers, faster fingers.
12:46Hurrah!
12:47How did that bloody happen, eh?
12:49Pick him up!
12:51Pick him up!
12:53Pick him up! Pick him up!
12:55Pick him up!
13:01Right! Back to work!
13:07Why were you here?
13:13Come on, gals!
13:15Red.
13:17Signs are wasted!
13:19Now you look at me like that, girl!
13:35Oi! Stop talking!
13:37Green eyes!
13:41Red hair!
13:43So you did steal something!
13:45Ow!
13:47This is blatant extortion!
13:49Criminal!
13:51My pockets are empty!
13:53If you think mine full!
13:55You gave me your word you'd find whoever was doing this to us!
13:57You sound almost threatening, Mr. Lion!
13:59This is not what I expected when we began our arrangement!
14:01And now theft on top of everything else!
14:03You heard the man gathers dealt with!
14:05Come along, William!
14:07Sir, do you have any suspicions as to who this perpetrator might be?
14:09Would I be asking your idea?
14:11Sir, perhaps if we were to consider whether this theft is connected?
14:13I have ideas!
14:15Did I ask for your advice?
14:17Or did I simply tell you to get it done?
14:19I'll make sure the right people know, sir!
14:21I'll make sure the right people know, sir!
14:23Sir, do you have any suspicions as to who this perpetrator might be?
14:29Would I be asking your idea?
14:34Sir, perhaps if we were to consider whether this theft is connected.
14:38I have ideas.
14:39Did I ask for your advice?
14:41Or did I simply tell you to get it done?
14:44I'll make sure the right people know, sir.
14:46Miss Troy!
14:54Yes, sir.
14:56As you can see, our ladies are working at the highest level of production and efficiency.
15:00Are they not, William?
15:01Yes, Father.
15:03Please, if you will.
15:06Doris, how are you? How's your sister? Is she still unwell?
15:10Yes, Mr Lyon.
15:12Typhus.
15:14It really is the plague of our time.
15:17Two years it's been killing these girls.
15:20It breaks my heart.
15:22Well, Lord McIntyre, if I might suggest a little lunch.
15:27I think we've earned it.
15:32How did Sarah do it?
15:33Get into the office.
15:35There was a fire at one of the stations.
15:37Foreman got distracted.
15:39Who's station?
15:43Mays?
15:44Yes!
15:46You're a good detective in Ola Holmes.
15:58Everyone thinks detecting is a profession littered with rules.
16:01But in truth, there's only one.
16:03Pull on every loose thread you find.
16:09She's a loose thread.
16:16So I'm pulling at her.
16:22Hello, sir.
16:24What's present at me?
16:25Maybe.
16:26I'm afraid I'm married.
16:27I'm afraid I'm married.
16:34I have no jealousy.
16:36Hello, dearie.
16:49Forgot your ticket.
16:50That's Tathans for a sweet cheating face like yours.
16:53Yeah, my god.
16:57I have no idea, mate.
16:58Where are you, mate?
16:59Excuse me, sir.
17:00Wait for this man.
17:02I need to get someone!
17:03Where are you?
17:04I need to get someone!
17:06No!
17:09I need to be here!
17:10I need to be here!
17:11Thank you, Sam!
17:12In the UK!
17:14Thank you, Sam!
17:15I'm going to go!
17:16One, two, one, two, three, four.
17:17Where did you get that hat?
17:22Where did you get that tile?
17:25Isn't it an only one and just a proper style?
17:30I should hope to have one just the same as that.
17:33Where did you get that tile?
17:36Isn't it an only one and just a proper style?
17:40I should hope to have one just the same as that.
17:44Where where I go they shout hello.
17:46Where did you get that hat?
17:48Where where I go they shout hello.
17:50Where did you get that hat?
17:52Where did you get that tile?
17:54Isn't it an only one and just a proper style?
17:59I should hope to have one just the same as that.
18:03Where where I go they shout hello.
18:06Where did you get that tile?
18:14You the foos who took my pan stick?
18:34Um, no, I'm looking for a girl called...
18:44She worked two jobs, you see. Some place called the Stag Ateners.
19:07You've got five seconds to tell me why you're here.
19:09Did Sarah work here? She did, didn't she? And Bessie doesn't know.
19:16There's plenty Bessie don't know. And plenty you don't need to tell her about.
19:19I know you helped her into that office. She took those pages. Why? What's happened to her?
19:25Just leave us be, alright? Posh girls like you don't belong in this fight.
19:29Hot or not, one thing I am good at is fighting. Now, tell me where is she hiding and what does she know?
19:38You got more to you than a fool.
19:41Ahem, whatever this is, May is on stage in 30 ticks and she's still dressed as a gen.
19:48So let go of her. Now.
19:54Get her out of here.
19:55Be my pleasure.
20:00Come on.
20:03Where did Sarah Chapman do her makeup?
20:05Full of secrets that one. A not bad actress. Now I would have given her the boot if she weren't so good, but she did attract the men with the big pockets. Always useful, they outshift it.
20:19Which man?
20:26There was this one gent, society type, and he came regular. Very keen on him, she was. He'd send flowers, letters.
20:41His name?
20:45Never gave one.
20:47You see, they all think there's hope that love is coming their way.
20:52But it never is.
20:54Blokes like that, they want sheep.
20:56But they marry deer.
21:02As we two ate of the fruit of love, the fruit of love, ugh, a bell did ring in the sky above.
21:09So under that place with its blossoms white, a chapel awaits us out of sight.
21:16And a poppy.
21:18Is that his name?
21:21Why did she leave?
21:27Did she run away with this fellow?
21:32Or is she running from him?
21:36I hope it's the latter. His poetry is extremely bad.
21:46The man is screaming.
21:49How can we do this?
21:50The man is sleeping.
21:51And the queen is standing.
21:52There isn't one.
21:54Can we help him?
21:56The woman is in the temple.
21:58The man is sleeping.
21:59The man is sleeping.
22:01The man is sleeping.
22:02The man is eating.
22:04The man is sleeping.
22:05The man looks like a bad boy.
22:06The man is sleeping.
22:07Be your wife, you good boy.
22:31Hello.
22:37Sherlock?
22:38Manola, what are you doing here?
22:41It's not safe.
22:42There's scary people about.
22:45Yes, let me know when you meet one.
22:48Brother, are you quite yourself?
22:50I'm fine.
22:51It was just a disagreement over a glass of wine,
22:55and whose wine it was.
22:57I find after wine it was very difficult to make your arms and your legs move.
23:03Let's get you home.
23:06I don't usually invite, but I'm on a case, you see.
23:09This is proving rather tricky.
23:11Cab!
23:12Hello.
23:13No.
23:14Where are we going?
23:15221 Baker Street.
23:17As it turns out, my brother is medievally heavy.
23:25It's like carrying a dead horse on which sits another dead horse.
23:30That's A-O-M-B.
23:34I didn't know you had steps.
23:39One should always have steps.
23:41To avoid people stepping on you.
23:43That's a tip.
23:44You should probably write that down.
23:46All right.
23:47Lift your right leg.
23:49Now your left.
23:52There's a leg that left.
23:55You should write that down.
23:58Here we go.
24:00Boom.
24:01Well done, Sherlock.
24:04I can do it.
24:05See?
24:06Baker Street.
24:07Oh, but it's such a mess.
24:08It's perfect.
24:09You don't touch anything.
24:10What are you investigating?
24:11What are your business?
24:12No.
24:13No.
24:14No.
24:15No.
24:16No.
24:17No.
24:18No.
24:19No.
24:20No.
24:21No.
24:23No.
24:24No.
24:25No.
24:26No.
24:27No.
24:28No.
24:29No.
24:30No.
24:31No.
24:32No.
24:33No.
24:34No.
24:35No.
24:36No.
24:37No.
24:38No.
24:39No.
24:40No.
24:41No.
24:42No.
24:43No.
24:44No.
24:45No.
24:46No.
24:47No.
24:48No.
24:49No.
24:50No.
24:51No.
24:52No.
24:53No.
24:54No.
24:55No.
24:56No.
24:57No.
24:58No.
24:59No.
25:00No.
25:01No.
25:02No.
25:03Sherlock's latest case fascinating and why pray have you moved everything
25:24nothing looks different to me nothing looks different
25:31your head is sore I can't think why this is why I don't have people in my rooms look what you've
25:39done my papers are entirely out of order your case it's vexing you seems to be an awful lot of
25:48question marks on that map of yours dundee cake door I will see you again is that why you're
25:54drinking I'm more than certain it's not so old maybe I can help you can help by leaving
26:00huh yes the world will be a much safer place if we don't see the inside of Sherlock Holmes
26:06only the out crazy idea have you ever considered a flatmate for what purpose to stop you descending
26:15into this strange are those seeking advice so often like to dispense it did I ask for advice
26:28I found you on the street drunk like a bewildered beast now what may I observe about you we're not
26:32playing this game shoes estate hair is not much better you need to wash your clothes every now and
26:37again so unwilling to look past your neck stop and then there's your fingernails why on earth are you
26:44working in a match factory what last night they were dirty with green traces this morning they are
26:49black the phosphorus for the matchmaking is mixed with the oxygen in the atmosphere I wasn't in such
26:53a state as to not see that how did you and your neck is red someone has gripped it or held a knife
27:00against are you involved in something dangerous because you are still my ward if you need my help
27:11my offer remains on the table don't be so desperate to prove yourself Anola I am not desperate
27:19and I don't need your or anyone's help
27:22but this I will have
27:29how dare he how dare he left to me when he can't resolve his own case and he lives in a bed of
27:43flummoxing papers and bewildering mold how dare he claim I'm desperate it is not true
27:48and it is not fair
27:49Anola?
27:55it is you
27:55and it is you
27:58how are you?
28:02are you well?
28:04you look?
28:05I'm on a case
28:06under cover
28:07although forget I told you that piece of information
28:09you know it's the strangest thing I
28:10I could have sworn I've seen you here before
28:13is that right?
28:15well this is my route through to the lords
28:18is it?
28:20how lovely
28:21I breakfast here on occasion
28:24I mean yeah
28:28it's a lovely place
28:31I know the gardener here
28:32we've been discussing what to sow for next year's crop
28:35some fine sunflowers
28:36a sweet william
28:38they're lovely vivid reds
28:40I've seen all you're doing
28:41oh
28:43let's see
28:44it's nothing
28:45on the society pages
28:46you are quite the eligible bachelor
28:51don't believe all you read
28:56I wrote you
29:02you didn't reply
29:05I
29:08was busy
29:10starting my own business
29:11a perpetual challenge
29:13perhaps not something you'd understand
29:15well Anola
29:16if you need help
29:17I do not
29:18however
29:20should my problem become horticultural
29:22I shall seek you out
29:23right
29:25well
29:26you know where to find me
29:28should a plant go missing
29:31I hope you enjoy your breakfast
29:33yeah
29:39is he looking back
29:44oh
29:49good
29:50he isn't
29:51I don't come here every day
29:54just on days when I feel a need
29:57and
29:58sometimes he doesn't take this path
30:00sometimes he takes the parallel one
30:02you know where to find me
30:07find me
30:08find me
30:08find me
30:09you know where to find me
30:16out of sight
30:18the chapel awaits us
30:20with its blossoms white
30:22white chapel
30:23as we too ate of the fruit of love
30:26as we too ate
30:28too ate
30:29two eight
30:30twenty eight
30:31bell did ring
30:33in the sky above
30:34bell
30:35so under that place
30:37bell
30:39place
30:40we made this out of sight
30:41twenty eight
30:43bell place
30:44white chapel
30:45the game
30:52has held its feet again
30:53I will not lie
30:58there is a certain satisfaction
31:00that you feel as a detective
31:01when your case comes closer
31:03to resolution
31:03like sewing a new skirt
31:05which I don't do
31:09or teaching a dog to sit
31:11you begin to glow
31:13with the acknowledgement
31:14of a job well done
31:15there is a new home in town
31:17that's right
31:18Sherlock Holmes is May's match
31:20my name will be known
31:21and Bessie will have a sister once again
31:24and that
31:25is a job well
31:26done
31:29Sarah
31:55Sarah
31:55what happened here
32:13Mr. Poppy
32:24what happened
32:40who did this to you
32:42was it him
32:43Sarah's man
32:44May
32:45no
32:47no
32:47it's alright
32:48I'll fetch a doctor
32:50I'll fetch a doctor for you
32:51no
32:53no
32:53no
32:53no
32:54no
32:55come back
32:56no
32:57no
32:58no
32:59no
33:00no
33:01no
33:02no
33:03no
33:04no
33:05no
33:06no
33:07no
33:08no
33:09no
33:10no
33:11no
33:12no
33:13no
33:14no
33:15no
33:16no
33:17no
33:18no
33:19no
33:20no
33:21no
33:22Miss Holmes?
33:35Inspector Lestrade.
33:37Winola Holmes.
33:39Lestrade, she's...
33:41Dead.
33:43How'd that happen?
33:49Oh, no, no, no, I'm investigating a case.
33:51A disappearance of a girl.
33:53What, that girl?
33:53No, no, no, no, no, no.
33:55Her name is May.
33:56She worked at the Paragon Theatre, the Matchstick Factory.
33:59She was a dancer.
34:00She's friends with me.
34:17Superintendent Grail.
34:21Good morning.
34:25Good morning, sir.
34:26I was sent to investigate a possible disturbance.
34:29Someone heard some screams and then I discovered this young lady.
34:32Her name?
34:34Inola Holmes.
34:36Her sister.
34:38Detective Two.
34:40Good God, another one.
34:42Shouldn't you be in finishing school?
34:45Investigating the disappearance of her.
34:48Sarah Chapman.
34:49Sarah Chapman.
34:51Well, well.
34:51How intriguing.
34:52So am I.
34:53She's wanted for theft and blackmail.
34:55Blackmail?
34:56Yes, detective.
35:00Still warm.
35:01No rigor mortis.
35:03When were the screams heard, inspector?
35:05Ten past the hour, sir.
35:06When did you arrive, detective?
35:09Around the same time.
35:10Even more intriguing.
35:15No, I was trying to suppress the blood.
35:19I was trying to save her.
35:20Or trying to get information out of her.
35:23Give her a search, inspector.
35:25Oh, look.
35:27Can't pay her down, sir.
35:28Come along, Lestrade.
35:30Let's not be coy about this.
35:32She's a detective.
35:33She knows the rules.
35:35Yes.
35:35Give me that, man.
35:50What's this?
35:52My evidence.
35:54That.
35:58No, it's nothing.
36:00Why are you hiding it?
36:01Found at a murder scene with a freshly dead corpse.
36:06Harbouring evidence isn't going to look good.
36:08Superintendent Grail, you can't believe...
36:10What can't I believe, missy?
36:13That young ladies don't have their hands for killing.
36:16Now give them here.
36:22Oh, oh, oh.
36:24Oh, oh.
36:26Oh, oh.
36:27Oh.
36:28Oh.
36:28Oh, there are.
36:36All of you are.
36:38Why ever would she do that?
36:40Run out of the way.
36:42No.
36:43Stop.
36:44Stop.
36:44Stop.
36:48You've seen this before.
36:53Oh, Lestrade of Scotland Yard.
36:56You remember me, I hope.
36:58They're looking for your sister.
37:02She's caused a bit of trouble.
37:14May I?
37:15Is it, son?
37:27Is it?
37:28Take it.
37:29I have others.
37:31Take it.
37:31I can't.
37:33I can.
37:33I can't.
37:36Perhaps I can.
37:37And this, a famous fiddle.
37:48That I do not have to of.
37:51Perhaps you can explain what you believe Anela has done.
37:54I wish I was at liberty to say so.
37:57Do you mind?
37:57Oh, your latest case.
38:12What's it concerning?
38:14Is it another Brixton Strangler?
38:16Or a Periwinkle?
38:19Don't tell me it's a clerk and will.
38:21What evidence do they have against my sister?
38:22Perhaps, uh, you tell me yours and I'll tell you mine.
38:29Government case.
38:30A missing money.
38:32Now you.
38:34Super wants to talk to her.
38:35That's all.
38:36Why?
38:37Just following orders, Mr. Holmes.
38:39Or may I call you Sherlock?
38:43Graydon.
38:44Graydon Lestrade.
38:45My father thought it distinguished.
38:48And it is, rather.
38:54Well, anyway.
38:55Should you ever wish to call me that?
38:59Oh.
39:02As it were.
39:03My mistake.
39:21I should have warned you I was opening it.
39:25No.
39:26Dare I ask?
39:40Good afternoon.
39:42May I ask a favour?
39:48Never mind.
39:50Tell me everything.
39:52A government case?
39:53No.
39:54Is it another Brixton Strangler?
39:58Or a Periwinkle?
40:01Perhaps you tell me yours and I'll tell you mine.
40:04He's a ninny.
40:05I needed to know what he had on you.
40:11Money.
40:12Unaccounted transfers going in and out to government offices.
40:15My theory is either bribery, extortion or blackmail.
40:18And what have you found?
40:21Separate filings from five different accounts.
40:23Going via the treasury into one private bank.
40:26So someone is getting rich from this?
40:28Yes.
40:30Who?
40:32No name.
40:33Just a number.
40:34I visited the bank and inquired.
40:36The money disappeared, arriving at another bank.
40:38And then another.
40:39And another.
40:40And another.
40:40And another.
40:41And another.
40:41And another.
40:41Every one of them hidden using different account numbers.
40:4527 in total.
40:46And what can you deduce from that?
40:49Three things.
40:50Firstly, the man's a game player.
40:53Perhaps a genius in mathematics.
40:54Capable of covering his traces at every turn.
40:57Secondly, the sources are varied.
40:59Five banks, south of the river, but no clear link between them.
41:03All anonymous.
41:04All going into one pocket.
41:09And the third?
41:09He knows I'm onto him.
41:16What?
41:16How?
41:17Every time I pull a thread, it loosens and vanishes and reappears somewhere else.
41:21He's leading me a merry dance.
41:23It's...
41:24It's infuriating.
41:28So, no leads whatsoever?
41:31One.
41:32A week before the first transfer, there was a break-in at the treasury office by a man in a taper crown hat.
41:36A taper crown hat?
41:38What was taken?
41:38A document.
41:39They won't talk about it.
41:40Sensitive information, presumably.
41:42But how it connects to all of this has so far eluded me.
41:47Your turn.
41:48I hope the blood's not yours.
41:50I'm looking for a girl.
41:52Sarah Chapman.
41:53Her sister employed me.
41:55Bessie.
41:56She worked at Lyons Match Factory by day in the music hall at night.
42:00She has a lover.
42:03Whose flat I visited.
42:06He'd given her this.
42:0828th Bell Place?
42:13Whitechapel.
42:14Yes.
42:15And there I found her friend.
42:18Murdered.
42:19And who killed her?
42:24This poppy fellow?
42:30I suspect so.
42:31Perhaps he kidnapped Sarah and her friend discovered it.
42:36Love.
42:37What it does to people.
42:41How was she killed?
42:42A kitchen knife.
42:42And did you touch this weapon?
42:44No.
42:46Then why did you run?
42:47I found more evidence on her.
42:49This policeman wanted it.
42:51He has this walk.
42:52Grail.
42:54We have a history.
42:55This was in her pocket.
42:58Yes.
43:19It's as bad as the poem.
43:22Leave it with me.
43:23No.
43:24It's mine.
43:25And it's important.
43:28Grail said that she had stolen something and that she was blackmailing them.
43:32Though Sarah wouldn't do that.
43:34How can you tell you don't know this person?
43:36I feel I do.
43:37You came here running from the police.
43:40Someone is already dead.
43:42And you are now a suspect in a murder case.
43:44You let your emotions get the better of you.
43:47Stay here.
43:48Don't leave.
43:49I will look into this.
43:50But Sarah Chapman is my responsibility.
43:52No one else cares for these girls.
43:54I promised her sister.
43:56The first mistake a detective makes is to make it about themselves and not the case.
44:01I know you're not a fan of unnecessary advice, but please, don't turn into me.
44:17I should probably write that down.
44:25Matches, matches, come buy your matches.
44:28Matches, matches, only a penny a box.
44:34Come buy your matches.
44:35Posh girls like you don't belong in this fight.
44:37We don't need help from people like you.
44:41You see, they all think there's hope.
44:44That love is coming their way.
44:46But it never is.
44:49Gents like that, they want sheep, but they marry deer.
44:55So Poppy, you're a gentile, you.
44:58And a well-heeled one to afford a loveness like that.
45:02Don't be ridiculous.
45:05Don't be ridiculous.
45:32A week before the first transfer, there was a break-in at the Treasury Office by a man in a taper-crown hat.
45:56Five banks, south of the river, but no clear link between them.
46:11Matchmaker's ball.
46:13Hosted by Henry and Hilda Lyon.
46:1512 Marchmont Square.
46:18Does that date mean anything to you?
46:23It's not a date at all.
46:24Their eldest son, William Lyon, will be leading the first.
46:30Sweet Williams, so they're wonderfully David Reds.
46:33As you can see, our ladies are working at the highest level for production and efficiency.
46:37Are they not, William?
46:38Yes, Father.
46:39And all along, I thought you were a Poppy.
46:45Let's see how sweet you are, sweet William.
46:48I'm going to a ball.
46:52I'm going to a ball.
46:52Tis I.
47:18Tis not I.
47:22Which, when you're wanted by the police, is most useful.
47:26Pre-silence for his lordship, Vacate McIntyre.
47:29I'm sorry to break apart this glorious occasion, but, well, I'm a politician.
47:34Any chance to stand on a stage, I'll always take it.
47:37And I must speak, to thank our host, and applaud his achievements.
47:45No masks, no matter.
47:47For Henry Lyon turns all before him into gold.
47:51Nonsense.
47:52Puter at best.
47:53What he has done with matches is legendary.
47:57In two years, he's turned red into black.
48:00Or should I say, red into white.
48:05And to have this humble man turn his attention to typhoid and the working poor,
48:09raising funds, diagnosing cases in the community.
48:13I'm overwhelmed.
48:14I'm simply overwhelmed.
48:15Ladies and gentlemen, I give you Henry Lyon.
48:19And to his fine son, his heir, William.
48:26To the future.
48:29To the future.
48:30May ever be bright.
48:34Right, Henry, light us up.
48:38Gladly.
48:43Now go and enjoy yourselves.
48:49I believe I've seen that dress somewhere before.
48:55Oh, yes.
48:55Last year.
48:58I think it's charming.
49:00Elegant.
49:01I think you're kind.
49:17Gentlemen.
49:18Mom.
49:19Good evening.
49:24This is a wonderful occasion, is it not?
49:29I mean, the guests are just delightful.
49:36And the orchestra is most tuneful.
49:40I was wondering if I might be able to speak to you, Mr. Lyon.
49:53Have I said something wrong?
49:54Where is your chaperone?
49:57Chaperone.
49:59My dear, you can hardly expect my son to talk to you unaccompanied.
50:02I cannot talk to you without a chaperone.
50:15No, of course not.
50:17Honestly?
50:20Honestly?
50:24Well, they are talking.
50:26They are dancing.
50:27Good evening, my dear.
50:30Yes.
50:32How foolish of me.
50:34Good evening.
50:35It could be claimed, with some justification, that I might have prepared more thoroughly.
50:56But dancing is not one of my core strengths.
50:59Well, except...
51:01The man is a marvellous règ.
51:02I'm not a man.
51:03I am.
51:03I am.
51:04The man is a marvellous rag.
51:05I am.
51:06Do you see my situation?
51:20Who are you?
51:24The man's a game player.
51:26Separate filings from five different accounts.
51:28Capable of covering his traces at every time.
51:29One private bank.
51:31Vanishes and reappears.
51:32No names.
51:33Just a number.
51:36Perhaps a genius in mathematics.
51:44Leading me a merry dance.
51:47It's a cypher.
51:54The poker.
51:56The promenade.
51:58The two-step.
52:00They're all dances.
52:02Dance.
52:0327 and turn on.
52:10Yes.
52:11The language of the dance.
52:1327 dances.
52:14I've got you.
52:16Dance 1 of 940.
52:17Dance 2 of 940.
52:18Dance 2 of 940.
52:19Dance 2 of 940.
52:24Terrible, aren't they?
52:26These things.
52:28Old Pompidou and Poppingjay.
52:31Have we met somewhere before?
52:33I feel I recognise you from somewhere.
52:36I simply have one of those faces.
52:38I simply have one of those faces.
52:40Myra Troy.
52:42ron, Pardon me.
52:44Private Secretary to Lord McIntyre.
52:47Insurance, Minister.
52:50Tabitha.
52:51Tabitha Timothy.
52:56You mustn't let them concern you.
52:58It's just a performance.
52:59performance. Everyone here is playing a part, testing each other. Winning, losing. And it's
53:13fun, once you know the rules. What are they doing with those fans? Sending messages, saying
53:29everything that is forbidden. Or, too embarrassing to say aloud. Thank you.
53:43For the lesson. It's a lesson hard learned. Without power, we women must rely on our wits
53:51for our fortune, because our chances are short. Here, take my fan. I have no use for it. And
54:02if you wish to speak to William, you could always try with that.
54:13It would be my delight.
54:21It would be my delight. Really? There's no need to be rude. I didn't mean to.
54:42I didn't mean to.
54:49Tewksbury, your timing's impeccable.
55:02Nola.
55:02Don't speak to me here, otherwise you'll be thrown onto the street.
55:09I need you to teach me to dance.
55:11Teach you to dance? When?
55:12Teach me to dance now.
55:13What? You understand? I've been learning since I was five.
55:17Good. I feared you'd be a terrible teacher.
55:20Nola, what are you doing here?
55:21I'm looking for a murderer. Though I shouldn't have told you that. Forget I told you that.
55:25I'm trying to save a girl's life.
55:27Through dance?
55:29Please, Tewksbury.
55:31All right. Hold your back straight.
55:37Good.
55:39Now I'll place my hand here.
55:41And here.
55:42Oh, yes.
55:44Hold your arm out.
55:46Good.
55:48Now I will lead and you will follow.
55:50That seems like a mistake.
55:52Face over my shoulder.
55:54And now.
55:56One, two, three.
55:58Two, three.
55:59Four, two, three.
56:00Four, two, three.
56:02One, two, three.
56:03Two, three.
56:04Two, three.
56:05Three, three.
56:06Good.
56:14You seem different since last we spoke.
56:17May you tell me why you've been coming to the park?
56:19Why? Why watch me walk to the Lords?
56:22Simply keeping an eye on you.
56:24In case you get yourself into any more scrapes.
56:26Getting thrown out of trains, things like that.
56:28No, no.
56:29You cannot be trusted to take care of yourself.
56:31I'm a man now.
56:32You're a man when I tell you you're a man.
56:34And the scrapes I find myself in are far less visceral.
56:41Now come on.
56:45Three.
56:46Two, three.
56:47Look into my eyes.
56:48The rhythm is always there.
56:51Dancing is a trust.
56:53It's a union.
56:54That's why I've always loved it.
56:55Even when I was being tutored by my uncle.
56:57And that man likes a pork mustard pie.
57:00His breath.
57:02Turns.
57:04Turns.
57:05Feel it?
57:06I can feel it.
57:08Good.
57:09Dance well.
57:10Perhaps I am a fine teacher.
57:11Though his breath has less mustard on it than I'd hoped.
57:23Hmph.
57:24You have an urgent situation.
57:25I should go.
57:26You'll need a dance card.
57:27But I don't know enough.
57:41What does that mean?
57:42You have an urgent situation.
57:43You have an urgent situation.
57:44I should go.
57:45You'll need a dance card.
57:46But I don't know enough.
57:47What does that mean?
57:50You have an urgent situation.
57:51I should go.
57:52You'll need a dance card.
57:53But I don't know enough!
57:55What does that mean?
57:57You're...
Recommended
1:17
|
Up next
39:45
27:15
54:29