- 7/24/2025
Category
🎥
Short filmTranscript
00:00Don't touch the ginger cake, please. Hopscotch with your bowels.
00:20Oh. Hello.
00:22Hello.
00:28Mr. Lyon?
00:30Yes?
00:31I was wondering if we might have a dance this evening.
00:34My dance card is full.
00:36May I see it?
00:44Your last waltz is still free. How fitting.
00:48Would you mind?
01:03Until then.
01:18Tis he.
01:24You admire Lord Tewksbury?
01:30No.
01:32No.
01:33We are old friends.
01:35I hear he's a good man, and a great reformer.
01:39Well, if you wish to dance with him, you may have to wait.
01:41That's quite a cue.
01:43Yes, I mustn't lose my chance.
01:47Good evening, Miss...
01:49Tabitha.
01:50Cicely.
01:52Good evening, Miss...
01:54Tabitha.
01:55Cicely.
01:56Good evening, Miss...
01:57Tabitha.
01:58Cicely.
01:59Good evening, Miss...
02:00Tabitha.
02:01Cicely.
02:02Good evening, Miss...
02:03Good evening, Miss...
02:05...Chicely.
02:06Excuse me for interrupting.
02:07My name is Lissettie, and the real friend Tabitha.
02:08It's a test of your dance that...
02:10Good evening, Miss...
02:11Good evening.
02:12Thank you, Miss...
02:13Please?
02:14Good evening, Miss...
02:15Good evening, Miss...
02:16Good evening, Miss...
02:17Please?
02:18Good evening, Miss...
02:19Thank you, Miss...
02:20Thank you, Miss...
02:21Good evening, Miss...
02:22Good evening.
02:24Ladies and gentlemen, please take your turn codes for the last waltz!
02:29Thank you, Miss...
02:30No.
02:31You know, I swear I know your face.
02:58What must it be?
02:59Well, you've never met before, but I've seen you looking.
03:04Why?
03:06Of course.
03:08The Paragon Music Hall.
03:11I saw you talking with a young woman there.
03:14Sarah Chapman.
03:17Just look hate from me and I will scream.
03:20The police are on to you, Mr. Lyon.
03:22As it happens, they are on to us both.
03:25You were not invited here.
03:27What do you want?
03:28I'm a private detective hired by Sarah's sister to find her.
03:32Bessie hired you.
03:33You know Bessie?
03:35Leave me be, please.
03:38Or you will ruin everything.
03:40How?
03:41What will I ruin?
03:43They're watching.
03:45If you must persist with this, meet me in the library at midnight.
03:50Say nothing more now.
03:52Midnight it is.
03:53Midnight it is.
03:57Moriarty.
04:27Who are you?
04:39My words, you do them in awkward places.
04:41Why are you holding a poker?
04:43You must leave. I'm waiting for another.
04:45What, another? You're scared of such that you need a weapon?
04:47You are always here when I don't want you to be.
04:49And sometimes here when you do, what's the matter with you?
04:52Nothing that needs to concern you.
04:55I like the look of the one you were dancing with.
04:58What's her name? Cicely?
05:00She would make you an excellent wife.
05:02Enola, I'm concerned only for you.
05:04Tewkesbury, if you're still here, you may scare him away.
05:07Scare him? All of this is over a man.
05:10Just leave.
05:13Lord Tewkesbury.
05:28Enola Holmes, you're under arrest.
05:30Try to escape and we will make this ever more difficult.
05:32Just make it quiet and spare the fine people. Any embarrassment?
05:36Sir, whatever this is about, I'm sure-
05:38Murder, sir.
05:41It's about murder.
05:46Tewkesbury, it's alright.
05:48Constable, go on.
05:51Keep them safe.
05:54Please.
05:55Now come along.
05:56I'm not.
05:59I'm not.
06:01I've seen.
06:02I knew she'd even old her boots.
06:04Oh shit.
06:05Oh, no!
06:07Oh, no!
06:09Oh, no!
06:11Oh, no!
06:13Despicable.
06:14It's a crazy situation.
06:16quite a party you danced with a young master lion i hear may i ask impertinently i'm sure
06:36did you want to kiss him or find out more about your case this sarah chapman
06:43look if you're trying to protect her know this i will protect her better
06:57there's someone who wants to talk to her and they're not as kind as me someone
07:04who
07:08why were you following me that night
07:13you were following me too weren't you that's why you found the flat
07:21my shirt silk on a policeman's salary
07:30who's paying you superintendent grail who's paying you to kill match girl
07:38where's sarah chapman i don't know she's a thief and a troublemaker you don't want to risk your skin for
07:45well if i can't find it out from you i'll find it out from someone else like her sister
07:53little bessie
07:54she's just a little girl
07:57oh but that's how he starts in all her homes with little girls like her and you
08:02and sarah chapman asking questions doubting those in charge not seeing their protection
08:08for what it is trying to tear it down well it only takes one little flame to start a fire
08:15and my job is to keep crushing those bloody flames out
08:18now i'll be kind and give you one last chance
08:26where is she i don't know
08:32then you're for the noose
08:40some detective you were
08:43you don't start to need the work
08:46sir
09:00sir
09:02don't be ridiculous
09:03superintendent grail
09:07mr um
09:10i'm here for my sister
09:13if you can arrange her release
09:16i'd much appreciate it
09:19she is my ward and a minor
09:22and a murderer
09:24any evidence you think you have against her i can assure
09:27i have plenty
09:28she was seen arguing with the victim
09:32following the victim
09:33fighting with the victim
09:34and lastly standing over the victim's dead body
09:36and when we find her there
09:38with blood on her hand
09:39she bloody runs
09:40i saw your murder site
09:45marks on and around the door
09:51show that it was forced open
09:52and recently
09:54there were signs of a scuffle
09:55and boot marks from three
09:57separate intruders
09:58one of them
09:59heavy set
10:00judging by the height
10:02and extent
10:03of the subsequent damage
10:04traces of fabric
10:06and spots of blood
10:07suggest that there was another occupant
10:09likely female
10:11who seems to have fought back
10:12using a sharp
10:14and improvised
10:15weapon
10:16before escaping through the window
10:20i'd say
10:22this was a targeted search and interrogation
10:24in which two women were discovered
10:25and then
10:26my sister arrived
10:28and you were curiously fast
10:30to arrive after her
10:31now
10:32are you going to release her
10:34or shall i
10:35sergeant baston if you please
10:39sir
10:40fingerprint matching
10:43new invention
10:44swiss
10:45you have heard of it
10:47i have
10:48would you care to look
10:50makes our work so much more efficient
10:55especially in a murder case
10:58my sister never touched that weapon
11:06then why are her prints on it
11:09it's a great age we live in
11:17isn't it mr arms
11:18have you any sense
11:42what time it is
11:44hello edith
11:45you're lucky
11:46i almost broke your legs
11:48then i recognised the shoulders
11:50you have very recognisable shoulders
11:53and no one has been arrested
11:54for why
11:56murder
11:58what she's got tangled with
12:03it may go wider than i thought
12:05and there's something about this case that
12:10deduction alone will not solve
12:14i may meet
12:17your
12:18i need your help
12:23we
12:25need your help
12:27exercise
12:2815 minutes
12:29well
12:30like my mother always said
12:32those who can turn to others
12:34when they're in need
12:35are the truly brave amongst us
12:37your mother sounds very different to mine
12:40i did try to stop her
12:52but she's
12:53full of this
12:54fight
12:55here we go
13:00finally
13:00you can't control enola holmes
13:03she's a force of nature
13:05a law unto herself
13:07go easy on a girl
13:09yes she is
13:12and i fear she will hang
13:16that's
13:29she's
13:31in
13:33Hm?
13:48Come on, go!
13:49Destroy me!
13:54Dissolve!
14:01Oh, it is good to see you.
14:04Hang on.
14:13They're onto us!
14:16They ran in there!
14:19So, this case of yours, how's it going?
14:21I don't know. I was just trying to help a girl find her sister and I think I've made things worse.
14:25Nonsense! You stirred up a hornet's nest. You are onto something.
14:29Stand by!
14:31Why else would they try and silence you?
14:35Don't worry. It's completely harmless.
14:40On your left!
14:41I'm after yours!
14:42Yours!
14:43Oh, my God!
14:48This match, Ashley. What do you know about it?
14:49It's a roaring success. In two years it's doubled its profits and now there's typhus.
14:56Typhus?
14:57Typhus?
14:58Yes, the girls are going down with it. They're dying.
14:59That's a loose thread.
15:00What?
15:01Get back!
15:02Here they come!
15:03Here they come!
15:04Break this out!
15:05We know about these factories.
15:06Girls like Sarah Chapman. They're expendable.
15:08They're missing.
15:09They're missing.
15:10They're not going down.
15:11They're missing.
15:12But in the last two years it's doubled its profits and now there's typhus.
15:13Typhus?
15:14Yes, the girls are going down with it.
15:15They're dying.
15:16That's a loose thread.
15:17What?
15:18Get back!
15:19Here they come!
15:20Break this out!
15:21We know about these factories.
15:22We're out!
15:23Come on!
15:24Girls like Sarah Chapman.
15:25They're expendable.
15:26They go missing.
15:27Too often they die.
15:28No one cares.
15:29But this girl, they care about.
15:30And greatly.
15:31So, what does she know?
15:32Get up here now!
15:33She stole something.
15:34Some papers.
15:35Aha!
15:36So, what's she going to do with them?
15:37What's her plan?
15:38She's not a thief.
15:39No one cares.
15:40No one cares.
15:41No one cares.
15:42No one cares.
15:43No one cares.
15:44No one cares.
15:45No one cares.
15:46No one cares.
15:47No one cares.
15:48No one cares.
15:49No one cares.
15:50She's not a thief.
15:51She's not a blackmailer.
15:52She is a troublemaker.
15:54She knows something.
15:56And that is infinitely more dangerous.
15:59Come on, man!
16:08Stand by to the right!
16:09Do you mind?
16:10Wait for it!
16:11Where?
16:12Wait for it!
16:13Straight!
16:14No!
16:16Get it out!
16:17Get it out of here!
16:20Now, whatever Sarah's hiding, Enola, it's a secret.
16:36You need to look for what she knows, Enola.
16:41Find that out, and then everything else will follow.
16:46Which is probably right under your nose.
16:50Get down!
16:53Get down!
16:55Aah!
16:56Well, that's just brute.
16:59Grail.
17:03Ah!
17:07You all right, Enola, just the map!
17:09Yah!
17:10Yah!
17:11Yah!
17:12Yah!
17:14Yah!
17:15Yah!
17:16Yah!
17:17Yah!
17:18Yah!
17:19Oh, for goodness!
17:47That's not good.
17:49Oh, you're all right.
17:52You're all right.
17:54All right.
17:55All right, yeah.
17:57What's up?
18:04Glory be.
18:06It's the holy trinity.
18:10I'll make commissioner for this.
18:13Take him.
18:16Must we?
18:17I fear so.
18:18I fear so.
18:26All right.
18:27Come on.
18:28Take him.
18:29Hang on.
18:30Oh, you God.
18:32Let me be.
18:36I can't take them.
18:38I can't take them.
18:39I can't take them.
18:40Let me see.
18:42That's not fair.
18:42All right.
18:43Inanna!
18:50Inanna!
18:52Inanna!
18:54Inanna!
18:58Inanna!
19:00Inanna!
19:02Inanna!
19:04Inanna!
19:06Inanna!
19:08This is not harmless!
19:10Run!
19:12Inanna!
19:15Inanna!
19:17Inanna!
19:19Inanna!
19:21Inanna!
19:23Inanna!
19:25Inanna!
19:27Inanna!
19:29Inanna!
19:31Oh, good thing I never valued my pelvis.
19:34How about you, Edith?
19:36How are the kidneys?
19:37Fine.
19:38I quite enjoyed it.
19:40You enjoy everything.
19:41It's almost irritating.
19:43Come on.
19:44This way.
19:45Better get a move on.
19:46Alright.
19:48So, um...
19:50How's that useless boy of yours?
19:53I hear he's doing good work.
19:56He is.
19:58Uh-huh.
19:59Well then.
20:00Perhaps not so useless after all.
20:04I wouldn't say he's my boy.
20:11You know, I sometimes think I brought you up to be too independent.
20:15Mother.
20:16I did.
20:17I did it with all of you.
20:18Your purpose must be to find who you are.
20:22You.
20:23Sherlock.
20:24Mycroft.
20:25Strong.
20:26Formidable.
20:27Well, individual children.
20:28But...
20:29Well, perhaps a little lonely.
20:34You will do very well on your own, Enola.
20:37But with others, you could be magnificent.
20:44Who do you think organized all of this after all?
20:48Me?
20:51No.
20:52You find your allies.
20:54Work with them.
20:55And you will become more of who you are.
20:59You speak with one voice.
21:01And you will make more noise than you could ever have imagined.
21:07Come on.
21:08She should go.
21:09We'll put them off her scent.
21:12So...
21:13You dust yourself down.
21:18Keep facing forward.
21:21And if you ever get condemned for murder again, you give me a shout.
21:25I will.
21:30Thank you, Edith.
21:37Be careful.
21:48You can get a haircut.
21:55It's a mess.
21:59I think my hair is fine.
22:13Come on.
22:18I need you to pack your things.
22:21I need you to be in a safer place.
22:23Is...
22:25Is my sister gone?
22:26Like May?
22:27No.
22:28Is she...
22:29No.
22:30I'm sure she's alright.
22:31I'm closer to finding her.
22:35Doris.
22:37She'll take me in.
22:39She's got a spare bed now.
22:42Her sister.
22:45Dead.
22:46Typhus.
22:47Dead.
23:05There's traces of something in the soil.
23:10One has red and one has white in it.
23:12The matches you make.
23:15When did they change from red to white?
23:18I don't know.
23:20Around two years ago.
23:22Two years.
23:23He's turned red into black.
23:24Or should I say...
23:26Red into white.
23:28Typhus.
23:29The plague of our times.
23:30Two years it's been killing these girls.
23:31Killing these girls.
23:52Out.
23:53The plague.
23:54What are you looking at?
23:55No.
23:56No.
23:57No.
23:58No.
23:59No.
24:00No.
24:01No.
24:03No.
24:05No.
24:06No.
24:07No.
24:08No.
24:09No.
24:10No.
24:11No.
24:12No.
24:13No.
24:14No.
24:15No.
24:16I need your help.
24:32Well, don't make me repeat it.
24:34May I come in?
24:36Firstly, I would like to apologise for so much.
24:40I have failed to see allies in plain sight, and I have...
24:43Yeah, no, look, there's something I wish to say to you, too.
24:46Oh, all right.
24:47You just...
24:48All day, every day, all I do is compromise.
24:58If I vote for this Lord's Bill that will allow him to pump bilge water into a clean lake,
25:02then he will vote for my forestry reform.
25:04I want to stand up and say this isn't right, but I have no allies.
25:08So to do so would be to risk all that is good.
25:10So I lie awake, trying to work out which path to follow.
25:15Alone.
25:17There is no search for a wife.
25:19Because politics consumes me constantly.
25:25Now, that is the speech I stored up for you.
25:31You're a good man.
25:33I'm a man now.
25:35On occasion.
25:36But I understand your struggle.
25:38Because I struggle, too.
25:40And I am sorry that we cannot talk more of it, because I have...
25:43A case to solve?
25:49The girl I'm looking for, Sarah Chapman.
25:52She has proof that girls are dying from the phosphorus they work with every day.
25:56And the factory are trying to cover it up as typhus.
26:00She knows it.
26:03And someone is going to kill her for it.
26:05Now, what can we do?
26:09We.
26:15Don't open it.
26:16It could be the police.
26:17You're still wanted by the police.
26:19Of course I am.
26:19I escaped jail.
26:20You escaped jail?
26:21Forget I told you that.
26:24The lights are on.
26:24If I don't answer, they'll suspect more.
26:26Hide.
26:28Coming.
26:28Coming.
26:30Miss Cicely.
26:32I'm sorry it's so late.
26:33No, no, not at all.
26:34I told you to come.
26:35I want to help, but I...
26:37Is anyone else here?
26:38No.
26:39Um...
26:40Good.
26:41Better we are alone, for it is imperative that I speak with you.
26:44Sir, I feel that you're a man of great character and that I can trust you.
26:48Which is why I fear I may have to unburden myself to you, and it may prove shocking.
26:52Miss Cicely, perhaps we could do this.
26:54It's just, I've been wanting to speak with you about a relationship.
26:57Oh, that, yes.
26:58Uh, perhaps we could discuss this another time?
27:01Please, sir.
27:02I'm terribly sorry, but let me assure you, I do share your interest, and we will talk
27:07again.
27:11She's gone.
27:12She was flustered.
27:14Do not think of doubting me.
27:18Cicely was here for my help.
27:20She told me at the ball that she's working on a bill to change factory law.
27:24She's unearthed something, some corruption or other.
27:28She's doing what?
27:29No, if you have any concerns, I tell you categorically, I have no eyes for anyone, but...
27:40Well, no, this is quite how I want to say that.
27:44But to say, in terms of romantic interests, yes, my interest is the reason I don't have
27:51to search.
27:51I'm busy with politics, like I say.
27:53You admire Lord Tewksbury?
27:54I hear he's a good man, and a great reformer.
27:57I'm interested in the woman I would be most interested in.
28:00I must not lose my chance.
28:02You're not listening.
28:04Good evening, Lord Tewksbury.
28:05You shouldn't have a chaperone.
28:09You've got five seconds to tell me why you're here.
28:11I have been blind.
28:13The phosphorus from the matchmaking has mixed with the oxygen in the atmosphere.
28:17I have missed everything.
28:19It's probably right under your nose.
28:24Sicily.
28:34Sarah is Sicily.
28:38Sicily is Sarah!
28:39Inola!
28:42Inola, what on earth?
28:46Inola, did you understand what I said?
28:48Or rather, what I didn't say.
28:49Did you understand...
28:51what I didn't say?
28:52Yes!
28:54You were saying that you...
29:03You'll learn.
29:05That message...
29:06You sent me with the fan at the ball.
29:09What did it mean?
29:14It means I love you.
29:23Ladies and gentlemen...
29:24To the future!
29:26Of course.
29:34They were working together.
29:36In love.
29:38They had a plan.
29:40To expose the corruption in that factory.
29:43And stop what his father was doing.
29:45They wanted your help.
29:47William Lyon invited you to that ball.
29:49He's a radical.
29:50Just like you.
29:51They needed my help.
29:53You're right.
29:54But Enola, we must return inside.
29:56The police are pursuing you.
29:57And we have much to talk of.
29:58No!
29:59I know we have much to talk of, my dear, dear lord.
30:01You love me.
30:02And as it turns out, I love you too.
30:06You love me too.
30:09You really are a limp and poop.
30:13Now hail a cab.
30:14You're walking loudly.
30:28What?
30:28It's gravel.
30:29You've got large feet.
30:31I know.
30:37Wait here.
30:38Keep guard.
30:39If anyone comes, just tell them you're a lord or something.
30:41I am a lord.
30:44Well, then they'll likely believe you.
30:45I know.
30:46I know.
30:47I know.
30:56I know.
30:58I know.
31:00Much longtemps.
31:01That's what I was getting on.
31:02I'm sorry, isn't it?
31:04I know.
31:05I know.
31:10I know.
31:11I know.
31:11I know.
31:13I know.
31:13I know.
31:14You.
31:38You.
31:41How ridiculous you are.
31:43I'm ridiculous.
31:44I told you to stay safe and stay away.
31:46Now you're breaking out of prison and you have the whole police force after you.
31:49Oh, are you hurt?
31:51I am sorry.
31:53Are you not hurt?
31:55It seems not.
31:58I wonder who taught you to fight like that.
32:02Another thing our mother has to answer for.
32:04She should have fed me as well as you is what I think.
32:07Hang on.
32:07Why are you here?
32:09Is it my case or your own?
32:10Both.
32:11I know how Grail got your fingerprints.
32:13Oxidized phosphorous dust.
32:16Lifted from the table and applied to the knife.
32:20You're innocent.
32:22You doubted it!
32:24Nothing said until it's proved.
32:27And your case?
32:29My adversary.
32:31His trail.
32:32It leads here.
32:33It seems our cases are connected.
32:39Shall we?
32:40I depend on it.
33:02Oh, yeah.
33:03Oh, ey.
33:04Oh, yeah.
33:04William Lyon
33:14Sarah's love
33:16And my thief in a taper crown hat
33:19Stay unemotional
33:27There's nothing more we can do for him now
33:29We need to keep our minds fresh and our eyes sharp
33:32He was seized
33:34Yes, and searched
33:37For the document he took
33:38A knife?
33:41No, bigger
33:42A cutlass
33:45Heavy boot scuffs
33:48And scratch marks from a cane
33:51Which has a metal for all
33:53Grail
33:55But at whose behest
33:58There was another in this room
34:00This cigar had a holder
34:02And traces of wool
34:08Master Khan
34:11The finest
34:13Well, Lord McIntyre
34:14If I am, I might suggest a little bunch
34:17Leave me be
34:19Please
34:20They're watching
34:22Why did William steal from?
34:27The treasury office
34:28Yes
34:29The office of Lord McIntyre
34:30Treasury minister
34:31How did you come to that?
34:33I think what William stole was proof
34:37That Lyon and McIntyre were conspiring together
34:40Corruption
34:41Yes
34:42Fueled by greed
34:44McIntyre has been secretly profiting from the factory
34:48They changed the match formula to a cheaper phosphorus
34:51And it's deadly
34:54Inola
34:55Inola, I was concerned for you
34:57You left me standing out there in the dark
34:59And I nearly tore my
35:00Sherlock Holmes
35:04Not the time
35:05Oh my
35:08Is he?
35:10Stay unemotional
35:11But who did this?
35:15Lord McIntyre
35:15No
35:16But it all fits
35:18No one has sat in this chair
35:19There are no marks on the carpet
35:21No indentation
35:21The cigar has been smoked
35:23But
35:23Cold
35:24And look
35:26No ash
35:28No lips have touched that glass
35:32Exactly
35:32These clues have been planted for us to find
35:35To mislead us from the true villain
35:38This is all being staged
35:40By who?
35:43Not McIntyre
35:44But by someone who had a lot to lose without that document
35:47Someone who knew what they were up to and was blackmailing them
35:50My opponent
35:52Someone who likes a game
35:57Did they get what they wanted?
36:00No
36:01I don't think so
36:03Poor William
36:06They did get something
36:25May's terrible music
36:27The truth of the gods
36:29Could be biblical
36:30Mythical
36:31Theatrical
36:32The gods is the top row of the theatre
36:38The balcony
36:40Doesn't everyone know that?
36:44This isn't music
36:45It's a map
36:55Just to be clear
37:06As to what we might be about to face
37:07There may be some violence
37:10You faced it before
37:12Yes
37:13I did have part of a suit of armour on
37:16But yes
37:17Fighting
37:18Will be
37:19Yes
37:21You've been in a fight before, haven't you?
37:23Yes, plenty of fights
37:24A fence from my school
37:25Fine
37:31Can you teach me to fight?
37:34What?
37:34Right now?
37:35In a carriage?
37:36Did I not teach you to dance
37:37In five minutes
37:38In a bathroom?
37:39All right
37:41Fine
37:42There are two secrets to fighting
37:48Avoid the punch
37:49Make the counter punch
37:50I don't see how two secrets
37:53Ow!
37:54Your first lesson
37:55Ow
37:56Ow!
37:58Your second
37:59You didn't avoid the punch
38:00You let me make the counter punch
38:01Alona, you can hardly expect me to hit a girl
38:03Oh dear
38:04Not some...
38:05Ow!
38:06Ow!
38:06Will you stop that?
38:07I can't stop
38:09We're approaching
38:14Thank you
38:16Lord
38:16I may need more of those lessons
38:41X marks the spot
39:08Sarah, it's all there, all the proof we need.
39:36The contract between Lyon and McIntyre to change the phosphorus, what William stole for you, and the pages from the factory register, that's what you stole from the office.
39:59These are the names of the girls they killed.
40:02I couldn't let them be forgotten.
40:03And it's proof that match girls are dying from working in that factory, and they knew it all along.
40:13You're a bloody good detective, Anola Holmes.
40:15You are too, Sarah Chapman.
40:23I will share this with the world.
40:25I promise you.
40:30Now we really must find William.
40:32He was supposed to meet me six hours ago.
40:33I'm afraid William won't be coming.
40:44What?
40:48I'm sorry.
40:51I'm so sorry.
40:52I told him we had everything we needed, that we should just go public.
41:06He said nobody would care unless we had someone in power who would listen.
41:13He was just trying to keep me safe.
41:15And now I've lost him.
41:19We must move quickly, or we'll lose you too.
41:23Losing this.
41:27Losing that.
41:31Seems you've lost everything.
41:33Bessie.
41:34You've all been very careless.
41:36I'll take those.
41:43Let go of her.
41:47Give me the papers, and I will.
42:05Run, Losing!
42:05Don't just stand there!
42:21Ow!
42:22Get off of here!
42:31Ow!
42:32Ow!
42:32Ow!
42:33Ow!
42:33Ow!
42:33Ow!
42:33Ow!
42:33Ow!
42:34Ow!
42:34Ow!
42:35Ow!
42:36Ow!
42:48Avoid the punch!
42:49Make the counter-punch.
42:50Ow!
42:51Ow!
42:51Ow!
42:52Ow!
42:53Ow!
42:54Ow!
42:54Ow!
42:55Ow!
42:56Ow!
42:57Ow!
42:57Ow!
42:58Ow!
42:58Ow!
42:58Ow!
42:59Ow!
42:59Ow!
43:00Ow!
43:03Ow!
43:04Ow!
43:05Are you ready?
43:35Ah!
43:38Gah!
43:42Ah!
43:46Ah!
43:49Ah!
43:54Ah!
43:57Ah!
43:58Ah!
44:00Ah!
44:01No!
44:13No!
44:15No!
44:21No!
44:23No!
44:31Messy!
44:37Run!
44:39I said run!
45:01No!
45:25Renato!
45:31You got more to you than a fool?
46:01You got more to you.
46:31What places do we find ourselves in?
46:52What places indeed?
46:58I've always loved the theatre.
47:01I used to dream I'd end up on the stage.
47:12You're not rid of me yet, Flight Count 2 through my press of Basil ever.
47:16I used to dream I'd end up on the stage.
47:25I used to dream I'd end up on the stage.
47:28I used to dream I'd end up on the stage.
47:41I used to dream I'd end up on the stage.
47:51You were made to fight.
47:58I'd end up on the stage.
48:08I used to dream I'd end up on the stage.
48:17I'd end up on the stage.
48:27I used to dream I'd end up on the stage.
48:37I used to dream I'd end up on the stage.
48:46I used to dream I'd end up on the stage.
48:56I used to dream I'd end up on the stage.
49:06I used to dream I'd end up on the stage.
49:13I used to dream I'd end up on the stage.
49:15that was masterful.
49:16A tangle of roots, but all pointed to one pocket.
49:21One person receiving the fruits of their schemes with no one noticing.
49:27Hearing everything, seeing everything, ignored, for years.
49:35Playing them all.
49:36It's all a game.
49:37It's all a game.
49:41And it's fun.
49:43Once you know the rules.
49:49Miss Mirror Troy.
49:52Absurd.
49:54I don't believe it.
49:57It's remarkable what can be done when people underestimate you.
50:05And then came the problem.
50:08William stole the contract.
50:10And he threatened to cut off your money train.
50:11And you couldn't have that.
50:13You hired Grail to retrieve the document.
50:17But things got out of hand.
50:19So you tried to point us to Lord McIntyre.
50:22A rare misstep in your game.
50:26Moriarty.
50:27Such a shame our divertissement has to end, Mr. Holmes.
50:39I was so enjoying it.
50:45And you, Enola.
50:49Miss Troy, you've been behind this.
50:53Of course, you never can find the proper stuff.
50:58I only wanted the agreements back.
51:01And though I couldn't be seen to question William myself, you were so obliging.
51:06If you wish to speak with William, you could always try with that.
51:15Just a pity he was smarter and braver in the end than I'd expected.
51:19They both were.
51:21Their deaths were so unnecessary.
51:24But Superintendent Grail was somewhat of a blunt instrument.
51:31You, how dare you take advantage of your position.
51:39I take advantage.
51:43What were my advantages?
51:47Treated like a common servant when I have twice the mind of yours.
51:53Any of yours.
51:56Why shouldn't I have a share of your ill-begotten riches?
52:01And punish you at the same time?
52:04Why shouldn't I be rewarded for what I can do?
52:09Where is my place in this society?
52:15I am a woman.
52:17I cannot join clubs.
52:20I cannot own shares.
52:21I cannot advance myself as they can.
52:25So?
52:25I have found my own way.
52:34And it was fun.
52:38Mestras.
52:46Take her away.
52:48Yes.
52:51Mucho, sir.
52:53Extortion.
52:54Yes, yes.
52:55Blackmail murder.
52:57Go.
52:58Such a shame our little dance has to end.
53:03For now, at least.
53:05Perhaps we shall take to the floor again.
53:15No!
53:17No!
53:20Oh, there.
53:22That's that.
53:24I accidentally burnt my own property.
53:26What of it?
53:28You are corrupt, sir.
53:31I'm complicit in the deaths of hundreds of matched girls.
53:35Where is your proof?
53:39Good.
53:40So, back to business.
53:45Sir, you cannot...
53:45Jugsbury.
53:49Patience.
53:50Glory be.
53:58All those names.
54:12Those lives.
54:14I failed them, Manola.
54:16Don't say that.
54:19May gone.
54:22William gone.
54:25And they're going to get away with it.
54:26You heard the man.
54:29Where's your proof?
54:31What do we have now?
54:37We have each other.
54:38And we have the truth.
54:55You're late, best chapman.
54:57Locking you a penny.
54:58You're not welcome here no more.
55:06What are you doing?
55:08Wait.
55:09Get down.
55:11Get down!
55:12Let her speak.
55:18A few weeks ago...
55:20...Mate Isley...
55:23...William Lyon and I...
55:24...set out to prove something.
55:25To prove that this factory was killing people.
55:31And they knew it.
55:32But they decided that profit...
55:34...mattered more than we did.
55:37You're coming with me.
55:39Shh.
55:40It ain't Typhus that's killing us.
55:42It's the phosphorus.
55:43What we work with every day.
55:46You lying little toe rag.
55:48That's a penny off your wages.
55:52These were our friends.
55:55Our sisters.
56:02And our children.
56:05Well?
56:06It stops now.
56:09It's time for us to use the only thing we have.
56:12Ourselves.
56:14It's time...
56:15...for us to refuse to work.
56:18It's time to tell them no!
56:20Right!
56:21Get back to work!
56:23You leave here.
56:24There is no coming back.
56:27You will not get employed here again.
56:31Well?
56:33Will you join me?
56:37Think of your families.
56:40Don't do it, girls.
56:41It is not worth the risk.
56:44Well?
56:45Will you?
56:48This is how the world works.
56:52Please, girls.
56:54I know you're scared.
56:56I am too, but it's the only power we am!
56:58Right.
57:07Get our machine back on and get back to work.
57:18Right.
57:18This can't be their future.
57:27I'm sorry, Enola.
57:37Stop that.
57:38Stop that.
57:48Stop that.
57:54Be one voice.
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