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Short filmTranscript
00:00:00To you is it we're up visiting his dad's family
00:00:30To you is it we're up visiting his dad's family
00:01:00To you is it we're up visiting his dad's family
00:01:30To you is it we're up visiting his dad's family
00:01:59To you is it we're up visiting his dad's family
00:02:29So Sam can't get you from never again.
00:02:50Bertie?
00:02:54Bertie?
00:03:00Bertie?
00:03:04You alright?
00:03:12Bertie?
00:03:16Get out of my house.
00:03:29Bertie?
00:03:33Bertie?
00:03:35Bertie?
00:03:41Hello.
00:03:42Hello.
00:03:50What?
00:03:57Going to Birdie's.
00:03:59Her caretaker's abandoned her.
00:04:01You've never cared before.
00:04:04Well, she's old and she needs my help.
00:04:07She's not taking her medication and she's told the doctor that I'm her cure.
00:04:11Look, Mal, I understand.
00:04:15August Hill.
00:04:41I saw an open vacancy at that nursing home that we passed.
00:04:51Birdie in a home?
00:04:53She's not gonna go for that.
00:04:55I can only lead the horse to ward her.
00:05:07Every six hours.
00:05:09And she's almost out of tanks.
00:05:13Birdie's got the script.
00:05:17She asked me to give you this.
00:05:21Oh, um, sorry.
00:05:23Dr. Francis, we, we can't take care of her.
00:05:27Her malady has more will than her judgment.
00:05:31She needs haloperidol.
00:05:34If not, relapse is certain.
00:05:39You do remember what happened last time.
00:05:46Good night, Mallory.
00:05:48Please tell me.
00:05:50Good night.
00:05:51Look out.
00:05:52Got...
00:06:05What in the world is that?
00:06:08I strongly dislike clowns.
00:06:17That's her.
00:06:19Here you go.
00:06:21No, no, no, no. Just stay here because she'll flip if she sees you.
00:06:24She's gonna see me eventually.
00:06:26Because we're gonna hire a caretaker tomorrow and we're gonna get the hell out of here.
00:06:38Lino?
00:06:56It's me, Mallory.
00:07:00Oh, hello darling.
00:07:04I told them these tanks are too small for a woman my age.
00:07:12Who? Gilberto?
00:07:16Brother?
00:07:18Louise, who was fired?
00:07:20It's always into my forks.
00:07:22For the forkies, Eleanor?
00:07:25It was into my business.
00:07:27And Sammy?
00:07:28Perv.
00:07:34Oh, darling.
00:07:36It's good to see you.
00:07:38Good to see you.
00:07:40Can I hire a caretaker tomorrow?
00:07:44No. No more help, darling. Just you.
00:07:47After all, death should not be a private affair.
00:07:50Family stay together.
00:07:52You're not gonna die.
00:07:54I'm having a guest over.
00:07:58Of the dead kind.
00:08:02I'm so glad you came.
00:08:04I'm so glad you came.
00:08:32Oh, baby.
00:08:42Let's make some babies, huh?
00:08:46I like this bed.
00:08:48Let's get started.
00:08:50No.
00:08:51What?
00:08:52You have to sleep on the couch.
00:08:53Babe, what do you mean?
00:08:54No.
00:08:55It seems too dusty.
00:08:56It's dusty.
00:08:57She's gonna freak out.
00:08:58It's not long enough either.
00:08:59I'm telling you.
00:09:00No, babe.
00:09:01It's creepy out there.
00:09:02And it smells.
00:09:03I'm sorry.
00:09:04I'm not honest.
00:09:05No.
00:09:06I love you.
00:09:07But, baby.
00:09:08Good night.
00:09:09Can I touch you?
00:09:10What's Bernie's white eye passport?
00:09:12Good night.
00:09:27Good night.
00:09:34Oh, I see you received Scarlet.
00:09:57Scarlet?
00:09:58Yes, we buried her when you were four years old.
00:10:03Why do we bury her?
00:10:05I don't know, every Betty buries something from the past.
00:10:08It's human nature, I guess.
00:10:13I don't really remember much before Mom left.
00:10:17I always wanted to learn how to sew.
00:10:24Why did you stop?
00:10:28Birdie.
00:10:30Birdie, let it go.
00:10:33Birdie.
00:10:34Birdie, let go.
00:10:35You're gonna cut yourself.
00:10:37Oh, why don't you take Scarlet with you?
00:10:47It's Scarlet with you.
00:10:54I worry.
00:10:55I'm gonna cut your cut.
00:10:57I'm gonna cut your cut.
00:10:59What are you gonna cut?
00:11:02I'm gonna cut your cut.
00:11:04I'm gonna cut it out.
00:11:05I'm gonna cut you don't cut my cut.
00:11:07You should have cut your cut.
00:11:09It's okay.
00:11:10I'm gonna cut you.
00:11:13I'm gonna cut you down.
00:11:15I need to put my cut.
00:11:17Why are you doing this?
00:11:47Why are you doing this?
00:12:17Why are you doing this?
00:12:47Why are you doing this?
00:13:17Why are you doing this?
00:13:47Why are you doing this?
00:14:17Why are you doing this?
00:14:47Why are you doing this?
00:14:54August, if what you've told me is correct and Mallory's current pattern continues to escalate, a few things could happen. She could say that she's starting to see things.
00:15:24Well, her mother left her when she was really young. Her grandmother took care of her, but her grandmother's old. I've only met her once. But I promise, things are amazing between her and I. Everything besides just sleepwalking.
00:15:38Why don't you just hire someone?
00:15:40Why don't you hire someone?
00:15:41Because she hates people. Well, some things never change.
00:15:46She's crazy.
00:15:53Let's get crazy tonight.
00:16:05Yeah, sure. If I can get ready to sleep or take her medicine or hire a caretaker.
00:16:10Penny? Hey, love, it's me. Who do you know in classifieds?
00:16:15Uh, too late transferring. Hi. I wish I could have an ad. Yes, caretaker. Please call for appointment. 619-646.
00:16:25See you later.
00:16:43One, do not enter closed doors. Two, refrain from lustful relations.
00:16:50Define lustful relations. I'm sure our definitions are quite different, Bertie.
00:16:56Would you accept an uninvited into your home?
00:16:58I didn't.
00:16:59Bertie!
00:17:00Oh, love.
00:17:01Look at you. What are you doing?
00:17:03Okay, um, go upstairs, okay? I'll meet you there in a minute.
00:17:08How long has she been down here?
00:17:10Does she use a mirror when she puts on her lipstick?
00:17:13What are you talking about?
00:17:14The rules of death.
00:17:16What the hell?
00:17:18I know.
00:17:20I'll be back.
00:17:21Where are you going?
00:17:22Hey.
00:17:33Oh, wait.
00:17:35I've been waiting for an excuse to use this thing.
00:17:38Look at this.
00:17:42Watch this.
00:17:43This is old school.
00:17:44Put this here.
00:17:45Flip it over.
00:17:46One, two, trace.
00:17:47Like so.
00:17:48Bada bing.
00:17:49Bada.
00:17:50There you go.
00:17:51Good luck.
00:17:52There you go.
00:17:53There you go.
00:17:54Good luck.
00:17:59Hi.
00:18:00There you go. Good luck.
00:18:28Hi.
00:18:29Where were you today?
00:18:31I missed you.
00:18:32Lunch with Taylor.
00:18:34Do you remember her?
00:18:35Huh. Who could forget a queer?
00:18:37I always wanted better food.
00:18:39Oh, I'm...
00:18:41Shit, Bertie, I'm so sorry.
00:18:43Shit, I'm so sorry.
00:18:45I'll be right back.
00:18:47Shit.
00:18:48Are you okay?
00:18:49Yeah, no, no, no.
00:18:50All right, guys.
00:18:51What?
00:18:54Hey, Bertie.
00:18:57You broke a rule.
00:19:03Now it's just a matter of time.
00:19:07Who will die first?
00:19:09Me?
00:19:11Or you?
00:19:13Yeah.
00:19:15Hmm?
00:19:16Excuse me, Bertie?
00:19:18Babe, you okay?
00:19:19Yeah, yeah, no.
00:19:20You sure?
00:19:21Yeah, yeah, I got it.
00:19:22I'm so sorry.
00:19:23Did I find you?
00:19:24Did it go right through?
00:19:25Okay.
00:19:26Oh, shit.
00:19:29I'm sorry.
00:19:30Didn't really get you.
00:19:31I'll make you another one, okay?
00:19:32All right.
00:19:33All right.
00:19:41I just want to call up the devil.
00:19:50Awakening spirits.
00:19:51Which one?
00:19:52Being touched by the hands of a spirit and seeing images of ghosts during seances were common as were tables vibrating, shifting, and moving?
00:20:14No ink.
00:20:24Figures.
00:20:42Hey, Bertie.
00:20:43Hey.
00:20:48Where's Mallory?
00:20:50I think she's internet shopping on her phone.
00:21:13My mind must be clear.
00:21:19I'm leaving you.
00:21:21For good.
00:21:22No.
00:21:23You and the child are staying with me.
00:21:26She belongs here.
00:21:27She loves me.
00:21:28She loves me more than you and he ever did.
00:21:31She's going to be the daughter you never were.
00:21:34Goodbye, mother.
00:21:35I call bullshit on skydiving.
00:21:36Uh, BS on being related to Diane Keaton.
00:21:37Okay, so you guys think it's true that I actually skinny dipped with Zach Galifianakis?
00:21:40Hell yeah.
00:21:41Hell yeah.
00:21:42Yes.
00:21:43Damn it.
00:21:44Gosh.
00:21:45Oh, gosh.
00:21:46Chuck, Chuck, Chuck, Chuck.
00:21:47Oh, okay.
00:21:48Uh, my mom, Eva, was murdered by a late night intruder when I was four.
00:21:49Two.
00:21:50I can speak two different languages.
00:21:52And I once saw a circus clown smiling at me from just over there.
00:21:58And I can tell you, why'd I call and, whether it was dark is a force really?
00:22:17Okay?
00:22:18I'm smiling at you from just over there.
00:22:21Where I'm sleeping?
00:22:23That's bullshit, I hope.
00:22:25I'm not sleeping there.
00:22:27No, my mom wasn't murdered, but she did walk out of me
00:22:33when I was four, so either way, she's dead to me.
00:22:45Excuse me, Taylor Longlegs.
00:22:49Hey, baby.
00:22:51Nice curly hair, baby.
00:22:56Oh, no.
00:23:03Unless you're part of the Insane Clown Posse crew,
00:23:06putting paint on your face is a no-no for any man.
00:23:10Mal.
00:23:16No.
00:23:17Yes.
00:23:18Yes.
00:23:19No.
00:23:20Mal's drunk.
00:23:22Rip away life out of the chosen and return life to those lost.
00:23:32Call force with mortal words and summon what is unseen.
00:23:38She was a medium at a circus.
00:23:42No, she was a witch.
00:23:44For 50 cents, she was summoned to them members.
00:23:47Oh.
00:23:48It was only after she summoned Raw Dilly that she went mental.
00:23:56So, she summoned a clown named Raw Dilly and you saw him in this house?
00:24:02No.
00:24:03No.
00:24:04That's gonna kill my resale value, babe.
00:24:07No one knows for sure.
00:24:09She went insane.
00:24:11The circus exiled her for heresy.
00:24:13What?
00:24:14No.
00:24:15She was a witch.
00:24:16A real person.
00:24:17The doctors blamed it on her disease.
00:24:19Let's play Raw Dilly.
00:24:21Raw Dilly.
00:24:22Raw Dilly.
00:24:23Raw Dilly.
00:24:24Raw Dilly.
00:24:25What do you hear?
00:24:26Seriously?
00:24:27Sounds of children hiding in fear.
00:24:30Okay.
00:24:31Come on.
00:24:32Come on, baby.
00:24:33We're playing.
00:24:34We're playing.
00:24:35It's happening.
00:24:36It's happening.
00:24:37Can we please?
00:24:38Nope.
00:24:39It's happening.
00:24:40Come on.
00:24:41Are we really gonna do this?
00:24:50Raw Dilly.
00:24:51Raw Dilly.
00:24:52What can you hear?
00:25:00I said, what can you hear?
00:25:02Sounds of children hiding in fear.
00:25:04Yes.
00:25:11One, two, three.
00:25:16Ready?
00:25:24Raw Dilly.
00:25:36Raw Dilly.
00:25:38Raw Dilly.
00:25:39Raw Dilly.
00:25:40Raw Dilly.
00:25:41Raw Dilly.
00:25:42Raw Dilly.
00:25:43Raw Dilly.
00:25:44Raw Dilly.
00:25:45Raw Dilly.
00:25:46Raw Dilly.
00:25:47Raw Dilly.
00:25:48Raw Dilly.
00:25:49Raw Dilly.
00:25:50Raw Dilly.
00:25:51Raw Dilly.
00:25:52Raw Dilly.
00:25:53Raw Dilly.
00:25:54Raw Dilly.
00:25:55Raw Dilly.
00:25:56Raw Dilly.
00:25:57Raw Dilly.
00:25:59Raw Dilly.
00:26:00Raw Dilly.
00:26:01Raw Dilly.
00:26:02Raw Dilly.
00:26:03Raw Dilly.
00:26:04Raw Dilly.
00:26:05Raw Dilly.
00:26:06Beep.
00:26:07Beep.
00:26:08Beep.
00:26:09Beep.
00:26:09Beep.
00:26:10Beep.
00:26:11Beep.
00:26:11Beep.
00:26:12Beep.
00:26:13Beep.
00:26:13Beep.
00:26:13Beep.
00:26:14Beep.
00:26:14Beep.
00:26:15Beep.
00:26:16Beep.
00:26:16Beep.
00:26:16Beep.
00:26:17Beep.
00:26:17Oh, there he is.
00:26:21Oh!
00:26:22Oh!
00:26:23Oh my god.
00:26:24Oh my god.
00:26:26I'm so sorry.
00:26:27Oh god.
00:26:28How did you get there so fast?
00:26:30I've been in this room this entire time.
00:26:32What?
00:26:33Yeah.
00:26:34Yeah.
00:26:49Mal.
00:26:52What are you doing?
00:26:54I can't, um, sorry, I think I can't say anything.
00:26:58Okay, you are way too drunk.
00:26:59Let's sit down.
00:27:00Okay.
00:27:01It's like high school all over again.
00:27:04It's such a lightweight.
00:27:05I love it.
00:27:27Whoa, whoa, whoa.
00:27:32Who are you, buddy?
00:27:34Who are you?
00:27:37There is a hole.
00:27:38I fill it.
00:27:41My name is Sebastian.
00:27:43The newspaper invited me.
00:27:47Are you serious?
00:27:48We have to hire you first.
00:27:53The hole is very dangerous.
00:27:56Please.
00:27:57You can keep the shovel.
00:27:58Just please.
00:27:59Go away.
00:28:13Please send him home.
00:28:15I miss you.
00:28:16I miss you.
00:28:17He's not going anywhere until you take your medication.
00:28:21No, my mind must be clear.
00:28:27What happened to your hand?
00:28:31There's someone I must see before I go.
00:28:33Who?
00:28:34Rod.
00:28:43Okay.
00:28:44Who?
00:28:45Rod.
00:28:46Who?
00:28:47you don't have to say a word I will anyway caretaker yeah hi I'm
00:29:16I just saw your ad in classifieds we have an open position for a caretaker she's on heliperidol
00:29:24sorry hello yes you're exactly what we're looking for medication I think it starts with the H
00:29:31heliperidol she has a mild form of hello her name's Bertie Ellison about 83 to 93 somewhere
00:29:41in that range I'm gonna try this one yeah we haven't tried these three I have an open
00:29:47position for a caretaker el venir el interview her name is Bertie Ellison I'm sorry what she
00:29:55fired you when hung up rude oh you're the fourth thief el interview man yana see medicina no
00:30:05perfecto way no way no noche see see why no no medication don't ask for forgiveness
00:30:18babe just ask for permission I always get that wrong switch the two last words and you know what
00:30:23I mean cool cool cool cool yeah dream let me
00:30:36It's been five weeks.
00:30:43It's been five.
00:30:44No, it's been five.
00:30:46Trust me.
00:30:47I know.
00:31:06When you were the one lead by your hand.
00:31:15If I fall once or twice, it's just my way to see.
00:31:21Hmm?
00:31:22Yeah.
00:31:23Did you hear that?
00:31:25Oh, did you hear that?
00:31:29No, no.
00:31:30Nice day.
00:31:31We have to.
00:31:33I'm sorry.
00:31:34We have to.
00:31:36It's the first appointment.
00:31:37Okay.
00:31:38Oh, my God.
00:31:39No.
00:31:40No.
00:31:55Hold on, pretty blue eyes.
00:31:58You know this is my job.
00:32:00You stay here.
00:32:01Stay here.
00:32:02Hold on.
00:32:03What are you doing right here?
00:32:04Oh.
00:32:05It's been five weeks still.
00:32:06Hey.
00:32:07Hey.
00:32:08You're here for the caretaker position.
00:32:09The caretaker position.
00:32:10Yeah.
00:32:11Um.
00:32:12Uh, she take any medicine or?
00:32:13Yeah.
00:32:14Yeah.
00:32:15Oh, wait.
00:32:16Um.
00:32:17Can I use your restroom?
00:32:18Wait, wait.
00:32:19It came from Plumtail.
00:32:20Oh, for two.
00:32:21Oh, for two.
00:32:22Oh, my God.
00:32:23Oh, my God.
00:32:24Whoa, whoa, whoa, whoa, whoa.
00:32:27Babe.
00:32:28Babe.
00:32:290 for 2, oh my god.
00:32:39Whoa, whoa, whoa, whoa, babe.
00:32:42Babe.
00:32:44We have this bed here,
00:32:46and you got me sleeping downstairs.
00:32:48Where's the hospitality?
00:32:52This thing's disintegrating, oh my god.
00:32:59Who's going back though, babe?
00:33:09It's our last caretaker.
00:33:14What's this room, Elle?
00:33:28It's a staircase to the hallway.
00:33:30It's basically a storage room.
00:33:32Storage?
00:33:33That's a waste of space.
00:33:34It should be a game room.
00:33:36Or a teepee room.
00:33:38What?
00:33:39What?
00:33:40What?
00:33:41What?
00:33:42What?
00:33:43What?
00:33:44What?
00:33:45What?
00:33:46What?
00:33:47What?
00:33:48What?
00:33:49What?
00:33:50What?
00:33:51What?
00:33:52What?
00:33:53What?
00:33:54What?
00:33:55What?
00:33:56What?
00:33:57What?
00:33:58What?
00:33:59What?
00:34:00What?
00:34:01What?
00:34:02What?
00:34:03What?
00:34:04What?
00:34:05What?
00:34:06What?
00:34:07What?
00:34:12What?
00:34:13She needs haloperidol.
00:34:14If not, relapse is certain.
00:34:19You do remember what happened last time.
00:34:22Yeah, this is all in Spanish.
00:34:24Upside down are summation points all over the place.
00:34:31She hasn't always been like this.
00:34:36She did try hard when I was younger.
00:34:39She baked me a cake every birthday.
00:34:42Each year the cake would get a little bit bigger than the last.
00:34:46By the time I was a teen and wanting nothing to do with her,
00:34:49she baked enough cakes to feed the entire town.
00:34:52On my 16th I ditched her to spend the day we tailor.
00:34:57When I got home the next day, I found her in here.
00:35:01And she baked cakes all through the night.
00:35:04She said, do you love me now?
00:35:08I never knew what that meant.
00:35:12That was a day of many firsts.
00:35:15It was the first to learn of her psychosis and what happens when she skips her meds.
00:35:19And the first time I learned of her obsession for this make-believe clown.
00:35:26And the first time I turned my back on her.
00:35:29I lived with Taylor through high school.
00:35:32You're here now, Mom.
00:35:37Be kind to yourself.
00:35:41Jim, what do you say?
00:35:421.3. Was he joking?
00:35:43Well, I hope so.
00:35:48Please send him home.
00:35:51I miss you.
00:35:53Who's dress as up?
00:35:57This dress is thack.
00:35:59three was he joking well I hope so please send him home I miss you
00:36:19whose dress is that isn't it beautiful
00:36:29ready can you please take these for me
00:36:34i'm not taking those goddamn pills no
00:36:37oh
00:36:44oh
00:36:48Mallory sweetheart
00:36:50i'm sorry sweetheart i'm sorry
00:37:09oh
00:37:21Oh, my God.
00:37:51I think you can hold her down.
00:37:55What?
00:37:56No way.
00:37:58Nope.
00:37:59I refuse.
00:38:16Oh, nobody blows horn like him anymore.
00:38:21Oh, no, no, no, no.
00:38:22Birdie, this is beautiful, Birdie.
00:38:25Oh, please, would you have this dance with me, please, Birdie?
00:38:29Oh, I love you.
00:38:31Please, please.
00:38:33Beautiful.
00:38:37One, two, three.
00:38:40Oh, my goodness.
00:38:41Now, now, now, now.
00:38:42Now, now, now.
00:38:44Get it in there.
00:38:45Get it all in.
00:38:46Swallow it, Birdie.
00:38:55How could you do this?
00:39:00There we go.
00:39:04It's for your own good, Birdie.
00:39:05Hi.
00:39:15This is La Casa.
00:39:16Are you here for the care techie position?
00:39:19SÃ.
00:39:20Okay, come in.
00:39:23Hi.
00:39:24Hi.
00:39:24Come in.
00:39:25Did you bring references?
00:39:31Uh, yeah, yes.
00:39:35This is very weird.
00:39:36Um, excuse me?
00:39:39I think this was a mistake.
00:39:40I have to go.
00:39:41Excuse me?
00:39:42Oh, yeah, I brought some references.
00:39:45You know, I think this was a mistake.
00:39:47I'm sorry.
00:39:47I think I have to go.
00:39:49You just got here.
00:39:51Mamacita, mamacita.
00:39:52Por favor, translate this, please.
00:39:53August, I think the position's a little bit normal.
00:39:56Hey, two seconds, two seconds.
00:39:5722, March.
00:40:00No hoy meds.
00:40:02Pildoro en Altia.
00:40:0322 de marzo.
00:40:05No medicina en el té.
00:40:0929, March.
00:40:11¿Qué habla con tÃteres?
00:40:1329 de marzo, hablando con los tÃteres.
00:40:17No, English.
00:40:1829th of March, speaking to the puppets.
00:40:22Okay.
00:40:222 de abril, ninguna medicina.
00:40:272 de abril, no medicina.
00:40:35I have to go.
00:40:37Tranquilla, tranquilla, tranquilla.
00:40:3810 de abril, cocien el medimento en los alimentos.
00:40:4510 de abril, medicina, cooking into the food.
00:40:48Right.
00:40:5014 de abril, carpeta roja.
00:40:54Red carpet, red carpet.
00:40:55I know that.
00:40:55No red carpet, no.
00:40:5718 de abril.
00:40:5818 de abril.
00:40:59Birdie, hablar con a spell.
00:41:02Birdie speaks with mirror.
00:41:04Ella me llama.
00:41:05She says she love me.
00:41:07Ella me llama Rodili.
00:41:09She love me.
00:41:12She love me.
00:41:15Rodili.
00:41:17Birdie.
00:41:17Birdie.
00:41:18Birdie.
00:41:18What are you doing?
00:41:18I'm so sorry.
00:41:21Oh, my God.
00:41:23Shit.
00:41:24You bit me.
00:41:26No.
00:41:26Birdie.
00:41:27Calm down.
00:41:28Okay?
00:41:29Calm down.
00:41:30It's okay.
00:41:31Oh, thank you, darling.
00:41:46Night-night.
00:41:55Oh, my God.
00:41:56Oh, my God.
00:41:57Oh, my God.
00:41:58Oh, my God.
00:41:59Oh, my God.
00:42:00She bites like a piranha.
00:42:10I found this in her room.
00:42:12This is.
00:42:16Trigger objects.
00:42:17A study of human emotion and the afterlife.
00:42:21Her Bible.
00:42:24Spirits bind themselves to earthly possessions.
00:42:27Drawn by an object that was once theirs.
00:42:32That was her thing.
00:42:35Keep reading.
00:42:35Trigger object thrives on emotion.
00:42:39Fear the strongest, followed closely by love.
00:42:42Love, true love.
00:42:44Mutually from one to another could allow the entity to enter another soul until cast away by its medium.
00:42:51Taylor called it witchcraft.
00:42:54She's doing it now.
00:42:55Nina said,
00:42:59You're not bruja.
00:43:00Are you a witch?
00:43:05If raw dilly isn't real,
00:43:08there can't be mutual love, right?
00:43:09What about fear?
00:43:19Fear is stronger than love.
00:43:20Fear is stronger than love.
00:43:31Fear is stronger than love.
00:43:36I brought her to you.
00:44:02August?
00:44:06August?
00:44:11August?
00:44:36August?
00:44:43August?
00:44:45August?
00:44:49August.
00:45:08August.
00:45:11August.
00:45:15August.
00:45:19August.
00:45:21Mallory.
00:45:23August.
00:45:24Baby, you okay?
00:45:27Hm?
00:45:29Hi, baby, you're awake.
00:45:31August.
00:45:32Did you call me?
00:45:33August.
00:45:34August.
00:45:36August.
00:45:40No.
00:45:41Two.
00:45:42Baby.
00:45:45Why are you smiling?
00:45:47Baby, I'm not smiling.
00:45:49Go back to sleep, baby.
00:45:51Shh, shh, shh.
00:45:53Go back to sleep.
00:45:55I love you.
00:45:57Shh.
00:45:59I love you.
00:46:01I met you to sleep.
00:46:06You won't do your time.
00:46:12I thought to yourself too.
00:46:13Hey, hey.
00:46:14You come in nice.
00:46:16How is that?
00:46:17Um.
00:46:19Some.
00:46:20I have to say.
00:46:21Exactly, so .
00:46:24What?
00:46:25It's super long ë³€'
00:47:28August 2.
00:47:30August 2.
00:47:32August 2.
00:47:34August 2.
00:47:36August 2.
00:47:38August 2.
00:47:40Baby, what are you doing?
00:47:42August 2.
00:47:44Baby, wake up.
00:47:46August 2.
00:47:48Baby, okay.
00:47:50August.
00:47:52Baby, baby, baby, baby, relax, relax, relax, relax, relax, shh, relax, relax, it's okay, it's me, it's me, it's me.
00:48:10Nobody broke any of your rules.
00:48:12The door is wide open.
00:48:19What's going on?
00:48:21She turned her off her medicine and painted her face.
00:48:25Come again?
00:48:28She painted her face.
00:48:32And you're surprised?
00:48:35Babe?
00:48:37We knock her out, we give her the drugs.
00:48:42Relax, lady, the store said that just once you see this ace stuff and she's gonna be fine.
00:48:51Here, she's gonna be fine.
00:48:52I'm so tired.
00:48:53She's gonna be fine.
00:48:54She's gonna be fine.
00:49:01Auguste.
00:49:04Auguste.
00:49:06Auguste.
00:49:08August!
00:49:10August!
00:49:12August!
00:49:20Mal, what's wrong?
00:49:22It's behind me!
00:49:24It's behind me!
00:49:26It's behind me!
00:49:28What are you talking about?
00:49:30It's behind me!
00:49:32Mal, what are you talking about?
00:49:34Look, it's just us.
00:49:36It's just us.
00:49:38I don't care.
00:49:40I don't care.
00:49:42I don't care.
00:49:44I'm calling Dr. Patel.
00:49:46No, stop it!
00:49:48No, don't call her!
00:49:50Stop it! It's not me!
00:49:52It's this house!
00:49:54It's not me!
00:49:56It's this house!
00:49:58Mal, there is.
00:50:08I'm calling it.
00:50:10I don't care.
00:50:12I don't care.
00:50:14No, I don't care.
00:50:16I don't care.
00:50:18It's not me!
00:50:20I don't care.
00:50:22I could have sworn I just saw a dodo bird on the roof.
00:50:44You know, when I was a kid I was deathly afraid of the dark, until my mom taught me this trick,
00:51:10which I want to teach you, close your eyes.
00:51:15Close them, babe.
00:51:18Now, picture somebody, anybody, doesn't matter who it is.
00:51:22The first person you picture, just imagine them dancing their ass off, you know?
00:51:27Picture birdie breakdancing.
00:51:30Anytime you're scared, hurts, whatever, just picture that.
00:51:37It's scientifically proven to help.
00:51:46Hold on, babe.
00:51:49I gotta take this.
00:51:51Cool.
00:51:52Yeah.
00:51:53Yeah.
00:51:54Give me a kiss.
00:51:55I'll be right back.
00:51:56No cheesy lines.
00:51:58Line time later?
00:52:00Dr. Patel.
00:52:07Yes, thank you for calling.
00:52:13It's getting worse.
00:52:14You're sleepwalking, hallucinating, talking to inanimate objects.
00:52:20Monday morning, 12 o'clock?
00:52:22Yeah, we could be there.
00:52:36Baby, baby.
00:52:37Check it out.
00:52:39You ready?
00:52:40Buy her from my Contempo listing, Monday morning, 12 o'clock.
00:52:44Hmm?
00:52:45Tomorrow?
00:52:46Gotta leave early.
00:52:47You know I can't.
00:52:48Babe, she doesn't want a caretaker.
00:52:50When she's back on her head, she should be able to-
00:52:51No, no, no.
00:52:52Babe, she wants you.
00:52:55Don't you see that?
00:52:57Is that what you want for the rest of your life?
00:52:59End up like my crazy Aunt Carol?
00:53:01What other options do we have here, August?
00:53:03I can't, I can't abandon her.
00:53:05Not again.
00:53:06Babe.
00:53:07Babe.
00:53:08There is one option.
00:53:22We give her the tranquilizer, and we gently bring her to the house that we passed coming in.
00:53:29There are no other options.
00:53:34You down with that?
00:53:38Fine.
00:53:42Fine.
00:54:05August is leaving in the morning.
00:54:07My darling, you'll choose me, won't you?
00:54:14You'll stay when he leaves.
00:54:17Just like you did when your mother left us.
00:54:20I-I'm the one that took care of you.
00:54:24Of course, Bertie.
00:54:27I love you.
00:54:29I love you.
00:54:30Yeah.
00:54:45Roja.
00:54:46Roja Carpeta.
00:54:48Roja Carpeta, babe.
00:54:49Red carpet.
00:54:52I told you that earlier.
00:54:54No, no, no, no.
00:54:55No.
00:54:58Carpeta Roja, red folder.
00:55:02Red folder?
00:55:03There's a red folder in the office upstairs.
00:55:13The red folder isn't in the office.
00:55:25Okay, you okay, girl.
00:55:26She hates you, guys.
00:55:29Okay.
00:55:30Okay, okay, okay.
00:55:55Come meet Lionel Ellison as Roa Dele.
00:56:17Featuring Barney Declared Lawyer.
00:56:21Doesn't really mean much, babe.
00:56:23It's just a flyer.
00:56:25Marriage certificate.
00:56:27Lionel Ellison and Virginia Birdie Atwell.
00:56:31So what, babe?
00:56:33She was married.
00:56:34Everyone's got skeletons in their closet.
00:56:37It's no big deal.
00:56:40Lionel?
00:56:44What, babe?
00:56:46The one she said, don't have your closed doors.
00:56:48This is the one she was talking about.
00:56:55Help me move these.
00:56:56I think Lionel Ellison is...
00:56:57It's your grandfather.
00:56:58Babe.
00:56:59Is that your mother?
00:57:01Is that her, babe?
00:57:02Okay.
00:57:03Okay.
00:57:04I think Lionel Ellison is...
00:57:05Is your grandfather.
00:57:06Babe.
00:57:07Is that your mother?
00:57:09Is that her, babe?
00:57:10Okay.
00:57:11Is that her, babe?
00:57:12Okay.
00:57:13Is that her, babe?
00:57:14Okay.
00:57:15You okay?
00:57:16It's hot as death up here.
00:57:18Is that her, babe?
00:57:19Is that her, babe?
00:57:20Okay.
00:57:21Is that her, babe?
00:57:22Okay.
00:57:23I'll just go.
00:57:24She's not her.
00:57:25Okay.
00:57:26Ooh.
00:57:31You okay?
00:57:34You okay?
00:57:42It's hot as death up here.
00:57:45What's this?
00:57:49Oh, man.
00:57:52Something tells me these aren't comedy tapes, but June 4th, June 8th, June 16th, July 12th.
00:58:22What is this place?
00:58:28Maybe that's your mom.
00:58:35I'm so confused.
00:58:49There's something with these tapes.
00:58:52You gotta play these.
00:58:59How can we play these?
00:59:01There's a VCR downstairs.
00:59:03Go get it.
00:59:04Okay.
00:59:05I'll try to get this to work.
00:59:07Okay.
00:59:22Let's go.
00:59:23Let's go.
00:59:24Let's go.
00:59:25Let's go.
00:59:26Let's go.
00:59:27Let's go.
00:59:28Let's go.
00:59:29Let's go.
00:59:30Let's go.
00:59:32Let's go.
00:59:33Let's go.
00:59:34Let's go.
00:59:35Let's go.
00:59:37Let's go.
00:59:38Let's go.
00:59:39Let's go.
00:59:40Let's go.
00:59:41Let's go.
00:59:42Let's go.
00:59:43Let's go.
00:59:44Let's go.
00:59:45Let's go.
00:59:46Put it right here.
00:59:47This is like, I'm like Kubrick with this thing.
00:59:51I know.
00:59:52Help me with this.
00:59:53It's got all these dates.
00:59:54It doesn't matter what one?
00:59:55No.
00:59:56March 26th.
00:59:57Here's that one.
00:59:58Maybe that's you.
00:59:59Maybe that's you.
01:00:00That's your bed.
01:00:28You're so beautiful.
01:00:29Do you remember any of this?
01:00:33I can't do it.
01:00:34I can't do it.
01:00:35Turn it off.
01:00:36Okay.
01:00:37Turn it off.
01:00:38Okay.
01:00:39No.
01:00:40Okay.
01:00:41It's okay.
01:00:42Baby, it's okay.
01:00:55Baby, it's okay.
01:00:57Calm down, baby. Calm down.
01:00:59It's okay.
01:01:01Could you not tell me about him?
01:01:03I don't know.
01:01:05I'll be right back.
01:01:07It's okay.
01:01:11I'll protect you, baby, okay?
01:01:25Okay.
01:01:27I don't know who you are.
01:01:29I don't know who you are.
01:01:31I don't know who you are.
01:01:33No, it's okay.
01:01:35I don't know who you are.
01:01:39August, wow.
01:01:41August, wow.
01:01:47What is it?
01:01:49August.
01:01:55Oh, no.
01:01:57No.
01:01:58No.
01:01:59No.
01:02:00No.
01:02:01No.
01:02:02No.
01:02:03No.
01:02:04No.
01:02:05No.
01:02:06No.
01:02:07Garvey.
01:02:23Where's August?
01:02:25Oh, here's two...
01:02:27and there's two.
01:02:32Where's two?
01:02:34Here's two.
01:02:35Here's two.
01:02:36Here's two...
01:02:37here's two.
01:02:46Here's two.
01:02:47Hey, August.
01:03:17Oh, oh, oh, shit.
01:03:47Now, picture somebody, anybody, doesn't matter who it is, the first person you picture,
01:04:14just imagine them dancing their ass off, you know?
01:04:44Oh, shit.
01:04:51Abandon your self, abandon your health.
01:05:03Be your physician, be your prescription, be your housekeeper in your world.
01:05:19Like a mirror, then the sun will be falling out.
01:05:27Intuition.
01:05:31Intuition.
01:05:35Intuition.
01:05:39Intuition.
01:05:49Intuition.
01:05:56No, just kidding.
01:06:01I don't know.
01:06:31I don't know.
01:07:01I can't provide for her.
01:07:22But I will find someone who can.
01:07:26No, you and the child are staying with me.
01:07:29Goodbye, Mother.
01:07:31Family stays together.
01:07:33May I have this dance?
01:07:41I know a man who sits at the hotel.
01:07:54I know a man who sits at the hotel.
01:07:58I know a man who sits at the hotel.
01:08:01I know a man who sits at the hotel.
01:08:05Okay, what kind of dance show?
01:08:20Look, you stay right here, okay?
01:08:29Grandma Birdie's been acting a little strange lately.
01:08:35Grandma Birdie's been acting a little strange lately.
01:08:55Grandpa?
01:09:01Do you love me now, child?
01:09:11Do you love me now?
01:09:18Grandpa, where did you go?
01:09:20Grandpa, where are you?
01:09:36Grandpa?
01:09:50It's me, my darling, Mallory.
01:10:02Your grandfather lives inside me.
01:10:06He's with me.
01:10:09Come to me, sweetheart.
01:10:11Come to me.
01:10:13Love me.
01:10:15Love me.
01:10:18Mallory, love me.
01:10:19Love me.
01:10:21Mallory, love me!
01:10:24Love me, Mallory.
01:10:28August 2.
01:10:31Mallory, what are you doing?
01:10:32Mallory?
01:10:33August 2.
01:10:35Oh, God.
01:10:46Let love be your guide.
01:10:47Come to me.
01:10:49Roger, Roger.
01:10:54What are you doing?
01:11:13Rear there.
01:11:15er oRT, Elaine.
01:11:15Raw dilly, raw dilly, what do you hear?
01:11:19The sound of Birdie hiding in fear.
01:11:46You killed my mother.
01:11:48Either way, my darling. I live inside you. Just as he lives inside me.
01:12:15I'm sorry, I'm sorry.
01:12:22I'm sorry.
01:12:27I'm sorry.
01:12:33Mal.
01:12:43Mal, what's that on your face, babe?
01:12:49Mal?
01:12:54Anyway, it's time.
01:12:57Get the syringe, I'll hold her down.
01:13:00Mal, are you okay?
01:13:01I've decided to stay.
01:13:05It's not funny, Mal.
01:13:07You're not well. We need to go.
01:13:10Now.
01:13:11No.
01:13:12This is my home.
01:13:14This is your home?
01:13:15After everything we've been through in here?
01:13:19Really?
01:13:20Hello?
01:13:23You're not well.
01:13:25We need to go home.
01:13:26No.
01:13:27Mallory!
01:13:29You in there?
01:13:31Give me something!
01:13:34Come on!
01:13:36Nothing?
01:13:38Okay.
01:13:39This is what you want?
01:13:40Good riddance, Mal.
01:13:41A few things could happen.
01:14:00She could say that she's starting to see things.
01:14:04It's behind me.
01:14:05She could blame her bouts on her surroundings.
01:14:07Relax.
01:14:08It's not me!
01:14:09It's this house!
01:14:10Relax.
01:14:10It's not me!
01:14:11Does she ever talk about wanting to move?
01:14:13I've decided to stay.
01:14:14Wanting to move?
01:14:15No.
01:14:16Never.
01:14:17This is my home.
01:14:19I think that everything's gonna be fine.
01:14:21I was left to be an upstream sailor.
01:14:38I never wanted to ride.
01:14:43I was on a side show while we painted trouble.
01:14:57I'm missing in my walking life.
01:15:01oh, shit.
01:15:26It's out breaking, it's out of the field
01:15:31It'll be your life on the seas, upon the ground
01:15:38No
01:15:56I
01:16:26Mel
01:16:33Mel
01:16:35Mel
01:16:40Who do you hear?
01:16:52Mel
01:16:53Mel
01:16:54Mel, Mel
01:16:55What are you doing, baby?
01:16:56Babe, come on
01:16:57Baby, it's me, it's August
01:16:59It's August, baby
01:17:00Come to me
01:17:01The family stays together
01:17:04Mel
01:17:06August, it's August
01:17:07Mallory
01:17:08Mallory
01:17:10Bernie
01:17:12Mallory, it's me
01:17:14It's on the American Horror
01:17:18I'd say, I don't know
01:17:32I am going to work on the record
01:17:33I am going to use it for an amazing moment
01:17:35To go for a while I'm trying to tell you that we need to work on the road
01:17:37I scream and I believe
01:17:40We fall on the side of the king
01:17:48The maples, no man
01:17:53The eleven rounds above the sea
01:18:07The eleven rounds above the sea
01:18:37The eleven rounds above the sea
01:19:07The eleven rounds above the sea
01:19:37The eleven rounds above the sea
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