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00:00very nice thanks very much thank you so much to it you've been most kind it's
00:22been a pleasure I hope you enjoyed your trip immensely
00:30the drink locked up all taken care of you off for the weekend no back to room on the 718 in the
00:35morning whistler bad luck job what's the matter no I'm alright really you look ghastly no I'm alright
00:45really I've seen you
01:00get an ambulance quick right
01:29put this under his head thanks
01:32he's dead
02:15the Baron is brought to you by
02:18the Baron is brought to you by
02:43the
02:46the
02:49the
02:53the
02:59good morning David good morning lady Cheswick called about the matisse etching oh
03:14the set what but she can't afford it oh she's a liar maybe so but she says she's not going to buy it
03:34five pounds says she calls before noon and changes her mind to bet oh and the Washington shop cabled about
03:40the mice and figures they have a firm offer of two thousand two hundred dollars cable them to grab
03:45it
03:45well if it isn't templeton green in person good morning good morning good grief charming well
03:55I'm fine what brings the department here brings oh no no no no just happen to be passing oh come on you
04:03can do better than that well that is just a little matter if you can spare me a minute sure
04:07privately come into the office thank you oh nothing personal
04:12well
04:14well you're gonna tell me what it's all about temp oh not temp there's a good chap alec if you like but
04:32not temp yes now where were we oh yes I thought you might like a trip to Rome delightful sitting the
04:37department in a word yes well that's Kathy Dorn you knew her once in John yes she worked for me for
04:46nearly a year and she resigned I understand well you could put it like that she just left she didn't
04:51show up for work one morning I checked her apartment she'd gone I haven't seen her since where you were
04:57I don't quite know how to put this did you know her intimately I don't know how to put it either where is
05:05she Rome calls herself an entertainer sings in a nightclub look don't you think it's about time you
05:12told me what this is all about yesterday an airline steward Robert Rawson had a brain hemorrhage he was
05:18driving home from London Airport ugly business this was in his wallet so he was working for one of the
05:25biggest art smuggling rings in existence have a look at that more your line than mine I think
05:32hmm I didn't know better I'd say that was one of the eight medallions of the faith it is also I've
05:43been told know anything about it yes they were made for Richard the Lionheart during one of his crusades
05:49same idea if you really are an expert yes and Richard presented them to the eight knights who were the first
05:54christian suffered in allowed to worship at the holy sepulchre all good stuff you see they disappeared then
05:59turned up around the year 1500 and the treasure of Lorenzo the Magnificent who was then ruler of
06:03Florence well there's only one error so far it wasn't Safedin it was his brother Saladin the champ who
06:08prepared this was supposed to be an authority I'll give him a rocket when I get back well I could have
06:11saved you a lot of trouble Lorenzo gave them to the pope they're now part of the vatican treasure
06:15they were part of the vatican treasure you mean they're stolen from the vatican all eight of them
06:19it was some job you know what they're worth tidy some I imagine I could sell this one right now for
06:2610 000 pounds how much for all eight priceless the whole set mistakes million dollars so of course
06:36Americans do tend to be a little free with their money well there you are marrying that's the story
06:41yes it is nice yes but um where do I fit into this well we'd like you to get them back for us
06:50didn't I mention it no you didn't mention that oh how careless of me our agent in Rome is a fellow
06:55called cavendish he'll contact you at your hotel oh he will i hope you won't think it presumptuous of
06:59me but i took the liberty of cabling him that you'd be flying out to rome tomorrow
07:11so
07:18so
07:22so
07:32Manor Ring?
07:45Yes.
07:46Bob Cavendish.
07:48Hi.
07:49I'll make it brief.
07:51They're working from a nightclub on the Via Frasinetti.
07:53Nick's place.
07:54A lot of airline people go there, pilots and stewardesses.
07:57I'm getting a plane out tonight.
07:59So if, and it's a big if, they give me a medallion,
08:02let me know for sure.
08:03What if they don't?
08:04I've been wasting my time for the past six weeks.
08:07What about Kathy Dawn?
08:08I thought that was your department.
08:11Suppose it is.
08:12I can't make her out.
08:14Still, drop into the club for a drink around 10 o'clock.
08:16Look the place over.
08:17Right.
08:18Come to my room later.
08:1923 Via Angelo.
08:22I'd better shut off.
08:23See you.
08:24Oh, if you see me at the club tonight, you don't know me.
08:27Got it?
08:32I'll try.
08:53All right.
09:01Nick, Cavendish is here.
09:03Send him in.
09:04Nick, I don't like him.
09:06Somehow...
09:08the medallions are the biggest job we've ever done.
09:10Send him in.
09:15Dino, Cavendish steps out of line, you know just what to do.
09:23Nick will see you.
09:25Good.
09:31The usual.
09:36Are you greedy, Mr. Cavendish?
09:38Very.
09:39Good.
09:40We decided to trust you.
09:42I hope for your sake we haven't made a mistake.
09:45I also figure that for a thousand pounds you can keep your mouth shut.
09:49Like a clam.
09:53We want you to take this to London for us.
09:59What is it?
10:00No, that doesn't concern you.
10:01Just conceal it on your person and take it to London on your flight tomorrow.
10:04That's all?
10:06That's all.
10:08Member of business?
10:09Good night, Mr. Cavendish.
10:11Good night.
10:23Kathy.
10:26Johnny.
10:28Won't you join me?
10:32How about a drink?
10:33I...
10:34I don't usually drink with the customers.
10:46Is that how you classify me?
10:48No.
10:50I'll have a double scotch on the rocks.
10:53It's been a long time.
10:54Almost two years.
10:55What are you doing here?
10:56Sightseeing.
10:57Oh, come on.
10:58You saw all there was to see of Rome years ago.
10:59Apparently you saw all you wanted to see of London.
11:00What have you been doing since you walked out?
11:01Well, let's get this straight.
11:02I left.
11:03You walked out.
11:04The thing we had going for us wasn't happening anymore.
11:05Well, not for you, perhaps.
11:06I didn't feel like sitting around waiting for the quiet dinner when you told me we were
11:07through.
11:08Well, I'm sorry.
11:09I just don't like to see things get too serious.
11:10My trouble.
11:11I always take things too seriously.
11:12I get them hideously mixed up.
11:17Thank you, Mom.
11:18I just don't like to see things get too serious.
11:20My trouble.
11:21I always take things too seriously.
11:23I get them hideously mixed up.
11:26Thank you, Mom.
11:30Well, how are you?
11:34Right.
11:35Who is Kathy's friend? I don't know. English? No, American. Okay.
11:50I'm busy, Dino. Kathy has made another contact, and he's not aircrew.
12:20Cheers. Cheers.
12:29Who's so interested?
12:34Oh, that's Nick. The owner? Of everything.
12:38Including you? No, only he just has a long lease.
12:42He sounds like a great fella. Oh, he is absolutely divine, and I'm mad about him.
12:47He's the rottenest man I've ever met. Get the picture?
12:51Yeah, I get it. What's in it for you?
12:54You know. I've tried everything else. On his side, I amuse him.
12:59Can we go somewhere and talk? You can go to my place.
13:02Yeah. Even sooner.
13:08You going somewhere?
13:10Yes, I'm going home with an old friend.
13:13There's another show to do.
13:17Well, you do something, Nick.
13:19You could dance or juggle or cut your throat.
13:22That should amuse the customers.
13:26Don't.
13:27You.
13:28You can dance or do.
13:30You can dance or do you.
13:32Oh, my God.
13:33Oh, my God.
13:34We just have to do things.
13:35There, again.
13:36Oh, my God.
13:38I'm done, too.
13:40Oh, my God.
13:41I'll do something.
13:46Oh, my God.
13:47Oh, my God.
13:48Oh, my God.
13:50Oh, my God.
13:52Oh, my God.
13:53Oh, my God.
13:54Oh, my God.
13:55you still haven't told me why you left London does it matter matters to me oh
14:12I don't know Johnny I just I just had to move on I can never stay put searching
14:18for what some kind of perfect perfection I always think the next Danny or Luigi or Nick
14:28is gonna be the one well they never are are they no they never are it always ends up the same way
14:36Kathy you're a very beautiful girl oh yes beautiful and ripe and sweet sour as a lemon
14:47I'm no use to anybody least of all myself maybe I can help you you want to reform me
14:54I don't think you need reforming you must be kidding I'm a liar a lush and a trap oh come on
15:03do you know there are some days when I think I'll be positively insane by nightfall
15:08oh I don't know what it is maybe it's me maybe it's maybe it's Rome you know the Dolce Vita kick
15:15maybe it's Nick you love that guy that word and leave him leave him leave Rome and go where
15:25back to London with you with me you mean you you take me back I take you anywhere look this isn't
15:35just charity is I mean you're not saying this because you're sorry for me no I'll do it I'll come
15:49back to London start all over again clean as though nothing's happened hi Nick Valente this is John
16:00you got another show to do for me tonight she's quitting
16:10he's kidding
16:20my car is downstairs I'll wait for you for five minutes
16:27good night
16:33good night
16:37good night Johnny Kathy that offer still stands
16:49good night
16:51look do me a favor mind your own business let me go to hell in my own way
17:19good night
17:20have read
17:21that I'm
17:21good night
17:22good night
17:24agree
17:28all
17:38good night
17:39all right
17:40good night
17:41okay
17:42thank you
17:43as a message for you
17:45well
17:46There has been a change in plans.
17:48What do you mean? What's wrong? A drink?
17:51When you leave Nick's place tonight, I followed you.
17:54You sent a telegram.
17:56So I did. To my wife.
17:58I thought she lived in Cornwall.
18:00She... she does.
18:02Then why send a telegram to London?
18:04I didn't.
18:05Liar.
18:07For a lousy 5,000 lire at a telegraph clerk talk.
18:10Why should an airline steward send a message in code
18:14to a foreign office in London?
18:18What was in it?
18:20Wouldn't you like to know?
18:44I had an battery here today.
18:46I had needed to listen.
18:48Can I take a сотlene to hospital?
18:50His Philippi Icon is finned,
18:52but it's all took to him.
18:54Ahh!
18:56I put aину.
18:57Sorry.
18:58Let's touch the beautiful partir.
18:59So let's go史 car nil.
19:00ized by the white people.
19:01I can see it later from home.
19:03I can dress, I'm in этом for lunch.
19:05Let's try something.
19:07Then let's put him on.
19:08Joseph ent円 entre the Network.
19:10In this case he is mad,
19:11don't call me.
19:12Oh, my God.
19:42Oh, my God.
19:44Who was it?
19:46They've got the medallions.
19:48Nick.
19:50Didn't they know?
19:52They've got the medallions.
20:02Let's go.
20:04Every time you go, this time will be forever, cry my heart, and swear you'll look before
20:26You leave my heart to love again, but there you go, forgot your part, you'll never lie, so cry my heart
20:50Up there you go, forgot your part, you'll never lie, so cry my heart
21:20Kathy, I want to talk to you
21:28I have nothing to say
21:29Why did you come back here tonight? It can't be just Nick
21:32I told you, I'm no good
21:34I'm beginning to agree with you
21:36Well, that makes two of us
21:37Kathy, you're keeping dirty company, now sooner or later you're gonna have to make up your mind which side you're on
21:42Don't worry, Dino
21:49Okay
21:51He's here again
21:58Who?
21:59The friend of Kathy's, the American
22:01Mannering
22:11You know him?
22:12Yeah, I know him
22:13But he's the man who saw me live Cavendish
22:15You sure?
22:17He must know I killed him
22:18Then why is he called the police?
22:20I don't know
22:22What's he around?
22:24What's his angle, huh?
22:25You wait here
22:27Mannering
22:37I think I'll get right to the point, I don't like your face
22:39It's funny that's how I feel about yours
22:41Yeah, but I got an advantage
22:43That's my carpet you're standing on
22:45My bar you're leaning against
22:46And my liquor you're drinking
22:47I own the place
22:48I'm asking you politely to beat it
22:49You can either leave nice and quiet
22:51Or I can get half a dozen of the boys to toss you out in your rear
22:53How do you want it?
22:54Why don't you bring on the boys?
22:55Why don't you bring on the boys?
22:57When we finish with this place it won't be worth owning anymore
22:59Marco
23:01Please, for my sake
23:03Will you leave?
23:05I don't want to see you anymore
23:07That's what you want?
23:17Now talk
23:19He's a man I knew in London
23:21An affair?
23:22To remember
23:23Well, forget it
23:24I have
23:25What's he do?
23:26He's got three of the most exclusive antique shops in the world
23:31You ever mention the medallions?
23:32No
23:35You liar
23:37Nick, I swear it, he never mentioned them
23:40Look, please, I'm tired, can I go home now?
23:47Well
23:49He's an art dealer
23:50He's after the medallions himself
23:51He could get in our hair
23:52I'm knowing about Cavendish
23:53You make plenty of trouble for me, eh?
23:56You're getting old, you know
23:58You're getting so you, uh
23:59Don't know how to take care of trouble?
24:03Oh, sure, I remember
24:19I was
24:25Pop!
24:26I'm
24:28I'm
24:29I'm
24:30I'm
24:31I'm
24:32A
24:33PIANO PLAYS
25:03You're too inquisitive to make a good assassin, Dino.
25:26I meant you no harm.
25:28The way you meant Cavendish no harm?
25:30Don't kill me, please.
25:33Now, you go back to Nick and tell him it's no good to send a boy to do a man's work.
25:38You know, you make me laugh.
26:03Oh, dear.
26:05I must be drunk, otherwise I'd be afraid to say that.
26:08Where's the ginger ale?
26:09I think we're out.
26:11You know, I'm getting a little bit tired of you getting smashed every night.
26:14You know, you amuse me most when you try to show off.
26:19You pretend to know about politics and wine.
26:22Could I ask you something?
26:24Yeah, what?
26:25Why were you deported from America?
26:27I dropped it.
26:27Was it for bad taste?
26:29Now, listen, Cathy.
26:31You know, you spent all those years in New York, and you've got about as much polish as the bark of a tree.
26:36I mean, take that suit.
26:40For your information, this suit cost 130,000 lire.
26:44Oh, I didn't say it wasn't expensive.
26:47I mean, your shirt's expensive and your shoes are expensive.
26:50A lot of money and a lot of thought, and it's all wrong.
26:56What's that saying?
26:57You can't make a silk ear.
26:59Oh, Lord, I've got that back.
27:01Now, cut it out.
27:02I've got it.
27:03You can't make a silk purse out of a sow's ear.
27:07And that's what you are.
27:09All the fancy suits and manicures couldn't concede what you are, Nick.
27:13And just what am I?
27:14Oh, you're gorgeous.
27:17No, no, no, no, no, no.
27:18Come on, say it.
27:19What am I?
27:21You're a well-dressed, handsome, vulgar, common little rat.
27:36Yeah, that's right.
27:38You sure can soak up the sauce.
27:41It helps deaden the pain.
27:42You can drink yourself to death for all I care.
27:45But you're in this deal with me and you're staying in.
27:47I understand?
27:48Yes.
27:52You either do what I tell you or you'll spend the rest of your life in jail.
27:55But I didn't kill him.
27:56It was an accident.
27:57You know that.
27:58Sure, I know it.
28:00But if I don't say so, you haven't got a chance.
28:03They'll convict you of murder.
28:04Remember that.
28:07But any time you feel like double-crossing this vulgar little rat, you just go right ahead.
28:12Hello?
28:17You are wrong, Nick.
28:18Mannering knows.
28:19What are you talking about?
28:21He knows I killed Cavendish.
28:22He's going to the police.
28:23I'm afraid to go home, Nick.
28:24Now, slow down, Nino.
28:28Listen, Nino.
28:30You go to Luigi's place.
28:32He's on a vacation.
28:34Now pick up the key from Marco.
28:35I want out, Nick.
28:37For good.
28:38I want my share of the money.
28:39I want to leave Rome.
28:40Please, Nick.
28:41Okay, okay, Nino.
28:42That's what you want.
28:43Go to Luigi's and relax.
28:44Nobody will find you there.
28:45And I'll see you tomorrow.
28:46Well, Kathy, there's going to be a showdown.
29:10Call Templeton Green and tell him I think something will break tonight.
29:13Okay.
29:14When do you expect to be back?
29:16Probably in a couple of days.
29:18Right.
29:19Bye, David.
29:24Who is it?
29:26It's me, Kathy.
29:32Could I ask you a question?
29:34Come in.
29:37Did you, um...
29:39Did you mean any of the things you said to me last night?
29:43I meant all of them.
29:44You're all the same.
29:47Every man I've ever known.
29:49What's that supposed to mean?
29:54You're after the medallions, aren't you?
29:58What makes you think so?
29:59All that sweet talk about taking him back to London.
30:04Just window dressing, wasn't it?
30:05The good old Texas come on.
30:07You're wrong.
30:08You only came to Rome to track down the medallions.
30:11Isn't that true?
30:11Yes, but that doesn't mean everything I said was a good old Texas come on.
30:15Oh, forget it.
30:15I get the message loud and clear.
30:20Do you know how the medallions?
30:22They're at this address.
30:24They're there now.
30:25But he's leaving with the paparis at 8 o'clock tonight.
30:28Why are you telling me this?
30:29It's what you want, isn't it?
30:32That's right.
30:33Right, well, you've got it.
30:34But if you take my advice, you'll run as far and as fast as you can.
30:38You don't know what you're fighting.
30:39I mean, they're very dangerous, Dino and Nick.
30:43Well, don't say I didn't warn you.
30:45Goodbye, Johnny, and good luck.
30:46You're going to need it.
30:47Well, Dino, I had a lot of arrangements to make, huh?
31:14There you are, Dino.
31:17Your share of everything.
31:19Up to date.
31:24Oh.
31:25Thanks, Nick.
31:27For a while, I thought maybe...
31:29Did I double cross you?
31:32No, no, not really.
31:34I'm expecting a car in 20 minutes to take you to Naples.
31:38There's a boat leaving for North Africa at midnight.
31:40I hate running out on you, Nick.
31:42That's okay, Dino.
31:44There comes a time in every guy's life when he's got to lay low, huh?
31:54Ah, things will blow over.
31:56And if you want to come back, Dino, that's okay, too.
31:58Thanks, Nick.
31:59I knew you'd understand.
32:00I always understand.
32:02Nick!
32:02Nick!
32:03Nick!
32:25Oh, my God.
32:55Oh, my God.
33:25This is going to work fine.
33:27Yes.
33:45Perfect.
33:46I suppose they've arrested him by now.
33:48What, you care?
33:50No.
33:52You don't sound too sure.
33:53Oh, I'm sure.
33:55Look, they won't hold him beyond tomorrow morning.
34:02I'll tell you that before you set him up.
34:04All I needed was Dino out of the way and a breather until we're on that train.
34:14Nick.
34:15Nick, are you sure you want me?
34:17Look, I said so, didn't I?
34:18Look, if you don't want to take me with you, for God's sake's sake, so only don't lead me on like this.
34:32Nick.
34:33Look, we're going to be married, aren't we?
34:35Are we?
34:35Sure we are.
34:37Is that all you've got to say?
34:39But I'm sorry, baby.
34:40You know, I've got a lot on my mind.
34:41Yes.
34:43Look, I love you.
34:44Good or bad, drunk or sober, I love you and I always will.
34:55That's all I wanted to know.
34:56All right, now beat it.
34:57Get home and get your bags packed.
34:58What time's the train?
34:59Nine o'clock.
35:00I'll pick you up at eight.
35:00I'll be with you.
35:02Goodbye, mother.
35:03Goodbye, cousin.
35:09Boss.
35:11Did you mean that?
35:12Are you kidding?
35:13I just want to keep her quiet until I get on that train.
35:16For all I care, she can drop dead.
35:18Look, the gun was in my hand because Nick Valenti probably put it there.
35:22Now, while you're talking to me, he's probably catching a plane.
35:24Guardi, signore.
35:25My patience is at an end.
35:27The man has been shot and you're under arrest.
35:29So come.
35:44This was a successful.
35:46Kenny!
35:59You're not so mad.
36:00Don't you, son of a night.
36:00Oh, a-
36:01justice is at an end.
36:01But what are you doing?
36:02Oh, dirty.
36:04You do what do you mean?
36:05Oh, a-
36:05Attorney!
36:10So I have been waiting for me for you.
36:16Ah, what are you doing?
36:21Oh, I did.
36:21Oh that's fine.
36:31What's going on?
36:32I don't know.
36:33I don't know.
36:52surprised to see me well yes where's Nick I don't know doorman at the club said he was catching a
37:03train at eight where to I hate I guess you thought you were going with him eight o'clock
37:12are you sure that's what the doorman said he got him a taxi he told me we were taking the night
37:21express to Geneva that's not going to happen Kathy I never do anything right do I so you did a fair
37:28job of setting me up for a murder charge well I knew they'd release you after 24 hours you couldn't
37:32be sure about that why did you do it Nick made me Nick made you what's happened to you Kathy I told
37:40you I'm rotten maybe that's why I thought I'd be happy with Nick he's rotten too he said he'd marry
37:45me why do you do everything he tells you what's he got on you you remember the de Crespi case
37:53Count de Crespi yes Rome's most eligible bachelor found out on the beach or something well there
38:01was a lot of talk about a mysterious blonde remember well it was at a party and he got very drunk he
38:10started to mourn me about I gave him a shower and he fell down the patio steps Nick was the only witness
38:16oh look please I've been over this a million times Nick could send me to jail for life
38:23Kathy you want to change the pattern the night express to Geneva is leaving Rome right now
38:31have you got a car yes then come on forgets the train at the first stop right
38:42so Marco we made it see a new name and a new passport a new future in Switzerland
38:58I'll be an American businessman and never been to Rome in his life
39:02we'll never catch him I might we've got a 50 50 chance but Portia Maticio is the first stop and
39:10that's over 40 kilometers away
39:12and
39:19and
39:29and
39:32and
39:34and
39:36Slowing down for Borgia, Matertio.
40:06You okay? Yes. What do we do now? We're fine, Nick. You take your front half. I'll go this way.
40:28What do I do if I find? Nothing. Meet me here in ten minutes.
40:31Good evening, senor. You are in what compartment? In none at the moment.
40:35You have reservation? No. A ticket? No, sorry. Senor, I'm sorry. The first class section is a fool.
40:40Yeah, but you can find it. The train is a fool. I'm sorry. I know. I can tell by the look on your face.
40:44Senor, I'm afraid I... Maybe this will improve your courage, huh? Look out for the bags.
41:05Go get me a couple of cigars, will you? Your steward will have some.
41:12See you, Nick.
41:14Look at you.
41:16Let him take.
41:17Look at you, Nick.
41:19Oh, my God.
41:49Who is it?
41:51It's a me, Marco.
41:57Captain.
42:00You just can't take no for an answer, can you, baby?
42:02Is she alone?
42:02Si.
42:04Does anything make me sick?
42:05It's women who glue themselves to a guy.
42:09Now, how'd you get on this train?
42:11Same way you did.
42:12You're a liar.
42:13I told you the train left at nine and actually left at eight.
42:15Who straightened you out on the time?
42:18Mattering?
42:20Must have been mattering.
42:21Is he on this train?
42:24Come on, baby.
42:25Here.
42:25Is he on this train?
42:30You're a liar.
42:31Marco, find him.
42:32Si.
42:37Baby, you're the biggest drag in town.
42:40What do I ever see in you?
42:41Sorry.
42:48I was looking for a friend.
42:49Where's Nick?
43:07There's a tunnel coming up.
43:10You could lose your head.
43:11You've got about 20 seconds.
43:19Where is he?
43:20Yes, sir.
43:27Where is he?
43:28All right.
43:29Compartement 70 to 8.
43:3170 to 8.
43:32Here is me, pal.
43:42Here, please.
43:50Kathy, you've become an embarrassment and a liability.
43:53I'm going to have to do something about it.
43:55Yeah, she'll be coming to the Cassiola Bridge soon.
44:25Excuse me.
44:27Just shut up and do what I tell you.
44:29Now, you just stand here and keep pounding on this door, huh?
44:33All right, Nick. Open up.
44:38Excuse me!
44:46Who cares?
44:48Don't close this window. I might have to come back.
44:51Un-American. Obviously.
44:55Why?
44:57Why?
44:58Let's go.
44:59Why?
45:02Why?
45:03Why?
45:05Why?
45:14Why?
45:20What?
45:22Why?
45:24Let's go.
45:54Keep an eye on this man.
46:21Police want him.
46:24Are you all right?
46:32I'm the boss of lightning.
46:34I'm the...
46:35Kathy!
46:41Oh, it hurts.
46:43It hurts.
46:44I'll get a doctor.
46:47No, please.
46:48Please.
46:49Hold me.
46:53Kathy, listen to me.
46:54It's all over now.
46:56You'll be all right.
46:57We'll go back to London.
46:58Hold me.
46:59I never was very good at being brave.
47:12I didn't let you down this time, did I?
47:19No, you didn't.
47:24And we were...
47:25When we were in London...
47:27You loved me then, didn't you?
47:32Yes, Kathy.
47:43Just...
47:43Just...
47:44I don't know...
47:45I don't know...
47:54Oh, boy.
47:55¶¶
48:25¶¶
48:55¶¶