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00:00The End
00:30The End
01:00Goodbye, George
01:02The End
01:32Well, Mr. Parton, your son's letters sound cheerful enough.
02:01There's been a change in him. Don't ask me to pin it down. Father's intuition, maybe. But those letters don't ring true. He's covering something.
02:10Such as?
02:11I'm not sure. You notice he doesn't mention George.
02:15Yes, that is odd. His earlier letters are full of him. George and I did this, George and I did that. Made him a kind of a hero figure.
02:24Yeah, George Millworth. I have to admit, I never trusted him. Casper brought him home last year. I didn't take to him.
02:34Well, Mr. Parton, if I'm going to go chasing off to Venice, I shall need something more concrete than that.
02:40Well, my son Casper turned his back on the family business and went off to Italy to paint. I don't begrudge him that. I'm proud of him, in fact. Making his own way.
02:49But he also turned his back on the money his mother left him. A considerable amount of money. Close to three million dollars.
02:58Now, that money's been in the bank. And Casper's hardly touched it. Until three months ago. Since then. And don't ask me how I got all of these figures. 40,000. 28,000. 30,000. Now, I may just be a suspicious old man. But to me, this means just one thing.
03:20Blackmail?
03:20My son is in trouble of some kind. I'd be very grateful if you could find out exactly what it is.
03:50Blackmail?
03:51Blackmail?
03:52Blackmail?
03:53Blackmail?
03:54Blackmail?
03:55Blackmail?
03:56Blackmail?
03:57Blackmail?
03:58Blackmail?
03:59Blackmail?
04:00Blackmail?
04:01Blackmail?
04:02Blackmail?
04:03Blackmail?
04:04Blackmail?
04:05Blackmail?
04:06Blackmail?
04:07Blackmail?
04:08Blackmail?
04:09Blackmail?
04:10Blackmail?
04:11Blackmail?
04:12Blackmail?
04:13Blackmail?
04:14Blackmail?
04:15Blackmail?
04:16Blackmail?
04:17Blackmail?
04:18Blackmail?
04:19Blackmail?
04:20Who is it?
04:26The Contessa Di Contini.
04:29Who?
04:29You don't know me, now open up, dear boy.
04:37Mmm.
04:40Mmm, I feel it.
04:42I definitely feel it.
04:44Palette, the air positively tingles with it.
04:47Look, I...
04:47Not only do I feel it, I see it.
04:49Flare, colour sense, so basic immaturity at the moment,
04:53but maturity will come.
04:55Yes, it will come.
04:56Is this for sale?
04:57No, sorry.
04:58Then what is?
05:00Nothing.
05:02Oh, you are successful, aren't you?
05:05And making lots of lovely money.
05:09Look, I'm sorry, I...
05:11I'm busy at the moment.
05:15Busy?
05:17Thinking.
05:18Yes, of course.
05:20Well, I shall call again, dear boy.
05:23Perhaps we shall be able to arrange an exhibition for you.
05:25You know, I'm always prepared to back genuine talent.
05:27That's very kind of you, but I'm...
05:29You're busy.
05:30Yes.
05:32Yes, you say.
05:33Oh, by the way, how's George?
05:40George...
05:41George Milworth.
05:42It was he who told me about you.
05:44You know him?
05:46Oh, we met fleetingly at a party recently.
05:48I can't think where.
05:50You haven't answered my question.
05:51How is he?
05:52Uh, George hasn't been around in a long while.
05:57Oh.
06:00Ciao for now, then.
06:02Ciao.
06:02Ciao.
06:03I tell you, that's what she said.
06:17She met George at a party recently.
06:20Well, how could she?
06:22The money, yeah.
06:25I'll get the money.
06:26I'll get it, I told you.
06:30Usual place.
06:31I'll get it, I told you.
07:01I'll get it, I told you.
07:31You wish to check it with me, Senor Platton?
07:43No, just give me an envelope.
07:44Of course, Senor.
07:45I'll get it, I told you.
07:59Oh, my God.
08:29Oh, my God.
08:59Oh, my God.
09:29Oh, my God.
09:59And trying to solve their consciences by giving freely.
10:02Giving?
10:03To the many good causes we endeavor to assist.
10:07You wish to contribute?
10:08Well, yes, I thought perhaps a token amount.
10:14Certainly not as much as Caspar Parton.
10:16Uh, he does give you donations, doesn't he?
10:24A very generous man, Signor Parton.
10:27He gives so freely that I think he must have a very bad conscience indeed.
10:33You were right and you were careless.
10:45The woman you spoke of, she followed you.
10:48Yes, just left.
10:51No, I shall take care of it.
10:53I know a man who specializes in such things.
10:56It has to be this way.
10:58After all, we don't want anyone to know what happened to George, do we?
11:02Oh, my God.
11:15Oh, my God.
11:29Ladies don't take an automatic to bed.
11:37These are emancipated times.
11:38Back up.
11:39Oh, I like you.
11:41You've got style.
11:42Take that gun from underneath your jacket and place it on the floor.
11:46But first.
11:47Barney Mailer, run a small detective agency.
11:54Oh, I have got credentials.
11:55With your left hand, if you don't mind.
12:02Right.
12:02Well, why on earth didn't you just knock?
12:14I've got a strong sense of the dramatic.
12:17Besides, I was figuring on searching your luggage to find out who you are.
12:21Why?
12:21I'm working for an insurance agency.
12:23We're looking for George Millworth.
12:27Why?
12:27Because he's a thief.
12:29He forged some securities covered by my clients.
12:33I've been following you ever since you contacted Casper Parton.
12:36Why?
12:37Well, this Millworth and he used to knock around together.
12:41And frankly, I've got nowhere to go.
12:43This case is a dead end.
12:45And Millworth just dropped off the world a few months ago.
12:49Nobody's seen him since.
12:50Tell me about Millworth.
12:54Well, he's got a bad record.
12:56Forgery, con tricks, blackmail, larceny.
13:00Blackmail?
13:01Hmm.
13:02Does that cross with what you're working on?
13:05It could.
13:07Help yourself.
13:09No, I haven't touched it for five years.
13:10I've got to...
13:11Well, I've got to watch my weight.
13:14Look.
13:14Give me a lead.
13:15Give me a break.
13:16Now, we'll cross some wires.
13:17Now, I want to know where.
13:18Well, I think that Casper Parton is being blackmailed.
13:26Why?
13:26By Millworth?
13:30And the girl from the charity appeals.
13:34Of course, what better fund for a blackmailer than a charity organization,
13:37whose main function is to receive money?
13:40You know, I think I'll case that old joint over tomorrow.
13:46Maybe tonight.
13:48May I have my gun back?
13:50Help yourself.
13:51Help yourself.
13:51Help yourself.
13:51Help yourself.
14:18Well, I don't know.
14:19Ooh, not really, Mr. May.
14:31I...
14:31Oh...
14:32Oh...
14:33Oh...
14:34Oh...
14:35Oh...
14:36Oh, my God.
15:06Oh, my God.
15:36We have identified the man, Contessa.
15:40Indeed, I recognize him immediately.
15:42A criminal with a long history of violence.
15:45The kind of man you could hire for any crime.
15:49But you can offer no explanation for this attack upon you.
15:54No.
15:54Frankly, Contessa, I'm not satisfied with the answers you have given me.
16:09Oh, I know the kind of business you are in.
16:12I appreciate there are certain ethics clients to protect.
16:16I can think of no reason why that man should have attacked me.
16:19Contessa.
16:20Contessa.
16:37Hello.
16:38Hi, Contessa.
16:39I took my own advice.
16:41What do you mean?
16:42Had myself a closer look at the Santa Pura Charities Appeal.
16:46What have you found?
16:47Why don't you come over here and have a look for yourself?
16:49I'll be waiting.
16:50Oh, well, I've got a big surprise for you about the dame who runs this joint.
16:55Oh, well, I've got a big surprise for you about the dame.
17:25I've got a big surprise for you about the dame.
17:27I've got a big surprise.
17:29Oh, well, let's go.
17:31Come on, let's go.
17:36Polizia!
17:37È qualcosa di grave.
17:39Venite subito qui.
17:40Per nate, venite subito qui.
17:53The dame.
17:54This one?
17:54Cinca d'Avarek.
17:58Ha beguto?
17:59Yo ho trovato piede, lo sé.
18:01De haber beguto.
18:02Jaco.
18:04Ha beguto whisky, questo lui?
18:05Eh, whisky, sì.
18:06Una bottiglia intera anche.
18:08Si hai chiamato la croce rosa e farlo portaria.
18:10È bella.
18:16Hello.
18:17Contessa di Contina?
18:18Yes.
18:19You were making an inquiry about one of our operatives, Barney Mela.
18:23Yes.
18:24Where can I find him?
18:25The city morgue.
18:27They pulled him out of the canal an hour ago.
18:29Accident.
18:30He got drunk, fell out of his boat, got drowned.
18:33Drunk?
18:34But he didn't drink.
18:36You think I don't know that?
18:38Now, what's your interest in this?
18:39What do you know about Barney?
18:40Come on, John?
18:53Come on,, come on.
18:54Come on, John!
18:55Come on, John!
18:56It is a great deal, senor.
19:25You should not go on escorted.
19:27I won't be holding on to it for long.
19:55I won't be holding on to it for long.
20:02I won't be holding on to it for long.
20:09I won't be holding on to it for long.
20:15I won't be holding on to it for long.
20:32Hello, Casper.
20:38What is this?
20:40Breaking into my studio.
20:41I told you I have nothing for sale.
20:43I won't pretend to be buying paintings anymore, Casper.
20:46But you mustn't pretend either.
20:50George Millworth.
20:54He is dead, isn't he?
20:59Yes.
21:02And I killed him.
21:09You better tell me about it.
21:11I'll tell you I'd be glad to.
21:13I've been carrying it around like a mountain on my back for months now.
21:18I want to tell you, tell someone.
21:25George was a thief.
21:26Did you know that?
21:27Mm-hmm.
21:28A con man.
21:30He and Maria set up that charity place for one purpose.
21:33To milk the foolish.
21:35And I was foolish.
21:37And the next victim.
21:40We became friends.
21:42George and me, and then later Maria.
21:45That was the plan, you see.
21:47The old badger game with me in the middle.
21:49Sure, I fell for Maria.
21:52And then when I found out she was his wife.
21:54What?
21:55Well, you didn't know that?
21:57Sure.
21:58Maria is Mrs. Millworth.
22:00A great team.
22:01So that was the big surprise Barney had for me.
22:04Hmm?
22:06Oh, nothing. Go on.
22:07When I found out it was all a plan, I...
22:11I got mad.
22:12I had a fight with George.
22:14Right here.
22:16I hit him.
22:17He fell.
22:19He hit his head.
22:21There.
22:25Didn't get up anymore.
22:27Then it wasn't murder.
22:28Look, I killed him.
22:30Yes, but accidentally you didn't mean it.
22:33No, but...
22:34Listen.
22:35You must tell the police.
22:37I plan to.
22:38But there's one thing I have to attend to first.
22:43Maria.
22:44She found out what I did.
22:46And she's been bleeding me white.
22:48This is the final payoff.
22:54The police are gonna be a bit more sympathetic if I hand them a blackmailer, aren't they?
22:59She's coming here?
23:00Any moment.
23:02To collect.
23:07No.
23:09This is my party.
23:11I've beat a mouse long enough.
23:22What's going on?
23:24We were just talking.
23:25Talking.
23:27I had to keep talking.
23:29Can't handle it alone.
23:33Funnily enough, it was the truth I told you.
23:36Except for two tiny details.
23:40It wasn't an accident, my killing George.
23:42And I...
23:45Didn't kill George.
23:48I killed Caspar.
23:51You see...
23:52I'm George.
23:53Or...
23:54I was.
23:56I'm Caspar Parton now.
23:59You get the airline tickets?
24:00Yes.
24:02What are we going to do with her?
24:05Take her out to a...
24:07Nice, quiet stretch of canal.
24:12Run, Confessor, run!
24:28Run, Confessor, run!
24:37Oh, George!
24:39Oh, George!
24:42Goodbye, George.
24:45Goodbye, George.
24:48Goodbye, George.
24:58In the avenues and alleyways.
25:03Where the soul of a man is easy to buy.
25:07Everybody's wheelin'.
25:09Everybody's stealin'.
25:10On the lower living high.
25:11Every city's got them.
25:12Can we ever stop them?
25:13Some of us are gonna try.
25:14Every city's got them.
25:15Every city's got them.
25:16Can we ever stop them?
25:17Some of us are gonna try.
25:18Every city's got them.
25:19Can we ever stop them?
25:20Some of us are gonna try.
25:21all other living in the road.
25:24Two streets will rule go to school.
25:25More beasts in the new homes way.
25:27Can we take care of them?
25:28Some of us run away?
25:30As you know, He's be Sam Smith I digêts seven.
25:32Of nobody cares.
25:34When them be awhile.
25:35How are you and me?
25:36Yeah.
25:38How are you now?
25:40ああ eliger
25:41And what am I?
25:42How are you now?
25:43Are you now running away?