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00:00The End
00:30Keep out of the way.
01:00Keep out of the way.
01:30Keep out of the way.
02:00Keep out of the way.
02:29Keep out of the way.
02:59Keep out of the way.
03:29Keep out of the way.
03:59Keep out of the way.
04:29Keep out of the way.
04:59Keep out of the way.
05:29Keep out of the way.
05:59Keep out of the way.
06:29May I speak to the Contessa de Contini?
06:32Speaking.
06:33My name is Mrs. Douglas.
06:36I was told you might help me.
06:39Yes, Mrs. Douglas.
06:40It's my son.
06:41It's my son.
06:42It's my son.
06:47It's my son, Stephen.
06:48It's my son, Stephen.
06:50He's been arrested in Spain.
06:52It's my son, Stephen.
06:53Contessa, my son, my son.
07:07crash. Her respiratory nerves were crushed by the impact. Is the condition permanent? That's too
07:14soon to say. She is not to be excited, so I can't allow you to stay too long. All right. Thank you,
07:21Doctor. Mrs. Douglas, I'm Caroline DiCodini. I'm here to do whatever I can.
07:37I'll go straight to the Madrid police and try and see the boy. Good. I'll check the
07:44cafe where he was arrested. Right. Did his mother give you the address? Yes.
08:08We'll have to do better than that. It's the truth. I've never seen the package before.
08:13You've got to believe me. I want to believe you. Stephen, are you denying that the police found
08:21cash in your bag? No. But you are saying you know nothing about it, nor how it got there.
08:26Yeah. Someone must have planted it.
08:42I've never seen this boy here before. No. Have you? No. Are you sure? Sure. Okay. Thank you.
09:03Come on.
09:09Señor. Cerveza, por favor. Frio. It is thirsty weather for asking questions.
09:16Perhaps you ask the wrong people.
09:18Cerveza.
09:27Were you here the day the boy was arrested? Yes, but I was very busy.
09:32And of course, you saw nothing. Of course.
09:34The man you won is Rafael Santana. Where do I find him? Today, he'll be at Manzanares El Real.
12:06Senor?
12:07Yes?
12:09I'm looking for Rafael Santana.
12:11Why?
12:12I want to talk to him.
12:14He isn't here.
12:17Mm-hmm.
12:17Oh, if you do see him, give him a message, will you?
12:26Who shall I see the message is from?
12:28Just a friend.
12:30A friend of Stephen Douglas.
12:31I think perhaps it is better that you give him the message yourself.
12:47Here.
12:47I'd like to see him.
13:04For you.
13:06I don't know.
13:36I don't know.
14:06I don't know.
14:12Ow.
14:13Does that hurt?
14:14Yes.
14:16Well, nothing's broken.
14:18But you'll have a nasty bruise in the morning.
14:20Well, could have been worse.
14:22I've contacted Harry.
14:23He'll be here on the first available flight.
14:26You know, the boy's obviously involved in something much dirtier than we first thought.
14:29He could get upwards of six years in prison.
14:31What about the embassy?
14:33Oh, a polite refusal to interfere.
14:35They say it is a police matter.
14:37In the meantime, I did get this.
14:42Who is he?
14:43I don't know.
14:45But he's been following me all day.
14:48Do you know Rafael Santana?
14:52Yeah.
14:53Go on.
14:55I worked for him.
14:57Then I think you'd better start at the beginning.
15:00And this time, I want the truth.
15:03The boy has told me the whole story, Harry.
15:11Four days after he arrives, he apparently loses his wallet and his return air ticket.
15:15In fact, it was almost certainly stolen by the link man, Rafael Santana.
15:18The boy's very worried.
15:20Santana makes his approach.
15:21He gets him to tell his tale of woe and lends a sympathetic ear.
15:24He then tells the boy he might just be able to help him.
15:27Perhaps even earn himself some extra money.
15:29Anyway, all sounds easy.
15:30All he has to do is deliver a few packages around town.
15:34The boy becomes a runner.
15:36You're right.
15:37And when he finally gets suspicious enough to ask what's in those packages,
15:41Santana simply tells him.
15:42Narcotics.
15:43He then threatens him with exposure to the police.
15:45The boy's very frightened.
15:46He knows he's involved.
15:47He's trapped.
15:49All he can do is go on working for Santana to earn enough money to buy his ticket home.
15:53You know, I think we ought to put a little pressure on Senor Santana.
15:57Okay, by me.
15:59I know.
16:26Have that one on me, Santana.
16:34Got it.
16:35Yeah, come on.
16:43Okay.
17:02Okay.
17:03Oh, my God.
17:33Well, we lost.
17:34And if he decides to die low, it could be difficult to find.
17:37But we still have this.
17:47Come this evening.
17:52The Padron wants to see you.
17:53The Padron wants to see you.
18:00The Padron wants to see you.
18:02The Padron wants to see you.
18:32The Padron wants to see you.
18:33The Padron wants to see you.
18:34The Padron wants to see you.
18:35The Padron wants to see you.
18:36The Padron wants to see you.
18:37Where is the boy?
18:38What boy?
18:39The boy with the camera.
18:40Oh, he...
18:41He's come back to England.
18:42I just used him.
18:43Lies.
18:44He was arrested.
18:45Please.
18:46Who are the people following you?
18:47I don't know.
18:48They...
18:49I thought it was...
18:50It is too bad.
18:51Oh, Patronio.
18:52The boy knows nothing.
18:53He...
18:54He...
18:55He saw nothing.
18:56I...
18:57I just asked him...
18:58If...
18:59They seem to think that...
19:00What are you going to do?
19:01What are you going to do?
19:02What are you going to do?
19:03Oh, Patronio.
19:04Oh, Patronio.
19:05The boy knows nothing.
19:06He...
19:07He saw nothing.
19:08I...
19:09I just asked him if...
19:10They seem to think that...
19:14What are you going to do?
19:27Well, that was the place you were at just before you were arrested.
19:39Yeah.
19:40Well, who was in this car?
19:42A couple of men.
19:43I didn't take much notice.
19:45You didn't notice the license plate?
19:47No.
19:48What kind of a car was it?
19:50Big one.
19:52Expensive, you know.
19:53Limousine.
19:54Mm-hmm.
19:55With someone in it who obviously didn't want to be photographed.
19:59But there was no film in the camera.
20:04Okay.
20:05I may be able to obtain your release.
20:08But I'll need your cooperation.
20:25You!
20:26I've been looking for you everywhere.
20:35This was my last hope.
20:36But I've been waiting here.
20:37I know what you have done.
20:38I don't understand all this.
20:39What's happened to you?
20:40I'm going to kill you.
20:41How did you get away from the police?
20:42They let me go.
20:43Let you go?
20:44Yeah.
20:45Were you followed?
20:46Followed?
20:47Followed?
20:48Why would I not be followed?
20:49Where's the camera?
20:50It's in the bag.
20:51Where's the camera?
20:52It's in the bag.
21:04Come on.
21:06Where are we going?
21:08followed. Where's the camera? It's in the bag. Where are we going?
21:25Si, Si Patron. I have the boy. I will make him tell you about the camera. Yes, yes I
21:35have it. Si. Yes Patron. Yes, we will meet you there.
22:05Si Patron.
22:12I have to sit down.
22:22Si.
22:32I know you are there.
22:52Patron, I brought the boy. He's here.
22:56I have the cabinet. It was empty.
22:58Tell them. Tell them, Steven.
23:00What? Tell them you saw nothing.
23:04Tell them the camera was empty.
23:07I have the drugs.
23:10Tell them.
23:20Please.
23:21Patron.
23:23There is a misunderstanding.
23:26See.
23:28See my gun.
23:30Look.
23:40An arm.
23:43Please.
23:45Here is your shipment.
23:47Take it.
23:49Please, Patron.
23:50I couldn't run.
23:51I've always worked well for you.
23:53Don't kill me.
23:54Please.
23:55Please don't kill me.
23:57Don't shoot me.
23:59Please.
24:01Please.
24:02Please.
24:10Over here, Caroline.
24:15Get out of here.
24:17Let's go.
24:47Mother!
24:54I'm over here, darling.
25:02She's making excellent progress. May I thank you on her behalf?
25:05That's not necessary, Doctor.
25:17I'm over here, darling.
25:24Everybody's wheelin', everybody's stealin', all the lower living high.
25:30Every city's got them, can we ever stop them?
25:34Some of us are gonna try.
25:36I'm over here, darling.