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00:00An eight-letter word. Don't forget the man you elected to government.
00:21Begins with an R.
00:23Hmm. Try remember.
00:28It fits. Good.
00:38Compton here. Come in.
00:39The baron just passed. He's alone. Over.
00:43We'll take it from here. You go on home. Over and out.
00:46Right. He's on his way. Let's move.
00:58It's hard. I can't keep my eyes open.
01:11We've got an hour's drive ahead of us. Why don't you try to catch some sleep?
01:15I think I'll do that.
01:19Wait me when we get near.
01:24All right.
01:26I think we'll be right back.
01:27Let's go.
01:28Let's go.
01:29Let's go.
01:30All right.
01:31I'll do it.
01:32Let's go.
01:33All right.
01:34Let's go.
01:35Let's go.
01:36Okay, out.
01:59All right.
02:29All right.
02:36What's happening?
02:38Get down.
02:39Get down.
02:43Pull that out.
02:59Pull that rug over you and keep out of sight.
03:04Out!
03:06And if I don't?
03:08I'll pull you out of their dead if I have to.
03:13He just won your argument.
03:15You have a letter in your pocket stating the time and place for a meeting. I want it.
03:30What letter?
03:34Don't make it tough on yourself, the letter.
03:37What do you want me to do? Pull it out with my teeth?
03:45Come on.
04:15Come on.
04:29Put him in your car. If he gives you any trouble, kill him.
04:41Right. You go in your car. I'll follow.
04:45Come on.
04:48Push.
05:15You go!
05:16Come on my car.
05:17Come on.
05:18If you pull them in your car you'll find you.
05:19Who will then come by the blue with him?
05:20He'll be on camera for you.
05:21You goin!
05:23Come on.
05:25You go!
05:27Here are a new car to the car.
05:40You can be invited to the store.
05:41THE END
06:11THE END
06:41THE END
06:43I REALLY DON'T WANT TO MURDER RAP, BUT IF HE GIVES YOU ANY TROUBLE, DON'T HESITATE.
06:47I'D BETTER GET THAT BLANKET OFF HIM BEFORE HE SUFFOCATES TO DEATH.
06:51THE END
06:53THE END
06:55THE END
06:57THE END
06:59THE END
07:01THE END
07:03THE END
07:05THE END
07:07THE END
07:09THE END
07:11THE END
07:13THE END
07:15THE END
07:17THE END
07:19THE END
07:21THE END
07:23THE END
07:25THE END
07:27How are you feeling?
07:33Like a well-used punching bag.
07:39You mind if I sit up?
07:41Help the towel.
07:57How are you doing?
08:27What are you doing?
08:29I just want to stretch my legs a little bit. Give me a hand.
08:33If you can't get up on your own, better stand on the floor.
08:57You look to me like a man who could use money. Why don't we make a deal?
09:07You never give up, do you?
09:09The man I work for pays plenty.
09:11Well, for a couple of thousand, you could buy a lot of chocolate bars.
09:27It's not my hand. You've got a lot of things to do and not much time.
09:37It's terrible.
09:39Yes, it was. But he was trying to kill you.
09:53Didn't you find out anything?
09:57Nothing we don't already know.
09:59Except the man we're supposed to meet is more important than we thought.
10:03Can we make it into him?
10:05No. I hope the guy isn't punctual.
10:09You think they're mean to kill him?
10:11I wouldn't put it past him.
10:13He's a guy that froze.
10:23Drive straight on and park somewhere out of sight.
10:25I don't know.
10:27I don't know.
10:29We're a little early.
10:31Not to worry. I'm in no hurry.
10:33Okay, on your way.
10:55I don't know.
11:05I don't know.
11:07I don't know.
11:09I don't know.
11:11We'll see who he is.
11:42John Mannering?
11:52Yeah.
11:53You didn't sign your letter.
12:03Do you mind telling me who you are?
12:05Well, that's not very important, is it?
12:08I hope you don't mind.
12:10But have you got some means of identification?
12:13Oh, yes, yes, of course.
12:24I'm sorry if I be over-cautious, but I can't be too careful.
12:28Before I left France, someone tried to kidnap me.
12:32Kidnap you?
12:34Yes, it seems that they know I've got some very valuable information.
12:41And they want it very badly.
12:44But I've been told that you're an honest man, Mr. Mannering.
12:48And that you'll give me a square deal.
12:50Well, I'll do what I can.
12:52Tell me, what made you pick this place for a meeting?
12:55When I knew it, it was just a disused factory.
12:58I used to play here when I was a kid.
13:01I was surprised when I got here tonight.
13:03They're building everywhere these days.
13:05Is that the cigarette?
13:06No.
13:07No.
13:08No.
13:09My chest's delicate.
13:10Oh, I'm sorry.
13:14Well then, uh...
13:17What's this all about?
13:18Well...
13:21It's a long story.
13:23It's complicated.
13:25If it wouldn't bore you, it would be easier for me to begin at the beginning.
13:30Oh, I've got all the time in the world.
13:41Can't be far enough.
13:46We should be there.
13:47From now on, we're late.
13:51I've worked in France for years.
13:53I was a male nurse in a hospital at Nice.
13:56Then I met this Englishman,
13:59and I went to work for him.
14:01And I was with him till he died.
14:03Just a...
14:04a few months ago.
14:05Go on.
14:06He was good to me.
14:09And he swore that when he passed on,
14:11he'd leave me something of great value.
14:17Did he say what?
14:18Yes.
14:21The Corelli sword.
14:27You know of it.
14:29Oh, well, what, um, antique dealer doesn't,
14:31it was stolen 30 years ago from the Corelli collection and never recovered.
14:36That's perfectly true.
14:38My patient was the man who stole it.
14:44And it's in France?
14:45No.
14:46It's here in England,
14:48where he hid it shortly after the robbery.
14:51He never dared go back for it.
14:53Anyway, he didn't need the money.
14:54He was wealthy.
14:55And later,
14:57well, he was too sick to make the journey.
14:59But you know where the sword is?
15:01Yes.
15:03It's whereabouts
15:05are my inheritance.
15:10And, uh,
15:13you want to sell this information?
15:16Yes.
15:18Well, I think we can do a deal, Mr. White.
15:25What's the matter?
15:26How did you know?
15:27My name was White.
15:29I never signed the letter.
15:33Now, that was careless of me.
15:35How did you know?
15:37Well, you see, I've known about you for a long time.
15:39In fact, it was I who tried to kidnap you last month,
15:42and I watched every move you've made.
15:45So,
15:48why don't you just tell me everything you know?
15:51Everything you know?
15:53All.
15:55What's left of your life
15:57could become very painful.
15:59No.
16:01No.
16:02Find a phone and call the police.
16:15Okay.
16:24You know, I don't enjoy hurting people.
16:27So why don't you just tell me what I want to know,
16:29and get out and walk away from here?
16:32I can't tell you.
16:34This is the only chance I'll ever have of making any money.
16:37It's all I've got.
16:38But I'm not buying.
16:39I'm taking now.
16:40Let's start again from the beginning.
16:43Where is it?
16:46Please don't hurt me.
16:49Please don't hurt me anymore.
16:51Where is it?
16:59Come on!
17:00Come on!
17:09Hey!
17:29Yeah?
17:31Compton!
17:33Get over here, fast!
17:59Don't worry. I'm not going to hurt you.
18:01Who are you?
18:03I'm the guy you were supposed to meet.
18:05The Baron?
18:07That's right. I was hijacked on the way here.
18:09You've got to help me.
18:11Why don't you tell me what this is all about?
18:13Well, let's get out of here first.
18:15Just relax.
18:17The police should be on the way now.
18:19Now, why did you send me that note?
18:21Well, I've got certain information.
18:23Follow me.
18:53Come on.
19:11Are they coming?
19:13Not yet.
19:15What are we going to do?
19:17We're all right here for a while.
19:21There's too much open ground.
19:23If he's got a gun, he'll pick us up
19:25before we get close to him.
19:27There's got to be a way.
19:41I just had an idea.
19:47Can you see them?
19:51No, but they're still out there.
19:53The police. Why don't they come?
19:57They'll be here.
20:13What is it?
20:15Get back.
20:45you.
20:49You know, yeah, yeah.
20:53You and Steve.
20:57Yeah, well, I'm not too late.
21:01Jane is a Chairman!
21:03Oh, it's all!
21:05No, and I'm waiting for it, right?
22:07We'll get an amulet.
22:10No.
22:12It's too late.
22:14You have it.
22:16What's that?
22:17My pocket.
22:20Help me.
22:21It's important.
22:23Help me.
22:28This is what you wanted?
22:29Yes.
22:32It's important.
22:35Help.
22:41Help.
22:41Help.
23:23Well, there's nothing in here.
23:25Nothing at all.
23:26I've checked almost all the items.
23:28You said he told you it was important.
23:30Well, I don't see how it could be.
23:31A couple of blurbs in there about yesterday's auction.
23:34They don't set off any bells.
23:35You take a look.
23:38Whatever it is, it's big.
23:40All this has got to add up to something.
23:43Got any ideas?
23:44Not many.
23:46All I know for sure is the man I was supposed to meet had some information.
23:49Some other people knew it, too.
23:52Who those people are and what the information is, that we don't know.
23:55Maybe the police can identify one of them.
23:58Well, I certainly hope so.
24:03Sorry to have kept you waiting, Mr. Manoring.
24:05I had your statement typed out.
24:06Perhaps you'd like to glance at it.
24:07Yes, thank you.
24:08Did you make any identifications yet?
24:10Oh, we've made a start.
24:11The man who was shot.
24:12His name's Alan Yates.
24:13He has a record, small time.
24:15But he's been clean for the last two or three years.
24:17You know where he was working?
24:18Well, he's been unemployed for some time.
24:19His last job was as a warehouseman at Arkham Morley's.
24:23Arkham Morley?
24:24Yes, of course.
24:24You'd know him, wouldn't you, being the same line of business?
24:26Yeah, I know him.
24:27Morley's about the largest antique dealer in Europe, isn't he?
24:30Yes, and about the crookedest.
24:32He's ruining my racket.
24:33He's probably quite slounderous.
24:34We certainly don't have anything on him,
24:35but this is off the record.
24:38We do keep a wary eye on him.
24:39Well, you'll have to do more than that to nail Arkham.
24:41Nevertheless, in the eyes of the law, an honest man.
24:44I wouldn't trust him with coffee money.
24:46Well, naturally, we'll investigate,
24:47see if there's any connection between Morley and the dead man.
24:50Does the statement cover everything, Mr. Manoring?
24:53Yes, that's about it.
24:54If you'd like to sign it, I won't just end you any longer.
24:59I'll inform you of any progress we make.
25:01Yes, I'll inform you, too.
25:03I'm planning to make a little progress myself.
25:05Well, it's been quite a night.
25:16I'm beat.
25:18First thing tomorrow, I'm going to talk to Arkham Morley.
25:21This whole thing has his trademark on it.
25:24Just as long as we don't do anything more tonight.
25:26You want a cigarette?
25:27Not now.
25:28He wasn't very good at crosswords.
25:34Hmm?
25:35At least he hasn't got the same solutions as me.
25:37This is...
25:41These aren't words at all.
25:44This is it.
25:45Look.
25:54Here and here.
25:56See?
25:57Let me see that.
25:59The Crusader.
26:00Parkston House.
26:02Sussex.
26:03That certainly proves something.
26:04What?
26:05We may not know what it is, but at least we know where it is.
26:10Yeah.
26:10Maybe Arkham Morley can fill us in on that.
26:40Cut.
26:45Cut.
26:45Cut.
26:46Cut.
26:46I am sorry, darling.
26:47It just sort of slipped.
26:49Yes, it's all right, ducky.
26:50It's quite all right.
26:51Do you want me to try it again?
26:52No, I don't think so.
26:53I think we'll shoot it again after lunch.
26:54Off you go, my lovey.
26:56All right, boys.
26:56Lunch now.
26:57Now, where is Arkham Morley?
27:00Here.
27:02Arkham.
27:03Do you think you could fix this for me during the lunch break?
27:07Well, it is irreplaceable, you know.
27:09However, I'll work my fingers to the bone.
27:12That's exactly what I want.
27:14Mr. Morley.
27:15Yeah?
27:15Main gate just rang, sir.
27:17There's a Mr. Mannering asking to see you.
27:21Mannering.
27:23Yes, yes, I'll see him here.
27:25Tell my assistant to join me, will you?
27:39Is Morley an actor, too?
27:45What an actor?
27:47No, he's giving technical advice on a film featuring antiques.
27:51He may be a crook, but he knows his business.
27:52Uh, you'd better wait here.
28:07I won't be long.
28:10Let's go.
28:40My dear John, how delightful.
29:06Hello, Arkin.
29:08Why, such a long time since we met.
29:11It was when I outbid you for the Matisse, wasn't it?
29:15No, I believe it was when I outbid you for the Pissarro.
29:20Yes.
29:21Oh, yes, yes, of course.
29:23Well, now you're here, perhaps you'd care to look around.
29:26I don't suppose you get much chance to see this end of the trade, do you?
29:29No, I always refer them to you.
29:35What did you want to see me about, John?
29:37You ought to know.
29:38Well, I am superbly accomplished in many things, but I am not a mind reader.
29:45I shall sit down and get to the point.
29:47Care for a cigarette, John?
29:58No, thank you.
30:07Well, John, what's it all about?
30:09I ran into some weirdos last night, stocking masks and a whole bit.
30:15They gave me a pretty good going over.
30:17Well, you do seem to associate with the most unattractive people.
30:21But not by choice.
30:22Are you suggesting I have something to do with this?
30:25Oh, don't be sensitive, Arkin.
30:26I didn't say that.
30:28Well, I say what you mean.
30:29The object of this hijacking was to keep me from getting a certain address.
30:33But it didn't work.
30:34The man I was supposed to meet was killed.
30:36But not before he managed to tell me everything.
30:38So that makes...
30:41this address...
30:43worth a great deal of money.
30:44Are you interested?
30:53Well, it's...
30:54possible.
31:01If the price was right.
31:05Well, are you buying?
31:07I won't beat about the bush, John.
31:10Half of whatever the sword fetches...
31:14How much would that be?
31:16Oh, come on, come on.
31:18When you are a dealer, you know perfectly well.
31:21Thirty years ago...
31:24the Corelli sword fetched a quarter of a million dollars.
31:28Since when?
31:29It must have at least nearly doubled in value.
31:32Thank you, Arkin.
31:33Not far.
31:34For telling me what this is all about.
31:36Until now, I have...
31:37I have to go.
31:38I have to go.
31:39I have to go.
31:40I have to go.
31:40I have to go.
31:41I have to go.
31:41I have to go.
31:42I have to go.
31:42I have to go.
31:43I have to go.
31:43I have to go.
31:44I have to go.
31:44I have to go.
31:45I have to go.
31:45I have to go.
31:46I have to go.
31:46I have to go.
31:47I have to go.
31:47I have to go.
31:48I have to go.
31:48I have to go.
31:49I have to go.
31:49I have to go.
31:50I have to go.
31:50I have to go.
31:51I have to go.
31:51I have to go.
31:52I have to go.
31:53I have to go.
31:53I have to go.
31:54I have to go.
31:54Let's go.
32:24All right, let's go back.
32:54Where are we going?
33:09Fetch the Corelli sword.
33:11Where else?
33:13You mean Manorin gave you the address?
33:15He didn't exactly give it to me.
33:24What'd it say?
33:27Great.
33:29Turn around. We're going back.
33:31What did you find out?
33:33Paxton house has been empty for seven years. It's up for rent.
33:35Got permission to veal?
33:36We can spend as long as we like.
33:38If the Corelli sword's been hidden there for 30 years, we'll need all the time we can get.
33:44Well, maybe not. We've got a lead. The Crusader.
33:48We've got a lead. The Crusader.
33:50The Crusader.
33:51The Crusader.
33:52The Crusader.
33:53The Crusader.
33:54The Crusader.
33:55The Crusader.
33:57The Crusader.
33:58The Crusader.
33:59They got in the broken room.
34:06The Crusader.
34:09Let's go.
34:39Boris Karloff must be throwing apart.
34:53I'm not surprised they're having trouble renting this place.
34:56What are you looking for?
34:58Oh, history of the house, family records or something.
35:00Where is it supposed to be stolen from?
35:05From here.
35:06Here?
35:07Uh-huh.
35:07Well, it's pretty unlikely a thief would have left it here.
35:11I imagine that's what people thought at the time.
35:15I understand the insurance company's offered a fantastic reward for it.
35:21I hope it holds.
35:23It'd be nice to make a profit on this trip.
35:25Well, that's only incidental.
35:27Pirelli's sword shouldn't be stashed away somewhere.
35:34Hey, John.
35:36Take a look at this.
35:37Lord Simon de Bourville, the fourth Earl.
35:46An impressive-looking gent.
35:47Yes, he's the man who brought the sword home from the Holy War.
35:50Our crusader.
35:52There's supposed to be something special about this.
35:54Well, if there is, it doesn't jump out and hit you in the eye, does it?
35:57No, it doesn't.
35:59Well, it looks like it'll be a long, hard search.
36:01Look, why don't you go down to the village and get us some coffee and sandwiches?
36:04That way we can keep at it.
36:05All right.
36:06Anything to take care of?
36:07No.
36:08Anything at all.
36:08What happened to you?
36:29Did you get lost?
36:35I'm afraid I'm responsible for the delay.
36:38Do come down and join us, John.
36:39Oh, no heroics.
36:42I may not be the greatest marksman in the world, but at this range, even I couldn't miss this young lady.
36:52Close the door.
36:52John, I'm sorry.
36:56We saw the car in the village.
36:57Never mind.
36:59Well, Arkin, you're perseverance plus.
37:01How did you find your way here?
37:03Your note didn't exactly help.
37:05I do wish I could boast that it was a remarkable case of intuitive calculation on my part.
37:09However, the facts are childishly simple.
37:13I followed you.
37:15We lost you back in...
37:15Shut up.
37:16Look, why are we hanging about in the hallway?
37:18Why don't we go inside?
37:19Hmm?
37:19And you look around for somewhere good and safe where we can lock them up.
37:26I told them about the crusader, John.
37:28I'm sorry.
37:30You really mustn't blame her too much.
37:33Compton can be very persuasive.
37:35Besides which, I've been searching for the Corelli sword for many, many years.
37:40I've invested a fortune into tracking it down.
37:42I imagine so.
37:45Well, Arkin, what now?
37:47I really haven't thought very much about it.
37:49I imagine we'll have to kill you both.
37:51Oh, really?
37:52Mind you, we can think about that after we've found the sword.
37:58Ah.
38:00And here's the man responsible for it all.
38:04He could have had no conception of the death he was to cause.
38:07Merely by returning from the wars with a trophy of his victories.
38:13It's fascinating, really, isn't it?
38:15How's your Latin?
38:16My Latin?
38:17I speak it and read it with a fluency which can only come from a very superior English education.
38:23Why?
38:24Well, there's an inscription behind that.
38:26It, uh, might mean something.
38:28Really?
38:28Don't move.
38:37Don't move.
38:37Move.
38:49That is going to cost you.
38:52You, you, you can't, you can't imagine how much that is going to cost you.
38:55Do you find anywhere?
38:59Yes, there's the room downstairs.
39:01No windows and good heavy doors.
39:04Looks like a chapel or crypt or something.
39:06A crypt?
39:08How very apt.
39:10All right, let's get them down.
39:11I think you'll be comfortable.
39:21I think you'll be comfortable.
39:41Charming.
39:52Absolutely charming.
40:11Compton, what were you doing?
40:30Ah, some panelling up there, it sounded hollow.
40:33We'll have to take the whole house to pieces.
40:35We'll be here for months.
40:36Well, what other way is there?
40:37The crusader is the only clue we have.
40:39I mean, there must be something about him somewhere.
40:43Oh, come on, come on.
40:44Help me go through these documents.
41:03It's a little crowded, isn't it?
41:05It's all right.
41:06They're checking out in the morning.
41:09Well, it's our old friend, the crusader.
41:23The seal is broken on that.
41:39Oh, come on.
41:46Oh, come on.
41:53Hold on.
41:54Come on.
41:55We're getting close.
41:56Come on.
41:56Look.
41:56What doesn't he do?
41:57Let's take it.
41:59Come on.
42:01Let's take it.
42:01Come on.
42:01Come on.
42:02Let's take it.
42:04Oh, bye.
42:06It's not서.
42:06We'll be whole kids.
42:07Beautiful, isn't it?
42:12Fantastic.
42:17You know, Harkin has no future in the cloaking dagger business.
42:21Great.
42:23But how do we get out of here?
42:25You don't.
42:27Give me the sword.
42:29Quickly.
42:37Exquisite.
42:40Exquisite.
42:48All right, Compton, finish him!
43:07Oh!
43:37Oh!
43:44Not in love!
43:46Oh, my god.
43:49Oh!
43:51I'll be fine at all.
43:54I have no credit for it.
43:56My father, a father...
43:59Oh my God.
44:02And there's a fourth letter I was dernier...
44:05Oh, my God.
44:35Oh, my God.
45:05Oh, my God.
45:07You all right?
45:09Thanks, Al.
45:45Like you said, Arkin, you're not the best shot in the world.
45:49Why don't you come out in the open?
45:51I can afford to wait.
45:53The way I figure it, you've only got two shots left.
45:56Well, one will be enough.
45:58So now you've got one.
46:08So now you've got one.
46:10Well, I can.
46:12That's it.
46:16Well, I can.
46:18That's it.
46:20Well, I can.
46:21That's it.
46:22Well, let's do a deal.
46:24No deal.
46:26What do you want from me?
46:28It's you I want, Arkin.
46:29I'm taking you in.
46:30Well, Arkin, that's it.
46:45Let's do a deal.
46:46No deal.
46:49What do you want from me?
46:52It's you I want, Arkin.
46:54I'm taking you in.
47:00Let's go.
47:30Let's go.
48:00Let's go.
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