- 2 days ago
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00:00Oh
12:45Fred is so funny that he can only look at Paris.
12:49I couldn't see it.
12:51Then I asked if I can see it in general.
12:55Yes, colleague.
12:57Take a look at me.
13:00How can I explain why I didn't see Paris.
13:04I've always wanted to.
13:07I've read all the books.
13:11I've been thinking about it.
13:13Yes, I've tried.
13:15Mr. Colgan, do you see...
13:19Do you see Paris?
13:21He's been so...
13:23I mean, so crazy,
13:25like how I thought about it.
13:27He's really crazy.
13:31You see, I've been there...
13:37I've been there for over 30 years.
13:39And I still remember everything.
13:41All the tears.
13:43Let's say...
13:45Atelie in Podkrovnik.
13:47The shops.
13:49The street.
13:51The street.
13:52The street.
13:53How did everything today call me?
13:55Do you know...
13:57Do you know...
13:59Do you know how the street is at night?
14:01Do you know how the street is at night?
14:03Do you know how the street is at night?
14:05I know.
14:06I've always thought about it.
14:08Yes, I've always thought about it.
14:09Yes, I've always thought about it.
14:10And in general, I've said that.
14:12Every night, when I came to the house, I thought about you now,
14:17I was living here, and there was Paris.
14:19There was a light, and there was a light, and there was a light.
14:23There was a light, and there was a light.
14:25There was a light, and there was a light, and there was a light.
14:27And then, the time, I was feeling like a joy.
14:31It was just like something that I was like.
14:33I know.
14:34I was just like a little bit about it.
14:35I started to speak to my parents.
14:37What do you know when you were not in Paris?
14:39My father left my mom, and my father, Chikasavon,
14:43he was a very good man.
14:45They wanted me to be on my parents.
14:47And they said to me,
14:48your father is now left your mom,
14:51and you are not without my mom.
14:53Why not without my dad?
14:54Why not without my dad?
14:56Why not without my dad?
14:57And I thought that if I was like that,
15:00that they will be better than me,
15:02that they will be better than me,
15:04that they will be better than me,
15:06that they will not be so soft as me.
15:08That they will not be better than me.
15:10And then, the last summer,
15:11when my mom and I were back,
15:13we were in the village,
15:15and I told them,
15:16that my mom and I were in Paris,
15:18that you know that Paris is beautiful.
15:28I mean, this is a lot of pain.
15:30No.
15:32I just think that you think so.
15:37What do you think?
15:38How do you think?
15:39Well, I think,
15:40all that you said,
15:41that you are not necessary.
15:42Why?
15:43Well, you,
15:44with those eyes,
15:46you are so crazy,
15:50evil.
15:51You are not supposed to think about yourself.
15:53Why?
15:54Here we go,
15:55I am totally handsome.
15:57You know,
15:58I read it with a book,
16:00with a book,
16:01I even heard that my children call me
16:02Chorka.
16:03Is that the children?
16:04Yes,
16:05I don't understand how they felt.
16:07Chorka.
16:08But I can see that you are happy.
16:11You are happy.
16:12How do you think?
16:13You are happy?
16:16How do you think?
16:17How do you think?
16:18No,
16:19you were not thinking about it.
16:20What do you think about it?
16:21It's not thinking about your daughter.
16:23But she didn't think about your daughter?
16:24And she didn't think about her daughter,
16:25you did not think about her daughter?
16:26What did you think?
16:27I am very good. I am very good.
16:31Please, let me see a little better. I would like to know who I am very good.
16:36And tell me, ladies, I was really in Paris, but I didn't have to be in Paris.
16:41No, tell me, I was 5 times. I was really in Paris, but I didn't have to be in Paris.
16:45I was only the first day in school, but I was in Lažljivica.
16:49Please, please, let me tell you,
16:52the teacher of the physicality is Lažljivica.
16:55Wait, please, I can only tell you, with such a face,
17:00you can always tell you that you were in Paris.
17:03A girl with such a face, that can be free to tell you.
17:08Is it...
17:12Sorry, colleague, I...
17:14I will talk a little bit about women.
17:18Oh, oh, oh, oh, oh, oh.
17:21I have always thought that I was a little bit.
17:23Oh, when a man looks at you, young people,
17:26you look at me so full of strength,
17:29that a man just can't beat it.
17:31Don't laugh, I don't know what I said.
17:33But you just don't know what you have.
17:35Look, it's just me, it's good that it's time for me.
17:40Yeah, it's already been through, you know,
17:42that's crazy, confusing years.
17:45And I think so, I think so, I think so.
17:47I think so, I think so,
17:48how do you think anything you do not say it?
17:49I think it's true.
17:50It was true, because young, young, is always beautiful.
17:55And then when I was in Paris,
17:59it could be my Michel to say,
18:02just because he was here.
18:07He even called me to call him.
18:10And for me it was a shame.
18:12I didn't even wear my eyes.
18:14You know, I had great, beautiful eyes.
18:18And in the eyes it was so soft.
18:22In the mansion, where we and the girls were standing,
18:26we were in the eyes of an atrocity.
18:29Every night, you know.
18:30The trees are over,
18:32and after that you don't see anything,
18:34like a ghost in the night.
18:36But the view became, as I would say,
18:39a bit of a pain.
18:43The boys loved it.
18:47Very, very liked them.
18:49Sorry, I have to start.
18:53Fred, wait for me.
18:54No, don't stand.
18:55Don't wait, you're going to see me again?
18:56Just wait, don't wait, I don't go back.
18:57No, don't wait –
18:59I'm so close.
19:00I don't know if I have to stop,
19:01but I have to go.
19:02I don't want to stay.
19:03I don't know.
19:04I'll try five minutes.
19:05Okay.
19:06If you think,
19:07you're just,
19:08you're just still alive.
19:10You're the first day in school,
19:11The first day of the school, I don't think so.
19:14Just tell me, I know how it is, it's a great surprise.
19:18I remember when I first started to go to the hospital, it was fantastic.
19:22I was so surprised by the director, when was that?
19:25The director was like this, he was like this, he was like this,
19:28he was like this, he was like this, he was like this,
19:30and I was like this, I didn't see it.
19:33I was like this, I was like this,
19:36I was like this, I was like this,
19:39and that's why I thought, is it possible,
19:42is it possible that all those kids are here because of me?
19:47Do you know?
19:48And I didn't remember that on the floor,
19:51I was like this, a desk is called,
19:54I was like this, I was like this,
19:56I'm like this, I'm like this, I'm like this,
19:58but all these people are...
20:00Now, when you say, excuse me,
20:02when you say,
20:04you have to say the desk,
20:06You can see that DASK, you can have a picture of me?
20:09Sit down and I want to tell you about that.
20:10Only five minutes, not just now, but now when you talk about DASK.
20:15I saw one of one of the girls, a cat, a cat, I wanted to let her get down.
20:22I was happy to see her.
20:25I can't see how many girls are supposed to sing.
20:29I'm not sure how many girls are.
20:32I don't know how many are to see her.
20:36How many people knew that they were happy,
20:39and that they were listening to the song,
20:41and that they were singing.
20:43Let's talk about it.
20:44No, I'm not.
20:45No, I'm not.
20:46No, I'm not.
20:47Let's listen to it.
20:49Let's listen to it.
20:51It was when I started studying.
20:54Yes.
20:55No, talk about it tomorrow.
20:57Let's talk about it tomorrow.
20:59Let's listen to it tomorrow.
21:01It was when I started studying.
21:03I mean, I had a lot of money.
21:09I don't know what happened.
21:11One day I found myself on the street,
21:14and without the money.
21:16And I started to sleep somewhere,
21:18and then all the time,
21:19and the time,
21:20and the time,
21:21the people were known there.
21:23When I saw me,
21:24I started to see myself.
21:25I understand.
21:27I was forced to find something better.
21:31And?
21:33And at one night,
21:34I'm going to the street,
21:37and when I'm in a square area,
21:39I see some...
21:41some sandals.
21:43Sandals?
21:44Yes.
21:45You don't have to understand
21:46how many sandals were made.
21:49No, I told myself that
21:52it won't be interesting.
21:54I see a lot of sandals were made.
21:57I don't know why.
21:58Let's talk about it.
22:00One,
22:01one was a great thing,
22:02I mean,
22:03a sandals.
22:03Yes.
22:04Inside,
22:05there were some wood
22:07and some sandals,
22:07some machines,
22:08you know,
22:09I was trying to hear it from the wood,
22:10I was trying to get on the wood,
22:11I got to the wood,
22:12and I was trying to get on the wood,
22:13and I was trying to get on the wood.
22:14And I saw even a rollercoaster.
22:16and by the way it was a plabo.
22:19How was it nice.
22:23It was a nice part of it,
22:25that was a nice thing for me.
22:27At first I'd have to be really flown in the way
22:29that I had never had any food.
22:30And after that, I'd have been able to get out of the water
22:33and I would have been able to get out of it.
22:36And I would have to look at the front of the water.
22:38I would have to look at the front of the water.
22:41It was really interesting.
22:42I'm so scared that they're supposed to be angry and I'm all mad at me.
22:47I feel like I'm not going to be strong.
22:50And I'm looking at the light like one of a camera.
22:54Thank you, my colleagues.
22:56Like one of a camera and a camera camera.
22:58I see everything, but I'm not going to be able to do it.
23:00I know that nobody can't see and that nobody can't.
23:03It was so interesting.
23:05But I can't find someone else to get and I would be scared.
23:09You can do it.
23:11I'm standing there.
23:13At one day, I'm getting to sleep.
23:21Like every person is in his house.
23:23I'm learning.
23:25It's cold, just as of the time.
23:29It was just so cold.
23:31There's one time I'm going to raise the door.
23:35I didn't feel that he was going to be like
23:38What are you doing?
23:39I'm sorry, what are you doing?
23:41I'm sorry.
23:43I'm sorry, I'm sorry, I'm sorry.
23:47I'm not going to ride on the plane.
23:51I'm ee... I'm driving by and I'm lost by the car.
23:55And he said, I'm sorry!
23:58Or maybe he'll call me police.
24:01I'm sorry.
24:04I am... I was going to the night, and I was going home to the road.
24:11And I am standing and I think I just think.
24:15I mean, I am myself through the muss, you understand?
24:18I just think from the right side.
24:21You understand?
24:22You aren't supposed to be like this!
24:25You don't have to be like this!
24:26I haven't been my way!
24:28I am listening to time.
24:30I go back to the field and then...
24:32I'm looking forward to the left, I see that I'm standing on the same spot, I'm talking close to him, but I hear something.
24:41I'm listening.
24:44It's crazy.
24:47It's crazy.
24:49I'm going to catch the catcher as much as I can.
24:54He's...
24:59What do you do before your mind?
25:03And I'm gonna catch the catcher as the catcher.
25:07I got the catcher, I got the catcher, I got the catcher, and then said,
25:10you're normal.
25:12You think that's what you think about, and what's happening?
25:15I'm going to get out of you.
25:18I'm going to catch the catcher.
25:22I'm laughing at that.
25:25I don't want to listen to a little bit.
25:27It's a little bit.
25:29I don't want to listen to a little bit.
25:31It's a little bit.
25:33Yes, you can see it.
25:35But the girl wasn't really nice.
25:41She had something to do with her.
25:43I was looking at it for a while.
25:45I was looking at it for a while.
25:47I'm waiting for a while.
25:49I'm waiting for a while.
25:51I'm talking to the day.
25:53You understand?
25:55What should I do?
25:57And later,
25:59I'm happy.
26:01We met a couple of colleagues from the department.
26:05I told him how I looked at her.
26:07How I waited for her.
26:09How I waited for her.
26:11How I waited for her.
26:13I thought that she was happy.
26:15She was happy.
26:17She was happy.
26:19She was crying.
26:21She was crying.
26:23I don't know.
26:25And?
26:27Nothing.
26:29We didn't see anything more.
26:31We were happy.
26:33But...
26:34I don't know.
26:35She was always upset someone.
26:37I think that you were afraid of her.
26:41I didn't want her.
26:43I didn't want her.
26:45I don't know.
26:46I don't know.
26:47Why do you think she was sad?
26:48I don't know.
26:49I don't know.
26:50It's possible to be so much left to the point.
26:53I don't know if anything.
26:54I don't know.
26:55When I was young, I thought everything was different.
26:57Everything was different.
26:58All the words.
26:59And the words.
27:00And the words.
27:01And the words.
27:02And the words.
27:04And the words.
27:06Michel, how my Michel was fun, how he knew how he was talking about words and words.
27:11You remember, I'm talking about it. You remember how Michel was talking about Fred.
27:16I told you that it would not be a little fun.
27:19It was a little fun.
27:21Sorry, you always talk about Fred, but I don't know who it is.
27:26Do you have to tell me who it is, Fred?
27:28We didn't have time.
27:31Maybe it's a little bit of a little bit.
27:34Maybe it's not a little bit.
27:36Maybe it's a little bit of a little bit.
27:38Maybe it's a little bit of a little bit.
27:40I really want to see it.
27:41It's a little bit of a little bit.
27:43I'm confident.
27:45I know I'm sure that I don't want to live any one day without Fred.
27:50I think it's normal.
27:53I mean, my colleague said that he was on the side.
27:56Maybe it's normal.
27:58I don't know that you have to deal with the first day, so you have to understand all the things.
28:03I think that it's nice to be a lot of people who have the meaning and the meaning of the art.
28:07You know?
28:08Yes.
28:09It's strange.
28:10I'm going to try to say something a little bit.
28:12I'm going to finish it.
28:13Did you finish the meaning of the art?
28:15Yes.
28:16Do you have to ask you about the art?
28:19Do you have the meaning of the art?
28:20No, I don't know.
28:22I don't know.
28:23I don't know yet.
28:24I don't know.
28:26How can you tell us about such a face with such a face that there is no sense for you?
28:31I didn't want to talk about it, I didn't want to talk about it.
28:34You can read the answer to the questions that you can read.
28:38I just asked a colleague, why do you think that it has a lot of respect with your face?
28:43No, no.
28:44No, no.
28:45I just want to talk about it.
28:47No, I don't know.
28:48I don't know.
28:50I don't know.
28:51I don't know if I am beautiful, I don't know if I am really it because...
28:57I don't know, I don't know if the awful and careful though.
29:05Why, please, please, please, please...
29:07...and I'm talking about Frank.
29:10Please, please...
29:12I'm sorry, I didn't feel like...
29:14...and I got married.
29:15I got married.
29:17Please, please, please, please...
29:19...and I'm scared of them.
29:21Oh God, all this, please, please!
29:22Please...
29:23I'm sorry, don't have one.
29:25Please, please...
29:26...I'm sorry folks...
29:27Please, please...
29:29... он is strong, can you tell me?
29:30...I don't want to...
29:31Please, please, please, please...
29:32...and I'm sorry...
29:33I was just saying, friends!
29:35What did you say?
29:37I don't know what I said, friends!
29:39I said you love Paris!
29:41What do you say?
29:43What do you say, Paris?
29:45What do you say, Paris?
29:47What do you say, Paris?
29:49You are my friend!
29:51But you are his friend!
29:53But Paris is a pig like a pig!
29:57You're so so, Paris!
29:59You look like a pig!
30:01You look like a pig!
30:03You look like a pig!
30:05You look like a pig!
30:07They are a pig!
30:11You can't hide this whole life!
30:13They are so sad!
30:15They are so sad!
30:17And when you stay with me,
30:19you will go to a whole life!
30:21You will find any flesh!
30:25You are so not me, Paris!
30:27I'm sorry!
30:29I'm sorry...
30:31Just because you're not evil, people!
30:33I know what you should do!
30:35I'm reading a book!
30:37I'm sorry, Michelle!
30:39Please, why are you waiting...
30:41People are seeking something...
30:43Everyone wants something to say...
30:45Please, why are you waiting for me?
30:49I live very nice with my friend...
30:53And no one should be supposed to be...
30:55No one should be...
30:57I said just that I like Paris, I don't know, I don't know, I'm going to cry.
31:02I'm sorry. I'm sorry, I'm sorry.
31:06I'm sorry, I'm sorry.
31:07Nobody is sorry, I'm sorry.
31:09I'm sorry, I'm sorry.
31:10No, I'm sorry, I'm sorry.
31:11I'm sorry.
31:12Other boys say that there's a girl, a lover, and I'm...
31:16I'm sorry.
31:17Please, colleague, I'm sorry, I'm sorry.
31:19Here, colleague, take on my face, here's me.
31:22Here's me.
31:23No, no, I'm not, I'm yesterday to come to this school, is that right?
31:26Director took me under my hands and said
31:29this will be your new teacher in physical education.
31:32It's like I said something.
31:35I don't know, I don't know, I think I could be just simple, just simple, just simple.
31:40No, I don't understand.
31:42To be alive, you know.
31:44I've never had anything to do.
31:46I've never had anything to do.
31:48I've never had anything to do.
31:50I've never had anything to do.
31:52I've never had anything to do.
31:54You've never had anything to do with this strange stone,
31:56and all of us were in the middle of the house.
31:58And you all have to remember that all of us were like this.
32:01Everyone were like this.
32:03If you have to cry, they don't listen to us,
32:06and we've never done anything.
32:08We just like that.
32:10You know what I really don't know?
32:12You know what I mean.
32:13You know what, a year ago, a lot of things didn't happen.
32:15You just like that.
32:17You just like someone to be away.
32:19You understand what I'm saying.
32:21You understand me what I wanted to say.
32:23It's hard to justify.
32:24See.
32:25I'm great with my boyfriend.
32:26And I am really happy with my boyfriend.
32:27All these years.
32:28I'm really happy with my boyfriend.
32:29I'm very happy with my boyfriend.
32:30I'm really happy with my boyfriend.
32:31And I'm really happy with my boyfriend.
32:32All these years in warm rooms, blue rooms, blue rooms,
32:35and with my boyfriends.
32:36And with all those who don't need it.
32:38something is going to need to prepare the world, and to make it so much like you are living in the world,
32:43I'm always trying to get some gross day to realize that everything is really scary.
32:50The day is really disgusting. I have my own garden.
32:54I'm here today. I'm only here yesterday, I'm here today.
32:58I'm here today.
32:59I'm here today.
33:00I'm here today.
33:01I'm there today.
33:02I'm here today, I'm here today, I'm here today, I'm here today.
33:05who never knew anything.
33:07At the time of the war, he sent me a mother.
33:09A really good woman with a long-drapper.
33:12You know, a long-drapper with a long-drapper.
33:14Someone was hit and I opened it.
33:16And I was a woman's hand in a bad jumper with a long-drapper with a long-drapper.
33:22I was looking at the long-drapper with a long-drapper with a long-drapper.
33:28I was hungry.
33:30I was hungry all day, from home,
33:32and I was sold only for bread.
33:34I was hungry.
33:36I don't know how it came to it.
33:38I remember that I took the long-drapper and I opened the door.
33:43And when I came out, I realized what I was doing.
33:46But it was late.
33:48And what do I do now?
33:50I don't have a long-drapper to wear it in school.
33:52I don't know how to wear it in school.
33:54I don't know how to wear it in school.
33:56I go to school, I go to school,
33:58and I'm going to fly to school,
34:02and it was aADA but I was a vulgar.
34:04And everything...
34:05I can see it funny,
34:06I'm going to ask you cannot paint it.
34:08I found out I don't know.
34:10I got it all day, I'm a fool.
34:12And now I'm looking at the home of this door.
34:14He had nothing to do.
34:16I have no idea.
34:18I'm sorry, I'm like an icon, so I didn't do it for all the time, you know?
34:21And at the end I decided to make a mistake, and I didn't make a mistake.
34:27Of course, he was caught on the test, because he was angry at the forest,
34:31and then his mother came to me, and you know what she said?
34:35She said, mother, you've been killed, you, in the cage of the pig!
34:40Now I'm listening to him, you've been killed in school, you see?
34:43I don't think I didn't have a problem, but neither did I have a problem, I didn't have a problem!
34:48What did you say? Olga!
34:50What did I say?
34:51How did you take all this? I think I couldn't.
34:55How?
34:57I don't know, I think...
35:00I think that a person can bring a lot more, only if he wants.
35:04For example, when I came to Paris, the first person I was killed, it was Michelle.
35:11Do you remember me, the young girl who was from the Palanque, who was a picture of all the Parisians,
35:19and all the Parisians, and all the pictures were together, they were together,
35:21at the end of the Seine, under the Bostov, and he was one of the one,
35:25but how did he know that he would be the king, when he wanted, of course, to be so happy,
35:32and he said, I'm Michelle Marshal, the king, and you, who are you?
35:38And?
35:39What is it?
35:40I.
35:41I.
35:42I.
35:43I.
35:44I.
35:45You see, I think that a person is crying because of some stupidity.
35:51And when he finds something big, he closes his heart and breaks it.
35:58What did you ask?
36:01I.
36:02My colleague said I.
36:03I don't know.
36:04I don't know.
36:05I don't know.
36:06I.
36:12He lost it.
36:15And of course, I left Freda.
36:20I'm sorry for getting over but I think that your Michelle was a ordinary person!
36:28Why?
36:29Why the person?
36:30Why?
36:31Why?
36:32What does it do?
36:33Did you do it all?
36:34How did you do it, boys?
36:36No, no, no.
36:37He, he was amazing, amazing.
36:40He was nervous, nervous, nervous,
36:42he was not able to hold him like a ludo.
36:45He was fun, and how would you say it, young man?
36:48He was fantastic, he was crazy.
36:50Ludo!
36:51Yeah, yeah!
36:52I never did it!
36:53That's all, dear young man,
36:55that's all, it's all,
36:56it's all, it's all, it's all,
36:58it's all, it's all,
36:59it's all,
37:00how would I live?
37:02How would I live today
37:03that I wouldn't be Michelle?
37:05That I wouldn't be Freda?
37:08I think it's all I need.
37:13What?
37:15With Michelle?
37:17With Freda?
37:19When I think it's all,
37:21do you understand me?
37:24That a lot of people
37:26are prepared for everything
37:28and then just wait,
37:31wait a minute
37:32and then wait for everything
37:33that I've been doing
37:34for years.
37:37I'm starting to say
37:40that I've come to you.
37:42No,
37:43you don't want to say that.
37:45No, you don't want to say that.
37:46You don't want to say that.
37:47You don't want to say that.
37:48It's all,
37:49it's all,
37:50it's all,
37:51it's all,
37:52it's all,
37:53it's all,
37:54it's all,
37:55I've heard you all the time.
37:56I think you're all,
37:57you're all,
37:58I think you're all,
37:59I think you're all,
38:00I don't want to say that.
38:01I'm sorry,
38:02I don't want to say that.
38:03You don't want to say Michelle.
38:04I don't want to say that.
38:05You're all,
38:06what's happening?
38:07What do you say?
38:08What do you say?
38:09What do you say?
38:10What is happening now?
38:11What do you say?
38:12What do you say?
38:13What you say,
38:14how you say that?
38:15You mean you're you?
38:16No, I'm sorry.
38:17What are you saying?
38:18How does that mean?
38:20Tell us what happened.
38:22We are sure to tell that Michelle was a little bit motivated.
38:26Nice to meet you.
38:28We are sure to tell Michelle was a little bit.
38:30Collegianjack said Michelle is a little bit motivated.
38:34Look, please, because I'm all so young that I have never thought of you as one giant.
38:40Please please do, please.
38:42You said Michelle was a little bit motivated, because she was Fred and she were one of them.
38:46I am not going to talk about it.
38:49I am not going to talk about it.
38:51It's very hard to be able to work together.
38:53But Michel, Michel is just a detail,
38:57that wasn't Michel, it's a person.
39:00For example, Michel when he had been in the field,
39:04he was coming to Paris with the news,
39:07and he was going to tell the story
39:09and he was telling
39:10Sali, yes, from me, I'm o Damian amazing, I did me, you did me.
39:16I am tired of seeing you and I was terrified.
39:18I am tired from drinking these customers and I was afraid to go and read for them.
39:22And I was bored.
39:24I thought Michel became fantastic and talented, very great tomore Arts.
39:29Michel, Michel Marchand.
39:31Michel Marchand.
39:33Michel Marchand.
39:34He was poor, he's really кров of some kmesting,
39:37He got a big villa.
39:39Michel...
39:40He got a base in Hollywood movies with the house.
39:44Gospice Olga, I don't understand much of the umet.
39:48I don't understand much of the umet.
39:50I don't understand much of the umet.
39:52I don't understand much of the umet.
39:54I don't understand much of Michel Mašana.
39:55I don't understand much of the umet.
39:57He's a great umet.
40:00Why do you not believe?
40:02I don't believe you.
40:05He really became a great umet.
40:09Gospice Olga.
40:17When I came back to Paris,
40:21I was very young.
40:24It's been two years since then.
40:28As soon as we came out,
40:30I wrote it and wrote it.
40:32It's so different.
40:34I'll just tell him that I'm not in Paris anymore.
40:37I came home and returned to the end.
40:44He didn't answer.
40:46But I'm surprised.
40:48I've been surprised.
40:50I've been surprised for years.
40:52So it happened in winter.
40:54I'm concerned.
40:55I'm concerned.
40:57I'm concerned.
40:58But I'm concerned.
40:59I think I'm concerned.
41:00I'll start with me.
41:01The door is always open.
41:03The door is always so.
41:04I'm aware of the door.
41:05The door will be locked.
41:06The door would be locked.
41:07from her to her.
41:10My momak.
41:14Two years later,
41:17before the war,
41:18I sent myself
41:19in the open cover,
41:22in the reception
41:24of Michel Marchand,
41:26and the title, title, title.
41:28I'm going to invite you to open
41:30my sculpture
41:32which will hold you.
41:34He has time.
41:40It turns out that
41:41I knew that my momak
41:43would never do it.
41:48After that, I haven't heard anything about him.
41:51Later,
41:52after the war,
41:53I realized
41:54that during the war
41:55I was with the Germans.
41:59It's not.
42:04I was stupid.
42:08I didn't have to go to Paris.
42:10I didn't have to go to Paris,
42:12but
42:13the Germans were already there.
42:16I was waiting for it.
42:21We all are the best
42:22to expect of our lives.
42:23I was expecting Paris,
42:28and finally,
42:29the floor is falling
42:30and the cold house
42:32in the house.
42:33And it's not in the house.
42:39It's not in the house.
42:40My daughter, only the other day with her, she is constantly talking, something like a child who dies in the kitchen because her parents have done something, I don't know.
43:00Let me give a friend to some engineer a room for much more money than me.
43:09But in general, I don't know.
43:18And for me, when I have time, I always pain my hand.
43:28It's time for my friend.
43:38You will now return to your friend.
43:42Your friend will be in your house, and I will tell you about my dead child.
43:49I don't know.
43:52I don't know how to live if my friend is not my friend.
43:56When I come home, I say,
43:58Good morning, Frede, how are you, Frede?
44:01What are you doing?
44:02Frede.
44:04When I want to sleep, I open up a big sigh.
44:08I open the night lamp and look.
44:11Frede.
44:12I don't know how much time it is.
44:14God, how much time it is.
44:16When I wake up, I wake up a little night lamp and say, Frede, a nice night.
44:24I wake up a little bit.
44:26I wake up a little night, just to see you.
44:32Gospodica Olga.
44:34Gospodica Olga.
44:35Gospodica Olga.
44:36I hear you.
44:37Gospodica Olga
44:44I don't know, wait a minute, I don't know how many colleagues would be interested to see Freda, to meet him.
44:50I don't know how many of you would like to see Freda, to meet him.
44:54I'm convinced that you would like Paris.
44:57I don't know how many colleagues would like to see Freda.
45:00He's a Parižanin.
45:02He's a Parižanin.
45:04Parižanin, Ivan, my Fred.
45:06What's his name?
45:08Fred.
45:10That's not our name.
45:12No, no, no, no, no Parižanin.
45:14I'm not sure how many of you came to this name.
45:17Fantastic.
45:19I don't remember how many of you came to this name.
45:21No, I didn't think that Freda is our name.
45:23I'm not sure what you are.
45:24It's a little weird.
45:26I'm not a weird.
45:28But after what we know, I'm not a weird name.
45:30Do you think that I'm called, for example, Milan?
45:33No, I'm not a weird name.
45:35I'm not a weird name.
45:37It's crazy.
45:39Look, it's a beautiful name.
45:41It's a beautiful name.
45:43It's a beautiful name.
45:45It's a horse.
45:47It's a horse.
45:49Listen to me.
45:51Let's see.
45:53Something happened in one place.
45:55Something happened in the academy.
45:57Science.
45:59What was it?
46:01What was it?
46:03What was it?
46:05What was it?
46:07There were people who got the horse.
46:11They sent the horse with a horse.
46:13They placed the horse.
46:15They placed the horse.
46:17They put the horse on the head.
46:19They pinned the horse.
46:21The legion of joy for me.
46:23I will read it.
46:25The unicorns are on a boat.
46:27They must call it.
46:31They cannot forget it.
46:33I can't remember it.
46:35No!
46:36I didn't!
46:37No!
46:38I'm going to ask you to do it with the colleague.
46:40This guys are playing a bit like this...
46:43I'm going to hang out with the brz!
46:45I'm going to talk about it very interesting.
46:47The guy is not ready to do it, everything is going on.
46:49Like that nothing is going to happen.
46:50It's like that nothing is happening!
46:52We can only do it in Paris!
46:53He will show you what is in Paris!
46:56Maybe not anything else, but it's definitely a new thing.
46:59Yes, that's it.
47:00But if we can always do it,
47:02I am going to do it now.
47:04I didn't leave the stupid questions!
47:06Don't leave the stupid questions!
47:07I've got to go, I'm going to go!
47:10I'm gonna go, I'm going to go, let's go!
47:12Oh, so happy that I'm so happy!
47:13When you get to the end of your life,
47:16when you get to the end of your life,
47:19who have an understanding...
47:22...and you get to the end of your life!
47:24Welcome!
47:25I'm ready to go, colleague!
47:28If you don't have anything, I'm gonna go!
47:31Let's go!
47:33Let's go!
47:35That's it!
47:37That's it!
47:39Oh, Milita!
47:41You're doing it!
47:43I'm sorry!
47:45I'm sorry!
47:47I'm sorry!
47:49I'm sorry!
47:51No, no!
47:53No, no!
47:55No, no!
47:57Wait, wait, wait!
47:59I'm sorry!
48:07No, no!
48:09No, no!
48:11No, no, no!
48:17I'm sorry!
48:19Oh, no!
48:21I think I'm sorry!
48:23I don't want to be there!
48:25xD
48:37xD
48:45xD
48:47Come on, don't stop!
48:52Yeah!
48:53Come on!
49:02Come on, come on!
49:05You might have to raise your hand a little.
49:07Okay, I don't have a big hand.
49:11Good evening, Fredo.
49:12How are you?
49:13Good evening, Fredo!
49:14Good evening!
49:16Thank you very much.
49:18My colleague, do you want me to help me?
49:20Open the light, please.
49:24Do you want me to help?
49:26I will help you.
49:29I'm sorry, I'm just going to put the charger.
49:31I'm just going to put the charger.
49:33Fredi, welcome to your guests.
49:35They are wonderful young people.
49:37You will see a lot of people.
49:39How are you talking about them?
49:41I don't see them.
49:43Where are they?
49:45I didn't tell you how you tried to do it.
49:48It was bad without me.
49:50No, I didn't.
49:52I can tell you that we were talking about you.
49:56He's going to get out of the other room.
50:00Do you see him?
50:02I see him, I'm sure.
50:04Where are you?
50:05I don't see him.
50:06I don't see him.
50:08Okay, come on.
50:10Do you see him?
50:12I don't know.
50:13I don't know.
50:14I don't know.
50:15Maybe on the floor.
50:16You know, it was bright.
50:17It was really bright.
50:18It was really bright.
50:19It was really bright.
50:20Of course.
50:21Of course.
50:22Of course.
50:23Let's try it.
50:24Let's try it.
50:25It's important.
50:26You see, he's like Paris.
50:27Like Paris.
50:28It's like Paris.
50:29I love you.
50:30You don't see him.
50:31You're standing in front of other rooms.
50:32Hey!
50:33Freda!
50:34Freda!
50:36Freda!
50:37Freda!
50:38No, I know he is.
50:40We need to be at you.
50:42You stay inside.
50:43At this house.
50:44The next house is so fun.
50:45Let's go.
50:46You're so good.
50:47You're so good.
50:48You're so good.
50:49You're so good.
50:50You're so good.
50:51You're so good.
50:52I'm so glad, but I'm so glad you are here.
50:54You're free to see it.
50:56Let's go, let's go, let's go.
50:58Let's go, let's go.
51:00Let's go, let's go.
51:02What do you think?
51:04What can I feel like in Paris?
51:06Let's go, let's go.
51:12Let's go, let's go.
51:14Let's go.
51:16Let's go.
51:18Let's go.
51:20Let's go.
51:22Let's go.
51:24I mean, I'm going to start...
51:26Let's go.
51:28Let's go.
51:30Gospod Solga, where is Fred?
51:32What is that?
51:34What is that?
51:36I understand that it's my Fred!
51:38Gospod Solga!
51:40Gospod Solga!
51:42What is this?
51:44I'm going to show you so much.
51:46Where is Fred?
51:48You don't know what to see me in Paris.
51:50Please show me in Paris.
51:52It's normal.
51:54That's your point.
51:56You don't see me in Paris.
51:58You don't see me in Paris.
52:00You don't see me in Paris.
52:02Let's go, let's go.
52:04That's so small.
52:06Why would I be bigger?
52:08Why would I be bigger?
52:10Why would Paris be bigger?
52:12Why would Paris be bigger?
52:14Why would you be bigger?
52:16Why would you be bigger?
52:18Why would you be bigger?
52:20Well, the lady is bigger when he comes from home.
52:22He's bigger than the room.
52:24He's bigger than the water.
52:26I don't think.
52:28I don't think.
52:30I don't think.
52:32I don't think.
52:34You just don't think it.
52:36You don't find him.
52:37Youaki theour's tend as well.
52:39Just go pick each other.
52:41No, just go pick each other.
52:42Just don't find him.
52:43He's so good, you don't think.
52:44You don't think that I only pick each other.
52:46Yes.
52:47The king.
52:49The Irčev king.
52:51From gipsa.
52:53When I came back from Parize, I asked myself to take me to Freda.
52:57No!
52:59No!
53:01No!
53:03No!
53:05No!
53:07No!
53:09No!
53:11No!
53:13No!
53:15Donケ grabbing amuse of course.
53:17I didn't?
53:19On is right, i don't want to fight!
53:21I don't want to fight the Chuckie!
53:23Also art, I won't threaten you, don't let go!
53:27Dognati si, don't teach me!
53:31No, just...
53:34Don't be such a mess.
53:36No!
53:38Don't be such a mess.
53:55What's left by me?
54:01Oh my God!
54:06What are you doing?
54:08Friends!
54:10Friends!
54:27I'm looking through the window and I don't see anything.
54:31There was a lot more happening today, really.
54:34Yes.
54:36It's my first day in this school.
54:40I don't know what's going on with the lady Olgou.
54:42Well, you're not serious.
54:44It was necessary to know that.
54:47I've loved you, as you remember.
54:49I've said that it's your Paris.
54:51Look, enjoy it.
54:53What's going on?
54:54What's going on?
54:55What's going on?
54:56What's going on?
54:57What's going on?
54:58What's going on?
54:59What's going on?
55:00What's going on?
55:01What's going on?
55:02What's going on?
55:03What's going on?
55:04What's going on?
55:05What's going on?
55:06What's going on?
55:07What's going on?
55:08What's going on?
55:09What's going on?
55:10What's going on?
55:11What are you yelling for?
55:12What big money is made?
55:13What it is!
55:14What, what the hell?
55:15Not ganze, what very people are interested in this series?
55:16Right and that's not the view I guess the 다들 wouldn't live and what
55:30might happen.
55:31Yes. And on the hands, colleagues? You're comfortable with it.
55:39What hands?
55:41That's what you say, I'm constantly holding on to the top of my head as if I'm stuck.
55:46And I'm really stuck.
55:53One day, so bad.
55:56Koleginica, it's only one. I'll write left hand. Do you remember?
56:02Yes, I'll write left hand.
56:04Can I see you, colleague?
56:08How did it happen?
56:14Yes, случайly.
56:16How, colleague, случайly?
56:18Yes, we found the revolver. Boom, boom, two fingers at one point.
56:21It's cold. Does it still hurt?
56:24And on the change of time, when I change the time, then I get a little.
56:29Otherwise, I'll write left hand. I don't think that's enough.
56:39Is it better now?
56:44There you go.
56:54There you go.
56:57We're here.
56:58You're really not a lot of friends.
57:01It's already been a day that you're in the house.
57:04How many days you've lived here today?
57:06You're going to die, unfortunately.
57:09There will be more of these days.
57:11How many days you've lived here?
57:13The lady didn't even know.
57:15Oh, dear.
57:16I'm sorry.
57:17Sorry, I'm sorry.
57:18No, thanks.
57:19Sorry, I'm sorry.
57:20Sorry.
57:21Oh, you're over here.
57:25I will use this to use.
57:27I will return to your degree.
57:29Do you know a little Mitya from the first club?
57:32Yes.
57:33A little blue blue girl.
57:34Yes, yes.
57:35The girl is overwhelmed.
57:36Please give me attention to him.
57:38He will not be disappointed.
57:40The past year was great,
57:41but now something happened with his parents.
57:44I don't know what to do.
57:46We need to help.
57:48I will not forget.
57:50See you soon.
57:52See you soon.
57:54There was one visitor.
57:57Did you tell me?
57:59No.
58:00Yes, there was one visitor with books.
58:01He gave us all the tourist islands.
58:03He said, today everyone should travel.
58:05He was waiting for you.
58:06Love is Spanish, Nica and Kana.
58:08And then he told me he was at home with our servant.
58:11And he started his visitor.
58:13He said,
58:14He said,
58:15He said,
58:16He said,
58:17He said,
58:20He said,
58:21He said,
58:22He said,
58:23He said,
58:24I don't see him.
58:25He said,
58:26He does not see him.
58:27He sees that he has his eyes instead of his eyes.
58:32And?
58:34Nothing.
58:36A living man like this.
58:38Normal.
58:40I would like to ask you,
58:42that joke about the table,
58:45how did you throw it out?
58:47Is that true?
58:50No.
58:53I thought it would be interesting,
58:57but I didn't get back to it later.
58:59Let's go.
59:01It's the winter.
59:03It's winter, but it looks like it's very late.
59:07I think it will be something from that old time.
59:11That's why, colleague.
59:13That's why, colleague.
59:15Goodbye, colleague.
59:17Goodbye.
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