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#marpletowardszero #poirotdeadmansmirror #poirottheabcmurders
Famed builder Le Notre is tasked with building an ethereal palace for King Louis XIV that transcends beauty. Le Notre has hired Sabine de Barra to design and construct the outdoor ballroom and is soon captivated by her beauty. Starring: Kate Winslet, Matthias Schoenaerts, Alan Rickman, Stanley Tucci, Helen McCrory, Steven Waddington, Jennifer Ehle.
Transcript
00:00you
00:17What's the root ball like?
00:21It's a bit dry
00:23Soak them overnight.
00:25You may not need to.
00:27Just secure them then.
00:29Cover these tears.
00:40I need more rope.
00:41I need more food.
00:43In the warm.
00:45You go on, I'll follow.
00:47I need more food.
00:49I need more food.
00:51I need more food.
00:53I need more food.
00:55I need more food.
00:57I need more food.
00:59I need more food.
01:01I need more food.
01:03I need more food.
01:05I need more food.
01:06I need more food.
01:07I need more food.
01:08I need more food.
01:09I need more food.
01:11I need more food.
01:13I need more food.
01:14I need more food.
01:16I need more food.
01:17I need more food.
01:18I need more food.
01:20I need more food.
01:21I need more food.
01:22I know that they will play a role in your life.
01:24You're a widow.
01:25I believe.
01:26How lonely that must be.
01:27I've known for some time that André had some secret happiness, but my husband's ambitions
01:35are married only to mine.
01:37You're not the first diversion, and I believe at the moment, not the only one.
01:44You will come and you will go.
01:48Understand me, madame, it suits my husband and I this way.
01:57It's a pretty thing.
02:27We've found the sluice gate that connects the reservoir to the fountain.
02:42If we fill it, the pressure in the pipes will build and we can flood the grove.
02:50Do it.
02:55Laysha.
03:25Laysha.
03:29Laysha.
03:31Laysha.
03:35Laysha.
03:39Laysha.
03:41Laysha.
03:45Laysha.
03:47Laysha.
03:51Laysha.
03:53Laysha.
03:55Laysha.
03:57Laysha.
03:59Laysha.
04:01Laysha.
04:03Laysha.
04:07Laysha.
04:09Laysha.
04:11Laysha.
04:13Laysha.
04:15Laysha.
04:17Laysha.
04:19Laysha.
04:21Laysha.
04:23Laysha.
04:25Laysha.
04:27Laysha.
04:29Laysha.
04:31Laysha.
04:33Laysha.
04:34Laysha.
04:35Laysha.
04:36Laysha.
04:37Laysha.
04:38Laysha.
04:39Laysha.
04:40Laysha.
04:41Laysha.
04:42Laysha.
04:43To hell with that!
05:13To hell with that!
05:43To hell with that!
06:13To hell with that!
06:43To hell with that!
06:47To hell with that!
06:49Thank you!
06:50Will it mend?
07:03It will mend.
07:05The tears were too weak.
07:08The gate was left open.
07:10You cannot be blamed for that or the storm.
07:13What should I do?
07:14Adapt.
07:15Like a well-trained plant?
07:20Like a well-trained plant.
07:21Like a well-trained plant.
07:25Am I part of an amusement for you?
07:32Not at all.
07:33I'm unused to all this.
07:39I'm unused to all this.
07:46Is it honest?
07:49Are you?
07:50No.
07:51I have not been honest since I watched you in my garden.
07:57Your heart beats fiercely.
07:58Mine just ticks.
07:59I have not gifts to offer such a wonder.
08:04If you are hungry, they'll feed you.
08:11If I am mad, you will tell me.
08:14You are not mad.
08:15You are not mad.
08:16You are not mad.
08:17You don't know all of me yet.
08:21Are you hungry?
08:24Starving.
08:25Are you not happy?
08:47Yes.
08:49Yes.
08:53That's what is making me cry.
09:09I can't.
09:11I can't.
09:19Don't get lost.
09:20Don't get lost.
09:41Don't get lost.
10:11Don't get lost.
10:16What am I to say?
10:17It is original.
10:19Continue indefinitely.
10:21Do you expect that of us?
10:25You've been working with Madame de Barrow.
10:28Are you committed to this design?
10:31If I may say, your majesty, I was just as skeptical as you are in the beginning, Mike.
10:35But now?
10:36I'm a convert, so to speak, your majesty.
10:38Even now, the setbacks were due to nature, Sion.
10:41Perfection does not bow to nature.
10:42What on earth are those things?
10:44Well, sire, I'm glad you asked me that,
10:46because that really is what Madame de Barra is.
10:49Odd, sire.
10:50May I assure you, Majesty?
11:02You will recall what I said about nymphs and shepherds.
11:05As we age, we see things more clearly.
11:10This project, is it worthy of us?
11:21There's no precedent for Madame de Barra's vision.
11:25Trust is all we can give to those who reach into the new, sire.
11:30When beauty can be described with such imagination,
11:33then her art, above all I know, is worthy of the king.
11:40I see only mud.
11:48Your words, we will wait later.
11:51For now, inform Madame de Barra that I shall see her at Fontainebleau.
11:55Marjorie, my first one.
11:57For now, I should have to step into the new world.
11:59The next one, we will be here.
12:00For now, we are going to be with us.
12:01For now, we will be with you.
12:04I don't know what story this tells
12:33or what harm it is part of.
12:37This is a bad end for both of us.
12:42And I am sorry for it.
13:03I am sorry for it.
13:33Welcome to Fontainebleau.
13:39Antoine.
13:40How beautiful you look.
13:42I believe it is compulsory.
13:44Indeed, however, some of the ladies find it more of a challenge.
13:46I am bound to say I see no trace of that challenge in you.
13:49Do not talk to me about it, madame.
13:50I'm ruined by the expense.
13:52And worse, it is interfering with my gaming.
13:56I must confess that escorting you down is something of a coup.
13:59How so?
14:01There are several parties who are anxious to meet you.
14:04I am no one.
14:06Then what could the interest be?
14:08Madame, you answer yourself.
14:10You see how they look at you?
14:12You are no one where everybody is someone, yet you are here.
14:16That makes you more than someone.
14:17Well, especially if you have conversation.
14:20Well, it's just tumble.
14:24You see?
14:25People are looking our way with interest because of my mirth.
14:29But the hordes may not have you yet.
14:31I am under strict instruction to convey you to one person in particular.
14:34The Marquise de Montespan.
14:36Oh, heavens, the lengths I have had to go to, madame.
14:39I have had to bribe, lie, and use every form of deception to meet you.
14:43How much did you pay the maître d'hôtel?
14:44Five gold louis.
14:45Was that too much?
14:46Money well spent.
14:47Lauzon, I love you dearly.
14:49Kiss me now and leave me to explore my prize.
14:52I shall enjoy you later.
14:54Madame.
14:55Good fortune at the tables.
14:56I feel lucky tonight.
14:58My dearest friend and a most divine lover.
15:01What can I say, madame?
15:02Avent so withtook us before I had the king's interest.
15:04Is this your first time at Fontainebleau?
15:07It is.
15:08Have you no birth?
15:09Not a drop.
15:10No blood whatsoever.
15:11You are here entirely on your own merits.
15:13I know a famous man.
15:15Ah, I see.
15:16I was going to offer you lozum, but you're ahead of the game.
15:18Athenese.
15:19Apologies.
15:24And, madame de Barat.
15:26I'm so happy to see you again.
15:28Princess.
15:29Oh, please call me madame.
15:31It's affectionate and everybody does.
15:32Come, my secret space.
15:42Do you dig earth?
15:44Yes.
15:45But you're not blackened by the sun.
15:47Perhaps a little.
15:48I've never had the smallpox.
15:50Your skin is clear.
15:51Show us your breasts.
15:52Are they pretty?
15:53Would you like to see mine?
15:55Mine are the most beautiful.
15:56Yes, they are.
15:57Apart from Suzanne, who's 70.
15:59Oh, yes.
16:00Hers are perfect.
16:01You see, here.
16:04Touch.
16:08Your eyes are the colour of the sea.
16:10This gown is cut differently.
16:12I like it at the waist.
16:13Do you marry?
16:15Widowed.
16:16Did you like your husband?
16:17Yes.
16:18Children?
16:22Dead?
16:25A girl.
16:28How old?
16:31Six.
16:31Palatine has lost her son, too.
16:37It was four.
16:39So little and beautiful.
16:42Charles was one.
16:44I lost Joan and Anne together.
16:47Smallpox.
16:48I lost my husband and my son on the battlefield.
16:52They died in each other's arms.
16:55I'm barely here.
16:58How did they die?
16:59Do you find it hard to speak of it?
17:05That can happen.
17:11I put everything in her trunk.
17:15All their clothes, shoes.
17:19Her toys.
17:22I haven't had the courage to go in there since.
17:24When you are strong enough, my dear.
17:31When you are strong enough.
17:33We're not allowed to speak of death at court.
17:37The king does not like it.
17:39But we speak about it amongst ourselves.
17:41Nobody may ban a child from its mother's heart.
17:45I commended all my children into maintenance care.
17:51How she has turned on me now.
17:56Saintly old bitch.
17:59It is an amazement to me.
18:01The convent has not claimed her.
18:02Costume's not as lavish.
18:04The king comes.
18:10Have you been presented before?
18:13No.
18:13It is an amazement to me.
18:14It is an amazement to me.
18:15It is an amazement to me.
18:16It is an amazement to me.
18:17It is an amazement to me.
18:18It is an amazement to me.
18:19It is an amazement to me.
18:20It is an amazement to me.
18:21It is an amazement to me.
18:22It is an amazement to me.
18:23It is an amazement to me.
18:24It is an amazement to me.
18:25It is an amazement to me.
18:26It is an amazement to me.
18:27It is an amazement to me.
18:28It is an amazement to me.
18:29It is an amazement to me.
18:30It is an amazement to me.
18:31It is an amazement to me.
18:32It is an amazement to me.
18:33Your Majesty, it is my pleasure to present Madame de Barre.
18:56Madame?
19:00Your Majesty.
19:03Is it a Four Seasons?
19:09It is, sire. For the most famous gardener in the world.
19:17Allow me, Your Majesty.
19:21A light, honest scent.
19:32Natural and unforced.
19:36Some of the roses seem faded and overblown.
19:45That fate awaits all roses, sire.
19:59Continue, madame.
20:01All roses are open to the elements, Your Majesty.
20:07They bud, bloom and fade.
20:10Is that so, madame?
20:13The rose grows entirely unaware, changing naturally from one state to another.
20:19And although the elements may treat her cruelly, she knows nothing of it and continues to her end without judgment on her beauty.
20:29Alas, it is not the same for us.
20:33If such a rose could speak, what would she say?
20:42Yes, I am here, and gave service under nature's eye, and after me my children will be.
20:52Is there any greater contribution or more graceful end?
20:58A wise rose.
20:59And what protection can the gardener afford this rose from the harsh elements of change?
21:14Patience, care, and a little warmth from the sun are our best hope, Your Majesty.
21:21I am obliged to you, madame, for that sweet reminder.
21:44Now walk with me.
21:49And tell me of your progress in our garden.
22:19Kindness.
22:26Unbribed.
22:40That was very brave tonight.
22:42I hoped he might listen.
22:46Enough humility.
22:47Human humility.
22:48Human humility.
25:53There you are.
26:09Philippe.
26:29Marie-Claire, are you there?
26:31Papa, did you find her?
26:33Here is Belle Boobie asleep with Mama.
26:37Hello, Marie-Claire.
26:39She's a naughty doll.
26:41Come here and I shall punish you.
26:43Oh my goodness.
26:45Is she all right?
26:47Don't be silly.
26:49She's made of cloth.
26:53Sabine, I have something to tell you.
26:55How long?
26:57We've not been close of late.
26:59And most men take mistresses in due course in such circumstances.
27:03Such circumstances.
27:05Such circumstances.
27:07What's her name?
27:09Diane.
27:11Where does she live?
27:13Barry.
27:15Oh.
27:17Not too far.
27:20Mr. Coach, no.
27:22We'll talk again on this matter.
27:28When will you be back?
27:32This evening, madame.
27:33Do not madame me, Philippe.
27:44Marie-Claire?
27:46Tie your laces.
27:47You'll fall over them.
27:48I can't, Mama.
27:49Wait there.
27:55Master, look at this.
28:00Marie-Claire.
28:04Marie-Claire.
28:08Jean?
28:09The wheel.
28:10I told the master.
28:11He said it would do until buried.
28:13Mary.
28:14Mary.
28:19Marie-Claire!
28:20I did not kiss Mama.
28:22stop.
28:25Stop...
28:29stop!
28:30No...
28:33.
28:34No!
28:36Stop!
28:38Stop!
28:40No!
28:42No!
28:44No!
28:52No!
28:54No!
28:58No!
29:04No!
29:06No!
29:08No!
29:10No!
29:12Sabine!
29:14No!
29:30She was the most beautiful thing I ever made. And I killed her.
29:39Did you intend them to die? Is that what you planned?
29:42It was your husband's choice. He took away the child.
29:47It was my fault. It was my fault and I let him take her away.
29:51What if no one person is to blame? And what use is blame?
29:55It is enough to have it happen to you. It is enough to recover from it.
30:00That is as much as we may ask of ourselves. That is enough.
30:03What is it that would help you?
30:12If you help me...
30:14What will happen to your wife?
30:29What will happen to your wife?
30:37This was not the way we started.
30:39We must have taught each other how to behave.
30:48I am to blame for it as much as she.
30:55She will live her own life.
30:57She knows that now.
31:05And us?
31:06She will be together.
31:07And us...
31:08And we will be together.
31:09And we will be together.
31:10And we will be together.
31:11We all shape each other
31:13This isn't the right way
31:41Yes it is we're behind that fence
31:44Oh for heaven's sake I have to rent this
31:48Waste of money
31:50What do you mean no one will see us
31:53The music comes from the heavens
32:11The music comes from the heavens
32:41Fair winds, sir.
32:46Madame is lucky, my friends.
33:11Madame is lucky, my friends.
33:41Madame is lucky, my friends.
34:11Madame is lucky, my friends.
34:40Madame is lucky, my friends.
35:10Madame is lucky, my friends.
35:40Madame is lucky, my friends.
35:42No, you look beautiful.
35:44Are you flattering me?
35:46Is that wrong?
35:48Call me, madame again.
35:50No, you look beautiful.
35:56No, you look beautiful.
36:02No, you look beautiful.
36:08No, you look beautiful.
36:16No, you look beautiful.
36:18No, you look beautiful.
36:20No, you look beautiful.
36:30No, you look beautiful.
36:32No, you look beautiful.

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