- 6/6/2025
#poirotlordedgwaredies #romeoandjuliet #thepiano
Anna and Mike portray two characters in a film set in 19th century England who fall in love despite the fact that Mike's character is engaged. Starring: Meryl Streep, Jeremy Irons, Hilton McRae.
Anna and Mike portray two characters in a film set in 19th century England who fall in love despite the fact that Mike's character is engaged. Starring: Meryl Streep, Jeremy Irons, Hilton McRae.
Category
🎥
Short filmTranscript
00:00:00PLEASE
00:00:01BELL RINGS
00:00:02Mary, we've got a hold of this, er, to grab the other unit, by the way.
00:00:07All right.
00:00:08Uh, okay, you ready, Anna?
00:00:11We can't run successfully, is it?
00:00:15Two foot down the side.
00:00:17Okay, fast position, everybody.
00:00:23It's two take two.
00:00:27And, action.
00:00:30That's right.
00:01:00ORCHESTRA PLAYS
00:01:30ORCHESTRA PLAYS
00:02:00ORCHESTRA PLAYS
00:02:30ORCHESTRA PLAYS
00:02:42ORCHESTRA PLAYS
00:02:44Sam?
00:02:46Sam?
00:02:48Sam!
00:02:50Get the carriage ready.
00:02:52Don't give it down to Stevenus.
00:02:54Get a double grab.
00:02:56Oh, boys!
00:02:58Injured!
00:03:00Sam!
00:03:02Get the carriage ready.
00:03:04Don't give it down to Stevenus.
00:03:06Get a double grab.
00:03:08Oh, boys!
00:03:10Injured!
00:03:12Injured!
00:03:34Madam!
00:03:38Madam, come quick.
00:03:40It's Mr. Charles!
00:03:42Good morning.
00:03:43Good morning, sir.
00:03:44Will you please tell your mistress I'm here to see her?
00:03:48Charles, my goodness, you are up early.
00:03:50Good morning, Mrs. Chancer.
00:03:52A beautiful morning.
00:03:53It is indeed.
00:03:54Come in, do, please.
00:03:56Is Ernestina awake?
00:03:59Mary, is my niece awake?
00:04:01She is, ma'am.
00:04:02We'll tell her Mr. Charles is here.
00:04:04Yes, ma'am.
00:04:05Might it be possible for me to see you, Ernestina?
00:04:10Alone.
00:04:11But of course.
00:04:12Of course.
00:04:15Mess?
00:04:16Mess?
00:04:17Mr. Charles is here.
00:04:19Mess to see you.
00:04:20Mr. Charles?
00:04:21He's down below, miss, waiting for you.
00:04:23He wants to speak to you.
00:04:26What shall I...
00:04:27What dress shall I wear?
00:04:29Oh, your pink is so lovely, Mess.
00:04:31You look as pretty as a picture in your pink.
00:04:33Yes.
00:04:34Yes, my pink, I'll wear that.
00:04:40The Conservatory is a private place.
00:04:41Will that suit?
00:04:43It will suit, thank you.
00:04:47I shall wait for her.
00:04:49In the Conservatory.
00:04:51I always thought you from London spent half the day in bed.
00:04:58No, ma'am.
00:04:59Up and about.
00:05:00We're always up and about.
00:05:01Early birds ready to catch early one, ma'am.
00:05:04That's Londoners.
00:05:10She's coming.
00:05:11Charles.
00:05:21Ernestina.
00:05:22She's gone into him.
00:05:24Don't you look a princess.
00:05:26Ernestina, it cannot have escaped your notice
00:05:28that it is fully six weeks since I came down here to Lyme,
00:05:32from London.
00:05:34No.
00:05:35It has not escaped my notice.
00:05:37I came to Lyme to explore the flint beds of the Undercliff
00:05:43to look for fossils.
00:05:46But I have stayed for you.
00:05:49Ah.
00:05:50For your sweet company.
00:05:54She's not going to turn him down, is she?
00:05:56Never.
00:05:57She'd give her a left arm.
00:05:59I came here this morning to inquire whether you would allow me
00:06:01to ask your father for your hand.
00:06:03Yes.
00:06:04I would allow it.
00:06:06Mind you, I don't know that he altogether approves of me.
00:06:11After all, I don't do what he considers to be work.
00:06:14Are you suggesting that it is entirely Papa's decision?
00:06:18No.
00:06:19It is yours.
00:06:20Yes, it is.
00:06:21Papa will do what I want.
00:06:23And I will do what I want.
00:06:25Well, in that case,
00:06:27might you take pity on a crusty old scientist
00:06:30who holds you very dear
00:06:32and marry me.
00:06:35Oh, Charles.
00:06:38I've waited so long for this moment.
00:06:41He's home and dry.
00:06:43This isn't mistletoe.
00:06:44But it will do.
00:06:45Will it not?
00:06:46Oh, Charles.
00:06:47Oh.
00:06:48Oh.
00:06:49No.
00:06:50It will do.
00:06:51Will it not?
00:06:52Oh, Charles.
00:06:53Oh,
00:06:54Oh.
00:06:58PHONE RINGS
00:07:12Yeah.
00:07:16Who is it?
00:07:20Yes, it is.
00:07:25I'll tell her.
00:07:29Anna.
00:07:32You're late.
00:07:35Make-up's waiting for you.
00:07:42Oh, God.
00:07:45What happened in the wake-up call?
00:07:47I don't know.
00:07:51Who called?
00:07:52Jack.
00:07:55Did you ask her phone?
00:07:56Mm-hmm.
00:07:58Well, then, they know.
00:08:00They know that you're in my room.
00:08:02Mm.
00:08:03In your bed.
00:08:04What do you want them to do?
00:08:09Of course, look at the time.
00:08:13They'll fire me for immorality.
00:08:17They'll think I'm a whore.
00:08:20You are.
00:08:21Good morning.
00:08:25Good morning.
00:08:28Chilly morning.
00:08:29Up.
00:08:30Good morning.
00:08:38Good morning.
00:08:43Ah, good morning.
00:08:45Good morning, Guy.
00:08:54Oh god, my friend, ridiculous!
00:09:25Miss Woodruff, you know you cannot stay here any long.
00:09:41Miss Duff has made no provision for you in her will.
00:09:44The cottage is to be sold.
00:09:49How much money do you possess?
00:09:51Miss Woodruff, I think I know someone who might take you in.
00:09:59Mrs. Pulteney from the Grange.
00:10:03Does her house overlook the sea?
00:10:07It does, yes.
00:10:09Then I would be grateful for your help, sir.
00:10:13I don't know.
00:10:43Mr. Smithson to see Mr. Freeman.
00:10:44Yes, you are expected, sir.
00:10:52You may be a gentleman of leisure, Smithson, but you are certainly punctual.
00:10:57Good morning, Mr. Freeman.
00:11:00Well, we could have met at my office in the city,
00:11:05but I thought you might be interested to see this place.
00:11:08Indeed, I am.
00:11:10Mind.
00:11:13Of course, in a few months, we shall be opening depots in Bristol and Liverpool.
00:11:18I see.
00:11:19Now, Sir May, Queen, in this morning from Calcutta.
00:11:21Yes, indeed, I recognise, Charles, that you bring to Ernestina not only your love and protection,
00:11:30but also in time a considerable inheritance.
00:11:33That is so.
00:11:35Yes.
00:11:36Well, I know my daughter loves you.
00:11:42You seem to me an upright man.
00:11:44Let us shake hands.
00:11:44I started here, Charles, with my dear wife at my side.
00:11:56You know I have no son.
00:11:58I do, sir, yes.
00:12:00Well, this is doubtless not the time to talk about it,
00:12:02but if you ever felt disposed to explore the world of commerce,
00:12:05I would be delighted to be your guide.
00:12:11Oh, yes.
00:12:12He was very respectful of what he called
00:12:14my position as a scientist and a gentleman.
00:12:18In fact, he asked me about my work.
00:12:21But as I didn't think that fossils were quite in his line,
00:12:24I gave him a brief discourse on the theory of evolution instead.
00:12:29How wicked of you.
00:12:30Yes, he didn't think very much of it, I admit.
00:12:32In fact, he ventured the opinion
00:12:36that Mr. Darwin should be exhibited in a cage
00:12:39in the zoological gardens,
00:12:41in the monkey hut.
00:12:44I'll lead the way.
00:12:49Shall we return?
00:12:50The wind is getting very strong.
00:12:52I should have thought you might welcome a reason
00:12:54to hold my hand without impropriety.
00:12:59Very well.
00:13:02Good Lord, what on earth is she doing?
00:13:10Oh, it's poor tragedy.
00:13:12Tragedy?
00:13:13The fishermen have a grosser name for her.
00:13:16What?
00:13:17They call her the French Lieutenant.
00:13:21Do they?
00:13:25Please come.
00:13:27I must speak to her.
00:13:28She could fall.
00:13:29She won't thank you.
00:13:30She's mad.
00:13:31It's dangerous.
00:13:32Will you stay there?
00:13:35Charles!
00:13:38Charles!
00:13:47Madam!
00:13:53Madam!
00:13:53Madam!
00:13:55Madam, forgive me.
00:13:57I'm alarmed for your safety.
00:13:58Come back!
00:13:59Madam!
00:14:00Madam!
00:14:02Man!
00:14:05Madam!
00:14:08Madam!
00:14:15Remember, what's up?
00:14:18Oh, come back!
00:14:18Oh, come back!
00:14:19Tim!
00:14:20Go back!
00:14:22Let's go!
00:14:22Let's go!
00:14:24nitrogen blast!
00:14:24Emily!
00:14:25Let's go!
00:14:25Come back!
00:14:25Come back!
00:14:26Father!
00:14:26Well, come back!
00:14:27Oscar!
00:14:27Let's go!
00:14:29Tell me, who is this French lieutenant?
00:14:37He is a man she said to have...
00:14:40fallen in love with?
00:14:42Worse than that.
00:14:44Ah.
00:14:45And he abandoned her.
00:14:49Is there a child?
00:14:51I think not.
00:14:53Oh, it's all gossip.
00:14:55Hmm. What's she doing here?
00:15:01They say she's waiting for him to return.
00:15:06How about now?
00:15:25I don't know why she supported herself since her dismissal.
00:15:40Ah, most pitifully.
00:15:41I understand.
00:15:42Miss.
00:15:43Miss.
00:15:44Miss Woodruff.
00:15:45Would you come in, please?
00:15:46Mrs.
00:15:48Miss.
00:15:49Miss.
00:15:50Miss.
00:15:51Miss.
00:15:52Miss.
00:15:53Miss.
00:15:54Miss Woodruff.
00:15:55Would you come in, please?
00:15:56Mrs. Poulton, here this is Miss Woodruff.
00:16:01I see.
00:16:03I wish, as the vicar has told you, to take a companion.
00:16:18He has indicated to me that you might be a suitable person for such a post.
00:16:24You are without employment.
00:16:25I am, ma'am.
00:16:26But you have education.
00:16:27You've been a governess.
00:16:28I have, ma'am.
00:16:29The post of companion requires a person of irreproachable moral character.
00:16:34I have my servants to consider.
00:16:38You speak French, I believe.
00:16:39I do, ma'am.
00:16:40I do not like the French.
00:16:42Perhaps you might leave us now, Mr. Forsythe.
00:16:45Yes, of course, Mrs. Poulton.
00:16:46Good afternoon.
00:16:47Mr. Forsythe informs me that you retain an attachment to a foreign person.
00:17:04I have heard from the most impeccable witnesses that you're always to be seen at the same place when you're out.
00:17:12You stand on the cob and look to see.
00:17:18I have been encouraged to believe that you're in a state of repentance,
00:17:21but I must emphasize that such staring out to see is provocative, intolerable and sinful.
00:17:31If you consider me unsuitable for this position, Mrs. Poultony, do you wish me to leave that?
00:17:35I wish you to show that this person is expunged from your heart.
00:17:41How am I to show it?
00:17:43By not exhibiting your shame.
00:17:52I should like to hear you read from the Bible.
00:17:55If your expression is agreeable to me, you shall have the position.
00:18:00Mike, listen to this.
00:18:12In 1857, it's estimated that there were 80,000 prostitutes in the county of London.
00:18:17Yes?
00:18:18Out of every 60 houses, one was a brothel.
00:18:23At a time when the male population of London of all ages was one and a quarter million,
00:18:29the prostitutes were receiving clients at a rate of two million per week.
00:18:34Two million?
00:18:35Yeah.
00:18:36You know what I say in the graveyard scene, about going to London?
00:18:50If I went to London, I know what I should become.
00:18:52I should become what some already call me here in line.
00:18:55Go on.
00:18:56Yeah?
00:18:57Well, that's what she's really faced with.
00:18:59This man says that hundreds of the prostitutes were nice girls, like governesses, who'd lost their jobs.
00:19:06That's it.
00:19:07You offend your boss, you lose your job.
00:19:09You've got no choice.
00:19:10You're out on the streets.
00:19:11That's the reality.
00:19:13Male population in London was one and a quarter million.
00:19:15Yeah.
00:19:16Well, if we take away a third for children and old men, that means that outside of marriage, your Victorian gentleman could look forward to 2.4 fucks a week.
00:19:32Oh, no!
00:19:45I'm not sure.
00:19:46No, just don't worry, that's right.
00:19:56You don't think it's gonna be a third for children?
00:19:58No.
00:20:01Oh, fuck.
00:20:03Give me the captain here.
00:20:05Honest Come and press the Siouxs.
00:20:09All right.
00:20:11Come and get to the campfire Elektra to live in theppa ecura.
00:22:13I'm very sorry to disturb you.
00:23:09How much do I owe you?
00:23:25Any?
00:23:26Mm-hmm.
00:23:28Thank you very much.
00:23:49Do you know that lady?
00:23:53Aye.
00:23:54Does she come this way often?
00:23:56Often enough.
00:23:58She being no lady, she'd be the French lieutenant's whore.
00:24:19From Mr. Charles, Miss Tina, with his compliments.
00:24:22From Mr. Charles, Miss Tina, with his compliments.
00:24:23Did he bring them himself?
00:24:25No, miss.
00:24:27Where is Mr. Charles?
00:24:29Don't know, miss. Didn't ask him.
00:24:30Ask who?
00:24:31It's a servant man, miss.
00:24:35But I heard you speak with him.
00:24:36Yes, miss.
00:24:37What about?
00:24:38Oh, it was just a time of day, miss.
00:24:41You will kindly remember that he comes from London.
00:24:45Yes, miss.
00:24:45If he makes advances, I wish to be told at once.
00:24:50Now bring me some barley water.
00:24:51Madam.
00:25:01Madam.
00:25:07Madam.
00:25:12I'm very sorry to have disturbed you just now.
00:25:14I gather you've recently become secretary to Mrs. Polkman.
00:25:27May I accompany you, since we walk in the same direction?
00:25:34I prefer to walk alone.
00:25:38May I introduce myself?
00:25:40I know who you are.
00:25:43Ah.
00:25:44Then...
00:25:45Kindly allow me to go on my way alone.
00:25:49And please tell no one that you have seen me in this place.
00:26:08Miss Woodruff.
00:26:10Wait a minute.
00:26:11I lost the place.
00:26:12Page 50.
00:26:15I suddenly see you.
00:26:16You've got your dress caught in the brambles.
00:26:18I see you.
00:26:19Then you see me.
00:26:21We look at each other.
00:26:22And then I say, Miss Woodruff.
00:26:23All right.
00:26:25Right.
00:26:27I see you.
00:26:28Get your coat caught in the brambles.
00:26:31Right.
00:26:33Now I'm looking at you.
00:26:36You see me.
00:26:37Miss Woodruff.
00:26:40I'm looking at you.
00:26:42But now you've come towards me to pass me.
00:26:46Now I pass Miss Muddy.
00:26:48You slip in the mud.
00:26:54And I help you out.
00:26:56Let's just do it again, okay?
00:26:57All right.
00:26:59Let's just do it again.
00:27:00I've got my dress caught in the brambles.
00:27:19Suddenly you see me.
00:27:20I see you.
00:27:27Miss Woodruff.
00:27:42I dread to think, Miss Woodruff, what could happen
00:27:44if you should one day turn your ankle in a place like this?
00:27:50I must go back.
00:27:52Permit me to say something to you first.
00:27:54I know I am a stranger to you, but...
00:28:07Here, down here.
00:28:09Here, Miss Arlo.
00:28:11Yes, come on.
00:28:13Here, here.
00:28:14Here, here.
00:28:15Here, here.
00:28:19It's really not necessary to hide.
00:28:25No gentleman who cares for his good name
00:28:27can be seen with the scarlet woman of Lyme.
00:28:34Miss Woodruff,
00:28:35I've heard something of your circumstances.
00:28:39It cannot be any great pleasure being a Mrs. Pulteney's employee.
00:28:42Why don't you leave Lyme?
00:28:46I understand you have excellent qualifications.
00:28:49I shall be happy to make inquiries for you in London.
00:28:51I cannot leave this place.
00:28:53But why?
00:28:54You have no family ties, I believe, that confine you to Dorset?
00:28:59I have ties.
00:29:01To this French gentleman.
00:29:05And I cannot leave this place, if you have a woman.
00:29:12Oh, permit me to insist.
00:29:14These things are like wounds.
00:29:15If no one dares speak of them, they fester.
00:29:16if he doesn't return he was not worthy of you if he returns he will never return
00:29:27you fear he will never return i know he will never return
00:29:36i do not take your meaning
00:29:42he is married
00:29:46i should have listened to the dictates of my own common sense you are a cunning wicked creature
00:29:59may i know of what i am accused you have been seen walking on the under cliff not twice but thrice
00:30:06but what pray is the sin in that the sin you a young woman alone in such a place
00:30:15it is nothing but a large wood i know very well what it is and what goes on there the sort of
00:30:21person who frequents it no one frequents it i go there to be alone do you contradict me miss
00:30:28you will confine your walks to where it is seemly do i make myself clear
00:30:35good afternoon mrs pulteney miss woodruff
00:30:43good afternoon
00:30:44it's that mrs pulteney who's that the one who kicked me out in the street is it poisoner tea
00:30:55oh now miss woodruff it is a pleasure to meet you
00:31:00are you liking lime um thank you mom yes were you born far from lime in dorchester mom which is not
00:31:12very far ah tea thank you mary good just there
00:31:18how long will you remain in lime miss uh freeman oh for the summer
00:31:25i must say mrs pulteney you look exceedingly well at my age miss freeman
00:31:31spiritual health is all that counts then i have no fears for you with gross disorders on the streets
00:31:38it becomes ever more necessary to protect the sacredness of one's beliefs gross disorders on
00:31:44the streets mrs pulteney certainly mr smithson even a disciple of darwin such as i understand you to be
00:31:51could not fail to notice the rise of the animal about us
00:31:55it no doubt pleases you since it would accord with your view that we're all monkeys
00:32:00i must look more closely into it mrs pulteney the next time i find myself on the street
00:32:08please allow me to help you mrs tranter
00:32:11thank you
00:32:11your maid for example mrs tranter
00:32:14i have been informed by my housekeeper that she saw her only this morning talking with a person
00:32:21a young person my housekeeper did not know him
00:32:26oh then it was no doubt sam my servant
00:32:32very likely yes i must say charles your servant spends an inordinate amount of his time talking to
00:32:39mary and what is the harm in that
00:32:41there is a world of difference between what may be accepted in london and what is proper here
00:32:47but i do not understand what crime mary and sam by talking appear to commit
00:32:51your future wife is a better judge than you are of these things mr smithson
00:32:55i know the girl in question
00:32:58i had to dismiss her
00:33:01if you were older you would know that one cannot be too strict in such matters
00:33:05i bow to your far greater experience madam
00:33:21i'm here
00:33:33thank you for coming thank you
00:33:46how did you dare to behave in so impertinent and presumptuous a manner
00:33:50how dare you do such a thing in front of miss freeman
00:33:55i had no one else to turn to
00:33:56well it must be quite obvious it would be most improper for me to interest myself further
00:34:02in your circumstances yes it is obvious
00:34:04why don't you go to london
00:34:09make a new life if i went to london i know what i should become
00:34:13i should become what some already call me in lime
00:34:18my dear miss woodruff i am weak how should i not know it
00:34:22i have sinned
00:34:26you cannot imagine my suffering
00:34:30my only happiness is when i sleep
00:34:35when i wake the nightmare begins
00:34:38this is
00:34:50why am i born what i am
00:34:53why am i not born miss freeman
00:34:56that question were better not asked
00:34:58i did not mean
00:34:58envy is understandable
00:35:00not envy incomprehension you must help me it is not in my power to help you i do not i will not believe that
00:35:12what heaven's name do you want of me i must tell you what really happened to me 18 months ago
00:35:16i beg of you you are my only hope i shall be on the undercliff tomorrow afternoon and the next afternoon
00:35:25i shall wait for you
00:35:29i must go
00:35:32i shall wait
00:35:46i shall wait for you
00:36:04david
00:36:08no it's not david it's mike
00:36:14what are you doing
00:36:16looking at you
00:36:18come back
00:36:21come back
00:36:41are you approved of my telescope
00:36:43it is most elegant
00:36:44i use it to keep an eye out for mermaids
00:36:49here
00:36:50i'm delighted you dropped in it was time we met
00:36:53the best brandy in dorset
00:36:56i keep it for visitors from london who share a taste for the good life
00:37:01your good health doctor
00:37:02yours
00:37:03i understand you're a scientist
00:37:14a seeker after fossils
00:37:18paleontology is my interest
00:37:21i gather it is not yours
00:37:22when we know more of the living it will be time to pursue the dead
00:37:27yes i was introduced the other day to a specimen of the local flora that rather
00:37:32inclines me to agree with me to agree with you
00:37:36a very strange case as i understand it
00:37:39her name is woodruff
00:37:40and i'll tell you something we know more about your fossils out there on the beach than we
00:37:47do about that girl's mind
00:37:48there's a german doctor called hartmann who has recently divided melancholia into various types
00:37:56one he calls natural by which he means that one is born with a
00:38:00a sad temperament
00:38:02another he calls occasional by which he means springing from an occasion
00:38:08and the third class he calls obscure melancholia by which he really means poor man
00:38:15he doesn't know what the devil it is that's caused it
00:38:21but she had an occasion did she not oh come now
00:38:25is she the first young woman to be jilted no no she belongs to the third class obscure melancholia
00:38:33listen to me
00:38:33i'll tell you in the strictest confidence
00:38:40i was called in to see her oh ten months ago she was working as a sempstress living by herself
00:38:47well hardly living weeping without reason unable to sleep unable to talk melancholia as plain as the
00:38:55box i could see there was only one cure to get her away from this place but no she wouldn't have it
00:39:04she goes to a house that she knows is a living misery
00:39:08to a mistress that doesn't know the difference between a servant and a slave and she will not be moved
00:39:14but it's incomprehensible not at all hartmann has something very interesting to say about one of his
00:39:21precious
00:39:21and she has confided the true state of her mind to no one she has not but if she did
00:39:38i mean if she could bring herself to speak she would be cured
00:39:43but she does not want to be cured
00:39:57i was working as a governess
00:40:12at the talbots
00:40:13i mean if she could bring her back to her parents
00:40:18his name was vargen
00:40:24he was brought to the house after the wreck of his ship
00:40:30he had a dreadful wound his flesh was torn from his hip to his knee
00:40:34he was in great pain
00:40:39yet he never cried out
00:40:42not the smallest groan
00:40:44i admired his courage
00:40:52i looked after him
00:40:58i did not know then that men can be both very brave and very false
00:41:03he was handsome
00:41:13no man had ever paid me the kind of attentions he did as he was
00:41:19recovering
00:41:24he told me i was beautiful
00:41:29that he could not understand why i was not married
00:41:33such things
00:41:43he would mock me
00:41:48lightly
00:41:52i took pleasure in it
00:41:57when i would not let him kiss my hand
00:42:00he called me cruel
00:42:03a day came when i thought myself cruel as well
00:42:11and you were no longer
00:42:14cruel
00:42:20valgen recovered
00:42:22he left for weymouth
00:42:24he said that he would wait there one week and then
00:42:26sail for france
00:42:31i told him that i would never follow him
00:42:34that i could not
00:42:39but after he had gone
00:42:44my loneliness was so deep
00:42:46i felt i would drown in it
00:42:57i followed him
00:43:00i went to the inn where he had taken a room it was not a respectable place i knew that at once
00:43:06they told me to go up to his room
00:43:10they looked at me
00:43:13i smiled
00:43:16i insisted he be sent for
00:43:18he seemed
00:43:26overjoyed to see me
00:43:30he was all that a lover should be
00:43:34i had not eaten that day he took me to a private sitting room ordered food
00:43:38but
00:43:48he had changed
00:43:52he was full of smiles and caresses but
00:43:57i knew at once that he was insincere
00:44:02i saw that i had been
00:44:03an amusement for him
00:44:10nothing more
00:44:16i saw all this within
00:44:22five minutes of our meeting
00:44:33time
00:44:34yet i stayed
00:44:38i ate the supper that was served
00:44:40i drank the wine
00:44:42it did not intoxicate me i think it made me see more clearly
00:44:47is is that possible
00:44:49no doubt
00:44:54soon he no longer bothered to hide the real nature of his intentions towards me
00:44:59nor could i pretend surprise my innocence was false from the moment i chose to stay
00:45:11i could tell you that he overpowered me
00:45:17or that he drugged me but
00:45:18i gave myself to him
00:45:34i did it
00:45:36so that i should never be the same again so that i should be seen for the outcast i am
00:45:40i knew it was ordained that i should never marry an equal so
00:45:48i married shame
00:45:50it is my shame that has kept me alive
00:45:52my knowing that i am truly not like other women
00:45:55i i shall never like them have children and a husband and the pleasures of a home
00:46:04sometimes i pity them
00:46:06i have a freedom they cannot understand
00:46:08no insult no blame can touch me
00:46:13i have set myself beyond the pale
00:46:19i am nothing
00:46:23i am hardly human anymore
00:46:27i am the french lieutenant's
00:46:31whore
00:46:38you must leave line
00:47:08this
00:47:11it
00:47:14this
00:47:15it
00:47:15it
00:47:23oh
00:47:29it
00:47:29oh
00:47:30oh
00:47:31oh
00:47:32oh
00:47:32Come on.
00:47:40You must never meet alone again.
00:47:42Go.
00:47:45I will wait.
00:48:02What's the matter?
00:48:26What's the matter? You look sad.
00:48:28No!
00:48:32Why are you sad?
00:48:38I'm not.
00:49:02You look sad.
00:49:07I'm on my way, little girl.
00:49:09I'm on my way, little girl.
00:49:11I'm on my way, little girl.
00:49:12I'm on my way, little girl.
00:49:13My usual.
00:49:14I'm on my way, little girl.
00:49:16You look like my straight line.
00:49:18Come on.
00:49:19Come on.
00:49:21BIRDS CHIRP
00:49:51BIRDS CHIRP
00:50:21BIRDS CHIRP
00:50:25BIRDS CHIRP
00:50:29Miss Woodruff?
00:50:33Miss Woodruff?
00:50:37Miss Woodruff, Mrs. Polly wants to see you!
00:50:44Mrs. Polly wants to see you at once!
00:50:47Mrs. Polly wants to see you!
00:50:49Miss Woodruff, Mrs. Polly wants to see you!
00:50:53Mrs. Polly wants to see you!
00:50:55Mrs. Polly wants to see you!
00:50:57Mrs. Pollys
00:50:59Mrs. Polly's asleep before the77s
00:51:01lemonry 분들
00:51:03A priest seems to lie in the judgement of this bed
00:51:08I don't know.
00:51:38Yes?
00:51:49Forgive me. I must speak to Dr. Grogan.
00:51:51Dr. Grogan is not here.
00:51:53Not here.
00:51:54He has been called to the asylum. He's at the asylum.
00:52:08My name's Smithson. I want to see Dr. Grogan on a matter of the utmost importance.
00:52:12Follow me, please, sir.
00:52:19Ah, Smithson.
00:52:21I can guess what you've come about.
00:52:23I'm sorry I wasn't at home.
00:52:25I'm attending a breach birth.
00:52:28Well, the fact is, we don't know where she is.
00:52:33I'm sorry. I don't understand what you're saying.
00:52:36You don't know what's happened?
00:52:37No.
00:52:38Then why are you here?
00:52:40I need your advice.
00:52:41I'm not sure I have any left to give.
00:52:43Miss Woodruff has disappeared.
00:52:45Mrs. Pultley dismissed her.
00:52:47There's a search party out.
00:52:48I've offered five pounds to the man who can bring her back.
00:52:52Or find her body.
00:52:53But she is alive.
00:52:55I've just received a note from her.
00:52:58I must go back.
00:52:59Go to my house.
00:53:00Wait for me.
00:53:18Nothing that has been said in this room tonight
00:53:38or that remains to be said
00:53:40will go beyond these walls.
00:53:42Now, you ask my advice.
00:53:44I'm a young woman of superior intelligence
00:53:49and some education.
00:53:51I'm not in full command of my emotions.
00:53:54What is worse,
00:53:55I have fallen in love
00:53:57with being a victim of fate.
00:54:01Enter a young god.
00:54:04Intelligent, good-looking,
00:54:06kind.
00:54:09My one weapon
00:54:10is the pity I inspire in him.
00:54:13So what do I do?
00:54:14I seize my chance.
00:54:16One day, when I'm walking,
00:54:18where I have been forbidden to walk,
00:54:20I show myself to someone
00:54:22I know will report my crime
00:54:24to the one person who will not condone it,
00:54:26my employer.
00:54:28I then disappear
00:54:30under the strong presumption
00:54:32that it is in order
00:54:33to throw myself from the nearest clifftop.
00:54:36And then, in extremis,
00:54:39I cry to my saviour for help.
00:54:41What in heaven's name
00:54:43are you talking about?
00:54:45I've spoken with
00:54:45Mrs. Poulton's housekeeper.
00:54:47She was at the dairy
00:54:48on the undercliff.
00:54:49The girl walked out
00:54:49of the woods under her nose.
00:54:50It was deliberate.
00:54:52She wanted to be seen,
00:54:53presumably to compromise you.
00:54:54Why does she want to harm me?
00:54:57Listen to me.
00:54:58I have known many prostitutes.
00:55:00I hasten to add,
00:55:01in pursuance of my own profession,
00:55:03not theirs.
00:55:04And I wish I had a guinea
00:55:05for every one of them
00:55:07I have heard gloat over the fact
00:55:09that the majority of their victims
00:55:11were husbands and fathers.
00:55:12But she is not a prostitute.
00:55:15Neither is she a fiend.
00:55:18My dear man,
00:55:19you are half in love with her.
00:55:20Oh, my most sacred honour,
00:55:28nothing improper
00:55:29has passed between us.
00:55:31I believe you.
00:55:33But let me ask you this.
00:55:35Do you wish to hear her?
00:55:37Do you wish to see her?
00:55:40Do you wish to touch her?
00:55:42No.
00:55:42No.
00:55:50You are not the first man
00:55:54to doubt his choice of a bride.
00:55:56I will go to see the lady.
00:55:58I will tell her
00:55:58you have been called away.
00:56:01And you must go away,
00:56:03Smiths.
00:56:09I shall honour my vows
00:56:11to Miss Freeman.
00:56:14I know of a private asylum
00:56:16in Salisbury.
00:56:17Miss Woodruff
00:56:17would be kindly treated
00:56:18and helped,
00:56:19I assure you.
00:56:20would you bear the expense?
00:56:22Yes.
00:56:24I would bear the expense.
00:56:50of the policee of the Guarda
00:56:51and and she하
00:56:53to люди in Africa
00:56:54and how about
00:56:56the VANCE
00:56:57and what project
00:56:57or where
00:56:58all of you
00:56:59would know
00:56:59useful about
00:57:00who Mm-Heat
00:57:00and what
00:57:01they could have
00:57:02to do.
00:57:02It's an interesting
00:57:03with us.
00:57:04It's not a part of life
00:57:05but we can see you
00:57:06and look at us
00:57:07as a podcast
00:57:08or not whether
00:57:08or not before
00:57:09stoppating
00:57:10how
00:57:10can
00:57:19ORGAN PLAYS
00:57:49ORGAN PLAYS
00:58:19ORGAN PLAYS
00:58:49ORGAN PLAYS
00:58:51Miss Woodruff
00:58:54Have you passed the night here?
00:59:05Are you cold?
00:59:11No, no.
00:59:17Do not fear.
00:59:19I have come to help you.
00:59:23I cannot.
00:59:31I cannot.
00:59:31I cannot.
00:59:32I cannot.
01:00:02What the devil are you doing here?
01:00:10What the devil are you doing here?
01:00:11What's he, Mr. Charles?
01:00:12Can't you leave us?
01:00:13I have come here to help that lady at the request of the physician who is treating her.
01:00:23He is completely aware of the circumstances.
01:00:31Which must on no account be disclosed.
01:00:34I understand, sir.
01:00:35Has she?
01:00:37Has she?
01:00:37She won't say nothing, sir.
01:00:40Or my life.
01:00:43Or my solemn oath, Mr. Charles.
01:00:45What the devil is doing here?
01:00:54I have come here.
01:00:56I have come here.
01:00:58I have come here.
01:00:58I have come here.
01:01:00I have taken unpardonable advantage of your situation forgive me I am wholly
01:01:22to blame you must go to Exeter there is talk in the town of committing you to an institution you
01:01:32need not take it seriously but you will save yourself embarrassment if you do not return
01:01:37to line where are your belongings I will have them sent to the depot at Exeter walk to Axmouth
01:01:46class wait for the coach there take the money in his purse
01:01:57here's my lawyers address let him know where you are I will instruct him to send you more money
01:02:16I shall never see you again no you are a remarkable person Ms. Woodrow yes I am a remarkable person
01:02:46so
01:02:55so
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