- 5/23/2025
#missmarplewhydidntheyaskevans #romeoandjuliet #thescapegoat
In the mid-19th century a mute woman is sent to New Zealand along with her young daughter and prized piano for an arranged marriage to a farmer, but is soon lusted after by a farm worker. Starring: Holly Hunter, Harvey Keitel, Sam Neill, Anna Paquin.
In the mid-19th century a mute woman is sent to New Zealand along with her young daughter and prized piano for an arranged marriage to a farmer, but is soon lusted after by a farm worker. Starring: Holly Hunter, Harvey Keitel, Sam Neill, Anna Paquin.
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Short filmTranscript
00:00:30The end, the month of May, the angels' voices resounding,
00:00:59a young man on his deathbed lay, full of a fatherland.
00:01:29So, will you marry me this week?
00:01:42If you haven't got your lip colour on, can you line up behind Rose, please?
00:01:48Have you all been to the lavatory?
00:01:57I want no running on the stage!
00:02:00What are you people doing?
00:02:02They're bringing in extra chairs.
00:02:10Who's here?
00:02:12The musical Mr. Baines?
00:02:16What are you going to play for us tonight?
00:02:18A little twinkle, eh, George?
00:02:20How about a little tinkle-tinkle, George?
00:02:26Perhaps you would like to turn the pages from this
00:02:29and play it for the children.
00:02:33I'm in costume.
00:02:37I'm very pleased you've taken up the piano.
00:02:39Now, where's this song?
00:02:59George, excuse me.
00:03:01How about Mary Had a Little Lamb?
00:03:03Or a polka.
00:03:05Come on, George, what's it to be?
00:03:07Fools.
00:03:11Come on, George, move along.
00:03:15Ladies and gentlemen,
00:03:17could you take your seats, please?
00:03:19We're about to begin.
00:03:22Could you take your seats, please?
00:03:24We're about to begin.
00:03:38By the end of the month of May
00:03:42The angels' words we'll be singing
00:03:46Carry away all the years till they may
00:03:49Full of the power of heaven
00:03:53Out of this world no rain grows blue
00:03:57And out of Israel
00:04:01They make their way up to the high church wall
00:04:05Till they could go no higher
00:04:09And back they came in the true love snow
00:04:13They rose in the morning
00:04:15And back they came in the true love snow
00:04:19They rose in the sweet triumph
00:04:27And so the young maid
00:04:29Came upon each and all
00:04:31Of bluebeard's missing wives
00:04:35Their severed heads still bleeding
00:04:39Their eyes still crying
00:04:42Slow down, Percy, slow down.
00:04:46But us? Who comes?
00:04:52I'm home early, my sweet wife.
00:04:56Where art thou?
00:05:00Oh, husband, what a surprise.
00:05:04Yes, wife, a surprise indeed.
00:05:07So now you know my secret.
00:05:11No, no.
00:05:15You, the youngest and sweetest
00:05:21Of all my wives
00:05:25Must be prepared to die.
00:05:31No, no, wait.
00:05:34I shall not wait.
00:05:38Bear your neck.
00:05:46I'm not for you, for you.
00:05:52Hey, Percy, Percy.
00:05:58Hug me, hug me.
00:06:01Come on, hug me.
00:06:09Now, I'd like to introduce you.
00:06:11This is Mrs. Williams.
00:06:13This is Mrs. Parsons.
00:06:17This is Mrs. Reed.
00:06:19This is Miss Palmer.
00:06:21And this is Miss Kerr.
00:06:25It's very, very nice.
00:06:31Do what you like.
00:06:33Play what you like.
00:07:01I love you.
00:07:03I love you.
00:07:05I love you.
00:07:31I love you.
00:07:33I love you.
00:07:36I love you.
00:08:00I want to lie together without clothes on.
00:08:03How many will that be?
00:08:15Yes.
00:08:17Ten keys.
00:09:02Humming.
00:09:32Humming.
00:10:03Humming.
00:10:21Humming.
00:10:25Humming.
00:10:27Humming.
00:10:29Humming.
00:10:32Humming.
00:10:40Never behave like that, never, nowhere.
00:10:44You're greatly shamed.
00:10:46You've shamed these trunks.
00:11:02I know why Mr. Baines can't play the piano.
00:11:08You'll miss some here.
00:11:14She never gives him a turn.
00:11:16She just plays what she pleases.
00:11:20And sometimes she doesn't play at all.
00:11:24When's the next lesson?
00:11:28I don't know.
00:11:31Tomorrow.
00:11:47Humming.
00:11:51Humming.
00:11:55Humming.
00:12:01Humming.
00:12:13I have given the piano back to you.
00:12:15I've had enough.
00:12:23The arrangement
00:12:27is making you a whore
00:12:29to me, Richard.
00:12:33I want you to care for me
00:12:37but you can't.
00:12:47It's yours, Lear.
00:12:49One go.
00:12:52My hand.
00:13:00Stop right there.
00:13:08This isn't yours.
00:13:10What are you doing with the piano?
00:13:12He's giving it to me.
00:13:14I'm not giving it to you.
00:13:16I'm not giving it to you.
00:13:18I'm not giving it to you.
00:13:21He's giving it to us.
00:13:23Put that down.
00:13:25Put it down.
00:13:31I've seen through you.
00:13:33I'm not going to lose the land this way.
00:13:35Stay there.
00:13:47Don't want to see nobody.
00:13:50Sit.
00:13:54You got the tupeka for Hilo?
00:13:58No.
00:14:02Hey, who made the tupeka?
00:14:04Baines?
00:14:08Baines.
00:14:10Baines, look.
00:14:12I don't think you should have given up the piano.
00:14:14I'll make sure
00:14:16that you're properly taught
00:14:19how to write music written on sheets and so on.
00:14:21I don't want to learn.
00:14:23You don't want to learn?
00:14:25No.
00:14:29What does this do to our pocket?
00:14:31I mean,
00:14:33I can't afford the piano
00:14:35if you mean me to pay.
00:14:37No, no payment.
00:14:39I have given it back.
00:14:43I'm not sure that I want it myself.
00:14:45It was war to your wife that I gave it.
00:14:49Oh.
00:14:51Oh, I see.
00:14:55Well,
00:14:57I expect she will appreciate it.
00:15:09That is all I have.
00:15:12Take that back!
00:15:30Mr. Red?
00:15:34Why don't you play something?
00:15:37What will I play?
00:15:43Play a jig.
00:15:45Do I know any jigs?
00:15:47Play a song, then.
00:15:51Ed pewds in the mornin'
00:15:55The bloodlet's a-scornin'
00:15:59Less he's a-learnin'
00:16:03He's a-learnin'
00:16:06He's a-learnin'
00:16:08He's a-learnin'
00:16:10He's a-learnin'
00:16:12He's a-learnin'
00:16:14He's a-learnin'
00:16:16He's a-learnin'
00:16:18He's a-learnin'
00:16:20He's a-learnin'
00:16:26Why won't you play?
00:16:28Get the thing back,
00:16:30and this wand is off.
00:16:35We'll keep playing
00:17:05You
00:17:35You
00:18:05You
00:18:35You
00:19:06Oh
00:19:16Where's your mother?
00:19:35Did you leave something I've not found anything
00:19:50Does he know something
00:19:52You
00:20:04Yeah, no, it's not how do I
00:20:14Would you like to sit I am going to sit
00:20:22I
00:20:39Am unhappy
00:20:41I
00:20:49Want you because my mind is seized on you I can think or nothing else
00:20:57This is why I suffer I
00:21:03I'm sick. I don't eat. I don't sleep
00:21:12So if you've come with no feeling for me and go
00:21:18Oh
00:21:40Get out leave
00:21:48I
00:22:18I
00:22:48I
00:23:18I
00:23:48I
00:24:18I
00:24:48You
00:25:18You
00:25:48You
00:25:59Know you are going I am miserable. Where's that?
00:26:04Hey, I need to know what will you do you come again?
00:26:18I don't know what we're thinking. Does this mean something to you? I
00:26:29Already miss
00:26:35Do you love me
00:26:48I
00:27:18I
00:27:48I
00:28:18I
00:28:48I
00:29:18I
00:29:48I
00:30:18I don't like it
00:30:49You
00:31:11She's asleep look
00:31:13You
00:31:16One night she's found in the nightgown on the road to London grandpa said if it were cut so badly she couldn't
00:31:43You
00:32:13You
00:32:43It
00:33:14You
00:33:20Alistair is it because of our play have the natives aggressed you
00:33:26Well, I have to say you have done the wrong thing here you have put the latch on the outside you see
00:33:33Now when you close the door
00:33:36It will be the Maori's that lock you in you see with the latch on that side. You are quite trapped quite trapped
00:33:43We have just come from George Baines, and they have taken him. Oh, it is no wonder. He is leaving
00:33:48He's caught in too deep with the natives
00:33:51He sits on his floor as proud as kings, but without a shred of manners
00:33:56He's quite altered as if they have been trying some native witchcraft on him
00:34:02Well tomorrow or the day after you'll be gone
00:34:04I
00:34:07Means is packing up. Well. He has nothing to pack, but he is leaving
00:34:12And it is just as well
00:34:14Nessie has foolishly grown an affection for him. We have had some tears
00:34:29We must leave in good light will we be safe
00:34:34If you leave now, I'm sure of it
00:35:04You
00:35:24Know I'm thinking of the piano she does not play the piano as we do
00:35:35I
00:35:37Know she is a strange creature and her playing is strange like a mood that passes into you
00:35:51Now you're playing is plain and true, and that is what I like
00:35:55To have a sound creep inside you is not at all pleased
00:36:04I
00:36:09Should have
00:36:34I
00:37:05I want to touch
00:37:09Why can't I touch you
00:37:13Don't you like me
00:37:34I
00:38:05You
00:38:12We must get on
00:38:18I've decided to trust you to stay here. You won't see babes
00:38:35I
00:38:40Perhaps with time you might come
00:39:04You
00:39:34I
00:40:04I
00:40:34You
00:41:04I
00:41:34I
00:41:40Thought maybe it was not the proper thing to do
00:42:04Look
00:42:23Go on go to the oh
00:42:34I
00:42:59Trusted you
00:43:04I
00:43:34I
00:44:04I
00:44:34You
00:45:04You
00:45:20You get mr. Baines
00:45:23Tell him if he ever tries to see her again, I'll take off another and another and another
00:45:34Run
00:46:04I
00:46:34What did you tell him what did you tell him?
00:47:04I
00:47:20Cannot send love to him. You cannot do that. Just even even to think about it makes me very angry
00:47:27I
00:47:32Meant to love you except your wing
00:47:45You will see
00:47:57I
00:48:27You
00:48:57You
00:49:09Feeling better
00:49:27I
00:49:57I
00:50:27I
00:50:47Look at you
00:50:49It's your face
00:50:52I've had that face on my head hating it
00:50:57I'm here seeing it
00:51:01It's nothing
00:51:04You have your marks and look at me through your eyes
00:51:11You're even afraid of me
00:51:28I said I ever spoken to you
00:51:34You mean in science
00:51:37No words
00:51:41If you ever heard words
00:51:43No
00:51:46You never thought you
00:51:48I
00:51:54Heard it here. I heard a voice there on my head. I
00:52:02Watched her lips. They didn't make the words better
00:52:08Harder I listened the clearer I heard it was me my fault
00:52:19She said
00:52:25I'm afraid of my will
00:52:29Of what it might do it is so strange and strong
00:52:34She said I
00:52:38Have to go let me go
00:52:41Let Baines take me away
00:52:44Let him try and save me
00:52:49I wish I'd gone. I wish you gone. I
00:52:57Want to wake up
00:53:01And find that this was all a dream
00:53:18I
00:54:18Don't know
00:54:48Oh
00:55:18Oh
00:55:48Oh
00:56:19What did you say
00:56:25It's quite safe
00:56:48See Ada you will regret it
00:57:18I
00:57:48I
00:58:18I
00:58:48I
00:59:18What a chance
00:59:39What a surprise
00:59:49My will has chosen life
01:00:04Still it has had me spooked and many others besides I
01:00:11Teach piano now and Nelson
01:00:14I
01:00:16George has fashioned me a metal fingertip. I'm quite the town freak which satisfies
01:00:44I
01:00:47Am learning to speak my sound is still so bad. I feel ashamed
01:00:54I practice only when I'm alone
01:01:13You
01:01:43At
01:01:51Night I think of my piano on its ocean grave
01:01:59And sometimes myself floating above it
01:02:05Down there everything is so still and silent that it allows me to sleep
01:02:12It is a weird lullaby and so it is it is mine
01:02:20There is a silence or have been no sound
01:02:25There is a silence where no sound may be in the cold grave
01:02:32under the deep deep sea
01:02:41I
01:03:11I
01:03:41I
01:04:11I
01:04:41You
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