- 6/6/2025
#poirotlordedgwaredies #romeoandjuliet #thepiano
Anna and Mike portray two characters in a film set in 19th century England who fall in love despite the fact that Mike's character is engaged. Starring: Meryl Streep, Jeremy Irons, Hilton McRae.
Anna and Mike portray two characters in a film set in 19th century England who fall in love despite the fact that Mike's character is engaged. Starring: Meryl Streep, Jeremy Irons, Hilton McRae.
Category
🎥
Short filmTranscript
00:00I'm going to London.
00:28Yeah.
00:34Well, I don't have any more scenes to shoot here, so...
00:41Is, uh... David here?
00:45No, he's flying in tonight.
00:47Oh, that would be nice for you.
00:53No. It would be nice for you.
00:57Nice for him, too.
01:02I'll miss you.
01:05I'll drive you up to the cup so you've finished your lunch.
01:07Yeah.
01:08See you next, Joanna.
01:10Think of us slogging away.
01:11Oh, I will.
01:14Am I going to see you in London?
01:18That would be very, very difficult.
01:23We are there for a fortnight.
01:27I must see you.
01:31Okay.
01:32Okay, everybody.
01:33We're moving up to the cups.
01:34Mike, we need your make-up.
01:35Yes.
01:36Yes.
01:37Yes.
01:38Yes.
01:39Yes.
01:40Yes.
01:41Yes.
01:42Yes.
01:43Yes.
01:44Sam?
01:45Sir.
01:46Ah, Sam.
01:48I want you to leave for London today. Open up the house. I'll be leaving tomorrow. Change of plan.
02:01I see, sir.
02:03This doesn't have any bearing on your, uh, future plans, I trust her.
02:08My future plans? What are you talking about?
02:11Well, uh, I've got to think about my future, sir.
02:14Have you?
02:16Well, your immediate future is to leave for London today. Is that clear?
02:22Yes, Mr. Charles.
02:46Oh, good afternoon.
02:52Good afternoon, sir.
02:54Miss Ernestina is in the garden.
03:03Sam has explained about the, uh, circumstances of this morning.
03:07Yes, sir.
03:09And you understand?
03:11Yes, sir.
03:17I'm sorry, you don't want that.
03:18No, please.
03:19May I ask you aute?
03:20Yes, sir.
03:21No, no, no, no.
03:22I'm sorry, sir.
03:23I've just remembered.
03:24I think I've just remembered.
03:25It's not fair enough.
03:26You're confident.
03:27I've been on the journey, sir.
03:28Yes, sir.
03:29No, please.
03:30No, please.
03:31I've just remembered.
03:33Yes, sir.
03:35Do you remember me?
03:36Yes, sir.
03:37No, please.
03:38Yes.
03:39Yes.
03:40Good afternoon.
03:57Charles!
03:58So you have actually deigned to desert the world of the fossil for me?
04:03I am honored.
04:05I can assure you
04:07The true charm of this world resides in this garden.
04:11Honeyed words.
04:15My dearest, I'm afraid I must leave you again for a few days.
04:18I must go to London.
04:20To London?
04:21To see Montague, my lawyer.
04:23Oh, Charles!
04:24It's unavoidable, I'm afraid.
04:26Apparently there are matters outstanding to do with the marriage settlement.
04:30Your father is a most scrupulous person.
04:33What does he want?
04:34Who?
04:35My father.
04:37Justice for you.
04:39Sweet justice.
04:41That takes you away from me.
04:44Ernestina, I know our private affections are the paramount consideration,
04:49but there is also a legal and contractual side to matrimony, which is...
04:54Spittlesticks!
04:56My dearest Tina.
04:58I am weary of lime.
05:00I see you so little.
05:03I shall be back in three days.
05:05Kiss me then.
05:10To seal your promise.
05:13I'll promise.
05:14I'll promise.
05:43Blake.
06:13One the chase, 40-15, chase three.
06:43Game to Mr. Smithson, and the first set, 6-5.
06:55My goodness, Charles, you were in cracking form.
06:57Sharp as a razor.
06:59What's the answer?
07:00Come trick her up.
07:01It's good to hit a ball.
07:02You were hitting it as though you hated it.
07:07Harry, a word.
07:08Hmm?
07:09You'll be hearing from a person,
07:10a Miss Woodruff from Exeter.
07:13She'll give you her address.
07:15I'd like you to send her some money for me.
07:17Of course.
07:18How much?
07:1950 pounds.
07:22Of course.
07:24Miss Woodruff?
07:25Yes.
07:26And I want to hear nothing more about it.
07:31You shan't.
07:40Wait for me.
07:53Come on, Sam.
07:55Where the devil have you been?
07:56Are you deaf?
07:56I'm sorry, sir.
07:57I...
07:58Go and lay out my clothes.
08:00I'm dining at my club.
08:01Yes, sir.
08:02Can I have a word with you, sir?
08:03No, you can't.
08:11How good is a hunting in Dorset, Charles?
08:13And how good are you for hounds?
08:15I could offer you a brace of the best Northumberland.
08:18Real angels.
08:19Do you know who that grandpapa was?
08:21Tornado.
08:22Oh.
08:22Miracle tornado at Cambridge.
08:24Yes, so to my ankles.
08:26Aye, he took a fancy to you.
08:29Always bit what he loved.
08:32What a profoundly good idea this was, Charles.
08:36To dear old tornado,
08:38God rest his soul.
08:40Rest his soul.
08:47Bravo.
08:49Court is essential to wash down the claret.
08:52As claret was essential to wash down the punches.
08:56Punch was essential to sluice the champagne.
09:01What follows?
09:03What follows?
09:04A little drive round town follows.
09:07That most essentially follows.
09:08Oh, my dear old fellow.
09:10You're a damn good fellow.
09:11So are you, but Charlie boy.
09:13We're all damn good fellows.
09:16On we go, gentlemen.
09:19Where do we go?
09:20Where all damn good fellows go for a jolly night?
09:24I'll go into Kate Hamilton's.
09:26Bless her heart.
09:27The bishop's son has hit it, Charlie.
09:29But not a word to his old man.
09:32Oh, oh, oh, oh.
09:35Come along, sir.
09:38Be up.
09:38Stay up.
09:39He's at the post here.
09:40The white flag is up.
09:41They're off.
09:41There he's a man.
09:42There he goes.
09:43There he goes.
09:44Are you going to move down now?
09:45See where the rails is?
09:45Oh, my God.
09:47Oh, my God.
09:48I don't think our dear Charlie is going anywhere tonight, old boy.
09:58Do you?
09:58Just come to Mr. Montague.
10:18It's for Mr. Smithson.
10:20Thank you very much.
10:21Thank you very much.
10:51Mr. Charles.
11:00Mr. Charles.
11:02Sir.
11:03Hmm?
11:04I've got a letter for you, sir.
11:06A special messenger just come from Mr. Montague.
11:11Hmm.
11:11Uh, bring me some tea.
11:27Hmm.
11:27Hmm.
11:51Hmm.
11:52Hmm.
11:52Hmm.
11:53Hmm.
12:24What is it, Sam?
12:47I'd like your advice, sir.
12:50On what subject?
12:51My ambition is to go into business, sir, in due course.
12:56Business?
12:57Yes, sir.
12:58What kind of business?
13:00Drapers and haberdashers.
13:03I've set me out in a little shop.
13:07Would that not be a somewhat costly undertaking?
13:11280 pounds, sir.
13:12And how much do you have put by?
13:2030 pounds.
13:21But that's three years saving.
13:24So I was wondering if you could help me, sir.
13:28I can't say it sounds a very practical idea to me, Sam.
13:31I'm very enthusiastic about the idea myself, sir.
13:35Very.
13:39Well, I'll think about it.
13:41I'll certainly be happy to think about it.
13:46Now, pack, would you?
13:47We're going to Lyme.
13:49To Lyme, sir?
13:50To Lyme, yes.
13:51Exeter, Exeter.
14:10Exeter.
14:11In here now for Exeter, Weymouth, and Lyme.
14:19Carriage still on, sir?
14:20I think we'd better stay the night.
14:21It's going to rain.
14:23We'll put up at the ship.
14:25I'm going to stretch my legs.
14:27Shall I order dinner, sir?
14:29I'll decide when I come in.
14:50A room, sir?
15:02No, I...
15:03I should like to speak to one of your...
15:05Miss Woodruff.
15:07Oh, the poor young lady, sir.
15:09She was a-coming downstairs yesterday morning and she slipped, sir.
15:13She turned her ankle terrible.
15:14Well, I wanted to ask the doctor, but she won't hear me.
15:17Miss, I have to see her on a...
15:18a business matter.
15:20Ah.
15:21A gentleman of the law?
15:24Yes.
15:25Oh.
15:25Then you must go up, sir.
15:28Betty-Anne, take this gentleman to Miss Woodruff's room.
15:39Come in.
15:43A gentleman to see you, miss.
15:45I was passing through Exeter.
16:03Had I not better go at once than fetch a doctor?
16:07He would only advise me to do what I'm already doing.
16:10And not in pain?
16:12No.
16:15At any rate, be thankful it didn't happen on the Undercliff.
16:18Yes.
16:24Do sit down.
16:45Please.
16:59I should not have come.
17:07I meant not to.
17:09I thought I should never see you again.
17:11I thought I should never see you again.
17:12I thought I should never see you again.
17:13I thought I should never see you again.
17:14I thought I should never see you again.
17:15I thought I should never see you again.
17:16I thought I should never see you again.
17:17I thought I should never see you again.
17:18I thought I should never see you again.
17:19I thought I should never see you again.
17:20I thought I should never see you again.
17:21I thought I should never see you again.
17:22I thought I should never see you again.
17:23I thought I should never see you again.
17:24I thought I should never see you again.
17:25I thought I should never see you again.
17:26I thought I should never see you again.
17:27I thought I should never see you again.
17:28I thought I should never see you again.
17:29I thought I should never see you again.
17:30I thought I should never see you again.
17:31I don't know.
18:01I don't know.
18:31I don't know.
19:01I don't know.
19:31I don't know.
20:01I don't know.
20:31I don't know.
21:01I don't know.
21:03I don't know.
21:07I don't know.
21:09Why did you lie to me about the Frenchman?
21:12I don't know.
21:13Does he exist?
21:23Does he exist?
21:24Oh, yes, he exists.
21:27I did follow him to Weymouth, to the inn.
21:33As I drew near, I saw him come out with a woman, the kind of woman one cannot mistake.
21:47When they had gone.
21:48When they had gone, I walked away.
21:54But then, why did you tell...
21:59I don't know.
22:00I don't know.
22:01I cannot explain.
22:06I cannot explain.
22:07Not now.
22:08I must make myself free.
22:21I asked you.
22:22I asked nothing of you.
22:23I'm to blame.
22:24I knew when I came here.
22:25So, I wished it so.
22:26I wished it so.
22:32while I came here.
22:33I had no idea.
22:34I had no doubt.
22:35You're not.
22:36You are.
22:37I was.
22:38Now, you're a man.
22:39You're a man.
22:40You're a man.
22:41You're a man.
22:42Yes.
22:43You're a man.
22:44You're a man.
22:45I should go.
22:46No.
22:47You're a man.
22:48It is the sweetest day.
22:57I have long imagined a day such as this.
23:02I have longed for it.
23:07I was lost from the moment I saw you.
23:15I too.
23:19I must go to Lyme.
23:23To see her.
23:25To tell her.
23:27You must give me a day's grace.
23:33You will wait for me, won't you?
23:39I shall come back for you.
23:41You are going to see her.
23:42I shall come back for you.
23:43I shall come back for you.
23:44I shall come back for you.
23:45I shall come back for you.
23:46Here are you, when you knew what?
23:47You will come back for me.
23:49His son is a voice.
23:50You did.
23:51Here are you.
23:52Here are you.
23:53Here are you.
23:54Here are you.
23:55I shall be back tomorrow.
24:20Do what you will, or what you must.
24:25Now that I know there was truly a day upon which you loved me,
24:29and I can bear anything.
24:38You have given me the strength to live.
24:55I am about to apologize to passengers who travel on this service
24:59for any copying and support or a delay.
25:08Cheese and onion.
25:09Perfect.
25:10I'm losing you.
25:12What do you mean?
25:13I'm losing you.
25:14What are you talking about?
25:15Just going to London.
25:16Stay at night.
25:17I can't.
25:18Why not?
25:19You're a free woman.
25:20Yes, I am.
25:21I'm going mad.
25:22No, you're not.
25:23No, you're not.
25:24I want you so much.
25:26Well, you just had me.
25:28And I put her...
25:29Right away!
25:32Excuse me.
25:33Bye-bye.
25:34Bye-bye.
25:34Bye-bye.
25:59Thank you, Mary.
26:00I'll share myself in.
26:03Charles!
26:07Please sit down.
26:08What is it?
26:09Charles, what is it?
26:10Sit down.
26:13What has happened?
26:16Why do you look at me like that?
26:20Because I don't know how to begin to say what I must.
26:27I've come to tell you the truth.
26:28The truth?
26:30The truth?
26:31What truth?
26:32That I have, after many hours of the deepest and the most painful consideration,
26:38come to the conclusion that I am not worthy of you.
26:41Not worthy of you?
26:42I'm totally unworthy.
26:45Oh!
26:46You are joking.
26:49No.
26:54Will you kindly explain to me what you are saying?
26:57The terms your father offered in the settlement were more than generous.
27:01But you despise the idea of marrying into trouble.
27:03No, I don't despise it.
27:04I...
27:05Then what are you saying?
27:09Ernestina, I have realized during these last days
27:13that far too great a part of my regard for you has been ignoble.
27:17I was far more tempted by your father's fortune than I cared to admit.
27:22Now that I've seen that to be the truth.
27:24Are you saying
27:27that you have
27:29never loved me?
27:31I am not worthy of you.
27:34I am not worthy of you.
27:36you have believed of you.
27:46You're not worthy of you.
27:55Charles?
27:57I know I am spoilt.
27:59I know I am not unusual.
28:06But under your love and protection,
28:10I believed I would become better.
28:16I would do anything you see.
28:19I would... I would abandon anything to make you happy.
28:29You're lying.
28:42Something else has happened.
28:47Yes.
28:51Who?
28:55You don't know her.
28:58I don't know her.
29:01I've known her many years.
29:04I thought the attachment was broken.
29:07I discovered in London that it is not.
29:10Why did you not tell me this in the beginning?
29:12I hope to spare you the pain of it.
29:13For yourself, the shame of it.
29:17Who is she?
29:19What woman would be so vile as to make a man break his vows?
29:24I can guess she is married.
29:26I will not discuss her.
29:28I came here to tell you the truth.
29:29True.
29:30The most terrible decision of my life.
29:31You are a liar.
29:34My father will drag your name.
29:37Both your names through the mire.
29:39You will be spurned and detested by all that know you.
29:43You will be haunted out of England.
29:45Get out of England.
29:46You will be haunted out of England.
29:47Look!
29:52Hmm.
29:55What the devil do you want?
29:56I didn't ring.
29:57I thought you could last the brandy, sir.
29:58I thought you might want it.
30:03It's never true, sir.
30:04Yes, it is true. Miss Freeman and I are no longer to marry.
30:08I'll go and keep him after us.
30:13Did you hear what I said? Yes, sir. Only with respect.
30:16I have to consider my own situation.
30:19What? Will you be residing in London from now on, sir?
30:26We should probably go abroad. Oh, well.
30:29I beg to advise yourself won't be accompanying you.
30:32I'm not coming back to Exeter, neither.
30:35I'm leaving your employ.
30:36I talked to her done weeks ago when all this started.
30:39Go to hell!
30:40I don't fancy nowhere, sirs.
30:42I might meet a friend of yours.
30:48If you wish for attention, ring for one of the hotel domestics.
31:02I'll wait here.
31:03Sir.
31:11Miss Woodruff expects me. I'll find my own way up.
31:12The young lady's left, sir.
31:14Left? You mean gone out?
31:15No, sir. I mean left.
31:17She took the London train this afternoon.
31:19What?
31:20She took the three o'clock to London.
31:22Didn't leave no address.
31:25You're lying.
31:27Where are you going?
31:29Sir!
31:30Do you hear me?
31:31What are you doing?
31:33Sarah.
31:34Sarah!
31:35You can't do that!
31:38But you've no right!
31:40You're trespassing!
31:41Did you hear what I said?
31:42Get out!
32:12Hello?
32:24Hello!
32:26Room 516.
32:34Who was that?
32:35I don't know. He put the phone down.
32:38Who did?
32:40I don't know. He didn't say.
32:43Maybe it was the wrong number.
32:47Yes, maybe.
32:53All right, I'll get you to small in a moment. Hang on!
32:56Darling, do go play in the garden.
33:09You all right?
33:10Hmm?
33:12Yeah.
33:15Fine.
33:17Listen, what about having some people to lunch on Sunday?
33:20What people?
33:21Well, you know, some of the cast.
33:24Fine.
33:26When the film's nearly over, Anna has to go back to the States.
33:30You know.
33:33Fine.
33:34As long as it's not the entire unit.
33:35Oh, no. Just, you know.
33:36Fine.
33:40Hello.
33:41Hello.
33:42Is that David?
33:43This is Mike.
33:44Listen, we're having a little lunch party on Sunday. You both can't.
33:45I give you her now.
33:46Hello.
33:47Hello.
33:48Is that you? It's me.
33:49Hi.
33:50Where are you? You've gone. You went to your hotel room.
33:51What?
33:52On Exeter.
33:53Oh.
33:54Come to lunch on Sunday.
33:55By the way.
33:56I love you.
33:57Oh, great.
33:58Sure, we'd love to come. I'll see you then.
33:59I said I love you.
34:00Bye.
34:01Bye.
34:02Bye.
34:03Bye.
34:04Bye.
34:05Bye.
34:06Bye.
34:07Bye.
34:08Bye.
34:09Bye.
34:10Bye.
34:11Bye.
34:12Bye.
34:13Bye.
34:14Bye.
34:15Bye.
34:16Bye.
34:17Bye.
34:18Bye.
34:19Bye.
34:20Bye.
34:21Bye.
34:22Bye.
34:23Bye.
34:24Bye.
34:25Bye.
34:26Bye.
34:33Lunch on Sunday.
34:36Will Miss Sarah Woodruff urgently communicate her whereabouts to Montague, Chancery Lane?
34:42Yes, very well worth it, I should say.
34:45Now, Mr Smithson, I shan't pretend to you that it's going to be an easy task.
34:51But I have four good men and they go on the job at once.
34:54We'll try the educational boards of all the church schools.
34:58We shall also investigate these new female clerical agencies.
35:02They're everywhere, grown up like wildfire.
35:05Yes, where else?
35:06Then we shall investigate all the girls' academies in London.
35:10Yes.
35:12I shall also be examining the register of deaths.
35:20Very good.
35:23Try everything, Mr Grimes.
35:25One last question, sir, for the moment.
35:30Does the lady wish to be found, would you say?
35:33Or not?
35:35I cannot say.
35:37I'll go for 15 minutes.
35:53We are instructed by Mr Ernest Freeman, father of Miss Ernestina Freeman,
35:58to request you to attend at these chambers at 3 o'clock this coming Friday.
36:02Your failure to attend will be regarded as an acknowledgement of our client's right to proceed.
36:07Aubrey and Baggett.
36:09And what does it mean?
36:11It means they have cold feet.
36:13But they're not letting us off altogether.
36:15My guess is we will be asked to make a confessio delicti.
36:20To acknowledge my guilt.
36:21Hmm.
36:22Just so.
36:23I'm afraid we must anticipate an ugly document.
36:27But I can only advise you to sign it.
36:30We have no case.
36:32Remember, the skirt's gonna be grey.
36:36Hmm. Is it... Hmm.
36:40Oh, yeah.
36:42Oh, it's great.
36:43It's great.
36:45It's great.
36:46I'm gonna like her in this.
36:47Okay.
36:49I, Charles Henry Smithson, do fully, freely and solely by my desire to declare the truth,
36:53admit that one, I contracted to marry Miss Ernestina Freeman.
36:58Two, I was given no cause whatsoever to break my solemn contract.
37:02Three, I was fully and exactly apprised of her rank in society, her character,
37:07her marriage portion and future prospects before my engagement to her hand.
37:12Four, I did break that contract without any justification whatsoever
37:16beyond my own criminal selfishness and lust.
37:20Five, I entered into a clandestine liaison with a person named Sarah Woodruff.
37:26Six, my conduct throughout this matter has been dishonorable.
37:29By it, I have forever forfeited the right to be considered a gentleman.
37:32I have acknowledged that the injured party may make whatsoever she desires of this document.
37:41Mr. Smithson, you are entitled to withdraw with me to another order.
37:44It will not be necessary.
37:46But I have one question.
37:48What does the injured party may make whatever use she desires of this document mean?
37:55It means precisely what it says.
37:57She might, for instance, wish to have it published in the Times.
38:00And she would be free to do that?
38:03She would indeed.
38:09I will find her.
38:30How do I do better wafer.
38:31That 1957?
38:32She has not можете to do that.
38:33I will find her.
38:34Master of Aging.
38:35Well, only the Mixer..
38:36Whether it is missed.
38:37Mr.umbing.
38:38Alouzou.
38:39I think the original ones are still in the Bigfoot world.
38:41That is what she is.
38:43If it is overturned dopo.
38:44Yes, sir, unless you want to do that man,
41:57Oh, I'm sorry.
42:23Hi, are you Lizzy?
42:25I am.
42:27Can we come in?
42:29Come in.
42:39Do you want some more wine?
42:41Please, some wine.
42:43Can I have some of that?
42:451340.
42:47Come on.
42:49Oh!
42:50Ah!
42:51Right.
42:52Go on.
42:53Shut up.
42:55Can I have a drink?
42:59You want a drink?
43:00All right.
43:01Shall we go and get one?
43:02Excuse me for a minute.
43:0314.
43:04Come on.
43:05Oh!
43:06I must say, they have a lovely garden, don't they?
43:09What is it?
43:10So serene.
43:11Of course, she seems so serene, doesn't she?
43:16The wife.
43:17Look at their little girl.
43:21Isn't she lovely?
43:22Such a pretty little thing.
43:24Aren't you a pretty little thing?
43:26Who made that dress for you?
43:29Having a good time?
43:31Good.
43:32I mean...
43:34Have they decided how they're going to end the movie?
43:38End it.
43:39I hear they keep changing the script.
43:41No, that's not.
43:42Where did you hear that?
43:44Well, there are two endings in the book.
43:46A happy ending and an unhappy ending, no?
43:49We're going for the first ending.
43:50I mean, the second ending.
43:52Which one is that?
43:54Hasn't Alan told you?
43:58Manders!
43:59Manders!
44:01Come on.
44:02Good girl.
44:03Come on.
44:04Yes, a good girl.
44:07It's a really great garden.
44:27Who takes care of it for you?
44:29I do.
44:30All by yourself?
44:33Mostly.
44:34What about Mike?
44:36Doesn't he help you?
44:37Oh, when he's here?
44:39A bit.
44:40He's pretty lazy, actually.
44:43I really envy you.
44:56Envy me?
44:57Why?
44:58Well...
44:59Well...
45:05For being able to create such a lovely garden.
45:10I wouldn't bother to envy me if I were you.
45:13Hey, that's a good one.
45:14Hey, that's a good one.
45:19Do you like a drink?
45:21Hmm.
45:22Hmm.
45:44I want to show you something.
45:46All right, darling.
45:47I'll show you something.
45:48I'll show you something.
45:49I'll show you something.
46:00Irene!
46:01What you like?
46:06Anna.
46:07This is pure, bloody hell.
46:13No.
46:15Mike, come on.
46:16We've got to talk.
46:16All right, now.
46:17When?
46:20Windermere.
46:21But that's on our scene.
46:23We've got to talk properly.
46:25Well, all right.
46:25What are we going to say?
46:26We've got to decide what we want.
46:28I know.
46:29Yes.
46:29The garden.
46:31Have you seen Anna anywhere?
46:32I think she's in the stairs.
46:33I'm coming.
46:37Sonia, thank you.
46:39Good afternoon.
46:40It was just lunch.
46:46And you.
46:48Good luck with the last scene.
46:50Thank you, Louie.
47:07Good night.
47:22Sir, I'll telegram for you.
47:47Sir.
47:52Sir, I'll telegram for you.
48:22Sir, I'll telegram for you.
48:52Sir, I'll telegram for you.
49:22Sir, I'll telegram for you.
49:30Good morning.
49:32Good morning.
49:33I'm Tom Elliott.
49:34Who are you?
49:35My name is Smithson.
49:36I'm on far abroad.
49:38Yes, I was looking for Mrs. Roughwood.
49:41I'll find her for you.
49:42You put that one in there, and I'll put it in there, and if we...
49:49Mrs. Ruffwood?
49:52Mrs. Ruffwood?
49:54I think she's upstairs with Rachel and William.
49:57Mrs. Ruffwood?
49:59Yes?
50:02Someone to see you?
50:04All right.
50:05She's working, but she doesn't mind being interrupted.
50:12Mrs. Ruffwood?
50:30Mrs. Ruffwood?
50:37Mrs. Ruffwood?
50:41Mrs. Ruffwood.
50:43Mr. Smithson.
50:47My solicitor was told you lived at this address.
50:51I do not know by whom.
50:53By me.
50:56By you.
51:00I've been looking for you for three years.
51:04I broke off my engagement.
51:07I came back for you to take you with me.
51:09To marry you.
51:12And you've gone.
51:13And now, all these years later, you choose to let me know you're alive. Why?
51:18I could not do so before this.
51:21You have married?
51:23Oh, no. I have not.
51:26I path as a widow in the world.
51:29What is this house?
51:31He is an architect. His name is Elliot.
51:34They gave me shelter a long time ago.
51:36I am tutor to their children.
51:39But I...
51:40I am free to do my own work.
51:42They have encouraged it.
51:44These are yours?
51:45Mm.
51:46Yes.
51:51You have found your gift.
51:53Why did you leave, Exeter?
51:57You told me you loved me.
51:59You showed me your love.
52:07Answer me!
52:09There was madness in me.
52:15At that time.
52:18A bitterness.
52:20An envy.
52:23I forced myself on you, knowing that you had other obligations.
52:29It was unworthy.
52:30I suddenly saw, after you had gone, that I had to destroy what had begun between us.
52:36Are you saying that you never loved me?
52:40I could not say that.
52:44But you must say that!
52:46You must say I am totally evil.
52:49I used him as an instrument.
52:51That I do not care that in all this time he hasn't seen a woman to compare with me.
52:57That his life has been a desert without me.
53:01That he has sacrificed everything for me!
53:04Say it!
53:05No!
53:09Why did you ask me here?
53:10What do you want from me?
53:13I saw the newspaper advertisements long ago.
53:15You saw me?
53:16Yes.
53:17You read them and you did nothing?
53:19I changed my name.
53:20Then you have not only ruined my life, you have taken pleasure in doing so!
53:23You misjudge me!
53:25It has taken me this time to find my own life!
53:29It has taken me this time to find...
53:33...my freedom!
53:34Freedom!
53:35Yes!
53:37To make a mockery of love of all human feeling.
53:40Is that what Exeter meant to you?
53:42One brief transaction of the flesh.
53:44Just that.
53:45You have planted a dagger in me.
53:47Your damned freedom gives you license to twist it in my heart.
53:50Well, no more!
53:51No!
53:53Yes!
54:04You are not!
54:05No!
54:06No!
54:07No!
54:08Uh-uh!
54:09No!
54:10No!
54:11It's just...
54:12Your lips.
54:13It's just...
54:14I ask your forgiveness.
54:24You loved me once.
54:28If you still love me, you can forgive me.
54:32I know, I know it is your perfect right to damn me.
54:37But if you do...
54:41...still love me...
54:44...then I must...
54:53...forgive you.
54:57Yes, you must.
55:14Yes, please.
55:15Yes, please.
55:16Yes.
55:17Yes.
55:18Yes.
55:19Yes.
55:21Yes.
55:22Yes, please.
55:52Anna, you're going?
56:15Yes.
56:16Goodbye.
56:17Goodbye.
56:17Good journey.
56:22Be good, Carol.
56:52Take care.
57:22Oh, my God.
57:52Sarah!
58:22Sarah!
58:52Sarah!
58:53Sarah!
58:54Sarah!
58:56Sarah!
58:57Sarah!
58:58Sarah!
58:59Sarah!
59:00Sarah!
59:01Sarah!
59:02Sarah!
59:03Sarah!
59:04Sarah!
59:05Sarah!
59:06Sarah!
59:08Sarah!
59:09Sarah!
59:10Sarah!
59:11Sarah!
59:12Sarah!
59:13Sarah!
59:14Sarah!
59:15Sarah!
59:16Sarah!
59:17Sarah!
59:18Sarah!
59:19Sarah!
59:20Sarah!
59:21Sarah!
59:22Sarah!
59:24Sarah!
59:25Sarah!
59:26Sarah!
59:28¶¶
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