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Full HOT Movie
A newly-promoted book editor discovers a potential best-selling, although unfinished, manuscript buried in her predecessor's office.

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Transcript
00:00:00Lover
00:00:13Lover, where did you go?
00:00:18You told me that you loved me till the end of ever after
00:00:30Lover, you were the one
00:00:38You said the sun would shine upon our love forever after
00:00:49It took you all this time for you to realize
00:00:55I'm not what I seem
00:01:03Memories leave you cold
00:01:07The future seems so old
00:01:10You woke from my dream
00:01:16Goodbye, my little one
00:01:19Since you're gone
00:01:23The love we made has come on down
00:01:33The love we made has come on down
00:01:38Oh, yeah!
00:01:40Reg!
00:01:44Sig
00:01:45Big
00:01:55Oh, oh!
00:01:57Oh, oh!
00:02:00Oh, shh
00:02:04May I help you?
00:02:06I'm a hero
00:02:07You're about the ad.
00:02:10And which ad might that be?
00:02:12Single white female seeks quiet, responsible roommate.
00:02:15And I found her.
00:02:17You're responsible and very quiet.
00:02:21Well, did that mean that I had to be too?
00:02:22Come on, Megan.
00:02:24I'd like to get some sleep.
00:02:25Tomorrow's my big day.
00:02:26I know, you're right.
00:02:27Please forgive me.
00:02:28Things just kind of got out of hand.
00:02:31Right.
00:02:32Hey.
00:02:32You know how it is?
00:02:33Yeah.
00:02:34Took you all this time
00:02:38For you to realize
00:02:40I'm not what I seem
00:02:45Matters leave you cold
00:02:52The future seems so old
00:02:55You woke from my dream
00:02:59Goodbye, my little one
00:03:05Since you're gone
00:03:07The love we made has come undone
00:03:11The love we made has come undone
00:03:22The love we made has come undone
00:03:36Morning.
00:03:52Hey.
00:03:53Sleep well?
00:03:56Oh, right.
00:04:01Uh, this is Zig
00:04:05Ziggy, actually
00:04:06But my friends call me Zig
00:04:10Megan's told me all about you
00:04:12We just met last night
00:04:15Over the phone
00:04:17How did you refer to him?
00:04:19The man of your dreams
00:04:21I can see why
00:04:24Ziggy's the new bartender
00:04:25This is my soon-to-be
00:04:27Ex-roommate, Kara
00:04:28Hi
00:04:30Nice meeting you
00:04:31I've got to get going
00:04:32Can't be late on my first day
00:04:34Kara's just been promoted
00:04:36Sweet
00:04:37What do you do?
00:04:39She's an editor
00:04:40Associate editor
00:04:42At Owens and Zeller
00:04:43Explains the books
00:04:44I was worried they were yours
00:04:47Thank you
00:04:49Thank you
00:05:16No place like home.
00:05:32I guess we're not in Kansas anymore.
00:05:38No.
00:05:42Did they lose the keys to this room?
00:05:44Well, they didn't want anything disturbed
00:05:46in case Gilbert was working on something important
00:05:48when he died.
00:05:49So on top of everything else,
00:05:50it's our job to figure that out?
00:05:52Think of it as a mission.
00:05:53Unlocking the secrets of Harry Gilbert.
00:05:55The wizard.
00:05:56Hey, do you know how many bestsellers he edited?
00:05:58No.
00:05:59Let's just hope he left his wizardry here for me.
00:06:11Fred?
00:06:14What's the status on Northern Lights?
00:06:16I spoke to Jonathan over the weekend.
00:06:18Does he understand what a million copy first printing is?
00:06:21Of course. It's just...
00:06:22We paid him $600,000 for this book.
00:06:25It is scheduled to be our big Christmas release.
00:06:27Do I have to remind you of that?
00:06:29No.
00:06:30Good.
00:06:31Then inform Mr. Gray that he better stop fucking around
00:06:33and get his manuscript in on time.
00:06:35Kara, are you all moved in?
00:06:37It's underway.
00:06:38Let me know if you find anything interesting.
00:06:41Meanwhile, Diet for Essentious You?
00:06:43Ready for copy editing.
00:06:45We're going to push the release date till this November.
00:06:48I think it'll make a perfect stocking stuffer.
00:06:55How'd it go?
00:06:56She wants Diet for Essentious You ready for Christmas.
00:06:59This Christmas?
00:07:00Uh-huh.
00:07:01Oh, and then there's this.
00:07:03Looking for a husband in all the wrong places.
00:07:07After the meeting, she pulled me aside, told me this is right up my alley.
00:07:12Hmm.
00:07:13Was that a compliment?
00:07:14I'm not sure.
00:07:15Well, you look at this.
00:07:22I don't believe there's a sufficient market for legal thrillers.
00:07:27Huh.
00:07:28This guy's been at the top of the bestseller.
00:07:30That's been the best thinking.
00:07:31I wonder if Joyce knew about the wizard's letter.
00:07:33Probably not.
00:07:34His death wasn't ruled a homicide.
00:07:36Hey, girl.
00:07:37It's happy hour.
00:07:38I can't tonight.
00:07:39I'm biased.
00:07:40I'll take a rain check.
00:07:41I've got a date.
00:07:42One, I don't do the rain checks.
00:07:44Two.
00:07:45Anyone I know?
00:07:46Doubt it.
00:07:47Then I'm at a photo gallery downtown.
00:07:48He seems nice.
00:07:49Is he cute?
00:07:51Very.
00:07:55Yeah, no, I don't know.
00:07:56She's supposed to be in here.
00:07:57I'm already on my first glass of wine.
00:07:59Yeah.
00:08:00I'll give her a few more minutes.
00:08:04Hi.
00:08:05How are you?
00:08:06Sorry I'm so late.
00:08:07That's all right.
00:08:08No problem.
00:08:09I had my phone to keep me company.
00:08:10Yeah.
00:08:11So, uh, tough first day?
00:08:15Something like that.
00:08:16Just trying to settle it.
00:08:18Yeah, I understand.
00:08:19You know, Carrie, you really ought to think about your future there.
00:08:24What do you mean?
00:08:25Books?
00:08:26Come on.
00:08:29But that's...
00:08:30Let me show you something.
00:08:31The entire 22-volume Oxford English Dictionary in here.
00:08:38Compressed into four megs of RAM.
00:08:43But you missed the whole tactile sensation.
00:08:45The smell of the ink and paper when it was cracker.
00:08:48Kara, this is the future.
00:08:50It's just the start.
00:08:51There's a tech from out in Seattle that's embedding microcircuits into monkeys' brains.
00:08:55It takes less than three nanoseconds to upload War and Peace into the chimps' memory.
00:09:02And we're next.
00:09:03It's just a matter of time.
00:09:06So, you hungry?
00:09:07Yeah.
00:09:08Good, good, good.
00:09:09Good, good, good.
00:09:22Oh.
00:09:24Hi.
00:09:27So?
00:09:28Dates sucked, huh?
00:09:31He's no Ziggy.
00:09:33The man of my dreams.
00:09:34Mm-hmm.
00:09:35I'm gonna tell you something about Ziggy.
00:09:37I mean, he's got some interesting qualities, but...
00:09:40Mm, he, like, smells funny.
00:09:42Really?
00:09:43I didn't notice anything.
00:09:44Mm.
00:09:45Next time, get closer.
00:09:46No, thanks.
00:09:48The guy's gotta smell nice.
00:09:50Among other things.
00:09:52Ooh, like Guitar Player Boy?
00:09:54Ed?
00:09:55Oh, please.
00:09:57Ugh, he was so cute.
00:09:59He was cheap.
00:10:00I had to pay for everything.
00:10:02His smell, the cologne I bought him.
00:10:06I even bought him his strings.
00:10:09So let me get this straight.
00:10:11You're looking for a relationship with no strings attached.
00:10:16Or you could just become celibate.
00:10:19I am celibate.
00:10:21It's not always cracked up to be.
00:10:23Hmm.
00:10:25I want passion.
00:10:27Ah, the dreaded P word.
00:10:29I want my toes to tingle.
00:10:32Hey, you know, I think there's a personal ad in here promising just that.
00:10:35I want to be swept off my feet.
00:10:38Relax, you've got time.
00:10:40You're what, 28?
00:10:4229.
00:10:44I'm 31.
00:10:46Really?
00:10:48Well, you still got your looks, honey.
00:10:50I'm sure Mr. Right is out there somewhere right now, with flowers in one hand, down on one knee.
00:10:55Am I missing something here?
00:11:00No, it's a long story, Megan.
00:11:04Oh, come on. Tell me.
00:11:07It's just...
00:11:10I think maybe I already let Mr. Right get away.
00:11:14This guy I dated in college.
00:11:19Alan Roberts.
00:11:21Okay, why is it that I'm only hearing about this Alan Roberts right now?
00:11:26It's something I try not to think about.
00:11:28I get it.
00:11:30Hey, how did he smell?
00:11:34Great.
00:11:36Unfortunately.
00:11:37And I'm guessing he occasionally picked up the check.
00:11:41More than occasionally.
00:11:43So what did he do?
00:11:45He was an artist.
00:11:47A painter.
00:11:49Oh, what did he do?
00:11:51Oh.
00:11:53The day before graduation.
00:11:56He showed up at my dorm, and out of nowhere, drops to his knees, whips out a ring, and says,
00:12:01Cara, I can't imagine living a day without you. I love you. Marry me.
00:12:06What an asshole.
00:12:08Come on. You've got to understand.
00:12:10I mean, I was 22.
00:12:12I wasn't ready for that sort of commitment.
00:12:15He said no?
00:12:17I didn't know what to say.
00:12:19He just kept pressing me for an answer, and I didn't have one.
00:12:23And then he just disappeared.
00:12:26Well, that's not too depressing or anything.
00:12:29Do you have any pictures of this Alan guy?
00:12:32Or is that a stupid question?
00:12:34I've got boxes full.
00:12:42I know. You're right.
00:12:46But that's all been changed.
00:12:49The book's been fast-tracked for Christmas release.
00:12:52This Christmas?
00:12:53Yes, this Christmas.
00:12:55Unbelievable, right?
00:12:57Look, this is coming directly from Joyce.
00:13:00Joyce, that's a surprise.
00:13:02I thought it was.
00:13:04Alright, bye-bye.
00:13:05Bye.
00:13:22What's the deal with those?
00:13:33What do you mean?
00:13:35There must be hundreds of editors.
00:13:37Thousands.
00:13:39Okay, thousands.
00:13:41And every night, each of you brings home three or four manuscripts to read.
00:13:45We're all searching for that perfect book.
00:13:48Is there such a thing?
00:13:49Yes.
00:13:52I don't know.
00:13:57I hope so.
00:13:58I hope so.
00:14:08The kiss.
00:14:10For Claire.
00:14:12Their language had not yet been invented as love was a mere word.
00:14:17A worn cliche compared to their unique experience.
00:14:20What awakened within them was a phenomenon unfamiliar to each, which enclosed them like a gossamer blanket of joy.
00:14:29This isn't me.
00:14:39Who is it?
00:14:41I don't do this.
00:14:43Do what?
00:14:45Spend the night with a stranger.
00:14:47It's too quick.
00:14:49Too weird.
00:14:50Too beautiful.
00:14:51Too beautiful.
00:14:57They became addicted to their passion.
00:15:00Every other heartbeat was communal property, and yet she discovered a fragile bliss threatened by the frightening possibility of it all dissolving in the demanding reality of life.
00:15:11Is anything wrong?
00:15:12No, I...
00:15:14What?
00:15:15Come on, tell me.
00:15:16Just...
00:15:17Years from now, I was just...
00:15:19I'm trying to save this moment, this feeling for then.
00:15:21I'll be there to remind you.
00:15:22Will you?
00:15:23I'll be there to remind you.
00:15:24Will you?
00:15:25I'll be there to remind you.
00:15:26No, I...
00:15:27No, I...
00:15:28No, I...
00:15:29No, I...
00:15:30What?
00:15:31Come on, tell me.
00:15:32Just...
00:15:33Years from now, I was just...
00:15:34I'm trying to save this moment, this feeling for then.
00:15:38I'll be there to remind you.
00:15:40Will you?
00:15:41I'll be there.
00:15:42I'll be there.
00:15:43I'll be there.
00:15:44I'll be there.
00:15:45I'll be there.
00:15:46I'll be there.
00:15:47I'll be there.
00:15:48I'll be there.
00:15:49I'll be there.
00:15:50I'll be there.
00:15:51I'll be there.
00:15:53She felt exhilarated and simultaneously suffocated by the totality of them, to the point of dreading the prospect of a meltdown, leaving her with a tangible emptiness scraping her soul.
00:16:11Apparently, there's a renowned Japanese theatre company in town performing a series of these heightened, minimalist plays.
00:16:23It's kind of like, uh, Commedia.
00:16:25They use masks and dance and music.
00:16:27Anyway, I thought we'd go with Renee and Isabel tomorrow.
00:16:30Philip.
00:16:31After dinner.
00:16:33We can go tonight, but we'd have to cancel with your mother.
00:16:36Philip, I...
00:16:39What is it, dear?
00:16:42I love you.
00:16:46I love you.
00:16:50I love you like I have never loved anyone else.
00:16:54You know that.
00:16:55And I have done things with you that I never dreamed of.
00:17:01And it's gone even beyond that.
00:17:03Good.
00:17:04There's something crazy about you.
00:17:06I've completely lost myself in you.
00:17:08All I think about, all I dream about is you.
00:17:11Is us.
00:17:12What are you saying?
00:17:14It's too much, Philip.
00:17:16We're too much.
00:17:17I love you.
00:17:18I love you.
00:17:22Claire.
00:17:23Claire.
00:17:24Claire.
00:17:25Claire.
00:17:26Claire.
00:17:27Claire.
00:17:28Claire.
00:17:29Claire.
00:17:30Claire.
00:17:31Claire.
00:17:32Claire.
00:17:36Claire.
00:17:40Claire!
00:17:41He stormed the streets, his personal hell of abandonment.
00:17:44Claire.
00:17:45Claire.
00:17:46Claire.
00:17:47Claire.
00:17:48Claire.
00:17:49Claire.
00:17:50Claire.
00:17:51Claire.
00:17:52Claire.
00:17:53Claire.
00:17:54Claire.
00:17:55Claire.
00:17:56Claire.
00:17:57Claire.
00:17:58Claire.
00:17:59Claire.
00:18:00Claire.
00:18:01Claire.
00:18:02Claire.
00:18:03Claire.
00:18:04Claire.
00:18:05he struck the first key and...
00:18:35I can't believe this.
00:19:05Good morning.
00:19:12Not yet.
00:19:22Julie.
00:19:24Something wrong?
00:19:25The rest of the old manuscripts.
00:19:27Well, I threw them out.
00:19:28What? Like you said.
00:19:31Is something missing?
00:19:33Just the ending to an incredible book.
00:19:35Incredible?
00:19:36I can't believe that.
00:19:48We're sorry.
00:19:50The number you have reached is no longer in service.
00:19:52Damn it.
00:19:54Do a web search.
00:19:56Okay.
00:19:57I can't believe it.
00:20:02Director of assistance, what city, please?
00:20:04Brookdale, please.
00:20:05I'd like the number for a Conway Hall.
00:20:07Can you spell that, please?
00:20:09Hall.
00:20:10H-A-L-L.
00:20:14There's no listing for a mall in Brookdale.
00:20:17Nothing at all.
00:20:17No.
00:20:19No hits.
00:20:23No hits.
00:20:42Well?
00:20:43He's just not cooperating.
00:20:45Have legal.
00:20:47Give him a call.
00:20:49Kara.
00:20:50I read it last night.
00:20:52What'd you think?
00:20:53Well, I have to say, it's not exactly my taste.
00:20:57My cup of tea, as it were.
00:21:00But I have to admit, it has bestseller written all over it.
00:21:03Assuming it were complete and we knew where it came from.
00:21:06Steve, see what you can do with it.
00:21:08Yes?
00:21:20This just came.
00:21:29Doesn't matter anyway.
00:21:31I don't think you would go in.
00:21:32She just took it away from me.
00:21:34Okay, call her.
00:21:35Will it Joyce walk all over you?
00:21:36She's my boss.
00:21:38What am I supposed to do?
00:21:40Here, have another glass of wine.
00:21:41No, I mean, I know what you mean.
00:21:43Look, tomorrow's Saturday, right?
00:21:45Get up early, rent a car.
00:21:48But all I've got is a post office box.
00:21:50It's a start, right?
00:21:51But...
00:21:52But nothing.
00:21:53Every night you search for the perfect book, remember?
00:21:56Just a sec.
00:21:57Look, if you found it, don't give up so easily.
00:22:00Okay.
00:22:06Excuse me, where's box 708?
00:22:35There is no box 708.
00:22:37That doesn't make sense.
00:22:39Walt!
00:22:40Yep?
00:22:41Before we remodeled, was there a box 708?
00:22:45Oh, you betcha.
00:22:46Went all the way up to 850.
00:22:48Would you have any information about box 708?
00:22:52No.
00:22:52A forwarding address?
00:22:53Mm-mm.
00:22:54A phone number?
00:22:55No.
00:22:57We really don't keep those sort of records, miss.
00:22:59That was so long ago.
00:23:01Back when the prep school closed.
00:23:04Everybody moved away then.
00:23:06How long ago?
00:23:08Walt!
00:23:09How long ago was that?
00:23:12Oh, I guess 20 years back now.
00:23:16Wait a minute.
00:23:16You're saying that there hasn't been a box 708 in at least...
00:23:2120 years.
00:23:22Yes.
00:23:22Yes.
00:23:22Yes.
00:23:23Yes.
00:23:23Yes.
00:23:23Yes.
00:23:24Yes.
00:23:24Yes.
00:23:25Yes.
00:23:25Yes.
00:23:26Yes.
00:23:27Yes.
00:23:27Yes.
00:23:28Yes.
00:23:28Yes.
00:23:29Yes.
00:23:29Yes.
00:23:30Yes.
00:23:30Yes.
00:23:59Yes.
00:23:59Yes.
00:23:59Yes.
00:23:59Yes.
00:24:00Yes.
00:24:00You were here.
00:24:21Joyce, could I speak with you for a moment?
00:24:32It's about the kiss.
00:24:33I want to find the author.
00:24:34I have a whole set of problems with this.
00:24:36You've only been on the job 10 days.
00:24:38Your plate is full, Kara.
00:24:39I'll make the time.
00:24:40Well, what about the fact that Steve is a fiction editor
00:24:42and you are not?
00:24:43Joyce, give me a chance.
00:24:44I know this book.
00:24:45I'm only asking for one week.
00:24:4720 years is a long time.
00:24:48He could be dead.
00:24:50I'm willing to take that chance.
00:24:52You know, there are plenty of assistants
00:24:53that are waiting to see you screw up so that they
00:24:55can take your slot.
00:25:02Do not make me regret this.
00:25:07A leave of absence?
00:25:09Just a week?
00:25:11I'm the impetuous one.
00:25:12You're supposed to be responsible and quiet.
00:25:17Some example you're setting.
00:25:19I'm very quiet.
00:25:21It's just time for a little role reversal.
00:25:25A week, huh?
00:25:33You know, this sort of looks like you.
00:25:35Do you think so?
00:25:36Yeah.
00:25:37When I was reading the book, I actually thought it was me.
00:25:44Let's see.
00:25:47What are you doing?
00:25:48I want to know if you're totally whacked.
00:25:50What are you doing?
00:26:04No.
00:26:08The leaves of the leaves tumble down
00:26:15Pieces of my heart on the ground
00:26:23The summer winter plays beneath your feet
00:26:29And you don't even notice the chorus of their untree
00:26:59Hello?
00:27:04Hi, Zig?
00:27:05Yeah?
00:27:06It's me, Megan
00:27:07I'm shocked
00:27:08I'll bet you are
00:27:11Uh, hey, I need a favor
00:27:14What?
00:27:15Could you cover my shift for a couple of nights?
00:27:17Oh, I don't know
00:27:18I understand, I'll be back on Wednesday, I promise
00:27:21Alright
00:27:22Great
00:27:23How are you gonna repay me?
00:27:24How will I repay you?
00:27:26Uh, I'll think of something
00:27:31Yeah, you better
00:27:32Be good
00:27:33Okay
00:27:34Oh, thanks again
00:27:35Bye
00:27:36Okay, bye
00:27:42We should call it a night
00:27:45Since when do you get to bed before 4am?
00:27:47When I'm driving to Brookdale first thing in the morning
00:27:50Tonight
00:27:56I've got a picture of you
00:28:11I keep it in my mind
00:28:17And whenever I'm blue
00:28:27I know you and I
00:28:32What about the headmaster?
00:28:34Do you remember his name?
00:28:36Hmm, it was a German name
00:28:38Weiss
00:28:39No
00:28:40Fleiss
00:28:41Bonner
00:28:42That's it?
00:28:43Yeah
00:28:44Yeah
00:28:45Do you know where we can find him?
00:28:47Oh, sure
00:28:48Over at the Heavenly Hill Cemetery
00:28:50He died a couple of years after the school closed
00:28:53Shit
00:28:58Now what?
00:29:00Here you go, enjoy
00:29:01Dessert
00:29:02Thanks
00:29:03That's not what I meant
00:29:04I know, but that cherry pie looks awesome
00:29:06That's awesome
00:29:13Carol
00:29:14Yep
00:29:17The local paper
00:29:19What about it?
00:29:20Maybe there's some kind of lead, you know?
00:29:22Something about the school
00:29:24What, a Derek Conway column?
00:29:26You never know
00:29:29It's worth a try
00:29:32Excuse me
00:29:33Check, please
00:29:34I'll be right there
00:29:35No cherry pie
00:29:37Do you see the sacrifices I make for you?
00:29:43Told you it was a mess
00:29:46This is why God invented the internet
00:29:49You two will be alright down here?
00:29:51Yeah, we'll be fine
00:29:52Alrighty
00:29:54You're just standing
00:29:55Where do you want to start?
00:29:58I go back to the womb
00:29:59My life had promise at that point
00:30:01You work back
00:30:02I'll work forwards
00:30:24Hey, listen to this
00:30:25Services will be held Thursday for Claire Noday
00:30:28Claire, like in the book
00:30:30Claire Noday, who died Monday, April 14th, 1980 at Brookdale Hospital after a long illness
00:30:35The time frame is right
00:30:37Oh my God
00:30:39She was married to Philip Noday, English instructor at Westerberg Prep
00:30:42Philip and Claire
00:30:43Philip and Claire, he used their real names
00:30:45I think I've got it
00:30:58Address or phone number would be great
00:31:01How about a photo of the faculty?
00:31:03Donald Kellerman, Priscilla Hopewell, Athene Mumford and Philip Noday
00:31:08Yes, all we have to do now is play in town
00:31:11Let's go
00:31:12Can I help you?
00:31:13Uh, yes, Priscilla Hopewell
00:31:14Yes
00:31:15We'd like to ask you a question about one of your colleagues at Westerberg Prep
00:31:18Are you with the police?
00:31:23No, not at all
00:31:25We're, we're trying to locate Philip Noday
00:31:27Mrs. Phillip and Claire
00:31:28No, no, no
00:31:29and this is not required
00:31:31May I help you?
00:31:32Uh, yes, Priscilla Hopewell
00:31:34Yes
00:31:36We'd like to ask you a question about one of your colleagues at Westerberg Prep
00:31:39You with the police?
00:31:41No, not at all
00:31:44Not at all. We're, we're trying to locate Phillip no day.
00:31:49You sure you're not with the police?
00:31:54Huh?
00:31:55Yeah.
00:31:57Sorry I can't help you.
00:31:59But, Mr. Kellerman, I...
00:32:01Look.
00:32:04Phillip and I didn't exactly see eye to eye.
00:32:08I have no idea where he is.
00:32:10But believe me, I wish I did.
00:32:12That son of a bitch owes me 35 bucks.
00:32:22Are we crazy?
00:32:24You tell me.
00:32:28You know, I don't even care if this thing ever gets published.
00:32:31I just want to find out how it ends.
00:32:33Sometimes I feel the same way.
00:32:35Like, I don't want to share this story with the rest of the world.
00:32:39I want it to be all mine.
00:32:42Do you think they reunite?
00:32:46Maybe.
00:32:47This is a clue.
00:32:48I thought about that.
00:32:49But I don't know if it's supposed to show them at the beginning or at the end.
00:32:54End.
00:32:56Right?
00:32:57It's gotta be the end.
00:32:58Why?
00:32:59Because all that searching.
00:33:00I mean, he's gotta find her.
00:33:02Twin hearts.
00:33:04Hmm?
00:33:05Twin hearts.
00:33:06The idea that there's one person out there who's perfect for you.
00:33:12Alan.
00:33:13Alan.
00:33:14It's Mushy.
00:33:15I hate Mushy.
00:33:16We would lie in bed at night and hold each other, his chest pressing against mine, and I swear we could feel our hearts beating together as one.
00:33:27Well, it's not that mushy.
00:33:43I've got one.
00:33:44No day?
00:33:45Chemistry teacher.
00:33:46A Fane Q Mumford.
00:33:47Ah, parents can be so mean.
00:33:48Which one is he?
00:33:49The one with the mustache.
00:33:50He lives in Waterbury.
00:33:51That's about two inches north of here.
00:33:57Let's do it.
00:33:58Yep.
00:33:59Yep.
00:34:00Let's do it.
00:34:01Yep.
00:34:02Ziggy.
00:34:03Shhh.
00:34:04He lives in Waterbury.
00:34:05That's about two inches north of here.
00:34:09Let's do it.
00:34:10Yep.
00:34:13Ziggy.
00:34:19Shh.
00:34:28Vicky, shh, you'll get us thrown out of here.
00:34:35Over here.
00:34:44Damn.
00:34:51Ladies?
00:34:52We're sorry to interrupt.
00:34:54Oh, no, no, forget about it.
00:34:55I've been trying for two weeks now to rescue the princess from the demon spaceship.
00:35:01She can wait for another hour or so.
00:35:03We'd like to ask you...
00:35:05I know, I know.
00:35:06You're looking for Philip no day.
00:35:09Priscilla Hopewell told me all about it.
00:35:12You may as well just put it on the Internet.
00:35:13She even described what you were wearing.
00:35:17She told you about the book?
00:35:18Yeah, and the missing ending.
00:35:21Philip.
00:35:23Do you know where he is?
00:35:24I might.
00:35:31Is that any good, the book?
00:35:33We wouldn't be here.
00:35:35Yeah, I suppose.
00:35:37Can you help us?
00:35:39I'm not sure he wants to be bothered.
00:35:42Mr. Mumford, I can't publish his book unless I find him.
00:35:47I'm not sure he wants to be bothered.
00:35:49Look, we've come a long way, and we're pretty desperate.
00:35:52Oh, now you're threatening to beat it out of me?
00:35:53No, no, I just meant...
00:35:54No, that's a joke.
00:35:56Old man's fantasy.
00:36:06On one condition.
00:36:08You name it.
00:36:10You got the manuscript with you?
00:36:11In here?
00:36:12Let me read it.
00:36:14Tonight.
00:36:17Hello?
00:36:17Joyce, it's Kara.
00:36:19I think I've got something.
00:36:20Have you got an ending?
00:36:21No, not an ending.
00:36:23Not yet, anyway, but...
00:36:24Did you put off looking for a husband?
00:36:26No.
00:36:28Looking for a husband is with the copy editor.
00:36:31We're right on schedule with that.
00:36:32Well, don't waste any more time.
00:36:34You'll be back on Monday, right?
00:36:36Yes, I will be there on Monday.
00:36:38Monday.
00:36:39Love you.
00:36:43The witch?
00:36:44I want to kill her.
00:36:49Water.
00:36:50Try a big bucket of water.
00:36:57The first thing you have to do is to be able to tell the difference between an electrolyte and a non-electrolyte.
00:37:03That's a no-brainer.
00:37:04Then you have to be able to predict the solubility of ionic compounds in water.
00:37:09What if he hated it?
00:37:10He didn't say he had to like it, just that he wanted to read it.
00:37:13It's all there in Chapter 6.
00:37:16Saved by the bell.
00:37:19All right, for tomorrow, we're going to review Chapter 6.
00:37:22You got me?
00:37:23Review Chapter 6.
00:37:34Mr. Mumford.
00:37:38The Literary Angels.
00:37:45It'd sell a million copies, wouldn't it?
00:37:48If I can get the ending.
00:37:50Yes, maybe more.
00:37:55You've got his number?
00:37:57As far as I know, he doesn't have one.
00:37:59He, uh, he lives in East Wellfield.
00:38:07Um, that's up the coast on Route 1.
00:38:10I'm guessing it's about three hours from here.
00:38:14Uh, a mile into East Wellfield, you'll see an old gas station on the right.
00:38:19Does it have a name?
00:38:20No, it just says old here, underlined, and that you can't miss it.
00:38:27And?
00:38:29You're supposed to ask for him there.
00:38:35Sure you can't stay?
00:38:36One of us has to have a job.
00:38:40Bring back the ending, okay?
00:38:42I don't like to be kept hanging.
00:38:43I'll do what I can.
00:38:44Get going, you got a long drive.
00:38:46Right.
00:38:47What called?
00:38:48You better.
00:38:50Good luck.
00:38:51Thanks.
00:38:53Peace, Mama.
00:38:59You get so alone at times that it just makes sense.
00:39:20Even when I talk to myself, the fear crackles up again.
00:39:28And there's something coming into my life, a vision today.
00:39:35And memory rings while my mind unbeals all the shit that you say.
00:39:43But I'm bad to choose, and I easily bruise.
00:39:52And you know my way, because I'm unstrunk and dazed.
00:40:00What am I supposed to do now that you're not here?
00:40:07What am I supposed to do now that you're not here?
00:40:12What am I supposed to do now that you're not here?
00:40:14What am I supposed to do now?
00:40:18No.
00:40:23Fill her up.
00:40:25Uh, sure.
00:40:29Regular, please.
00:40:41Open the gas cup.
00:40:42Huh?
00:40:43A gas cap on the floor, left of your seat.
00:40:46Oh.
00:40:49Rent a car?
00:40:51Yeah.
00:40:52How did you know?
00:40:53Us, my area of expertise.
00:40:57What are you doing up here this time of year?
00:41:00I'm looking for someone.
00:41:01I'm hoping you can help me.
00:41:03I was told to ask here.
00:41:04Oh.
00:41:05Do you know where I can find Philip Noday?
00:41:08Hmm?
00:41:09Philip Noday.
00:41:11N-A-U-D-E-T.
00:41:13Never heard of them.
00:41:14But I'm sure this is...
00:41:17Sorry.
00:41:20That'll be 12 bucks.
00:41:32Is there someone else who works here who might be able to...
00:41:34Afraid not.
00:41:35I wish I could help you.
00:41:37Well, drive safely, miss.
00:41:41Is there any place around here where I can get some food?
00:41:44Well, there's a diner, but it's a good hour north.
00:41:47Figures.
00:41:51I might have some crackers in the office.
00:41:54Right now, crackers sound great.
00:41:56Um, I'm sure I have some somewhere.
00:41:57Wait here, miss.
00:41:58Um, I'm sure I have some somewhere.
00:41:59Wait here, miss.
00:42:00Please.
00:42:01Um, I'm sure I have some somewhere.
00:42:05Wait here, miss.
00:42:06Um...
00:42:07Um...
00:42:08Um...
00:42:09Um...
00:42:10Um...
00:42:11This is my home, miss.
00:42:39Oh, I'm sorry. I just followed you in.
00:42:44That should hold you.
00:42:46On me.
00:42:47So, you'll be on your way now, huh?
00:42:50Uh, sure.
00:43:09You're him.
00:43:10I told you, I don't know this.
00:43:12No, that's you in the pictures.
00:43:13No, it isn't.
00:43:14Yes, it is.
00:43:18Who sent you here?
00:43:20A fain Mumford.
00:43:22Mumford?
00:43:24That's the science himself.
00:43:27What do you want?
00:43:28An ending.
00:43:30Yes, to this.
00:43:39Where on earth do you find this?
00:43:41At Owens and Zeller.
00:43:43I work there and I think I can get it published if you give me the missing pages.
00:43:47We threw them away by mistake.
00:43:51Where were you 20 years ago?
00:43:54In fourth grade.
00:44:01You'd like it.
00:44:03I think it's wonderful.
00:44:08It was our honeymoon.
00:44:17We kissed.
00:44:21When the picture became so...
00:44:23Popular.
00:44:24Overexposed.
00:44:27Every goddamn poster shop had one in the window.
00:44:30It stopped being us.
00:44:32Claire and I would imagine about these two people in front of the bookstore.
00:44:36How they met.
00:44:37The passion.
00:44:38The separation.
00:44:39In Claire's version, they were always reunited in the end.
00:44:44And in this one?
00:44:47Are you okay?
00:44:51Yes.
00:44:54Time for a cigarette.
00:44:57In fact, I'm a bit tired.
00:45:01I wonder if we could continue tomorrow.
00:45:04Uh, sure.
00:45:07They'll be fine.
00:45:09Tomorrow's fine.
00:45:14Just one more question.
00:45:16Is that a promise?
00:45:18Yep.
00:45:19Why Jake?
00:45:21Ah, it's the guy I bought the station from.
00:45:23I got dozens.
00:45:24You want one?
00:45:25No.
00:45:26But thanks anyway.
00:45:27I'll see you in the morning.
00:45:28See you in the morning.
00:45:29See you in the morning.
00:45:45That's him in the picture.
00:45:47They were on their honeymoon in Paris.
00:45:49You're kidding.
00:45:50Does he look anything like the guy in the picture?
00:45:53Yeah, sort of.
00:45:56There's something about him.
00:45:58Do I detect a May-December thing here?
00:46:02No, I don't think so, Megan.
00:46:04Hey, don't rule it out.
00:46:06Okay, I'm gonna say goodnight now.
00:46:08Call me when you have an ending.
00:46:09Yeah.
00:46:10Okay.
00:46:12I got the credit card now.
00:46:13Call me when you have an ending.
00:46:15Okay.
00:46:16Okay.
00:46:17Bye.
00:46:18Bye.
00:46:19Bye.
00:46:20Bye.
00:46:21Bye.
00:46:22Bye.
00:46:23Bye.
00:46:25Bye.
00:46:26Bye.
00:46:27Bye.
00:46:28Bye.
00:46:29Bye.
00:46:30Bye.
00:46:31Bye.
00:46:32Bye.
00:46:33Bye.
00:46:34Bye.
00:46:36Bye.
00:46:37Bye.
00:47:08Hey, Kilgore.
00:47:24Hey, buddy.
00:47:32Mr. Noday?
00:48:08I've had a lot of spare time since Claire died.
00:48:15How many are there?
00:48:24I have to run into town for some groceries.
00:48:26You want to come?
00:48:27We can talk in the car.
00:48:28Sure.
00:48:29We'll watch the station.
00:48:30Oh, locals need gas.
00:48:32They'll come by later.
00:48:33Come on, Kilgore.
00:48:34Walk in.
00:48:34Come on, man.
00:48:35You were pretty hard to find.
00:48:40That was the plan.
00:48:42Why?
00:48:45I feel more alone in company.
00:48:47Have you been up here long?
00:48:53Since the school closed.
00:48:56I didn't feel like teaching anymore, and I had a little money stashed away, so...
00:49:02But a gas station...
00:49:05Suits me fine.
00:49:06I don't do repairs.
00:49:07I don't do repairs.
00:49:08I don't sew tires.
00:49:11It's a perfect five minutes of interaction.
00:49:14I'm back to the typewriter.
00:49:16So, how many of my colleagues did you meet on this journey?
00:49:21A few.
00:49:22Priscilla Hopewell.
00:49:24Donald Kellerman.
00:49:25Kellerman?
00:49:26Hell will freeze over before he gets his 35 bucks.
00:49:32Damn tourists.
00:49:40Claire and I used to spend our vacations up here.
00:49:44Afterwards...
00:49:45It seemed like a good place to scribble.
00:49:49Actually, could we talk about...
00:49:50No.
00:49:52Later.
00:49:52If I'm going to let you publish it, I should get to know you a bit first.
00:49:59Such as?
00:50:01Well, name would be good.
00:50:04My God.
00:50:07Kara Thompson.
00:50:08Kara.
00:50:08That's a nice name.
00:50:10We're off to a good start.
00:50:12What do you say, Kilgore?
00:50:16Woof.
00:50:17Woof.
00:50:18He's a cheap date.
00:50:22It's beautiful.
00:50:27Claire used to say...
00:50:29If you squinted, you could see the top of the Eiffel Tower from him.
00:50:33Hmm.
00:50:35It was her favorite place on Earth.
00:50:38I laid her to rest here.
00:50:41Arrgh!
00:50:42Hold that.
00:50:46Was she like the Claire in the book?
00:50:48In small ways...
00:50:55People just liked to be around her.
00:50:59When we were apart, I'd be longing for her return.
00:51:02But when we were together, I...
00:51:03I couldn't relax.
00:51:05I was...
00:51:06dreading her absence.
00:51:08I was...
00:51:08But there's...
00:51:09...
00:51:13...
00:51:37What happens at the end?
00:51:40You're the publishing expert.
00:51:42How do you think it should end?
00:51:45With a kiss.
00:51:50I should be getting back to the station.
00:52:07You could stay back to the station.
00:52:27So how much of the book is true?
00:52:52Oh, a lot of it.
00:53:01I was just trying to capture the feeling of how it was.
00:53:06Most of the manuscripts are the same, just shuffling the memories.
00:53:12How about their relationship?
00:53:17I got most of it right.
00:53:19Did Claire leave when I proposed?
00:53:24No.
00:53:26Probably should have, but she didn't.
00:53:31Was the passion so...
00:53:35Overwhelming?
00:53:38Absolutely.
00:53:40And Paris?
00:53:50Paris.
00:53:55Paris, I got right, at least.
00:54:01You seem to have a passion for bookshops.
00:54:07Good memories.
00:54:10So why not get your pen name from one, instead of Conway Hall?
00:54:14Oh, it was a joke.
00:54:16The building was falling down on our heads.
00:54:20An homage?
00:54:22To my crumbling existence.
00:54:30So, what are you passionate about?
00:54:33Books.
00:54:34Literature.
00:54:35Ah, too obvious.
00:54:37Tell me something I don't know.
00:54:39Tell me who in history you would have liked to have had a love affair with.
00:54:45Anyone?
00:54:46Anyone.
00:54:47Hmm.
00:54:48Botticelli.
00:54:49Maybe.
00:54:50Oh.
00:54:51You see yourself as Venus.
00:54:52The goddess of love.
00:54:53No.
00:54:54That's my roommate.
00:54:55Maybe he would have painted me after we made love.
00:54:58Oh, that's original.
00:55:00And you?
00:55:01Me.
00:55:02Cleopatra.
00:55:03And, ah, I did have a lot of fancies about Ava Gardner.
00:55:06But then I remembered how it was with Claire.
00:55:09It couldn't possibly have been better with her.
00:55:12Oh, that's my roommate.
00:55:13Maybe he would have painted me after we made love.
00:55:15Oh, that's original.
00:55:16And you?
00:55:17Me?
00:55:18Cleopatra.
00:55:19And, ah, well, I did have a lot of fancies about Ava Gardner.
00:55:22But then I remembered how it was with Claire.
00:55:27It couldn't possibly have been better with anyone else.
00:55:32Hopeless, aren't I?
00:55:35I don't think so.
00:55:38So, tell me about the man in your life.
00:55:42There isn't one at the moment.
00:55:45But please tell me you truly have been in love.
00:55:50Well...
00:55:53Once.
00:55:56And what did he do to make you fall so in love with him?
00:56:03He made me feel like we were the only two people alive,
00:56:08and everything that existed existed for us.
00:56:11So where is he?
00:56:12I don't know.
00:56:13So suddenly you weren't so alone anymore?
00:56:26Not at all.
00:56:28What happened?
00:56:30I panicked.
00:56:35Well, we all panic.
00:56:38I haven't heard from him since.
00:56:41So I find him.
00:56:44Who knows if he'd remember me?
00:56:47I think you'd be pretty hard to forget.
00:57:03Mmm.
00:57:05I know a secret about cocoa.
00:57:12Hmm.
00:57:13Triggers the release of endorphins.
00:57:17Your body's own opium.
00:57:19Produces the same feeling as when you're in love.
00:57:23So let's eliminate love.
00:57:27Replace it with cocoa.
00:57:29Heartbreak out the window.
00:57:32I'm sorry.
00:57:38By the way, how did you meet Claire?
00:57:43We met in a bookshop in Greenwich Village.
00:57:48I heard this couple arguing.
00:57:49The guy was banging on about how TV had made books redundant.
00:57:54I looked over.
00:57:56I saw Claire clutching a book to her chest.
00:58:01When I saw what it was, I came to her defense.
00:58:04Said it was the most beautiful depiction of unrequited love I'd ever read.
00:58:10She, uh...
00:58:12She handed the book to her date and said, um...
00:58:16Apparently you need this more than me.
00:58:20What was the book?
00:58:21Uh, Sentimental Education by Flaubert.
00:58:26I don't think anybody's ever got it that right, in my opinion.
00:58:31Until now.
00:58:33Ah!
00:58:35Silver-tongued devil.
00:58:38Well, listen.
00:58:42See for yourself.
00:58:46Has there been anyone since?
00:59:00Is that a euphemism?
00:59:03No.
00:59:07I mean...
00:59:09Well, you're intelligent. Attractive.
00:59:12Pass my cell by date.
00:59:14No.
00:59:19Having you here the last few days, it's been...
00:59:22It's been...
00:59:24It's been...
00:59:35It's late.
00:59:37Maybe we'd better call it a night.
00:59:40Yeah.
00:59:42See you in the morning.
00:59:44We'll discuss the ending.
00:59:46I promise.
00:59:48We got a bit sidetracked tonight.
00:59:52Good night, Philip.
00:59:54Good night.
00:59:55Good night.
00:59:56Yeah.
00:59:57This is the end one...
00:59:59Enterprise.
01:00:01Fantastic.
01:00:02Beautiful song, was it?
01:00:05This is supposed to have seen a 업 really.
01:00:07The next time.
01:00:08Something tender, so solitary
01:00:20Something tender, in this look
01:00:26Something strange, so soft
01:00:31And so solitary, in your look
01:00:37My heart, fascinated me
01:00:42In St. Germain, this morning of June
01:00:49But what happened?
01:00:56In St. Germain, this morning of June
01:01:02I wanted nothing to eat
01:01:07I wanted nothing to eat
01:01:12Come in
01:01:19That smells great
01:01:24Would you like some omelette?
01:01:27Between the food and the cocoa, this is gonna be a pleasure to edit
01:01:31Perhaps not
01:01:33What, you're gonna stop cooking for me once I buy your book?
01:01:38That wasn't what I meant, exactly
01:01:46You didn't lose the ending, Cora
01:01:50Come, I've got something to show you
01:02:06There's no ending
01:02:07Happy, sad, or otherwise
01:02:09You sent the manuscript to Owens & Zeller incomplete?
01:02:13I was hoping for a response of some kind
01:02:15An echo
01:02:16So I'd know I wasn't alone
01:02:18I guess I thought that if an editor liked the story
01:02:22It would provide a spark
01:02:24Give me the push I need to... to solving an ending
01:02:30So here I am
01:02:37Maybe that was how it was 20 years ago
01:02:40It's not like that anymore
01:02:42Can't they just find each other and live happily ever after?
01:02:48It's not like that now
01:02:51It is, Philip, you can finish this book
01:02:54I don't think so
01:02:55At least try
01:02:57I've been trying
01:02:59For 20 goddamn years
01:03:01I've done nothing else
01:03:02Let me help you
01:03:04You don't understand
01:03:07Don't tell me
01:03:08An ending
01:03:10Means it's over
01:03:22Sorry
01:03:27I guess
01:03:29I should
01:03:32Leave
01:03:57Hey
01:04:08Surprise
01:04:09Oh
01:04:12Oh
01:04:13Oh
01:04:14Oh
01:04:15Sorry
01:04:16You don't like the poster
01:04:17Get it out of here
01:04:18I never want to see that picture again
01:04:20Oh man
01:04:23Everything sucks
01:04:25That's life, sister
01:04:29Can I get you a drink?
01:04:31Beer
01:04:32Gin and tonic
01:04:34Whiskey straight up
01:04:36Or hot cocoa
01:04:38Okay
01:04:39Please
01:04:40Coming right up
01:04:47So he just wouldn't do it
01:04:49He couldn't
01:04:51I believe it
01:04:52I believe him
01:04:56No, if you had met him you'd understand
01:04:59He's still not over her
01:05:00Come on, Cara
01:05:01You've got to be able to move on
01:05:03Otherwise you
01:05:04Die?
01:05:07I was gonna say rot
01:05:08That
01:05:10When the day ever ends
01:05:22And the night begins
01:05:23You breathe it, breathe it
01:05:24Oh, you breathe it
01:05:25Oh, you breathe it
01:05:26Oh, you breathe it
01:05:28As I'm sure you've heard, Cara has struck out with the kiss.
01:05:56You know I read the manuscript. Deidre Stone could tack on an ending in a day.
01:06:01Mr. No Day... Conway Hall was a pen name. His real name is Philip No Day.
01:06:07Like in the book?
01:06:08Right. He doesn't want the book published. With or without his ending, he's no longer interested.
01:06:14I can't believe that.
01:06:16Believe it, Steve.
01:06:17It was a good try, Cara. But now it is time to get serious.
01:06:26Cara Thompson. May I tell you who's calling?
01:06:32A fain Mumford?
01:06:36Mr. Mumford, hello.
01:06:42Can you come up here? He's asking for you.
01:06:45Sure. How about this weekend?
01:06:47The weekend?
01:06:48Something's wrong, isn't it? Is Philip all right?
01:06:52Can you come sooner?
01:06:53Okay.
01:06:54When will you come?
01:06:56Well, I'm leaving now. I'll be there tonight.
01:06:58See you later, Betty.
01:06:59Okay.
01:07:01Okay.
01:07:02What's going on?
01:07:03Philip.
01:07:04I... Philip No Day.
01:07:05The kiss guy?
01:07:06Yeah. Tell Joyce I went home early.
01:07:07But you gotta...
01:07:08Tell her I was sick. Tell her anything. I don't care.
01:07:10He's upstairs.
01:07:32He, um...
01:07:35He doesn't look so good.
01:07:38Can I have a few minutes with my pal?
01:07:57He'll be right downstairs if he needs me.
01:08:07I guess I look pretty rough, huh?
01:08:12Is that morphine?
01:08:14Yeah.
01:08:17Less distracting than the pain.
01:08:20I heard it's good to...
01:08:33confront what you fear most before you die.
01:08:37Are you referring to me?
01:08:39After you left, I...
01:08:44I suddenly realized that although I've been living for years without Claire,
01:08:50I've never lived without the memory of her.
01:08:54And then there was a silence.
01:08:57And it just embraced all the thoughts.
01:09:07Kind of vibrant peace.
01:09:13Um, it's...
01:09:15Unm, it's, uh, fair.
01:09:16It sounds like your luggage is packed.
01:09:17It's never the same.
01:09:22Sounds like your luggage is packed.
01:09:26Yeah.
01:09:29And I'm traveling light.
01:09:34All that time I was rummaging in the past and...
01:09:40the end was waiting for me in the moment.
01:09:45She'll be there for you.
01:09:47We'll see.
01:09:55I want you to take care of my dog.
01:09:59Yep.
01:10:00Promise?
01:10:01Yes. Promise.
01:10:06This is for you.
01:10:07No.
01:10:17Kara.
01:10:19It's okay.
01:10:20Nothing real ever dies.
01:10:21It's okay.
01:10:23Nothing real ever dies.
01:10:24Yes.
01:10:25Yes.
01:11:0820 years.
01:11:21I don't see him or hear from him.
01:11:25And then he calls me up here to watch him die.
01:11:33I'm supposed to wrap up the loose ends, I get.
01:11:36He told me to send a check for $35 to Donald Kellerman.
01:11:44All the rest of this goes to you.
01:11:47What if it's, I mean, there's no guarantee.
01:12:03What if it's, I mean, there's no guarantee.
01:12:17For all I know, it could be a stack of blank pages.
01:12:21Bottoms up, girl.
01:12:22Okay?
01:12:33Okay.
01:12:34All right.
01:12:34Here we go.
01:12:37Here we go.
01:12:37Here we go.
01:13:40Why?
01:13:41No.
01:13:44Monsieur, would you please sign this for me?
01:14:04Claire?
01:14:06Yes.
01:14:08It's me.
01:14:10Oh, my God, Claire.
01:14:12I'm sorry.
01:14:22I'm so sorry.
01:14:24I never should have left you.
01:14:26I...
01:14:28I wasted so much time.
01:14:30I...
01:14:32I don't even remember what I was afraid of.
01:14:34It doesn't matter.
01:14:36No.
01:14:38We had...
01:14:40We have.
01:14:42My feelings haven't changed for you.
01:14:46I was frightened.
01:14:48I...
01:14:49I was wrong to leave.
01:14:50I was wrong about so many things.
01:14:52I walked the streets of Paris until my feet bled.
01:14:56This guy wrote a book...
01:14:58Um...
01:14:59In the hopes that you'd find me.
01:15:01And I really don't care about it because you're here now.
01:15:04I carry...
01:15:06This.
01:15:36I...
01:15:38I...
01:15:39I...
01:15:40I...
01:15:42I...
01:15:43I...
01:15:44I...
01:15:45I...
01:15:46I...
01:15:47I...
01:15:48I...
01:15:49I...
01:15:50I...
01:15:51I...
01:15:52I...
01:15:53I...
01:15:54I...
01:15:55I...
01:15:56As he drew her close, Claire could smell the wool of his coat made wet by the warm Paris rain.
01:16:01With the touch of his lips, all her senses dissolved and surrendered to the kiss, the
01:16:07kiss which reached through time itself into the boundless, miraculous realm of eternity.
01:16:26Backed by a million-dollar ad campaign, this is going to be next summer's hot book.
01:16:31The ending's good, Kara. Really good.
01:16:37At long last, I'm home.
01:16:41Not for long. I've got the night off.
01:16:45Dinner out?
01:16:47No, I was thinking more along the lines of an opening.
01:16:56Oh, my God.
01:17:02Uh-uh.
01:17:04No.
01:17:05I can't go to this. Not tonight.
01:17:08No, I can't.
01:17:09Mm-mm.
01:17:11No.
01:17:12I don't have anything to wear.
01:17:15No.
01:17:16No.
01:17:19Are you sure about this?
01:17:23Trust me.
01:17:24What about Kilgore? I can't leave him alone.
01:17:28Our dog, you'll be fine.
01:17:29I even got him a sitter.
01:17:32Speak of the devil.
01:17:36You remember Ziggy.
01:17:38Of course.
01:17:41Hi.
01:17:42Ziggy, this is Kilgore.
01:17:46Hi, buddy.
01:17:47Bye, boy.
01:17:52Enjoy.
01:18:00So that's how you repay him for covering a shift?
01:18:03You ask him to dog-sit?
01:18:04He's nuts about animals.
01:18:05He goes to veterinarian school by day.
01:18:07That explains the smell.
01:18:09Honey, it explains a lot of things.
01:18:11I can't do this.
01:18:17Yes, you can.
01:18:19You can.
01:18:20Who knows if he'll even recognize me.
01:18:26Oh, he'll recognize you.
01:18:27Oh, how can you be so sure?
01:18:33Oh, my God.
01:18:36God.
01:18:36I think you've just been swept off your feet.
01:18:46What are you waiting for?
01:18:51I...
01:18:52Go.
01:18:53Go.
01:18:59Are you sure about this?
01:19:01Go.
01:19:06You look good.
01:19:34So do you.
01:19:38Interesting subject.
01:19:41Yeah.
01:19:44She was a charming girl.
01:19:47Never get her to sit still, though.
01:19:52So this is quite a departure for you.
01:19:57Yeah.
01:19:58The cheesy photorealism as revenge.
01:20:04What do you think?
01:20:07Oh, it works.
01:20:10Good, because they're selling like hotcakes.
01:20:14Bastard.
01:20:17I was going to invite you,
01:20:20but I didn't think you'd come.
01:20:26I'm glad I'm here.
01:20:27Alan, meet my friend, Megan.
01:20:38Hi.
01:20:39Hello, friend Megan.
01:20:41Great hands.
01:20:44I'm going to use him to strangle her later.
01:20:46Star.
01:20:47Howard.
01:20:48See you guys around.
01:20:49Oh, my God.
01:21:09Oh, my God.
01:21:10Here's another ad from the tingling toes guy.
01:21:15He's got to be pretty desperate to place an ad here.
01:21:23We'll be back around dinner time.
01:21:25I hope so.
01:21:27Neither of us knows how to cook, remember?
01:21:29Well, food, that is.
01:21:32Go go.
01:21:34Bye, Boobie.
01:21:45Goodbye.
01:22:09Goodbye.
01:22:15They're together now.
01:22:33You're not going to freak out on me again, are you?
01:22:37No.
01:22:40I promise.
01:22:40I don't want to be without you.
01:22:50It's beautiful here.
01:22:53Want to know the best part?
01:22:55Mm-hmm.
01:22:56If you squint, you can see the top of the Adfield Tower from here.
01:23:02Oh, yeah?
01:23:03Mm-hmm.
01:23:04Where are we?
01:23:05There.
01:23:06There.
01:23:10She believes the greed you make, the needy feel the way they do.
01:23:20And everyone can make a difference, even me and you.
01:23:25And he believes the destiny is following your dreams.
01:23:30He says you've got to say the things you feel and always feel the things you mean.
01:23:36And they buy each other coffees in a Bronte cafe.
01:23:42And they talk about the music.
01:23:45They heard last night on rage.
01:23:49Ain't nothing more to life.
01:23:54Ain't nothing more to life.
01:23:57Ain't nothing more to life.
01:24:07She believes that in the end it's love that matters most.
01:24:13The greatest gift, the sweetest kiss, the reason that we're close.
01:24:18And he believes in liberty and giving people choice.
01:24:24He says the world outside his bedroom is just as loud as his own voice.
01:24:30And the waitress wipes the table as they both get up to leave.
01:24:36They can almost smell the ocean.
01:24:39She feels so at ease.
01:24:42Ain't nothing more to life.
01:24:48Ain't nothing more to life.
01:24:53Ain't nothing more to life.
01:24:57Ain't nothing more to life.
01:25:27Ain't nothing more to life.
01:25:28Ain't nothing more to life.
01:25:29Ain't nothing more to life.
01:25:30Ain't nothing more to life.
01:25:32Ain't nothing more to life.
01:25:33Ain't nothing more to life.
01:25:34Ain't nothing more to life.
01:25:35Ain't nothing more to life.
01:25:36Ain't nothing more to life.
01:25:37Ain't nothing more to life.
01:25:38Ain't nothing more to life.
01:25:39Ain't nothing more to life.
01:25:40Ain't nothing more to life.
01:25:41Ain't nothing more to life.
01:25:42Ain't nothing more to life.
01:25:44Ain't nothing more to life.
01:25:46Ain't nothing more to life.
01:25:48Ain't nothing more to life.
01:25:50Ain't nothing more to life.
01:25:51Ain't nothing more to life.
01:25:52Ain't nothing more to life.
01:25:53Ain't nothing more to life.
01:25:54Ain't nothing more to life.
01:25:55Ain't nothing more to life.
01:25:56Ooh, yeah, yeah, yeah, yeah
01:26:04Ain't nothing more to life
01:26:07Than thinking, feeling
01:26:09Ain't nothing more to life
01:26:13Than simply being
01:26:15Ain't nothing more to life
01:26:19There ain't nothing, nothing, nothing, no
01:26:23Ain't nothing more to life
01:26:27Ain't nothing more to life
01:26:32Ain't nothing more to life
01:26:39There ain't nothing, nothing, nothing, nothing more
01:26:44Ain't nothing more to life
01:26:47Than laughing, crying
01:26:49Ain't nothing more to life
01:26:52And living, dying, ain't nothing more to love
01:27:22But living, dying, ain't nothing more to love
01:27:52But living, dying, ain't nothing more to love
01:28:22But living, dying, ain't nothing more to love

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