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  • 2 days ago
„Палуба под Теразије“, режисер Дејан Влаисављевиќ, Србија, 2016

Živojin Ivanović, penzionisani inženjer i slikar-amater, unajmljuje privatnog detektiva Džonija Palubu da pronadje Doroteju, njegovog modela. Pravi razlog Dorotejinog ‘nestanka’ je njena odluka da se ponovo vrati svom momku Švajseru, koji je izašao iz zatvora. Švajser krade Ivanovićeve nepotpisane slike iz ateljea i predstavlja Doroteju kao najnoviju slikarsku senzaciju. Ivanović je pronađen mrtav, žrtva uboda nožem. Umetnička scena Beograda proglašava Doroteju novom zvezdom.

Inspirisan filmom Scarlet Street (Fric Lang, 1945), Paluba ispod Terazija prikazuje beogradsko podzemlje i svet savremene umetnosti kroz noir prizmu. Ideološki elementi služe kao ram za prikaz akcije amoralnih protagonista, čiji je jedini cilj - opstati do sutra.

Režija:

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Transcript
00:00:00When I have a case in the report, the first thing I do is to liquidate ljačpa.
00:00:12To not give light to the water.
00:00:30To not give light to the water, the water is so strong.
00:00:37The water is so strong.
00:00:42The water is so strong.
00:00:45Yes.
00:00:46Mr. Ivanovic.
00:00:47The water is so strong.
00:00:49Yes.
00:00:50Mr. Ivanovic.
00:00:51The water is so strong.
00:00:53Yes.
00:00:54I will be here for 5 minutes.
00:00:57Okay.
00:00:58…
00:01:01the water is so strong.
00:01:04I am so strong.
00:01:09The water is so strong.
00:01:11He is球.
00:01:12The water is so strong.
00:01:14It may now be prospering.
00:01:16It can only be medieval done.
00:01:19This video is called Molinovica Augustus.
00:01:22In the past ten years, the streets of Belgrade were looking for no longer people.
00:01:29And so the brother became San Francisco, Yellow Venac, Singapore, Slavia, Rotterdam, Dortchel, Macau.
00:01:52A few years ago, when I read Flash Gordona, I understood that the period of time measures the speed of light.
00:02:14Stepenište iz vremena Kralja Aleksandra drži masardu iz vremena Rankovića pokrivenu u sveže zalivenim cvećem mrtvih samoupravljača.
00:02:35Poslednja vrata Levo.
00:02:44Kralja Aleksandra
00:02:59THE WAIT
00:03:05THE WAIT
00:03:19When they come out of my room
00:03:21to stay in the morning
00:03:27How did you know about me?
00:03:29Mr. Paluva, when a man is ill, he quickly knows what he is talking about.
00:03:35I encourage you to my former colleague,
00:03:37whom you heard from some sects.
00:03:39The case of the Vrata Raja, four years ago.
00:03:42How many do you know about me?
00:03:44I'm a graduate engineer.
00:03:46You've been a pensioner for five years.
00:03:48You've built the Tito in Yugoslavia,
00:03:52then the Near East, Kuwait, Iraq.
00:03:55Until now, everything is clear.
00:03:57I ask you to continue.
00:03:58In Kuwait, you've done a lot of good money.
00:04:01You've done a lot of blood from the pesky.
00:04:04You've been treated for three months.
00:04:07Then you've spent a while in the basement,
00:04:09in the village, without children.
00:04:15You know me more than what I would like.
00:04:25I don't drink until I eat.
00:04:31Private detective Trzvenjak,
00:04:33let's go on to something.
00:04:35You can see the girl,
00:04:37with whom I was married,
00:04:38she didn't stay.
00:04:39A little bit married.
00:04:41When I walk to Belgrade,
00:04:44every girl,
00:04:45who goes to her,
00:04:47in the train,
00:04:48I recognize her voice.
00:04:49Every time she goes to her music,
00:04:51her face is visible.
00:04:54Even if she goes to her music,
00:04:57she's the man.
00:04:58I know that.
00:04:59You know that.
00:05:00You know that.
00:05:01You know that.
00:05:02You know that.
00:05:03You know that.
00:05:05I know that you know what will be, a new tomorrow, a new day.
00:05:13I know that you know what is the end, but I know you only know you.
00:05:21I know that you know what I care about, and I love you.
00:05:35Why does he look at his own essence?
00:05:55I don't expect you to return against his will.
00:06:03I just want to trust him that he is not in any way.
00:06:11Maybe he is just going to return to you.
00:06:14I know very well what you want to say.
00:06:17When did it happen?
00:06:18In a week.
00:06:20Is there anything else?
00:06:22A thousand euros and two pictures.
00:06:25Why did you call me the police?
00:06:28I don't know.
00:06:33How many pictures do you look?
00:06:35It doesn't look like anything.
00:06:37I have seen it.
00:06:39What is your name?
00:06:41Dorotea.
00:06:43How did you know you?
00:06:45There was a message on my internet.
00:06:47A message for a friendship?
00:06:49No.
00:06:50He was supposed to be a model.
00:06:53How long have you been together?
00:06:55Three months.
00:06:56Where do you live?
00:06:57I don't know.
00:06:58He came to me.
00:06:59He was talking to me.
00:07:00Or we went to the evening.
00:07:06What is your name?
00:07:07I don't know.
00:07:08You were out for three months and you didn't ask.
00:07:18Did you drink water?
00:07:20He didn't want to answer me.
00:07:22Friends and friends.
00:07:24I don't know.
00:07:26Not friends and friends.
00:07:28I don't know.
00:07:30Do you have other signs on your body?
00:07:33There is no.
00:07:34Just like a snake.
00:07:36It sounds like a spirit.
00:07:40If you know, you wouldn't say that.
00:07:43You forgot about this last Sunday.
00:07:51There's no reason to lie.
00:07:54Leave the truth to me.
00:08:02Have you had intimate relationships?
00:08:05I would like to say that we are.
00:08:08You are not?
00:08:10I've been in years, but the doctor has never stopped me for sex.
00:08:14Something else in the question.
00:08:15What?
00:08:16I don't know. It may have been too late.
00:08:19Did she have invited me to?
00:08:21Maybe. I've never been the best to estimate the signal.
00:08:27When she invited me to, did she want money?
00:08:30Mr. Paluba Dorotea is not a man.
00:08:33Mr. Ivanovich, the truth is as it is.
00:08:37If you're interested in something else, I'm not your man.
00:08:41I understand.
00:08:43Do you have a picture of me?
00:08:46Mr. Paluba Dorotea is not an accident.
00:08:49I am going to reverse the situation.
00:08:50Mr. Paluba Dorotea is not their.
00:08:52What is happening?
00:08:54Mr. Paluba Dorotea is not their.
00:08:55Mr. Paluba Dorotea is not their.
00:08:56Mr. Paluba Dorotea is not their.
00:08:57I'm sorry, I didn't have a chance to finish it.
00:09:27His 300 dollars is over
00:09:56for the visit of the best silver city.
00:10:16The silver silver, medium quality, unknown product,
00:10:21could be made anywhere.
00:10:26The silver silver, medium quality,
00:10:31the silver silver,
00:10:34the silver silver silver.
00:10:37on the paper in a kadi with the developer.
00:10:44Maybe Dorotea never existed,
00:10:47but no, it's a total nonsense.
00:10:53She didn't fall asleep two and a half meters from the earth.
00:11:07She went into a cold water while she was in her own way.
00:11:14Maybe she left Belgrade,
00:11:16she went to Zagreb
00:11:18or Ljubljana.
00:11:25Maybe she went to her frayers.
00:11:30Until now, I couldn't find a few people for less than 24 hours.
00:11:37Ivanović doesn't understand that Dorotea made her a service.
00:11:49What would he have done with her?
00:11:52Maybe he would have given a good place for her own food.
00:11:56The rosebud.
00:12:08The rosebud.
00:12:09I could just write it like a nested without a strain.
00:12:13and when she appears again, she will be in another light.
00:12:25So she is there somewhere.
00:12:43So she is there somewhere.
00:13:13So she is there somewhere.
00:13:43So she is there somewhere.
00:14:12So she is there somewhere.
00:14:42So she is there somewhere.
00:15:12So she is there somewhere.
00:15:14So she is there somewhere.
00:15:16So she is there somewhere.
00:15:18So she is there somewhere.
00:15:20So she is there somewhere.
00:15:22So she is there somewhere.
00:15:24So she is there somewhere.
00:15:26So she is there somewhere.
00:15:28So she is there somewhere.
00:15:30So she is there somewhere.
00:15:32So she is there somewhere.
00:15:34So she is there somewhere.
00:15:36So she is there somewhere.
00:15:38So she is there somewhere.
00:15:40So she is there somewhere.
00:15:42So she is there somewhere.
00:15:44So she is there somewhere.
00:15:46So she is there somewhere.
00:15:48So she is there somewhere.
00:15:50So she is there somewhere.
00:15:52So she is there somewhere.
00:15:54So she is there somewhere.
00:15:56So she is there somewhere.
00:15:57So she is there somewhere.
00:15:58So she is there somewhere.
00:15:59So she is there somewhere.
00:16:00Faisero!
00:16:04You're a bad guy for Snacky, huh?
00:16:08I'm sorry.
00:16:30What did you start to look at?
00:16:35I'm going to eat some fish with the cross.
00:16:40I'm going to eat some fish with the cross.
00:16:43I'm going to eat some fish.
00:16:47Yes.
00:16:50The last time is when she needs to be eaten.
00:16:55Martin left me and fell in Norway with a wife and a child.
00:17:02And?
00:17:04We were at a hotel.
00:17:08He met with some professors from the academy.
00:17:13And that's how it was.
00:17:17Who would have said that?
00:17:20What?
00:17:22You know what?
00:17:33What is this?
00:17:42It's like a child.
00:17:44What? It's really cool.
00:17:47I don't like it. It's really cool.
00:17:50Yes.
00:17:53Where did you go?
00:17:58Yes.
00:18:00It's like something.
00:18:03I don't know.
00:18:05They didn't sign up.
00:18:08I don't understand who didn't sign up.
00:18:11I'm not sure.
00:18:13I think if they don't sign up, they didn't sign up.
00:18:17You don't understand, artists.
00:18:22But Pixie is still worth the pictures on the street.
00:18:26Hmm.
00:18:27You know what?
00:18:28You know what?
00:18:29I'm going to visit him.
00:18:32But you don't have to worry about it.
00:18:34Let's see how it's worth it.
00:18:38Let's see if there's a kilo.
00:18:40What about me?
00:19:03Do you know what I'm doing?
00:19:05What?
00:19:06I thought I would never find it.
00:19:08Ok.
00:19:17I thought I would never find it.
00:19:24But it looks like some truth.
00:19:37It's the basic lesson that you pay hard for a job or a service.
00:19:45At the end, you will always get your payment.
00:20:06You are a pixie legend of all the people and the people.
00:20:19How are you?
00:20:21Very good.
00:20:23Why did you buy a company?
00:20:24Why did you buy a company?
00:20:25Why did you buy a company?
00:20:26It was ok today, but you were the best.
00:20:32350 AMER.
00:20:33No, I don't care.
00:20:34No.
00:20:37Here, this is for you.
00:20:39It's for home.
00:20:40We'll wait for a minute and go to the bar.
00:20:43We're going to drink water.
00:20:45Yes.
00:20:47Oh, you've got three heads for someone to give you something.
00:20:53The guy says to him, if you have them.
00:20:56That's it?
00:20:57Yes.
00:21:03No.
00:21:19I never loved you, Johnny.
00:21:21Not you, and not anybody else.
00:21:33I'm rotten to the heart.
00:21:36You were just too blind to see it.
00:21:40Now, my gun is pointed right at your heart.
00:21:43You were my movie of the week.
00:21:47Story's over.
00:21:49Surprised?
00:21:51Scared?
00:21:53Confused?
00:21:55All in one?
00:21:57Enjoy your last pleasure.
00:21:59Before I give you a big bang kiss.
00:22:04Nice smoke, yeah?
00:22:05Well, here's shooting at you, asshole.
00:22:17Still in business, huh?
00:22:19Why don't you have a few more for the road?
00:22:22More for the road.
00:22:23Good.
00:22:50That's slick.
00:22:53Good.
00:22:56Good.
00:22:59Good.
00:23:01I knew I should be a damn thing.
00:23:04I'm not sure.
00:23:06No.
00:23:08I'm not sure how to do it.
00:23:10You should be a lot of emails.
00:23:12You don't have to ask for anything.
00:23:17Where is cash?
00:23:23$300?
00:23:25$300?
00:23:27$300.
00:23:29The car is more expensive than the car.
00:23:31Picsi is totally out of you.
00:23:33You know how much it costs.
00:23:35You know how much it costs.
00:23:37You know how much it costs.
00:23:39You know how much it costs.
00:23:41You know how much it costs.
00:23:43You'll be more expensive.
00:23:45Yes.
00:23:47How much money has this jubrit?
00:23:51Jubrit.
00:23:53What? A picture?
00:23:55A picture.
00:23:57A 20-year-old.
00:23:59Call him.
00:24:01Who would you call him for the night?
00:24:03Call him.
00:24:05You've been working hard drugs with Picsi.
00:24:09Why would you call him?
00:24:11Listen.
00:24:13Call him and tell him.
00:24:15I'm not going to die.
00:24:17I'm not going to die.
00:24:19I'm not going to die.
00:24:21You're completely out of me.
00:24:23It's done with me.
00:24:25I'm done with him.
00:24:27It's done with me.
00:24:29I'm done with him.
00:24:31Call him.
00:24:33You're right.
00:24:35You're right.
00:24:37You're right.
00:24:39You're right.
00:24:53I know that night I can't quit.
00:24:57It's done with him.
00:24:59I'll come back to you, oh, I can't get old
00:25:04They say that I'll buy days, let me...
00:25:16Yes.
00:25:18Mr. Paluba.
00:25:19Yes.
00:25:20Žika Ivanović.
00:25:23I've found an interesting sandwich in my special sandwich.
00:25:28Dora me pitala da se nađujemo večeras u osam u Tezgi.
00:25:35Da li se slobodni? Mogli bi da posmatrati iz brzine u reru?
00:25:47Dok čekate Doru, želite mi nešto da poručite?
00:25:51Da.
00:25:54Jack bez leda.
00:25:57This is me!
00:28:21Come on.
00:28:23I won't come.
00:28:25And you?
00:28:26What are you doing?
00:28:27Don't worry about me.
00:30:02I have a nice name.
00:30:03Who has voted for?
00:30:04Yes, thank you.
00:30:05One minute.
00:30:06Who did you tell him?
00:30:08Olapšević.
00:30:10Do we know where he lives?
00:30:12Who Olapšević?
00:30:15Yes, Olapšević.
00:30:16He needs to go to poker with him later.
00:30:20Jogger, girl, jogger.
00:30:22We know, of course. How could he not know?
00:30:30Good morning, calm.
00:30:33Well, I'm not sure.
00:30:36Who?
00:30:39What do you think?
00:30:42Nothing is taken from the doctor, so he doesn't have a question.
00:30:48But Olapšević is not sure. How many are there?
00:30:50I mean, there are six banks.
00:30:52It's a political crime.
00:30:54I don't believe.
00:30:55And under the land?
00:30:58It looks like it's too much.
00:31:04Maybe the abdukcija will show something.
00:31:07Now it's too hard for the theory.
00:31:18I don't know, love.
00:31:21One time we'll kill him.
00:31:22This is...
00:31:24What do you know?
00:31:25Just write.
00:31:27Žika knows that he has a key from his side.
00:31:29He will show you.
00:31:31Hello?
00:31:33Matar is totally better for this.
00:31:34Do you think he will not do this?
00:31:37But this is his own opus.
00:31:40Opus?
00:31:41When he was going to kill him, he called him.
00:31:44What do you know?
00:31:47Just write.
00:31:49Like a joke without talking.
00:31:50To make a joke without giving.
00:36:51Inspektor Gordon Todorov.
00:36:53Todorov.
00:36:55Nebitno ko je na vlasti.
00:36:57Todorov je konstanta.
00:37:00Neko bi rekao, profesionalac, svima treba.
00:37:07Ne, nego ih sve drži za njihova korumpirana jaja.
00:37:12Zna tačno ko je šta kome dilovao, kad i u koliko sati.
00:37:23ennen njegov.
00:37:47AK, 17 godina star.
00:37:49Zadržan je u pritvoru zbog nedavnog ubistva živojina Ivanovića.
00:37:52Dživojina Ivanovića, 1957.
00:37:56Penzionisanog građanskog inženjera iz Beograda.
00:38:10Dobre veče.
00:38:12Ja sam Ljubav.
00:38:14Ja sam Lazar, zovu me Joe, a ovo je Natalija Kustoskine.
00:38:18Izvolite, sejte.
00:38:21Če se da popijete nešto?
00:38:23Može ovo je po urbun ali bez vlajda.
00:38:30Peksi mi kaže da...
00:38:32veš galeriju u Americi.
00:38:36U kom si gradu?
00:38:37U San Francisco.
00:38:40To je najbolji grad vredi.
00:38:42A bili ste u San Francisco?
00:38:45Nažalost nisam, ali vredao sam vrtoglavicu hilje puta.
00:38:49A to je najbolji film?
00:38:50To je najbolji film.
00:38:52Znam svaku uličicu.
00:38:58Dorotea, Natalija, Maza, Joe.
00:39:04Znate da je Scott je apartman sam okružen visokim zidom?
00:39:07Da, da.
00:39:08Lombard uliča.
00:39:09Kad god si ilazim iz nju, gledam preko tog zida da vidimo na Crvena Vrata.
00:39:13Crvena Vrata.
00:39:14Crvena Vrata.
00:39:16Novo vlasnik od dosadilo da mu neprostojno lupaju na Vrata.
00:39:21Ljudi, zašto je taj čovjek kupio baš tu gajbu?
00:39:26Ali znate...
00:39:27Seriju slika Normana Rockwella četiri slobode.
00:39:31Amerika je slobodna zemlja.
00:39:34Ako je nešto na prodaju...
00:39:36Nije bitno šta je, bitno je koliko košta.
00:39:39Kapira.
00:39:44Kao kod nas u priliki, no?
00:39:49Reci mi, kako znaš Pixija?
00:39:52Pa iz Gratuna.
00:39:54Mislim.
00:39:55Išao sam Beogradom tražiti nove talenti i nalete na vaši sliki.
00:39:59Išao sam Beogradom tražiti na vaši sliki.
00:40:00Ešao sam Beogradom tražiti na Vrata li?
00:40:02Postupacijo pomošat,
00:40:04a ako si je biljavati slikere?
00:40:06Vrata je to stamenta.
00:40:08Išao sam Beogradom tražiti.
00:40:09Dakle odveš' više skoro imate ako?
00:40:11Ako ste slikere?
00:40:13Vi ste slikere?
00:40:16No, ne.
00:40:17Nije to moj stil, ani tematika.
00:40:19Prijata ljima ih je ostavio na komisiju.
00:40:22Stvarno vam se sviđaju.
00:40:23They are so cold and exotic. How much is it?
00:40:28300 euros.
00:40:35350 dollars.
00:40:37Okay.
00:40:43I would like to welcome you to your friend.
00:40:46Whatever.
00:40:48Just go one way to the other, please.
00:40:53Excuse me.
00:40:56Since you have already bought two, you can have one around the price.
00:41:00Let's say this one.
00:41:02Come back tomorrow. I'll finish one way.
00:41:05Listen, I think we got something.
00:41:08Two paintings.
00:41:10I haven't met the artist yet, but they're quite something.
00:41:13I'll tell you exactly what they look like.
00:41:15They look like the Mihanović we sold in Pacifica.
00:41:19Exactly.
00:41:23You took care of the rent?
00:41:25No, don't worry. I'll send you photos.
00:41:29How long do you deal with Carst?
00:41:32Ah, no.
00:41:33We saw Dorotene's pictures in this story.
00:41:35I'm just...
00:41:36You don't find it.
00:41:38Sorry.
00:41:40That's what it says.
00:41:42The inscription.
00:41:44Dorotene's pictures that I bought, they're impregnated with strong emotions and reflexes.
00:41:51It's rare.
00:41:53Do you know?
00:41:54I've come to hope that they have more of the same quality.
00:41:58Well, it's hard for you to decide, is it?
00:42:01No.
00:42:02No.
00:42:03No.
00:42:04No.
00:42:05No.
00:42:06No.
00:42:07No.
00:42:08No.
00:42:09No.
00:42:10No.
00:42:11No.
00:42:12No.
00:42:13No.
00:42:14No.
00:42:15No.
00:42:16No.
00:42:17No.
00:42:18No.
00:42:19No.
00:42:20No.
00:42:21No.
00:42:22No.
00:42:23No.
00:42:24No.
00:42:25No.
00:42:26No.
00:42:27No.
00:42:29No.
00:42:29No.
00:42:30No.
00:42:31Iatt Absolutely.
00:42:32No.
00:42:33No.
00:42:34That's what I .
00:42:35No.
00:42:36I'll do that.
00:42:37You can go Nemaya.
00:42:38Each time.
00:42:40No.
00:42:41No.
00:42:42But what?
00:42:43No.
00:42:44No.
00:42:45No.
00:42:46No.
00:42:47No.
00:42:48No.
00:42:49No.
00:42:50What are you going to do?
00:42:51Why are you going to do it?
00:42:53The doctor asked me.
00:42:55I love you.
00:42:57You said seven.
00:42:59Yes, of course.
00:43:01I've done it for more time.
00:43:03I'm going to get into the deep space.
00:43:06Even if we buy them in the evening,
00:43:08I'm looking for her presence.
00:43:13I'm going to do it.
00:43:15Then I'm going to do it for 1000 dollars.
00:43:20I'm going to do it for an auto-portrait.
00:43:23I'm going to do it for an auto-portrait.
00:43:26What?
00:43:27I'm going to write about it in the evening.
00:43:32Okay.
00:43:33Hello, Gola.
00:43:34Hello, Gola.
00:43:35How are you going to do the parking lot?
00:43:36How is it going to do the parking lot?
00:43:37How happened in the parking lot?
00:43:38Hello, Dor.
00:43:39How did you go?
00:43:40Hello, Dor.
00:43:41I don't know.
00:43:42When did you get called to the parking lot?
00:43:44When did you go?
00:43:45I was already here at the parking lot.
00:43:46I used to go.
00:43:47I went to the parking lot.
00:43:48I was going to get you.
00:43:49Hey, Dor,
00:43:50you didn't get me.
00:43:51I did not get me to go.
00:43:52How did you go?
00:43:53Where did you go?
00:43:54Where is it?
00:43:55Where did I go?
00:43:56I had to do it,
00:43:57and I ate a little,
00:43:58I said I didn't do it.
00:43:59I didn't use it.
00:44:00I don't know how old are you?
00:44:03He's a familiar little girl.
00:44:04I'll just put into the car somewhere.
00:44:06I don't know.
00:44:07I don't really know.
00:44:08I don't know.
00:44:09I don't know.
00:44:10I don't know.
00:44:10Is he?
00:44:12That's a great girl.
00:44:16She'll get me back home.
00:44:18I'll keep it looking.
00:44:20I'll do that.
00:44:21I don't like the guy between years old.
00:44:25I'm going to go with him.
00:44:25I have to ask him.
00:44:26Schweizer's not doing it.
00:44:29I don't know if you're going to get me out of my head.
00:44:50I'm sorry, I'm sorry.
00:44:52Let's go.
00:45:11Do you think Dora was a friend with some of Ivanovic's people?
00:45:17I don't know. I don't think so.
00:45:19You can see Ivanovic's people are dead.
00:45:24The man left out. We are looking for other motives.
00:45:28What is this?
00:45:30Love, for example. Or light.
00:45:37I don't have anything with this.
00:45:39The family has never left.
00:45:41The family is a private detective.
00:45:44The girl who was looking for me is no longer.
00:45:47The girl who was 20-30 years old.
00:45:50She calls Doroteja.
00:45:54What do we mean?
00:45:56Do you think that someone had gone to Doroteju while I was at Roby?
00:46:01More than that.
00:46:02And that I killed him because of that?
00:46:05Don't be stupid.
00:46:07Why would I be lovingly?
00:46:09Even if I was a kid with a kid?
00:46:11You mean you know him?
00:46:13I don't know.
00:46:14How do you know him?
00:46:16How do you know him?
00:46:18How do you know him?
00:46:19How do you know him?
00:46:20I don't know him.
00:46:21How do you know him?
00:46:22I'm a kid.
00:46:23I'm a kid.
00:46:25I'm a kid.
00:46:26He's not found his place.
00:46:27He's not found a picture.
00:46:28He's a tough.
00:46:31Maybe he's got a picture?
00:46:32Maybe.
00:46:33Maybe someone else is a stranger.
00:46:37Where are you, Plexinec?
00:46:39Where are you, Pregsinać?
00:46:43Come on.
00:46:45I was here, I was here.
00:46:48I was screaming.
00:46:50I was screaming.
00:46:53What did you do?
00:46:55They were screaming, screaming, screaming.
00:46:58Listen.
00:47:02I really worry about who, who, when and how it goes.
00:47:05But if you're committed to an amateur murder, you can't work with me.
00:47:12I don't have anything with that.
00:47:16It's okay for now.
00:47:20You'll be happy that you're a good fighter.
00:47:25I'll talk with Doroteo.
00:47:27There's time.
00:47:29Don't be afraid of Jurek.
00:47:35I'll talk with Doroteo.
00:47:45Where are we going?
00:47:47We're going to call Zoli Tijansko.
00:47:49We're going to wait for the organization.
00:47:52My pictures and my decision.
00:47:57Wait.
00:47:59What is our journey?
00:48:02That's what we can do.
00:48:03Mr. Ljubov,
00:48:05if we create a personal and hype with Doroteo,
00:48:08the pictures would be more valuable than the price.
00:48:11Of course, it's a lack of patience.
00:48:14But I believe that you'll be happy.
00:48:16And professionally and financially.
00:48:20I think that's the best.
00:48:21I think this is a good time.
00:48:22I'm not sure.
00:48:23It's always helping me.
00:48:25But let's see.
00:48:27You don't see anything.
00:48:33You don't see any of the music.
00:48:35You don't see the music.
00:48:37You're on this.
00:48:39You're on the court.
00:48:41You're on the court and go to Zoli.
00:48:43You're on this.
00:48:45You are on the court and throw me into the grass.
00:48:47It's not a lot.
00:48:48You will use it, throw it, take it, take it away, Dorotea!
00:49:18The girl is very good.
00:49:23Don't leave me now.
00:49:28Let's go back to the meeting.
00:49:48Sheffield, everything is okay?
00:49:53Dripac goes out of the door and after a few days I have a murder on the door.
00:49:59To Matorog who was arrested his sister.
00:50:02That's true.
00:50:05He says he doesn't have a connection with him.
00:50:09And we believe him?
00:50:12I don't believe him.
00:50:15But he doesn't have such a tip.
00:50:25Yes?
00:50:27Good.
00:50:30Good.
00:50:33Can I ask you?
00:50:35Go to Schweizer?
00:50:37Yes.
00:50:45You can wear a hat.
00:50:47Sorry to say this.
00:50:49I know he doesn't have a uniform.
00:50:53Me that says,
00:50:53Nice.
00:50:55Water.
00:50:57Power.
00:51:00To the heart.
00:51:04John A Sharp.
00:51:06Everybody mode.
00:51:07You don't have to.
00:54:36He's far from my home, he's far from my home.
00:54:41What's then?
00:54:43I mean, what's he even trying to do?
00:54:46Filters!
00:54:48What do you mean?
00:54:49What are you saying?
00:54:50What are you talking about?
00:55:06I'm a little bit on the shišanje
00:55:10and reading the tabloide.
00:55:13Ljubisav Savić Schweizer, 34 years old,
00:55:20was a day of the wrath of the struggle of the war and the struggle
00:55:24with the partners of the internal jobs.
00:55:28One of the times he was one of the one of the murder of the dead,
00:55:33Shvojna Ivanovića, 64,
00:55:39из Beograda.
00:55:41Inspector policије Gordon Todorov
00:55:44изјавио је да је случай Ivanovićовог убиства сада решен.
00:55:55Nova сензационална изложба млade уметнице Doroteје.
00:56:03I know that you know that it is not the end, I know that you know that I know that I know that it will go.
00:56:15Maybe I came back to Beograd with the Beograd bands that sing in the Serbian language.
00:56:21I could not have been able to listen to our things in the deep waters.
00:56:29Just like that I have never been able to listen to the gallery,
00:56:34while searching for an old girl in the gallery, I have found an art series.
00:56:47Scorpions, lechonards, pauners.
00:56:52I know that you know that it is not the end, I know that you know that you are not the end.
00:56:57This clip in the white necklace has certainly been carried out the whole night with Dorotea,
00:57:03playing his dream and playing his dream,
00:57:07speaking to a deep night about creativity.
00:57:11The rest is the taking place.
00:57:17Last time I am going to talk about Scorpions.
00:57:19That is a moment.
00:57:20You see someone that kennt you.
00:57:21Good or not.
00:57:22You're there, that's not.
00:57:25I'm not for the reason.
00:57:26That's I'm too interested.
00:57:28I am yet to wake the light of your timings together,
00:57:31and that's why I wish you would sit to your face.
00:57:33Just a moment.
00:57:34You know someone you...
00:57:36No matter, no.
00:57:36No matter.
00:57:37I didn't interest you.
00:57:38I am. I want to publish these pictures in my Amsterdam gallery.
00:57:44How long are you in Amsterdam?
00:57:45Seven years.
00:57:48The own gallery and art are there. Do you want to know them?
00:57:51I think you are your own.
00:57:53No, I am Kustus. Come on.
00:57:59Sorry, Mr. Andrija Novakovic.
00:58:03Mr. Andrija Novakovic is a gallery from Amsterdam
00:58:05and I am interested in finding some of your pictures.
00:58:09Lazo is your name, Joe Galerista.
00:58:11I am.
00:58:12Dorotea, art. I am.
00:58:14I am.
00:58:15Mr. Lazo.
00:58:17Only Lazo.
00:58:18Okay, could we not talk about it alone?
00:58:21I want to meet you in the art society.
00:58:24Sounds good.
00:58:27It's nice of you, but my pictures.
00:58:29I wonder what I'm asking.
00:58:30Just a minute.
00:58:35Artists are important.
00:58:36Yes.
00:58:37She has something in itself, some frustration that I was waiting for.
00:58:42You are a good acquaintance of women's psychics.
00:58:44No.
00:58:45I just believe that the difference is original from falsificates.
00:58:48And you?
00:58:49How many of you know women?
00:58:50It's quite good to know when to give them.
00:58:54Okay.
00:58:55We will take care of everything.
00:58:56We will talk better.
00:58:57Okay.
00:58:58Okay.
00:58:59All the air.
00:59:01We'll talk better.
00:59:22I'm not a galerist from Amsterdam.
00:59:24I already know.
00:59:26I know galerists from Amsterdam.
00:59:28From Rotterdam.
00:59:29From other ladies.
00:59:31And no one of them is Andrej Novakovic.
00:59:35If you get all your skills, you can join me.
00:59:39Why?
00:59:40In the search of other women.
00:59:43Rastočenih devojaka.
00:59:45Negranih muževa.
00:59:47Johnny Paluba, Chamos.
00:59:58Yes.
01:00:00Pošteni detektivu, nepošteno vreme.
01:00:02Niti sam joj nešto pretirano pošten, niti ovo nešto pretirano nepošteno vreme.
01:00:07A šta si onda?
01:00:08Ja samo brinam u svoj mušterija.
01:00:10I ko su ti mušterija?
01:00:11Da li si čula za Živojno Ivanovića?
01:00:13Nikad čulo.
01:00:14Obodljen je pre dve nedelje u stomaku, traži komično pokušaju pljačke.
01:00:18Zašto mi te govoriš?
01:00:19Zato što su njegove slike koje izlažeš večeras u galeriji.
01:00:26A Doroteja?
01:00:27Koliko znaš o njoj?
01:00:29Pa ne znam, mnogo znam da je vrlo intuitivan umjetnik.
01:00:33Drugim rečima ne zna da slika slike.
01:00:37Pa ne to ne mora da znači.
01:00:39Mislim...
01:00:40A ovo je slikano u Žikinov ateljevu pre tri nedelje.
01:00:44Doroteja je bila njegov model.
01:00:46Kad je isparila, Žika me je unajmio da je nađem.
01:00:51Kako on je došlo za slika?
01:00:53To nisam rešio.
01:00:58Ovo je nekog tipa, Ljuba Švajser, njen ex.
01:01:07Obijen je pre dve nedelje.
01:01:09Jedno olovo u glavu, drugo olovo u stomak.
01:01:13Kako sve to?
01:01:15Vjerovatno njegova ekipa.
01:01:17A da, rekla je da ga je ekipe traži.
01:01:19Znači, trebalo je da...
01:01:21Čitem crnu hroniku, a ne likovnu kritikuje.
01:01:25I šta ćemo sad?
01:01:26Ništa.
01:01:27A policija?
01:01:28Zašto bi to radili?
01:01:30A dobro da Ivanović...
01:01:33Žika je bila toliko lud za Doroteju.
01:01:35Čak i da ga je ona roknula, ne bi izval policiju.
01:01:39Čak bi pristao i da on slika, a da se ona potpisuje.
01:01:43Na slike?
01:01:44Naročito na slike.
01:01:46Pa da kada u tom slučaju, idemo na izluzbu.
01:01:50To što je Žika Ivanović vide u njoj vidi mi ja, to je magnetizam.
01:01:54Art World će je zavaliti.
01:01:57Ali ona ne zna da slika?
01:02:00To još ne znam.
01:02:06Njena je.
01:02:09Iđeš?
01:02:10Da.
01:02:11Morao sam da prečutim neke stvari lazi.
01:02:32Tako je bolje za njega.
01:02:33Slučaj je završen kad u trenutku upališ ljačba, a neprijateljski snajper se ne oglasi.
01:02:49Marinac je preživeo iskrcavanje, trgovački mornar je dostavio robu.
01:02:55I tako sve do sljedećeg slučaja, dok ti ovaj polupani grad i pravila igre u njemu ne dođu glave.
01:03:02Svanuće i to jutro, ali ću ja tog dana pusteti u podne.
01:03:17Ja znam da znaš da nije kraj, verujem u tebe znaj.
01:03:30Ja znam da znaš da proći će, novo jutro zvanju će.
01:03:39Ja znam da znaš da nije kraj, samo tebe sanjam znaj.
01:03:46Ja znam da znaš da ne bojim se, i za uvek volim te.
01:03:57Crno je ne, crne su noći, crna je zemlja, crni su dani u samači.
01:04:11Ja znam da znaš da nije kraj, verujem u tebe znaj.
01:04:20Ja znam da znaš da ne bojim se, i za uvek volim te.
01:04:27Crno je nebo, crne su noći, crna je zemlja, crna je zemlja.
01:04:45Crno je nebo, crne su noći, crna je zemlja, crni su dani u samači.
01:04:59Ja znam da znaš da nije kraj, veujem u tebe znaj.
01:05:08Ja znam da znaš da nije kraj, samo tebe sanjam znaj.
01:05:16Ja znam da znaš da nije kraj, i još se ludo volim znaj.
01:05:24Ja znam da znaš da nije kraj.