A Change Of Place_1994

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FULL HOT MOVIE  Kim Jameson, an art-history student, poses as her twin, a Paris model whose boss suspects her of theft.   *  #watchfreemovie  #watcnow  #fullmovie  #watchonlinemovie  #freestreaming  #StreamingNow  #MovieRecommendations  #MustWatch  #ClassicMovies  #Thriller  #Mystery  #WatchOnline  #TopRatedMovies  #CinemaLovers  #DramaFilm  #ForeignFilms  #AwardWinning  #MovieOfTheDay  #InstantClassic  #FeelGoodMovies  #RetroMovies  #MovieClips  #BestCinematography  #StreamingTonight  #LateNightMovies  #RomanticDrama  #Top10Movies  #PopcornTime  #MovieMarathon  #LoveStory  #romanticmovie  #WatchFree  #FreeMoviesOnline  #FilmOfTheYear  #BestMoviesEver  #Comedy  #FunnyMovie  #mustwatchmovie  #Movie  #Film  #filme  #Movies  #FullMovies  #ActionMovies  #ComedyMovies  #HorrorMovies  #DramaMovies  #RomanticMovies  #ThrillerMovies  #EuropeanFilms  #europeanmovie  #FrenchCinema  #SpanishMovies  #ItalianFilms  #GermanMovies  #EuropeanMovieClips  #EuropeanFilmFestival  #BestEuropeanMovies  #TopEuropeanFilms  #ClassicEuropeanCinema  #EuropeanDramaFilms  #EuropeanFilmAwards  #ScandinavianMovies  #EuropeanHorrorFilms  #EuropeanComedyMovies  #EuropeanArtFilms  #EuropeanIndieFilms

Transcript

00:00:00okay the Renaissance was a time of rebirth and rediscovery a time when

00:00:09artists took a fresh look at the world in which they lived and these artists

00:00:13helped to rekindle a sense of adventure and romance as they struck out to

00:00:17discover things about themselves in the world that they had never taken a close

00:00:21look at before now during this period each city had a school of art with its

00:00:31own style and approach but all were dedicated to a feeling for the

00:00:36individual the personal emotions and beauty now this can best be seen in the

00:00:43work of Tizianello a contemporary of Veronese and Tintoretto

00:00:50all of these painters explored light and dark with their use of color and

00:01:15composition they were trying to illustrate the diversity of human nature and

00:01:20human individuality the way in which all of us have a light side and a dark side

00:01:24to our nature oh that sounds a little pretentious okay it's the right idea just

00:01:30try and not be so serious about it okay lady in reflection illustrates that

00:01:35essential quality it also reminds us that the face we show the world is often

00:01:43different from our true self now despite the impression of vanity Tizianello

00:01:50Tizianello's interest was in showing that true beauty comes from within

00:01:54Miss Jamison the rest of the campus is under the impression it's summer break

00:01:58the rest of the campus don't have a doctoral thesis to deliver this fall and besides my

00:02:03lectures I have about three dozen research papers to read not to mention your texts

00:02:07what kind of a summer is that my dear you are without a doubt our brightest graduate student

00:02:14your scholarly instincts are remarkable but a work of art depends as much on what we bring to it

00:02:22as what the artist gives us to look at art is only a reflection of life Miss Jamison

00:02:29it is necessary for us to have a life before we can truly appreciate it you need to show your true

00:02:38face to the world maybe after I have my PhD well right now I need you to join the class outside

00:02:49oh not another group picture just say sorry I forgot to advance the film now now Miss Jamison

00:03:03leave us not be thirsty this is my end of term portrait and you more than anyone should

00:03:09appreciate the photographic process smiles everyone there all right now ready

00:03:39I thought it might be you Kate oh it is so good to see you I just got him from Paris

00:03:53duty free I know I couldn't count on you for anything stronger than tea

00:03:57welcome home

00:04:00how did you get in what do you think I told the doorman I forgot my key

00:04:08he said they liked your new look how that old game fun as it ever was yeah it was fun when we

00:04:14were kids and that's right uh you haven't liked playing it since um what was his name it's Peter

00:04:23Robinson

00:04:23God I have missed you Kate the name is Dominique now remember

00:04:34what you all right you look tired

00:04:43yeah you just haven't seen me in a while

00:04:49four years isn't a while

00:04:55has it been that long

00:04:58even longer since you've seen mom and dad

00:05:01well they must be happy with all your degrees

00:05:04I think that they're proud of both of us Kate

00:05:08well so we should celebrate put on your party dress because I am taking you dancing

00:05:14no I don't think thinking is not required what is required is something black and sexy

00:05:21I've got one you can wear I came in town to do a favor for a friend I may as well do you a favor

00:05:26and get you up to come on

00:05:33come on

00:05:37come on

00:05:41come on

00:05:48come on

00:05:49I can't wait to tell Mr. Arnold how fabulous this is.

00:06:00Anything for Jacques?

00:06:02Mm. Mm.

00:06:09Would you take care of my sister?

00:06:11Sure.

00:06:13Rebecca!

00:06:19Come on, please. Look at the lady proof.

00:06:31What were you doing?

00:06:32This really isn't my style, Kate.

00:06:34Come on.

00:06:35You're gonna go have a good time whether you want to or not.

00:06:49I can't believe you get paid for this. We just put this dump on the map.

00:07:01Hey, Dominique, care to dance?

00:07:03I can't believe you get paid for this.

00:07:07We just put this dump on the map.

00:07:09Hey, Dominique, care to dance?

00:07:11Hey, You're welcome with me today.

00:07:20They might be like you.

00:07:21They might be like you.

00:07:22They might be like you.

00:07:23They might be like you.

00:07:26They might be like you.

00:07:27Ladies.

00:07:28They might be like you.

00:07:30I know music.

00:07:32They're great.

00:07:33Are you looking for me now?

00:07:34Use for pottery, too.

00:07:35Take the money off my time.

00:07:36Misthink that I don't want time

00:07:40Fuckin'

00:07:45Back it

00:07:52Fuckin'

00:07:57She's like it

00:08:02Does it matter what a thing

00:08:04You're afraid to beat yourself, you can't take that away.

00:08:06You're afraid to beat yourself, doesn't matter what they say.

00:08:11You're afraid to beat yourself, you can't take that away.

00:08:14What you gonna do, what you like, you're gonna wear.

00:08:16Lock it on your own, gotta die, girl.

00:08:18Get it up, live it up, live it up, baby.

00:08:20Go ahead and go down.

00:08:24You'll see yourself.

00:08:28Start up.

00:08:30Thanks, Dominique.

00:08:34I'll let Jack know what a hit you were.

00:08:36Anything for Jack.

00:08:40Sorry, it's been a long day, the jet lag finally hits.

00:08:52Take it easy.

00:09:00Oh.

00:09:06Maybe you should just lay off.

00:09:08Oh, if I need it, I take it.

00:09:10If I don't, I don't.

00:09:12You've been drinking all night.

00:09:14Why don't you get a life, Kim, so you don't envy mine?

00:09:18Because I don't envy alcoholics, Kate.

00:09:20I work hard.

00:09:22It steadies my nerves.

00:09:24By now, you ought to be steady enough to climb Mount Everest.

00:09:26Cut the sarcasm, Kim.

00:09:28It doesn't suit your image.

00:09:30The way falling down drunk suits yours.

00:09:37God, Kate, I'm so sorry.

00:09:39Look, I'm in trouble, okay?

00:09:40Are you satisfied?

00:09:45I arrived late at photo sessions.

00:09:47I can't walk straight sometimes.

00:09:50I need one of these, or I can't even remember where I'm supposed to be.

00:09:58I want to stop, but I'm not strong enough.

00:10:00Well, you don't have to do this alone.

00:10:02There's a good rehab center here.

00:10:04I can't.

00:10:05My career would be over in a week.

00:10:08Come on, recovery's a status symbol.

00:10:10Everybody who's anybody is coming back from something.

00:10:12Look.

00:10:21This is Jacqueline Kim.

00:10:23Little Miss Young and Ruthless.

00:10:26She wants to be the next Chambertan cover girl.

00:10:31If they found out I was drawing out, she'd take my place.

00:10:34And once you're off the cover, you never get back.

00:10:37We're talking about your life, Kate.

00:10:39This is my life.

00:10:42Without it, I don't have anything.

00:10:45I wish I could take your place.

00:10:51What did you say?

00:10:53I said it's too bad I can't fill in for you.

00:10:56No.

00:11:00Yes.

00:11:02No.

00:11:04Yes.

00:11:06Take my place.

00:11:07Hey, don't be crazy.

00:11:08I told you that I'd never...

00:11:09It would work, Kim.

00:11:11But you'd save my career and my life.

00:11:15No.

00:11:18Please.

00:11:20It's the only way.

00:11:25You check into rehab?

00:11:27Yes.

00:11:31I can't do the things that you do.

00:11:33I don't have your grace or your style.

00:11:35I'll teach you.

00:11:37Kim, it would work.

00:11:38People always got us confused.

00:11:40But we're from different worlds now.

00:11:42I could never be as free as you are.

00:11:44I don't have your strength.

00:11:46You call this strength?

00:11:49It would never work.

00:11:52You wanna bet?

00:12:02Get rid of that ponytail.

00:12:13So, what do you think?

00:12:15This is too crazy for words.

00:12:19But I'll try if you'll try.

00:12:28That's better.

00:12:30Good.

00:12:34Come on back.

00:12:37One, two, three, four.

00:12:39One, two, three, four.

00:12:41Kate, this will never work.

00:12:43I can't do this on a runway.

00:12:45So? You won't have to.

00:12:47We only do the big runway shows when we're debuting the new lines.

00:12:50The Chambertan line doesn't debut for six weeks.

00:12:53You said I only had to be in the clinic for four.

00:12:55Yeah, but I still have to act like a model.

00:12:58You'll only have a few private showings scheduled at the salon.

00:13:01Henri will be so happy I'm not bumping into the customers who won't notice your technique.

00:13:04Henri?

00:13:05Henri Chambertin, of the house of Chambertin.

00:13:08Actually, I should draw you a floor plan.

00:13:10Paul is his doorman.

00:13:11You have a nodding acquaintance with the sales girls, and Marie is the chief fitter.

00:13:14I helped her have a jam a little while ago, so if you need her, you can count on her.

00:13:15Now, who's he?

00:13:16Philip Claremont.

00:13:17He's an American.

00:13:18He's Henri's new partner.

00:13:19Bought a controlling interest in the company last year.

00:13:20He's not bad looking.

00:13:21Yeah?

00:13:22Well, he doesn't have much use for me.

00:13:23He would love to fire me, but he can't.

00:13:24He's not.

00:13:25He's not.

00:13:26He's not.

00:13:27He's not.

00:13:28He's not.

00:13:29He's not.

00:13:30He's not.

00:13:31He's not.

00:13:32He's not.

00:13:33He's not.

00:13:34He's not.

00:13:35He's not.

00:13:36He's not.

00:13:37He's not.

00:13:38He's not.

00:13:39He's not.

00:13:40He's not.

00:13:41He's not.

00:13:42He's not.

00:13:44Why not?

00:13:45Because I'm a star.

00:13:47The question is, am I?

00:13:50This will tell you about everyone and everything you'll need to know for the next month.

00:13:54What about the man that you opened the club for?

00:13:56Jacques Arnault?

00:13:57He's gone to Hong Kong for a month, so you don't have to worry about him.

00:14:00Is he someone special?

00:14:02No.

00:14:03He owns some nightclubs.

00:14:04He sort of designs a scene.

00:14:06Just forget about him.

00:14:07It's almost three.

00:14:12Well, let's get ready and get out of here.

00:14:17Before I change my mind.

00:14:26Kate, relax.

00:14:28Bare Oaks has a great reputation.

00:14:30They're among the best in the world and they are very discreet.

00:14:33I know this is hard, Kate.

00:14:42But you're doing the right thing.

00:14:44Maybe you should just phone and tell them you don't know where I am.

00:14:48I'll figure out something later.

00:14:50No, it'll work out.

00:14:51Just leave it to me.

00:14:53And concentrate on getting better.

00:14:56Miss Jameson?

00:14:57I'll take you up and register you now.

00:14:58The doctor will be long later.

00:14:59And don't worry.

00:15:00We're here to help you through this.

00:15:01Not judge what brought you to us.

00:15:02I'll call you as soon as I can.

00:15:03I'm sorry.

00:15:04There are no calls or visits allowed for the first three weeks.

00:15:05It's best for all concerned.

00:15:10I love you, Kate.

00:15:11And don't worry about a thing.

00:15:23I love you, Kate.

00:15:26And don't worry about a thing.

00:15:29Oh, my God.

00:15:59Mademoiselle Dominique?

00:16:11Mademoiselle Dominique, Monsieur Arnaud requested we leave your plane.

00:16:16We?

00:16:17He felt the world should know. Dominique had returned to Sarine.

00:16:29Dominique, over here.

00:16:37Dominique, over here.

00:16:39Open the door.

00:16:41Open your back.

00:16:43Open the door.

00:16:45Open the door.

00:16:49We?

00:16:52Cloud or the door.

00:16:53Open the door.

00:16:55Open the door.

00:16:57Open the door.

00:19:59I'm sorry, I had to send a limo instead of meeting you in person.

00:20:07Do you like the flowers?

00:20:08Yes.

00:20:15I thought that you had business in Hong Kong.

00:20:23I made my business arrangements more quickly than I expected.

00:20:28The new club owner said you were wonderful.

00:20:37I'm glad.

00:20:38I'm glad.

00:20:42Perhaps it's time to discuss another type of performance.

00:20:51Excuse me?

00:20:52I told you.

00:20:53I told you when I came back from Hong Kong, I wanted to discuss an important matter.

00:20:59Don't tell me.

00:21:00Don't tell me you've forgotten, Sherry.

00:21:06Actually, I'm a little tired.

00:21:12Would you mind if we discussed it later?

00:21:14Fair enough.

00:21:16Yeah.

00:21:17But we can't leave it too long, can we?

00:21:23Let's have dinner at Tour d'Augène this week.

00:21:25That would be fine.

00:21:26Don't forget to dream of me.

00:21:56Hello?

00:22:13Who?

00:22:17Henry.

00:22:19No!

00:22:20Of course I haven't forgotten.

00:22:21And my plane was late.

00:22:24I'll be right there.

00:22:51I'll do anything for you.

00:22:58I'm willing.

00:23:19Good morning, Paul.

00:23:21Good morning.

00:23:32Good morning.

00:23:39Paul is the doorman.

00:23:40You have a nodding acquaintance with the salesgirls.

00:23:43Marie is the fitter.

00:23:45It's confidence. Relax.

00:23:47Oh, I'm so sorry.

00:23:55Oh, I'm so sorry.

00:23:56Sorry.

00:23:57I see you decided to come back to us.

00:24:02Yeah, I just went away for a few days.

00:24:06Without letting anyone here know where you were going.

00:24:09Won't happen again.

00:24:11You may still think you're a star, but some of us are having our doubts.

00:24:15I didn't realize that visiting my sister was any of your business.

00:24:20Anything that takes you out of Paris is my business.

00:24:22Including my private affairs.

00:24:24When you go out of town to open a new club for Arnault, I can't help thinking you have something to hide.

00:24:29And I can't help thinking that you're a...

00:24:31Dominique?

00:24:32This can't be you.

00:24:33Look at her, Philip.

00:24:34She has put on at least five pounds.

00:24:37I think she looks almost normal.

00:24:39My customers don't like normal women.

00:24:41We will have to give the finale to Jacqueline.

00:24:43She will never get into the gown.

00:24:44She may have had too much home cooking, but she is not deaf.

00:24:48You can talk to me.

00:24:50And the gown will look better with more of me in it.

00:24:55What do you think, Philip?

00:25:05I think if the gown fits, we should let her wear it.

00:25:08Well, thank you.

00:25:10If you'll excuse me, Marie's waiting.

00:25:13Carmen, you are in the solids.

00:25:26Jacqueline, you are in the polka dots.

00:25:29Polka dots make me look like a child.

00:25:32You want me to tell Henri you think his collection is childish?

00:25:36Morning.

00:25:38Your rail is there, Dominique.

00:25:42Sorry, I'm late.

00:25:47How was your mysterious weekend?

00:25:50Uh, uneventful.

00:25:52Jacqueline was hoping you'd fall in love and never come back.

00:25:56Oh, I'm sure Dominique would never let her heart interfere with her career.

00:26:01In fact, I heard she had it removed, so it couldn't.

00:26:05I'm sorry.

00:26:06Your sister must be an excellent cook.

00:26:08My sister?

00:26:09The one you want to visit.

00:26:10Why don't you put this off?

00:26:11It's why they're in the heaps.

00:26:12All right, everybody.

00:26:13Everybody else is free to leave for the day.

00:26:15Who are you?

00:26:16Who are you?

00:26:17I know Dominique.

00:26:18I know Dominique.

00:26:19I know you're not good.

00:26:20I know you're not good.

00:26:21But why don't you put this off?

00:26:22Why don't you put this off?

00:26:23It's why they're in the heaps.

00:26:24Everybody. Everybody else is free to leave for the day. Thank you.

00:26:43Who are you?

00:26:45I know Dominique's body, and this is not it.

00:26:51Are you a twin?

00:26:54Yes.

00:26:55Where the hell did she send you? Where is she?

00:27:02She's in a rehab center.

00:27:04Oh, well.

00:27:07She finally admitted she has a problem.

00:27:11You are a model.

00:27:13I'm an art history student.

00:27:16You are as crazy as she is.

00:27:18You know you'll never get away with this.

00:27:20She needs to get well.

00:27:22I'm only going to cover for her for a month.

00:27:24A month?

00:27:25Oh no.

00:27:26The new line debuts next Saturday.

00:27:29Saturday?

00:27:30Yes.

00:27:31She told me that it doesn't even...

00:27:32No, no, no.

00:27:33Philip brought the date forward to break the competition.

00:27:35This is our most important runway show in years.

00:27:38I can't fake a big fashion show.

00:27:40No, of course you can't.

00:27:41We're just going to have to go to Philip and tell him the truth.

00:27:44No, no, no.

00:27:45No.

00:27:46Saturday's almost a week away.

00:27:47We could...

00:27:48I could take lessons.

00:27:49You could teach me...

00:27:50No, I couldn't.

00:27:51Philip would find out immediately, and if you were found out on the runway, we'd all be finished.

00:27:56Oh, this is insane.

00:27:59Dominique told you that she helped you out of trouble once.

00:28:02So?

00:28:03So.

00:28:04Maybe it's your turn to help her act.

00:28:07Please, Marie.

00:28:09She loses her career.

00:28:11She'll never get sober.

00:28:13That's true.

00:28:16Oh.

00:28:17All right, all right.

00:28:22I guess I owe her that much.

00:28:25You just save your thanks until we know that this works.

00:28:28Okay.

00:28:31And lose those few pounds.

00:28:43All right.

00:28:46Oh.

00:28:48Oh.

00:28:58world-y,

00:29:00so we had to do the rest.

00:29:02Really upset when we were just ladies pushing and Walking Oh Me.

00:29:04We kept dancing, but, yeah, it wasn't cool.

00:29:05No, that's like the Maggie!

00:29:06They were oh-

00:29:08Yes.

00:29:09They were about you.

00:29:10You were the nehme.

00:29:11Let's go.

00:29:41I trust you know where these go.

00:30:11I trust you know where these go.

00:30:41You know, you and your sister have more in common than you think.

00:31:03Yeah?

00:31:03Mm-hmm.

00:31:05Come and sit down for a while.

00:31:07No, I've got to go for a run.

00:31:09Oh, there's no need to push yourself so hard.

00:31:11Besides, Philippe said he likes you with your new curves.

00:31:15I don't know how Kate does this.

00:31:17Who's Kate?

00:31:19Oh, that's my sister's real name.

00:31:21You know, I always thought that she lived this soft life.

00:31:23A lot of parties, a lot of boyfriends.

00:31:25Oh, she has a few.

00:31:26Jacques Arnaud?

00:31:27You never struck me as her type.

00:31:30Well, she came home to do him a favor, but he seems to expect something more.

00:31:34Will you be careful?

00:31:36You may be a charmer.

00:31:37There's all the charm of a cobra.

00:31:39I can't thank you enough for all you've done for us.

00:31:49Oh.

00:31:49Your sister has a lot of faults, but she helped me when I desperately needed money.

00:31:57It was very selfless of her.

00:31:59That seems to run in your family.

00:32:03Yeah, Kate sure can mess things up, but she has spirit.

00:32:06Now, that is the attitude you need for the runway, that spirit.

00:32:12A body is just a body.

00:32:14The very best mortals, they do it all up here.

00:32:19Up here?

00:32:21Mm-hmm.

00:32:22It's the ultimate strut, your stuff, yes?

00:32:25Yes.

00:32:26You have to believe that you are the most beautiful woman in the world.

00:32:31If you believe it, they will.

00:32:36You have to believe it.

00:33:24Slurves.

00:33:25Slurves.

00:33:36You will be perfect.

00:33:55Believe it.

00:33:56Don't stumble tonight, Dominique.

00:34:11Oh, God.

00:34:33Oh, God.

00:34:34Oh, God.

00:34:42Oh, God.

00:34:43Oh, God.

00:34:47Oh, God.

00:34:48Bravo!

00:35:18You don't know if you can.

00:35:45She's a genius!

00:35:48We have set up the line.

00:35:54I hope so, aren't we?

00:35:56We're both at six.

00:39:10And how are you now?

00:39:12Exhausted.

00:39:13My dear, you were superb.

00:39:18Everybody wants to meet you.

00:39:20Everybody.

00:39:21Oh, well done, my child.

00:39:25Nice work.

00:39:25Come get a hug.

00:39:26Come get a hug.

00:39:34I'm sorry.

00:39:35I'm sorry.

00:39:36You're good.

00:39:37I'm sorry.

00:39:38I'm sorry.

00:39:39I'm sorry.

00:39:39Let me take you home.

00:40:03I don't, Henri said...

00:40:04I don't care what Henri said.

00:40:05I'm taking you home before you fall down, okay?

00:40:07Excuse us.

00:40:09You don't know how much I appreciate this.

00:40:21It's very good long for you.

00:40:30Well, good.

00:40:33Are you capable of undressing on your own?

00:40:36Yes, I'm quite capable of undressing on my own.

00:40:40You're wearing Henri's merchandise.

00:40:43Oh, sorry.

00:40:45I should throw you back in the phone.

00:40:48Oh, and thank you for getting me out of there,

00:40:50because I ain't school.

00:40:52Fading fast.

00:40:54I thought the show went quite well.

00:41:18I was concerned what effect a drunken model would make on the customers.

00:41:28Hey, I am not drunk.

00:41:30I'm exhausted.

00:41:31I worked my behind out for this show.

00:41:33Then get some sleep.

00:41:34You have a photo shoot first thing tomorrow.

00:41:36Yes.

00:41:52Yes, perfection, enough, thank you my dear, that's all for today, Dominique, we do the

00:42:10covers now, but first we change the lighting, so take a break.

00:42:17Do you like it?

00:42:43Yeah, it shows less linear emphasis in his early work, and his use of light and color

00:42:47is much more confident.

00:42:52You certainly know what you're talking about.

00:42:56Forgive me for assuming you'd had too much to drink last night.

00:43:01It's not like I haven't given people that impression.

00:43:03Don't you like this collection?

00:43:08Yes, I'm writing, I'm reading a book on it, I get my thoughts down and I compare them

00:43:13with the books at home.

00:43:16Is Venetian Renaissance art your specialty, or do you have broader tastes?

00:43:21Such as?

00:43:23Favorite work?

00:43:25Actually, it's something that I've never seen.

00:43:27What is it?

00:43:30It's a bronze in the private collection of the Marquis de Bellevaux.

00:43:34Really?

00:43:37Dominique, nice to see you.

00:43:39Jacques?

00:43:41Congratulations on last evening, your string of triumphs continues.

00:43:47Monsieur Clermont.

00:43:51It seems our friend has assured that Chambertin will survive one more season.

00:43:56The house of Chambertin is as solid as ever, Monsieur Arnault.

00:44:01Taste is a fickle commodity.

00:44:05No one knows that better than I.

00:44:09Or I.

00:44:10I believe the museum is closed to the public for the day.

00:44:17Yes, so I understand.

00:44:19I, however, came to see Dominique.

00:44:27Excuse me.

00:44:37I made a reservation for this evening.

00:44:39Eight o'clock, all right?

00:44:43Dominique?

00:44:44Eight.

00:44:45Ah, sure.

00:44:46Um, if you'll excuse me, Jacques, I have to get back to work.

00:44:50Don't be late.

00:44:52Your career may depend on it.

00:44:54Has she changed since she came back?

00:45:11Or is it just me?

00:45:14No.

00:45:15She's not the same woman.

00:45:17Not at all.

00:45:18Oh...

00:45:24Oh...

00:45:25Oh...

00:45:26Oh...

00:45:27Oh...

00:45:27Oh!

00:45:28Hi.

00:45:52Hi.

00:45:53Hi.

00:45:53In the 16th century, the Marquis de Bellevaux came to my family to borrow money, to buy

00:46:01works of art.

00:46:02It came to your family?

00:46:03I thought that you were American.

00:46:04Well, yeah.

00:46:05I mean, for the last couple of hundred years, sure, but before the revolution, we Claremonts

00:46:10were counts, dukes, whatever you want.

00:46:11I had no idea that I was talking to royalty.

00:46:15Well, hardly.

00:46:17But you did say they had a sculpture you wanted to see.

00:46:24I've never seen so many beautiful sculptures.

00:46:28Look at this place.

00:46:34And no one here to enjoy it.

00:46:36Makes it a privilege to show it to somebody who will.

00:46:40I come here a lot by myself.

00:46:42Yeah.

00:46:43Right.

00:46:44That's true.

00:46:45I do.

00:46:46For a thousand years before the revolution, we Claremonts were patrons of the arts.

00:46:52Something I'd always wanted to get back to.

00:46:54Oh, is that why you invested in the fashion business?

00:46:57Well, yeah, I'd always wanted to return to Paris and fashion in its way as an art form.

00:47:02Yeah.

00:47:03So I'd been led to believe the house of Chambertin could be profitable.

00:47:06Why is it not?

00:47:07Well, Henri is a great artist, but his business sense is non-existent.

00:47:13We needed a very good season.

00:47:16Needed.

00:47:18We're about to launch the new season now.

00:47:22This morning somebody broke into Henri's office while we're doing your cover shots.

00:47:28Some sketches and their muslin patterns were stolen.

00:47:32Why would anyone steal his work?

00:47:35Well, it happens from time to time in this business.

00:47:37Mass market is in the Far East using those patterns.

00:47:40Before we can even break this line, Henri's creations could be in hundreds of stores.

00:47:44Did you call the police?

00:47:47Oh, publicity like this could ruin us.

00:47:51Do you have any suspects?

00:47:53Has to be somebody inside the firm.

00:47:58Also, I think they're working for Jacques Arnault.

00:48:00Arnault?

00:48:02Because of his clubs, there's access to all the right people, not all the wrong ones.

00:48:06You don't think that I had anything to do with it?

00:48:10Not unless you can be in two places at once.

00:48:13Nope.

00:48:18Oh, that is more beautiful than I expected.

00:48:21You know, I feel like I'm just getting to know who you are.

00:48:28Yeah.

00:48:30Know what you mean.

00:48:34Want to go out for dinner?

00:48:37I can't.

00:48:38I already have plans.

00:48:40Can't cancel them?

00:48:41No.

00:48:42I want to.

00:48:46Maybe I can persuade you.

00:48:48Um...

00:48:50Could you take me home?

00:48:53Why?

00:48:55Is there someone I have to see?

00:48:59Sure.

00:49:11Do I have any questions?

00:49:26Yes.

00:49:28chair

00:49:30How about it?

00:49:33Well, you can't take off my seat or anything.

00:49:36Well...

00:49:40Is my question.

00:49:41Oh, no. Mineral water, please. Thank you.

00:49:49Watching my weight.

00:49:51You look enchanting already, and no life is worth living without champagne.

00:49:56I don't know.

00:50:00I should have known a paparazzi would be here.

00:50:03Dominique is on top once again.

00:50:05It would be a shame if this fame were fleeting.

00:50:19Did you get the sketches?

00:50:21The sketches?

00:50:23I'm disappointed. I heard there was a problem at Chamber 10 today.

00:50:26I was hoping that you'd finally come through for me.

00:50:30This is what you wanted to discuss.

00:50:32Don't play innocent. You weren't that drunk when I first told you about this.

00:50:36And we both agreed that friends should do each other favors, didn't we?

00:50:44Yeah, but it's too risky.

00:50:47Philip already suspects me because of our friendship.

00:50:49He does, does he? Maybe we should tell him the whole story.

00:50:52My dearest Dominique, what would he think if he knew that your wild evenings at my club

00:51:01could destroy the reputation of the house of Chambertin all by themselves?

00:51:09I doubt that he would listen to what you have to say.

00:51:12True.

00:51:14But he will believe his own eyes.

00:51:18Some may call that pornography. I prefer to think of it as art.

00:51:30Quite a night, wasn't it?

00:51:33Imagine how these would look.

00:51:35In one of those magazines or on Philip's desk.

00:51:41They're fakes.

00:51:42My dear, we both know that you've lost entire days to the bottle.

00:51:47And I was always there, sweetheart.

00:51:50Scraping you up off the floor when you couldn't move.

00:51:55I don't remember.

00:51:58Perhaps you were too drunk to remember what you were doing.

00:52:01Perhaps not.

00:52:03Get me the sketches and muslin, shall we?

00:52:06When I get them, you get these.

00:52:12And I am prepared to bring you down along with the house of Chambertin.

00:52:36Fair Oaks Clinic.

00:52:38Yes, Kate Jameson, please. It's an emergency.

00:52:41I'm sorry.

00:52:42There's no contact allowed for the first three weeks.

00:52:45But if you'd like to leave a message...

00:52:47No, no, no, no.

00:52:47That's too complicated.

00:52:49Please just get her to call her sister as soon as she can.

00:52:59Where's Marie?

00:53:01Being questioned by Marie.

00:53:03His designs have been stolen.

00:53:05Speaking of which, have you seen Jacques Garneau lately?

00:53:08Don't bathe me, Jacqueline. I'm not in the mood.

00:53:11From the screaming, it sounds like Marie is about to confess whether she did it or not.

00:53:16Good.

00:53:17Maybe we'll get a cheap fitter who won't put me in coconuts.

00:53:24How can you treat her like this?

00:53:27All right, Marie. We'll speak to you later.

00:53:29That woman has given her life to the house of Chambertin.

00:53:37Yes, she also just bought herself a new apartment.

00:53:40So?

00:53:41Her husband died a year ago.

00:53:43He was a civil servant who never made enough money in his lifetime to buy a car, let alone an apartment.

00:53:49And that's enough to assume she destroyed the only company she's ever worked for?

00:53:52But she just found an apartment, and somebody else paid for it.

00:53:57I paid for it.

00:54:01You?

00:54:02Yes.

00:54:04But what didn't she say?

00:54:05Why should she?

00:54:08Why should I?

00:54:11How was your dinner?

00:54:12I heard you and Arnaud were together all night.

00:54:20I have done nothing to hurt the house of Chambertin.

00:54:30That woman.

00:54:31One day you want to fire her.

00:54:33The next, she's every passion you want to associate with your designs.

00:54:37Henri, I think we should risk the publicity and go to the police.

00:54:44We'll explain these become the patterns to your creations.

00:54:46Kind of a blueprint.

00:54:48This is not a blueprint.

00:54:50This is a vision.

00:54:51A one-of-a-kind stroke of genius.

00:54:54Irreplaceable.

00:54:55We have to replace them.

00:54:56We have no choice.

00:54:58We can't stay in business unless we market a full line of designs this season.

00:55:02Oh, yes.

00:55:04Have another vision.

00:55:06It's easy for you to say.

00:55:07Henri.

00:55:08No, no, no.

00:55:10No, it's the fate of the artist.

00:55:12I will go seek my muse.

00:55:14You just pray that I find her.

00:55:25Marie.

00:55:26Why didn't you tell them that Dominique gave you the money?

00:55:28I thought it would make them suspect her.

00:55:31You probably would have been right.

00:55:33They know that I didn't steal the designs.

00:55:35But I don't know how deeply Dominique was involved.

00:55:40Meaning?

00:55:41Arnaud has photos of her.

00:55:43The kind of photos that make you a little more than notorious.

00:55:46No.

00:55:47She would have agreed to do anything to keep them from being seen.

00:55:50And the way he saw it, it was obvious he thought she'd done it for her.

00:55:53I've always thought that man was dangerous.

00:55:55He's a street thug with money.

00:55:57You know, there's a rumor there is bad blood between him and Philippe.

00:56:02Well, whatever's going on, I just lied to Philippe to cover for Kate.

00:56:07Oh.

00:56:08You're very attracted to him, aren't you?

00:56:12Me?

00:56:13No.

00:56:14Of course not.

00:56:15Oh, good.

00:56:16That's one less thing to worry about.

00:56:19Okay, there is a little attraction.

00:56:23It was not me that he sees.

00:56:24It's Dominique.

00:56:26Oh.

00:56:26I knew we shouldn't have played that game again.

00:56:30Game?

00:56:33When I was 17, I met this boy, Peter Robinson.

00:56:37He was the first boy I ever had a crush on.

00:56:40He asked me out, but I had a term paper to deliver, so Kate took my place.

00:56:46And what happened?

00:56:47She was her usual boisterous self, and he fell in love with her.

00:56:52Oh, that girl.

00:56:53After that, we never played the game again.

00:56:55Uh, this is, uh, an exclusive, original.

00:56:59I can't go on a catwalk like this.

00:57:01There is no catwalk.

00:57:03You walk among the guests.

00:57:09Oh, Jacqueline.

00:57:12You want to wear this?

00:57:14Trying to impress Philippe with your restraint?

00:57:25Oh, look.

00:57:34Philippe brought a lady with him.

00:57:40Lovely, isn't she?

00:57:49Turn around, please.

00:57:49What do you think, Mimi?

00:57:57It's not really my style, Philippe.

00:57:59Thank you, Dominique.

00:58:05Dominique, I want you to meet Mimi.

00:58:08Um, actually, I'm on the way out.

00:58:10I've used to meet Dominique.

00:58:11I can never wear clothes the way you do.

00:58:17Not even, uh, when there's just one of me.

00:58:20Dominique, my sister, Mimi Dupre.

00:58:23Your sister?

00:58:25Hi there.

00:58:26It's nice to meet you.

00:58:28Hi.

00:58:28You look like a Raphael Madonna.

00:58:30When are you due?

00:58:31Oh, two weeks, but it might just as well be two months.

00:58:36Philippe tells me you're quite the art expert.

00:58:38Oh, hardly, hardly.

00:58:40Well, I'm sure he's also told you that her family's had a long, uh, relationship with

00:58:43the arts.

00:58:44Yes, yes.

00:58:45Mimi spends much of her time raising money to restore damaged paintings.

00:58:49Ah, ah.

00:58:50I thought if I could get you to host one of our fundraisers, it might draw some attention.

00:58:55Oh, uh, mm.

00:58:58Well, you know where Dominique goes, the press follows.

00:59:00It really would help.

00:59:02Um.

00:59:03Will you join us for dinner tomorrow night?

00:59:05My husband Stefan and I are staying with Philippe from the city until the baby's born.

00:59:09Please, say yes.

00:59:13Yes.

00:59:14Okay.

00:59:15I would be glad to help.

00:59:16Um.

00:59:17Tomorrow evening.

00:59:18We'll be glad to have you.

00:59:48What do you want now, Jacques?

01:00:06What I've always wanted, Cherie.

01:00:08I have customers who are getting anxious.

01:00:10Now, where are those sketches?

01:00:12I told you I don't have them.

01:00:18Don't lie to me.

01:00:24Now, I will give you one more day.

01:00:29Your career might not be the only thing I bring to an end.

01:00:35Okay.

01:01:06Wow, this is a stunning building.

01:01:08It's one of the last private houses in Paris.

01:01:11So how long have you lived here?

01:01:13Well, I lived here as a child.

01:01:15But my father was unhappy here, so we had to leave.

01:01:20It's hard to imagine not being happy here.

01:01:22All right.

01:01:42Hi.

01:01:43Hi.

01:01:45Dominique, I remember my sister Mimi.

01:01:47Hi.

01:01:48Thank you for coming.

01:01:49I hope you're still at home.

01:01:50Thank you for having me.

01:01:52Of course.

01:01:52She'll be dazzled by the meal at the derde.

01:01:54This is my husband, Stefan.

01:01:56He likes to help in the kitchen.

01:01:58I had to pay my cook extra for the privilege.

01:02:00It's a pleasure to meet you.

01:02:02Nice to meet you.

01:02:04Your home is magnificent.

01:02:06The last Count de Clermont had it built in 1770.

01:02:09Our father bought it and had it restored.

01:02:11Philip told me that it was only a drafty old house.

01:02:15In France, understatement is everything.

01:02:19Come on, let me show you around.

01:02:22If I'd said come to our home with everything our terribly important family has ever bought,

01:02:35you'd have turned me down for sure.

01:02:37Mimi, your humility is showing.

01:02:39It comes from inbreeding and living too far from Versailles.

01:02:43Who is she?

01:02:45Our grandmother.

01:02:47I can see the resemblance.

01:02:49Do you have a painting of your mother?

01:02:53I do in my home, but...

01:02:55Stefan, let's say we go get a nice bottle of wine, huh?

01:02:58I lost a butler too.

01:02:59I'd rather do it myself.

01:03:14Oh!

01:03:15Oh, oh, oh!

01:03:15Are you all right?

01:03:17Uh-huh.

01:03:18Yes.

01:03:19Sorry.

01:03:20The baby's just restless.

01:03:22Don't let Stefan know.

01:03:27He fusses.

01:03:28Okay.

01:03:29And Philip is even worse.

01:03:31Yeah, you two seem to be very close.

01:03:34Yeah.

01:03:35We had to learn to stick together.

01:03:40Our father brought the family to France when we were kids.

01:03:44He wanted to move back permanently.

01:03:45Then mother left him for another man.

01:03:51I'm sorry.

01:03:55Dad immediately took us back to the States.

01:03:59It was an awful time.

01:04:04Philip has never really trusted a woman since.

01:04:08Surely there must have been someone.

01:04:11Yeah, he's had girlfriends.

01:04:13But no one he's ever given his heart to.

01:04:24All right, you two.

01:04:25The cook says my first course is ready to serve.

01:04:28Great.

01:04:30Now we use the pregnant lady as a guinea pig, huh?

01:04:32Mm-hmm.

01:04:33Clement used to be one of the most famous and respected titles in all of France.

01:04:47We still didn't keep our ancestors from losing their heads during the revolution.

01:04:51When Mimi wanted to marry me, her family was astounded.

01:04:54I'm just a mutt.

01:04:56But a very rich one.

01:04:57Would you like some more coffee, Dominique?

01:04:59Oh, no, thank you.

01:05:01Everything was delicious.

01:05:03I'll compliment the chef.

01:05:07Looks like to be small.

01:05:08I guess what I'm asking you to do is show me my own etchings.

01:05:17Well, I doubt that I can teach you anything about your own art.

01:05:20Well, you might be surprised.

01:05:28These brushstrokes evolved into a figure.

01:05:33So you're saying the artist was just feeling the composition as he went along?

01:05:38Yes.

01:05:38The best don't really paint a picture.

01:05:40They make you feel it.

01:05:42When you sense that rush of emotion, you know that you're in the presence of great art.

01:05:45Yes, you do.

01:05:50What a great place to grow up in.

01:05:54Oh, I think the beauty was lost on me then.

01:05:57My childhood is not something I remember fondly.

01:06:02Mostly I remember being alone.

01:06:09They're very beautiful.

01:06:10Stefan says it's time to put the pregnant lady to bed.

01:06:27Thank you so much for...

01:06:28Oh, oh, oh, oh.

01:06:29Mimi.

01:06:31Mimi.

01:06:31Oh, my God.

01:06:32Get her under a chair.

01:06:33No, no, no, no.

01:06:34Leave her here.

01:06:34Get her a pillow.

01:06:35Get her a pillow under her head.

01:06:36Is she okay?

01:06:38Oh, God.

01:06:39Okay, call the doctor for a second.

01:06:41I'll get to Connie.

01:06:42No, call the doctor now.

01:06:43He's coming.

01:06:46Cody.

01:06:46The baby's coming.

01:06:49What?

01:06:50Just relax.

01:06:51Just relax.

01:06:54Stefan!

01:06:55Stefan!

01:06:55They are both going to be okay.

01:07:14Can we see her?

01:07:16We three are all going to the hospital for the night.

01:07:19We'll be here if you need anything.

01:07:20The baby would never have made it without you.

01:07:32It was quite the night.

01:07:33You're amazing.

01:07:34I've never met anybody quite like you.

01:07:36Oh, God.

01:07:53You're just a little more.

01:07:54You're awesome.

01:07:55Dress of the night.

01:07:56And you're awesome.

01:07:57You're so happy to see you.

01:07:58Oh, God.

01:07:59You're so happy to see you.

01:08:00Oh, God.

01:08:01You're so happy to see you.

01:08:01Oh, God.

01:08:03Oh, God.

01:08:06Laissez-le-moi encore un peu, mon dieu, mon dieu, mon dieu.

01:08:36Sous-titrage Société Radio-Canada

01:09:06I want to know all about you. I want to know all about your life. I want to know all about your family.

01:09:11Why you chose modeling when art is obviously the thing closest to you.

01:09:16Why'd it take me so long to find out how incredible you are?

01:09:22I know I am.

01:09:27Mimi.

01:09:30She told you about our... our mother.

01:09:33She was... she was very beautiful to her.

01:09:39But it was her sole reason for being.

01:09:43The day she left, she put her arms around me and said,

01:09:47I love you more than anything in the world.

01:09:50And then she walked out and never came back.

01:10:07You're the first person I've ever told that to.

01:10:09But, Luke, there's something I have to tell you.

01:10:16Not bad.

01:10:24Okay.

01:10:27You give up easily.

01:10:28I'll be sure.

01:10:48The people said people talk and we show up together.

01:10:50Mademoiselle Dominique,

01:10:55Monsieur Arnault asked me to get this to you right away.

01:11:01What is it? What is it?

01:11:03What is it? What is it?

01:11:04What is it?

01:11:04Just come on.

01:11:05What is it?

01:11:06Give it to me.

01:11:07And she can open it.

01:11:16No.

01:11:20What is it?

01:11:21Let's just go upstairs, okay?

01:11:26There's something I shouldn't see.

01:11:27No.

01:11:37Phillip.

01:12:01Billy.

01:12:02What?

01:12:02Phillip.

01:12:04Phillip.

01:12:06Phillip.

01:12:07Where's Shari?

01:12:16Up here, Shari.

01:12:18Can I get you a drink, or are you still dieting?

01:12:22What did you hope to accomplish by sending me those photos?

01:12:25Just a reminder. I gave you fair warning.

01:12:28The next one will go to the press.

01:12:31Well, your little reminder was almost seen by Philip.

01:12:37I would have given anything to have seen that little Aristocat's face if that had happened.

01:12:41Why is that?

01:12:43I hate all his kind, making people fawn over them and do their bidding just because they have money.

01:12:49Well, I hope that there's more to this than that.

01:12:53My family worked their fingers to the bone for the Claremont.

01:12:57And they tore us apart.

01:12:59And?

01:13:01I don't need you to believe anything. I'll give you until tomorrow night to deliver those sketches.

01:13:05After that, I can't be held responsible for the consequences.

01:13:17Your time has run out, my sweet.

01:13:20Well, you can do whatever you want with the photographs because I'm going to the police.

01:13:23Don't forget to tell them you took the sketches and I have a witness.

01:13:27Yes, if you want to tell them about her.

01:13:31What a witness!

01:13:33The newspapers will have a field day.

01:13:35Those lurid photographs.

01:13:37Top model brought down by her biggest rival.

01:13:43Chackley.

01:13:44This will give her everything she's always wanted.

01:13:47You're trapped.

01:13:54It's the flip side of the party, Dominique.

01:13:59Now go and get me what I ask for.

01:14:01If what you say is true, this is the end of the house of Chambartin.

01:14:18It's unbelievable.

01:14:19All this history ruined by some sordid little story.

01:14:24Could Jacqueline have stolen it for her?

01:14:27She's a hungry one.

01:14:29I've never seen anyone want a magazine cover like she does,

01:14:32but no one would stoop that low.

01:14:35Was she a friend of Arnaud's?

01:14:37No.

01:14:38She never goes to the clubs.

01:14:39Her career is everything.

01:14:41So what's going on with her and Dominique?

01:14:44You'll have to ask your sister.

01:14:46I can't.

01:14:48The clinic called.

01:14:50She checked herself out and they don't know where she went.

01:14:52Oh, that girl.

01:14:55Well, maybe she didn't know that these things were going to happen.

01:15:00And maybe I don't know my sister at all.

01:15:02And maybe you should go back to your own life.

01:15:06These are not your problems.

01:15:08I can't.

01:15:09I mean, finding out the truth is the only thing that's going to save her from Arnaud.

01:15:12Oh, and maybe to save you and Philly, there's not much chance of that.

01:15:25Henri, what are you thinking of?

01:15:26The new collection.

01:15:28No, no.

01:15:28I mean, are you going somewhere?

01:15:29Why are the drawings out?

01:15:31Well, because I've been working on the new collection.

01:15:33They are beautiful, yes?

01:15:35Yes, they are.

01:15:36I just hope we're the ones who get to sell them.

01:15:37You know, you're practically inviting someone to come in and steal these.

01:15:40Oh, don't be ridiculous.

01:15:42Henri, a true artist cannot function in an atmosphere of paranoia.

01:15:48Besides, I'm in a rush.

01:15:50I have tickets for the opera.

01:15:53And you know, I hate to miss the overture.

01:15:56So, um, I go.

01:15:59Henri!

01:16:00Henri!

01:16:00Uh, wait here, please.

01:16:20Hello there.

01:16:41I'm looking for Jacqueline LeClaire.

01:16:47Mama!

01:16:53What are you doing here?

01:16:55We need to talk.

01:16:57Wait for me in the front room.

01:17:03Mommy needs to talk to this lady.

01:17:05Come on.

01:17:10Let's go to your room, okay?

01:17:23Your son's a beautiful little boy.

01:17:24What do you want?

01:17:28You have something which belongs to Henri.

01:17:31What makes you think that?

01:17:33Jacques told me.

01:17:35Why would you do something like this?

01:17:38Don't pretend you don't know.

01:17:39I don't know.

01:17:41You had told him about my past.

01:17:43He's blackmailed me ever since.

01:17:45I never told him anything.

01:17:55Does he have something like that on you?

01:18:08He's playing us off of each other.

01:18:10Yes.

01:18:11He finds your weakness and exploits it.

01:18:13With you it was your drinking.

01:18:14Being with me it was what I became to care for my son.

01:18:18There were so many men offering money.

01:18:21And my son needed food.

01:18:23I was all alone.

01:18:33I was desperate.

01:18:35I thought if I took the drawings and told Jacques you had them...

01:18:39That it would finish my career.

01:18:41I thought maybe that would be the end of it.

01:18:43He'd have beaten Philip.

01:18:45That's what he really wants.

01:18:46Why?

01:18:48His parents worked for the Claremonts until Philip's mother ran off with Jacques' father.

01:18:54Without his father, Jacques' family sank into poverty.

01:18:57He's always blamed the Claremonts for what happened.

01:18:59You have to return these.

01:19:02I can't.

01:19:03It was hard enough getting them out.

01:19:05No, it's impossible.

01:19:06Yes, you can.

01:19:06You just walk in there, you put them back, and you walk back out again.

01:19:10I can't fight him.

01:19:17Wait.

01:19:19This won't stop him.

01:19:20I'll handle Jacques.

01:19:21Hi, Paul.

01:19:40I'm just looking up, this don't you?

01:19:42Um, I forgot my earrings.

01:19:45Just a second.

01:19:45You're all right.

01:19:47You're all right.

01:20:15I'm returning the sketches.

01:20:24Having taken the opportunity to copy them, no doubt.

01:20:27No.

01:20:28I'm returning the sketches for someone who took them and regretted taking them afterward.

01:20:33Who?

01:20:40I can't say.

01:20:43No, of course not.

01:20:44Tell me, how much is your friend Jacques paying you to do this?

01:20:47Philip, I didn't steal them.

01:20:49Stop lying to me.

01:20:51I'm not lying to you.

01:20:53When did you decide to use me in your little gang?

01:20:55Was it why we were waiting to see if Mimi and the baby would live?

01:20:59I didn't mean to hurt you.

01:21:00I didn't mean to hurt you.

01:21:03I didn't mean to hurt you.

01:21:33This cafe has inspired artists for centuries.

01:21:37All the greats.

01:21:38It's fitting you should choose it for my latest triumph.

01:21:41I've never really thought of you as an artist, Jacques.

01:21:44You are the clay in my hands, Dominique.

01:21:47Where are those designs?

01:21:49Show me my talents have not been wasted.

01:21:51Blackmail isn't an art.

01:21:53It's a crime.

01:21:54Such ugly words from such a beautiful woman.

01:21:58You disappoint me.

01:21:59Why?

01:22:00Because I'm not afraid of your photographs or your threats?

01:22:04Because I'm not afraid of a low-life pimp?

01:22:09Don't tempt me, Dominique.

01:22:12Give me those sketches or I will ruin your career.

01:22:14You see, I don't think it's the sketches that you really want.

01:22:19Because that's not interesting enough for you.

01:22:22Jacques.

01:22:26You want to use me, at least give me the satisfaction of knowing why.

01:22:30Why?

01:22:30I want to see Philippe's face when all he has left are his title and his arrogance.

01:22:39I want to see him drowning in your betrayal.

01:22:42You are unbelievable.

01:22:46Now give me those sketches.

01:22:47My buyer is waiting.

01:22:49My photographs.

01:22:51Jacqueline's photographs with negatives.

01:22:53Now, I ask myself, why would you help her?

01:22:57She hates everything about you.

01:22:59Well, that's the deal.

01:23:01You don't have them.

01:23:07Now, it's not very nice being threatened, is it?

01:23:11You want to get Philippe?

01:23:13Then you play by my rules.

01:23:14Stay out of my life.

01:23:41Come on, Dominique!

01:23:42Don't tempt me, Dominique.

01:23:58Give me those sketches or I will ruin your career.

01:24:04Dominique, come in.

01:24:06Jacqueline has just told me everything.

01:24:09I couldn't let you take the blame.

01:24:12Thanks.

01:24:13You were both of you very foolish not to tell me what was going on.

01:24:17I always look after my girls.

01:24:20And if Arnaud had made any trouble, well.

01:24:23I think my contacts with the press are more powerful than his.

01:24:27I am owed a great number of favors.

01:24:30Well, I think that this will help.

01:24:34Jacques admitted everything.

01:24:36Dominique, where are you going?

01:24:38You have to give Philippe the news.

01:24:42I think he'd rather hear that from you.

01:24:44Who's there?

01:25:00Hey, Kim.

01:25:04Oh, looking good.

01:25:07It suits you.

01:25:09What are you doing here?

01:25:10And why did you leave the clinic?

01:25:11I read about the new line in the paper, and I didn't want you to deal with Arnaud, so I came back to take over.

01:25:18Well, it's too late.

01:25:19He was here all along.

01:25:22It's okay.

01:25:24We'll talk about it later.

01:25:26Now, how are you doing with the program?

01:25:27Well, let's just say that I had some time to look at who I'd become.

01:25:36I'm sorry.

01:25:39Promise me you'll continue treatment.

01:25:41I've already looked into a clinic here, and I start next week.

01:25:48Anyone find us out?

01:25:50Only Marie, but she covered for us.

01:25:52Well, if there's one thing I've learned these past few weeks, is that I have to be honest about who I am.

01:26:01So tomorrow, we'll go in, and I'll tell them the truth.

01:26:05No, I, uh, I'm going to call and thank Marie, but I'm taking the first flight out of here.

01:26:10She what?

01:26:14She's going home to America.

01:26:16I could not talk her out of it.

01:26:18What time is she leaving?

01:26:19I don't know, but she said she had time to say goodbye to Paris.

01:26:23Oh, Dominique, you can't leave.

01:26:47Philip.

01:26:47You've got to give me a chance to apologize.

01:26:49Philip.

01:26:50I need you.

01:26:51Philip.

01:26:51Look, I know that night in my apartment meant something to both of us.

01:26:54Oh, Philip, you better stop right there.

01:26:56I am not the woman that you think I am.

01:27:07Hey, buddy, look where you're going.

01:27:10Damn, Frenchman.

01:27:21Dominique told me what you did.

01:27:31I was crazy enough to trust you.

01:27:33Yeah, you were.

01:27:40It's just like I told you, hon.

01:27:43Frenchman like us.

01:27:45I know.

01:27:50You know what?

01:27:51You're going to have to marry me so we can work on this every day.

01:27:55Don't you think you need to know the name of the girl before you marry her?

01:27:57Listen to me.

01:28:02Oh.

01:28:10Wow.

01:28:10Oh.

01:28:12Ooh.

01:28:12Oh.

01:28:14Hello.

01:28:14Oh.

01:28:16Oh.

01:28:20Oh.

01:28:21Oh.

01:28:22Oh.

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