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00:00:00Untertitelung des ZDF, 2020
00:00:30Untertitelung des ZDF, 2020
00:01:00Untertitelung des ZDF, 2020
00:01:29Untertitelung des ZDF, 2020
00:01:59Untertitelung des ZDF, 2020
00:02:29Untertitelung des ZDF, 2020
00:02:47So, how much longer is this going to take, man?
00:03:06Look, I thought I was paying you to soundproof my apartment or something.
00:03:17It's a B-flat.
00:03:22What is?
00:03:23Your heating unit.
00:03:25That's a shitty radiator.
00:03:27You do hear the noise, though, right?
00:03:30Your problem is your heating unit.
00:03:32When paired with the low tones produced by your kitchen appliances,
00:03:35the note emitted from your radiator is contributing to your...
00:03:42anxiety.
00:03:43Really?
00:03:48Mm-hmm.
00:04:13I'll call this number next Tuesday afternoon if you have any other issues.
00:04:21Oh, a quicker.
00:04:26I'll call it, please.
00:04:35Thank you so much.
00:04:50It's good.
00:04:51Hey Peter, this is Brian Mausten, down in Tribeca.
00:05:19Listen, you know I was a little skeptical at first, but I honestly haven't slept this
00:05:27well in months.
00:05:29Thank you for whatever you did to my plunder.
00:05:32Hi, I got your number from my friend Alex.
00:05:37I'm looking to set up an appointment for whatever you did for Alex.
00:05:44He and his girlfriend are getting along great right now.
00:05:49My number is 646-240-008.
00:05:53The radiator is contributing to your anxiety.
00:05:59Did you hear the noise though, right?
00:06:05It's a B-flat.
00:06:12What is it?
00:06:14Your heating unit.
00:06:20T-T-T-T-T-T
00:06:27Musik
00:06:57Field test, Central Park, G Major.
00:07:27Textning.nu
00:07:57Du bist gut?
00:07:59Ich bin eigentlich early.
00:08:13Ich glaube, du bist Peter.
00:08:16Ja.
00:08:18Ich bin Ellen.
00:08:20Willst du insidig?
00:08:22Ich würde gerne fragen,
00:08:24um die Frage zu stellen.
00:08:27Oh.
00:08:29Okay.
00:08:30Willst du ein Seid?
00:08:35Das ist gut für mich, wenn ich das.
00:08:38Wenn du das?
00:08:40Ja, das ist gut.
00:08:42Das ist besser als ich erwartet.
00:08:46Ich finde, dass wenn die Kunden
00:08:48sprechen über ihre Hose,
00:08:49wenn sie in sie,
00:08:51um die Frage zu sprechen.
00:08:54Es kann schwierig sein,
00:08:57um ein Problem zu sprechen,
00:08:59in diesem Fall,
00:09:00dein Apartment,
00:09:01mit dem Partner present.
00:09:06Ich habe nicht gedacht,
00:09:08das ist so.
00:09:10So, zu Beginn,
00:09:12wie du,
00:09:13wie du,
00:09:14wie du,
00:09:15wie du,
00:09:16wie du,
00:09:17wie du,
00:09:18wie du,
00:09:19wie du,
00:09:20wie du,
00:09:21wie du,
00:09:22wie du,
00:09:23wie du,
00:09:24wie du,
00:09:25wie du,
00:09:26wie du,
00:09:27wie du.
00:09:28Um,
00:09:29mein Name ist Ellen Chasen.
00:09:30Ich bin von Ohio.
00:09:32Aber jetzt in New York.
00:09:37Vielleicht,
00:09:38du,
00:09:39wie du,
00:09:40geht's nach mir aus?
00:09:42I,
00:09:43um,
00:09:44Ich bin immer
00:09:45tired.
00:09:46Exhausted,
00:09:47eigentlich.
00:09:48By the time
00:09:49ich in die Uhr in der
00:09:50morgens,
00:09:51ich bin wieder
00:09:53tired.
00:09:54Und wo du
00:09:54wachst?
00:09:55Um,
00:09:56ich wachst
00:09:57für
00:10:06Low-Income Familien.
00:10:08Sie sehen, dass sie ihre Leben übernommen sind.
00:10:12Das ist toll.
00:10:14Nein, nein.
00:10:16Ich habe gefragt, ob du zu gehen?
00:10:18Oh, sorry.
00:10:21Um...
00:10:23Nein, es wäre 40 Minuten.
00:10:38Ich brauche einen Zeitpunkt in jedem Raum.
00:10:42Specifically kitchen, bathroom, bedroom.
00:10:45Ja, das ist kein Problem.
00:10:48Kann ich etwas Wasser oder was?
00:10:50Actually, ich brauche es einfach nur so,
00:10:52mitzüglichen Sounds,
00:10:53mitzüglichen Appliances.
00:10:55Oh.
00:10:59Nein, danke.
00:11:08Kitchen.
00:11:35Faucet.
00:11:38Faucet.
00:11:44Faucet.
00:11:55Refrigerator.
00:11:58390.
00:12:08Faucet.
00:12:09Faucet.
00:12:10Faucet.
00:12:11Faucet.
00:12:12Faucet.
00:12:14Waren Bis SO.
00:12:15Typen ist haste.
00:12:16Ya.
00:12:17Ja.
00:12:18Das ist gewöhnt.
00:12:19Tai.
00:12:21Hilary, hi, sorry, I can't talk because I have a company right now.
00:12:30No, that's not why.
00:12:33Yeah, okay, I'll see you later.
00:12:37Okay, bye.
00:12:39So, at this point I'll need to go into your bedroom, if that's alright with you, Alan.
00:12:54Well, I typically save this visit for last since it is the most personal, but hopefully you feel a little more comfortable with me by now.
00:13:03Of course, by all means.
00:13:07Can I watch?
00:13:14When do I lie down?
00:13:17Is that typical?
00:13:19You mentioned over the phone that you're having trouble sleeping at night, is that right?
00:13:23Yes.
00:13:37It helps me if I recreate your morning routine as closely as possible.
00:13:44Would you say you're a side sleeper?
00:13:46No.
00:13:47I'll have to review my materials to be certain, but I think your problem is in the kitchen. Do you eat bagels every morning?
00:14:04Uh, uh, no, sometimes, but usually toast with some fruit.
00:14:14I think you need a new toaster. That should do it.
00:14:29I noticed your toaster produces an E-flat, and your refrigerator hums at a clear G.
00:14:36Now, the foundation note is a subtle but condensing seed throughout the entire apartment.
00:14:41Here.
00:14:45Here.
00:14:46Here.
00:14:47Here.
00:14:48Hear that?
00:14:49Hm?
00:14:50The mechanical sound?
00:14:52Or, uh, perhaps it's wind patterns on the east side?
00:15:04...on the east side.
00:15:08Es ist remarkably consistent.
00:15:14Anyway...
00:15:16...a new toaster should solve your problems.
00:15:18Why do you think it's that simple?
00:15:20Technically, your refrigerator's a perfect fifth...
00:15:23...and the minor third created by your toaster...
00:15:26...combined with the tonic from your neighborhood...
00:15:30...and, uh...
00:15:32...at a depression.
00:15:36So I'll have a new model sent over...
00:15:38...soon.
00:15:40But we should talk in the next few days?
00:15:42Yes, of course.
00:15:44All right.
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00:28:50oder, um, thank you for, for coming over.
00:28:56Uh, God, this, this probably sounds so strange.
00:29:00I don't want you to think that I'm calling you
00:29:04because I'm crazy or lonely or...
00:29:08I got the toaster.
00:29:10Um, and I, I'm just wondering if there's
00:29:15anything else I could be doing, you know?
00:29:20Um, when I could expect the prescription to work
00:29:24or if I'll see a change.
00:29:32Okay, thanks. Bye.
00:29:50Anyway, new testers can solve your problems.
00:30:02Do you really think it's that simple?
00:30:03Your refrigerator hums in a clear G,
00:30:06you know, the foundation of...
00:30:09have you remodeled recently?
00:30:11Uh, no, just minor stuff.
00:30:12I mean, no, um, new codes of paint or, um...
00:30:16re-decorating or anything like that, if that's what you mean.
00:30:18Uh, no, just minor stuff.
00:30:21I mean, no, um, new codes of paint or, um, re-decorating
00:30:24or anything like that, if that's what you mean.
00:30:25That's what I mean.
00:30:26How would you describe your place?
00:30:28My place?
00:30:29Yeah, your apartment.
00:30:34Perhaps we should go upstairs now.
00:30:36No, um, new codes of paint or, um, re-decorating or anything like that, if that's what you mean.
00:30:44That's a pleasure.
00:30:48How would you describe your place?
00:30:51My place?
00:30:52Yeah, your apartment.
00:30:57Perhaps we should go upstairs now.
00:31:05Field test.
00:31:07Financial destructive.
00:31:11D.
00:31:12Liner.
00:31:14Confidence.
00:31:16Replace.
00:31:19Carnegie Hall.
00:31:27D. Liner.
00:31:28Call.
00:31:29Precise.
00:31:31Lower east side.
00:31:32A-flat.
00:31:38Dissonant.
00:31:41Grand Central Station.
00:31:43Off-peak.
00:31:45B-minor.
00:31:48Gentle.
00:31:49Gentle.
00:31:49Patient.
00:31:50Gentle.
00:31:51Patient.
00:31:52Patient.
00:32:22And you must be the house, too.
00:32:52Peter.
00:32:54Harold Carlisle.
00:32:57We're really glad you finally accepted our invitation.
00:33:00Your assistant mentioned potential for financing my research.
00:33:03Of course, of course.
00:33:05The recent New Yorker article really piqued my interest.
00:33:13So, uh, my assistant pulled materials for our meeting.
00:33:18And it turns out we've actually used some of your designs.
00:33:21How do you mean?
00:33:23Well, the echo decay timer.
00:33:25I understand.
00:33:27At least I heard it was born in the basement of the Met.
00:33:31I had a position in the preservation department.
00:33:35It's maintaining period instruments for musical performances to be historically accurate.
00:33:41I mean, we've significantly upgraded the device in the last decade, but the EDT-1 was a cornerstone for concert recording.
00:33:55It was never intended for that purpose.
00:33:59Oh.
00:34:00Well, excuse me.
00:34:01I, um...
00:34:03What was it for them?
00:34:05I was studying harmonic resonance.
00:34:08And the manufacturer retained my patent in exchange for custom fabrication, but I never wanted it to be marketed for the public.
00:34:18Well, it was a revolutionary product.
00:34:22What was it for me, brother?
00:34:23Tool.
00:34:24Tool.
00:34:25Tool.
00:34:26Of course.
00:34:27I no longer engage with outside fabricators.
00:34:31Well, our clients are Fortune 500 creatures.
00:34:35You're more of a provider for houses, right?
00:34:38Homes.
00:34:39Bespoke domesticity.
00:34:40That's what friends might call it.
00:34:41But really, that's what we're interested in.
00:34:42The market is changing, and we want to cater our products to our customers' private lives.
00:34:57I'm offering you an opportunity, Peter.
00:35:03Huh.
00:35:23How is Equilibrium delivered?
00:35:25Well, it's wall colors, fragrances, soundscapes.
00:35:30And our technologies allow our specialists to survey entire homes virtually.
00:35:37Virtually?
00:35:38Well, I mean, it's currently just a web chat, but honestly, you know...
00:35:45The virtual component isn't bulletproof, but the clients love it.
00:35:51Our technologies and our muscle could give you a chance to create an entire atmosphere.
00:36:02Just imagine the ability to influence like that.
00:36:08I think that I've had a very positive influence on the lives of my clients.
00:36:15We bought the matching set when we moved in.
00:36:31I thought you lived alone.
00:36:33I do.
00:36:34I do.
00:36:35Yeah, this is a very long time ago.
00:36:38Hmm.
00:36:39I didn't think it mattered.
00:36:41It shouldn't.
00:36:43So you've been using this every morning?
00:36:46Every morning.
00:36:48You've got a problem here.
00:36:55What do you mean?
00:36:58Hmm.
00:36:59Your feelings continue?
00:37:01Yes, my, um, my feelings continue.
00:37:05Perhaps I should visit your work.
00:37:16Really?
00:37:17To understand what you're doing that might be conflicting with the results.
00:37:23Does anyone have to be there?
00:37:26Well, ideally it would be in the morning.
00:37:29But I could visit in the afternoon and try to replicate a morning scenario.
00:37:35It's just...
00:37:37It's a very unusual thing to have to explain.
00:37:40You know, I like to keep things at my job kind of...
00:37:44Discreet.
00:37:45I understand.
00:37:52Um...
00:37:54Maybe I could come by next week.
00:37:59Okay.
00:38:00No.
00:38:01Better, I'm just kidding.
00:38:02I would know.
00:38:03I don't know what that would be happening to you.
00:38:05I don't know what that would be happening to you.
00:38:07I don't know what that would be happening to you.
00:38:09No, no, no, no...
00:38:10Maybe I would like to go with you to you.
00:38:12No.
00:38:13I can't wait to come here, man.
00:38:14I'd like to have to sit at your table right now.
00:38:15No, no no.
00:38:16I'm not as good.
00:38:17I have to sit at my table now.
00:38:18I'm not walking around here.
00:38:19No, I'm walking around here, you don't know.
00:38:20I don't know if you're quiet, I'm walking around here.
00:38:21What does red mean?
00:38:34It's just an anomaly.
00:38:37Does it affect the research?
00:38:38Of course not.
00:38:41Good.
00:38:42Because I already notified the journal to expect your submission.
00:38:48Can I help you with that?
00:38:51No.
00:39:00You know, I was actually thinking that I could process the tapes a lot faster with the university servers.
00:39:06Our computers are very efficient.
00:39:10Well, everything here works just fine.
00:39:12Yes, but it would help speed up the workflow and save me a lot of time.
00:39:20Because, obviously, I'm still looking for a full-time position elsewhere.
00:39:25Beyond publishing, I think there will be a lot of other applications.
00:39:46You know, once people understand the patterns and the influences, you can do so much with this.
00:39:55How do you mean?
00:40:05I don't know.
00:40:06I guess urban design, architecture, home products.
00:40:13This is about universal constants, not commerce.
00:40:21I'm sorry, I just...
00:40:26Stick out your tongue.
00:40:36My tongue?
00:40:37Really?
00:40:37I can see things on your tongue that can help me.
00:40:49Do you exercise regularly?
00:40:53Sometimes.
00:40:54Okay.
00:40:56You can go to the blue room now.
00:41:01Uh...
00:41:02Yeah, where should I change?
00:41:04Okay.
00:41:18Okay.
00:41:18Okay.
00:41:31Okay.
00:41:32Okay.
00:41:32Okay.
00:41:32How long do I have to keep these in for?
00:41:47The feeling is deep, but the needles are not.
00:41:52Okay, but...
00:41:5430, sometimes 60 minutes.
00:42:0230, sometimes 60 minutes.
00:42:3230, sometimes 60 minutes.
00:43:0230, sometimes 60 minutes.
00:43:32Untertitelung des ZDF, 2020
00:44:02ZDF, 2020
00:44:32ZDF, 2020
00:45:02ZDF, 2020
00:45:32Untertitelung des ZDF, 2020
00:46:02Untertitelung des ZDF, 2020
00:46:32Untertitelung des ZDF, 2020
00:46:34So I think I've got a good sense of this space
00:46:36Um, well, you know, I
00:46:43I actually
00:46:45cleared my afternoon
00:46:46so maybe we can
00:46:48go somewhere and discuss this
00:46:51further?
00:46:51Yeah, well, I know somebody's close
00:46:55More hot water, Peter?
00:47:17Uh, yes, certainly
00:47:18Thank you, Alfred
00:47:22Yes, thank you
00:47:24You've really constructed a
00:47:31unique little world for yourself
00:47:33in the city, haven't you?
00:47:35I've lived here for
00:47:40over a decade and
00:47:42I don't know, I still feel like
00:47:44there's so much that's unfamiliar
00:47:46to me, like
00:47:48someone else built
00:47:51it up
00:47:51He was very organized about things
00:47:58The matching nightstands
00:48:01He always had an idea
00:48:05or an opinion
00:48:06about everything
00:48:07It was nice, you know
00:48:10to not have to make choices
00:48:13for myself
00:48:14It sounds silly, but
00:48:18I remember after he was gone
00:48:22the remote felt so odd
00:48:26in my hand, like
00:48:27I didn't know what
00:48:30any of the buttons were for
00:48:32Sorry, that's probably way too personal
00:48:38It's fine
00:48:41What about you?
00:48:52I'm very consumed with my work
00:48:54Actually, I'm
00:48:55I'm publishing a piece
00:48:56on human behavior
00:48:57How sound influences
00:49:00the way that people
00:49:01connect with each other
00:49:02Well, I mean
00:49:08you obviously have a
00:49:09a calling
00:49:10You know, just to see you
00:49:13study and observe
00:49:14the way that you do
00:49:16I'm a little envious
00:49:20honestly
00:49:21Did you study science?
00:49:26No
00:49:26Music theory
00:49:30So I learned
00:49:32by dissection
00:49:33how a piece of music works
00:49:35what are its parts
00:49:36You know, Bach
00:49:36the composer Bach
00:49:37his ability
00:49:39to trick our ears
00:49:41into believing
00:49:41that we're hearing
00:49:42multiple instruments
00:49:44from a single violin
00:49:45or Stravinsky
00:49:45and his dissonance
00:49:49designed to
00:49:50alienate an audience
00:49:52or Beethoven
00:49:53his use of suspense
00:49:55and
00:49:55delayed gratification
00:49:58but all of these composers
00:50:00were using neurological
00:50:02techniques that scientists
00:50:03hadn't even defined yet
00:50:05and once I understood that
00:50:08and
00:50:10how their music functioned
00:50:14I guess I just went on
00:50:16from there
00:50:17To tuning people's apartments?
00:50:22Yes
00:50:24Yes, but no
00:50:26I
00:50:26It's
00:50:27Just the influence
00:50:30of sound
00:50:31The power it has
00:50:32over people's lives
00:50:33They may not even know it
00:50:38You know
00:50:39Yeah
00:50:40It's
00:50:41So complex
00:50:43I'm intrigued
00:50:45I'm intrigued
00:50:46Hmm
00:50:47I have a very
00:50:52very close friend
00:50:53who's a neuroscientist
00:50:54at Columbia
00:50:55and his students
00:50:56are reviewing my findings
00:50:57next week
00:50:58in a group session
00:50:59It's very informal
00:51:01and if you're interested
00:51:02in learning more
00:51:03I don't know
00:51:07I don't know
00:51:33like
00:51:34I'm
00:51:35I don't know
00:51:36what
00:51:38I know
00:51:39what
00:51:40is
00:51:41like
00:51:42when
00:51:43I'm
00:51:44I don't know
00:51:45You
00:51:46You
00:51:47I don't know
00:51:48what
00:51:49I do
00:51:55at the
00:51:56battery park city
00:51:57left major
00:51:58up
00:52:00up
00:52:01up
00:52:02up
00:52:03Komplacenze
00:52:33Um, unmotivated, irritated.
00:52:41I thought you lived alone.
00:52:44I do, I do, yeah, this is a very long time ago.
00:52:50I didn't think it mattered.
00:52:52It should.
00:52:58Your feelings continue.
00:53:00Yes, ma'am, my feelings continue.
00:53:30Hello, you've reached the answering machine of Peter Lushin.
00:53:46If I've given you my...
00:53:47Hello?
00:53:49Can I help you?
00:53:51No, he's not in right now.
00:53:56But I can take a message.
00:54:02Sensory Holdings, he said?
00:54:05Uh, I'm Sam.
00:54:09Yes, I work with him.
00:54:10I'm Sam.
00:54:24I'm having...
00:54:29...
00:54:29Untertitelung des ZDF, 2020
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00:56:47Untertitelung des ZDF, 2020
00:56:49Untertitelung des ZDF, 2020
00:56:51Untertitelung des ZDF, 2020
00:56:53Untertitelung des ZDF, 2020
00:56:55Untertitelung des ZDF, 2020
00:56:57Untertitelung des ZDF, 2020
00:56:59Untertitelung des ZDF, 2020
00:57:01Untertitelung des ZDF, 2020
00:57:03Es will helfen.
00:57:05Es ist etwas, was ich arbeite,
00:57:07um es in einem Outlet zu verwenden,
00:57:09um es ein Walsch zu verwenden.
00:57:12Preferably eine, die nicht mit einem Microwaver oder einem Haar-Dryer.
00:57:16Okay.
00:57:19Du willst mich zu halten?
00:57:21Nein, das ist gut. Ich werde es in meinem Mund sein.
00:57:24Ich bin so froh,
00:57:26zu hören über diese G-Major-Theorie.
00:57:30Okay.
00:57:39Ihr Honors von Colombia are very impressive.
00:57:42Thank you.
00:57:44You work with Peter Lucien,
00:57:46did you accompany him on his house calls?
00:57:49No.
00:57:51But we've been working especially hard on consolidating his data
00:57:55on the city as a whole.
00:57:58Samuel Diaz, es ist ein Glück, dich in person zu treffen. Ich bin Harold.
00:58:05Sehr gut zu treffen, Harold.
00:58:07Wir sind große Admirerinnen von Peter hier.
00:58:09Wir waren tatsächlich nur über die neue Arbeit er und Sam waren.
00:58:13Oh!
00:58:14Es ist Peter's discovery.
00:58:16Ich glaube, er hat sich über die urbanen Sound-Pattern mit dir diskutiert.
00:58:20Um, haben wir noch keine updates?
00:58:23Ja, eigentlich. Es ist sehr, sehr spannend.
00:58:28Das ist mein größter Projekt zuerst.
00:58:45So, diese Beams reach true ground.
00:58:49Was ist true ground?
00:58:51Oh, es heißt, sie reachen all den Weg zu der Erde.
00:58:54Es ist ein hartes Ding zu kommen bei in New York City,
00:58:57aber wir designen diese so dass sie mit Bedrock haben.
00:59:01Und was ist das Ziel?
00:59:04Well,
00:59:06Das ist wirklich nicht so schlimm.
00:59:07Das ist wirklich nicht so schlimm.
00:59:08Das ist eine große Herausforderung.
00:59:09Das ist ein ganzes Laufstück.
00:59:10Das ist eine große Herausforderung.
00:59:11Das ist total, in der Stadt.
00:59:12Das ist ein ganzes Laufstück.
00:59:14Oh, das ist ein guter Mensch.
00:59:15Das ist ein ganzes Laufstück.
00:59:16Oh, well the future tenant is an electrophysiologist
00:59:20and he takes true ground and silence very seriously.
00:59:28Sounds nice, true silence.
00:59:30Mhm.
00:59:32Also expensive.
00:59:34Well, I guess expense is relative to perceived value.
00:59:38Right?
00:59:40Please don't tell me you're gonna make me ground my apartment.
00:59:42No.
00:59:46Get all that.
01:00:00See the order.
01:00:02And the city?
01:00:04Well, yeah. I mean, the grid.
01:00:06Right?
01:00:08And it's flawed at points,
01:00:10but there are all these connections.
01:00:14Light going from red to green, walk, don't walk.
01:00:16Instructions, right?
01:00:18But what I found
01:00:20is that there's something deeper at work.
01:00:24An invisible system, but powerful nonetheless,
01:00:28sounds
01:00:30that in a sense
01:00:32guide people through the city.
01:00:34Mhm.
01:00:36I mean, they're not conscious of it, but it's there.
01:00:40And it's different in all parts of the city.
01:00:42Mhm.
01:00:44In the financial district, it's the key of D minor.
01:00:48And it's frenetic. It's fast-paced.
01:00:52It's reckless.
01:00:54And then Lower East Side's A-flat.
01:01:02Once you get done,
01:01:04below the dissonance.
01:01:06And Central Park is predominantly G major.
01:01:12It's where I made my first discovery.
01:01:16It's the sound of nostalgia.
01:01:20It's calm,
01:01:22idyllic, lyrical.
01:01:26Field test 14,
01:01:28Central Park, G major.
01:01:30G major.
01:01:46So each part of the city
01:01:48has a different chord?
01:01:50Well, every part of the city
01:01:53has its uninstructive atmosphere.
01:01:56It's impossible to disconnect the sound.
01:01:59from the collective state of mind.
01:02:01It ha-
01:02:03It affects the people.
01:02:05You understand?
01:02:07Oh, but I-
01:02:09I don't see the world that way.
01:02:11I mean, it's-
01:02:12that's so rigid.
01:02:14I mean, if I'm downtown,
01:02:17I'm not destined to feel frenetic.
01:02:20I can choose to react to that
01:02:24and feel peaceful.
01:02:25I can choose to protect myself.
01:02:28It's not about seeing anything.
01:02:32It's-
01:02:33it's about acknowledging what already exists,
01:02:36like gravity or light.
01:02:38These are just universal laws.
01:02:40Brian-
01:02:41Listen, these are-
01:02:42these are rules that define our world.
01:02:44Why does it have to be this permanent thing
01:02:47that controls us?
01:02:49Why do people act the way they do?
01:02:55Why do people feel the way they do?
01:02:57There's a reason.
01:02:58Because they're people.
01:03:00They can.
01:03:01They choose to feel.
01:03:02But-
01:03:03But there are rules guiding their behavior
01:03:06that they can't see.
01:03:08There is an order here.
01:03:11Now, it's complex because we live in an old city.
01:03:14And the patterns are so complicated.
01:03:17But it's-
01:03:18it's been written and rewritten.
01:03:21But it's there.
01:03:22It's been there for years.
01:03:23I-
01:03:24I don't feel like my life is written by anything.
01:03:27I feel like I make choices all the time.
01:03:31Uh-huh.
01:03:32Well, okay.
01:03:33Your apartment.
01:03:34C minor.
01:03:35It's a mundane key.
01:03:38It's-
01:03:39it's the sound of resignation.
01:03:42Okay.
01:03:43Well, I don't feel that way.
01:03:45And that resignation causes your restlessness.
01:03:49And there are unseen forces that are governing your choices.
01:03:54What about you?
01:03:55You're the only person who's not affected by anything?
01:03:58I'm not immune.
01:03:59No one is.
01:04:00Okay, so then how do you trust yourself?
01:04:02Because I can hear it.
01:04:06Because you can hear it.
01:04:15I'm gonna go just to sleep, so-
01:04:25the noise abatement commission consists of a series of noise measurements to be made in different parts of the city at typical places,
01:04:54and centers of popular interest.
01:05:00Among these measurements will be made tests of the deafening effect of the noise.
01:05:06I hold the receiver against the microphone instead of against my ear.
01:05:16Now I increase the intensity of the test tone until you can hear it.
01:05:21How much longer is he gonna be here?
01:05:22I have to get him early for work.
01:05:23I think he's almost done.
01:05:24How much longer is he gonna be here?
01:05:25I have to get him early for work.
01:05:26I think he's almost done.
01:05:27How much longer is he gonna be here?
01:05:28I have to get him early for work.
01:05:29I think he's almost done.
01:05:34It's almost midnight, so, um-
01:05:41Was that ringing?
01:05:50Baby, come on.
01:06:03Get him up here.
01:06:07I'm sorry, I just need to take a few more readings and I can handle the rest of my office.
01:06:13I just need one more minute. One more minute.
01:06:16You know what? Don't worry about it. We can figure it out from here.
01:06:37Mr. Chujinski, I couldn't access your apartment for our 4 p.m. appointment.
01:06:50Please call me to reschedule at your earliest convenience.
01:06:53If Sam showed sensory my work, then they have all of it.
01:07:10He wouldn't do that, Peter.
01:07:12Fuck.
01:07:13And you can't fault him for taking a formal job.
01:07:16It's a good opportunity.
01:07:18They're my competition. It's theft.
01:07:20I wouldn't paint it so starkly. I mean...
01:07:23They're marketers. You're a... explorer.
01:07:28Look, they can't take credit for my discovery if I bother shit first.
01:07:48We put so much emphasis on sound
01:07:50and thus overlook the value of those moments in between us.
01:07:57And let this remind us
01:07:59that silence is not empty
01:08:01but immeasurably full.
01:08:04and then we'll see you again.
01:08:04Thank you.
01:08:05Thank you.
01:08:09Please.
01:08:12Thank you.
01:08:17Enjoy the event.
01:08:29Dr. Brookings
01:08:35Hello
01:08:36It's Peter Lucian
01:08:40Hi, nice to meet you
01:08:43Thank you so much for your talk
01:08:45It was fascinating
01:08:46And for your contributions to the field
01:08:48You know, I've been reading The New American
01:08:50For just about as long as you've had the editorship
01:08:52That's very kind
01:08:53Thank you so much for coming tonight
01:08:56I'm sorry, but I really must go
01:08:57Please enjoy your evening
01:08:59Actually, I recently submitted a piece
01:09:03For the journal
01:09:05I know these things take time
01:09:09But I just thought I would inquire since I'm here
01:09:11What did you say your name was?
01:09:13Peter Lucian
01:09:14I made a discovery
01:09:19Identifying sound patterns in the city
01:09:21And your work
01:09:22Was just a huge inspiration for me
01:09:27I honestly didn't think we'd have a chance to talk
01:09:35Thank you
01:09:37No, I didn't think you were serious, Mr. Lucian
01:09:39I must say
01:09:42Your methods are most unusual
01:09:45Have you seriously been researching these
01:09:48Sound patterns, yes
01:09:50They are principles that steer our behavior
01:09:54I mean, it's verified
01:09:56It's based off of multiple field recordings
01:09:59Oh, I'm sure you believe in this
01:10:02So
01:10:05Perhaps you could submit it for peer review
01:10:10Yes
01:10:12Yes, yes
01:10:13I'll tell you what
01:10:14We will give it a closer look
01:10:18And we'll send you a proper response
01:10:20Okay, all right
01:10:23Pleasure meeting you
01:10:25It's nice to meet you
01:10:27Take care
01:10:28Take care
01:10:29Take care
01:10:30Take care
01:10:31Take care
01:10:32Take care
01:10:33Take care
01:10:34Take care
01:10:35Take care
01:10:36Take care
01:10:37Take care
01:10:38Take care
01:10:39Take care
01:10:40Take care
01:10:41Take care
01:10:42Take care
01:10:43Take care
01:10:44Take care
01:10:45Take care
01:10:46Take care
01:10:47Take care
01:10:48Take care
01:10:49Take care
01:10:50Take care
01:10:51Take care
01:10:52Take care
01:10:53Take care
01:10:54Take care
01:10:55Take care
01:10:56Untertitelung des ZDF für funk, 2017
01:11:26Untertitelung des ZDF für funk, 2017
01:11:56Untertitelung des ZDF für funk, 2017
01:12:26Untertitelung des ZDF für funk, 2017
01:12:28Untertitelung des ZDF für funk, 2017
01:12:30Untertitelung des ZDF für funk, 2017
01:12:32Untertitelung des ZDF für funk, 2017
01:12:34Untertitelung des ZDF für funk, 2017
01:12:36No, just minor stuff, I mean, no, um, new coats of paint or, um, redecorating or anything like that, if that's what you mean.
01:12:45That's what I mean. How do you feel in the morning?
01:12:50How does this change make you feel?
01:12:54Unmotivated, irritated, heavy. Real cliche.
01:12:59Do you walk to work?
01:13:05Yeah, I get to help people every day, so watching them, they get to start their lives over, I get to see that. It's nice.
01:13:18Do you know what it is?
01:13:21Yeah, pretty much. Once it's there, it's there. You know, I can't shake it.
01:13:29I don't feel like my life is written by anything. I feel like I make choices all the time.
01:13:38What about you? How do you trust yourself?
01:13:44What about you? How would you describe your place?
01:13:48My place?
01:13:49Yeah, your apartment.
01:13:59I don't know.
01:14:00Musik
01:14:30Musik
01:15:00Musik
01:15:30Musik
01:15:32Jesus, watch where you're going
01:15:34Musik
01:15:36Musik
01:15:38Musik
01:15:40Musik
01:15:42Musik
01:15:44Musik
01:15:46Musik
01:15:48Musik
01:15:50Musik
01:15:52Musik
01:15:54Musik
01:15:56Musik
01:15:58Musik
01:16:00Musik
01:16:02Musik
01:16:04Musik
01:16:06Musik
01:16:08Musik
01:16:10Musik
01:16:12Musik
01:16:14Untertitelung des ZDF, 2020
01:16:44Untertitelung des ZDF, 2020
01:17:14Untertitelung des ZDF, 2020
01:17:21Untertitelung des ZDF, 2020
01:17:28Untertitelung des ZDF, 2020
01:17:35Untertitelung des ZDF, 2020
01:17:36Untertitelung des ZDF, 2020
01:17:38Untertitelung des ZDF, 2020
01:17:40Untertitelung des ZDF, 2020
01:17:42Untertitelung des ZDF, 2020
01:17:44Untertitelung des ZDF, 2020
01:17:46Untertitelung des ZDF, 2020
01:17:48Untertitelung des ZDF, 2020
01:17:50I'm so tired of people telling me what they think I should be doing, so you do what you want.
01:18:20I'm so tired of people telling me what they think I should be doing.
01:18:50I'm so tired of people telling me what they think I should be doing.
01:19:20I'm so tired of people telling me what they think I should be doing.
01:19:49I'm so tired of people telling me what they think I should be doing.
01:20:19I'm so tired of people telling me what they think I should be doing.
01:20:49I'm so tired of people telling me what they think I should be doing.
01:20:51Here.
01:20:55I called you.
01:21:08Can I listen?
01:21:14I'm so tired of people telling me what they think I should be doing.
01:21:20I'm so tired of people telling me what they think I should be doing.
01:21:24I'm so tired of people telling me what they think I should be doing.
01:21:30I'm so tired of people telling me what they think I should be doing.
01:21:34I'm so tired of people telling me what they think I should be doing.
01:21:38I'm so tired of people telling me what they think I should be doing.
01:21:40I'm so tired of people telling you what they think of me is how they feel doing.
01:21:42They sort of
01:22:00Vielen Dank.
01:22:30Vielen Dank.
01:23:00Vielen Dank.
01:23:30Vielen Dank.
01:24:00Vielen Dank.
01:24:30Vielen Dank.
01:25:00Vielen Dank.
01:25:30Vielen Dank.
01:26:00Vielen Dank.
01:26:30Vielen Dank.
01:27:00Vielen Dank.
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