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  • 2 days ago
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00:00I told you, a piece of cake.
00:29Let's just do this and get out of here.
00:31Relax, Clay. I told you, no one's home. The owner's dead.
00:34Stay here and keep watch. We'll get the urn.
00:41Clay doesn't know, does he?
00:43Why spook him? He probably believed it actually was the curse that killed the old man.
00:46He was stung to death by a scorpion, Wesley, in the bathroom of an airplane.
00:49Don't tell me you believe in that crap.
00:51You'd think I'd be here if I did.
00:55Is that it?
00:57That's it.
01:02Have you seen any scorpions around?
01:03No.
01:04Just dollar size.
01:05Let's go.
01:06Hey man, there's a card coming. You guys must have tripped an alarm.
01:08Let's get out of here.
01:10I should have never let you guys talk me into this.
01:22Shut up.
01:23Split up and meet San Francisco. Take the urn to your friend and hark it right away.
01:26And don't you think about ripping us off because I'll find you.
01:36What?
01:39Who are you?
01:40What are you?
01:42I'm the guardian of the urn.
01:44The what?
01:48Hey, what are you doing?
01:55You're being punished for your grief.
02:01That's for your friends.
02:02New York Clay?
02:03That Clay?
02:04That's the one.
02:05You said you never wanted to see him again.
02:06Ancient history.
02:07Six months?
02:08Five.
02:09He's just stopping by on his way home.
02:10It's not a big deal.
02:11He was traveling or something.
02:12Who's Clay?
02:13Nobody.
02:14Her ex-boyfriend, the musician.
02:15She met him when she was working at the Rainbow Room.
02:16You remember.
02:17No, I don't know what he told me.
02:18They hired you at the Rainbow Room?
02:19Yeah, she was a hostess until she started working at the Chelsea Pier.
02:21Okay.
02:22Can we talk about this later, please?
02:24A lot later.
02:25We're just friends, that's all, you know.
02:26Do I have lots of ideas?
02:27Yes.
02:28Oh.
02:29Oh.
02:30Oh.
02:31Oh.
02:32Oh.
02:33Oh.
02:34Oh.
02:35Oh.
02:36Oh.
02:37Oh.
02:38Oh.
02:39Oh.
02:40Oh.
02:41Oh.
02:42Oh.
02:43Oh.
02:44Oh.
02:45No.
02:46It was me.
02:47It was not me.
02:48Okay.
02:52Phoebe.
02:53Hi.
02:57Really good to see you.
03:10You okay?
03:11I am the sun and the air.
03:31I am human and I need to be loved.
03:37Just like everybody else.
03:40Just like everybody else.
03:45See, I'm already waiting to know.
03:51And all my hope is good.
04:04I burn, burn like a wicked cabinet.
04:07Chopped white and oh so frail.
04:09I see our time has gotten stale.
04:15The tick tock of the clock is painful.
04:18All sane and logical.
04:20I want to tear it off the wall.
04:25I hear words and clips and phrases.
04:28I think sick like ginger ale.
04:30My stomach turns and I had tears.
04:35I would swallow my pride.
04:37I would choke on the lines.
04:38But the light fell over me, may I be inside.
04:41I would swallow my doubt.
04:42Turn it inside.
04:43I'll find nothing but faith in nothing.
04:46I want to put my tender heart in a blender.
04:48I just fell around to a beautiful oblivion.
04:51I want to run to you and I'm through.
04:53I'm through.
04:56What else don't I know?
04:59Brito, take this personally, but sometimes you can be a bit judgmental.
05:03Oh, that is so not true.
05:04All right, so maybe it's sometimes true.
05:11I just don't understand why Phoebe never even told me about this guy.
05:14People don't like to dwell on things that end badly.
05:17Yeah, well, I wish my relationships ended that badly.
05:19Did you hear them last night?
05:21There was music.
05:22There was wine.
05:23There was...
05:23Talking.
05:25And how do you know there was wine?
05:27Okay, so I peaked.
05:29Well, you know, if nobody tells me anything, I have to get creative.
05:34Stop worrying.
05:35She'll be fine.
05:38She knows what she's doing.
05:40Watch that entrance.
05:41Make sure nobody comes in.
05:53Whoa, Doug, easy.
06:00Thanks, Piper.
06:02Hope Shelly didn't see that.
06:04Oh, don't worry about it, Doug.
06:05You just hang in there.
06:09What was that?
06:10What?
06:11That.
06:12You know, the guy, the glass.
06:14Do you do that often?
06:16Freeze time in front of, oh, I don't know, let's say everybody?
06:18Yeah.
06:19I'm finally getting some control over the unfreezing.
06:21The poor guy, he just keeps dropping everything.
06:24Oh, then maybe you should just fire him.
06:26That owner wants me to.
06:28Actually threatened to fire me if I don't, but...
06:30Doug's just going through a hard time right now, shall we?
06:32The waitress just dumped him after six years of dating.
06:35So, what, you're playing Cupid at the risk of your own job?
06:38Oh, yeah.
06:38I mean, Doug loves her.
06:41He even bought an engagement ring and everything.
06:43He just waited too long to ask.
06:44So now he's a wreck.
06:46Still, you can't just keep, you know, freezing in order to protect him.
06:50I know.
06:51So, are you still going back to Buckland's?
06:55Yeah, that's where I work.
06:57I just figured after everything that happened with Rex and Hannah that you would be hitting the classifieds.
07:02Well, if we don't save the auction house, I might have to.
07:05Rex...
07:05Bankrupt.
07:10What were you saying?
07:12Never mind, gotta go.
07:13I wish you could have been there, Phoebe.
07:26You would have loved Egypt.
07:28Pyramids, giant sphinx, Nile River, camel taxis.
07:34It was amazing.
07:36You rode a camel.
07:37Hey, they're friendlier than some of the cab drivers I've met, believe me.
07:40Can't imagine they're faster.
07:45You were right to leave me.
07:46Oh, and the conversation turns.
07:50No, I'm serious.
07:51You're the best thing that ever happened to me.
07:53And I blew it.
07:53I know that.
07:55Clay.
07:57What?
07:57Too much too soon?
07:59Yep.
07:59Look, I hope you don't take this the wrong way.
08:08But why are you here?
08:10With me now?
08:11What?
08:12Can a guy visit?
08:15Yeah, but you're not just a guy.
08:17You're clay, and clay comes with strings attached.
08:20I never could hide anything from you.
08:23Actually, you could.
08:25That was one of our problems, remember?
08:26I picked up the CERN at an overseas market.
08:32Thought it might be worth something.
08:35So you want me to get Prue to help you because of the auction house?
08:40Guilty.
08:42Phew!
08:43For a minute there, I thought you were here to win me back.
08:48No, Phoebe.
08:49I think too much for you to still believe you're interested.
08:52Look, this is no secret.
08:57I've been in some trouble.
08:59Gotten in too deep.
09:01I just thought if I could sell this CERN, make some money, pay off a little debt, I could
09:05make a fresh start.
09:08Hey, think about it.
09:11Please, Phoebe.
09:12Hi.
09:21Oh, hi.
09:22You must be Prue.
09:23And you must be...
09:25Claire.
09:26Claire Price.
09:28The bank assigned me to see if the business is worth salvaging.
09:31I'm looking for inventory records.
09:33The files in my predecessor's office were empty.
09:36Yes, well, Rex and Hannah weren't exactly qualified.
09:39Mm-hmm.
09:41Obviously why Buckland's is in such dire straits.
09:45To be honest with you, Prue, I don't know anything about auction houses, and I know even
09:50less about art, but what I do know is the bottom line.
09:53And if we don't move $1.2 million worth of inventory at the auction tomorrow, I'm shutting
09:58the place down.
09:59Excuse me, did you say tomorrow?
10:01Did I stutter?
10:02With all due respect, you don't just decide to throw an auction, okay?
10:07You need advance notice, a catalog, buyers.
10:10Mm-hmm.
10:11Then it looks like you've got a lot of work ahead of you, doesn't it?
10:16Oh.
10:19Sorry.
10:21Oh, who was that?
10:23New sheriff.
10:25Hey, Prue.
10:26Hey, Clay, what's up?
10:27Uh, Faber, Clay was hoping that maybe you could sell this for him.
10:33Yeah, I picked it up at a market overseas.
10:36Picked it up?
10:36Does that mean you bought it?
10:38What else could it mean?
10:40Well, it's really beautiful.
10:42Gold inlay, 24 carats, a lot of lapis, looks to be from Egypt.
10:46Exactly.
10:47That's where I was traveling.
10:48These etchings are interesting, very unusual.
10:51You think it's worth something?
10:53Oh, well, I would have to determine the errands' origins, its previous owners.
10:56Oh, couldn't you just skip a step or two?
10:59Phoebe, I cannot risk this auction house's reputation on something like this without checking on it.
11:03Come on, come on, come on.
11:05I will, uh, what will I do?
11:07I will cook you dinner.
11:08Oh, don't threaten me.
11:09Fine, I'll see what I can do.
11:11Hey, thanks.
11:11Thanks a lot.
11:12Is she the best or what?
11:14Oh, thank you, thank you.
11:15Oh, I love you.
11:22Thanks for doing that, Phoebe.
11:29No problem.
11:29We'll get you a great price for it, too.
11:31She's really good at her job.
11:33Well, it'd be nice if she just liked me a little bit.
11:36She likes you.
11:37She's just real protective of me, that's all.
11:39I remember when that was my job.
11:41Yeah, and then I quit you.
11:43Hey, Clay.
11:45Palmer.
11:47What are you doing here?
11:48I'm bumping into you.
11:48Aren't you going to introduce us?
11:52Oh, yeah.
11:52Sorry, Phoebe.
11:53This is Palmer.
11:54Met him in Cairo.
11:55Hi.
11:55Oh, wow.
11:56Small world, huh?
11:57Yeah, yeah.
11:57Hey, what's going on with that urn?
11:59Wait, you know about the urn, too?
12:02Well, actually, that's where we met.
12:04The marketplace where I bought it.
12:05Yeah, right.
12:06The marketplace.
12:07Right, I thought you were going to sell it.
12:08Well, actually, Phoebe's sister works at that auction house.
12:10She's looking for a buyer as we speak.
12:12That's good, that's good.
12:12The sooner the better, I guess, huh?
12:16Hey, are you okay?
12:17Yeah, I'm fine.
12:18I'm fine.
12:19It's just a little tired, jet lag, you know?
12:22Are you staying at the Ashcroft like I suggested?
12:24Oh, yeah, sure.
12:25Me, too.
12:27Maybe we'll hook up later?
12:28Mm-hmm.
12:30It's nice to meet you.
12:31Oh, yeah, you, too.
12:35Ew, creepy guy.
12:39Yeah.
12:39You hungry?
12:42Help you.
12:58Help you.
13:00He was a friend of Wesley's.
13:01His family wanted me to make sure he got home all right.
13:04Sorry.
13:04How'd he die?
13:06I don't know.
13:08Spiderbite, I think.
13:08He's off to JFK, right?
13:13First flight in the morning.
13:21Sorry, Wes.
13:22What am I supposed to think, Piper?
13:48Phoebe's ex pops into town and wants me to sell something for him?
13:51You think that's a coincidence?
13:53Oh, Pru, you wonder why you're out of the loop.
13:55You worry too much about Phoebe.
13:57No, I don't.
13:57I just don't want to see her get hurt.
13:59That's all.
14:00Look, I just get this really bad feeling about Clay.
14:03I can't explain it.
14:04I can.
14:06So you don't think he's good enough for her?
14:07Just like you didn't think Jeremy was good enough for me.
14:10Of course, in his case, you were right, but that's not my point.
14:13No, your point is that it's none of my business, and you're probably right.
14:18Speaking of playing matchmaker, how is Doug?
14:20The same, unfortunately, except I'm getting a little freeze-frazzled.
14:24It's draining.
14:25Don't you think you need to find a better way to deal before you get fired?
14:28I know.
14:30Oops.
14:30I gotta go.
14:31I gotta go.
14:32Oh!
14:32Oh!
14:33Oh!
14:33Oh!
14:33Oh!
14:33Oh!
14:33Oh!
14:33Oh!
14:33Oh!
14:33Oh!
14:34Sorry, Doug.
14:38Too poop to pop.
14:44I'm surprised you moved back here.
14:46I remember a few late nights, a few beers, a few not-so-pleasant conversations about your
14:51sisters.
14:52Here you are.
14:53Living together here.
14:55Necessity of choice.
14:57I think a little bit of both.
14:59Anyway, things have kind of picked up the Halliwell Manor.
15:04Oh, well, let's just say, uh, San Francisco has been a lot more unusual than New York.
15:10More rice?
15:12No thanks.
15:13Hmm.
15:14Look, you know, Phoebe, you really haven't said much about what you've been doing.
15:19Protecting the innocent from evil?
15:21Oh, come on.
15:22Be serious.
15:22I mean, you barely had a spare minute in New York.
15:26Three jobs just to afford your social calendar.
15:27Things have changed.
15:31I've changed.
15:35I'm trying to change, too.
15:40One thing that won't change is how I feel about you.
15:43I don't understand, you deserve so much of you.
15:51I'm sorry, I shouldn't.
15:53No, it's not that.
15:55Believe me.
15:55I, uh...
15:56It took me a long time to get over you, and I just want to be careful.
16:09I understand.
16:12But if I clean up my act, would you consider moving back?
16:17Do not go there now.
16:19Oh, sorry to interrupt.
16:25It's okay.
16:25It happens.
16:27I should get back to the hotel anyway.
16:29Okay, stop.
16:30I got it.
16:30I got it.
16:31Okay.
16:32So, how's it going with the urn?
16:34It's going.
16:35I think what he's trying to ask is, is it going, going, gone?
16:39Well, I put it on the auction block.
16:41Wow, great.
16:42That's great.
16:43Thanks a lot.
16:43Yeah, well, I'm still waiting for the background check to come through on it so I can set a reserve price.
16:47Okay, well, whatever you get for it.
16:49Fine with me.
16:50As long as it sells, right?
16:51And in a hurry?
16:52Well, from what I understand, if anyone can do that, it's you.
16:57So, I will call you tomorrow.
17:00Maybe you can show me around the city.
17:01Let me see where I left my heart.
17:08Hey, I really appreciate it.
17:09Thanks again.
17:11Anything for babes.
17:13See you later.
17:14Okay, okay.
17:19What?
17:20Nothing.
17:22I can worry about my little sister, can't I?
17:25Don't ever stop.
17:31Hmm.
17:34Are you okay?
17:35Nothing to see here.
17:36Move along.
17:38Welcome to London.
17:39What did you do?
17:40More like, who did you do it to?
17:42I put a charm on Doug, but I doubled the recipe.
17:46It's just a little something that boosts his confidence so he can give love a shot and give
17:49me a break.
17:50Go ahead, Brute.
17:51Yell at her.
17:52It's not for personal gain, and it fits into the whole harm-none thing we have to live
17:55by, besides Brute, the one who told me to do something.
17:58Did not.
17:58Yes, you did.
18:00I just need Doug to stop dropping things so I can stop phrasing things.
18:03I'm just exhausted.
18:04You know, maybe he and Shelly aren't meant to be together.
18:07Not everybody's supposed to be.
18:10Oh, that was, that was real subtle, Brute.
18:13Well, we'll never know unless Doug has the guts to pop the question.
18:17All I'm doing is giving it to him.
18:18Hmm.
18:19It's just like the cowardly lion from The Wizard of Oz.
18:23Well, it is.
18:24Ladies and gentlemen, this exquisite bronze-plated carving dates back well over 120 years.
18:35Surely it's worth more than $2,500.
18:38Do I hear 26?
18:3926.
18:40Mark, move the F. Scott Fitzgerald pin to the next slot, all right?
18:43Our buyer, Mr. Gordenson, is getting restless.
18:45Go.
18:4626 going once.
18:47I think you should see this, Prue.
18:49What is it?
18:50It's the appraisal on the air and you requested.
18:52The good news is it's worth a fortune.
18:56The bad news is...
18:57It's stolen.
18:58Apparently.
18:59No wonder the auction house is going under.
19:01Selling stolen goods.
19:03No, this is highly unusual and very embarrassing.
19:06Yes, it is.
19:08Yes, now 16.
19:0916,000?
19:11Oh, no.
19:1216,000?
19:1415,000 going once.
19:16Going twice.
19:17Sold for 15,000.
19:20Pattle number three.
19:22Next item up.
19:23Lock number 5151.
19:26This beautiful 24-karat gold inlay urn from Egypt.
19:31Oh.
19:32Obviously, there's been some mistake.
19:41Who are you?
19:43You must be Prue, Phoebe's sister.
19:45Same question.
19:45Who are you?
19:47Me?
19:47I'm a friend of Clay's.
19:51Why didn't you sell that urn?
19:52You're supposed to sell it.
19:53I think that you'd better leave.
19:54No!
19:55Don't you understand?
19:56You have to sell it before the curse...
19:57Curse?
19:57What curse?
19:58The urn.
19:59It's cursed.
20:00Never mind.
20:02Get it.
20:02I'll get rid of it myself.
20:05Oh, my God.
20:06It is cursed.
20:08Oh, no.
20:08What's going on?
20:12Curse.
20:14It's happening.
20:16It's too late.
20:18I gotta get out of here.
20:28So, do you believe in giving people second chances?
20:32Absolutely.
20:33That's probably why I wanted to help out Doug so much.
20:35Okay, well, Clay says he can change, and I want to believe him, but...
20:39But you're afraid of getting hurt.
20:41That's totally understandable.
20:42So, I keep my distance, and then what?
20:45Hope that I'm wrong?
20:47Well, you could be.
20:48That premonition of yours was definitely the future.
20:52Yeah, but the problem is, I keep thinking about the past.
20:56When I moved to New York, I was so angry.
20:59All right, I was scared.
21:03And then I met Clay, and he helped me out a lot.
21:07And he was really good to me at a time in my life when nobody else was.
21:11I'm sorry.
21:12You know what I mean.
21:13I didn't mean it like that.
21:14All right.
21:15That's fine.
21:17So, why did you leave him?
21:19Well, he kept living beyond his means.
21:21He never thought of the future.
21:24Yeah, I know.
21:24That sounds familiar.
21:27Let's just say...
21:29I took one too many shortcuts.
21:31Got involved with some bad people.
21:33Got in over his head.
21:35Way over his head.
21:36And finally, I just couldn't take it anymore.
21:39I had to leave.
21:40And so now he's back, hoping to be the man you fell in love with originally.
21:44Yeah, so what do I do?
21:46What if he's the one?
21:48Like you say, Doug and Shelly are.
21:50Do I just walk away?
21:52No, but...
21:53We can't live together forever.
21:55What do we expect?
21:55Be 60 years old and still be sharing clothes and a cat?
22:00Well, now that you put it that way, no.
22:02I don't want to live with you anymore.
22:04Oh, boy.
22:14I thought your charm was to boost his confidence, not turn him into Tom Cruise.
22:20Maybe I shouldn't have doubled the recipe.
22:23Uh, yeah.
22:26Doug.
22:27What's going on?
22:31Not sure, but whatever it is, I feel great.
22:38Oh, my.
22:41Um, what about Shelly?
22:44Who cares about Shelly?
22:45When I got Thursday, Friday, and Saturday, I'll wind up and wait.
22:50I don't believe I've had the pleasure.
22:52I don't believe you will.
22:53Off limits.
22:57Your charm worked.
22:59You've turned Doug into a...
23:00A monster.
23:01Uh-huh.
23:02Oh, I gotta go.
23:04I told Clay I'd meet him over at the house.
23:06Goodbye.
23:06Goodbye.
23:24Lady?
23:25How'd you get here?
23:28I came with your friend.
23:29I waited for your fear to consume you.
23:33Where's the urn?
23:36It's at the Buckland Auction House.
23:37I tried to get it back.
23:38I was gonna return it, I swear.
23:39I tried to make things right.
23:40Please, don't.
23:42I'm sorry.
23:44No!
23:45No!
23:46No!
23:47No!
23:47No!
23:48You're being punished for your greed.
23:50So, the band goes on at ten, but if we get there before nine, there's no cover.
24:01You interested?
24:02And anything that involves you.
24:10Okay.
24:13Hmm.
24:13Hmm?
24:14Mm-hmm.
24:14Deja.
24:20Wait, wait, wait.
24:21I miss this.
24:23The day-to-day bus.
24:28Yeah.
24:29Me too.
24:32Okay, well, I'm going to change now.
24:35Okay.
24:37Hmm?
24:37Oh, you want me to leave?
24:39It's kind of a loaded question, but, uh, yeah, I think that that would be best.
24:44Phoebe, we did live together.
24:46It's not like I haven't...
24:47Yeah, I-I-I know, but things have changed.
24:52Come here.
24:53Come sit down.
24:56Very different.
24:58Did it have to be?
24:59Uh, well...
25:00You know, when you, uh...
25:05Okay, stop.
25:06Stop!
25:07Okay, go.
25:11Go.
25:13Oh, God.
25:14What am I doing?
25:15What am I doing?
25:17Okay, you know this isn't fair, because I love it when you...
25:20Oh, Prue, you scared me.
25:30Where's Phoebe?
25:31Upstairs.
25:32But you might want to...
25:34Knock.
25:35Knock.
25:35Phoebe, we need to talk.
25:41Yes, we do.
25:43Oh.
25:44Oh.
25:53You know you don't have to leave.
25:55Yeah, I think I should.
25:55I hope you like the show.
26:06Phoebe, I am so sorry.
26:07I had no idea.
26:08What, that it was my room that you barged into?
26:11I had more privacy when I lived in New York.
26:14A tiny island crawling with eight million people.
26:16And at least one thief.
26:19I'm sorry, excuse me?
26:20My new boss handed this to me, thankfully, just before the urn could be sold.
26:28Clay didn't buy it at some outdoor bazaar, Phoebe.
26:32He stole it.
26:33This can't be right.
26:34It looks right, Phoebe.
26:37Seasons change.
26:38People don't.
26:39I changed?
26:40Do you remember what you thought of me before I walked back through that door?
26:44That's different.
26:45How is that different?
26:46You're my sister.
26:47Well, there's got to be some mistake.
26:53It gets worse.
26:57If the background information is accurate, there's a curse attached to the urn.
27:03Anyone who steals it ends up dead.
27:06A victim of the guardian who protects it and she feeds off their greed.
27:10Okay, well, even if that's true, Clay could have never known about it.
27:14Otherwise, he wouldn't have brought it here.
27:16Are you sure, Phoebs?
27:18You wouldn't be the first Hallowell to misjudge a guy.
27:20No, it's not about judging.
27:21It's about knowing.
27:22And I know Clay.
27:24And I know what Clay has done.
27:26Okay, he put my job in jeopardy.
27:28He lied to me.
27:29Phoebe, he lied to you.
27:31You don't know that.
27:34Look, I am not saying that he's perfect.
27:38Okay, and even if he is foolish enough to risk his own life,
27:44he would never risk mine.
27:46If I didn't know any better, I'd say this is a scorpion sting.
28:03Scorpion sting in San Francisco.
28:06I know, but that's what it looks like.
28:08Any chance he was killed somewhere else and then moved here?
28:11No.
28:11The lividity is consistent with where he was found.
28:14Well, I buy this place as roaches.
28:15I'm not so sure about scorpions.
28:17Anything else?
28:18Found someone's business card in his pocket.
28:22Buckland's auction house?
28:22Let me guess.
28:24Prue Hallowell?
28:25Yeah.
28:26How'd you know?
28:26I'm cursed.
28:29Let me know when you get the report back on that sting.
28:35Excuse me.
28:37Palmer?
28:47Palmer?
28:47Lot 49, 2600, lot 50, 15,000, lot 51, excluded.
29:06Shouldn't that be turned into the proper authorities?
29:09I'm contacting customs as soon as we're finished here.
29:12Look, again, I just want to assure you that I didn't have anything to do with...
29:16Just handle it.
29:18How did we do?
29:201.28 million.
29:22We did it.
29:22The auction house lives to see another day.
29:25Congratulations.
29:26Good work.
29:27Thanks.
29:27Thanks.
29:32Hey.
29:33Andy, hi.
29:36Here to arrest me again?
29:39Not this time.
29:42A scorpion.
29:43Why am I not surprised?
29:46I'm afraid I don't.
29:47A young man died last night of a scorpion sting.
29:50Palmer Kellogg, you know him?
29:52I don't believe I do.
29:53Well, he obviously knew you.
29:55I found your card on his body.
29:57We did just have an auction.
29:59I met a lot of people.
30:00Huh.
30:00Well, I'll bring a photo by later to see if it jogs anything.
30:05That's fine.
30:11But listen, just because we're not dating anymore, I want you to know I still care about you.
30:16So if you're ever in a jam or you ever need anything, just know you can always call me.
30:23I know that.
30:24Thanks.
30:24Thanks.
30:30You stole the urn, didn't you?
30:45Won't you come inside?
30:47No, I am not going anywhere until you answer the question.
30:50Okay, yes.
30:51Were you planning on saying goodbye before you skipped town?
30:59Palmer's dead, Phoebe.
31:00What?
31:01He died from a scorpion sting.
31:03I called Wesley to tell him.
31:05That's when his parents tell me he's dead, too.
31:07Spider bites.
31:08I don't know how.
31:09I don't know why.
31:09But I know one thing.
31:10I'm not going to stick around.
31:11You are such a liar.
31:13Phoebe, I'm not lying.
31:14You knew the urn was cursed when you stole it.
31:16You knew the legend.
31:17What are you talking about?
31:18What legend?
31:19Are you telling me that you didn't know whoever steals the urn dies?
31:22Palmer or Wesley?
31:24I swear I knew nothing about it.
31:26You're right.
31:27Phoebe, you have to believe me.
31:29No, I don't.
31:31You're a liar, Clay.
31:32You will never change.
31:35You'll always look for the easy way out.
31:44Sorry, I'll go get the broom.
31:54Good idea.
31:56I see you reversed the spell.
31:58And I've been given until tomorrow to fire him.
32:01Maybe Prue is right.
32:02Maybe they just don't belong together.
32:05Seems like the theme of the day.
32:07Uh, Clay?
32:08Uh-huh.
32:09He totally used me, Piper.
32:11He just used me to get to Prue.
32:14I'm sorry.
32:18Thanks for not saying I told you so.
32:22Why didn't I see it coming?
32:24What am I, a sucker for punishment?
32:26No.
32:27You see the good in people.
32:28And that's never wrong.
32:29Besides, the wrong guys are usually the most interesting.
32:32Mm.
32:33Until you get your hopes up and let your guard down
32:36and they reveal their true selves.
32:38So true.
32:39I know.
32:39Look at Doug.
32:40Great guy.
32:41Kind of boring on the surface.
32:43Easy to overlook.
32:44But maybe in the long run, we're better off with his type.
32:48Maybe in the way long run.
32:50I think I'm still looking for adventure.
32:52Then you risk paying the price.
32:56I got it.
32:59Maybe it's a price worth paying.
33:00Yeah.
33:01I just don't know anymore.
33:05Thanks for the year.
33:17Can I come in?
33:17No.
33:18Look, I may have lied about buying the urn.
33:21But I swear, I didn't know it was cursed.
33:23Well, that still makes you a thief now, doesn't it?
33:25Well, that's why I'm here.
33:26I want to make things right.
33:27I want to turn myself into the police.
33:29I mean it, Phoebe.
33:30Honest.
33:31It's the only way I can redeem myself with you.
33:33And how do I know this isn't just another one of your scams?
33:36Well, I guess you don't.
33:37But I don't want to take shortcuts anymore.
33:38I want to take the urn with me to the police.
33:41There's no way Bruce is going to give it to me.
33:43Not without you there.
33:46I need your help.
33:48It's the last favor I'll ever ask.
33:50I promise.
33:51I don't think so.
33:57Please.
34:05It's a curse.
34:07What?
34:08Let's go.
34:16Phoebe, what is he doing here?
34:18Save it till later.
34:19I have seen the future and it's not bright.
34:21Oh, good.
34:21You didn't give the urn to the police.
34:23Yeah, no.
34:23I thought that it might get you in trouble.
34:25Yeah.
34:25Well, you know that little legend we were talking about?
34:27Well, I...
34:28I think it's true.
34:33What the hell is that?
34:36Clay!
34:36Get him out of here.
34:37Go!
34:43I don't want to harm you.
34:45I came for the thief.
34:47Who are you?
34:48I'm the guardian of the urn.
34:51You cannot destroy me.
34:57Uh, Phoebe, run.
35:02So now there are more who will die.
35:04I still don't understand.
35:17You stay down here.
35:19What's going on?
35:20Tell you in the attic.
35:21Hey, where are you going?
35:21Fill her in.
35:22I'll meet you guys upstairs.
35:24Uh, Piper is really into legends.
35:27And Brue is really good with her mind, so...
35:31Yeah, but that thing, the guardian, she's not even...
35:33Human?
35:34Yeah, I know, but she's real.
35:36And we have to figure out how to stop her before she gets you.
35:38I don't know what you're thinking, Phoebe.
35:39I do not want you getting hurt because of me.
35:43You know, I think I actually believe you.
35:45Did you find anything?
35:56Nothing about Egyptian urns or greed demons.
35:59Zip.
36:00Well, let's just hope that she didn't follow us here because our powers are useless against her.
36:04How's that possible?
36:05I mean, that's never happened to us before.
36:07Maybe we're not supposed to protect him.
36:09What are you saying?
36:11Look, all I'm saying is that maybe there's a reason.
36:15Like, Piper trying to force Doug and Shelly back together again.
36:18Maybe there are just some things that we're not supposed to save.
36:20No.
36:21We're saving Clay, period.
36:22There's just got to be something that we're missing.
36:25Maybe this is something.
36:26I mean, it doesn't talk about the urn, but it talks about the seven deadly sins.
36:30Greed being one of them.
36:32Wait a minute.
36:32The Guardian punishes the greedy, so maybe if Clay does something selfless, it'll even the score.
36:40Good luck.
36:44Sorry.
36:47Clay!
36:49Clay, where are you?
36:51Clay!
36:52I think he left.
36:54I don't believe it.
36:55I'm sorry, Phoebs.
36:57No, I mean, I really don't believe it.
36:58He wouldn't just leave like that.
36:59Well, do you have a better explanation?
37:01He was worried about me.
37:02He was worried about us.
37:03I am telling you.
37:05Wait.
37:06My vision.
37:06I think I know where he's going.
37:08We've got to stop him.
37:09Hmm?
37:19I knew you'd come back.
37:21Your greed consumes you.
37:23I'm not here for the urn.
37:25You must be punished.
37:27I know.
37:28When you're done with me, that's it, right?
37:32You're not going to hurt anybody else?
37:33Not until somebody steals the urn again.
37:35How do you know anybody will?
37:37Somebody always does.
37:38Clay!
37:55Clay!
37:55Stay back, Phoebe.
37:57No!
37:57Phoebe, look out!
37:58Look out!
38:03A selfless act.
38:04Just like the Book of Shadows said.
38:06Where'd it go?
38:16Who cares as long as it's not here?
38:19You okay?
38:21Am I okay?
38:23Who says people never change?
38:25Good thing we didn't have to end up using our powers to vanquish her, otherwise Clay
38:41would have seen.
38:42They didn't work anyway.
38:44Not something I hope ever happens again.
38:47Oh, oh, forgot about Doug.
38:48This is getting ridiculous.
38:52Oh, tell me about it.
38:53That engagement ring's probably still burning a hole in his apron.
38:58Where are you going?
38:59What are you doing?
39:00Solving your problem and keeping you employed.
39:07Okay.
39:07Sorry.
39:17What's that?
39:22I was carrying that around for weeks, trying to find the right time to ask you.
39:26Ask me what?
39:28To, um...
39:30Marry me.
39:33But that's why I broke up with you.
39:35I gave up on waiting.
39:46Maybe this would have happened sooner if I would have kept my little wicked nose out of
39:50the business.
39:50I mean, she can't change people.
39:52They have to change themselves.
39:55Oh, speaking of that.
39:56Yum.
39:59Go, baby.
40:00Go, girl.
40:01All right.
40:01You go.
40:02You can do it.
40:03Hey.
40:06Hey.
40:07I'm glad you stopped by.
40:10Any chance you're going to come back with me?
40:12No.
40:14This is my home now.
40:16You know me.
40:16I had to try.
40:19I know I lied to you about a lot of things.
40:21One thing I never lied to you about is how much I care about you.
40:24I know, Clay.
40:34I guess I should be going.
40:35Yeah.
40:38Um, you know, I hope the next time we cross paths, I'll be the guy you always think you
40:44see.
40:44Goodbye.
40:49Goodbye.
40:59Hey, you okay?
41:00Oh, yeah, yeah.
41:01He was just stopping by on his way home, right?
41:04No big deal.
41:05Heard that before.
41:06Mm-hmm.
41:07Oh.
41:08Oh.
41:08Oh.
41:08Oh.
41:08Oh.
41:08Oh.
41:08Oh.
41:08Oh.
41:09Oh.
41:09Oh.
41:10Oh.
41:10Oh.
41:10Oh.
41:10Oh.
41:10Oh.
41:11Oh.
41:11Oh.
41:11Oh.
41:11Oh.
41:11Oh.
41:11Oh.
41:11Oh.
41:11Oh.