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00:00Scenes.
00:16You're going to Talon. UDC's going to be there.
00:19I'm announcing River in four days, and it will be released on the 28th.
00:24Where is he now?
00:26He should be in Talon.
00:27You need to find him and stay with him.
00:29Distance to the target is 75 meters.
00:32What are the obstacles?
00:33A metal detector and an ultra-sensitive scanner, but I've got an idea for that.
00:38That's very clever.
00:39Glass is bullet resistant.
00:40I'll stop five rounds on a 7.62 millimeter rifle.
00:44That is a fucking work of art.
00:49Can you call them, please?
00:50I do not want her here.
00:52I'm trying to talk to my husband and my child.
00:54You have good memphis.
00:56Why do you need this disguise?
00:58There are people looking for me.
01:06Could I see some ID, please?
01:07Hi, is that Rasmus?
01:09I just wondered if you wanted to grab a drink.
01:11And what sort of vibe would you say?
01:13It's kind of serious.
01:14Also a bit dangerous.
01:16Some flowers never get to bloom and see a day.
01:26Some flowers are content to wish their lives away.
01:36Some may rise and some may fall.
01:43But only you may ever see me choose.
01:52So only you can tell that this is who I am.
01:58This is who I am.
01:59This is who I am.
02:00This is who I am.
02:05This is who I am.
02:12This is who I am.
02:14This is who I am.
02:20So, two British intelligence officers arrived there last night from Bill of Leicester.
02:50Male, mid-30s, white, about 5'10", brown hair, female, about the same age, black, first name, Bianca.
03:03I was wondering if your people might be able to do something about them.
03:08Wait, are you asking me for my help?
03:13Sure.
03:16I've done it. Your dad's arriving on Friday.
03:20They're going to ask me if you're confident it can be done.
03:23Well, you can tell them whatever they want to hear.
03:26Well, I'm also asking for myself.
03:28So, what would you like me to tell you?
03:32That you'll deliver.
03:35I'm on your side.
03:42I was hoping that would be clearer by now.
03:45I was hoping this could be even more of a collaboration.
03:48I don't collaborate.
03:50You won't hear from me until after it's done, and I expect to be paid promptly.
03:56It's me.
03:57Yeah, I need some priority assistance on site.
04:03Sure, I'll have the details sent to you right away.
04:09We've set you up in the Cultural Attaché's office.
04:13Good morning. Welcome to Operation Anubis.
04:18Someone's pulled their finger out.
04:20The Foreign Secretary isn't a particularly generous man.
04:23But he's personally very miffed about the Jackal killing his friend Manfred.
04:27Did we get any matches from his DNA and prints?
04:30Nothing.
04:31This guy's a fucking ghost.
04:33Oscar Ilves of the Estonian Internal Security Service is our liaison.
04:38His team is going through hotels, hostels, Airbnbs, and private rentals.
04:42They're also asking for a likeness.
04:44So, I want you to meet Cole.
04:47Cole is going to help you put her face to the Jackal.
04:53Wider.
04:54Yeah, just like that.
04:56Yep, like that.
04:57Don't do anything else.
04:58Yeah, yeah.
04:59What do you think?
05:00Vince, you saw him, right?
05:02For a split second.
05:04Well, what do you think?
05:05Uh, yeah.
05:07Yeah, it could be him.
05:09Look, I see this is the best it's gonna go.
05:11Okay.
05:12We'll share it with Oscar Ilves and the Estonians.
05:15Thank you, Cole.
05:37Sir, I've just heard a British team track the assassin to Hungary.
05:48Unfortunately, he got away.
05:50He's resourceful and dangerous.
05:52You cannot go to Tallinn.
05:54Do the launch from here.
05:55If I hide away, River's enemies win.
05:59We've been planning this for a year.
06:01The guests have been invited.
06:03One thousand of them.
06:04Ordinary people.
06:05All randomly selected.
06:07They have no idea where they're going until they get there,
06:09and they've all signed NDAs.
06:10People talk.
06:12If we cancel now, UDC looks ridiculous.
06:16Better ridiculous than dead.
06:19Debatable.
06:21Good morning.
06:22Morning.
06:23There you are.
06:24Sorry, I had something early.
06:25I didn't want to wake you.
06:26What's that?
06:27I managed to get my hands on these plans for the concertism.
06:43It's pretty astonishing what these guys managed to achieve.
06:48Yeah.
06:49I thought last night was pretty great, too.
06:54You've got a very nice smile, Erasmus.
06:57Wow.
06:59No, you sort of radiate kindness.
07:02Wow.
07:03No, that's a good thing.
07:04You can't have too much kindness these days.
07:07Hmm.
07:12If they're trying to compete, I should just let you know
07:14that nothing turns me on like a blueprint, so...
07:17Show me the hot bits.
07:19You want to know?
07:20Yeah.
07:21Yeah?
07:22Yeah.
07:23So that bit there.
07:24Hello, cariño.
07:37Hola.
07:38¿Cómo estás?
07:39Bien.
07:41Pero...
07:42¿Bien, bien?
07:43Que sí que estoy bien.
07:45Pues esto es un parchecito que se queda en unos días.
07:51Pues mira, no lo sé.
07:54¿Tú crees lo que te ha contado?
08:00Ahora mismo lo único que puedo hacer es confiar.
08:06Nuri.
08:08Tu hermano quiere hablar contigo.
08:12But how could you tell?
08:14Uh, probably by getting up there and having a look.
08:16But this isn't even trying to explain it, so...
08:19Well, I could take you.
08:21Have a look.
08:23Really?
08:25It would have to be this afternoon, though.
08:27There's a concert tonight and they're shutting the whole place down.
08:30Like, total lockdown.
08:32What's that about?
08:33I don't know.
08:34They just told us that after tonight no one's getting in or out
08:37without special permission.
08:39Well, they've got me leaving this evening now, so...
08:44I could do this afternoon if that works.
08:49Should make it worth my while.
08:51What's that about?
08:52What's that about?
08:53What's that about?
08:54What's that about?
09:00This is real a bit.
09:01But you know the billet that's there bit there.
09:03No, I not really know.
09:04Can I have you say something?
09:06When your father was alive,
09:08I didn't know you were going to be the last cent in his pocket.
09:11That's a marriage.
09:13I'm asking you to ask this because it's important for me.
09:17And it's a opportunity.
09:19Do you remember my friend Antonio?
09:21He has a van in the center.
09:23He wants to sell it.
09:25He wants to sell it half.
09:27And he wants to sell it to me.
09:29But he has to sell it before the weekend.
09:31If not, he wants to sell it first.
09:33It's 40,000.
09:35For a van in the center of Cádiz.
09:40He would change your life to your brother.
09:47Ya.
09:48You're going to pay me.
09:55Thanks.
09:56Tira.
10:03Cariño, no te preocupes.
10:07Te estás dando otra oportunidad.
10:09Ahora, ahora.
10:10No hay nada más bonito que ayudar a un hermano.
10:12Me lo dice o me lo cuenta.
10:14No me hacemos feliz.
10:19Me tiene muy orgullosa.
10:21Shh.
10:22Qué poca vergüenza.
10:34Everything okay?
10:37Yeah.
10:41We're all good.
10:4840,000.
10:49Y a Charle le voy a pagar hasta el último céntimo, eh?
10:52Tira.
11:03Tira.
11:08Tira.
11:09Tira.
11:10Tira.
11:11Tira.
11:12Tira.
11:13Tira.
11:14Tira.
11:15Tira.
11:16Tira.
11:17Tira.
11:18Tira.
11:19Tira.
11:20Tira.
11:21Tira.
11:22Tira.
11:23Tira.
11:24Tira.
11:25F***, I'm glad I'm not working tonight.
11:26Imagine having to sit through three hours of classical piano.
11:30Imagine.
11:33So, I'll just wait for you.
11:37Use this to get back in here.
11:39Knock yourself out.
12:03Close your door to pick up the box.
12:10At the bottom box, charge me the box and check.
12:11Lock yourself in.
12:14Close your room next to your table.
12:16Get back if you put it on the table in there.
12:19Soon you won't take it.
12:21messy off the diy.
12:25Make sure to pay for 30 seconds.
13:02Hey, how was that?
13:04You have no idea what that was.
13:06That was, uh...
13:08That was pretty extraordinary.
13:10What?
13:12You're just so happy about it.
13:14It's hilarious.
13:16For me, that was a big thing.
13:18Right. Thank you.
13:20No problem.
13:22Do you want to grab some food?
13:24I'd love that, but I've got a ton of things
13:26I've got to do before I fly, so...
13:28But I'll see you when I come and pick up my stuff.
13:30Sure. Yeah?
13:32Yeah.
13:34Yeah.
13:40I've established a line of communication with Keith Convey,
13:42UDC's head of security.
13:44I've sent him the facial composite,
13:46but basically he won't share anything with us.
13:48He's not even admitting UDC's coming to Talon.
13:52I have Oscar Ilves for you, Osi.
13:54Put him on speaker.
13:56Oscar, hi, it's Osi.
13:58A police officer who recognizes the facial composite.
14:00She talked to the guy last night at an Airbnb.
14:02British, name of Peter Gibson.
14:04I'm on my way to the location now.
14:06Oscar, I'm sending you one of our teams.
14:08Siobhan, get them transported and armed escort.
14:10Your escort is Richard and Phil.
14:12They'll meet you at the front of the building in five.
14:14I've got the Airbnb location.
14:32No, let me down, let me down, let me down.
14:48On me, now!
14:50he aimed straight at you that was a fucking hit are you okay yeah do you need to come inside
15:06no no uh we need to go go i'll deal with the police hey hey hey be careful
15:20you okay
15:28you didn't miss by march yeah idiot
15:35oscar in this internal security do you know there's hard guys in there we don't but he was definitely
15:47this is our last night we've covered all the exits
15:50internal security open the door
16:04you okay uh yeah i had some dodgy sushi hoping they're gonna bang me out before the flight
16:22too much information
16:35it's been fun it's been more than fun
16:52you got a good man face rasmus what does that mean
17:00it's kindness just seems to come off you naturally
17:06i guess i'm just a happy person
17:10you
17:25UDC, bless his pointy little head, hasn't got the memo that class hatred makes no more sense now,
17:53just when the world needs to pull together than it ever did.
17:57It didn't happen. In Tallinn, there was a couple of Russians, they botched it.
18:02Years after communism, Russians are still drunk, lazy, inept, corrupt peasants.
18:08National characteristics always outlive regime change.
18:11It was very short notice, Tim.
18:13Do you know, when the Romans could no longer find enough Romans to run their empire,
18:17greatest empire the world has ever known, they started hiring foreigners.
18:22The rest is history. Decline and fall.
18:26Do you understand what I'm saying?
18:28No foreigners.
18:32You tell Leonora we're like Coffin's class hatred line.
18:41This is Officer Coffer. She's sure she saw your man last night.
18:45We were responding to a burglar in the building.
18:48We spoke to a number of tenants on this floor.
18:51And one man, there was something about him and he looked a lot like this.
18:56And one man, there was a limit.
18:58I think we're going to see where he...
18:59Go out, be on me.
18:59Go out, be on me.
19:00Go out, be on me.
19:01Go out, be on me.
19:02Go out, be on me.
19:03Go out, be on me.
19:04Go out, be on you.
19:24Could I see your back, sir?
19:28That's probably the boot.
19:32That's fine.
19:36He had a British passport in the name of Peter Gibson.
19:40How did Gibson pay?
19:41Credit cards.
19:42We're checking to see if the card has been used.
19:45I'll also get forensic team in for Princeton DNA.
19:48Hopefully, we can match results to what we found in Hungary.
19:53And get Officer Kovar in with the artist.
19:55See if we can get a better likeness.
19:59Uh, these, please.
20:01I'll get four of the nuts and four of these chocolate bars.
20:08How much will that be?
20:0930 euros, please.
20:1130 euros.
20:12Christ.
20:15Dami de Harad.
20:17Balon repilation.
20:18Concerts on Algama.
20:21Ladies and gentlemen, please take your seat.
20:24The concert is about to begin.
29:57I was wondering if I was wondering if I could persuade you to go for dinner with me.
29:59Yes, of course.
34:22Remember to stay close to the glass, sir.
34:28Oh, my God.
34:30There he is.
34:31Reva, hey, how are you?
34:33Oh, I'm good.
34:36Thank you for doing this.
34:38Are you kidding?
34:38It's an honor.
34:40If only River would show me how my ex is spending the $40,000 a month I pay him in alimony,
34:46the motherfucker.
34:47Sorry, I'm bitching about my ex and you, you're saving the world.
35:20Here we go.
35:22Stay close to the glass.
35:48Ladies and gentlemen, please welcome your host for this evening, the activist, satirist
35:59and provocateur, Rima Buttons.
36:06Rima!
36:08Rima!
36:09Rima Rice!
36:11Am I looking at the luckiest people on the planet or what?
36:23Not only the most intelligent, the best dressed and possibly even the best looking.
36:31But definitely the luckiest, because you are witnessing history right here, right now.
36:40Yes.
36:41Good.
36:42Good.
36:42Good.
36:43Good.
36:45Yeah.
36:50Murray.
37:21I'll let you in on a little secret.
37:26The world as we know it is doomed.
37:30Yep, apparently we're doomed.
37:33I heard.
37:34Yeah, I know.
37:34The warm-up act is supposed to warm you up,
37:37not to scare the shit out of you,
37:38but come on, I flattered you.
37:40She's so cool.
37:42We need to have a serious talk.
37:44I mean you, and I mean the millions of people watching this
37:47on their phones and TVs around the world.
37:50Some of us, no, most of us have loads of stuff.
37:56Well, we're not exactly lining up by the soup kitchens, are we?
38:00Don't be embarrassed about it.
38:01But just because we have stuff doesn't mean we're not fucked.
38:06We're in denial.
38:08We keep pretending nothing bad is happening
38:11when we know it is.
38:13Come on, repeat it.
38:14We're fucked.
38:15We have to change, and we know it.
38:19And that change has to start with money.
38:22One equals power.
38:23And when has power ever wanted change?
38:27Change is like kryptonite for people with power.
38:30They go all...
38:31Who is this?
38:35She's nobody.
38:36A hundred years ago, women said,
38:39give us the vote.
38:41Power went, though.
38:43That would be the end of the world.
38:45Feed the poor.
38:47No, you can't do that.
38:48The poor will always be with us.
38:51Power won't give up.
38:53It will never surrender.
38:55It has to be forced.
38:56And here is the man to do it.
39:01Ladies, gentlemen, and all of you in between,
39:05I give you...
39:07Hula...
39:08Hula...
39:08Hula...
39:09Hula...
39:10Hula...
39:10Hula...
39:11Hula...
39:12Hula...
39:13Hula...
39:14Hula...
39:16Hula...
39:18Hula...
39:20Hula...
39:22Hula...
39:24Hula...
39:25Hula...
39:33Hula...
39:34Hula...
39:36Hula...
39:36Hula...
39:37Hula...
39:37Hula...
39:38Hula...
39:38Hula...
39:39Hula...
39:40Hula...
39:45Hula...
39:45Hula...
39:46Yeah!
39:46That is like the main stage at Blastonbury.
39:50This is...
39:51This is...
39:51They said we never make it run away!
39:55Tyler!
39:56Tyler!
39:57Tyler!
39:58Tyler!
39:59Woo!
40:00Woo!
40:01Woo!
40:02Woo!
40:03Woo!
40:04Woo!
40:05Friends, thank you for joining me here tonight.
40:09I know you've all come a long way.
40:12I'm going to ask you now to come even further.
40:19I want you to come on a journey with me.
40:26How come?
40:28I won't lie to you.
40:29The journey will not be an easy one to make.
40:32For some, it will involve giving up stuff, like Remus said.
40:38But it has to be done.
40:43It has to be done!
40:46The rich have become so rich.
40:51It's nauseating.
40:52The powerful have become so powerful.
40:56The corrupt have become so corrupt.
40:59The rich, corrupt, and powerful have taken away what belongs to the many and hidden where only a few can find.
41:15The river is going to lead you to where it is, so you can come and take back what's yours!
41:30Fuck you, you tyrant!
41:34The rich, you tyrant.
41:36The rich, you tyrant.
41:37Go away!
41:38Go away!
41:40Go away!
41:41Go away!
41:42Go away!
41:43Come away!
41:44Go away!
41:45Come away!
41:52There were two shooters, he's in it somewhere.
41:54Look with the exits.
41:55Let's go.
41:56Come away!
41:57Go away!
41:58what the fuck was that what the fuck just happened is the motherfucker dead
42:18give me the remote give me the watch give me the fucking remote
42:28no we won't close the doors
42:58yeah
43:05yeah
43:10yeah
43:13yeah
43:17yeah
43:21yeah
43:24yeah
43:28yeah
43:30yeah
43:33yeah
43:36yeah
43:38yeah
43:43yeah
43:46yeah
43:47hey
43:48thought you left
43:50I thought you left.
44:20I thought you left.
44:50I thought you left.
45:20I thought you left.
45:50I thought you left.

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