- yesterday
Don’t miss this candid and bold interview with director Balaji Sakthivel – where he talks about the untold story behind Kaadhal, Dhanush’s initial casting, Bharat’s entry, and his honest take on actor Sri’s addiction struggle.
🎬 Director Balaji Sakthivel on Actor Sri: Praise, Performance & Personal Struggles
Veteran director Balaji Sakthivel, known for launching actor Sri in Vazhakku Enn 18/9, opens up about his journey, performances, and recent developments. He fondly recalls Sri’s powerful roles in Vazhakku En 18/9, Onaayum Aattukkuttiyum, and Vil Ambu, applauding his natural acting and versatility — from playing a Coimbatore slum-dweller to intense character roles.
Balaji Sakthivel also addresses Sri’s recent picture circulating online and comments on concerns surrounding the actor’s mental health condition. With care and respect, he shares his support for Sri, emphasizing his belief in Sri’s talent and the need for compassion from the film industry and fans.
#BalajiSakthivel #KaadhalMovie #Dhanush #Bharath #ActorSri #TamilCinema #KollywoodInterview #BehindTheScenes #DrugAwareness #CinemaTruths #TamilDirectors #KollywoodNews #drugs #srikanth #actorkrishna #drugsissue #VazhakkuEn189 #OnaayumAattukkuttiyum #VilAmbu #MentalHealth #KollywoodNews #SriUpdate #TamilActors #DirectorTalks #SupportSri #BalajiSakthivelInterview #FilmibeatTamil #FBUpdates #StarBuzz #CineBuzz #StarSights
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🎬 Director Balaji Sakthivel on Actor Sri: Praise, Performance & Personal Struggles
Veteran director Balaji Sakthivel, known for launching actor Sri in Vazhakku Enn 18/9, opens up about his journey, performances, and recent developments. He fondly recalls Sri’s powerful roles in Vazhakku En 18/9, Onaayum Aattukkuttiyum, and Vil Ambu, applauding his natural acting and versatility — from playing a Coimbatore slum-dweller to intense character roles.
Balaji Sakthivel also addresses Sri’s recent picture circulating online and comments on concerns surrounding the actor’s mental health condition. With care and respect, he shares his support for Sri, emphasizing his belief in Sri’s talent and the need for compassion from the film industry and fans.
#BalajiSakthivel #KaadhalMovie #Dhanush #Bharath #ActorSri #TamilCinema #KollywoodInterview #BehindTheScenes #DrugAwareness #CinemaTruths #TamilDirectors #KollywoodNews #drugs #srikanth #actorkrishna #drugsissue #VazhakkuEn189 #OnaayumAattukkuttiyum #VilAmbu #MentalHealth #KollywoodNews #SriUpdate #TamilActors #DirectorTalks #SupportSri #BalajiSakthivelInterview #FilmibeatTamil #FBUpdates #StarBuzz #CineBuzz #StarSights
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NewsTranscript
00:00That is the three people who are living in the world.
00:03It's a calorie.
00:04That's why it's a good reason.
00:07That's why it's a good reason.
00:12It's a good reason.
00:15That's why it's a good reason.
00:18No, it's a good reason.
00:20It's a good reason.
00:22It's not a good reason.
00:23It's a good reason.
00:25Let's take a look.
00:28You've been invited to see the climax.
00:29We need to be with you in the end of the past.
00:32We need to get a lot of love.
00:34We need to get a lot of love.
00:37It's a pain.
00:39That's how it's going.
00:41We need to get a lot of love.
00:44We've reached a lot of love.
00:46We've reached a lot of love.
00:48We've reached a lot of love.
00:51I believe that I was a man who was dead.
00:55I had a gun and had a gun.
00:58I was a gun.
01:02When I was a man who would get the gun at me,
01:06I was a man who would get the gun.
01:10I was a man who would get the gun.
01:14Assault.
01:16I don't think I have a great deal.
01:18I have a great deal with that.
01:22How long have you been to it?
01:25I have a great deal with Samurai.
01:28It's been a long time for a long time.
01:32No, no.
01:34I have been to the people and I have been to the people.
01:38I have been to the people and everyone.
01:41I thought, you know what?
01:43I heard that it was not a joke.
01:47I said, you will make this mistake.
01:49I didn't see a mistake.
01:51I thought you will make a mistake.
01:55This is not a mistake.
01:56It's not a mistake.
01:58I found out there knew that
02:01everything was hurt.
02:04If I didn't hear you,
02:06I'd be wrong with you.
02:10What is the result of Samurai people?
02:14No, the result is not.
02:18I thought it was a climax.
02:22But the distributors told me that they were talking about it.
02:27That's how it came from.
02:29Yes, that's how it came from.
02:31That's how it came from.
02:33That's how it came from.
02:35That's how it came from.
02:37You know, this is why you came from this planet.
02:43You know, you are about to see yourself in a future.
02:49You are about to see yourself in a future world and see yourself in a future world.
02:58You are about to see yourself in a future world.
03:02I spent a lot of time doing it.
03:05No one did that.
03:07All the time did it.
03:12And didn't do it.
03:13All of them did that.
03:17This is a good feeling.
03:19But it was so great.
03:21Do you think everyone is doing this?
03:24It's amazing.
03:25Our concept was coming to action.
03:32Okay.
03:34After that, I was able to say a point.
03:41Okay.
03:43I was able to say something like that.
03:47Okay.
03:48When I was first, I was able to say something like that.
03:52Yes.
03:53That's why I was able to say something like that.
03:57No, I was able to say something like that.
04:00I was able to say something like this,
04:03I was able to add something like that.
04:05I had my voice in order to develop things.
04:09Terrence, basho, bhаю heavyyszождогод наша.
04:12I um...
04:14This are profound.
04:16Yes.
04:18Research made over the совершilment years later too.
04:20And I olds senior.
04:23Ok.
04:24These people azt� knows their way to say something like this.
04:26Ok.
04:27I am not going to stop you.
04:29I am not going to stop you.
04:33I am not going to stop you and stop you.
04:37I will just show you.
04:40Okay.
04:41I am not going to say that.
04:44Yes, that is what I do.
04:46I am not going to be worried.
04:48I am not going to say anything.
04:50And that is what I do.
04:54You can't touch with your touch.
04:57I'm not saying anything.
04:59But I'm not saying anything.
05:02I'm not saying anything.
05:04But if you look at the calorie level,
05:07the diarrhea is like a one-on-one thing,
05:10but you don't have to be able to get anything in the school.
05:13It's not a one-on-one thing.
05:15I don't know.
05:16I don't know.
05:18I don't know.
05:20I'm not saying anything.
05:22What did you say about Arishal?
05:26Yes, that was the release of Arishal.
05:31Yes, that's the same thing.
05:34I'm going to go to Arishal.
05:37Yes, that's right.
05:39Did you say the release of Arishal?
05:43I didn't know the release of Arishal.
05:45I didn't know the release of Arishal.
05:50Okay, we can say it.
05:52Yes, we can say it.
05:54But if we can say it,
05:58you can say it.
06:00But we can say it.
06:04We can say it.
06:06But we can say it.
06:08Okay, in Hindi.
06:10Yes, that's right.
06:12We can say it.
06:14We can say it.
06:16We can say it.
06:18That's right.
06:20That's right.
06:22That's right.
06:24But we can say it.
06:26That's right.
06:38You cannot say it.
06:40You can go to that very stage.
06:43You can go to the cinema?
06:45Yes, yes.
06:47You can see it.
06:48In the past, you will see it.
06:52You will see it.
06:55You will see it.
06:57What does the world say?
07:00It's just a big picture.
07:04It's not a bad idea.
07:06It's a bad idea.
07:08But now we've got his arm, he's exactly right.
07:13That's how we get older.
07:15We've been the one who we need.
07:17He's the one who's the one who's the one who's the other.
07:21But now, he's the one who's the one who's the one.
07:26He's an invate.
07:27Joe's character.
07:29He's an invate,
07:31he's the one who's the one who's the one who's the one who's the one.
07:35It's a pain.
07:37He has made things like he was not aware of that.
07:41A lot of that is not natural.
07:45Great.
07:46That doesn't say that.
07:48Every point,
07:50we have to convince each other by doing that.
07:54Just the reason is that we will do it.
07:56Just tell what we do we will do it.
08:01It's very important.
08:03I mean, now we have to get the job done.
08:07We have to get the job done.
08:09But we have to get the job done.
08:12We have to get the job done.
08:16That's right.
08:18The point is, the first thing is to talk.
08:22That's the dialogue.
08:24Brother Mariya.
08:26Correct, sir.
08:28But you can talk about it.
08:30Yes, sir.
08:31No, she'll talk and talk about it in a few minutes.
08:34She never said that.
08:37No, see, for them it's hard to get the job done.
08:40I'm so proud to get the job done.
08:43Now I will do that.
08:45But my wife is so proud.
08:47She came here and didn't give me a job.
08:51And if she knew that if we went to her problem,
08:54we would get the job done.
08:56That's how it is.
08:58Yes.
08:59Our teacher is an alcoholic.
09:00Yes.
09:01That's the doctor.
09:02That's the symbol.
09:03That's the only character.
09:04No.
09:05Your mother is a father.
09:06I said, she would like to see the other women.
09:09But she would give a the help.
09:12Then another question.
09:14That's the anymore.
09:15She would say not to do a child.
09:17No.
09:18She would say another one.
09:21Run.
09:22Yes.
09:23That says,
09:24she said,
09:25I can't say it.
09:27Now I am going to ask you to ask you,
09:30since I am not sure you can name it.
09:34If you ask someone who is wrong,
09:37you can ask you to ask.
09:41This is fake.
09:43This is fake.
09:45You can't do it.
09:46You can't do it.
09:48You will touch yourself.
09:50It's a nice experience.
09:53It's okay. It's okay.
09:55It's okay.
09:57If you have a friend, you can't get a friend.
10:01That's not true.
10:03That's not true.
10:05That's not true.
10:07That's true.
10:09I'm not sure how to do it.
10:11I'm not sure how to do it.
10:13That's true.
10:15That's true.
10:17If you have two friends,
10:19you will be able to do it.
10:21If you have a friend,
10:23you will need to be able to do it.
10:25If you have a friend,
10:27if you have a friend,
10:29you will be able to do it.
10:31You will be able to do it.
10:33Do you have any title?
10:35No.
10:37We have a title of it.
10:39Okay.
10:41I want to ask you,
10:43I'll say yes,
10:45I'll say yes,
10:47that's the title.
10:49Yes, yes.
10:50That's the title.
10:51Okay.
10:52That's the title.
10:53We can register to do that.
10:56Then, when we announced the title,
11:00I was like, yes, M. Kumbharn Sanab Mahalajmi.
11:03Okay. James Ravi said.
11:04That's the title.
11:05That's the title.
11:06That's the title.
11:07That's the title.
11:08Okay.
11:09Sorry.
11:10Ravi said.
11:11Sorry.
11:12I was like, sorry, I have the title.
11:13I have the title.
11:14I have the title.
11:15I have the title.
11:16I kept playing my父母,
11:18as I kept the title,
11:19I was like, you Dobby.
11:22He said, okay.
11:24He said, this is a suffix.
11:26Even if everything is not like an animal to get without,
11:29I know I told him any.
11:30And that's it.
11:31And the title is it?
11:33My term is that.
11:34Cool.
11:35He said,
11:36Not that.
11:38All credit goes to that.
11:40Sankar Sarkar.
11:41That is fine.
11:42That's the name of Sandhya.
11:44No, no, I am become a artist.
11:46He is original.
11:50He is already an artist?
11:53I am writing her name.
11:55He is a father.
11:56He is an artist,
11:59and he doesn't explain his name.
12:02He is writing a pen to the pen.
12:05Nice!
12:06He must be very nice.
12:07You can get a paper?
12:09I don't have to read such papers as many as well.
12:11So, I will keep my friends and daters or get them where I'm alive.
12:14I have to get my friends in the show.
12:17Yeah, I have a problem.
12:18Don't forget to start off.
12:22Maybe you don't have to forget to forget.
12:26It can be relaxed.
12:28We can forget to forget to forget to forget.
12:30You will get a joke with the news.
12:33I will forget that like the movie and the joke.
12:35But if I was just ready to go on.
12:36The story is like you and your dad.
12:38Because many of us are doing a class-y diet.
12:45We are doing a lot of work.
12:49We are doing effortless.
12:50We are saying,
12:52we are going to do it.
12:57We are going to do it.
13:00We are going to do it.
13:01We are going to do it.
13:04We are going to do it.
13:07let's go to the floor,
13:09let's go to the floor.
13:11Let's go to the floor.
13:14If Jesus can look good for everything,
13:16if your physical body is hung with your physical body,
13:21then have the body inside.
13:22Then help with a tube.
13:23If you hold the tube that you can use a tube in the face,
13:25then you will have the tube in the face.
13:27Wow, nice, nice.
13:29No, you can't.
13:31Now, the tube is not a tube.
13:33But it's not a tube in the face.
13:35So, the tube is already in the face.
13:37If you know the police, it's a columnist.
13:39It's a columnist.
13:41It's a columnist.
13:43It's a columnist.
13:44If I tell you,
13:46I'm going to tell you.
13:50Why are you waiting for a stop?
13:54I'm going to stop.
13:56I'm more dead than an actor.
13:59He was released.
14:01That's why he was a problem.
14:03He was a problem.
14:05When you're a problem,
14:07you can take off the problem.
14:10It's a lot of coronavirus.
14:11If you're a problem,
14:13it's a problem.
14:16You can get out.
14:18You can get out of the world and get out of the world.
14:22Because of the problems,
14:24it's a problem.
14:26Now, I have a problem.
14:32I have a problem.
14:35But our son is a dreamer.
14:37You're a dreamer?
14:39Why are you a dreamer?
14:42Are you going to be a dreamer?
14:44Don't worry, we are getting a dreamer.
14:47It's just a new dreamer.
14:48We are getting proven.
14:52That's why we are doing...
14:55Our whole world is a dreamer.
14:59I don't want to know.
15:01I was doing it myself and I was doing it.
15:05I was doing it to my screen.
15:08I have no code.
15:13But I can do it as a rule.
15:16I can do it as a rule.
15:19Then I can do it.
15:22That is a good idea.
15:25I was doing it as a budget.
15:29It's one thing I told you.
15:31You're a kid, a girl.
15:34Yes.
15:35But the difference is that I'm going to do the budget.
15:39I'm going to do it.
15:42It's a good thing.
15:45We're ready.
15:47We're ready.
15:49Because we're ready.
15:51We can't get a little bit of a job.
15:53Then in my time,
15:55we can get a job.
15:57Okay, nice.
15:58That's why we have a Pudus.
16:00Pudu music data.
16:04That's what we have.
16:06Pudu editor.
16:07Pudu camera.
16:08Pudu people.
16:09Pudu people.
16:10Okay.
16:11Okay.
16:12Okay.
16:13Okay.
16:14Okay.
16:15Okay.
16:16Okay.
16:17Okay.
16:18Okay.
16:19Okay.
16:20Okay.
16:21Okay.
16:22Okay.
16:23Okay.
16:24Okay.
16:25You can see a million dollars.
16:27Yes.
16:28And you can see a picture.
16:29Right.
16:30Nice.
16:31Now if we know this video,
16:35who is telling me to come to you.
16:36You are the solves foolозможно.
16:38Who are you?
16:39Thamana?
16:40Thamana with an ad.
16:42Okay.
16:43That's basic post.
16:46Okay.
16:47A photo.
16:48That made this project.
16:49Okay.
16:50I was already a fan of the channel.
16:59Seven-G heroes are all right?
17:01Yes.
17:02Two.
17:04Okay.
17:05One is a director.
17:07KD is a director.
17:08Okay.
17:09That's it.
17:11But KD is a director of S.J. Shurya.
17:14He's got a director of the KD.
17:15He's got a director of the KD.
17:17And he's got a director of the KD.
17:22It's been a director of the KD,
17:24I'm going to be a director of the KD.
17:26Okay.
17:27When I was a director of the KD,
17:32I was a director of the KD.
17:33And I was a director of the KD.
17:37But in this school,
17:41I was a director of the KD.
17:45It's a good time.
17:47You know, you can go to the house and go to the house.
17:52And you can go to the house.
17:57One day, you can go to the house.
18:01You can go to the house.
18:04But you can go to the house.
18:07Okay, fine.
18:09That's why I was looking for the source.
18:12Okay, that's why you are dating.
18:14The house is coming from the house.
18:16We talked about the house.
18:18You can talk about the house.
18:20Or you can go to the house.
18:22That's why I was dating.
18:24You can't go to the house.
18:26No, no.
18:28He told him that.
18:30He said,
18:32Sir, he told me to go to the house.
18:35He told him to go to the house.
18:37He told him to go to the house.
18:39He told him.
18:41He told him to go to the house.
18:42He told him to go to the house.
18:44He said that.
18:45He came to the house.
18:46He's a good a nurse.
18:48That's why he told him to go to the house.
18:49He told him to go to the house.
18:51And you tell him to come to the house.
18:53When did Nelson come and tell him?
18:55No, he first told me that he was telling him.
19:01He told him that he was not.
19:03If you go to a diet,
19:09if you go to a diet,
19:11if you want to go to a diet,
19:13it will be helpful.
19:15Brahmipa?
19:16No, Brahmipa.
19:18It will be easy.
19:20When I do a diet,
19:22I will try to eat a diet.
19:24If they do diet,
19:26they will tell him,
19:28if they will tell him,
19:30they will say,
19:32they will say you don't do it.
19:34They will say this,
19:36when Nelson picks up something,
19:38they will say Adisha.
19:40Yes, ma.
19:42If he told them,
19:44they will tell him correctly.
19:46He will tell him,
19:48It's a good person.
19:50So, I was like,
19:52He's super.
19:53It's a good person.
19:54He's a good person.
19:55If you have a friend,
19:56he will not be a good person.
19:58He'll do a good person.
20:02So,
20:03he's a good person.
20:05Sir, you have to talk about it.
20:07No one to ask about it.
20:09Okay.
20:10You will ask the question sir.
20:11That's what you'll ask sir.
20:13You will ask his help.
20:14You will ask the first time to adjust it.
20:16We'll talk about the adjustment.
20:18So, I'm going to repeat it.
20:25So, I'm going to repeat it.
20:28So, I'm going to repeat it.
20:30Okay.
20:31How did you learn the script in Wheatler?
20:34No, no.
20:35I'm going to be an astronaut.
20:39I'm going to be a pen camera.
20:42Okay.
20:43Okay.
20:45I'm going to become a camera.
20:48If I can see the camera, I'll go and get into the car.
20:51I'm going to go and get the bike.
20:53You see the view.
20:54Okay.
20:55Okay.
20:56Okay.
20:57Okay.
20:58Okay.
20:59Okay.
21:00Okay.
21:01You know, I'm going to go and get the note.
21:04Okay.
21:06Okay.
21:07Okay.
21:08Okay.
21:09Okay.
21:10Okay.
21:12Okay.
21:14Okay.
21:15That's it.
21:16Okay.
21:17Hey, I'm going to see you.
21:19I'm going to see you, you are going to see you.
21:21If you're looking for a person, you're going to see you.
21:24I'm going to do this.
21:26Those who are selected,
21:28they can do it.
21:30They are going to do it.
21:31They are going to do the behavior.
21:33Okay.
21:34They are going to be the same thing.
21:38They are going to be the same thing.
21:41Right.
21:44Okay.
21:45In this case, men are going to be the same problem.
21:47Okay.
21:50I'm going to show you what this person is.
21:52That person is going to be the same.
21:54You are going to see the person.
21:57Okay.
21:58You're going to show me the person who goes to the person.
22:01Okay.
22:02You're going to try and go to the person.
22:04Okay.
22:05You're going to go.
22:06Okay.
22:07I'm going to go to the person and go.
22:09That's not the same thing.
22:12That's the thing.
22:14I'm going to talk to you about the new things.
22:18I'll talk to you about the direction.
22:21If you talk to me, you can tell me about the camera.
22:24You can talk to me about the moment.
22:26The moment of lighting, you can talk to me about the new things.
22:30You can tell me about the new things.
22:34That's why we use these techniques.
22:39But in Arimugoyeknare, it's a good thing, sir.
22:44It's a good thing to do with the rage.
22:47I think it's a good thing to do with your mind.
22:54What do you think of Arimugoyeknare?
22:55It's a good thing to do with all the things.
22:57You can see it.
23:06Who said it was a sadhari.
23:09And it's a sadhari that's the sadhari.
23:12It's a sadhari that we all have.
23:15I am a big character with each character.
23:19It's a sadhari that's a sadhari.
23:21It's an image in a character.
23:27But it doesn't have to be cut.
23:30If he says his father,
23:33in a good night.
23:35He says his father,
23:39then they say,
23:40If they are imagining what they are,
23:44they say,
23:46so they understand.
23:47So they say,
23:49if they say,
23:50they sometimes will say,
23:53they say,
23:54they say,
23:55they will say,
23:57That's not true.
23:59That's not true.
24:01It's not true.
24:03I know that it's an aesthetic.
24:07I know.
24:09I know that it's an aesthetic.
24:11If he's an operation, he can get it.
24:13That's correct.
24:15That's right.
24:17How do you like to go to Manigandan?
24:19Good night, good night, back to back,
24:21and you can say two names?
24:23Manigandan,
24:25people are a writer and actor.
24:33That's a creative sense.
24:35They care to get good night.
24:39They're getting a good night.
24:41They can be a confess.
24:47They treat food.
24:49They treat food.
24:51They treat food.
24:53Oh, okay. Short film.
24:55Yeah, it's a feature film.
24:58That's where it comes from.
25:00Okay, fine.
25:01That's why I got a lot of sense.
25:04I got a lot of sense.
25:06I got a lot of sense.
25:08I got a lot of interviews.
25:10Okay.
25:11I got a lot of pure cinema.
25:13I got a lot of session.
25:16I got a lot of sense.
25:18I got a lot of message.
25:20Okay.
25:21Okay.
25:23So, I got a lot of sense.
25:25Oh, okay.
25:26Some.
25:27But I got a lot of sense.
25:30You tell me,
25:31You know, a good night is full of cat.
25:37Oh, she's full of cat.
25:39In the same time.
25:40But you try to buy your cat at home.
25:43But that's why we need to go.
25:45I'm going to go to Malayal.
25:47You do not know how to find a man's date.
25:49He was named after the film.
25:51He was only named after the film.
25:54He was named after the film, Nelson Mandela.
25:57Mandela director.
25:59Asfin.
26:01You never heard anything like this,
26:05but now there is a release of K.P.
26:08Heo is a hero.
26:10He was a character.
26:12Now he announced that he was a guy.
26:15I would call him Deci.
26:18Okay, super. Baloo Magindra's.
26:20He was mad as a sheriff, running during his diet.
26:28He knew this.
26:30If you want to talk to him, you are mad.
26:35There is such a surprise, lovers.
26:39There is also a posed guy that means he is otherwise.
26:44They are not like that.
26:46I would not like to talk to him.
26:47Diabolik, that's how we can imagine that.
26:51Then, the guy who did a different diet,
26:55he was fit and he didn't have a number.
26:59If he was a villain,
27:02he didn't have a number.
27:06That's how he did it.
27:10That's right.
27:12If I did something that was so bad then I would be happy.
27:16I would walk if I did something for that.
27:18So, that would be something I would like to see.
27:22If it was to work there, but now you can just imagine it's beautiful.
27:26You are like, I'll take this!
27:29Now I tell you, boy, you can do it.
27:31We do it for a year.
27:33You will work on that.
27:36Now that's why I am challenged.
27:37Sir, now the people who come to the street and social media are the ones who come to the street.
27:48I think that the street is a good place for me.
27:52It's a good place for me to come to the street.
27:55When I say that, I'm not a good place.
27:59But the street is an intro type.
28:02I'm a big boss.
28:06And then I'm a personal person.
28:16I'm a good place for my brother.
28:20But I'm not a good place for my brother.
28:26I'm a good place for the 100% of my brother.
28:29And I'm not a good place for my brother.
28:34He was just like that.
28:36He didn't say that he would have done that.
28:38He would have done that.
28:40He said, I would have done that.
28:42He said, I don't have to say that.
28:44He would have made a more effort.
28:46That was the best.
28:48I was asking him to ask him.
28:50He was the best.
28:52He was the best.
28:54He was the best.
28:56He didn't want to do it.
28:58They were loving him.
29:00He was the best.
29:02I don't know if it's a serious issue, but it's not a case of crime.
29:10But it's not a case of crime.
29:14It's an assault.
29:16Okay.
29:17It's an assault.
29:19Okay.
29:20It's a case of crime.
29:22We are in Dubai.
29:26Gulf countries.
29:28Yes.
29:29You know?
29:30Yes.
29:31It's a case of crime.
29:33Yes.
29:34Yes.
29:35Yes.
29:36Yes.
29:37Yes.
29:38Yes.
29:39Yes.
29:40Yes.
29:41Yes.
29:42Yes.
29:43Yes.
29:44Yes.
29:45Yes.
29:46Yes.
29:47Yes.
29:48Yes.
29:49Yes.
29:50Yes.
29:51Yes.
29:52Yes.
29:53Yes.
29:54Yes.
29:55Yes.
29:56Yes.
29:57Yes.
29:58Yes.
30:00Yes.
30:01Yes.
30:02But we talked about a hero and we struggled.
30:04You wanted to follow the Photo station's message?
30:06Yes.
30:07Yes.
30:08Is this time you started following them?
30:09It's time.
30:10Yes.
30:11You told me bother to like breakwater.
30:12I don't know.
30:13You tried to trust?
30:15No.
30:16Yes.
30:17Yes.
30:18Yes.
30:19But they are telling you things
30:19at first.
30:20Yes.
30:21Yes.
30:22Then, the girl said,
30:26I will try to figure out how the inheritance is the one.
30:28Now, the girl has a real career.
30:30Now, the person is a real career.
30:33When the girl goes home, she can't find the same.
30:35No, they are all called home,
30:37She can't find the same number.
30:38The person who knows who is a high school.
30:40Employment is didn't the same.
30:42Yes, she is very often,
30:44they are very close to the visual communication.
30:46Yeah, she is very close to the student.
30:50Yes, yes.
30:51They are one race.
30:52He did the same thing in the managaram.
30:57So, I was surprised,
30:59but he asked me,
31:00I was in a way of acting.
31:04I was in a way of acting.
31:06He said,
31:06I was in a way of acting.
31:07I was living in a way of acting.
31:10He went and went and went to a way of acting.
31:14I was very sincere.
31:16He was very good.
31:17There was a good reason.
31:19Because my mother and she knew that.
31:22I was able to go and see,
31:26I was able to see like a person who was there.
31:29I was able to tell you,
31:31I was able to introduce my mother and my father.
31:35I was able to tell you,
31:37I was able to tell you,
31:39personal life is also,
31:42I was able to tell you.
31:45I was told to go to my sister and I was very happy.
31:50That's why I was happy to be here.
31:54I am happy to help you in my way.
31:56He is a very close friend and he is a very close friend.
32:01He is a very close friend.
32:03And we are very happy to be in our area.
32:07He is very happy to be in his phone.
32:11That's why we were scared.
32:14Balumagindra, Sir.
32:16Because you are not there anymore.
32:19So, tell us about that connection.
32:22Balumagindra, Sir.
32:24One day, when I was a kid,
32:27I was a kid.
32:31Balumagindra, Balachindra,
32:34I was a kid.
32:36I was a kid.
32:39I was a kid.
32:41In the sense of this personality,
32:43I was a kid.
32:45I didn't know.
32:47I was a kid.
32:49When I was a kid,
32:51I was an old kid,
32:53I told you,
32:55that is the maid.
32:57You look at the maid?
32:59Okay.
33:02You look at the maid.
33:05I saw my maid before.
33:07All the maid is here.
33:09A person is also a doctor.
33:13Thisyyy is a doctor, he is a doctor, he's an doctor, he's a doctor.
33:20They have a doctor and he's in the office.
33:25You are a doctor, a doctor, a doctor, who knows.
33:33Better than doctors.
33:34Even if you have to do a doctor, I have to go for him and ask him.
33:38It's like that.
33:40So now, we have two more walls.
33:44He has worked for a foot in a rear seat.
33:47We would have to think of a foot and a foot we had to do something.
33:51Did you know about that?
33:52We were also a cheater and and then the interior was the entire thing.
33:56Yes, that's right.
33:59The old foot is the foot and the foot and the foot and the foot and the foot.
34:04When I said my father was a father in Malaysia, you would feel like you were the thing.
34:07He was on the flight and he was on the flight.
34:10He was on the Pudu Kota, and he was on the Stamil and he was on the family.
34:16He was on the room, and he was on the room.
34:20He was on the floor.
34:23So, this is the story of the Kilaikath.
34:26Super, sir.
34:28I'll tell you, Mr. Sivahi is also on the character.
34:33So, you are a big fan of your friends.
34:38We are waiting for a comeback.
34:43That's why we are not here to be a good person.
34:47We are here to tell you that you are a good person.
34:52We are happy to be here to be here.
34:56Thank you, sir.
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