- today
In this candid interview, actor Sampath Ram shares his experiences working on the mythological epic Kannappa. He discusses the challenges and memorable moments during the film's shoot in New Zealand, his interactions with veteran actor Mohan Babu, and the dynamics on set. The interview begins with a light-hearted "Yes or No" segment, revealing Sampath Ram's personal insights. Concluding the conversation, he earnestly appeals to Tamil film directors for more opportunities, expressing his passion for Tamil cinema.
#SampathRam #Kannappa #MohanBabu #VishnuManchu #TamilCinema #TeluguCinema #ActorInterview #BehindTheScenes #FilmMaking #MythologicalFilm #NewZealandShoot #TamilFilmIndustry #CinemaLovers #ActorLife #DheenaMovie #AjithKumar #FilmibeatTamil #FBUpdates #StarBuzz #CineBuzz #StarSights
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NewsTranscript
00:00In Tamil cinema, we will see the most important character in Tamil cinema.
00:04We will see you in a pan-India movie.
00:07We will see you in a pan-India movie.
00:10We will see you in the next movie.
00:14This is Sambath Rama.
00:17The first segment is S.R. No.
00:20Why are you coming to the cinema?
00:24So, Adjit sir, you already had the stint.
00:28Can you tell me?
00:30Yes, A?
00:32I think the 3rd moment has been on stage.
00:34and then he ran the legs.
00:36As the end of the day, the PDG started to increase.
00:38The first thing continues,
00:39the Dung-Nke fighting again.
00:41Even if the time is running,
00:43it looks like Adjit.
00:45What do you see?
00:47Is it so funny?
00:48You didn't see me.
00:50I see a lot of things.
00:51Sambath, I was a mom-bosser.
00:54I was waiting for a character.
00:57I told him,
00:59he was a collection king.
01:03He was a guy.
01:05He was a guy.
01:07Michael told me,
01:09he was a guy.
01:11He was a guy.
01:13He was a guy.
01:15He was a guy.
01:17He was a guy.
01:19He was a guy.
01:21He was a guy.
01:23He was a guy.
01:25He was a guy.
01:27I'm an idiot.
01:29I'm a guy.
01:31How did you have the character?
01:33What did you do?
01:35I was a guy.
01:37I was a guy.
01:39I was a guy.
01:41I'm a guy.
01:43I was a guy.
01:45So...
01:47I'm going to take a look at the same time in Tamil.
01:51You can take a wipe?
01:52Yes, you can take a wipe.
01:54You can take a look at the same time in Tamil.
02:17So, there is a award at Malayalam.
02:19For example, they are also playing Pan-India.
02:22They are a R.A. superstar.
02:24They are mostly in the beginning of the year.
02:26It's a very interesting character.
02:28So, I know that the character is true.
02:30Even though we're already in the beginning of a long-term,
02:32it's going to be a very young man.
02:34Now I'm going to take a look at the same time.
02:36We are going to take a look at the same time in the beginning of the year.
02:38Thank you sir.
02:39Thank you sir.
02:40Thank you very much.
02:41I'm going to meet you very often.
02:44You can meet each other.
02:47You can tell me about the customer.
02:52You are now doing that.
02:55We will talk about the interview.
02:57We will be able to talk about the first segment.
03:00The first segment is SR No.
03:03You will be able to talk about SR No.
03:07You will be tied.
03:09Open is ready.
03:11So now I will tell you, yes or yes, no or no.
03:15Yes or no or no or no.
03:17That's why I'll tell you.
03:19Ready?
03:20Okay.
03:22Do you have any questions about the cinema?
03:27No.
03:28No.
03:29Do you have any questions?
03:30No.
03:31No.
03:32No.
03:33No.
03:34Yes.
03:35Yes.
03:36There are many questions about the cinema.
03:41Yes.
03:42Yes.
03:43Yes.
03:44Yes.
03:45Yes.
03:46Yes.
03:47Yes.
03:48Yes.
03:49Yes.
03:50Yes.
03:51Yes.
03:52Yes.
03:53Yes.
03:54Yes.
03:55There is no doubt about it.
03:56Yes.
03:57Yes.
03:58Yes.
03:59Yes.
04:00Yes.
04:01Yes.
04:02Yes.
04:03There are many films in the world.
04:09I know my father and my father.
04:13But there are many films in the world.
04:18I think it's a great film.
04:22I think it's a great film.
04:25My name is Lightman.
04:28He was arranged.
04:30Fortunately, when I was in the cinema,
04:34there was a film.
04:36He was released in a series.
04:40I told him that it was in 2001.
04:43That's why I saw it.
04:46I mean, I saw it.
04:48I saw it.
04:50That's why I saw it.
04:53That's why I saw it.
04:55I saw it.
04:57I saw it.
04:58I saw it.
04:59I saw it.
05:00That's why I saw it.
05:01I saw it.
05:03I saw it.
05:04I saw it.
05:05I saw it.
05:06I saw it.
05:07We were able to get it.
05:09That's why I saw it.
05:11No?
05:12Super.
05:13You are confident.
05:15Two.
05:17One thing we've learned is not to them.
05:19So, Ajit sir, did you get a stent?
05:22Did you get a stent?
05:24Yes.
05:25Yes.
05:26Okay.
05:27How did you get it?
05:28I think it was a good thing.
05:29I was doing it in the atmosphere.
05:32I was doing it in the atmosphere.
05:35At that point, Ajit sir, I was doing it in the atmosphere.
05:38Then, I got a shot.
05:40I saw a shot in the rain effect.
05:44In the hospital.
05:46After that, I went to the hospital.
05:49After that, I would go to the hospital.
05:51I would move to the hospital.
05:53I would go to the hospital.
05:55I'd move to that hospital, in the hospital.
05:58The hospital would go.
05:59I was going on a bit like the hospital.
06:01It was like the first time I did.
06:04Heart is a great master.
06:06If you go to the hospital, you see who should fight?
06:08You see what might do.
06:10Why?
06:12Let's meet the hospital.
06:14Then I told him, I was doing something like that, but I got to get a gun in the middle of Dungan.
06:21That's why Dungan got a gun.
06:23It was a film role.
06:25In the running field, the adjuster came and said, what did he do?
06:31He said, no, no, no.
06:32He got a gun in the middle of Dungan.
06:34He got a gun in the middle of Dungan.
06:36He said, no, sir.
06:38He said, no, sir.
06:40I said, no.
06:42He didn't know anything but he didn't know anything.
06:45There was a fight against that.
06:47That would be your safety and the other artist's safety.
06:51I was worried about Dungan.
06:53He said, when he said that, he came and sat down and said, okay.
06:58I can't kill him, because I can get caught.
07:02So, that's why I went to Pondi Master's team.
07:05He struggled in three months.
07:07In the last three months, I was able to get a tie-up.
07:13I am able to get to the maximum, but I am able to get to the maximum.
07:19I am able to get to the next level.
07:23I am able to get to my guru, fight master and pandeer master.
07:27Okay, next.
07:29Actually, we have seen a negative show in the cinema.
07:36We are seeing a negative show in the cinema.
07:39We are seeing a lot of movies.
07:42We are seeing a lot of movies.
07:44We are seeing a lot of movies.
07:47You see a lot of movies.
07:50I said that my mother had a series.
07:54I was not able to tell the series.
07:58So, I was going to show you.
08:00This is the cinema.
08:02This is a conference in the series.
08:06This is the cinema.
08:08He was in the cinema.
08:10He was in a Mac-up movie.
08:14He was in a Mac-up movie.
08:16A big his hand came to the shoulder and went to the shoulder.
08:20I was like, who knows?
08:22He's a lady.
08:24There was a woman in Joyce and she said,
08:27I said,
08:29How did you touch this movie in the series?
08:32I said,
08:34What did you do with the police?
08:37I said,
08:39I said,
08:41I said,
08:43I said,
08:44I said,
08:46I said,
08:48I'm a mother of a character.
08:52That's why I was thinking about it.
08:55I said,
08:56I did not want to go to Malayal,
08:58I said,
08:59I've done a lot of things in Malayal.
09:01I said,
09:02I didn't say that.
09:04I said,
09:07I was going to go to Malayalese.
09:08That's why I was going to go to Malayalese.
09:13But I just thought,
09:15I should talk about Malayalese.
09:17If I saw that,
09:19I asked my uncle,
09:22I asked my uncle to tell my uncle.
09:26I asked my uncle.
09:30I asked my uncle.
09:32You said he could do anything.
09:34You said that.
09:35I asked no one of them.
09:36I asked him if he was the only person I asked him.
09:39He was the best child artist.
09:43He was the best child artist.
09:47So, there was a break.
09:50After that, I went to New Zealand.
09:54There was a family that was going to shoot me.
09:59Then, I told my uncle and I told him to go to New Zealand.
10:12So, in New Zealand, I was in a very special position and I thought,
10:17He was not a good guy.
10:19He was a good guy.
10:21He was in a very good position.
10:23Everyone was in the room.
10:25If you were to look at the guy's room,
10:27it was that guy's room.
10:30You said something like that.
10:31You know, they'll be in a room with me.
10:34If you want to talk to him, I'll talk to him.
10:35If I talk to him, he'll be in a room with me.
10:41So yes, I am.
10:43Yes, I am.
10:45So, let's say, what I'm talking about is that you can tell a scene that you have to tell a scene.
10:51Do you know how to tell a scene that you have to tell a scene?
11:02I don't know. I don't know.
11:05Do you know what I'm talking about?
11:07What I'm talking about is that he came to a teaser.
11:12There was a 10-second teaser.
11:14There was a 3-minute release.
11:16There was a 3-minute teaser.
11:19There was a teaser called Ajithar.
11:22There was a prominent teaser.
11:25I was thinking about it.
11:29He said,
11:43I have seen everything.
11:45We released a 4-minute Astondite.
11:49It was a 4-minute Astondite.
11:51Sir, I have seen everything.
11:53I thought it was a show.
11:55I thought it was a show.
11:57I didn't have the scene.
11:59It was a long time ago.
12:01I was thinking about it.
12:03You can play the game with a family,
12:05you can play the game with a lot of people.
12:07I was talking about the IPS.
12:09And he said, I have to take the t-cell.
12:12He said, I have to take the t-cell.
12:16He said, if you look at the t-cell, he has to take the t-cell.
12:21He said, you can see the t-cell is getting the t-cell.
12:26Not exactly.
12:27He is still doing it.
12:28But it was a good scene.
12:31But that was a good scene.
12:32It was an early release.
12:34But it was a good scene when I saw t-cell.
12:37That's what I've done.
12:39Last one.
12:41Do you think of Tamil cinema as well?
12:45Yes.
12:49If you've done a lot of work,
12:51it's not a release.
12:55It's not a release.
12:57It's not a release.
12:59That's why,
13:01I don't know anything about it.
13:05Everyone has seen me.
13:07It's not a hero,
13:09or a villain,
13:11or any other police cat.
13:13That's why I was able to watch.
13:15That's why I was like a fight master.
13:19In fact,
13:21I'm a master master.
13:23I'm a master master.
13:25There is a shooting at the end,
13:27and there is a police officer.
13:29There is a master master.
13:31I'm a fighter master.
13:33That's what I said.
13:35I told him that a fighter or a fight master is a risky job.
13:40He has a very strong talent.
13:46A fight master is a different diet.
13:50I don't know if I'm a fighter or a fighter,
13:54but that's why I told him.
13:56I don't know if he's a master or a fighter.
14:00I can't do anything.
14:04I used this to be a fighter.
14:07He was a fighter.
14:10He was a fighter.
14:12He was a strong fighter.
14:14He was a positive role.
14:16He was a fighter or a fighter.
14:18He was a fighter.
14:22He was a fighter.
14:24I was a fighter.
14:27I was a fighter.
14:29He was a fighter.
14:31He was a fighter.
14:33He was a fighter.
14:35I didn't work, but I thought he was a fighter.
14:39He was a fighter in the shooting spot.
14:43Super.
14:45I think you can see the performance.
14:48That's a good performance oriented character.
14:52I think you can see the lights.
14:56It's a great thing.
14:58But what happened here,
14:59it's like a super brand.
15:03I don't know what you're doing.
15:07So, you can use some of these oils?
15:11He is a Pan-India. He is a R&B superstar.
15:17He is a leading character in Chandulu.
15:23How are you doing this?
15:25I have a child friend of mine, Kola Anand.
15:32He is in Kalasri.
15:34He is a great guy.
15:38He is in Kalasri, Mounmabha, Brahma Nandam.
15:43He is a shooting at the railway station.
15:46He is a type-n.
15:50He is a type-n.
15:53He is a type-n.
15:58He is a type-n.
16:02He is a type-n.
16:05He is a type-n.
16:06He is a type-n.
16:07At the test.
16:08I cannot see his type-n.
16:11He is a type-n, no?
16:13He is a type-n.
16:14His name is Vishnu.
16:17He is a player.
16:19He is a player.
16:21He is a character.
16:23He has a character.
16:24He is a character.
16:25His name is Vishnu.
16:27But two of them were killed in the air.
16:33A little villain is also a hero.
16:37A little guy is a fighter.
16:40Two of them were killed in the air.
16:44We could do a damn step.
16:48That's why I followed up.
16:51My brother is still there.
16:56I went to the car and went to the college.
17:04I said, I'm going to go to the college.
17:10I went to the college.
17:13I went to the college.
17:18I went to the college.
17:21After that, I saw that they were going to win the college.
17:28The next day, I was at a time.
17:30I walked with the master.
17:32I was at a mom-baba and a female.
17:37I told the story, he was talking to them.
17:41He was thinking about it.
17:43They came to the college.
17:45I was just talking to them.
17:47I was a hero, a collection king.
17:56We might be afraid of him.
17:59We were scared of him.
18:02We couldn't talk about this.
18:04We couldn't talk about this.
18:06I was asked,
18:07I'm like,
18:08I'm on the phone,
18:09I'm like,
18:10I'm like,
18:11I'm like,
18:12I'm like,
18:13I'm like,
18:14I'm like,
18:15I'm like,
18:17Hey,
18:18I'm like,
18:19Hey,
18:20I did want to say to him,
18:21I said,
18:22I'm like,
18:23I'm a young guy.
18:24I'm a lady,
18:25I'm a grandma.
18:26I'm a small guy.
18:27I didn't hear me.
18:29I said,
18:30I'm like,
18:31I'm just kidding.
18:32So,
18:33he said,
18:34I'll go and
18:36put him in the suit.
18:38Then he's alive.
18:39I told him the Jundi artist
18:42I came to the gym and the junior artists were, the fight master.
18:47He was in the camp and the regress was in the camp.
18:50They came to the park and I was going to visit them.
18:56They would see a regular interview with the Angerika artist and the camera man.
19:05I was going to visit them and I was going to visit them.
19:10I said, go, go, go.
19:13He was just like that.
19:14Go, go, go.
19:16I said, go, go.
19:18I said, go, go, go.
19:20I said, I've seen him so long.
19:22I don't know.
19:24I'm going to go.
19:25I said, I'm going to go.
19:27He said, I felt a shock.
19:29I said, I don't know.
19:32I was in a fight.
19:36I was in a fight.
19:38No, Sambath. I'm here to go. I'm here to go.
19:44Michael told me that he was in the car.
19:48He was there. He was there.
19:51He was there.
19:53He said, Sambath!
19:55He said, what?
19:57He said, I'm going to get him.
20:00He said, what?
20:02I don't know.
20:05I don't know.
20:08Saha, daddy, what did you say?
20:09No, Saha.
20:11I just told him to go and tell him.
20:14He said, everyone was there.
20:16Everyone was there.
20:19They were there, a lot of people.
20:21I didn't know that.
20:25After the day of the day,
20:28I told them to go and go and say,
20:32I'm here to go.
20:34There is a guest in the channel.
20:39Everyone is here.
20:41He says, sorry.
20:43He came to me.
20:47How many artists are there?
20:50He has experience.
20:52He has a friend.
20:54He says, sorry.
20:56He said, sorry.
20:58He said, no, sir.
21:00No, sir.
21:02He was a big man.
21:17He definitely fell.
21:23Or Kalyanthu, Kalyanthu.
21:27One of the things that's true.
21:29When I came to the end of the day, there was a question in the end of the day.
21:38I was like, what did I do?
21:40I went to the end of the day.
21:43Then I remained.
21:46I went to the end of the day.
21:48Then I went to the end of the day.
21:51I said to him.
21:53He said, time must be.
21:57Then I went to the end of the day.
21:59Within 6 months, they were going to the end of the day.
22:03He said, if you look at the next film,
22:08Is he dead?
22:10Is he dead?
22:12Is he dead?
22:14He said, I'm sorry.
22:16He said, I'm sorry.
22:18I went to the end of the day.
22:20I went to the end of the day.
22:22I went to the end of the day.
22:25Then I was crying and he was so quiet.
22:29I went to the end of the day.
22:31I went to the end of the day.
22:33I went to the end of the day.
22:34First time, I went to the end of the day.
22:35Then I got contacted and sent my introduction to the end of the day.
22:40Hey!
22:41My mother was born.
22:42My mother was born.
22:43His mother was born.
22:44He was born with a friend.
22:46Because of my family, they have a cast.
22:51They have a friend.
22:54But what I'm trying to do is they're thick friends.
22:59They work with someone else.
23:03They work with them.
23:06That's why I'm thick friends.
23:09So, he came to school leave and he came to school leave. He came to school leave. He came to school leave and he came to school leave.
23:22So, he came to a close relationship. So, Vishnu said to him, he came to interview him.
23:30He came to a close relationship with the boss and he said, he said, he came to a close relationship with a cross-lobbing and a strong relationship with a cross-lobbing.
23:43He knew that he was in a cross-lobbing. So, he came to a close relationship with his brother.
23:48He was interviewed.
23:50He was a son.
23:52He was a son.
23:56He said, I'm not a son.
24:00He told me that he was a son.
24:03But he was a son.
24:06He was a son.
24:10Did you tell him about his character?
24:16There are 5 children, 5 children.
24:20They are a child, sir.
24:23They are a child.
24:26They are a hero.
24:28Pridhimu.
24:29Our father is a child.
24:32They are a child.
24:34The child is a villain.
24:36They are a child.
24:38They are a child.
24:42So the 5 children are a child.
24:44I think every day the world is going to a place like this.
24:51A place where there is a place where it is called and there is a place where I am.
24:55There is no place where I can get to a place.
25:00Actually, you are actually going to speak in a Tamil way.
25:03You are talking about some technicians, you are going to land a bit.
25:07But you are going to talk about a place where you are going to leave.
25:12How did you learn how to do that?
25:17We will go to the caravan.
25:22There are three people.
25:24There are many artists who are treated.
25:28There are many relationships.
25:32There are no caravan in the suit.
25:36There are many artists who come.
25:41I am a family, sir.
25:44I am not so nervous about the shooting spot.
25:49I am a small artist.
25:52When we meet with Mckay Shri Si Agatham,
25:58Kannada Devraja Agatham, Sarakumasa,
26:01When we did the same thing, we had one step to get the vibe out of it.
26:11I remember that when I was in a daily shooting, there was a lot of shots.
26:20There was a lot of shots.
26:23There was a lot of shots.
26:27There is no card, there is no shooting.
26:29They are beautiful.
26:31One guest comes to that, Mounmpovahee.
26:34He is there.
26:36He is there.
26:39We will go there daily, and we will go there.
26:42We will have night dinner.
26:44People will talk to me and talk to me.
26:48I won't tell anyone, I will tell anyone.
26:55Now, I don't know anything about it.
26:57They have a family married.
26:59That's why Mohan Babs arrived.
27:01Mohan Babs arrived.
27:02So, there was a chance of hospitality.
27:06That's why I didn't say anything.
27:08I didn't say anything.
27:10I didn't say anything.
27:13I think everyone is almost all heroes.
27:17If you go to the promotion, you can go to the promotion.
27:20Yes, sir.
27:21You can go to the promotion.
27:22Yes, sir.
27:23I was just trying to get a plan.
27:26But I don't understand anything with them.
27:28But I also knew how they sent me.
27:34Please, I didn't know anything about me.
27:37I don't know anything about anything about my level.
27:40But I couldn't leave a problem.
27:42So, that's why they came to work with me.
27:44It's just like he was there.
27:46Even though he is a good character, he is a good character.
28:01He is a good character.
28:05Now, we've talked about some of the stories in Malayalam.
28:12There is a Tamil actor in Malayalam.
28:16It's a very rare thing.
28:20No, I don't.
28:22In Malayalam, it's called Kalabavan Money.
28:29It's an award for two or three years.
28:34For me, I've given up three of them.
28:36Best Supporting Artist in Tamil.
28:42There is a reward for two or three years.
28:46One author is Malayalam Puraskar Sammiti.
28:55There is an organization.
28:58There is a reward for me.
29:00He is a hero.
29:06John Vijay Sir is a negative role.
29:08John Vijay Sir is a negative role.
29:10He is a manochka.
29:12He is a manochka.
29:14My character is a face.
29:18I was doing a police accident.
29:22I was doing a police accident.
29:24He is a manochka.
29:26He is a manochka.
29:28He is a manochka.
29:30He is a manochka.
29:32He is a negative character.
29:34He is a hero, a family.
29:36He is a manochka.
29:38He is a manochka.
29:40He is a manochka.
29:42That's why Malayalam Puraskar is an award.
29:46Malayalam Puraskar is an award.
29:50His name is Ismail.
29:52He is a manochka.
29:54He is a manochka.
29:56He is a secretariat.
29:58He is a manochka.
30:00He is a manochka.
30:03He is a manochka.
30:05He is a manochka.
30:07I Amnaochka was a manochka.
30:11He is a manochka.
30:13They should have been my in Tamil and they will be certain.
30:18We are not all in the same way.
30:22I am a good friend.
30:27Everyone is a good friend.
30:30But, when we go to the same time, we are going to take a step.
30:38We are going to take a step and we are going to go to the top.
30:43That's why we are going to take a step.
30:46What is the difference between these artists?
30:49Now, I am a main artist.
30:52If I am a main artist, I am a main artist.
30:57Unfortunately, I am a main artist.
31:02If I am a main artist, I am a main artist.
31:07I am a main artist.
31:11I am a superhero, a director.
31:13But, for me, I am a main artist.
31:16So, I am a main artist.
31:21I do not know if it is a Salah 2.
31:25I am not a main artist.
31:28I am a main artist.
31:30I am a main artist.
31:35Basil, what is the name of?
31:38There is a name of Basil.
31:41One hero is the main villain.
31:44I am one villain.
31:45Two villain is one.
31:46A great villain is in Ireland and New Zealand.
31:53I am a villain, but I am a villain.
32:01So, I am a villain character.
32:05I told him.
32:07We were also...
32:09A car.
32:11We were very excited.
32:13There would be a satisfaction to achieve that.
32:17And it wasn't a shooting.
32:19I told you, we were an ongoing project.
32:21We are also a point.
32:23We are in Kannada.
32:25We are now a new hero.
32:27In Tamil?
32:29We are also a new show.
32:31He is working on the show. He is the hero of the G.V. Prakash.
32:39He is the director of Neelam Productions.
32:43He is the director of the Astrons.
32:47We are doing a very good hero in Tamil.
32:53But he is a politician.
32:57He is the director of the R.A. Sindh.
33:01He is the director of the main heroes and stars.
33:05He is the director of the main heroes.
33:09We will be doing it in Tamil.
33:15We will be doing it in the same way.
33:17We will be doing it in the same way.
33:21At this time, a lot of people should announce it from the whole lady.
33:31For a preordelung from the training.
33:3305 y 004 001 001 005 001 001 001 001 001 001 001 001 001 001 001 001 001 002 00 glitchy lihat.
33:36I don't know if there's anything in the world, I'll be right back.
33:43But I feel like that's what I do.
33:46There's a lot of people in the world and you'll see that.
33:51I mean, the guys will be right back.
33:54So I thank you so much for coming.
33:58I'm very happy to see you again.
34:03Thank you sir.
34:05Thank you sir.
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