Actor Sri-க்கு Lokesh Kanagaraj Help பண்ணுவார் - Director Balaji Sakthivel Interview | FilmiBeat - video Dailymotion

Filmibeat Tamil

Don’t miss this candid and bold interview with director Balaji Sakthivel – where he talks about the untold story behind Kaadhal, Dhanush’s initial casting, Bharat’s entry, and his honest take on actor Sri’s addiction struggle.    🎬 Director Balaji Sakthivel on Actor Sri: Praise, Performance & Personal Struggles  Veteran director Balaji Sakthivel, known for launching actor Sri in Vazhakku Enn 18/9, opens up about his journey, performances, and recent developments. He fondly recalls Sri’s powerful roles in Vazhakku En 18/9, Onaayum Aattukkuttiyum, and Vil Ambu, applauding his natural acting and versatility — from playing a Coimbatore slum-dweller to intense character roles.    Balaji Sakthivel also addresses Sri’s recent picture circulating online and comments on concerns surrounding the actor’s mental health condition. With care and respect, he shares his support for Sri, emphasizing his belief in Sri’s talent and the need for compassion from the film industry and fans.           #BalajiSakthivel #KaadhalMovie #Dhanush #Bharath #ActorSri #TamilCinema #KollywoodInterview #BehindTheScenes #DrugAwareness #CinemaTruths #TamilDirectors #KollywoodNews #drugs #srikanth #actorkrishna #drugsissue #VazhakkuEn189 #OnaayumAattukkuttiyum #VilAmbu #MentalHealth #KollywoodNews #SriUpdate #TamilActors #DirectorTalks #SupportSri #BalajiSakthivelInterview #FilmibeatTamil #FBUpdates #StarBuzz #CineBuzz #StarSights  Also Read  Exclusive: நடிக்க சொல்லிக் கொடுக்குறது வேஸ்ட்.. என்ன ஜமா பட இயக்குநர் இப்படி சொல்லிட்டாரு! :: https://tamil.filmibeat.com/news/exclusive-actor-pari-arjun-and-team-joined-for-filmibeat-tamils-actors-round-table-show-149725.html?ref=DMDesc  Jailer: “தலைவர் அவ்ளோ ஷார்ப்... அந்த சீன் தான் மாஸ்..” மனம் திறந்த ஜெயிலர் பிரபலம்!! :: https://tamil.filmibeat.com/news/jailer-actor-suganthan-shared-his-experience-of-acting-with-rajinikanth-in-jailer-113165.html?ref=DMDesc  தாமதமாகும் விக்ரமின் கோப்ரா படம்... காரணம் என்ன? இன்றைய டாப் 5 பீட்ஸில்! :: https://tamil.filmibeat.com/news/why-cobra-movie-is-getting-delayed-090833.html?ref=DMDesc    ~PR.402~ED.63~HT.302~##~

Transcript

00:00That is the three people who are living in the world.

00:03It's a calorie.

00:04That's why it's the reason.

00:07That's the reason.

00:08That's why it's a good time for me.

00:12It's a good time for me.

00:15That's a good time for me.

00:18No, that's what I'm saying.

00:20I don't want to be afraid of anything.

00:22I don't want to say anything.

00:24No, don't.

00:26I'm gonna say anything.

00:28If you want to see the climate change,

00:30how are you going to invite?

00:32You're going to invite,

00:34you're going to send me the family to the family.

00:36I don't know.

00:38I don't know how to go.

00:40There's a lot of pain.

00:42I'm not sure.

00:44I'm going to try it.

00:46I'm going to try it.

00:48I'm going to try it.

00:50I'm not going to try it.

00:52I was like, I can't believe it.

00:55My father, if I'm sitting here and I'm like,

00:58I'm like, I'm going to take a look at the person.

01:03I was like, I'm going to take a look at my son.

01:11I'm not going to kill you.

01:15It was an assault.

01:16I am proud of you.

01:18You are a big fan of a fan of a fan of a fan of a fan of a fan of a fan of a fan.

01:22How did you see it?

01:26I am a fan of a samurai.

01:28Is it true that the audience is in a way of being a fan of a fan of a fan?

01:33No, I am all the fans.

01:37I am the one who is very happy to be a fan of a fan of a fan of a fan of a fan of a fan of a fan of a fan of a fan.

01:41I was really bored because of the worst.

01:44I was so tired,

01:46I was so tired,

01:47I was so tired.

01:50I had never done that.

01:51I was so tired because I was so tired.

01:53I was so tired.

01:55I was so tired and I thought like this.

01:57I was so tired.

01:59I was so tired.

02:01That's cool and I have to kind eat and eat the food.

02:04I always had to eat and eat the food,

02:06and I was hungry,

02:09and there was no food.

02:11So, you were able to get some samurai people to tone you.

02:15No, the result was not.

02:19I thought it was a climax.

02:22But the distributors told me that they were talking about it.

02:27That's how they were talking about it.

02:29Yes, that's how they were talking about it.

02:31That's how they were talking about it.

02:33There was a climax.

02:35There was a climax.

02:37There were a climax.

02:39There was a climax.

02:41There was a climax.

02:43There's a climax.

02:45So there was an climax.

02:47Okay.

02:49Okay.

02:51There was a climax in the始終 nd.

02:53This is what I was saying.

02:55I was so happy with the climax.

02:57And there was only an climax.

02:59On earth, yes.

03:01That was so happy.

03:03No.

03:05Yes, everyone says no.

03:07No.

03:08We were told by the third.

03:09Okay.

03:10No.

03:11And the word is not true.

03:12Okay.

03:13We heard from you in your heart.

03:14It says no.

03:15Oh, we will take the right time to you.

03:17Okay.

03:17This is the same.

03:19Okay.

03:19We will take the right time,

03:21The other thing is going to do.

03:23Okay.

03:23So, you have to do whatever the question is.

03:24I was going to do about it.

03:26So, I will try to take the right time.

03:29Okay.

03:30So, if I'm not sure what the question is first.

03:31Okay.

03:31I will try the right time.

03:32Okay.

03:33Okay.

03:34That's when I was released and I didn't say a point.

03:41I didn't say anything.

03:44I didn't say anything.

03:47I didn't say anything.

03:48I didn't say anything.

03:50I didn't say anything.

03:52Do you know how to do that?

03:56No, I don't do that.

03:59Nothing wrong with abgeed or didn't lack enough.

04:04So, I didn't say anything I wanted to do.

04:12It's some pain.

04:15That's what I wanted to do.

04:18It's a reason for me.

04:20It's not something I wanted to do.

04:23It's not an important one.

04:27I don't know.

04:29It's like where to go and see.

04:31No, no.

04:33You can't explain.

04:35Yes, it's not that easy.

04:37That's the way I'll tell.

04:39I'll tell you.

04:41I can't tell you.

04:43I don't know.

04:45That's true, I'm telling you.

04:47Because you're scared of all problems.

04:49I'm telling you.

04:51But I can't tell you.

04:53I can't tell you.

04:55It can be touched.

04:57It's not that's how I tell you how to do it.

05:00But that's how I tell you,

05:02how you're saying that.

05:04I'll tell you that when you go to calories,

05:07I'm going to get a diary,

05:09I'm going to get some balance.

05:11I'm going to get you out?

05:14I'm not going to get you out.

05:15I'm going to get you out.

05:17I'm going to get you out.

05:19I'm going to get you out.

05:22What are you talking about Arishis?

05:25Yes, I am going to play a game.

05:31Yes, I am going to play an Arishis.

05:38Yes, I am.

05:39I have been talking about the first release.

05:43I have been talking about the first time.

05:47I have been coming to the Thamanad,

05:49I have been checking.

05:50Okay, it's called?

05:52Yes, it's called.

05:54But if you tell us something, you can use it.

06:00But if you tell us something, you can learn it.

06:06Now, you will find it.

06:07Okay.

06:08Okay, in Hindi.

06:10But you go to a job and go to the job and go to a job.

06:16I am not sure what that is.

06:18That is the same thing.

06:20I had to do that in Naraaj.

06:22I had to do that.

06:24But what I am saying is that

06:26there is no one.

06:28There is no one.

06:30I am not sure how to do that.

06:32I am not sure how to do that.

06:34But how to do that,

06:36I am not sure how to do that.

06:38Do you have to go to the audience?

06:40No.

06:42You are not sure how to do that.

06:44You are the only one.

06:46That is why you are the only one.

06:48When we talk about it,

06:50you are a few at attack.

06:52You are the same person.

06:54But if you are seeing the climax,

06:56I did not say anything.

06:58It was my aim to do that.

07:00I have to look the same.

07:02It's not the right thing.

07:04It's not the right thing.

07:06There is no right thing.

07:08Now,

07:10you are young.

07:12Yes.

07:14I'm going to get you to see her.

07:17But now, I'm going to get you.

07:23It's been a long time.

07:24Yes, it's been a long time.

07:26I'm going to get you.

07:27Joe is the character.

07:28I'm going to get you.

07:30I'm going to get you.

07:32I'm going to get you a little bit.

07:34I'm going to get you.

07:35This is a pain.

07:38All right.

07:38He's like, well, he's going to get you.

07:41That's not true, it's not true, it's true, it's true, it's true, it's true, it's true.

07:47That's true, every point of view is convincing,

07:52when you do that expression,

07:54if you say it's true,

07:56if you say it's true, we will accept it.

07:59Okay.

08:00That's a very important thing.

08:03Now, if you look at all the things you see,

08:07a bad person or a bad person.

08:09But there is a very good idea.

08:11If you want to see one of your hands,

08:13you can see the same thing.

08:15That's how it is.

08:17The point of view is the one that

08:19is speaking.

08:21The dialogue is a dialogue.

08:23Brother Maria.

08:25Brother.

08:27That's correct sir.

08:29But you can't speak without a person.

08:31You can't speak without a person.

08:33You can't speak without a person.

08:35You have to tell us and ask about help.

08:37Even if you were a doubt.

08:39I knew you should be a solution.

08:42I didn't want to do this.

08:44But she said that she would be on a denial.

08:47She would have thought about it.

08:48She would have thought about it.

08:51I believe she would have thought about it.

08:54that's a very positive mindset.

08:56We're going to look at the point of the fact.

08:58Yes.

08:59We're going to look at the point of the fact.

09:01We've got to look at that.

09:03I was looking at the person who was looking at the job.

09:05But when I was looking at the job, it was all about to go.

09:08But I was looking at the job.

09:10And the job was living in the job.

09:12So I was looking at the job.

09:14I was looking at the job.

09:16But I didn't know how to do it.

09:18I was going to go and say it's wrong.

09:20I know it's not.

09:22It's not the job.

09:23I'm going to tell you how to express yourself.

09:26Now, when I was a person,

09:29I didn't know I was able to come and ask.

09:33That's why I was thinking about it.

09:36But I didn't want to talk about it.

09:40It's fake.

09:42It's fake.

09:44It's fake.

09:47It's fake.

09:51It's a good idea.

09:54It's a good idea.

09:55It's a good idea.

09:57It's a good idea.

09:59It's a good idea.

10:01That is not done.

10:03That is the case for you.

10:06That is not done now.

10:08When I was given up to you, I was given up to you.

10:13I was given up to you.

10:14That is the issue.

10:15I will find out in the case of two.

10:19They should do it in the case of the two.

10:24You should be given up to the cinema and go to the temple.

10:30Yes, that's what I'm going to do.

10:32That's what I'm going to do.

10:34Did you finish the title of the title?

10:36No, I'm going to finish the title of the title.

10:39Wow.

10:40I'm going to say yes, Murugan, and I'm going to say yes.

10:43Then I'm going to say yes.

10:45I'm going to edit it.

10:47Yes, yes.

10:49That's the title.

10:51Okay.

10:52That's not the title.

10:54I'm going to register for the title.

10:57And when I entered that title, I came to get the title to sign up to see my son of Mahalajmi.

11:02Okay.

11:03As you say James Ravi.

11:04As you can see the title, I have the title.

11:09Sorry, Ravi is wrong.

11:10That's not me.

11:11I'm going to write it on the title.

11:13Now I'm going to write it on my own.

11:16And I said yes, the title is because it's not the title of the title.

11:19It's not all the title.

11:21No, so I don't.

11:23There is a suffix, but there is no suffix.

11:28But there is no suffix.

11:32That's all.

11:34Nice.

11:35Nice.

11:36All credit goes to that.

11:39Director Sankar sir.

11:41That's fine.

11:42That's why Sandhya's name is Ravadi.

11:46Artist.

11:47Original name.

11:48He's already Ravadi.

11:51And I have the name of the Shankar sir.

11:54Is that the name of the Shankar sir?

11:56Yes.

11:57And I have a name of the Shankar sir.

11:58He's a name of the Shankar sir.

12:00He's a name of the Shankar sir.

12:05Nice.

12:06And he's an Italian person.

12:08You've been reading a paper for a few years.

12:10Would you read a paper or read a paper?

12:12Don't we read a paper,

12:14or read a paper?

12:15I would read a paper.

12:17I would read a paper.

12:19Now I feel like I can't do this.

12:21If you can't do this Then that you can't do this.

12:26If you do it or you can't do it.

12:28You can't do this.

12:31If you do it, I feel about it.

12:34I feel like I'm feeling it and I'm feeling it.

12:36You're not easy.

12:39Because you can't do it today.

12:44And maybe you have to do it today.

12:49That's not effortless.

12:50He said that he needs to know what he's doing.

12:53He doesn't know what he's doing.

12:57If he doesn't know what he's doing he's doing, he doesn't know what he's doing.

13:02He knows how to do that.

13:05He knows how to do that.

13:07Let's go to the head and go to the head.

13:11We just know how to do it.

13:14We can't do that.

13:16For a thing to do, you should change my tone to dim일.

13:21See how to chronate it again, but you do using the colour.

13:26This is the screenplay.

13:27Nice, we have a했는데.

13:30It's too nice.

13:31The colour screenplay and it's a truth.

13:34It can be left within days.

13:38Since I had alten, old нет.

13:40It can be joined.

13:42Ok.

13:43I will join you.

13:44If I tell you something, I will tell you something.

13:48Done.

13:49Why are you stopping?

13:53I stopped.

13:55I said, I am more dead than active.

13:58I was released.

14:01After that, I went to the hospital.

14:04He took care of the hospital.

14:07He took care of the hospital.

14:10He took care of the hospital.

14:12I cooked this weekend, I reached my home.

14:14And now, I will release.

14:17In the hospital, I used to use a hospital.

14:20When I went to the hospital, it was a hospital.

14:22It was a hospital.

14:24It was the hospital.

14:26This hospital was a hospital.

14:28I had to go to the hospital.

14:32I had to run a hospital and my family.

14:36You were the hospital.

14:38Okay. That's why you are tired of it.

14:41Are we tired of it?

14:43No. That's what we are doing.

14:46We are doing a police.

14:51We are doing it.

14:55We are doing it.

14:58We are doing it.

15:00We are doing it.

15:02We are doing it.

15:05We are doing it.

15:08We are doing it.

15:13We are doing it.

15:14But we are doing it.

15:16We are doing it.

15:18They are doing it.

15:20That's what we are doing.

15:22That's a good thing.

15:25I am going to do it.

15:29That's what I have told you.

15:31We are doing it.

15:34That's not the difference.

15:36You did it.

15:37I am going to work.

15:39I am doing it.

15:40I am going to work.

15:42That's why I am going to work.

15:45I am ready.

15:46Okay.

15:47You can just start studying the process.

15:49I want to make a bit of the process.

15:51That's why I don't need it.

15:53This says you can fill it in.

15:56Nice.

15:57Okay nice.

15:58After planning, we are only getting physical, physical, museum data,

16:05we are getting physical, physical, physical, physical, social,

16:10physical, physical, physical, physical, physical, physical, physical, physical, physical and physical.

16:14Okay.

16:16Yes, yes.

16:19Yes.

16:22The arts and merit can be a million dollars.

16:26Yes.

16:27He did a job and he did a job and he did a job.

16:31Nice.

16:32So, when we know that, who came to know about it?

16:37Thamana, where did you find him?

16:39Thamana.

16:40Thamana was an ad, a new ad.

16:47It was a photo.

16:49It was a path.

16:50It was a path.

16:52But I have already been able to get a book on the channel.

16:59Seven-G heroes?

17:01Yes.

17:03Two.

17:04Okay, fine.

17:05One is a director.

17:06Okay.

17:07Okay.

17:08Okay.

17:09Okay.

17:10That's it.

17:11Okay.

17:12That's it.

17:13Okay.

17:14Okay.

17:15Okay.

17:16Okay.

17:18Okay.

17:26Okay.

17:28What I've been during theime period is based on the importance of different human human therapy.

17:34Okay, okay.

17:39I went to the Gramath School, I met friends and I met a friend.

17:46I met a friend.

17:47They met a friend.

17:52He came and came to the family.

17:58One day, I met a family.

18:00I met three people.

18:02I met a family.

18:04I met a friend.

18:07Okay fine.

18:08That's why I got a source.

18:11Okay, that's why I got a source.

18:13Okay, that's why I got a source.

18:15That's why I got a source.

18:17We talked about the petrol and you talked about it.

18:20Or you saw it?

18:22I was thinking about it.

18:24You didn't know it.

18:26No, no.

18:27That's why I told RJ,

18:31they said,

18:32Sir, I'm going to ask you, sir.

18:38They said,

18:39Okay, it's the same.

18:40Okay.

18:41That's right.

18:42Sir, DNA.

18:44Police character.

18:45That's what you said, sir.

18:48He was also a police officer.

18:51That's why Nelson Vangitason came to us.

18:54No, he came to us first before.

18:57He said that he was the first person.

19:00And that's why all of them were not.

19:03Now that you go to a diet,

19:08you can do anything new to them.

19:10There is also an obvious reason.

19:11If you want to go to a diet and run through,

19:12you're helping them.

19:14That's why you need to go.

19:15It's helpful.

19:16That's why you can go to a diet.

19:18You can find your diet.

19:20Okay.

19:21I can't drink our diet.

19:24Right.

19:25They do diet and say anything.

19:28So, we did a lot of work.

19:30We said it that you should do it sirs,

19:32we should say it again.

19:34We say it again.

19:36I'm not even a person,

19:38but this person is a person who is a person who is a person who is a person.

19:41Yes, that's true.

19:43He said it correctly.

19:47He said it to be a person.

19:49But it's like I said,

19:51it's like a person.

19:53So, she said that he was a person who was a person who was a person.

19:57I am going to kill them and I will get married.

20:02So, I will talk about that.

20:07You don't need to do anything directly.

20:09You don't have to say that, sir.

20:11You don't have to say that.

20:13You don't have to say that.

20:14So, you will talk about that.

20:18I will talk about that, sir.

20:21It is not as soon as I got on the plan.

20:23I will repeat it.

20:25That's why I was able to do this.

20:28That's why I was like this.

20:30How did you learn a script in the week?

20:33No, no.

20:34I'm going to go to Aston Diatra.

20:39I'm going to go to Ben Camera.

20:42I'm going to go to CISTI.

20:46I'm going to go to a chance.

20:50I'm going to go to a bike.

20:53I'm going to go to a bike.

20:56Maybe not the wrong thing or the wrong thing.

20:59Then we go.

21:02A note?

21:05Then I'm going to go.

21:08He says,

21:09He's going to go to the hotel.

21:12He must be sitting there.

21:15He's going to go to work.

21:17If he said to him.

21:19Then I'm reading it.

21:20I know how many people are living here.

21:21I am looking at them.

21:24I just am not looking at them.

21:25Those who are selected.

21:28I am also looking at them.

21:29This is I am not looking at them.

21:31I am doing their behavior.

21:33That's it.

21:34If you all think it's going to be a little person,

21:38you're saying,

21:39you're saying,

21:40you're saying you're saying you're saying you're saying?

21:42The word is clear.

21:44Now,

21:45the question is,

21:46he is going to be a problem.

21:47If you go and go and go and go and go,

21:49The person is not a bad person, but they are a bad person.

21:54But they don't make sense.

21:57How do you talk about it?

22:00Go to a mechanic with a dress.

22:05Go to a background.

22:08This is not a bad person.

22:12That's how you're going to live.

22:18I will tell you, I will tell you.

22:21I'll tell you, I'll try to do this, but I'll talk to you again.

22:26When I talk to you with the lighting, I'll talk to you again.

22:31If we tell you about how to use the lighting,

22:34I'll tell you about the technique.

22:39I know that the people who are currently in the 90s are very helpful.

22:44They are very easy to reach.

22:47They are very easy to reach.

22:50They are very easy to reach.

22:54What did you think about Arimugoy?

22:56It was a hit.

22:58I think that was the case.

23:01I was asked,

23:03I was like,

23:05I'm a girl.

23:07I'm a girl.

23:09I'm a girl.

23:11Yes.

23:11This is an image.

23:15One image is because I think that an image is another character that I have attempted.

23:20The character is going in a cinema.

23:22In a cinema, a character is going to make an image.

23:27That being held down is equal to the character.

23:27But we can understand that character is hell.

23:30Now, when you are the younger sister, that is not a mystery.

23:33Good night.

23:34Good night.

23:35Who is the younger sister?

23:38Okay.

23:39Sir, how do you say that?

23:41So, if you imagine what they are doing, okay.

23:45You are like, how do we imagine?

23:46That's what I was thinking.

23:48I was like, I did a lot of time.

23:50I was like to tell you, you are doing this.

23:52You are too much.

23:53I will kill you, you are too much.

23:56We are all going to do this.

23:58It's not that I am afraid.

24:00It's not that I am afraid.

24:02It's not that I am afraid.

24:04I am going to know that I am like,

24:06I am going to know that you are going to know.

24:08He was very honest with you.

24:10If he could have an operation, he would be able to get it.

24:13That's correct.

24:15How do you think he's going to go to Manigandan?

24:18How do you think he's going to go to Good Night?

24:20Back-to-back hit?

24:22How do you think he's going to go to Good Night?

24:24Manigandan is a script.

24:28He's a writer and actor.

24:32He has a creative sense.

24:36He's a good night person.

24:38He's being able to get the best.

24:40He's going to suggest it.

24:46One day they do his diet.

24:50You can tell them, Ellerin, Gieders.

24:52Why are you talking about short films?

24:55They have a future films.

24:56They trust it on these films and they get the best.

24:59And, these are the science.

25:03Okay.

25:04He found out so much.

25:06Okay.

25:07They had a picture of a service.

25:11Okay.

25:12If they went to a pure cinema..

25:15That was a pop-up.

25:17They found out.

25:18There was a message.

25:20Okay.

25:21They found out that they were sensitive.

25:23They did that.

25:24They were watching them.

25:26Okay.

25:27That's right.

25:28That's right.

25:29They said that it was sensitive.

25:31When you hear something, you are all in a good night.

25:38Amma, it is a good night.

25:39Amma.

25:40People are trying to get this experience.

25:44We all are trying to get this experience.

25:45We are looking at that.

25:46But, we don't want to go to Malaala.

25:47I want to come to Mavira.

25:51It is a secret.

25:52I have to come to see.

25:54That's a great director.

25:55Nelson.

25:57Mandala director.

25:59Aswin.

26:00Aswin.

26:01That's why you didn't even know what to do.

26:05Now, there was a release of K.P. Bala, a hero.

26:10That's a character.

26:12Now, I'll announce the announcement.

26:14I'll give you Deci to Archan.

26:17Okay, super. Balumagendra's.

26:20I'm afraid to be a sheriff.

26:25He's a director.

26:26He's a director.

26:27He's a director.

26:28He's a director.

26:29You have to say it.

26:34It's a fan of lovers.

26:37They say they have to say it.

26:41They do it.

26:42They do it.

26:44They're not the surrounding.

26:47They're not the guy.

26:49They're going to be the guy.

26:51Then, he'll do it.

26:55It's not a number.

26:57We are not going to be a number.

27:00Yes.

27:01And if she teaches us,

27:02when she teaches us what she's doing,

27:04we are going to be a number.

27:07She can be a number.

27:09She said,

27:10Okay.

27:11That's it.

27:12It's a number.

27:13When I'm doing it,

27:15I have to find that I'm not going to do anything.

27:17I'm not going to do anything for you.

27:19I'm also going to be a number.

27:21Okay.

27:22If you can be a number,

27:24it's going to be a number.

27:25Okay.

27:26What did you say to me?

27:27I told you to go to the other side.

27:29I told you to go to the other side.

27:32I told you to go to the other side.

27:33I told you to go to the other side.

27:35That's why I told you.

27:37Sir, now you can see the social media and social media.

27:48I think it's a good thing to see the street.

27:52It's a good thing to see the family.

27:55When I told you, I couldn't believe it.

27:59But she was an intro type.

28:02Now, I'm a big boss.

28:05Then, there are more...

28:10There are more people.

28:13That's personal.

28:15That's why I have a lot of people.

28:19My father is a young man and he has been a doctor.

28:27I've been like, you know, my father has been a man.

28:33I am a man.

28:35He has been a man.

28:37He's been a man.

28:39He's been a man.

28:41There is no problem.

28:43Don't you know, Sir?

28:45That's right.

28:47I know that's right.

28:49I know that's right.

28:51I know that's right.

28:53I know that there is a mistake.

28:55It's not the same thing.

28:57There are no reasons to make it happen.

28:59That's right.

29:01We've realized that

29:03we're realising a serious issue.

29:05We're going to die.

29:07We're not going to die.

29:09Dumbu.

29:10But there are no criminals.

29:13Assault.

29:16Ok.

29:17I mean, I don't know.

29:19Assault.

29:20Ok.

29:21That's a lot.

29:22If you go to the countries,

29:26Dubai, Gulf countries.

29:28Yes.

29:29Yes.

29:30That's a lot.

29:31Yes.

29:32Yes.

29:33Yes.

29:34Yes.

29:35If you're a liberal,

29:37you'll see that.

29:40So, you're important?

29:41Yes.

29:42It's important.

29:43It's important.

29:44It's important to see depression.

29:46Yes.

29:47It's important to see cinema.

29:51You'll see that.

29:53You're a hero.

29:55But it's a black fire.

30:00Yes.

30:01So, you're a hero.

30:03Yes.

30:04You're a hero.

30:05You're a hero.

30:06I'm going to follow you.

30:07You're a hero.

30:08I don't know.

30:09Do you try to talk?

30:10No.

30:11No.

30:12No.

30:13No.

30:14No.

30:15No.

30:16No.

30:17No.

30:18No.

30:19No.

30:20No.

30:21No.

30:22No.

30:23No.

30:24No.

30:25No.

30:26No.

30:27No.

30:28No.

30:29No.

30:30No.

30:31No.

30:32No.

30:33No.

30:34No.

30:35No.

30:36No.

30:37No.

30:38No.

30:39No.

30:40No.

30:41No.

30:42No.

30:43No.

30:44No.

30:45No.

30:46No.

30:47No.

30:48No.

30:49No.

30:50No.

30:51No.

30:52No.

30:53No.

30:54No.

30:55No.

30:56No.

30:57That's why they have a nice actor.

31:04He is a dedicated actor.

31:05He has a man and a man.

31:09He has a man.

31:12After that, he did a good actor.

31:17He was a very good actor.

31:19He was a good actor.

31:21He did a job.

31:22First person, they will be happy at this time.

31:28They're very happy and they're so happy.

31:31Two of them, they're very happy and they're so happy.

31:35They're so happy.

31:39They're so happy.

31:44He's very happy.

31:47The person who comes to the house and says,

31:49He is very sad.

31:51He thinks he is a good person.

31:54He is not a good person.

31:56He is not a good person.

31:58He is a very close friend.

32:01He is a very close friend.

32:03He is a good person.

32:05He is a good person.

32:07He is guilty of the phone.

32:11That's why I am a good person.

32:14Balum система is a good person.

32:16You are not a good person.

32:18Look!

32:20It's so important!

32:22Balumendra,

32:24I was very happy with my family,

32:28Balumendra and Balachchindra.

32:32Balumendra, Balachandran.

32:34This was a good person.

32:36It was a good person.

32:38He had to be divorced.

32:40But when he was born...

32:42But again, it was very difficult.

32:47Because the left, it was very difficult,

32:52but I was not sure about it.

32:55It was the same as a wing.

33:01It was a wing.

33:03So one wing,

33:07and the right wing.

33:10That's why you can't take advantage of the body.

33:13If you can advance this,

33:15you can be doing this as a lingiswamy,

33:17suwasanthar vasa and failure.

33:20If you can advance this, you can advance your feet.

33:24If you can get the doctor,

33:27to take care of yourself,

33:29or to take care of yourself,

33:31I know, I know.

33:33No.

33:35If you have visited the doctor,

33:36you can go to the doctor and go to the doctor.

33:38That's why we have two rooms.

33:43Wow nice.

33:44We are in a room here.

33:46So we can check our house with a house.

33:51We have a house.

33:53It's a house.

33:55We have a house with a house with a house.

33:59I'm thinking about a house with a house on my hands.

34:03I told him that he was in Malaysia and he was in the military.

34:10He had been in the world and he went to the police.

34:13He was in the family and he was in the family.

34:17He was in the room and then he was in a family.

34:21So now the story is about to be a good one.

34:28My name is Mirchi Siva.

34:33You are a big fan.

34:36You are a big fan.

34:38We are waiting for you to come back.

34:43You are a big fan.

34:46You are a big fan.

34:49You are a big fan.

34:52You are a big fan.

Actor Sri-க்கு Lokesh Kanagaraj Help பண்ணுவார் - Director Balaji Sakthivel Interview | FilmiBeat

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