- yesterday
inspiring cinematic journey—from working as Shankar’s assistant to refusing an acting offer from legendary director Mani Ratnam. He shares untold stories behind his debut film Kaadhal, how Vetri Maaran was originally supposed to direct it, and more fascinating insights from his film career.
Don’t miss this candid and rare conversation with the visionary filmmaker who changed the face of Tamil cinema with realistic storytelling
Balaji Sakthivel interview, Kaadhal movie story, Vetri Maaran direction, Tamil cinema, Shankar assistant, Mani Ratnam acting offer, Balaji Sakthivel filmmaking journey, Tamil film directors, Tamil movie making, Kollywood behind the scenes
#BalajiSakthivel #KaadhalMovie #VetriMaaran #TamilCinema #Kollywood #ManiRatnam #DirectorInterview #CinemaJourney #ShankarAssistant #TamilFilmMakers #FilmibeatTamil #FBUpdates #StarBuzz #CineBuzz #StarSights
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NewsTranscript
00:00We have a lot of visitors from Visaran to the shop.
00:06We have all the food in the shop.
00:12We have all the food in the shop.
00:14I am a friend of Mishki.
00:18I'm talking about the shop.
00:21I don't know what this is, I'm not sure what's happening.
00:27I will pass the time and find the new material.
00:37If you want to make the money, we'll take the money after two credits,
00:44even if we want to pay for that.
00:45I'll give you the money for a good night.
00:48I'll give you the money for a brother.
00:51No, it's okay.
00:52Fine.
00:53Young man.
00:54I'll give you the day.
00:56That's correct.
00:59Sankar's name is Solli Cooper, Alaukana, or Sara.
01:03How is he?
01:04He is a associate.
01:08He is a medicalist.
01:11He is a pin-point.
01:13He is a associate.
01:16He is a great person.
01:19That's why he is a Sarmu.
01:22That's right now.
01:26What he said is that he doesn't have a sign.
01:30A sign?
01:31That's right.
01:32Then I said,
01:34I'm going to go.
01:37I'll copy it.
01:39I'll copy it.
01:41I'm going to go.
01:46I'm going to go.
01:49I'm going to go.
01:51Sankar's name.
01:52That's right now.
01:54I'll copy it.
01:55I'll copy it.
01:56To go and I'll copy it.
01:58I will be right back.
01:59Let's go.
02:00This film is part of cinema with Sanna.
02:01I'll say it's 1000 man.
02:03I'm gonna call it.
02:04In a photo of brahmih.
02:05I can see one's name.
02:07I'm going to show all the guys.
02:09What about a healthka
02:12Is there a healthka
02:13There is a path called
02:16A screen
02:18If you pick up the title
02:20That's why the name is
02:22A life is born
02:24Why do you feel like a body language
02:26Is there a place
02:28To draw the path
02:30What about a healthka
02:32Is there a healthka
02:34That's as know
02:35How about a healthka
02:37Sir.
02:38I'm sorry.
02:39You said everything.
02:40You are very good.
02:41You are very good.
02:42There is a lot of language.
02:44No sir.
02:45Seriously, I am going to see you all the same things.
02:50Why are you all the same things?
02:54But you are thinking about help.
02:57Why are you all the same things?
03:00Why are you all the same things?
03:04I am a coach, a player.
03:07I am a coach.
03:09He is a coach.
03:10He is a coach.
03:12He is a player and he is a player.
03:15Actually, I am doing it.
03:18I am not going to give credit.
03:21What are you saying about diet?
03:24I am going to follow him.
03:27I am going to do a bad thing.
03:29If you feel the correct feeling,
03:31What are you saying about man?
03:32People asking,
03:33he is a coach.
03:35I am a coach.
03:37So, with that,
03:38I do it.
03:39If you feel any help,
03:40I am not going to do any help.
03:42No.
03:43It is no doubt.
03:45It is because you are safe.
03:46I am a coach.
03:47It is a coach for both.
03:48That is great.
03:50OK.
03:51You first came to the show and you had a hit.
03:54You came to the show and you came to the show.
03:56First, when you approached someone, there was a light light.
04:01How did you see a camera?
04:03How did you see a light light?
04:05How did you explain that?
04:07One day, I was looking at a lot of pictures.
04:13Almost everything was on the show.
04:16Everything was on the show.
04:20With a veteran and a veteran.
04:22And then a woman was sitting at home and waiting at an empty room.
04:29He had a room in the room.
04:32All this.
04:34Then Nga Jalia, a veteran of Nishki, is a friend.
04:40He was a person.
04:41He talked about the people who were sitting at home and was kept their attention.
04:47He was a veteran and welcomed.
04:49She's very old.
04:50She's very old.
04:52She's a good guest.
04:55She's a good guest.
04:56She's a good guest.
04:58She's not a good guest.
05:00She said,
05:02okay, sir,
05:04she's a compliment.
05:06She said,
05:08Asuran.
05:09That book,
05:13if you read her,
05:13I was a good guest.
05:16I told her that
05:17That's why they came here, and they told me to go to the government.
05:20Then, they told me that they had to go to the government.
05:23I saw them and they didn't have to tell me.
05:25I didn't want to tell them anything about my situation.
05:28When they told me,
05:30I had to handle them.
05:32But, they told me,
05:33I was only the person.
05:35I was like,
05:37I don't know if you were an astronaut.
05:41Who was an astronaut?
05:42Are they not?
05:43I don't know.
05:44I'm not the only person.
05:46Yeah, not a gentleman.
05:47I had a small role, but he had a small role.
05:52So, he did support me.
05:56But I think that's a really good character.
06:02In the first resort, Vittrimaran's accent.
06:05You're told that.
06:07If you're told, you're going to go and go and choose.
06:10You're going to be a big guy,
06:13Who told you to see what scene was there?
06:16It was so funny that I couldn't get it.
06:20I couldn't get it.
06:22I couldn't get it.
06:24I couldn't get it.
06:26I couldn't get it.
06:28They were like this.
06:30I was like this.
06:31I'm talking to him.
06:33I told him that.
06:37I don't know.
06:39I have a little dialogue.
06:42You don't want to be a first person.
06:44It's not a problem.
06:45You can do that.
06:48You can tell me that you have a camera and you have a camera.
06:52I was like, I was going to go to the first person.
06:56That's why I was like,
06:59I told you I was like, I'm not like the person,
07:03but I was like, I'm like, they're incredible.
07:05I didn't know anything about dialogue.
07:06That's why I couldn't get into it.
07:08That's it.
07:10The first time I got it.
07:12Nice.
07:15Then, after that, I got to the end of my life.
07:20It was a hard time to get out of it.
07:24No.
07:25No.
07:26I got to the end of my life.
07:30The manager, I got to the end of my life.
07:37What does he say?
07:38He said, they said,
07:44I can't tell you,
07:46I can't tell you.
07:49I said,
07:51I'm going to tell you.
07:55I've seen him in the production.
07:57He said,
07:59I'm going to show you.
08:00I'm going to show you.
08:02Yes, that's why he's a doctor.
08:06That's why I tell you,
08:09a director has a character.
08:12He is a sathya.
08:14When I see him,
08:18I'll show you the video.
08:21I'll show you the video.
08:23I'll show you the video.
08:25I'll show you the video.
08:27I'll show you the video.
08:34I'll show you the video.
08:37I'm more director than actor.
08:41I'll show you the video.
08:45Those characters who are evil are,
08:49do you know the characters?
08:51The script is mostly recorded and is not a full script.
08:58It's not a full script.
09:00He's going to write it.
09:02He's going to write it.
09:04He's going to write it.
09:06I told him that he's not a character.
09:12He told him to write it.
09:14He told him to write it.
09:16Okay.
09:17He told me a goodnight, he told me first.
09:24Amen.
09:25He told me about it.
09:27Then you told me about it.
09:29Yes.
09:30So, he told me about it.
09:34I also taught him.
09:36He told me about it.
09:39And he told me about it.
09:40And I told him about it.
09:43And he said about it.
09:45He handled well.
09:47That is,
09:48when I'm getting paid for all of my money,
09:52I'm getting paid for the credit,
09:56and then I'm going to be that guy.
09:57I'm going to give him a brother,
10:00and I'll give him a brother.
10:05Young man.
10:06I'm going to give him a brother.
10:08So,
10:09he's going to give him a character.
10:13Nice.
10:14So, we committed to the Poniencel, the same thing, we committed to the meet, and we committed to the meet.
10:21No, it was Corona time.
10:23We did a Google Meet.
10:27We told them to be a dad.
10:32You already studied the book, so you can do what you do.
10:37No, we didn't do anything.
10:41You don't want to see some junk?
10:42I don't want to know the junk.
10:44People are making junk if they film the junk will not?
10:48They are a good guy!
10:49Oh yes, correct!
10:51No!
10:52No, when he was a man who started the farm,
10:55I don't know how much I have to do.
10:57When he has a man who says,
11:01He is a person who is now looking at it.
11:03He says he is a guy.
11:05I don't know.
11:06He wants to see the girl because of the divorce.
11:07If I was a character, I would have never seen it.
11:11I would have never seen it in a year.
11:14That's why the shooting,
11:17if I was a guy like that,
11:19I would have never seen it.
11:22If I was a character, I would have never seen it.
11:26So, you know,
11:28you don't have to know, sir.
11:30How do you think about it?
11:32How do you think about it?
11:36No, no.
11:38I will talk about it.
11:41It's not a person,
11:43but he is a very systematic director.
11:47Okay.
11:48That's why he is not a person.
11:50That's why he is a person.
11:52He is a person.
11:54He is a person.
11:56He is a person.
12:00He is a person.
12:02He is a person.
12:04He is a person.
12:07He is a person.
12:08He is a person.
12:09He is a person.
12:10and it will be very good.
12:19Even if you can see it.
12:22If you can see it like this.
12:24Even if you can see it like this.
12:26But if you can see it like this and you can see it like this.
12:29That's why I can't stand it.
12:32If you can come with a camera,
12:34you can't stand it.
12:35That's correct.
12:37You can see it like this.
12:40That is a great thing.
12:43Nice or nice?
12:45You are already in jeans.
12:47In jeans.
12:49You are already in jeans.
12:52How are you in a gentleman?
12:55I am in a gentleman.
12:58That is what I want.
13:00Sir, how are you in the first time?
13:02How are you in the first time?
13:05He is an associate. He is an associate.
13:13He is an associate.
13:15He is a senior or junior.
13:18He is a mansion.
13:23He is an associate.
13:30He is an director.
13:33I see him.
13:37He is an associate.
13:41I am a roommate.
13:43He is an associate.
13:45They are the one.
13:47They are one of the two.
13:49They are taking care of him.
13:51He is an associate that's going on.
13:55They are in Sanhkar.
13:57He is an associate with other students.
13:59He is an associate that's in the room.
14:01Okay.
14:02That's why they are associated with it.
14:06Yes.
14:06Do you know the name of Sankar or the name of Sankar or the name of Sankar?
14:12Yes.
14:13Yes.
14:14They are associated with it.
14:16Yes.
14:17They are a meticulous character.
14:19They have a pin point.
14:22If they are associated with it, they will be able to find it.
14:25They will be able to find it.
14:27Okay.
14:28Some of them will be able to find it.
14:33They will find it.
14:37They will be a big big, major.
14:42The person will find it and then they will find it.
14:47And they will find it as a sweet.
14:49That's correct.
14:52When you can see the script, the gentleman.
14:54Yes.
14:55Genial?
14:56Yes, yes.
14:57That's all.
14:59I had a shooting, sir.
15:02I had a balance.
15:04I had a balance.
15:05I had a balance.
15:07I had a balance.
15:08I had a balance first.
15:11Okay, fine.
15:13Actually, there is a gang in a gang.
15:15There is a gang in a gang.
15:19That's nice.
15:22So, you do not have this balance in the past.
15:26How is there?
15:28I am very happy.
15:30Like you said,
15:31when you see a car,
15:37the janitor,
15:38you can have a scooter,
15:39a scooter.
15:40That's a...
15:41That's the balance.
15:44Conduct.
15:45It's not like it.
15:48That is not as big as it was.
15:51How many ADs are you in that concert?
15:564. Anjibir.
15:58One associate and 4 assistant.
16:01Associate is one of our Vengades.
16:04How many hits did you come to the first stage?
16:09Actually, the final mix was Balaji, K Balaji.
16:17Sujatha Agmola.
16:20After mixing it, we reacted to the same.
16:25We talked about the talk.
16:26The part was released.
16:28It was a small, small, small.
16:30There was a lot of audio functions.
16:34There were many videos.
16:39There were many videos.
16:41It was a lot of fun.
16:43We talked about what we said.
16:47Yes, but in the Saphair theater, I would like to visit the theater.
16:57I would like to visit the theater.
17:01My mom is the one who is the one who is the one who is the one who is the one who is the one.
17:04Then the audience's reaction was great. Super.
17:08They were very good. They were very good.
17:12We enjoy all the things we enjoy.
17:15Then we go to the table and we enjoy it.
17:18Then we enjoy it.
17:21We have a class.
17:23But we will be able to do it.
17:27If we want to do it, we will go to the table.
17:35Then we will go to the bar and the bar.
17:38We will go to the table.
17:39Yes.
17:40But I remember that everything has a result.
17:43A result?
17:44That was a result of people.
17:45So, that's what I always thought.
17:47Then I'd thought a one day and you go where to go.
17:51Number two, I didn't know.
17:54That's not what I thought.
17:56It was a moment when I was a test.
18:00You're a daily routine with me.
18:02Every day to the rest is temporary.
18:04That's fine.
18:06We have two different things.
18:08That's the maturity.
18:09That's why I came here.
18:11That's why I came here.
18:13If you come here, who is J.K.M.?
18:15I came here.
18:16I came here with my experience.
18:1815 years old, 16 years old.
18:19ADR.
18:20ADR.
18:21Yes.
18:22There's a lot of talent.
18:25Execution, execution.
18:27Everything is a lot.
18:28That's right.
18:29I think there's a lot of things.
18:30There's a lot of things.
18:31There's a lot of things.
18:32There's a lot of things.
18:34There's a lot of things.
18:35First of all, he did a gentleman.
18:38But the first thing he did was,
18:41Malayana's name is Gobi.
18:44He is a man.
18:46He is not a man.
18:49He is a man.
18:52He is a man.
18:57He is a man.
19:00He is a man.
19:07And his associate and he is a man.
19:12He is a man.
19:14They all said,
19:16he said,
19:18I'm a man.
19:20Even this guy is a man.
19:22To see,
19:24it is very common.
19:27Then when I went to school, I would go to school, I would go to school and say,
19:33I would go to school and I would go to school and study as well.
19:40When I was a student, I was a student, but I was a student,
19:49I don't know anything else.
19:52My student was a student.
19:54He was a lady.
19:57He was a lady.
19:59I was born there.
20:03He was a samurai and a samurai.
20:06That's it.
20:09He was saying that he was just now.
20:12He was saying that he was not the end of life.
20:17He was saying that he was just the end of my life.
20:20If you say something like that,
20:22the producer is a great actor.
20:24That is something like that.
20:26But he doesn't say anything like that.
20:28They accept it.
20:30If you think about it,
20:32I encourage you.
20:34If they tell the story,
20:36they have a negative climax.
20:39What did they say about their mother's climax?
20:41What did they say about their mother's climax?
20:44What did they say about their mother's climax?
20:46I said two climaxes.
20:47I also told them they are a very positive climax.
20:50I said,
20:51you're a very sad person.
20:54But I said,
20:55I'm not a bad person.
20:59It's just a bad person.
21:01The idea is that I am a bad person.
21:03The idea is that I am a bad person.
21:05I have told them.
21:07I am not a bad person.
21:09I am a bad person.
21:11I have to say something.
21:13I have to say something.
21:15I was told that the S-Pictures was very strong.
21:24They did the S-Pictures, and they did the diet.
21:30They told me that they could do it.
21:37They could tell that one story was different.
21:41He doesn't know how he's like.
21:44I know he doesn't know.
21:45I'm a producer.
21:48I'm not saying anything about the climax.
21:52You can't tell me that you're a producer.
21:55No, I didn't say anything.
21:57I was like, I'm trying to do this.
22:01So, I told him to do something.
22:05Why are you going?
22:07What's the issue?
22:09I was going to go to the Gap and I was going to work with a rest and diet.
22:21I was going to go to the Thaikkalaga.
22:24There was a Jail scene in the Raja Madari.
22:30Then I was going to go to the Gap and I was going to go there.
22:35I was going to go down to the train.
22:41At the train, I told me about the first stop.
22:47The Sankar Saru came to the train.
22:50I was going to go to the KV.
22:54He was coming to the first class, I was going to go to the first class.
22:59We were coming to the first class and we were going to go to the first class.
23:01After the schedule, we will go to the flight and we will go to the flight.
23:12In that gap, we will go to the KVN and we will talk about it.
23:16Then, we will talk about what we thought.
23:21Then, we got freeze.
23:27They were in the government.
23:30After that, I said,
23:33What happened to him?
23:35He said,
23:36I said,
23:37I told him to take his son.
23:39I said,
23:41I will walk.
23:43That's what I told him to talk about.
23:46He told me,
23:47I said,
23:48I said,
23:49I told him to talk about it.
23:51I said,
23:53I am going to get your son
23:54in the middle of the NPM.
23:57Okay, okay.
23:58I'm going to the office and I'm ready to go.
24:01I'm going to the office.
24:04He's doing great things.
24:06He can speak.
24:10I'm going to the office,
24:12I'm going to get the job.
24:14Who have to ask?
24:16I'm very sincere.
24:17He's going to be the job.
24:19Oh!
24:21That's the name?
24:22Yes, that's the only thing you have to know.
24:26Okay.
24:27When I was a kid, I told him that he was not doing anything.
24:32He was doing anything like that.
24:34He was doing a commercial film.
24:38He was doing anything like that.
24:41He was doing anything like that.
24:44What?
24:45I'm going to get a lot of money.
24:47I'm going to get a lot of money.
24:50But he can't get a lot of money.
24:52He's going to get a lot of money and make money.
24:59So, the story made me a lot of money.
25:01How do I have kids?
25:04His name was the writer.
25:07His name was the writer.
25:09His name was the writer.
25:11His name was the writer.
25:13His name is the writer.
25:15His name was the writer.
25:17He was so文.
25:19I think that is his name is the writer.
25:21It's good.
25:22That's good.
25:24That was great.
25:26They said that they will be the same person during that period.
25:30You can tell them that they have a budget and produce at all.
25:37Yes, they had a marketing value.
25:41You can compare a classic film.
25:45That's also a comparison.
25:48It was like opening to the whole family.
25:52It was called to the devil business.
25:56I have not done this money anyway.
26:01It's like a gift.
26:02It's a gift like a gift and a gift.
26:05I haven't лет a tradition in tirar theətrus.
26:08It's a gift like the king or the king,
26:13but it's time to sit back in my because of it.
26:15He is training his job and he is the return.
26:19That's why he says he will call him a girl.
26:26That's business fair.
26:28What's your first copy?
26:33First copy is double positive.
26:36Double positive is not dubbing.
26:39I think that a lot of people are in the same position.
26:46They are in the same position.
26:49He is a strong position.
26:53They are in the same position.
27:00They are in the same position.
27:04He said, I am a son.
27:09He used to copy her father.
27:13He said, I am a son.
27:15Then, he told me.
27:16He made me tell me what he had told me...
27:21and I said, I will tell her,
27:25my baby, the sister is my mother.
27:29He gave them my father father.
27:32My father, Babu, Ajit sir, Mamana.
27:37He told me how to do this.
27:44I was a student.
27:46I did what I did.
27:49I told him to look at the look.
27:53He told me to react.
27:56He told me to do this.
27:58He did it.
28:00So when you have to make a difference, he's saying that you don't even have to have to get that difference.
28:05You can use 15 eyes.
28:07Then you have to get a double pass.
28:08Then you have to get a double pass.
28:12They have to go and get a double pass.
28:14So then you can do it.
28:17Then you have to get a double pass.
28:21Then you have to get a double pass.
28:24Please don't be happy to have a full night.
28:28You can go to the club and do it.
28:31Actually, you have to cut a flashback on the front.
28:35If you have a flashback, you will go to the front.
28:37Then you will go to the front.
28:39That's why you came to the front.
28:40That's why you cut a lot of money.
28:42You have to cut a lot of money.
28:46No.
28:48They have to shoot a lot of permission in the city.
28:52That's not a live location.
28:53That's why they match the money.
28:55That's why they are not the money.
28:58That is a match for the film.
29:00Not shooting.
29:02You can shoot the exterior shot in the film.
29:05The film is the film.
29:08And you can shoot the movie in the film.
29:10That is a cinema.
29:12If you shoot the movie in the film, you can set it.
29:15That's all the right.
29:18That's why I told you.
29:20If you tell us,
29:22we have to shoot the movie in the film.
29:24Film is cheating.
29:26That's correct.
29:27The other people who are in the train are going to run a train.
29:33That's the technique.
29:35Actually, that's why you are trying to run a train.
29:38That's why you told me.
29:40That's why you are going to do that.
29:42Then you can talk to them and you can write.
29:46No, no, no, no.
29:47No, no.
29:49So, I can't wait for a minute.
29:52It's time to be in the mind.
29:55We had a little girl.
29:59We said,
30:02Yeah, she said,
30:03Hey, hey.
30:05Okay.
30:06She said,
30:07Hey,
30:08It's real.
30:09There is a girl before you go,
30:11See how to ask what you're talking about.
30:15He said,
30:17Hey,
30:18He said,
30:19Hey.
30:20She said,
30:21That's wrong.
30:23She took that in her chest, she spoke of a voice.
30:29She said I have a wife and she said to her.
30:35He said I am in the father.
30:39She said she is going to have a girl and she said to him.
30:44She said to him mother.
30:46I am when she murmured about her and she said to me.
30:49She said I am like that.
30:51So, they told us that this is a link.
30:55That's what we are doing.
30:56Yes, that's what we are doing.
30:57He is a partner, a friend, a friend.
31:01No, it's not true.
31:02It's the one thing we say.
31:04We will tell you how to do it.
31:06We will tell you how to do it.
31:11We will tell you how to do it.
31:15That's what we say.
31:17We will tell you how to do it.
31:19If I get a video of a child,
31:22I'm going to watch the video of a family.
31:25I'm not sure if I tell you,
31:27I'm going to watch the video of a family.
31:30But, his video is a very big intro.
31:32He is doing this video of the video.
31:33I am going to check out the video and check out my brother.
31:41I don't know how to get to know him.
31:45I'm gonna borrow it.
31:46Yes, I am.
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