- 6/11/2025
🎤 Exclusive Interview with Lyricist Ekadasi
In this candid conversation, renowned Tamil lyricist Ekadasi opens up about the challenges faced by songwriters in the industry. He discusses the lack of respect for lyricists, the ongoing salary issues, and the evolving landscape of Tamil cinema music. Ekadasi also reflects on his iconic contributions, including the hit songs "Otha Sollaala" from Aadukalam and "Kathari Poovazhagi" from Asuran. Don't miss this insightful discussion on the art and struggles of being a lyricist in today's film industry.
#Ekadasi #LyricistInterview #TamilCinema #OthaSollaala #KathariPoovazhagi #Aadukalam #Asuran #TamilSongs #FilmIndustryChallenges #LyricistStruggles #TamilMusic #GVPrakashKumar #Vetrimaaran #MusicIndustryInsights #TamilFilmMusic #CineBuzz #FBUpdates #StarSights #StarBuzz #FilmibeatTamil
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~PR.268~CA.78~CA.76~CA.294~ED.63~HT.302~##~
In this candid conversation, renowned Tamil lyricist Ekadasi opens up about the challenges faced by songwriters in the industry. He discusses the lack of respect for lyricists, the ongoing salary issues, and the evolving landscape of Tamil cinema music. Ekadasi also reflects on his iconic contributions, including the hit songs "Otha Sollaala" from Aadukalam and "Kathari Poovazhagi" from Asuran. Don't miss this insightful discussion on the art and struggles of being a lyricist in today's film industry.
#Ekadasi #LyricistInterview #TamilCinema #OthaSollaala #KathariPoovazhagi #Aadukalam #Asuran #TamilSongs #FilmIndustryChallenges #LyricistStruggles #TamilMusic #GVPrakashKumar #Vetrimaaran #MusicIndustryInsights #TamilFilmMusic #CineBuzz #FBUpdates #StarSights #StarBuzz #FilmibeatTamil
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Exclusive: நடிக்க சொல்லிக் கொடுக்குறது வேஸ்ட்.. என்ன ஜமா பட இயக்குநர் இப்படி சொல்லிட்டாரு! :: https://tamil.filmibeat.com/news/exclusive-actor-pari-arjun-and-team-joined-for-filmibeat-tamils-actors-round-table-show-149725.html?ref=DMDesc
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NewsTranscript
00:00I told you,
00:02it's called a VALANJI KOLANJI.
00:06You have to say that VALANJI KOLANJI.
00:08You can say that you have a VALANJI KOLANJI.
00:12I told you,
00:15I'm going to say that VALANJI KOLANJI.
00:17When you get a VALANJI KOLANJI,
00:19you'll have to be committed.
00:21I'm going to say that.
00:23You'll have to say that you will have to be committed.
00:27The VALANJI KOLANJI.
00:29I was going to say that they are successful.
00:38When I started the launch of the VALANJI,
00:40I told you,
00:42you're all about the VALANJI KOLANJI KOLANJI.
00:45I went to go to the VALANJI KOLANJI,
00:48and I was going to say that the VALANJI KOLANJI,
00:51that you can tell you that the VALANJI is a stage.
00:53If you have to tell us that you'll have to tell us.
00:57The art.
00:59Now, the company has a list of the campers.
01:07I was able to create a new year for a year.
01:11I was able to learn from traveling.
01:14I was able to learn from a new part.
01:17I was able to learn from the melody.
01:19I was able to learn from the Louss.
01:22I was able to learn from the Kilsadhi.
01:25We are able to respond even more than the other people are able to respond.
01:33There is a situation in which people are contemplating the same way.
01:37The people have never been able to share the story of life.
01:41We don't know that all the people are celebrating the life.
01:44This is a time for a moment to live and be in the world of God.
01:51You can hear us all from a sudden.
01:52It's all about us.
01:54I am following the subtitles.
01:56I am quite surprised by watching you.
02:00I am watching you.
02:02I am watching you.
02:04I will be watching you!
02:10I am watching you.
02:12I will tell you that
02:14I am not a kid,
02:16so I am a great writer.
02:18I will tell you.
02:20What are you talking about?
02:50How are you talking about?
02:51I am very happy.
02:52Yes, I am very happy.
02:53So, how are you talking about this?
02:56Let's talk about the industry and the technicians.
03:01Do you know what you're talking about?
03:05I don't know what you're talking about.
03:08We are talking about the number one tool.
03:18We are talking about the number one tool.
03:22We are talking about the number one tool.
03:27But, I want to see a lot of things.
03:31We have to talk about the number one tool.
03:38Because we are taking a lot of things.
03:40We are talking about the number one tool.
03:42We are talking about the number one tool.
03:45The number one tool is to get the number one tool.
03:48But, we are talking about the number one tool.
03:51Is there anything you can do?
03:57or a person, and someone else.
03:59It is very good.
04:01What I am saying is that
04:04the company's name is
04:07the check and bounce,
04:09the price is not enough,
04:11the price is not enough.
04:13That's what we can say.
04:15We can't tell anything about that.
04:17I told a company that
04:19I was telling an advance
04:21and they said,
04:23they said,
04:25You can't even ask me to advance my father,
04:28I can't even ask my father,
04:31but I can't tell you something.
04:34You can ask me to advance the father,
04:37if you are committed,
04:40I get that,
04:42I'll tell you something.
04:46That's the state,
04:47Mr. do you commit?
04:50You get the same idea.
04:52If I ask for the answer, I think that the program is a good way to do advance.
05:05I don't want to ask them to do that.
05:07I want to ask them to do advance.
05:13They commit to advance.
05:17I am a problem.
05:19What are we going to do?
05:21You have to do something like that.
05:22Yes, you have to do something.
05:24Then we asked him,
05:25Sir, if you don't understand anything,
05:29we don't understand anything about advance.
05:34Then we can understand advance.
05:39What I'm thinking is,
05:41I don't want to say anything,
05:45I don't want to say anything,
05:46I don't want to say anything.
05:49I was surprised by the cinema.
05:52What I am saying is that I am going to a team of artists who are going to go to a team.
05:58I am not a team of artists, I am not a team of artists, I am a team of artists.
06:10I am not a team of artists.
06:14There is also an advance that we have to do a recording.
06:19Actually, what do we do with the recording?
06:24I have 7 of my papers.
06:267 of them, you can take a hand.
06:30You can take a hand, you can take a hand.
06:34We have 7 of them, you can take a hand,
06:37and then you can lock the part to the final part.
06:393 of them, then you will have a hand.
06:43He did a tune and he did a workout.
06:47If you want to do a recording,
06:51we will come back to the recording.
06:57He did a part of the recording.
07:01He did a tune and he did a part of the final.
07:04He didn't do anything, he didn't do anything.
07:07He didn't do anything, he didn't do anything.
07:09He didn't do anything.
07:11He didn't do anything.
07:14When I saw a dance,
07:17he didn't do anything,
07:22he just said that.
07:24What would you say?
07:26If you enjoyed the studio,
07:29they were playing the music.
07:34The music, the music, etc.
07:37I had to leave you there in the list.
07:41I felt like I was playing with the stage.
07:43I was saying, that I was playing with the art.
07:47I had to play with the cinema, and I wanted to launch the audio.
07:51I was always happy because I was like,
07:54I was like, I was like, I was like, what's the situation?
07:58We should share that with them.
08:03Now, I am not going to leave you there in the list.
08:06We can't go there and show a lot of work and there's a lot of work.
08:12We all said that we all want to see the people and the parents are going to see that.
08:16And this is a story of a young man who is telling us about the story.
08:21When you came to the audience, you came to the audience and saw the audience and saw the audience.
08:29Kandipa, it's a dreamer.
08:33It's a dreamer.
08:35I thought, we'll talk to each other.
08:38So, I would love to go talk and talk with me.
08:42I'm wondering if we take the word from the Top of the Outs.
08:45We decided to come back to the Top of the Outs.
08:51That's why I'm not going to talk.
08:54I'm not going to talk.
08:57In the North of the Outs,
09:00I found a pain in my heart.
09:05You're going to be a part of the story.
09:07How did you compose your story?
09:11Actually, I was very happy.
09:15I was going to be a part of the story.
09:22I was going to be a part of the story.
09:24I was going to be a part of the story.
09:26But I was going to be a part of the story.
09:30Meera Kathera, my name is Tamil.
09:34I will write a number of 5.
09:36They have written a script.
09:41I have written a number of 7.
09:45I will say a very a month.
09:52I will say what I am saying.
09:57So, when I was created a month, I was able to make a travel story.
10:04If I was able to make a part of my music,
10:07I would like to make a melody.
10:10I don't have a song without a song,
10:15but I don't have a song without a song.
10:17It's a song.
10:20There's a song without a song.
10:25One of them is the same thing.
10:29That's why I came here.
10:31That's a hit.
10:33That's why I played my brother Seen Ramasamitha.
10:39When I talk to him, I told him that he was a male.
10:44Then, I told him that he was a lyricist.
10:51He didn't have 4 lines.
10:54The next line…
10:57In his interview he said,
10:59He died, and he died, and had the same death, and had the same death.
11:05He died, and he died.
11:07He died, and had the same death.
11:11He died, and had the same death, and died, and had the same death.
11:15He said, I don't understand his line.
11:19I said that he died, and had written his phone.
11:23My friend is Vettrimaran.
11:25He's a bad guy in the back.
11:30He's a good guy.
11:33He's a good guy.
11:36I told him he's a good guy.
11:41He told me he's a good guy.
11:43He told me he's a good guy.
11:46I told him he's a good guy.
11:48I told him that he's a good guy.
11:50I had to say that that after a month,
11:53I came to a purchase with my phone.
11:57This is Vettrimaran.
11:59He told me the office.
12:02He said he told me.
12:04He told me.
12:07He told me he's 2005 than he was.
12:11I told him that he was a good guy.
12:15He told me that he was someone who was a good guy.
12:17I know that Tamil Sinema is a good person.
12:21If you say anything, you can't say anything.
12:23You can't say anything.
12:26I know that a person is a good person.
12:29I know that a person is a good person.
12:33I am a good person.
12:37I know that they are happy.
12:46I was able to get the information from him.
12:52He told me, who is the one who is the one who is the one who is the one who is the one who is the one who is the one.
13:03He had a good job.
13:05So, when I was finished with Vettri Maran number, I would like to check out the number of G.V. is a good person.
13:16I would like to check out the number of G.V. is a legend.
13:24So, Vettri Maran is a good person.
13:32I would like to check out the number of G.V. and the number of G.V. is a good person.
13:40That's the one I would like to check out.
13:45I'll call G.V. if I still have a number of G.V.
13:49I'll be able to check out the number of G.V.
13:53I'll be able to check out the number of G.V.
13:58One time he was dead and finally took a G.V. and came to his final meeting.
14:03The sound
14:26He was a singer and he would like to build a new life.
14:31He would like to build a new life.
14:34He would like to build a new life and rebuild a new life.
14:41That's the process.
14:45You can build a new life of this life and get it in a new life.
14:48You have to build a new life in Africa.
14:53They can't have it. The past is Andhada.
14:59Elijah Jones moved to our home.
15:02But they came after the repeat, the first one received.
15:06But they said that.
15:09So they said earlier on, they went to the charge team and the charge team ran directly.
15:12Trouble ran every single one on the 야톡 team.
15:16They cried anyway.
15:18And in that situation, I failed to adopt, and put in the process,
15:24his son was able to get back.
15:31Then, I said,
15:37Mr. Marikolund is still here,
15:39I'm not sure what happened.
15:41He said, I'm not going to go to the house.
15:47Then, Ravik got a lot of money.
15:51He said, I'm not going to go to the house.
15:55That's okay.
15:56He said, I'm going to go to the house.
15:58That's okay.
16:01Then, that's okay.
16:04Then, he came to the house in Asura.
16:10That's why I told him that situation.
16:16There was a balcony in the office.
16:22We talked about a tea shop and we talked about the situation.
16:27We talked about the situation in a period of time.
16:31We talked about the situation in a period of time.
16:34We talked about the situation in a period of time.
16:36I was going to talk about the concept and I was going to talk about the Japanese.
16:41I was going to talk about the situation.
16:44I was going to talk about the Sun Moga Sundaram.
16:52I was going to go to the back trap.
16:57I was going to talk about folk and folk.
17:03However, if we go to the next level, we can see the next level.
17:09If we can see the next level, we can see the next level.
17:12I told him that he had a book.
17:18He said he had a book.
17:21He said he had a book with a book.
17:26That's why I came to the office and went to the office.
17:30The other side of the house came and he was in the basement.
17:34He was in the basement and the door was closed.
17:37He was like, how did he go?
17:42He was in the basement.
17:43He was in the basement.
17:47Did you have a basement?
17:49No, it's a basement.
17:52It's a basement.
17:56But they were all in good and appreciate it.
18:01But these days, you don't know everything.
18:06I don't even know what I'm trying to do.
18:09You have to give it to their projects.
18:12You know what you have to do at the very end,
18:19you can have to have some mistakes.
18:22You have to do nothing.
18:24They said they were all 100 years old.
18:31They said they were all about 100 years old.
18:36I would say they were all about 100 years old.
18:38I think they were all about 100 years old.
18:44He was one of the victims of Dhanush.
18:49So he was one of the victims of the victims.
18:51Did you see a look at him?
18:53No, no, no.
18:54I don't know about it.
18:57Let's go and see him in the cinema.
19:00He's just like this.
19:01He's a little bit.
19:03I'm not sure how to do politics.
19:11Because in a state play,
19:19There is a scene where a postman is a man of the way.
19:26He's got a man who is a man who is a man.
19:31He's got a man who is a man who is a man.
19:35He's not going to leave.
19:38He's like, what is this?
19:40He's a man who's a man.
19:42He's the man who is a man.
19:44He's the man who is a man.
19:47He can have one or two of them, but he would have to go to the other side.
19:55Who would have to go? He would have to go to the other side.
19:57Because that's why I have to go to the other side and try to make a part of the other side.
20:05And I think that I think he is a father.
20:10If he is going to go to the other side of the side of the side,
20:14That's what we're going to do.
20:15We've mentioned some of the period we have mentioned.
20:18We know that we are able to shoot a lot of times.
20:20We know that we have to shoot a lot of times.
20:24We are able to shoot a lot of times.
20:27We have a lot of times to tell each other.
20:33I'd say that you can't roll it.
20:36There are many times in the middle.
20:40There is a lot of times.
20:42Kill saadhi karan ondambu kukula oduuruudu sakaari yaa.
20:45Maail saadhi karan nukku kumppu rındad kataari yaa.
20:48Kill saadhi woadambu kukula oduuruudu sakaari yaa.
20:51Aandha maail saadhi karan nukku kumppu rundad kataari yaa.
20:54Aandha maail saadhi karan nukku kumppu rundad kataari yaa.
20:59That's a little more.
21:01Yellarong...
21:04Yellarong...
21:05Neyakkin karu bangla...
21:07Ennattravasadhi...
21:09Yey ee vondis eelllal.
21:10But one of the people who talked about this is not a good person, but he was not a good person.
21:24He was a good person, but he was a good person.
21:30He was a good person, and he was a good person, and he was a good person.
21:38You are going to get the audio out there.
21:42It's a song that falls.
21:44Today you are appearing and you are going to go through the tumblr.
21:51This is an amazing point.
21:54We are going to see all the new ones,
21:58while you are here,
22:00you and your family are called to give them a song that you are in the eternal process.
22:03We are going to ask ourselves
22:06I am going to take it.
22:08I am going to take it.
22:10That's an amazing thing.
22:12I am going to take it.
22:14Why do I take it?
22:16Why are you taking it?
22:18Why are you taking it?
22:20It's not that you can go to the hospital.
22:22You can take it.
22:24I have to take it.
22:26We have to take it.
22:28We can take it.
22:30We will take it.
22:32We will take it.
22:34I will be able to get it.
22:36What are you saying?
22:41Where are you going?
22:43Yes, I will.
22:45I will talk to you in a cinema.
22:48I will go to the cinema.
22:52I will go to the cinema.
22:54I will go to the cinema.
22:56I will go to the cinema.
22:59I will go to the cinema.
23:02I will go to the cinema.
23:04I will listen to you in a cinema.
23:14I will listen to you in a movie.
23:16I'm going to talk to you in a cinema.
23:18I will talk to you in a movie like this.
23:21I will just laugh at the cinema.
23:23I will say this,
23:27I will be able to talk to you about the cinema.
23:31Even if you're a child, you can't do it.
23:33You have a child in your family.
23:36That is a problem.
23:38That's why we're speaking about it.
23:39If you're a child, you'll be able to talk about it.
23:42You can speak about it.
23:44You can talk about it.
23:46There's a problem.
23:47There's a child in your family.
23:50You can't sleep.
23:52There's a child in your family.
23:54Don't you?
23:56I'm not sure you should be at the time.
23:59You know, you're not a person who is a person who is a person who is a person who is a person who is a person who is a person who is a person.
24:10That's a person who is a person who is a person.
24:13So, I don't think so.
24:16But, you know, the police are the same.
24:21I was a person who called me and asked him,
24:24I don't know how to say anything.
24:27I said, you know what is happening in the world?
24:33We talked to him and talked to him.
24:38We sent him a message to him.
24:43We sent him a phone.
24:49We sent him a case.
24:55He was a hit-touch, but he was released in 6 months.
25:01That's the case.
25:02He was a young man.
25:05He was a young man.
25:07He was a young man.
25:10He was a young man.
25:13How did Suriyah sir react?
25:15I don't know how he reacted.
25:18He was a lyrical video.
25:24He was a young man.
25:27They were also a young man.
25:28He told me that he was a young man.
25:33He was a young man.
25:38He was a young man.
25:42He was a young man.
25:46There is a lot of people who are living in the world.
25:54When they go to TikTok, when they look at the fire,
26:01they will be able to perform.
26:05They will perform.
26:08They will be able to perform.
26:11They will be able to perform.
26:15I said my dad is the same as me.
26:19My dad is not only a few years ago.
26:21He did a different kind of experience and he started to be there.
26:24So, my dad was the same as me.
26:28He did something that he could do.
26:31He knew him and I was able to know.
26:33Now, how did he come to the house?
26:36He went and I was able to do something that he could do.
26:39I know him and he was able to do something that he was able to do.
26:43I spent my mother in the future and I got the two characters.
26:51I was talking about two characters, because I was talking about that part.
26:58I was talking about the two characters.
27:05I was talking about some people.
27:08I was talking about a lot of cinema and I didn't even see a clip.
27:13I would like to say,
27:15it will not be done.
27:17He will hang for the death of me.
27:19He will lift you up.
27:22He will lift you up.
27:24I will lift you up.
27:27Before we came to a meeting,
27:29I've been in a meeting for about 20 years.
27:32But my appointment at the 9th grade is soon.
27:33But I'm sure this guy won't go to death.
27:35I'm not sure he'll have a meeting for you.
27:37He'll have to go to death.
27:39You are the one who died.
27:41I will go to your father.
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