- 6/2/2025
Lyricist Siva Anand, who wrote the lyrics for ‘Sugar Baby’ and ‘Muththa Mazhai’, shares his experience of writing lyrics while collaborating with A.R. Rahman. He also talks about Mani Ratnam’s working style and how Mani Ratnam connects even with ads and short films without compromising on quality
#sugarbaby #muththamazhai #chinmayi #arraham #manirathnam #kamal #thuglife #str #arrahman #ponniyanselvan #june5 #SivaAnanth #FilmibeatTamil
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#sugarbaby #muththamazhai #chinmayi #arraham #manirathnam #kamal #thuglife #str #arrahman #ponniyanselvan #june5 #SivaAnanth #FilmibeatTamil
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NewsTranscript
00:00There is no taste in it, sir.
00:03It's not a taste in it.
00:07It's not a taste in it.
00:11So, we picked it up.
00:13But most of the thoughts of the character remain the same.
00:18How long did you finish it?
00:20No.
00:21It was the first thing to do.
00:24It was overnight.
00:27Sugar Baby is a great visa.
00:32It was the first thing to do.
00:37Then, the time was prepared.
00:40So, it was the first thing to do.
00:46How long did you come to Kamal Saru and Mani Saru?
00:50How long did you come to this project?
00:53How long did you come to this project?
00:56Personally, I'm not sure what it was.
00:58I told you, dream come true.
01:01If you're a part of it, it's a dream come true.
01:03I haven't done anything.
01:04I haven't done anything.
01:05I haven't done anything.
01:06But, it's a very hard time for them.
01:07But, it's a very hard time.
01:08If you're a part of it, you can't do anything.
01:10I'm happy to see them in front of it.
01:13I'm happy to see them in front of it.
01:16I'm very happy.
01:17How long did you come to Kamal Saru and Mani Saru?
01:19I can't say that they're not familiar with Kamal Saru.
01:23They're the same.
01:24They're the same.
01:25They're the same.
01:26They're the same.
01:27They're the same.
01:28They're the same.
01:29They're the same.
01:30They're the same.
01:31So, it's really beautiful to see them at work.
01:34Just to see them at work.
02:00Very minimal communication, but very effective.
02:04I've worked with Simbu Saru and Ms. Trisha.
02:10They're the same.
02:11They're their own styles.
02:13They're really committed, really focused.
02:16But, they're also Kamal Saru.
02:19They have extra gear.
02:21They're all the same gear.
02:23They're all the same gear.
02:28They're all the same as Kamal Saru.
02:30They're all the same as Kamal Saru.
02:31It's not the same.
02:32They're all the same.
02:33We're friends.
02:34They're all the same.
02:35They like their work.
02:36What's the point of that, if you're a professional career?
02:39What's the point of that level?
02:41It's a moment to lead with them.
02:43But, everyone has a positive mindset from the team.
02:45We have a lot of positive mindset, technicians, actors.
02:50That's why they are not a problem.
02:57Everyone is a team.
03:02This is a Tamil Nadu.
03:04I met a lot of personality.
03:07This is why I have a lot of dialogue.
03:10I also have a lot of personality and personality.
03:16My personality is a character.
03:19When you feel like you are a person,
03:23I'm really happy.
03:27Welcome.
03:28How are you?
03:30Happy to see you.
03:32Thank you, sir.
03:34I'm very interested in your name.
03:37Sir actually, I am very happy, Vav Sivanan Sir is here at the time.
03:50So, what are you doing in this video?
03:53I am doing this video. I am doing this video.
03:58Sir, I am doing this video.
04:01I am very happy to hear that. Karthik is a wonderful, wonderful lyricist.
04:13So, I don't have to say anything about this video.
04:20I feel like I am doing this video.
04:25So, how are you doing this video?
04:31Thank you. I am very happy to hear that.
04:34I am very happy to hear that.
04:39So, I am very happy to hear that.
04:44Thank you, sir.
04:45How do you come up with me today?
04:46How did you come up with me today?
04:47How do you come up with me today?
04:52People started speaking to us today.
04:53There are some people with stories,
04:54maybe in our company,
04:55or their lives.
04:57We want to do work with them.
04:58Yes.
04:59We still have a lot of tunes.
05:01So, I am very happy to play with Gudja.
05:02So, Raman Sir is running in the tune.
05:05That was an old tune that I did choose you.
05:08I am very happy to hear that.
05:10So, I attempted it.
05:14There was a version of the show.
05:19But for a creative enhancement,
05:24I decided to talk a little bit about this part.
05:27So, I said,
05:30that's how it is.
05:32So, that's how we picked up.
05:34But most of the thoughts of the character remained the same.
05:38I don't know the fact that I am going to be able to change the character.
05:42I waited this time to go to the theater.
05:46I came up to the theater.
05:48I thought you were going to go to the theater.
05:50I didn't tell you.
05:52What's your time?
05:54I was working on a team.
05:58I was playing a team.
06:00I was doing a game overnight.
06:02What's your name?
06:06I was very familiar with the Kuchasubhavi.
06:08I was like, I was a kid.
06:10I was a kid, I was a kid.
06:12I was a kid, I was a kid.
06:14I was a kid, I was a kid.
06:16I was a kid, I was a kid.
06:18I was a kid, I was a kid.
06:20So, that's it.
06:22So, that's it.
06:24So, Sugar Baby?
06:26Sugar Baby is a kid.
06:28This is the hook.
06:30Then, our
06:32Devlop and Time-Life is prepared.
06:34So, that's the first one.
06:36That's why we're all in the same place.
06:38That's why we're all in the same time.
06:42How are you?
06:44What are you calling Sugar Baby?
06:46What was your name?
06:48No, I'm willing to go that way.
06:50I'm willing to go that way.
06:52We'll go that way.
06:54We'll go that way.
06:56We'll go that way.
06:58We'll go that way.
07:00We'll go that way.
07:02He always has the same time span.
07:05So, if you are the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one,
07:10so they go out and get a job and get a job.
07:13So, I thought they would have been doing it for about 100 years.
07:17So, that is very hard to speak.
07:20Otherwise, I am in a way to speak.
07:24That is why the people are just saying that they are doing it.
07:28I think they are the right part of it.
07:30Where are you from?
07:32I am in a studio
07:35Oh, there is a man.
07:37No, I don't have to do it.
07:39I'm prepared.
07:41I don't have to do it.
07:45Where are you from?
07:47Yes, I am.
07:49Oh, okay, fine.
07:51No, I don't have to do it.
07:53Actually, I have to do it.
07:56I'm sorry.
07:59Money to debt.
08:01Sir, actually, we are an interviewer.
08:05Actually, he said that he was on stage.
08:08But he said that he was an interviewer.
08:10He said that he was an interviewer.
08:14I'm not going to talk about Medraskis.
08:16You are not going to talk about Siwan.
08:18That's what he said about the interviewer.
08:20Why are you doing this?
08:22I'm not going to talk about that.
08:24It's really a joke.
08:26Basically, I don't know my name,
08:30I'm not going to talk about the interviewer.
08:32I'm not going to talk about that.
08:34I'm not going to talk about it.
08:35I usually have a memory,
08:36but I don't like it.
08:38I don't like it.
08:40I don't like it.
08:41I don't like it.
08:42I'm not going to talk about it.
08:44I don't like it.
08:45I don't like it too.
08:46I'm not going to talk about it.
08:47You are not going to talk about it.
08:49You are not going to talk about it.
08:50But I don't know it,
08:51said I will no longer be anything that I can do about it.
08:55That is only Tamil.
08:57Okay, actually, there is a myth that we have here in Manirathnam.
09:04You can say that you are late and you can say that you are Tamil.
09:09You can say that you can say that you can say that you are Tamil.
09:15You can say that you can say that you are Tamil.
09:19No, that is my senior name. Perumal, Ganesh, Priya, Kannan.
09:24All of them are Tamil. They are directors.
09:29They are Tamil. They are Tamil.
09:34We can speak.
09:36We can speak. Tamil is the Muslim.
09:39Okay, nice.
09:41Sir, actually, there are so many people who are in Roja.
09:44I am in Roja.
09:46But where are they?
09:48You are now in Roja.
09:50You are in 90 actually, Roja.
09:51In 92, Roja.
09:53Yes.
09:5490?
09:5592.
09:56Oh, 92. Okay.
09:57I am here in 98.
09:59Oh, okay.
10:00In 98, I am going to say that.
10:03So...
10:04How do you know that Manirathnam, sir?
10:07How do you know that story?
10:10Actually, I am a fan.
10:12I was able to tell people who are in the 6 degrees of separation.
10:19Like, we already know nobody.
10:20But without that.
10:21They entered the phone number on the internet.
10:25I am talking about 97.
10:26And also, they had to find his celebrity soldier number.
10:31That is what it says.
10:33And we were removed.
10:35So, at that time, I got a landline number at the time.
10:41I got a phone number for 6 days.
10:43So, I called him. I studied in America.
10:46I studied a master's in Florida.
10:48I got a phone number.
10:50I got a phone number.
10:52I asked him to ask him.
10:55I got an e-mail.
10:57I got an e-mail.
10:59I got an e-mail.
11:01Oh, nice. Okay.
11:03So, I wrote to him.
11:05That's how I got the job.
11:08Yes, I published it.
11:10That's how I got the job.
11:12Okay.
11:13So, you have been in the resume?
11:16Yes.
11:17You have been in the resume.
11:19You have been in the resume.
11:21You have been in the resume.
11:24Okay.
11:25So, you joined the resume.
11:27So, how long have you been in the resume?
11:30Yes.
11:31In between, I had gone to direct my film in Telugu.
11:33Yes.
11:34Yes.
11:35Yes.
11:36Yes.
11:37Yes.
11:38Yes.
11:39Yes.
11:40Yes.
11:41Yes.
11:42Yes.
11:43Yes.
11:44Yes.
11:45Yes.
11:46Yes.
11:47Yes.
11:48Yes.
11:49Yes.
11:50Yes.
11:51Yes.
11:52Yes.
11:53That way, you are working in the lounge equity office手하는데 you will have all screenplay
11:55There's a lot of people who participate in the script and participate in the script.
12:03That's also a privilege.
12:05So, actually, if you contribute to what you're talking about,
12:10that's not true, sir.
12:12No, no.
12:13If you're talking about any of your stories, we'll do it.
12:16That's why you won the film.
12:18We're talking about the story, sir.
12:21We're talking about the boundary script.
12:24The story, the idea of the story is about the context.
12:28The boundary script is ready to get released from the bank.
12:33Whatever that stuff says, we'll review it,
12:37we'll take it, stuff we can talk about,
12:39we'll take it to the police procedure,
12:43in the historian.
12:45So, you're fully there.
12:47They have a creative decision.
12:49They'll see the content that they have written about.
12:53But on the input, what are the assistants and contributions?
12:57How many assistants are there mostly?
13:00It's a scale-up.
13:02There are three of them in the same way.
13:04There are three of them in the same way.
13:06There are three of them in the same way.
13:08How do you first go to the same way?
13:11Yes, they'll say, but they'll go to the same way.
13:16Actually, when they go to the same way, one of them is a translator.
13:20When they go to the same way, two of them are close to the same way.
13:23That's why they are very familiar with the same way.
13:28How do they feel like they are?
13:31Do you have any doubts about that?
13:35Sir, I'm telling you a lot about it.
13:39He's a public person.
13:43He's like a fancy person.
13:47But he's still got a normal side to him.
13:52He's going to the same way, friends, dinner, walking.
13:57So, if you're talking about it, I'm going to the same way.
13:59Of course, he's going to the same way, but he's going to the same way.
14:02But if you're thinking about it, his life is normal.
14:05Yes, everyone is human.
14:07So, everybody is talking about it.
14:11I'm going to talk about it.
14:13Now, I'm going to go to the same way.
14:16I'm going to the same, it's a person,
14:20a person who's a person who's a person who's a person.
14:23That's not going to be going to be outside.
14:25I can't see that.
14:26Actually, I think he's an assistant DOP.
14:29Yes, he is the director of the Chiloh Ph maneira.
14:35He is the director of Chiloh Ph.
14:38And he is the director of the Chiloh Ph.
14:45And the director of Chiloh Ph.
14:50I think they were talking about four people.
14:53So, why are they drinking coffee in the hand?
14:57They are drinking coffee in the hand.
14:59They are drinking coffee.
15:02I don't know why they are drinking coffee.
15:05Because, in the cinema,
15:10I think it's important to keep the correct light.
15:13I think it's Lawrence of Arabia.
15:16I think everyone is going to visit the rest of the day.
15:20What is the case of Kenya?
15:24I think it's only shooting in Kenya.
15:26There is a place where there is a resort.
15:30Yes, there is a place where there is a place where there is a place where there is a place where there is a place where there is a place.
15:34So I think we can take a place where we are going.
15:39That's the case.
15:41Then, do you have a screenplay?
15:44No.
15:45Never.
15:46But I was the EP for it.
15:48Sir, the EP is a role in the whole project.
15:53It is a very important role in the MGR.
15:57It is a role in the MGR.
15:59It is a role in the MGR.
16:01It is a role in the EPR.
16:03What is the level of EPR?
16:07How do you see part 1 and part 2?
16:09What are you doing in the customer?
16:13I think it's a role in the MGR.
16:19I think it's a role in the MGR.
16:21I think it's a role in the MGR.
16:23It's a role in the MGR.
16:24I think it's a role in the MGR.
16:25I think it's a role in the MGR.
16:29I think it's a role in the MGR.
16:31I think it's a role in the MGR.
16:33I think it's a role in the MGR.
16:35I think it's a role in the MGR2.
16:36If you could come into this role.
16:38The role that just plays with the MGR2.
16:39If you, you can wear the MGR2 piece of the MGR2.
16:42I think you could wear the MGR2.
16:44You can definitely get the MGR2 part of it.
16:48So, supporting team, mine could win it.
16:49Ne ahura doesn't give you a role in the MGR1 seems.
16:51You should роль betweenرتier and MGR3 so they sometimes start off.
16:53It was a challenge but a totally enjoyable rider.
16:56There is no one thing to do with you.
17:00There is no one thing to do with you.
17:04You can do anything.
17:05You can do anything.
17:07You don't have to do anything.
17:10There is a place.
17:13When you go to the place, you can tell your names.
17:19When you go to the place, there is a small hole in the room.
17:25There is a place in the room.
17:31So, you can see the assassins in the room.
17:34Yes, they are not going to go to the room.
17:37There is a place in the room.
17:42There is a place in the room.
17:44In the whole sequence,
17:48we know where to go to the room.
17:52Not for any other reason.
17:53There is a place in the room.
17:55There is a place in the room.
17:56So, you can go to the room in partial sets.
18:00You can see it.
18:02So, one of the characters is the director of this room.
18:06So, they have to follow the blind.
18:09There are different parts of the room.
18:11There are lots of lust.
18:12There is a place in the room.
18:13There is a place in the room.
18:14I will ask that in the room.
18:16I will ask that in the room.
18:17Like that in the balcony.
18:18There will have a house in the room.
18:19And like that in the room.
18:21So, you can see it.
18:22At the moment, we will be able to meet.
18:23We will be able to meet.
18:24We will see how many tables.
18:25So, here we will go.
18:26We will see what we will set up.
18:27If you have a VFX people, you can see the particular coat yard or the other.
18:31You can see it in the PS2.
18:34If you have any of these scenes, you can see it in the same way.
18:39Which is true for all the scenes actually, a director's role.
18:42But this is actually a good thing.
18:44We just couldn't crack it.
18:46If you can't do anything, you can't do anything.
18:49If you go to the 3rd set-up, you can't do anything.
18:54This is what it is.
18:55If you go to the 3rd set-up, you can see it in the same way.
19:00We can talk about VFX and Art Direction.
19:06Each day was a learning experience.
19:08Do you have to learn the part?
19:13Do you have to learn the script?
19:15Yes, we have to talk about it.
19:17But if you can't do anything like this, you can't do anything.
19:21If you can't do anything, you can't do anything.
19:23But you can't do anything for me.
19:25So, we have to learn the script.
19:27What's the script?
19:28I think it's done.
19:29I think it's done.
19:31It's done.
19:32I was in one attempt, in two ways.
19:35Actually, that's a great pleasure.
19:40I've been talking to a few years and I've been here.
19:44Who's the man who's been here?
19:46I think I've been telling you the camera.
19:50I'm happy to be here.
19:53I'm happy to be here in a theater.
19:57We're all here.
19:58We're senior citizens.
20:00So, if you want to see all the people in the 30s, or 30s, then you can see them in the 30s.
20:05The people who want to see it are very different.
20:08That's right.
20:09We are doing this as much generation.
20:13So, that's what I'm saying.
20:14This is the same thing.
20:16If you want to see this, you can see it in the future.
20:18That's what I'm saying.
20:20The potential one is coming to us.
20:21Okay, so, I'm going to get to the end of this.
20:23I'm going to get to the end of this.
20:25But, I'm happy.
20:25I'm going to get to the end of this, and I'm going to get to the end of this.
20:28Ready.
20:29Awesome, super sir.
20:31Now, how long have you been doing this project?
20:36You've been doing this project.
20:40How are you doing this?
20:43Personally, this is the dream come true.
20:48I don't want to dream come true.
20:50I don't want to dream.
20:52But this is a lot.
20:54I'm happy to do this project.
21:04I'm not sure how to do this project.
21:08I'm not sure how to do this project.
21:12I'm happy to do this project.
21:17I'm not sure how to compare notes.
21:21So it's really beautiful to see them at work.
21:23Is there a Goosebumps moment?
21:25Is there a legend coming?
21:28Yes, it is.
21:30I'm going to tell you a story.
21:33Kamal sir is talking about dialogue in the car.
21:36He was shooting at the car.
21:39He was talking to the director.
21:41He was talking to the director.
21:43He was talking to me.
21:44He was talking to me.
21:45He was talking to me.
21:46He was talking to me.
21:48He was talking to me.
21:50I decided to offer Aldana shooting under the car.
21:53I see the fans.
21:54So it's really beautiful.
21:56We could see them at work.
21:58Very minimal communication,
21:59but very effective.
22:00But really perfect towards the camera.
22:02Nice.
22:03I don't know, sir.
22:04I don't know, sir. Maybe I'm a fan girl moment that I don't know.
22:09But you're talking about something subtle.
22:12That's what I'm saying. I'm talking about a lot.
22:14No, I'm talking about a lot.
22:17I'm talking about a lot.
22:20I don't know anything like that.
22:24It's better to be where I'm talking about.
22:27Yes, correct.
22:28Then, I don't know what I'm talking about.
22:32Of course, I don't know anything.
22:36I've been teaching my mother.
22:38You're listening.
22:40It was stunning.
22:42It's going to be talking about a lot.
22:44Yes, it's going to be a tsunami.
22:46We've already talked about the story.
22:48We've already talked about the story.
22:51So, we've already studied the story.
22:55We've already studied it.
22:56We've already studied it.
22:58We've already studied it.
22:59So, it was a big event.
23:00It's not a big event.
23:00It's not a big event.
23:02It's not a big event.
23:03It's a big event.
23:04It's a big event.
23:05It's a big event.
23:06So, what are you talking about the release date?
23:10So, I'm just waiting for the fans to see the film.
23:15I'm just waiting for the fans to see the film and enjoy it.
23:41So, we've already talked about the release date.
23:45You've already done it.
23:46We've already done it.
23:48We've already done it.
23:49We've already announced it.
23:50It's not.
23:51It's not.
23:52I've been doing it.
23:53It's not.
23:54It's been a long time.
23:56We've talked about the producers and the producers.
24:00So, we've already talked about all the producers.
24:02So, we've already talked about the release date.
24:03I've also had a great role in the industry.
24:04We've already talked about the producers.
24:06I think it's a great role in the industry.
24:08I've also said that in lockdown,
24:11I've been singing a song in the lockdown.
24:13It's called KTT.
24:14And I'm like,
24:15I don't know who I am.
24:16I'm like,
24:18I don't know who I am.
24:19I'm like, I'm going to go to the house.
24:21Then Simbu sir, they are senior and I will tell you about that as a junior.
24:30Simbu sir and Ms. Trisha are working on this job.
24:34Now Trisha is doing this job.
24:37Simbu is doing this job.
24:40They are doing this job.
24:42Okay, fine.
24:43They are doing this job.
24:48They are in their own styles.
24:51Really committed, really focused.
24:54But they also have an extra gear.
24:59The way they turned up for work with full enthusiasm.
25:08They are the people who are open to the job.
25:13Simbu sir is still being action.
25:15The scene in the world is being done.
25:21All is done.
25:22How did Sugarpay Bhingra work?
25:27That's right.
25:28That's right.
25:29That's right.
25:30That's right.
25:31That's right.
25:32How did you play the technique?
25:34They are genius.
25:36I don't know how to do this.
25:39I know that everyone will ask her to write.
25:42That's correct.
25:43Why did they get the flow of the flow?
25:47They asked me to answer the questions.
25:52What is the name of Sivan?
25:56How does the name name mean?
26:00I can't figure out how to print it.
26:03Yeah, yeah, why not?
26:05It's such a big honor.
26:07I absolutely adore his work and it's a pleasure.
26:11Okay, fine.
26:12Sir, then you say,
26:14there is a scene in the script that you can edit in the script,
26:19and there is some changes in the script.
26:23Some changes in the script that you can see in the script,
26:25and there is a change in the script.
26:27Can you tell me any example?
26:30Yes, I am.
26:32They are under-prepared.
26:36They are going to do something and they are going to do something.
26:40They are going to do something.
26:42That's why I am not going to do something.
26:44So I am not going to do something.
26:46So, who can go to the front foot or the back foot?
26:50That is the main thing.
26:52But everyone is in their roles.
26:54We can go to the crowd.
26:58By driving in traffic and driving for a few seconds,
27:02Or a risky shots.
27:04I can do something.
27:06I don't know if everyone is there.
27:08I don't want to talk about it,
27:09but everyone is here.
27:10I think if the internet is here.
27:11I can go to the back front door.
27:12You can talk about it.
27:14So the planning is we are always fully prepared.
27:18As you said, there are a lot of people who are going to talk about the other person and what is supposed to happen.
27:23So, it doesn't matter, friends are also going to work with them.
27:26If we talk about communication and walk it again, it doesn't matter.
27:31We all know where the other person is and what is supposed to happen.
27:35But, sir, when it comes to that time,
27:39there is a different element here.
27:43If an actor is going to come here, they are going to go there,
27:46then they will be prepared for the shot.
27:49So, what are we going to do?
27:51Because the contribution of the actors is not enough.
27:55If they are going to perform, if they are going to shoot or cut,
27:58if they are going to shoot a camera at a time,
28:02then they are going to work with them.
28:05I can't say that.
28:07He is not into micromanaging an actor.
28:10If they are going to work with them, they will be able to get the input.
28:14Correct.
28:15So, why do you think Ravike Chandran or Ravivaruman?
28:19Are they prepared?
28:20Is there a long-winded director or DOP?
28:23Ravike Chandran, sir, is a 40-year-old man.
28:28He is the cameraman.
28:32He is the cameraman.
28:33He is the cameraman.
28:34He is the cameraman.
28:35He is the cameraman.
28:37Guys, I think she is working.
28:39All of the JENKers.
28:40He is the cameraman.
28:41We are Jurge Chandran.
28:42He is the cameraman at the end.
28:43Me no longer限 Steven that PJ仔.
28:46He is the cameraman.
28:47Yes.
28:48I was asked him to do it forever.
28:50He is the cameraman.
28:51He is in the cameraman.
28:52Once he is the cameraman.
28:54chances God cannot dominate me before's contact.
28:58In fact, when I was announced, Ravi said to me,
29:03I said,
29:05I was like,
29:06I'm going to go to the table,
29:08I'm going to go to the table.
29:10If I was announced,
29:12I'd fix the camera.
29:13So,
29:15everyone has a short-hand conversation.
29:21Ravi said,
29:23I was concerned about it,
29:25because,
29:26he was doing his energy and speed.
29:29He could be fast.
29:31I had to get a little more in fitness,
29:33and he was doing a lot of fitness.
29:37He was on camera and he was sitting there.
29:41He's a very driven individual.
29:43He was as a teacher,
29:47so he could do everything.
29:49There's everything done.
29:51If he is fit, he will be able to get a goal to get the first character in the Mounarag.
29:58Actually, Mounarag is the first character in the Mounarag.
30:02He is also a divi. He is the character.
30:07P.C.S.R. and Mounarag is the first character in the Mounarag.
30:12Actually, I don't have a deal with Dilly.
30:15You can also download Mounarag.
30:22There are some books from Mounarag.
30:26But the camera is
30:37Are you talking about the money, sir?
30:39Why not?
30:41What are you talking about, sir?
30:43Or what are you talking about?
30:45No, it's not.
30:47Filmmaking is fundamental.
30:49If you take any location, any set,
30:53you know logistic.
30:55That's why there is a lot of creativity.
30:59There is a lot of creativity.
31:01There is a lot of creativity.
31:03There is a lot of practical and practical.
31:05There is a lot of creativity.
31:07They are not at all the company.
31:09They are not at all.
31:11They are also managers.
31:13They also have to run the show.
31:15They have to run the show.
31:17So, they are at all,
31:19then they are in the company.
31:21They are at all,
31:23so it's not a very good job.
31:25They have a good job.
31:27There is a lot of creativity.
31:29There is a lot of logistics.
31:31Okay, fine.
31:33Did you tell Nadine that you were okay?
31:37I didn't say anything.
31:39But I was very happy to participate after that.
31:42I was very happy to participate after that.
31:44That character is a good character.
31:46How many names are you talking about?
31:48How many names are you talking about in the office?
31:50How many names are you talking about?
31:52That's why I told you.
31:53No means.
31:54I'm talking about an interview.
31:56I'm talking about an interview.
31:58How many names are you talking about?
32:01I'm talking about a lot.
32:03I'm very happy.
32:04I'm talking about Prakashadhoad, Arvind Swami,
32:07Simbu Vijay Sethupathi, Arun Vijay.
32:10I'm talking about that.
32:11I'm talking about the same thing.
32:13I'm talking about the same thing.
32:15They're so bad.
32:17All good actors are also fun.
32:19Are you talking about it?
32:21Sir, I don't want to talk about it.
32:23Sir, I don't want to talk about it.
32:25But in the instructions,
32:27you can't talk about it.
32:29You can't talk about it.
32:31I'm talking about it.
32:32I don't want to talk about it.
32:33You can't talk about it.
32:35It's very micro-manage.
32:36It's a bit free.
32:37So, you can play a bit free.
32:39Okay.
32:40So, you're talking about Balachandar Sir.
32:42Magindran Sir.
32:43You're talking about it.
32:44If you're talking about money,
32:45you don't want to talk about it.
32:46He's a chance.
32:47No, no.
32:48No.
32:49So, if you're talking about this.
32:50You can say that
32:51You can answer that,
32:53I'm going to talk about it.
32:54I'm going to talk about it.
32:55I'm going to talk about it.
32:56I'm going to talk about it.
32:57I'm going to talk about it.
32:58Okay.
32:59Fine.
33:00Okay, sir.
33:01I'm waiting for it.
33:02June 5th,
33:03FDFS,
33:05I also talked about a lot of audience.
33:08Are you going to talk about it?
33:10Where are you from? Where are you from?
33:13I hope you celebrate that.
33:16I hope you will see a lot in the theater.
33:23What are you planning?
33:25I will go to all the theater.
33:28Do you see how many times you will see?
33:30I will see hundreds of times.
33:32I will see what you will see.
33:35So, the audience will see the same experience.
33:39Absolutely.
33:40You are so humble.
33:44I am told you for a long time.
33:46I know you know.
33:48I know.
33:50I know you are so good.
33:52Thanks a lot.
33:54I know you are here.
33:55We have a great day.
33:58I know you are the most famous famous group.
34:00I am the most famous famous group.
34:05You are the person and the official life names.
34:09Thank you. Thank you for coming.
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