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00:00:00The
00:00:16great artisans say, the more the teapot is used, the more beautiful it becomes.
00:00:25The pot is seasoned by repeatedly pouring tea over the surface.
00:00:32The deposit left on the clay creates this beautiful patina over time.
00:00:38Some pots, the clay has been burnished by tea made over 400 years ago.
00:00:55This museum will be closing in ten minutes.
00:00:58400 years old. You're letting you use it to make yourself a brew.
00:01:02Some things aren't supposed to sit behind glass.
00:01:05They're made to be touched, to be handled.
00:01:09These pots need attention. The clay is cracking.
00:01:16Well I can't see how a tiny splash of tea is going to help.
00:01:19Sometimes you have to look hard at something to see its value.
00:01:24See? This one shines a little brighter.
00:01:31I don't suppose, I mean, I don't suppose that you want to have a drink.
00:01:37Not tea, obviously. In a pub with me tonight.
00:01:43I'm...
00:01:45You wouldn't like me all that much.
00:01:49Couldn't I maybe decide that for myself?
00:01:55I can't.
00:01:57I'm sorry.
00:02:00Please stop asking.
00:02:27Is that security?
00:02:30I'm sorry.
00:02:34Did you sleep?
00:02:48Yes.
00:02:50I don't know.
00:03:20I don't know.
00:03:50I don't know.
00:04:19I don't know.
00:04:20I don't know.
00:04:21I don't know.
00:04:25I don't know.
00:04:26I don't know.
00:04:27I don't know.
00:04:28I don't know.
00:04:29I don't know.
00:04:30I don't know.
00:04:31I don't know.
00:04:32I don't know.
00:04:33I don't know.
00:04:34I don't know.
00:04:35I don't know.
00:04:36I don't know.
00:04:37I don't know.
00:04:38I don't know.
00:04:39I don't know.
00:04:40I don't know.
00:04:41I don't know.
00:04:42I don't know.
00:04:43I don't know.
00:04:44I don't know.
00:04:45I don't know.
00:04:46I don't know.
00:04:47I don't know.
00:04:48I don't know.
00:04:49I don't know.
00:04:50I don't know.
00:04:51I don't know.
00:04:52I don't know.
00:04:53It's me.
00:04:54You took your time.
00:04:57Yeah.
00:04:58I didn't get the shopping.
00:05:00What?
00:05:01Why not?
00:05:02Because I had a row in the shop with a chip and pin machine.
00:05:06You had a row with a machine?
00:05:07Sort of.
00:05:08It sat there and I shouted abuse.
00:05:09Have you got cash?
00:05:10Take my car
00:05:15You could always go yourself, you know, you've been sitting there all morning. You're not even moved since I left
00:05:21What happened about that case you were offered the Jarrier diamond not interested I
00:05:29Sent them a message
00:05:40Don't worry about me I can manage
00:05:55Is that my computer of course what mine was in the bedroom what you couldn't be bothered to get up
00:06:03It's password protected in manner of speaking to me less than a minute to guess yours not exactly Fort Knox right. Thank you
00:06:10Oh
00:06:24Need to get a job mm-hmm doll
00:06:30Listen um
00:06:34If you'd be able to lend me some
00:06:36Um
00:06:39Sherlock you listening I need to go to the bank
00:07:07It's when you said we were going to the bank
00:07:09Hey and in the room
00:07:10Could you look forward to the bank so help me get up my sincerer
00:07:13Its when you're making business
00:07:16sure it's when you're having
00:07:17here
00:07:18could he find you
00:07:19he could be
00:07:25here
00:07:26you
00:07:27that my
00:07:28Clifford
00:07:28generous
00:07:29right
00:07:29its
00:07:30Nos
00:07:31on
00:07:32US
00:07:32Sherlock nicer
00:07:34Sherlock Holmes.
00:07:35Sebastian.
00:07:36Hi, buddy.
00:07:37How long's it been?
00:07:37Eight years since I lost clap ties on you?
00:07:39This is my friend, John Watson.
00:07:42Friend?
00:07:42Colleague.
00:07:45Right.
00:07:47Grab a pew.
00:07:49Do you need anything?
00:07:50Coffee?
00:07:50Water?
00:07:51No.
00:07:51We're all sorted here, thanks.
00:07:56So, you're doing well.
00:07:57You've been abroad a lot.
00:07:58Well, some.
00:08:00Flying all the way around the world twice in a month.
00:08:04Right.
00:08:05You're doing that thing.
00:08:07We were at uni together.
00:08:08This guy here had a trick he used to do.
00:08:10It's not a trick.
00:08:12He could look at you and tell you your whole life story.
00:08:14Yes, I've seen him do it.
00:08:16Put the wind up everybody.
00:08:17We hated him.
00:08:18He'd come down to breakfast in the formal hall
00:08:19and this freak would know you'd been shagging the previous night.
00:08:21I simply observed.
00:08:23Go on, enlighten me.
00:08:24Two trips a month, flying all the way around the world.
00:08:27You're quite right.
00:08:28How could you tell?
00:08:29You're going to tell me there was a stain on my tie
00:08:31from some special kind of ketchup you can only buy a man.
00:08:34No, I...
00:08:35Maybe it was the mud on my shoes.
00:08:37I was just chatting with your secretary outside.
00:08:41She told me.
00:08:48I'm glad you could make it over.
00:08:49We've had a break-in.
00:08:51Sir William's office.
00:08:52Bank's former chairman.
00:08:54The room's been left here like a sort of memorial.
00:08:56Someone broke in late last night.
00:08:59What are they still?
00:09:00Nothing.
00:09:01I just left a little message.
00:09:0460 seconds apart.
00:09:0860 seconds apart
00:09:22so someone came up here in the middle of the night
00:09:31splashed paint around and left within a minute
00:09:34how many ways into that office
00:09:36well that's where this gets really interesting
00:09:38every door that opens in this bank it gets locked right here
00:09:42every walk-in cupboard every toilet that door didn't open last night
00:09:46there's a hole in our security find it and we'll pay you
00:09:50five figures this is an advance tell me how you got in
00:09:55there's a bigger one on its way i don't need an incentive
00:09:58sebastian
00:09:59he's uh he's kidding you obviously shall i look after that for him
00:10:07i don't know
00:10:09i don't know
00:10:11i don't know
00:10:13i don't know
00:10:15i don't know
00:10:17i don't know
00:10:20i don't know
00:10:21i don't know
00:10:22you're going to know
00:10:23if you're going to be able to find it
00:10:25in your house
00:10:26oh yeah
00:10:26i don't know
00:10:28hallo
00:10:28i don't know
00:10:30i don't know
00:10:31i don't know
00:10:32what's that
00:10:33i don't know
00:10:34I don't know.
00:11:04I don't know.
00:11:34I don't know.
00:12:04How did you know?
00:12:05Did you see his watch?
00:12:07His watch?
00:12:07Time is right, but the date was wrong.
00:12:09Said two days ago.
00:12:11Crossed the dateline twice, but he didn't alter it.
00:12:13Within a month?
00:12:14How'd you get that part?
00:12:15New Brightling.
00:12:16It'll come out this February.
00:12:17Okay.
00:12:19So do you think we should sniff around here for a bit longer?
00:12:21I've got everything I need to know already, thanks.
00:12:23That graffiti was a message.
00:12:26Someone at the bank working on the trading floors.
00:12:28We find the intended recipient and...
00:12:31They'll lead us to the person who sent it?
00:12:32Obvious.
00:12:33Well, there's 300 people up there.
00:12:35Who was it meant for?
00:12:36Pillars.
00:12:37What?
00:12:37Pillars in the screens.
00:12:39Very few places you can see that graffiti from that narrows the field considerably.
00:12:43And of course, the message was left at 11.34 last night.
00:12:46That tells us a lot.
00:12:47Does it?
00:12:47Traders come to work at all hours.
00:12:49Some trade with Hong Kong in the middle of the night.
00:12:51That message was intended for somebody who came in at midnight.
00:12:53Not many van coons in the phone book.
00:12:58Taxi!
00:13:19So what do we do now?
00:13:20Sit here and wait for them to come back?
00:13:23Just moved in.
00:13:24What?
00:13:24Floor above new label.
00:13:26Could have just replaced it.
00:13:30No one ever does that.
00:13:32Hello?
00:13:33Hi.
00:13:34Um, I live in the flat just below you.
00:13:36I don't think we've met.
00:13:38No, well, I've just moved in.
00:13:41Actually, I've just locked my keys in my flat.
00:13:45You want me to buzz you in?
00:13:46Yeah.
00:13:47And can I use your balcony?
00:13:49What?
00:13:51Okay.
00:13:52I don't know.
00:13:52I don't know.
00:13:52I don't know.
00:13:53I don't know.
00:13:53I don't know.
00:13:53I don't know.
00:13:54I don't know.
00:13:54I don't know.
00:13:55I don't know.
00:13:55I don't know.
00:13:55I don't know.
00:13:55I don't know.
00:13:56I don't know.
00:13:56I don't know.
00:13:57I don't know.
00:13:57I don't know.
00:13:57I don't know.
00:13:58I don't know.
00:13:58I don't know.
00:13:58I don't know.
00:13:59I don't know.
00:13:59I don't know.
00:13:59I don't know.
00:14:00I don't know.
00:14:00I don't know.
00:14:01I don't know.
00:14:01I don't know.
00:14:02I don't know.
00:14:02I don't know.
00:14:03I don't know.
00:14:03I don't know.
00:14:04I'm going to go.
00:14:29Sherlock.
00:14:30Sherlock, are you OK?
00:14:33You okay?
00:14:40Yeah, anytime you feel like letting me in.
00:14:58Do you think he'd lost a lot of money?
00:14:59I mean, suicide is pretty common among city boys.
00:15:01We don't know that it was suicide.
00:15:03Come on.
00:15:04The door was locked from the inside.
00:15:05You had to climb down the balcony.
00:15:07Been away three days, judging by the laundry.
00:15:13Look at the case. There was something tightly packed inside it.
00:15:15Thanks, I'll take your word for it.
00:15:17Problem?
00:15:19Yeah, I'm not desperate to root around some bloke's dirty underwear.
00:15:22Those symbols at the bank, the graffiti, why were they put there?
00:15:25Some sort of code?
00:15:26Obviously.
00:15:27Why were they painted?
00:15:28If you want to communicate, why not use email?
00:15:30Well, maybe you won't answer him.
00:15:31Oh, good you follow.
00:15:33Nope.
00:15:34What kind of a message would everyone try to avoid?
00:15:39What about this morning?
00:15:40Those letters you were looking at?
00:15:42Bills.
00:15:46Yes.
00:15:47He was being threatened.
00:15:48Not by the gas board.
00:15:49Ah, Sergeant. We haven't met.
00:15:51Yeah, I know who you are. And I'd prefer it if you didn't tamper with any of the evidence.
00:16:01I phoned Estrada.
00:16:02I phoned Estrada. Is he on his way?
00:16:06He's busy. I'm in charge. And it's not Sergeant. It's Detective Inspector. Dimock.
00:16:12We're obviously looking at a suicide.
00:16:17That does seem the only explanation of all the facts.
00:16:20Wrong.
00:16:21It's one possible explanation of some of the facts.
00:16:23You've got a solution that you like, but you're choosing to ignore anything you see that doesn't comply with it.
00:16:27Like?
00:16:28The wound's on the right side of his head.
00:16:29And?
00:16:30Van Coon was left-handed.
00:16:31It requires quite a bit of contortion.
00:16:33Left-handed?
00:16:34I'm amazed you didn't notice. All you have to do is look around this flat.
00:16:37Coffee table on the left-hand side. Coffee mug handle pointing to the left.
00:16:40Power sockets. Habitually use the ones on the left.
00:16:42Pen and paper on the left-hand side of the phone because he picked it up with his right and took down messages with his left.
00:16:46Do you want me to go on?
00:16:47No, I think you've covered it.
00:16:48I might as well. I'm almost at the bottom of the list.
00:16:49There's a knife on the breadboard with butter on the right side of the blade.
00:16:52Because he used it with his left, it's highly unlikely that a left-handed man would shoot himself in the right side of his head.
00:16:56Conclusion, someone broke in here and murdered him. Only explanation of all of the facts.
00:17:00But the gun, what?
00:17:01He was waiting for the killer. He'd been threatened.
00:17:04What?
00:17:05Today at the bank. Sort of a warning.
00:17:08He fired a shot when his attacker came in.
00:17:10And the bullet?
00:17:11Went through the open window.
00:17:13Oh, come on.
00:17:14What are the chances of that?
00:17:17Wait until you get the ballistics report.
00:17:19The bullet in his brain wasn't fired from his gun, I guarantee it.
00:17:22But if his door was locked from the inside, how did the killer get in?
00:17:26Good.
00:17:27You're finally asking the right questions.
00:17:35He's left trying to sort of cut his hair with a fork.
00:17:38Which, of course, could never be done.
00:17:40It was a threat. That's what the grafisi meant.
00:17:43I'm kind of at a meeting. Can you make an appointment with my secretary?
00:17:46I don't think this can wait. Sorry, Sebastian.
00:17:49One of your traders, someone who works in your office, was killed.
00:17:53What?
00:17:54Van Coon. The police are at his flat.
00:17:56Killed?
00:17:57Sorry to interfere with everyone's digestion.
00:17:59Still want to make an appointment with maybe nine o'clock at Scotland Yard suit?
00:18:03Arrow, Oxford. Very bright guy.
00:18:13Worked in Asia for a while, sir.
00:18:15You gave him the Hong Kong accounts?
00:18:18Lost five million a single morning. Made it all back a week later.
00:18:23Nervous of steel, lady, huh?
00:18:25You wouldn't want to kill him?
00:18:26We all make enemies.
00:18:27You don't all end up with a bullet through your temple.
00:18:29Not usually. Excuse me.
00:18:35It's my chairman.
00:18:37Police have been up to him.
00:18:39Apparently they're telling him it was a suicide.
00:18:41Well, they've got it wrong, Sebastian. He was murdered.
00:18:44Well, I'm afraid they don't see it like that.
00:18:47Sir?
00:18:48And neither does my boss.
00:18:49I hired you to do a job. Don't get sidetracked.
00:18:55I thought bankers were all supposed to be heartless bastards.
00:19:11I know.
00:19:12I know.
00:19:13I know.
00:19:14Right on.
00:19:15So you can find the back seat.
00:19:16I know him you're talking about.
00:19:18You can find the back seat down to him.
00:19:20This is the back seat.
00:19:21Oh, yeah.
00:19:22We'll go.
00:19:23Come on, ma'am.
00:19:24I know him.
00:19:25I know he does.
00:19:26I know he may be a littlehole.
00:19:27He's been here.
00:19:28I can't see him.
00:19:29I know you've been here.
00:19:30He's been here.
00:19:31I know you were going.
00:19:32I can't see him.
00:19:33Are you ever going?
00:19:34I need you to get over to Crispian's.
00:19:49Two Ming vases up for auction.
00:19:52Cheng Hua.
00:19:53Will you appraise them?
00:19:54Uh, Su Lin should go.
00:19:56She's the expert.
00:19:57Su Lin has resigned her job.
00:19:59I need you.
00:20:04I need you.
00:20:34I need you.
00:20:54Just locum work.
00:20:55No, that's fine.
00:20:58You're, um, well, you're a bit overqualified.
00:21:00Uh, I could always do with the money.
00:21:05Well, we've got two away on holiday this week, and one's just left to have a baby.
00:21:11Might be a bit mundane for you.
00:21:14Uh, no, mundane is good sometimes.
00:21:17Mundane works.
00:21:19It says here you're a soldier.
00:21:22And a doctor.
00:21:25Anything else you can do?
00:21:28Uh, learn the clarinet at school.
00:21:30Oh.
00:21:31Well, I look forward to it.
00:21:33I said, could you pass me a pen?
00:21:45What, when?
00:21:46About an hour ago.
00:21:49Didn't notice I'd gone out then.
00:21:53I went to see if I had a job at that surgery.
00:21:55How was it?
00:21:56Great.
00:21:57She's great.
00:21:58Who?
00:22:00The job.
00:22:01She?
00:22:04It.
00:22:07Yeah, have a look.
00:22:14The intruder who can walk through walls?
00:22:16Happened last night.
00:22:18The journalist shot dead in his flat.
00:22:20Doors locked, windows belted from the inside.
00:22:21Exactly the same as Van Coon.
00:22:25God.
00:22:25You think?
00:22:26He's killed another one.
00:22:36Brian Lucas.
00:22:38Freelance journalist.
00:22:40Murdered in his flat.
00:22:42Doors locked for me inside.
00:22:44You've got to admit it's similar.
00:22:46Both men killed by someone who can walk through solid walls.
00:22:49Inspector, do you seriously believe that Eddie Van Coon was just another city suicide?
00:22:56You have seen the ballistics report, I suppose.
00:22:59And the shot that killed him, was it fired from his own gun?
00:23:02No.
00:23:02No.
00:23:03So, this investigation might move a bit quicker if you were to take my word as gospel.
00:23:09I've just handed you a murder inquiry.
00:23:13Five minutes in his flat.
00:23:14Four floors up.
00:23:45That's why they think they're safe.
00:23:48Put a chain across the door, bolt it shut, think they're impregnable.
00:23:53They don't reckon for one second that there's another way in.
00:23:57I don't understand.
00:23:58Dealing with a killer who can climb.
00:24:02What are you doing?
00:24:03Clings to the walls like an insect.
00:24:06That's how he got it.
00:24:07What?
00:24:09Climbed up the side of the walls, ran along the roof, dropped in through this skylight.
00:24:13You're not serious.
00:24:14Like Spider-Man.
00:24:16He scaled six floors of a Docklands apartment building, jumped the balcony to kill Van Coon.
00:24:20Oh, hold on.
00:24:21And of course, that's how he got into the bank.
00:24:22He ran along the window ledge and onto the terrace.
00:24:27I have to find out what connects these two men.
00:24:29Dates stamped on the book.
00:24:44Dates stamped on the book is the same day that he died.
00:25:00Sherlock.
00:25:22So, the killer goes to the bank, leaves a threatening cipher for Van Coon.
00:25:25Van Coon panics, returns to his apartment, locks himself in.
00:25:28Hours later, he dies.
00:25:30The killer finds Lucas at the library.
00:25:33He writes the cipher on the shelf where he knows it'll be seen.
00:25:37Lucas goes home.
00:25:38Later that night, he dies too.
00:25:43Why did they die, Sherlock?
00:25:45Only the cipher can tell us.
00:25:53The world's run on codes and ciphers, John.
00:25:55From the million-pound security system at the bank to the PIM machine you took exception to.
00:26:00Cryptography inhabits our every waking moment.
00:26:02Yes, okay, but...
00:26:03But it's all computer-generated.
00:26:05Electronic codes, electronic ciphering methods.
00:26:08This is different.
00:26:10It's an ancient device.
00:26:11Modern code-breaking methods won't unravel it.
00:26:14Where are we headed?
00:26:14I need to ask some advice.
00:26:16What?
00:26:17Sorry?
00:26:17You heard me perfectly.
00:26:20I'm not saying it again.
00:26:21You need advice?
00:26:23I'm painting, yes.
00:26:24I need to talk to an expert.
00:26:34Part of my new exhibition.
00:26:37Interesting.
00:26:37I call it urban bloodlust frenzy.
00:26:42Catchy.
00:26:44I've got two minutes before a community support officer comes round that corner.
00:26:49Can we do this while I'm working?
00:26:56Know the author?
00:26:58Recognise the paint.
00:27:00It's like Michigan.
00:27:01Hardcore propellant.
00:27:03Say zinc.
00:27:04What about the symbols?
00:27:05Do you recognise them?
00:27:06I'm not even sure it's the proper language.
00:27:10Two men have been murdered, Raz.
00:27:12Deciphering this is the key to finding out who killed them.
00:27:15What, this is all you've got to go on?
00:27:17It's hardly much now, is it?
00:27:18Are you going to help us or not?
00:27:21I'll ask around.
00:27:22Somebody must know something about it.
00:27:24Oi!
00:27:28What the hell do you think you're doing?
00:27:29This gallery is a listed public building.
00:27:31No, no, wait, wait.
00:27:32It's not me who painted that.
00:27:33I was just holding this for...
00:27:36A bit of an enthusiast, are we?
00:27:42Thank you very much, please.
00:27:43Thank you very much.
00:27:46She was right in the middle of an important piece of restoration.
00:27:49Why would she suddenly resign?
00:27:51Family problems.
00:27:52She said so in her letter.
00:27:53But she doesn't have a family.
00:27:54She came to this country on her own.
00:27:56Andy.
00:27:57Those teapots, those ceramics, they've become her obsession.
00:28:00She's been working on restoring them for weeks.
00:28:03I can't believe that she would just abandon them.
00:28:06Perhaps she was getting a bit of unwanted attention.
00:28:22You've been a while.
00:28:23Yeah, well, you know how it is.
00:28:28Custody sergeants don't really like to be hurried, do they?
00:28:31Just formalities.
00:28:33Fingerprints, charge sheet, and I've got to be in magistrate's court on Tuesday.
00:28:36What?
00:28:37Me, Sherlock, in court on Tuesday.
00:28:40They're giving me an ASBO.
00:28:41Good.
00:28:42Fine.
00:28:43You want to tell your little pal he's welcome to go and own up any time?
00:28:45It's simple.
00:28:46I still can't place it.
00:28:47No, I need you to go to the police station, ask about the journalist, his personal effects
00:28:52will have been impounded, get hold of his diary, or something that will tell us his movements.
00:28:57I'm going to see Van Koon's PA.
00:28:59If you retrace their steps, somewhere they'll coincide.
00:29:10Scotland Yon.
00:29:17Flew back from Dalian Friday.
00:29:24Looks like he had back-to-back meetings with the sales team.
00:29:27Can you print me up a copy?
00:29:29Sure.
00:29:29What about the day he died?
00:29:30Can you tell me where he was?
00:29:32Sorry.
00:29:32I've got a gap.
00:29:35I have all his receipts.
00:29:37Your friend.
00:29:38Listen, whatever you say, I'm burdened you 100%.
00:29:41He's an arrogant sod.
00:29:43Well, that was mild.
00:29:45People say a lot worse than that.
00:29:46This is what you wanted, isn't it?
00:29:50The journalist's diary?
00:29:57What kind of a boss was he, Amanda?
00:29:59Appreciated?
00:30:01No.
00:30:02That's not a word I'd use.
00:30:04The only things Eddie appreciated had a big price tag.
00:30:08Like that hand cream.
00:30:09He bought that for you, didn't he?
00:30:16Look at this one.
00:30:18I've got a taxi from home on the day he died.
00:30:2018 pounds 50.
00:30:21I would get him to the office.
00:30:23Not rush out.
00:30:24Check the time.
00:30:24Mid-morning.
00:30:2518, we get him as far as...
00:30:26The West End.
00:30:27I remember him saying.
00:30:30Underground.
00:30:31Printed at 1 in Piccadilly.
00:30:32So he got a tube back to the office.
00:30:35Why would he get a taxi into town and then the tube back?
00:30:38Because he was delivering something heavy.
00:30:40You know, like a package up the escalator.
00:30:42Delivering?
00:30:43To somewhere near Piccadilly Station.
00:30:45Dropped the package, delivered it, and then...
00:30:49...stopped on his way.
00:30:51He got peggish.
00:30:52So you've got your lunch from here on route to the station.
00:30:59But where were you headed from?
00:31:01Where did the taxi drop you?
00:31:04Right.
00:31:05Eddie Van Koon brought a package here the day he died.
00:31:07Whatever was hidden inside that case.
00:31:08I've managed to piece together a picture using scraps of information.
00:31:11Credit card bills, receipts.
00:31:13He threw back from China, then he came here.
00:31:14Sherlock.
00:31:15Somewhere in this street.
00:31:16Somewhere near.
00:31:16I don't know where, but...
00:31:17That shop over there.
00:31:20How could you tell?
00:31:21Lucas's diary.
00:31:22He was here too.
00:31:23He wrote down the address.
00:31:25Oh.
00:31:25Hello.
00:31:50Hello.
00:31:51you want lucky cat no thanks no 10 pound 10 pound i think your wife she will like
00:32:21sherlock the label there yes i see exactly the same as the sidebar
00:32:34it's an ancient number system hangzoo these days only street traders used it
00:32:40those were numbers written on the wall at the bank at the library numbers written in an ancient
00:32:45chinese dialect it's a 15. what we thought was the artist tag it's a number 15.
00:32:51and the blindfold the horizontal line that was a number as well chinese number one john we found it
00:33:02two men travel back from china both paid straight for the lucky cat emporium
00:33:10what did they see it's not what they saw it's what they both brought back in those suitcases
00:33:17and you don't mean duty-free thank you
00:33:27think about what sebastian told us about vancoone about how he stayed afloat in the market
00:33:32lost five million made it back in a week that's how he made such easy money he was a smuggler
00:33:38i think he would have been perfect businessmen making frequent trips to asia lucas was the same
00:33:46a journalist writing about china both of them smuggled stuff out their lucky cat was their drop off
00:33:54why did they die well it doesn't make sense if they both turned up at the shop deliver the goods
00:33:59why would someone threaten them and kill them after the event after they'd finished the job
00:34:08what if one of them was like fingered how do you mean stole something something from the horde
00:34:13and the killer doesn't know which of them took it so he threatens them both right
00:34:17remind me when was the last time that it rained
00:34:33it's been here since monday
00:34:47no one's been in that flat for at least three days
00:34:50they've gone on holiday
00:34:53do you leave your windows open when you go on holiday
00:35:05sherlock
00:35:05someone else has been here somebody else broke into the flat and knocked over the vase just like i did
00:35:20you think maybe you can let me in this time
00:35:39can you not keep doing this please
00:35:40i'm not the first
00:35:51what somebody's been in here before me
00:35:55what are you saying
00:35:59size eight feet
00:36:02small but athletic
00:36:05i'm wasting my breath
00:36:13small strong hands
00:36:18our acrobat
00:36:21why didn't he close the window when he left
00:36:22oh stupid stupid obvious he's still here
00:36:40out
00:36:53any time you want to include me
00:36:55No, I'm Sherlock Holmes, and I always work alone
00:37:00because no one else can compete with my massive intellect.
00:37:25Oh, no.
00:37:26Oh.
00:37:27Oh.
00:37:28Oh.
00:37:29Oh.
00:37:33Oh.
00:37:34Oh.
00:37:35Oh.
00:37:36Oh.
00:37:37Oh.
00:37:38Oh.
00:37:39Oh.
00:37:40Oh.
00:37:41Oh.
00:37:42Oh.
00:37:43Oh.
00:37:44Oh.
00:37:45Oh.
00:37:46Oh.
00:37:47Oh.
00:37:48Oh.
00:37:49The milk's gone from the washing started to smell.
00:37:51Somebody left here now, three days ago.
00:37:53Somebody?
00:37:54Sue Ligneault.
00:37:55We have to find her.
00:37:57Yeah, how exactly?
00:38:03We could start with this.
00:38:05You've gone all croaky.
00:38:07Are you getting a cold?
00:38:08Fine.
00:38:11When was the last time that you saw her?
00:38:13Three days ago.
00:38:15I'm here at the museum.
00:38:17This morning, they told me she'd resigned, just like that.
00:38:20Just left her work unfinished.
00:38:23What was the last thing that she did on her final afternoon?
00:38:31She does this demonstration for the tourists.
00:38:34A tea ceremony.
00:38:36So she would have packed up her things and just put them in here.
00:38:41I have to get to Sue Ligneault.
00:38:42Is she still alive?
00:38:43Sherlock!
00:38:44Ah, look who it is.
00:38:45Find something you'll like.
00:38:47I have to get to Sue Ligneault.
00:38:49Is she still alive?
00:38:50Sherlock!
00:38:51Ah, look who it is.
00:38:52Find something you'll like.
00:38:53Tuesday morning.
00:38:54All you've got to do is turn up and say the bag was yours.
00:38:56Forget about your court date.
00:38:57I have to get to Sue Ligneault.
00:38:58I have to get to Sue Ligneault.
00:38:59I have to get to Sue Ligneault.
00:39:00Is she still alive?
00:39:01Sherlock!
00:39:02I have to get to Sue Ligneault.
00:39:03I have to get to Sue Ligneault.
00:39:04I have to get to Sue Ligneault.
00:39:05If you want to hide a tree, then a forest is the best place to do.
00:39:06Find something you'll like.
00:39:15Tuesday morning, all you gotta do is turn up and say the bag was yours.
00:39:18Forget about your court date.
00:39:25Dude, that was rad!
00:39:29If you wanna hide a tree, then a forest is the best place to do it, wouldn't you say?
00:39:33People would just walk straight past, not knowing, unable to decipher the message.
00:39:40There. I spotted it earlier.
00:39:44And that's the exact same paint?
00:39:46Yeah.
00:39:47John, if we're gonna decipher this code, we're gonna need to look for more evidence.
00:40:03.
00:40:04.
00:40:12.
00:40:14.
00:40:17.
00:40:26I don't know.
00:40:53Answer your phone. I've been calling you.
00:40:56I found it.
00:41:12It's been painted over.
00:41:17I don't understand. It was here.
00:41:22Ten minutes ago, I saw it. A whole load of graffiti.
00:41:26Somebody doesn't want me to see it.
00:41:30John, concentrate. I need you to concentrate. Close your eyes.
00:41:34What? Why? Why? What are you doing?
00:41:37I need you to maximize your visual memory. Try to picture what you saw.
00:41:41Can you picture it?
00:41:42Yeah.
00:41:43Can you remember it?
00:41:44Yes, definitely.
00:41:45Can you remember the pattern?
00:41:46Yes.
00:41:47How much can you remember it?
00:41:48Well, don't worry.
00:41:49Because the average human memory on visual matters is only 62% accurate.
00:41:52Yeah, well, don't worry. I remember all of it.
00:41:54Really?
00:41:55At least I would if I could get to my pockets.
00:41:57I took a photograph.
00:41:59I'm not sure.
00:42:00I don't know.
00:42:01I've got to see it.
00:42:02I know.
00:42:03I don't know.
00:42:04I'm sorry.
00:42:05I'm sorry.
00:42:06I'm sorry.
00:42:07I'm sorry.
00:42:08I'm sorry.
00:42:09I'm sorry.
00:42:10I'm sorry.
00:42:11I'm sorry.
00:42:12I was sorry.
00:42:13Oh, he's in pairs, John.
00:42:23Numbers
00:42:24come with partners.
00:42:27God, I need to sleep.
00:42:28Why did he paint it so near the tracks?
00:42:30No idea.
00:42:31Thousands of people pass by there every day.
00:42:33Just 20 minutes.
00:42:36Of course.
00:42:38Of course he wants information.
00:42:40He's trying to communicate with his people in the underworld.
00:42:41Whatever was stolen, he wants it back.
00:42:45It's somewhere here, in a code.
00:42:49We can't crack this without Su Lin Yao.
00:42:52Oh, good.
00:42:54Two men who traveled back from China were murdered,
00:42:56and their killer left the messages in Hangzhou numerals.
00:42:59Su Lin Yao's in danger.
00:43:02Now, that cipher, it was just the same pattern as the others.
00:43:04He means to kill her as well.
00:43:06Look, I've tried everywhere.
00:43:08Friends, colleagues, I don't know where she's gone.
00:43:11I mean, she could be a thousand miles away.
00:43:14I'm looking at them.
00:43:15Tell me more about those teapots.
00:43:18The pots were her obsession.
00:43:21They need urgent work.
00:43:22If they dry out, then the clay can start to crumble.
00:43:25Apparently, you have to just keep making tea in them.
00:43:28Yesterday, only one of those pots was shining.
00:43:32Now there are two.
00:43:33You know what?
00:43:35You know what?
00:43:35I don't care where you're going.
00:43:36I don't care where you're at.
00:43:37I don't care where you're cleaning.
00:43:38In a way, a lot ofysis can go.
00:43:39You know what?
00:43:40I don't care where you're at.
00:43:40I twist these Ä° Vader to start to finish with me.
00:43:41I don't care where you are.
00:43:42I look around.
00:43:42You know, he entirely has Motherless.
00:43:43I hope you're atesinدي near me
00:43:44It's okay.
00:43:45You know what I'll do.
00:43:45You know, Peter.
00:43:46I look around and see what I will have to do.
00:43:46You see what I'm looking for.
00:43:47Give me a game.
00:43:49You know, it's not a fire to you.
00:43:50I don't know.
00:44:20Fancy a biscuit with a...
00:44:27It's centuries old.
00:44:30Don't want to break that.
00:44:38Hello.
00:44:40You saw the cipher.
00:44:43And you know he is coming for me.
00:44:46You've been clever to avoid him so far.
00:44:48I had to finish.
00:44:52To finish this work.
00:44:55It's only a matter of time.
00:44:58I know he will find me.
00:45:00Who is he? Have you met him before?
00:45:02When I was a girl.
00:45:07With him back in China.
00:45:10I recognised his...
00:45:12signature.
00:45:14The cipher.
00:45:16Only he would do this.
00:45:20Jiju.
00:45:20Jiju.
00:45:23The spider.
00:45:29You know this mark?
00:45:31Yes.
00:45:33It's the mark of a tong.
00:45:35Hmm?
00:45:35Ancient crime syndicate.
00:45:37Based in China.
00:45:38Every foot soldier bears the mark.
00:45:45Everyone who hauls for them.
00:45:48Huls?
00:45:52You mean you were a smuggler?
00:45:53I was 15.
00:46:01My parents were dead.
00:46:04I had no livelihood.
00:46:07No way of surviving.
00:46:09Day to day.
00:46:11Except to work for the bosses.
00:46:13Who are they?
00:46:14They are called
00:46:16The Black Lotus.
00:46:22By the time I was 16
00:46:24I was taking
00:46:26thousands of pounds worth of drugs
00:46:29across the border into Hong Kong.
00:46:35But I managed to leave that life behind me.
00:46:40I came to England.
00:46:41They gave me a job
00:46:45here.
00:46:49Everything was good.
00:46:52New life.
00:46:53They came looking for me.
00:46:56Yes.
00:47:00I had hoped
00:47:00after five years
00:47:02maybe they would have forgotten me.
00:47:07But they never really let you leave.
00:47:11In a small community like ours
00:47:13and they're never very far away.
00:47:23He came to my flat.
00:47:26He asked me to help him
00:47:27to track down something that was stolen.
00:47:30You have no idea what it was?
00:47:32I refused to help.
00:47:35So you knew him well
00:47:37when you were living back in China?
00:47:38Oh yes.
00:47:45He's my brother.
00:48:00Two orphans.
00:48:01We had no choice.
00:48:08We could work
00:48:09for the Black Lotus
00:48:10or starve on the streets
00:48:12like beggars.
00:48:18My brother has become
00:48:20their puppet
00:48:20in the power of the one
00:48:23they call
00:48:24Sham.
00:48:26Black Lotus General.
00:48:27And I turned my brother away.
00:48:36He said
00:48:37I had betrayed him.
00:48:41Next day
00:48:41I came to work
00:48:42and the cipher was waiting.
00:48:52Can you decipher these?
00:48:53These are numbers.
00:48:57Yes, I know.
00:48:59Here.
00:49:00The line across the man's eyes.
00:49:02It's the Chinese number one.
00:49:03And this one is 15.
00:49:05But what's the code?
00:49:08Well, the smugglers know it.
00:49:10It's based upon a book.
00:49:17He's here.
00:49:19Ji-Ju.
00:49:21He has found me.
00:49:22No, no, no.
00:49:25Shut up.
00:49:25Shut up.
00:49:26Wait!
00:49:27Come here.
00:49:28Get in.
00:49:29Get in.
00:49:29Get in.
00:49:45I have to go to hell
00:49:46with my vault door
00:49:47after me.
00:49:47I have to go to hell
00:49:48with my vault door after me.
00:49:50I have to go to hell
00:49:50with my vault door after me.
00:49:51Careful!
00:49:55Careful!
00:50:20Some of those scouts are over 200,000 years old.
00:50:24I have a bit of respect.
00:51:28Han.
00:51:32Daegu.
00:51:37Jingli.
00:51:46Oh, my God.
00:51:5025 seconds.
00:51:56Very good.
00:51:58Oh, my God.
00:52:03enseñled Go.
00:52:07Jesus...
00:52:10Oh.
00:52:12How many murders is it going to take before you start believing that this maniac's out there?
00:52:26A young girl was gunned down tonight. That's three victims. In three days, you're supposed to be
00:52:32finding him. Brian Lucas and Eddie Van Coon were working for a gang of international smugglers,
00:52:36a gang called the Black Lotus, operating here in London, right under your nose.
00:52:41Can you prove that?
00:52:51What are you thinking? Pork or the pasta?
00:52:53Oh, it's you.
00:52:55It's a pleasure. It's never going to trouble Egon Roney, is it?
00:52:58I'd stick with the pasta. Don't be doing roast pork, not if you're slicing up cadavers.
00:53:05What are you having?
00:53:07Don't eat when I'm working. Digesting slows me down.
00:53:09So you're working here tonight?
00:53:11You need to examine some bodies.
00:53:13Some?
00:53:14Eddie Van Coon and Brian Lucas.
00:53:16They're on my list.
00:53:19Could you reel them out again for me?
00:53:22Well, the paperwork's already gone through.
00:53:30Changed your hair.
00:53:31What?
00:53:33It's the style. It usually parted in the middle.
00:53:35Yes, well...
00:53:36Well, it's good. It suits you better this way.
00:53:51We're just interested in the feet.
00:53:53The feet?
00:53:54Yes.
00:53:55Do you mind if we have a look at them?
00:53:56Now, Van Coon?
00:54:06What do you mind?
00:54:13Oh.
00:54:15So...
00:54:16So either these two men just happen to visit the same Chinese tattoo pile, or I'm telling
00:54:19the truth.
00:54:21What do you want?
00:54:22I want every book from Lucas's apartment and Van Coon's.
00:54:25They're books.
00:54:30It's not just a criminal organization.
00:54:33It's a cult.
00:54:34A brother was corrupted by one of its leaders.
00:54:39Suleen said the name.
00:54:40Yes, Sian.
00:54:42General Sian.
00:54:43We're still no closer to finding him.
00:54:44Wrong.
00:54:45We've got almost all we need to know.
00:54:48She gave us most of the missing pieces.
00:54:51Why did he need to visit his sister?
00:54:53Why did he need her expertise?
00:54:54She worked at the museum.
00:54:55Exactly.
00:54:55An expert in antiquities.
00:54:58Hmm.
00:54:59Of course, I see.
00:55:00Valuable antiquities, John.
00:55:01Ancient Chinese relics purchased on the black market.
00:55:04China's home to a thousand treasures hidden after Mao's revolution.
00:55:07The Black Motors is selling them.
00:55:14Check for the dates.
00:55:15Here, John.
00:55:17Arrived from China four days ago.
00:55:20Anonymous.
00:55:22Venter doesn't give his name.
00:55:24Two undiscovered treasures from the East.
00:55:26One in Lucas's suitcase and one in Van Coon's.
00:55:31Antiquities.
00:55:31Sold at auction.
00:55:36Look, here's another one.
00:55:38Arrived from China a month ago.
00:55:39Chinese ceramic statue sold 400,000.
00:55:43Uh, look.
00:55:44A month before that, Chinese painting, half a million.
00:55:47All of them from an anonymous source.
00:55:49They're stealing them back in China one by one.
00:55:51They're feeding them into Britain.
00:55:52Huh.
00:55:52Well, every single auction coincides with Lucas or Van Coon travelling to China.
00:56:01So what if one of them got greedy when they were in China?
00:56:03What if one of them stole something?
00:56:04That's why Zizu's come.
00:56:06Oh, sorry.
00:56:08Are we collecting for charity, Sherlock?
00:56:10What?
00:56:10A young man's outside with crates of books.
00:56:19So the numbers are references?
00:56:21To books.
00:56:23To specific pages and specific words on those pages.
00:56:27Right.
00:56:27So 15 and 1, that means?
00:56:30Turn to page 15 and it's the first word you read.
00:56:32Okay.
00:56:33So what's the message?
00:56:34Depends on the book.
00:56:35That's the coming of book code.
00:56:38Has to be one that they both own.
00:56:43Okay, fine.
00:56:44Well, this shouldn't take too long, shall we?
00:57:00We found these at the museum.
00:57:03Is this your writing?
00:57:04Uh, we hoped that Sue Lidd could decipher it for us.
00:57:08Tough.
00:57:11Anything else I can do?
00:57:13To assist you, you know what I mean?
00:57:15Some silence right now would be marvellous.
00:57:32Cigarette.
00:57:33Imagine.
00:57:54Imagine.
00:58:17Oh.
00:58:24I'm sorry to keep you waiting, but we haven't got anything now until next Thursday.
00:58:29What?
00:58:30This is taking ages.
00:58:32Uh, sorry.
00:58:34What's the point of the point of the time you stay tuned?
00:58:37Um, what's going on?
00:58:39That new doctor you hired.
00:58:42He hasn't buzzed the intercom for ages.
00:58:44Let me go and have a word.
00:58:46Yeah.
00:58:46Excuse me.
00:58:47Thanks.
00:58:48Sorry.
00:58:49John?
00:58:54John?
00:58:56Do you hear what you're saying?
00:58:57No.
00:59:06Uh, looks like I'm done.
00:59:09I thought I had some more to see.
00:59:11Oh, I did one or two of yours.
00:59:13One or two?
00:59:14Well, maybe five or six.
00:59:17I'm sorry.
00:59:18That's not very professional.
00:59:19No.
00:59:20No, not really.
00:59:22I had a bit of a late one.
00:59:25Oh.
00:59:26Right.
00:59:29Anyway, see you.
00:59:31So, um, what were you doing to keep you up so late?
00:59:35I was attending a sort of book event.
00:59:39Oh.
00:59:40Oh, she likes books.
00:59:41Is she your girlfriend?
00:59:43No, it wasn't a date.
00:59:45Good.
00:59:46And I don't have one tonight.
00:59:51A book that everybody would earn.
01:00:03Fifteen.
01:00:04Entry one.
01:00:05I need to get some air.
01:00:20We're going out tonight.
01:00:21Actually, I've, uh, got a date.
01:00:23What?
01:00:24To where two people who like each other go out and have fun.
01:00:26That's what I was suggesting.
01:00:27No, it wasn't.
01:00:28At least I hope not.
01:00:29Are you taking her?
01:00:30Uh, cinema.
01:00:31Dull.
01:00:32Boring.
01:00:33Predictable.
01:00:34Why don't you try this?
01:00:35In London for one night only.
01:00:38Thanks, but I don't come to you with dating advice.
01:00:41It's years since anyone took me to the circus.
01:00:43Right, yes.
01:00:44Well, it's, uh, a friend recommended it to me.
01:00:45We phoned up.
01:00:46Oh, what are they?
01:00:47Two in company or something?
01:00:48I don't know much about it.
01:00:49Oh.
01:00:50Well, I think they're probably from China.
01:00:51Yes, I think so, yes.
01:00:52It was a coincidence.
01:00:53That's wonderful.
01:00:54Thank you very much.
01:00:55Hi.
01:00:56I have, uh, two tickets reserved for tonight.
01:00:57And what's the name?
01:00:58Uh, Holmes.
01:00:59Actually, I have three in that name.
01:01:00No, I don't think so.
01:01:01We only booked two.
01:01:02And then I phoned back and got one for myself as well.
01:01:04I'm Sherlock.
01:01:05Uh.
01:01:06Uh.
01:01:07Uh.
01:01:08Uh.
01:01:09Uh.
01:01:10Uh.
01:01:11Uh.
01:01:12Uh.
01:01:13Uh.
01:01:14Uh.
01:01:16Uh.
01:01:17Uh.
01:01:18Uh.
01:01:19Uh.
01:01:20Uh.
01:01:21Uh.
01:01:22Uh.
01:01:23Uh.
01:01:24Uh.
01:01:25Uh.
01:01:26Uh.
01:01:27Uh.
01:01:28Uh.
01:01:29Uh.
01:01:30Hi.
01:01:31Hello.
01:01:35You couldn't let me have just one night off?
01:01:38Hello, Dragon Circus.
01:01:39In London for one day, it fits.
01:01:41The Tongs sent an assassin to England.
01:01:43Dressed as a tightrope walker.
01:01:44Come on, Sherlock, behave.
01:01:45You're looking for a killer who can climb, who could shill up a rope.
01:01:47Where else would you find that level of dexterity?
01:01:50Exit fees are scarce in China.
01:01:52They need a pretty good reason to get out of that country now.
01:01:54All I need to do is have a quick look around the place.
01:01:56Fine.
01:01:57You do that.
01:01:58I need your help.
01:01:59I do have a couple of other things on my mind this evening.
01:02:01Like what?
01:02:02You are kidding.
01:02:04What's so important?
01:02:06Sherlock, I'm right in the middle of a date.
01:02:07You want me to chase some killer while I'm trying to...
01:02:10What?
01:02:11While I'm trying to get off with Sarah.
01:02:14Hey.
01:02:15Ready?
01:02:16Yeah.
01:02:17You said circus.
01:02:18This is not a circus.
01:02:19Look at the size of this crowd.
01:02:20Sherlock, this is art.
01:02:21This is not their day job.
01:02:22Sorry, I forgot.
01:02:23They're not a circus.
01:02:24They're a gang of international smugglers.
01:02:25They're a gang of international smugglers.
01:02:26They're a gang of international smugglers.
01:02:27They're a gang of international smugglers.
01:02:31They're a gang of international smugglers.
01:02:32They're a gang of international smugglers.
01:02:36This is not their day job.
01:02:37No, sorry, I forgot.
01:02:38They're not a circus.
01:02:39They're a gang of international smugglers.
01:03:06Who knows?
01:03:07It's not your day job.
01:03:08Who knows?
01:03:09I've got to go!
01:03:13That's my toy.
01:03:15You'll be awesome.
01:03:23Stefan, I can stay on my knees and swim.
01:03:29Is a pig on whatever you want?
01:03:34Oh, my God.
01:04:04A classic Chinese-esque apology act.
01:04:18Crossbows on a delicate string.
01:04:20The warrior has to escape his bonds before it fires.
01:04:34Oh, my God, bless her.
01:04:46She splits the sandbag.
01:04:59Like the sand pours out, gradually the weight lowers into the bowl.
01:05:03Oh, my God.
01:05:33Oh, my God.
01:05:43Oh, my God.
01:06:03Ladies and gentlemen, from the distant moonlit shores of the Yangtze River,
01:06:24we present for your pleasure, the deadly Chinese bird spider.
01:06:38We say that.
01:06:41Well, well.
01:07:11And here.
01:07:39Oh, my God.
01:08:09No!
01:08:39come on let's go i sent a couple of cars the old hall is totally deserted look i saw the mark in the
01:08:51circus the tattoo that we saw on the two bodies the mark of the tongue lucas and van coon were
01:08:56part of a smuggling operation now one of them stole something when they were in china something
01:09:00valuable these circus performers were gang members sent here to get it back get what back
01:09:04we don't know you don't know mr holmes i've done everything you asked lestrade he seems to think
01:09:15your advice is worth something i gave the order for a raid please tell me i'll have something to show
01:09:20for it other than a massive bill for overtime they'll be back in china by tomorrow no they won't leave
01:09:31without what they came for we need to find a hideout rendezvous somewhere in this message it must tell us
01:09:40well i think perhaps i should leave you to it yes it would be better to study if you left now
01:09:49stay he's kidding please stay if you'd like
01:09:52is it just me or is anyone else starving
01:09:56oh god
01:09:57so this is what you do you and john you solve puzzles for a living consulting detective
01:10:18what are these squiggles they're numbers an ancient chinese dialect oh right yeah well
01:10:33of course i should have known that
01:10:35i've done a punch
01:10:42i love the glory of nipples
01:10:45mrs hudson you're a sight
01:10:46if it was monday i'd have been to the super
01:10:48thank you thank you
01:10:50so these numbers is a cipher
01:10:59exactly
01:11:00and each pair of numbers is a word
01:11:02how did you know that
01:11:04well two words have already been translated here
01:11:07john
01:11:10hmm
01:11:11john look at this
01:11:14su line at the museum
01:11:16she started to translate the code for us
01:11:18we didn't see it
01:11:19nine mil
01:11:22i mean millions
01:11:25nine million quid for what
01:11:28i need to know the end of this sentence
01:11:32where are you going
01:11:32to the museum to the restoration room
01:11:35oh we must have been staring right at it
01:11:37at what
01:11:38the book john the book the key to cracking the ciphers
01:11:40su line used it to do this
01:11:41whilst we were running around the gallery
01:11:43she started to translate the code
01:11:45it must be on our desk
01:11:46and
01:11:53yeah
01:11:55yeah
01:11:56yeah
01:11:57yeah
01:12:00yeah
01:12:05yeah
01:12:10yeah
01:12:14yeah
01:12:15It's a look that everybody would earn.
01:12:25Please, wait, please!
01:12:28What's going on? What's the video?
01:12:31Hey, you! What are you doing?
01:12:33Minutes! Let me go back to my book!
01:12:45I mean, I'd love to go out of an evening and wrestle a few Chinese gangsters, you know, generally, but a girl can get too much.
01:12:55Hmm, um, should we get a takeaway?
01:12:58Yeah!
01:13:01Page 15, entry one, page 15, entry one.
01:13:08Dead man.
01:13:10You were threatening to kill them.
01:13:12It's the first sofa.
01:13:15Ah, 15.
01:13:1715.
01:13:18Uh, 15.
01:13:2056.
01:13:2136.
01:13:2239.
01:13:2339.
01:13:2439.
01:13:25And, uh...
01:13:264.
01:13:27Mm.
01:13:28Mm.
01:13:29Mm.
01:13:30Mm.
01:13:32Uh, uh...
01:13:33Uh, uh, uh...
01:13:34Uh, uh, uh...
01:13:354...
01:13:37Mm.
01:13:39Uh, uh, uh, uh...
01:13:41Uh, uh...
01:13:44Oh, blimey. That was quick. I'll just pop down.
01:13:50Do you want me to lay the table?
01:13:53Um, eat-off trays?
01:13:55Yeah.
01:13:56Sorry to keep you. How much do you want?
01:14:11Do we all have it?
01:14:12What?
01:14:13Do we have the treasure?
01:14:15I don't understand.
01:14:30Nine mil four. Jade pin. Dragon den. Black tremor.
01:14:40John. John. I've got it. The cipher. The book. It's the London 8% of the use.
01:14:55A book is like a magic garden. Carried in your pocket.
01:15:10A book is like a magic garden. Carried in your pocket.
01:15:25Chinese proverb, Mr. Holmes. I'm not sure of Holmes.
01:15:40I do not take your word for it.
01:15:48Debit card. Name of S. Holmes.
01:15:51Take my card.
01:15:52Yes, that's not actually mine. He lent that for now.
01:15:55The cheque for 5,000 pounds made out in the name of Mr. Sherlock Holmes.
01:16:01He gave me it to look after.
01:16:04Tickets from the theatre collected by you. Name of Holmes.
01:16:08Yes, okay. What's the name? Holmes.
01:16:11I realize what this looks like, but I'm not him.
01:16:14We heard it from your own mouth.
01:16:16What?
01:16:17I am Sherlock Holmes and I always work alone.
01:16:22Because no one else can compete with my massive intellect.
01:16:26Did I really say that?
01:16:31I suppose no use me to persuade you when I was doing an impression.
01:16:38I am Sian.
01:16:39I am Sian.
01:16:41I am Sian.
01:16:43Three times we tried to kill you and your companion, Mr. Holmes.
01:16:47What does it tell you when an assassin cannot shoot straight?
01:17:05It tells you that they are not really trying.
01:17:10Yeah.
01:17:11Trimway.
01:17:34Not like bullets now.
01:17:35If he wanted to kill you, Mr. Holmes, you would have done it by now.
01:17:40We just wanted to make you inquisitive.
01:17:46Do you have it?
01:17:47Do I have what?
01:17:48The treasure.
01:17:49I don't know what you're talking about.
01:17:50I don't know what you're talking about.
01:17:52I would prefer to make a satan.
01:18:00Everything in the West has its price.
01:18:03And the price for her life.
01:18:06Information.
01:18:07No.
01:18:08No.
01:18:09No.
01:18:10No.
01:18:11No.
01:18:12No.
01:18:13Where's the hairpin?
01:18:33What?
01:18:35The Empress pin, valued at nine million sterling.
01:18:38We already had a buyer in the West.
01:18:40And then one of our people was greedy.
01:18:42He took it, brought it back to London.
01:18:44And you, Mr. Holmes, have been searching.
01:18:46Please, please, listen to me.
01:18:49I'm not, I'm not Sherlock Holmes.
01:18:51And you have to believe me, I haven't found whatever it is you're looking for.
01:18:55I need a volunteer from the audience.
01:18:57No, please, please.
01:18:59Ah, thank you, lady.
01:19:02Yes, you'll do very nicely.
01:19:12Ladies and gentlemen, from the distant moonary shores of NW1, we present for your pleasure,
01:19:37Sherlock Holmes, pretty companion in a death-defying act.
01:19:43Please!
01:19:43You've seen the act before.
01:19:49How dull for you.
01:19:51You know how it is.
01:19:53I'm not Sherlock Holmes!
01:19:55I don't believe you.
01:19:57You should, you know.
01:19:59Sherlock Holmes is nothing at all like him.
01:20:02How would you describe me, John?
01:20:04Resourceful?
01:20:05Dynamic?
01:20:06Enigmatic?
01:20:07Later.
01:20:08That's a semi-automatic.
01:20:10If you fire it, the bullet will travel at over a thousand meters per second.
01:20:14Well?
01:20:15Well.
01:20:16The radius curvature of these walls is nearly four meters.
01:20:19If you miss, the bullet will ricochet.
01:20:21Could it anyone?
01:20:22Might even bounce off the tunnel and hit you.
01:20:24vested inungat you on the heart of the house?
01:20:38Oh, ok.
01:20:40Madame.
01:20:43Ah.
01:20:43Ah.
01:20:46Ah.
01:20:47Ah.
01:20:49Ah.
01:20:50Ah.
01:20:52Ah.
01:20:53Oh, my God.
01:21:23Oh, my God.
01:21:53Oh, my God.
01:21:58Don't worry.
01:22:00Next egg won't be like this.
01:22:03I'll just slip off.
01:22:17No need to mention us in the report.
01:22:18Mr. Holmes.
01:22:19I have high hopes for you, Inspector.
01:22:21A glittering career.
01:22:23If I go where you point me.
01:22:27Exactly.
01:22:29So.
01:22:39So, nine million.
01:22:40Million.
01:22:41Yes.
01:22:42Nine million for Jade Pin, Dragon Den, Black Tramway.
01:22:46An instruction to all their London operatives.
01:22:48A message.
01:22:49What they were trying to reclaim.
01:22:50What, Jade Pin?
01:22:51Worth nine million pounds.
01:22:52Bring it to the Tramway, their London hideout.
01:22:54Hang on.
01:22:55A hairpin worth nine million pounds?
01:22:57Apparently.
01:22:58Why so much?
01:22:59Depends who owned it.
01:23:05Two operatives based in London.
01:23:09They travel over to Dalian to smuggle those vases.
01:23:12One of them helps himself to something.
01:23:14A little hairpin.
01:23:15Worth nine million pounds.
01:23:17Eddie VanCoon was the thief.
01:23:18He stole the treasure when he was in China.
01:23:20How do you know it was VanCoon, not Lucas?
01:23:22Even a killer didn't know that.
01:23:23Because of the soap.
01:23:37Amanda?
01:23:38We brought you a present.
01:23:39Oh.
01:23:40Hello.
01:23:41A little gift when you came back from China.
01:23:43How do you know that?
01:23:45You weren't just as P.A., were you?
01:23:48Someone's been gossiping?
01:23:49No.
01:23:50Then I don't understand why...
01:23:51Scented hand soap in his apartment.
01:23:53300 milliliters of it.
01:23:55Bottle almost finished.
01:23:57Sorry.
01:23:58I don't think Eddie VanCoon was a type of chap
01:24:00to buy himself hand soap.
01:24:01Not unless he had a lady coming over.
01:24:03And it's the same brand as that hand cream there on your desk.
01:24:08Look, it wasn't serious between us.
01:24:12It was over in a flash.
01:24:14It couldn't last.
01:24:15He was my boss.
01:24:17What happened?
01:24:18Why did you end it?
01:24:22I thought he didn't appreciate me.
01:24:25Took me for granted.
01:24:28Stood me up once too often.
01:24:30We'd planned to go away for the weekend and then he'd just leave.
01:24:34Fly off to China at a moment's notice.
01:24:36He bought you a present from abroad to say sorry.
01:24:40Can I just have a look at it?
01:24:49You really climbed up onto the balcony.
01:24:52Nail a plank across the window and all your problems are over.
01:24:58Thanks.
01:25:00Said he bought it in a street market.
01:25:02Oh, I don't think that's true.
01:25:03I think he pinched it.
01:25:06Yeah, that's Eddie.
01:25:07Didn't know it's value.
01:25:08Just thought it would suit you.
01:25:10Oh?
01:25:12What's it worth?
01:25:15Nine million pounds.
01:25:17Oh, my God.
01:25:20Oh, my God.
01:25:22Oh, my God.
01:25:25Nine million.
01:25:40Over a thousand years old and it's sitting on her bedside table every night.
01:25:43He didn't know it's value.
01:25:45Didn't know why they were chasing him.
01:25:46Oh.
01:25:48Should've just got her a lucky can.
01:25:50Hmm.
01:25:54You mind, don't you?
01:25:56What?
01:25:58That she escaped.
01:25:59General Chan's not enough that we got her two henchmen.
01:26:02Must be a vast network, John.
01:26:04Thousands of operatives.
01:26:06You and I, we barely scratched the surface.
01:26:08You cracked the code, though, Sherlock.
01:26:10And maybe Dimmock can track down all of them now that he knows it.
01:26:13No.
01:26:15No.
01:26:16I cracked this code.
01:26:18All the Smugglers have to do is pick up another book.
01:26:40Without you, without your assistance, we would not have found passage into London.
01:26:59You have my thanks.
01:27:00My thanks.
01:27:13We did not anticipate.
01:27:17We did not know this man would come.
01:27:20It's Sherlock Holmes.
01:27:27And now your safety is compromised.
01:27:40I will not reveal your identity.
01:27:42No, you're not alone.
01:27:43I will be gonna be...
01:27:44And now your identity.
01:27:45You should be building on your own identity.
01:27:46Turn your identity.
01:27:48Oh, you're a big mom.
01:27:49No.
01:27:50No.
01:27:51No.
01:27:52No, no, no.
01:27:53I can't do it.
01:27:54No.
01:27:55What are we doing?
01:27:57What do you want?
01:27:58No, no, no.
01:27:59No, no, no.
01:28:01No.
01:28:02No, no.
01:28:03No, no, no.
01:28:05No, no, no.
01:28:06No, no, no.
01:28:07No, no, no, no.
01:28:08No, no, no.
01:28:09No.
01:28:10No, no, no.
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