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00:00:00You
00:00:30You
00:01:00You
00:01:30How's your blog going?
00:01:36Yeah, good
00:01:36Very good
00:01:39You haven't written a word, have you?
00:01:41You just wrote Still Has Trust Issues
00:01:43And you read my writing upside down
00:01:46You see what I mean?
00:01:51John
00:01:52You're a soldier
00:01:55It's going to take you a while to adjust to civilian life
00:01:58And writing a blog about everything that happens to you
00:02:02Will honestly help you
00:02:04Nothing happens to me
00:02:28What do you mean there's no ruddy car?
00:02:47You went to Waterloo, I'm sorry
00:02:49Get a cab
00:02:50I never get cabs
00:02:51I love you
00:02:54When?
00:02:56Get a cab
00:02:57My husband
00:03:18Was a happy man
00:03:21Who lived life to the full
00:03:23He loved his family
00:03:25And his work
00:03:26And that he should have taken his own life in this way
00:03:31Is a mystery
00:03:33And a shock
00:03:35To all who knew him
00:03:37Yes, yes, yes
00:03:51I'm back in two minutes, mate
00:03:57What?
00:03:58I'm just going home
00:03:59Getting my off umbrella
00:04:00You can share mine
00:04:01Two minutes, Roy
00:04:02I'm back in two minutes
00:04:03I'm back in two minutes
00:04:04I'm back in two minutes
00:04:05I'm back in two minutes
00:04:06I'm back in two minutes
00:04:07I'm back in two minutes
00:04:08I'm back in two minutes
00:04:09I'm back in two minutes
00:04:10I'm back in two minutes
00:04:11I'm back in two minutes
00:04:12I'm back in two minutes
00:04:13I'm back in two minutes
00:04:14I'm back in two minutes
00:04:15I'm back in two minutes
00:04:16I'm back in two minutes
00:04:17I'm back in two minutes
00:04:18I'm back in two minutes
00:04:19I'm back in two minutes
00:04:20I'm back in two minutes
00:04:21I'm back in two minutes
00:04:22I'm back in two minutes
00:04:23I'm back in two minutes
00:04:24I'm back in two minutes
00:04:25I'm back in two minutes
00:04:26I'm back in two minutes
00:04:27I'm back in two minutes
00:04:28I'm back in two minutes
00:04:29She's still dancing.
00:04:40Yeah, if you can call it, darling.
00:04:42Let's get the car keys.
00:04:43Got them out of her bag.
00:04:46Where is she?
00:04:59The body of Beth Davenport, junior minister for transport, was found late last night on a building site in Greater London.
00:05:09Preliminary investigations suggest that this was suicide.
00:05:13We can confirm that this apparent suicide closely resembles those of Sir Geoffrey Patterson and James Fillamore.
00:05:20In the light of this, these incidents are now being treated as linked.
00:05:23The investigation is ongoing, but Detective Inspector Lestrade will take questions now.
00:05:27Detective Inspector, how can suicides be linked?
00:05:31Well, they all took the same poison.
00:05:33They were all found in places they had no reason to be.
00:05:37None of them had shown any prior indication...
00:05:40But you can't have serial suicides.
00:05:41Well, apparently you can.
00:05:43These three people, there's nothing that links them?
00:05:45There's no link we found yet, but we're looking for it.
00:05:48There has to be one.
00:05:49If you've all got texts, please ignore them.
00:05:59It just says wrong.
00:06:00Yeah, well, just ignore that.
00:06:01If there are no more questions for Detective Inspector Lestrade, I'm going to bring the session to an hour.
00:06:05If there's suicides, what are you investigating?
00:06:08As I say, these suicides are clearly linked.
00:06:12But it's an unusual situation.
00:06:15We've got our best people investigating.
00:06:20Says wrong again.
00:06:23One more question.
00:06:24Is there any chance that these are murders?
00:06:26And if they are, is this the work of a serial killer?
00:06:30I know that you like writing about these, but these do appear to be suicides.
00:06:34We know the difference.
00:06:35The poison was clearly self-administered.
00:06:38Yes, but if they are murders, how do people keep themselves safe?
00:06:41Well, don't commit suicide.
00:06:44Daily Mail.
00:06:45Obviously, this is a frightening time for people, but all anyone has to do is exercise reasonable precautions.
00:06:53We are all as safe as we want to be.
00:07:08You've got to stop him doing that.
00:07:10He's making us look like idiots.
00:07:12If you can tell me how he does it, I'll stop it.
00:07:26John.
00:07:28John Watson.
00:07:30Stumford.
00:07:32Mike Stumford, we were bots together.
00:07:33Yes, sorry, yes.
00:07:34Mike, hello.
00:07:35Yeah, I know, I've got fat.
00:07:36No, no, no.
00:07:38I heard you were brought somewhere getting shot at.
00:07:40What happened?
00:07:41I got shot.
00:07:48Are you still at Barts then?
00:07:50Teaching now.
00:07:52Bright young things like we used to be.
00:07:54God, I hate them.
00:07:56What about you?
00:07:57Just staying in town, you get yourself sorted?
00:07:59I can't afford London on an army pension.
00:08:01And you couldn't bear to be anywhere else.
00:08:03That's not the John Watson I know.
00:08:04Yeah, I'm not the John Watson.
00:08:05Couldn't Harry help?
00:08:13I feel like that's going to happen.
00:08:15I don't know.
00:08:16Get a flat share or something.
00:08:18Come on.
00:08:19Who'd want me for a flatmate?
00:08:23What?
00:08:24Are you the second person to say that to me today?
00:08:27Who's the first?
00:08:28How fresh?
00:08:33Just in.
00:08:3467 natural causes.
00:08:36Used to work here.
00:08:37I knew him.
00:08:38He was nice.
00:08:40Fine.
00:08:41We'll start with the riding crop.
00:08:43So, bad day, was it?
00:08:58I need to know what bruises form in the next 20 minutes.
00:09:00A man's alibi depends on it.
00:09:01Text me.
00:09:03Listen, I was wondering, maybe later, when you're finished...
00:09:06You weren't wearing lipstick, you weren't wearing lipstick before.
00:09:08I, uh...
00:09:09I refreshed it a bit.
00:09:13Sorry, you were saying?
00:09:15I was wondering if you'd like to have coffee.
00:09:18Black, two sugars, please.
00:09:19I'll be upstairs.
00:09:19I'll be upstairs.
00:09:22Okay.
00:09:34Oh.
00:09:35A bit different from my day.
00:09:37You have no idea.
00:09:38Mike, can I borrow your phone?
00:09:40There's no signal on mine.
00:09:41What's wrong with the landline?
00:09:42I prefer to text.
00:09:44Sorry.
00:09:45It's in my coat.
00:09:47Uh, here.
00:09:49Here's mine.
00:09:51Oh.
00:09:53It's an old friend of mine, John Watson.
00:09:59Afghanistan or Iraq?
00:10:04Sorry?
00:10:05Which was it, Afghanistan or Iraq?
00:10:10Afghanistan, sorry, how did you...
00:10:12Ah, Molly, coffee, thank you.
00:10:14What happened to the lipstick?
00:10:16It wasn't working for me.
00:10:18Really?
00:10:18I thought it was a big improvement.
00:10:19My mouth's too small now.
00:10:22Okay.
00:10:25How do you feel about the violin?
00:10:30Sorry, what?
00:10:31I play the violin when I'm thinking.
00:10:33Sometimes I don't talk for days on.
00:10:35And would that bother you?
00:10:36Potential flatmates should know the worst about each other.
00:10:40You told him about me?
00:10:42Not a word.
00:10:43Then who said anything about flatmates?
00:10:45I did.
00:10:45I told Mike this morning that I must be a difficult man to find a flatmate for.
00:10:49Now here he is, just after lunch with an old friend, clearly just home for military service in Afghanistan.
00:10:54Wasn't a difficult leap.
00:10:56How did you know about Afghanistan?
00:10:57Got my eye on a nice little place in central London.
00:11:00Together we ought to be able to afford it.
00:11:01We'll meet there tomorrow evening, seven o'clock.
00:11:03Sorry, I've got to dash.
00:11:04I think I left my writing crop in the mortuary.
00:11:06Is that it?
00:11:09Is that what?
00:11:11We've only just met.
00:11:12I'm going to go look at a flat.
00:11:15Problem?
00:11:19We don't know a thing about each other.
00:11:20I don't know where we're meeting.
00:11:21I don't even know your name.
00:11:24I know you're an army doctor and you've been in the lid at home from Afghanistan.
00:11:27I know you've got a brother who's worried about you, but you won't go to him for help because you don't approve of him, possibly.
00:11:31Because he's an alcoholic, more likely because he recently walked out on his wife.
00:11:35And I know that your therapist thinks you're limp psychosomatic quite correctly, I'm afraid.
00:11:39It's enough to be going on with, don't you think?
00:11:45The name's Sherlock Holmes and the address is 221 B Baker Street.
00:11:50Afternoon.
00:11:55Yeah.
00:11:56He's always like that.
00:12:01He's always like that.
00:12:31He's always like that.
00:12:31He's always like that.
00:12:49So calm down.
00:12:55He's always like that.
00:12:56Mr. Holmes.
00:12:57Sherlock, please.
00:12:58Well, this is what I am, Scott.
00:12:59Must be expensive.
00:13:00Mrs. Hudson, the landlady, has given me a special deal.
00:13:01Owes me a favor.
00:13:02A few years back, her husband got himself sentenced to death in Florida.
00:13:03I was able to help out.
00:13:04Sorry, you stopped her husband being executed?
00:13:05Oh, no.
00:13:06I insured it.
00:13:07Sherlock.
00:13:08Mrs. Hudson, the landlady, has given me a special deal.
00:13:09Owes me a favor.
00:13:10A few years back, her husband got himself sentenced to death in Florida.
00:13:11I was able to help out.
00:13:12Sorry, you stopped her husband being executed?
00:13:13Oh, no.
00:13:14I insured it.
00:13:15Sherlock.
00:13:16No.
00:13:17Mrs. Hudson, Dr. John Watson.
00:13:18Hello.
00:13:19Come in.
00:13:21Shall we?
00:13:22Yep.
00:13:38Well, this could be very nice.
00:13:59Very nice indeed.
00:14:02Yes.
00:14:03Yes, I think so.
00:14:06My thoughts precisely.
00:14:07So I went straight ahead and moved in.
00:14:09Soon we get all this rubbish cleaned out.
00:14:10Oh.
00:14:13So this is all...
00:14:14Well, obviously I can straighten things up a bit.
00:14:19It's a skull.
00:14:20Friend of mine.
00:14:21Well, I say friend.
00:14:23What do you think then, Dr. Watson?
00:14:26There's another bedroom upstairs if you've been needing two bedrooms.
00:14:30Of course we'll be needing two.
00:14:32Oh, don't worry.
00:14:33There's all sorts around here.
00:14:34Mrs. Turner next door's got married.
00:14:36Oh.
00:14:37Sherlock.
00:14:38The mess you've made.
00:14:39Oh, God.
00:14:40I looked you up on the internet last night.
00:14:41Anything interesting?
00:14:42Found your website.
00:14:43The science of deduction.
00:14:44What did you think?
00:14:45You said you could identify a software designer by his tie and an airline pilot by his left thumb.
00:14:46Yes.
00:14:47And I can read your military career and your face and your leg and your brother's drinking
00:14:48habits and your mobile phone.
00:14:49How?
00:14:50How?
00:14:51What about these suicides then, Sherlock?
00:14:52thought that'd be right up your street.
00:14:53three exactly the same.
00:14:54three exactly the same.
00:14:55Four.
00:14:56Four.
00:14:57Four.
00:14:58There's been a fourth.
00:14:59There's been a fourth.
00:15:00There's something different this time.
00:15:01A fourth?
00:15:02A fourth?
00:15:03A fourth?
00:15:04Where?
00:15:05Where?
00:15:06No.
00:15:07No.
00:15:08No.
00:15:09No.
00:15:10No.
00:15:11No.
00:15:12No.
00:15:13No.
00:15:14No.
00:15:15confident.
00:15:17No.
00:15:23No.
00:15:24No.
00:15:25No?
00:15:26No.
00:15:27No.
00:15:28No.
00:15:29No.
00:15:30No.
00:15:31No.
00:15:32No.
00:15:33It's okay.
00:15:34No.
00:15:35No.
00:15:36No.
00:15:37No.
00:15:38One.
00:15:39Anything else?
00:15:40Reform your head was a fellow manchester if you were just like this
00:15:43Who's on forensics?
00:15:45It's Anderson.
00:15:46Anderson won't work with me.
00:15:48Well, he won't be your assistant.
00:15:49I need an assistant.
00:15:51Will you come?
00:15:52Not in a police car. I'll be right behind.
00:16:03Brilliant!
00:16:05Yes!
00:16:06Ah, four serial suicides and now a note.
00:16:09Ah, it's Christmas.
00:16:10Mrs. Hudson, I'll be late.
00:16:12Might need some food.
00:16:13I'm your landlady, dear, not your housekeeper.
00:16:16Something cold will do.
00:16:17John, have a cup of tea. Make yourself at home.
00:16:19Don't wait up.
00:16:21Look at him, dashing about.
00:16:23My husband was just the same.
00:16:26But you're more the sitting down type, I can tell.
00:16:30I'll make you that cuppa. You rest your leg.
00:16:33Damn my leg! Sorry. I'm so sorry.
00:16:36It's just sometimes this bloody thing.
00:16:38I understand, dear. I've got a hip.
00:16:41A cup of tea would be lovely. Thank you.
00:16:43Just this once, dear. I'm not your housekeeper.
00:16:45A couple of biscuits, too, if you've got them.
00:16:47Not your housekeeper.
00:16:49You're a doctor.
00:16:55In fact, you're an army doctor.
00:16:58Yes.
00:17:00Any good?
00:17:02Very good.
00:17:04I've seen a lot of injuries then.
00:17:07Violent deaths.
00:17:08Oh, yes.
00:17:10Bit of trouble, too, I bet.
00:17:11Of course, yes.
00:17:13Enough for a lifetime. Far too much.
00:17:16Want to see some more?
00:17:17Oh, God, yes.
00:17:19Sorry, Mrs. Hudson. I'll skip the team. Off out.
00:17:25Both of you?
00:17:27Possible suicides. Four of them.
00:17:29There's no point sitting at home when there's finally something fun going on.
00:17:32Mwah!
00:17:33Look at you all happy. It's not decent.
00:17:35Who cares about decent?
00:17:36The game, Mrs. Hudson, is on.
00:17:44Pepsi!
00:18:06Okay, you've got questions.
00:18:24Yeah, where are we going?
00:18:26Crime scene. Next.
00:18:28Who are you? What do you do?
00:18:30What do you think?
00:18:31I'd say private detective.
00:18:33But?
00:18:34The police don't go to private detectives.
00:18:37I'm a consulting detective.
00:18:39The only one in the world that invented the job.
00:18:41What does that mean?
00:18:42It means when the police are out of their depth, which is always, they consult me.
00:18:46The police don't consult amateurs.
00:18:51When I met you for the first time yesterday, I said Afghanistan or Iraq.
00:18:54You looked surprised.
00:18:55Yes, how did you know?
00:18:56I didn't know. I saw.
00:18:58Your haircut, the way you hold yourself, says military.
00:19:00But your conversation as you entered the room...
00:19:02A bit different from my day.
00:19:03Said trained at bar, so army doctor, obvious.
00:19:06Your face is tanned.
00:19:08No tan above the wrists.
00:19:10You've been abroad, but not sunbathing.
00:19:12Your lips really bad when you walk, but you don't ask for a chairman.
00:19:14You stand like you've forgotten about it.
00:19:16So it's at least partly psychosomatic.
00:19:18That says the original circumstances of the injury were traumatic.
00:19:21Wounded in action then.
00:19:22Wounded in action?
00:19:23Sun Tan, Afghanistan, Norway, Iraq.
00:19:25You said I had a therapist.
00:19:28You've got a psychosomatic limb, of course.
00:19:30You've got a therapist.
00:19:31Then there's your brother.
00:19:32Your phone.
00:19:33It's expensive.
00:19:34Email-enabled.
00:19:35MP3 player.
00:19:36Are you looking for a flat share?
00:19:37You wouldn't waste money on this.
00:19:38It's a gift, though.
00:19:39Scratch is not one.
00:19:40Many over time.
00:19:41It's been in the same pocket as keys and coins.
00:19:43This man sitting next to me wouldn't treat us one luxury item like this.
00:19:45So it's had a previous owner.
00:19:46Next bit's easy.
00:19:47You know it already.
00:19:48The engraving.
00:19:50Harry Watson.
00:19:51Clearly a family member who's given you his old phone.
00:19:53Not your father.
00:19:54This is a young man's gadget.
00:19:55Could be a cousin, but you're a war hero who can't find a place to live.
00:19:58Unlikely you've got an extended family.
00:20:00Certainly not one you're close to.
00:20:01So, brother, it is.
00:20:02Now, Clara.
00:20:03Who's Clara?
00:20:04Three kisses says there's a romantic attachment.
00:20:06Expense to the phone says wife, not girlfriend.
00:20:08He's also given it to him recently.
00:20:09This model's only six months old.
00:20:11Marriage in trouble then.
00:20:12About six months old.
00:20:13He's just given it away.
00:20:14If she'd left him, he would have kept it.
00:20:15People do sentiment.
00:20:16No.
00:20:17He wanted rid of it.
00:20:18He left her.
00:20:19He gave the phone to you.
00:20:20That says he wants you to stay in touch.
00:20:21You're looking for cheap accommodation.
00:20:22And you're not going to your brother for help.
00:20:24It says you've got problems with him.
00:20:26Maybe you liked his wife.
00:20:27Maybe you don't like his drinking.
00:20:29How can you possibly know about the drinking?
00:20:33Shot in the dark.
00:20:34Good one, though.
00:20:35Power connection tiny little scuff marks around the edge of it.
00:20:37Every night he goes to plug it in to charge, but his hands are shaking.
00:20:39You never see those marks on the sober man's bone.
00:20:41Never see a drunk's without them.
00:20:42There you go.
00:20:43So you were right.
00:20:44I was right.
00:20:45Right about what?
00:20:46The police don't consult amateurs.
00:20:50That was amazing.
00:20:54You think so?
00:20:55Of course it was.
00:20:56It was extraordinary.
00:20:57It was quite extraordinary.
00:20:58It's not what people normally say.
00:20:59What do people normally say?
00:21:00Piss off.
00:21:01Did I get anything wrong?
00:21:02Harry and me don't get on.
00:21:03Never have.
00:21:04Clara and Harry split up three months ago, and they're getting a divorce.
00:21:11Harry is a drinker.
00:21:12Spot on, then.
00:21:13I didn't expect we'd write about everything.
00:21:14Harry's short for Harriet.
00:21:15Harry's short for Harriet.
00:21:16Harry's your sister.
00:21:17What exactly am I supposed to be doing here?
00:21:18Sister?
00:21:19No, seriously.
00:21:20What am I doing here?
00:21:21There's always something.
00:21:22Hello, Frank.
00:21:23I'm here to see Detective Inspector Lestrade.
00:21:24Why?
00:21:25I was invited.
00:21:26Why?
00:21:27I think he wants me to take a look.
00:21:28Well, you know what I think, don't you?
00:21:29Always, Sally.
00:21:30You know you didn't make it home last night.
00:21:31Uh, who's this?
00:21:32A colleague of mine, Dr. Watson.
00:21:33Dr. Watson.
00:21:34Dr. Watson.
00:21:35Oh, no, no, no.
00:21:36I didn't expect we'd write about everything.
00:21:37Harry's short for Harriet.
00:21:38Harry's your sister.
00:21:39What exactly am I supposed to be doing here?
00:21:40Sister?
00:21:41No, seriously.
00:21:42What am I doing here?
00:21:43There's always something.
00:21:44Hello, freak.
00:21:45I'm here to see Detective Inspector Lestrade.
00:21:46Why?
00:21:47I was invited.
00:21:48Why?
00:21:49I think he wants me to take a look.
00:21:51Well, you know what I think, don't you?
00:21:52Always, Sally.
00:21:53You know you didn't make it home last night.
00:21:56Uh, uh, who's this?
00:21:58A colleague of mine, Dr. Watson.
00:21:59Dr. Watson, Sergeant Sally Donovan.
00:22:02Old friend.
00:22:03A colleague.
00:22:04How do you get a colleague?
00:22:06Wait, did he follow you home?
00:22:08Would it be better if I just waited...
00:22:09No.
00:22:10Freak's here bringing him in.
00:22:23Ah, Anderson.
00:22:24Here we are again.
00:22:26It's a crime scene.
00:22:27I don't want it contaminated.
00:22:28Are we clear on that?
00:22:29Quite clear.
00:22:30And is your wife away for long?
00:22:33Oh, don't pretend you've worked that out.
00:22:35Somebody told you that.
00:22:36Your deodorant told me that.
00:22:37My deodorant?
00:22:38It's for men.
00:22:39Well, of course it's for men.
00:22:41I'm wearing it.
00:22:42So, Sergeant Donovan.
00:22:44Oh, I think it just vaporized.
00:22:47May I go in?
00:22:48Now, look.
00:22:49Whatever you're trying to imply...
00:22:50I'm not implying anything.
00:22:51I'm sure Sally came around for a nice little chat
00:22:53and just happened to stay over.
00:22:55And I assume she's scrubbed your floors going by the state of her knees.
00:23:10Need to wear one of these.
00:23:12Who's this?
00:23:13He's with me.
00:23:14But who is he?
00:23:16I said he's with me.
00:23:17Aren't you gonna put one on?
00:23:24So where are we?
00:23:25Upstairs.
00:23:34I can give you two minutes.
00:23:36They need longer.
00:23:38Her name's Jennifer Wilson according to her credit cards.
00:23:41We're running them now for contact details.
00:23:44Hasn't been here long.
00:23:46And kids found her.
00:24:16Shut up.
00:24:17What are you saying?
00:24:18You were thinking.
00:24:19It's annoying.
00:24:21Shut up.
00:24:22What are you saying?
00:24:23You were thinking.
00:24:24It's annoying.
00:24:25It's annoying.
00:24:26I don't know.
00:24:56I don't know.
00:25:26I don't know.
00:25:27I don't know.
00:25:28I don't know.
00:25:29I don't know.
00:25:30I don't know.
00:25:31I don't know.
00:25:32I don't know.
00:25:33I don't know.
00:25:34I don't know.
00:25:35I don't know.
00:25:36I don't know.
00:25:37I don't know.
00:25:38I don't know.
00:25:39I don't know.
00:25:40I don't know.
00:25:41I don't know.
00:25:42I don't know.
00:25:43I don't know.
00:25:44I don't know.
00:25:45I don't know.
00:25:46I don't know.
00:25:47I don't know.
00:25:48I don't know.
00:25:49I don't know.
00:25:50I don't know.
00:25:51You know, she's German.
00:25:52Of course she's not.
00:25:53She's from out of town, though.
00:25:54Intended to stay in London for one night before returning home to Cardiff.
00:25:57So far, so obvious.
00:25:58Sorry, obvious?
00:25:59What about the message, though?
00:26:00Dr. Watson, what do you think?
00:26:01Of the message?
00:26:02Of the body, you're a medical man.
00:26:04Well, no.
00:26:05We have a whole team right outside.
00:26:06They won't work with me.
00:26:07I'm breaking every rule letting you in here.
00:26:09Yes, because you need me.
00:26:11Yes, I do.
00:26:14Get out of me.
00:26:16Dr. Watson.
00:26:17Oh, as he says, help yourself.
00:26:24Anderson, keep everyone out for a couple of minutes.
00:26:29Well, what am I doing here?
00:26:31Helping me make a point.
00:26:32Tim's supposed to be helping you pay the rent.
00:26:33Yeah, well, this is more fun.
00:26:35Fun?
00:26:36There's a woman lying dead.
00:26:37Perfectly sound analysis, but I was hoping you'd go deeper.
00:26:59Yeah.
00:27:00Asphyxiation.
00:27:01Probably.
00:27:02Passed out.
00:27:03Choked on her own vomit.
00:27:04Can't smell any alcohol on her.
00:27:06Could have been a seizure.
00:27:07Possibly drugs.
00:27:08You know what it was.
00:27:09You've read the papers.
00:27:10Well, she's one of the suicides.
00:27:12The four.
00:27:13Shut up.
00:27:14Two minutes, I said.
00:27:15I don't need anything you got.
00:27:16Victim is in her late 30s.
00:27:17Professional person going by her clothes and guessing something in the media, going by the
00:27:20frankly alarming shade of pink.
00:27:21Traveled from Cardiff today, intending to stay in London for one night.
00:27:24It's obvious from the size of her suitcase.
00:27:26Suitcase?
00:27:27Suitcase, yes.
00:27:28She's been married for at least 10 years, but not happily.
00:27:30She's had a string of lovers, but none of them knew she was married.
00:27:33Oh, for God's sake.
00:27:34If you're just making this up.
00:27:35Her wedding ring.
00:27:3610 years old at least.
00:27:37The rest of her jewellery has been regularly cleaned, but not her wedding ring.
00:27:41State of her marriage right there.
00:27:42The inside of the ring is shinier than the outside.
00:27:44That means it's regularly removed.
00:27:45The only polishing it gets is when she works it off her finger.
00:27:48It's not for work.
00:27:49Look at her nails.
00:27:50She doesn't work with her hands.
00:27:51So what, or rather, who does she remove her rings for?
00:27:53Clearly not one lover.
00:27:54She'd never sustain the fiction of being single over that amount of time.
00:27:56So more likely a string of them.
00:27:57Simple.
00:27:58It's brilliant.
00:27:59Sorry.
00:28:00Cardiff?
00:28:01It's obvious, isn't it?
00:28:03It's not obvious to me.
00:28:05Dear God.
00:28:06What is it like in your funny little brains?
00:28:07It must be so boring.
00:28:09Her coat.
00:28:10It's slightly damp.
00:28:11She's been in heavy rain in the last few hours.
00:28:12No rain anywhere in London in that time.
00:28:14Under her coat collar is damp too.
00:28:16She's turned it up against the wind.
00:28:17She's got an umbrella in her left hand pocket, but it's dry and unused.
00:28:20Not just wind, strong wind.
00:28:21Too strong to use her umbrella.
00:28:23We know from her suitcase that she was intending to stay overnight,
00:28:25so she must have come a decent distance,
00:28:27but she can't have traveled all the two or three hours
00:28:28because her coat still hasn't dried.
00:28:30So where has there been heavy rain and strong wind
00:28:32within the radius of that travel time?
00:28:34Cardiff.
00:28:35It's fantastic.
00:28:36Do you know you do that out loud?
00:28:38Sorry, I'll shut up.
00:28:39No, it's fine.
00:28:40Why do you keep saying suitcase?
00:28:42Yes, where is it?
00:28:43She must have had a phone or an organizer.
00:28:46Find out who Rachel is.
00:28:47She was writing Rachel?
00:28:48No, she was leaving an angry note in German.
00:28:50Of course she was writing Rachel.
00:28:52No other word it can be.
00:28:53Question is, why did she wait until she was dying to write it?
00:28:55So how do you know she had a suitcase?
00:28:57Back of her right leg, tiny splash marks on the heel and calf,
00:28:59not present on the left.
00:29:00She was dragging a wheeled suitcase behind her with her right hand.
00:29:03Don't get that splash pattern any other way.
00:29:05Smallish case going by this spread.
00:29:07Case that size, woman this clothes conscious.
00:29:09Could only be an overnight bag so we know she was staying one night.
00:29:11Now where is it?
00:29:12What have you done with it?
00:29:13There wasn't a case.
00:29:17Say that again.
00:29:19There wasn't a case.
00:29:20There was never any suitcase.
00:29:21Suitcase!
00:29:22Did anyone find a suitcase?
00:29:23Was there a suitcase in this house?
00:29:25Sir!
00:29:26There was no case!
00:29:27But they take the poison themselves.
00:29:28They chew, swallow the pills themselves.
00:29:30There are clear signs even you lot couldn't miss them.
00:29:32Right, yeah, thanks.
00:29:33And?
00:29:34It's murder.
00:29:35All of them.
00:29:36I don't know how.
00:29:37They're not suicides.
00:29:38They're killings.
00:29:39Serial killings.
00:29:40They got ourselves a serial kill.
00:29:41I love those.
00:29:42There's always something to look forward to.
00:29:43Why are you saying that?
00:29:44Her case.
00:29:45Come on, where is her case?
00:29:46Did she eat it?
00:29:47Someone else was here and they took her case.
00:29:50So the killer must have driven her here.
00:29:52Forgot the case was in the car.
00:29:53She could have checked into a hotel, left her case there.
00:29:56No, she never got to the hotel.
00:29:57Look at her hair.
00:29:58She color coordinates her lipstick and her shoes.
00:30:00She'd never have left any hotel with her hair still looking...
00:30:06Oh!
00:30:07Sherlock?
00:30:08What is it?
00:30:09What?
00:30:10Serial killers are always hard.
00:30:11You have to wait for them to make a mistake.
00:30:12You can't just wait.
00:30:13No, we're done waiting.
00:30:14Look at her.
00:30:15Really?
00:30:16Look, Houston, we have a mistake.
00:30:17Get on to Cardiff.
00:30:18Find out who Jennifer Wilson's family and friends were.
00:30:20Find Rachel.
00:30:21Of course, yeah.
00:30:22But what mistake?
00:30:23Pink!
00:30:24Let's get on with it.
00:30:27Okay.
00:30:28Let's get on with it.
00:30:32Mark V, Pink, and police is against the boycott.
00:30:37Aren't they drained out of your life?
00:30:39The girl's body is fragile.
00:30:41He's gone.
00:31:08Is it Sherlock Holmes?
00:31:09Yeah, he just took off.
00:31:10I don't know if he does that.
00:31:11Is he coming back?
00:31:12Didn't look like it.
00:31:14Right.
00:31:15Okay.
00:31:16Right.
00:31:17Yes.
00:31:18Sorry, where am I?
00:31:23Brixton.
00:31:24Do you know where I could get a cab?
00:31:27It's just, well, my leg.
00:31:32Try the main road.
00:31:37Thanks.
00:31:38But you're not his friend.
00:31:41He doesn't have friends.
00:31:44So who are you?
00:31:46I'm, I'm nobody.
00:31:48I just met him.
00:31:49Okay, bit of advice then.
00:31:50Stay away from that guy.
00:31:51Why?
00:31:52You know why he's here?
00:31:58He's not paid or anything.
00:32:01He likes it.
00:32:02He gets off on it.
00:32:04The more weirder the crime, the more he gets off.
00:32:06And you know what?
00:32:07One day just showing up won't be enough.
00:32:10One day we'll be standing around a body and Sherlock Holmes will be the one that put it there.
00:32:14Why would he do that?
00:32:15Because he's a psychopath.
00:32:17Psychopaths get bored.
00:32:19Donovan!
00:32:20Coming!
00:32:25Stay away from Sherlock Holmes.
00:32:45Taxi!
00:32:59Taxi!
00:33:00Taxi!
00:33:15Taxi!
00:33:16Taxi!
00:33:17Taxi!
00:33:18Taxi!
00:33:19Taxi!
00:33:20Taxi!
00:33:21Taxi!
00:33:22Taxi!
00:33:23Taxi!
00:33:24Taxi!
00:33:25Taxi!
00:33:26Taxi!
00:33:27Taxi!
00:33:28Taxi!
00:33:29Taxi!
00:33:30Taxi!
00:33:31Taxi!
00:33:32Taxi!
00:33:33Taxi!
00:33:34Taxi!
00:33:35Taxi!
00:33:36Hello?
00:33:37There is a security camera on the building to your left.
00:33:41Do you see it?
00:33:42Taxi!
00:33:44What?
00:33:45Who's this?
00:33:46Who's speaking?
00:33:47Do you see the camera Dr. Watson?
00:33:50Yes.
00:33:51Watch.
00:33:52There is another camera on the building opposite you.
00:33:55Do you see it?
00:33:56And finally at the top of the building on your left.
00:33:58There is another camera on the building opposite you. Do you see it?
00:34:05And finally at the top of the building on your right.
00:34:19How are you doing this?
00:34:21Get into the car, Dr. Watson.
00:34:24I would make some sort of threat, but I'm sure your situation is quite clear to you.
00:34:46Hello.
00:34:47Hi.
00:34:54What's your name then?
00:34:56Uh, Anthea.
00:34:59Is that your real name?
00:35:01No.
00:35:06I'm John.
00:35:07Yes, I know.
00:35:13Any point in asking where I'm going?
00:35:15None at all.
00:35:20John.
00:35:23Okay.
00:35:24Have a seat, John.
00:35:28Have a seat, John.
00:35:50You know, I've got a phone.
00:35:53It's very clever and all that.
00:35:54But, uh, you could just phone me.
00:36:00On my phone.
00:36:04When one is avoiding the attention of Sherlock Holmes,
00:36:07one learns to be discreet, hence this place.
00:36:10The leg must be hurting you.
00:36:12Sit down.
00:36:13I don't want to sit down.
00:36:16You don't seem very afraid.
00:36:18You don't seem very frightening.
00:36:20Yes.
00:36:21The bravery of the soldier.
00:36:24Bravery is by far the kindest word for stupidity, don't you think?
00:36:29What is your connection to Sherlock Holmes?
00:36:32I don't have one.
00:36:33I barely know him.
00:36:34I met him...
00:36:35yesterday.
00:36:37And since yesterday, you've moved in with him,
00:36:39and now you're solving crimes together.
00:36:42Might we expect a happy announcement by the end of the week?
00:36:45Who are you?
00:36:46An interested party.
00:36:47Interested in Sherlock, why?
00:36:50I'm guessing you're not friends.
00:36:52You've met him.
00:36:53How many friends do you imagine he has?
00:36:55I'm the closest thing to a friend that Sherlock Holmes is capable of having.
00:37:00And what's that?
00:37:01An enemy.
00:37:01An enemy?
00:37:02In his mind, certainly.
00:37:04If you were to ask him, he'd probably say his arch enemy.
00:37:08He does love to be dramatic.
00:37:11Well, thank God you're above all that.
00:37:12I hope I'm not distracting you.
00:37:21You're not distracting me at all.
00:37:23Do you plan to continue your association with Sherlock Holmes?
00:37:26I could be wrong, but I think that's none of your business.
00:37:30It could be.
00:37:30You really couldn't.
00:37:32If you do move into, um...
00:37:37221B Baker Street,
00:37:42I'd be happy to pay you a meaningful sum of money on a regular basis to ease your way.
00:37:49Why?
00:37:50Because you're not a wealthy man.
00:37:51In exchange for what?
00:37:54Information.
00:37:56Nothing indiscreet.
00:37:57Nothing you'd feel uncomfortable with.
00:37:59Just tell me what he's up to.
00:38:01Why?
00:38:02I worry about him constantly.
00:38:07He's nice of you.
00:38:07But I would prefer, for various reasons, that my concern go unmentioned.
00:38:12We have what you might call a difficult relationship.
00:38:16No.
00:38:24I haven't mentioned a figure.
00:38:25Don't bother.
00:38:27You're very loyal, very quickly.
00:38:29No, I'm not.
00:38:30I'm just not interested.
00:38:31Trust issues, it says here.
00:38:43What's that?
00:38:44Could it be that you've decided to trust Sherlock Holmes of all people?
00:38:48Who says I trust him?
00:38:49You don't seem the kind to make friends easily.
00:38:51Have we done?
00:38:51You tell me.
00:39:01I imagine people have already warned you to stay away from him, but I can see from your
00:39:06left hand that's not going to happen.
00:39:11My what?
00:39:12Show me.
00:39:13Show me.
00:39:13Show me.
00:39:13Show me.
00:39:14Show me.
00:39:15Show me.
00:39:17Show me.
00:39:18Show me.
00:39:19Show me.
00:39:20Show me.
00:39:21Show me.
00:39:21Show me.
00:39:25Don't.
00:39:34Remarkable.
00:39:35What is?
00:39:35Most people blunder around this city and all they see are streets and shops and cars.
00:39:43When you walk with Sherlock Holmes, you see the battlefield.
00:39:46You've seen it already, haven't you?
00:39:48What's wrong with my hand?
00:39:50You have an intermittent tremor in your left hand.
00:39:53Your therapist thinks it's post-traumatic stress disorder.
00:39:57She thinks you're haunted by memories of your military service.
00:40:00Who the hell are you?
00:40:02How do you know that?
00:40:04Fire her.
00:40:05She's got it the wrong way around.
00:40:07You're under stress right now and your hand is perfectly steady.
00:40:12You're not haunted by the war, Dr. Watson.
00:40:16You miss it.
00:40:19Welcome back.
00:40:27Time to choose a side, Dr. Watson.
00:40:40I'd like to take you home.
00:40:49Address?
00:40:53Uh, Baker Street.
00:40:56221B Baker Street.
00:40:59Well, I need to stop off somewhere first.
00:41:01Listen, you're boss.
00:41:30Any chance you could not tell him this is where I went?
00:41:33Sure.
00:41:34You've told him already, haven't you?
00:41:36Yeah.
00:41:41Hey, um, do you ever get any, uh, free time?
00:41:45Oh, yeah.
00:41:46Lots.
00:41:47Bye.
00:41:52Bye.
00:41:53Okay.
00:41:54what are you doing
00:42:24nicotine patch helps me think impossible to sustain a smoking habit in London these days
00:42:32bad news for brain work there's good news for breathing oh breathing breathing's boring
00:42:37is that three patches it's a three-patch problem
00:42:41well
00:42:45you asked me to come I'm assuming it's important
00:42:51oh yeah of course can I borrow your phone my phone don't use mine always a chance the number will be
00:42:58recognized it's on the website mrs. Hudson's got a phone yeah she's downstairs I tried shouting but
00:43:03she didn't hear I was the other side of London was no hurry yeah
00:43:10so this is about the case her case her case a suitcase yes obviously
00:43:21murderer took her suitcase first big mistake okay he took her case sir it's no use there's
00:43:28no other way we'll have to risk it on my desk there's a number I want you to send a text
00:43:33you've brought me here to send a text text yes the number on my desk
00:43:40what's wrong just made a friend of yours a friend an enemy oh which one
00:43:58your arch enemy according to him do people have arch enemies did he offer you money to spy on me
00:44:07yes did you take it no pity we could have split the fee think it through next time
00:44:13who is he most dangerous man you've ever met and not my problem right now on my desk the number
00:44:20Jennifer Wilson that was home wasn't that the dead one yes that's not important just enter the
00:44:33number you doing it yes if you've done it yet hang on these words exactly what happened at
00:44:44lorriston gardens i must have blacked out 22 northumberland street please come you blacked out
00:44:52what no no type and send it quickly
00:44:57have you sent it what's the address 22 northumberland street hurry up
00:45:06that's that's the pink lady's case that's jennifer wilson's case yes obviously
00:45:20oh perhaps i should mention i didn't kill her i never said you did why not given the text i just
00:45:28had you send her the fact that i have her case is a perfectly logical assumption do people usually
00:45:32reassume you're the murderer now and then yes okay how did you get this by looking where the killer
00:45:44must have driven her to lorriston gardens he could only keep her case by accident if it was in a car
00:45:48nobody could be seen with this case without drawing attention to themselves particularly a man which is
00:45:53statistically more likely so obviously he feel compelled to get rid of it the moment he noticed
00:45:57he still had it wouldn't have taken him more than five minutes to realize his mistake
00:46:00i checked every back street wide enough for a car five minutes from lorriston gardens
00:46:04and anywhere you could dispose of a bulky object without being observed
00:46:07took me less than an hour to find the right skip
00:46:11pink you you got all that because you realized the case would be pink
00:46:17well it'd be pink obviously why didn't i think of that because you're an idiot
00:46:20no no no don't you like that practically everyone is now look do you see what's missing
00:46:26from the case how could i her phone where's her mobile phone there was no phone on the body there's
00:46:31no phone in the case we know she had one that's her number there you just texted maybe she left it at
00:46:35home she has a string of lovers and she's careful about it she never leaves her phone at home
00:46:39well the question is where is her phone now she could have lost it yes or
00:46:51the murderer you think the murderer has the phone
00:46:55maybe she left it when she left her case maybe he took it from her for some reason
00:47:01either way balance probability is the murderer has her phone sorry
00:47:06what are we doing did i just text a murderer what could will that do
00:47:10a few hours after his last victim and now he receives a text that can only be from her
00:47:18somebody just found that phone they'd ignore a text like that but the murderer
00:47:24would panic
00:47:26have you talked to the police four people are dead there's no time to talk to the police
00:47:33so why are you talking to me mrs hudson took my skull
00:47:38so i'm basically filling in for your skull relax you're doing fine
00:47:41well well what well you could just sit there and
00:47:45watch telly you want me to come with you i like company when i go out and uh
00:47:49i think better when i talk aloud skull just attracts attention so
00:47:54problem yeah sergeant donovan what about her
00:47:57she said you get off on this you enjoy it and i
00:48:02i said dangerous and here you are
00:48:07where are we going
00:48:20northumberland street's a five minute walk from here you think he's stupid enough to go there
00:48:24no i think he's brilliant enough i love the brilliant ones i'm so desperate to get caught
00:48:29why appreciation applause that long lasts the spotlight
00:48:34frailty of genius john it needs an audience yeah
00:48:38this is his hunting ground right here in the heart of the city
00:48:42now that we know his victims were abducted that changes everything
00:48:45because all of his victims disappeared from busy streets crowded places but nobody saw them
00:48:50back think who do we trust even though we don't know them who passes unnoticed wherever they go
00:48:58who hunts in the middle of a crowd i don't know who i'm at the faintest hungry
00:49:09thank you billy
00:49:1422 northumberland street keep your eyes on it
00:49:17he's not just going to ring the doorbell though is he i need to be mad he has killed four people
00:49:25okay
00:49:28sherlock anything on the menu whatever you want free on the house for you and for your date
00:49:33do you want to eat i'm not his date this man got me off a murder charge
00:49:37this is angelo three years ago i successfully proved to lestrade at the time of a particularly
00:49:41vicious triple murder that angelo is in a completely different part of townhouse breaking
00:49:45he cleared my name i cleared it a bit nothing happening opposite nothing but for this man
00:49:51i'll have gone to prison you did go to prison i'll get a candle for the table it's more romantic
00:49:55i'm not his date
00:49:59you may as well eat we might have a long wait
00:50:03thanks
00:50:03people don't have arch enemies
00:50:15sorry in real life there are no arch enemies in real life doesn't happen doesn't it sounds a bit
00:50:22dull so who did i meet what do real people have then in their real lives
00:50:27friends there are people they know people they like people they don't like
00:50:35girlfriends boyfriends well as i was saying dull
00:50:39you don't have a girlfriend then girlfriend no not really my area
00:50:46all right
00:50:48do you have a boyfriend which is fine by the way i know it's fine
00:50:52so you've got a boyfriend no right okay
00:50:59you're unattached just like me fine good
00:51:13john um i think you should know that i consider myself married to my work and while i'm flattered
00:51:18by your interest i'm really not looking for anything no i'm not asking no i'm just saying
00:51:26it's all fine
00:51:30good
00:51:32thank you
00:51:36look across the street taxi stopped nobody giving it nobody giving out
00:51:40why taxi oh that's clever is it clever why is it clever that's it don't stare well you're staring
00:52:02you're staring at me
00:52:15sorry i've got the cab number good for you right turn one way road work traffic lights bus lane
00:52:23pedestrian crossing left turn only traffic lights
00:52:31sorry
00:52:43come on john
00:52:53come on john we're losing him
00:53:15so
00:53:21oh
00:53:34this way
00:53:36no this way
00:53:38sorry
00:53:51police
00:54:05open her up
00:54:10no
00:54:12teeth turn what californian
00:54:13l.a. l.a. santa monica just arrived how can you possibly know the luggage
00:54:20uh probably your first trip to london right going by your final destination the route the cabbie was taking
00:54:26you
00:54:27sorry sorry are you guys the police yeah everything all right yeah welcome to london
00:54:37uh any problems just let us know
00:54:40uh
00:54:42uh
00:54:43uh
00:54:44uh
00:54:46uh
00:54:50uh
00:54:52uh
00:54:54uh
00:54:54Detective Inspector Lestrade?
00:54:56Yeah. I pickpocket him when he's annoying.
00:54:59You can keep that one. I've got plenty at the flat.
00:55:04What? Nothing. Just, uh, welcome to London.
00:55:10Got your breath back? Only when you are.
00:55:13That was ridiculous. That was the most ridiculous thing I've ever done.
00:55:27And you invaded Afghanistan.
00:55:32That wasn't just me. Why aren't we back at the restaurant?
00:55:35Oh, if they could keep an eye out. It was a long shot anyway.
00:55:40So what were we doing there?
00:55:43Oh, just passing the time.
00:55:47And proving a point.
00:55:49What point?
00:55:50You.
00:55:50Mrs. Hudson. Dr. Watson will take the room upstairs.
00:55:54Says who?
00:55:56Says the man at the door.
00:56:08Sherlock texted me.
00:56:11He said you forgot this.
00:56:13Uh, thank you. Thank you.
00:56:20Sherlock, what have you done?
00:56:21Mrs. Hudson.
00:56:22Upstairs.
00:56:30What are you doing?
00:56:31Well, I knew you'd find the case. I'm not stupid.
00:56:33You can't just break into my flat.
00:56:34You can't withhold evidence. And I didn't break into your flat.
00:56:37Well, what do you call this then?
00:56:39It's a drugs bust.
00:56:41Seriously.
00:56:42This guy. A junkie. Have you met him?
00:56:44John.
00:56:45I'm pretty sure you could search this flat all day. You wouldn't find anything you could call recreation.
00:56:49John, you probably want to shut up now.
00:56:50Yeah, but come on.
00:56:54No.
00:56:54What?
00:56:56You.
00:56:56Shut up.
00:56:57I'm not your sniffer dog.
00:56:58No, Anderson's my sniffer dog.
00:57:00What?
00:57:02Anderson, what are you doing here on a drugs bust?
00:57:04Oh, I volunteered.
00:57:06They all did. They're not strictly speaking on the drug squad, but they're very keen.
00:57:09Are these human eyes?
00:57:10Put those back.
00:57:11They were in the microwave.
00:57:13It's an experiment.
00:57:13Keep looking, guys.
00:57:15Or you could start helping us properly and I'll stand them down.
00:57:17Shut this.
00:57:18Well, I'm dealing with a child.
00:57:20Sherlock, this is our case. I'm letting you in, but you do not go off on your own.
00:57:24Clear?
00:57:24Oh, what? So, so, so you set up a pretend drugs bust to bully me?
00:57:28Well, it stops being pretend if they find anything.
00:57:30I am clean.
00:57:31Is your flat all of it?
00:57:34Don't even smoke.
00:57:36Neither do I.
00:57:39So, let's work together.
00:57:42We found Rachel.
00:57:43Who is she?
00:57:44Jennifer Wilson's only daughter.
00:57:46A daughter?
00:57:47Why would she write her daughter's name? Why?
00:57:50Never mind that. We found the case.
00:57:52According to someone, the murderer has the case and we found it in the hands of our favorite psychopath.
00:57:57I'm not a psychopath.
00:57:58Anderson, I'm a high-functioning sociopath. Do your research.
00:58:01You need to bring Rachel in. You need to question her. I need to question her.
00:58:04She's dead.
00:58:04Excellent. How long am I? Is there a connection? There has to be.
00:58:07Well, I doubt it since she's been dead for 14 years. Technically, she was never alive.
00:58:12Rachel was Jennifer Wilson's stillborn daughter 14 years ago.
00:58:16No, that's not right. Why would she do that? Why?
00:58:23Why would she think of her daughter in her last moments?
00:58:25Yeah, sociopath. I'm seeing it now.
00:58:27She didn't think about her daughter. She scratched her name on the floor with her fingernails.
00:58:32She was dying. It took effort. It would have hurt.
00:58:35You said that the victims all took the poison themselves. He makes them take it.
00:58:40Well, maybe he, I don't know, talks to them. Maybe he used the death of her daughter somehow.
00:58:45Yeah, but that was ages ago. Why would she still be upset?
00:58:52Not good?
00:58:53A bit not good, yeah.
00:58:54Yeah, but if you were dying, if you'd been murdered in your very last few seconds, what would you say?
00:58:59Please, God, let me live. Use your imagination. I don't have to.
00:59:05Yeah, but if you were clever, really clever, Jennifer Wilson running all those lovers, she was clever.
00:59:09She's trying to tell us something.
00:59:10Isn't the doorbell working? Your taxi's here, Shirley.
00:59:13Order a taxi. Go away.
00:59:15Oh, dear. They're making such a mess. What are they looking for?
00:59:17It's a drugs bust, Mrs Hudson.
00:59:19But they're just for my hip. They're herbal soothers.
00:59:22Shut up, everybody. Shut up. Don't move. Don't speak. Don't breathe. I'm trying to think.
00:59:26Anderson, face the other way. You're putting me off.
00:59:28What?
00:59:28My face is.
00:59:29Everybody quiet and still. Anderson, turn your back.
00:59:32Oh, for God's sake.
00:59:33Get back now, please.
00:59:34Come on, Dick, quick.
00:59:35What about your taxi?
00:59:37Mrs Hudson!
00:59:39She was clever, clever. Yes, she's cleverer than you lot and she's dead.
00:59:51Do you see? Do you get it?
00:59:52She didn't lose her phone. She never lost it. She planted it on him.
00:59:56When she got out of the car, she knew that she was going to her death.
00:59:59She left the phone in order to lead us to her killer.
01:00:02How?
01:00:04What do you mean, how?
01:00:06Rachel!
01:00:09Did you see?
01:00:10Rachel!
01:00:15Look at you lot. You're all so vacant.
01:00:16Is it nice not being me? It must be so relaxing.
01:00:19Rachel is not a name.
01:00:20Then what is it?
01:00:21John, on the luggage, there's a label. Email address.
01:00:27Jenny.pink at mephone.org.uk.
01:00:29I've been too slow. She didn't have a laptop, which means she did her business on her phone.
01:00:33So it's a smartphone. It's email enabled. So there was a website for her account.
01:00:37The username is her email address. And all together now, the password is...
01:00:40Rachel.
01:00:42So we can read her emails. So what?
01:00:43Anderson, don't talk out loud. You lower the IQ of the whole street. We can do much more than just read
01:00:47her emails. It's a smartphone. It's got GPS. Which means if you lose it, you can locate it online.
01:00:52She's leading us directly to the man who killed her.
01:00:55Unless he got rid of her.
01:00:55We know he didn't. Come on. Come on. Quickly.
01:00:58Sherlock, dear. This taxi driver.
01:01:01Mrs. Hudson, isn't it time for your evening soother?
01:01:04Just get vehicles. Get a helicopter. We're gonna have to move fast.
01:01:06This phone battery won't last forever.
01:01:08We'll just have a map reference, not an...
01:01:10It's a start.
01:01:11Sherlock.
01:01:12Now is it time for just anyone in London? It's the first proper lead that we've had.
01:01:14Sherlock.
01:01:15Where is it quickly? Where?
01:01:17It's here. It's in 221 Baker Street.
01:01:23I'm gonna be here.
01:01:25How?
01:01:26Well, maybe it was in the case when you brought it back and it fell out somewhere.
01:01:31What? And I didn't notice it. Me. I didn't notice.
01:01:33Anyway, we texted him and he called back.
01:01:35Guys, we're also looking for a mobile somewhere here.
01:01:38What do we trust? Even if we don't know them.
01:01:45Who passes unnoticed wherever they go?
01:01:59Who hunts in the middle of a crowd?
01:02:10We believe he got a motorcycle.
01:02:15What?
01:02:18I don't know.
01:02:23I don't think she could win.
01:02:31But what?
01:02:32Sherlock, you okay?
01:02:40What?
01:02:42Yeah, yeah, I'm fine.
01:02:45So, how can the phone be here?
01:02:47Don't know.
01:02:48I'll try it again.
01:02:49Good idea.
01:02:50Hey, where are you going?
01:02:51Fresh air.
01:02:52Just hopping outside for a moment.
01:02:53Won't be long.
01:02:55You sure you're all right?
01:02:56I'm fine.
01:03:02Taxi for Sherlock Holmes.
01:03:12I didn't order a taxi.
01:03:15Doesn't mean you don't need one.
01:03:17You're the cabbie.
01:03:20The one who stopped outside Northumberland Street.
01:03:27It was you, not your passenger.
01:03:31See, no one ever thinks about the cabbie.
01:03:33It's like you're invisible.
01:03:36Just the back of an head.
01:03:39Proper advantage for a serial killer.
01:03:44Is this a confession?
01:03:45Oh, yeah.
01:03:47I'll tell you what else.
01:03:49If you call the coppers now, I won't run.
01:03:52I'll sit quiet and they can take me down, I promise.
01:03:56Why?
01:03:57Because you're not going to do that.
01:03:59I might not.
01:03:59I didn't kill those four people, Mr. Holmes.
01:04:05I spoke to them.
01:04:07And they killed themselves.
01:04:08And if you get the coppers now, I'll promise you one thing.
01:04:15I will never tell you what I said.
01:04:17No one else will die, though, and I believe they call that a result.
01:04:27And you won't ever understand how those people died.
01:04:29What kind of result do you care about?
01:04:33If I wanted to understand, what would I do?
01:04:54Let me take you for a ride.
01:04:56So you can kill me, too?
01:04:57I don't want to kill you, Mr. Holmes.
01:05:01I'm going to talk to you.
01:05:04And then you're going to kill yourself.
01:05:05He just got in a cab.
01:05:25It's Sherlock.
01:05:26He just drove off in a cab.
01:05:27I told you.
01:05:28He does that.
01:05:29He's already left again.
01:05:31We're wasting our time.
01:05:33I'm calling the phone.
01:05:34It's ringing out.
01:05:35Well, if it's ringing, it's not here.
01:05:49I'll try the search again.
01:05:50Does it matter?
01:05:51Does any of it?
01:05:53He's just a lunatic, and he'll always let you down,
01:05:55and you're wasting your time.
01:05:57All our time.
01:06:05Okay, everybody.
01:06:07Done here.
01:06:11How did you find me?
01:06:13Oh, I recognized you.
01:06:16As soon as I saw you chasing my cab,
01:06:19Sherlock Holmes.
01:06:22I was warned about you.
01:06:25I've been on your website, too.
01:06:26Brilliant stuff.
01:06:27Loved it.
01:06:29He warned you about me.
01:06:31There's someone out there who's noticed you.
01:06:32Who would notice me?
01:06:45You're too modest, Mr. Holmes.
01:06:46I'm really not.
01:06:48You've got yourself a fan.
01:06:51Tell me more.
01:06:53That's all you're gonna know.
01:06:55In this lifetime.
01:06:58Why did he do that?
01:07:00Why did he have to leave?
01:07:01You know him better than I do.
01:07:03I've known him for five years.
01:07:05I never doubt.
01:07:08So why do you put up with him?
01:07:10Because I'm desperate, that's why.
01:07:14Because Sherlock Holmes is a great man.
01:07:17And I think one day,
01:07:19if we're very, very lucky,
01:07:21we might even be a good one.
01:07:22You know every street in London.
01:07:48You know exactly where we are.
01:07:50Roland Kerr further education college.
01:07:53Why here?
01:07:54It's open.
01:07:56Cleaners are in there.
01:07:58One thing about being a cabbie,
01:07:59you always know a nice, quiet spot for a murder.
01:08:02I'm surprised more of us don't branch out.
01:08:05And you just walk your victims in?
01:08:07How?
01:08:10Oh, doll.
01:08:11Don't worry.
01:08:12It gets better.
01:08:14Can't make people take their own lives at gunpoint.
01:08:17I don't.
01:08:19It's much better than that.
01:08:21Don't need this with you.
01:08:23Because you'll follow me.
01:08:24It's there.
01:08:25Let's go.
01:08:29Let's go.
01:08:34Let's go.
01:08:34I don't know.
01:09:04Well, what do you think?
01:09:19It's up to you.
01:09:21You're the one who's going to die here.
01:09:25No, I'm not.
01:09:27That's what they all say.
01:09:30Shall we talk?
01:09:34A bit risky, wasn't it?
01:09:49Took me away under the eye of about half a dozen policemen.
01:09:53They're not that stupid.
01:09:55And Mrs. Hudson will remember you.
01:09:57You call that a risk?
01:09:58Nah.
01:09:58This is a risk.
01:10:09Oh, I like this bit.
01:10:12Because you don't get it yet, do you?
01:10:16But you're about to.
01:10:19I'll just have to do this.
01:10:20You weren't expecting that, were you?
01:10:30Oh, you're going to love this.
01:10:31Love what?
01:10:33Sherlock Holmes.
01:10:34Look at you.
01:10:36You're in the flesh.
01:10:39That website of yours.
01:10:40Your fan told me about it.
01:10:42My fan?
01:10:43You are brilliant.
01:10:46You are a proper genius.
01:10:49The science of deduction.
01:10:51Now that is proper thinking.
01:10:55Between you and me, Siania, why can't people think?
01:11:00Doesn't it make you mad?
01:11:03Why can't people just think?
01:11:05Oh, I see.
01:11:11So you're a proper genius, too.
01:11:14Don't look it, do I?
01:11:17Funny little man driving a cab.
01:11:19But you know better in a minute.
01:11:22Chances aren't be the last thing you ever know.
01:11:27Okay, two bottles.
01:11:29Explain.
01:11:30There's a good bottle and a bad bottle.
01:11:33You take the pill from the good bottle, you live.
01:11:35Take the pill from the bad bottle, you die.
01:11:40Both bottles are, of course, identical.
01:11:41In every way.
01:11:42And you know which is which?
01:11:43Of course I know.
01:11:44But I don't.
01:11:45Wouldn't be a game if you knew.
01:11:47You're the one who chooses.
01:11:48Why should I?
01:11:49I've got nothing to go on.
01:11:51What's in it for me?
01:11:53I haven't told you the best bit yet.
01:11:56Whatever bottle you choose,
01:11:58I take the pill from the other one.
01:12:00And then together,
01:12:03we take our medicine.
01:12:05I won't cheat.
01:12:08It's your choice.
01:12:11I'll take whatever pill you don't.
01:12:16Didn't expect that, did you, Mr. Holmes?
01:12:19This is what you did to the rest of them.
01:12:21You gave them a choice.
01:12:22And now I'll give you a new one.
01:12:25You take your time.
01:12:27Get yourself together.
01:12:29I want your best game.
01:12:31It's not a game, it's a chance.
01:12:33I've played four times.
01:12:34I'm alive.
01:12:36It's not a chance, Mr. Holmes.
01:12:38It's chess.
01:12:41It's a game of chess.
01:12:42With one move.
01:12:45And one survivor.
01:12:46This, this, this, is the move.
01:12:51Did I just give you the good bottle or the bad bottle?
01:13:04You can choose either one.
01:13:09No, Detective Inspector Lestrade.
01:13:11I need to speak to him.
01:13:12It's important.
01:13:13It's an emergency.
01:13:15Uh, left here, please.
01:13:16Left here.
01:13:16You ready yet, Mr. Holmes?
01:13:31Ready to play?
01:13:32Play what?
01:13:33It's a 50-50 chance.
01:13:35You're not playing the numbers.
01:13:36You're playing me.
01:13:40Did I just give you the good pill or the bad pill?
01:13:43Is it a bluff?
01:13:45Or a double bluff?
01:13:46Or a triple bluff still just chance?
01:13:49Four people in a row is not chance.
01:13:51Luck.
01:13:51It's genius.
01:13:54I know how people think.
01:13:56I know how people think.
01:13:58I think.
01:13:59I can see it all like a map inside my head.
01:14:03Everyone's so stupid, even you.
01:14:06Or maybe God just loves me.
01:14:11Either way, you're wasted as a cabbie.
01:14:16So.
01:14:25You risked your life four times just to kill strangers.
01:14:29Why?
01:14:30Time to play.
01:14:31Oh, I am playing.
01:14:34This is my turn.
01:14:36There's shaving foam behind your left ear.
01:14:38Nobody's pointed it out to you.
01:14:40Traces of where it's happened before, so obviously you live on your own.
01:14:43There's no one to tell you.
01:14:44But there's a photograph of children.
01:14:46The children's mother's been cut out of the picture.
01:14:48If she died, she'd still be there.
01:14:49Photographs old, but the frame's new.
01:14:51You think of your children, but you don't get to see them.
01:14:54Strange father.
01:14:56She took the kids.
01:14:57But you still love them, and it still hurts.
01:15:03Ah, but there's more.
01:15:06Your clothes, recently laundered.
01:15:08But everything you're wearing is at least three years old.
01:15:11Keeping up appearances, but not planning ahead.
01:15:14And here you are, in a kamikaze, you notice me, what's that about?
01:15:24Ah.
01:15:26Three years ago.
01:15:27Is that when they told you?
01:15:28Told me what?
01:15:30That you're a dead man walking.
01:15:32So are you.
01:15:33You don't have long, no.
01:15:35Am I right?
01:15:38Aneurysm.
01:15:39Right in here.
01:15:39Any breath could be my last.
01:15:46And because you're dying, you've just murdered four people.
01:15:49I've outlived four people.
01:15:53That's the most fun you can have with an aneurysm.
01:15:56No.
01:15:58No, there's something else.
01:16:00You didn't just kill four people because your bitter bitterness is a paralytic.
01:16:04Love is a much more vicious motivator.
01:16:09Somehow, this is about your children.
01:16:12Oh.
01:16:16You are good, aren't you?
01:16:17But how?
01:16:20When I die, they won't get much, my kids.
01:16:25Not a lot of money in driving cabs.
01:16:27Or serial killer.
01:16:28You'd be surprised.
01:16:30Surprise me.
01:16:33I have a sponsor.
01:16:36You have a what?
01:16:37For every life I take, money goes to my kids.
01:16:40The more I kill, the better off they'll be.
01:16:45You see?
01:16:46It's nicer than you think.
01:16:48I'd sponsor a serial killer.
01:16:50You'd be a fan of Sherlock Holmes.
01:16:56You're not the only one to enjoy a good murder.
01:16:59There's others out there just like you, except you're just a man.
01:17:02And there's so much more than that.
01:17:08What do you mean?
01:17:10More than a man.
01:17:13An organization, what?
01:17:15There's a name that no one says.
01:17:19And I'm not going to say it either.
01:17:23Now, enough chatter.
01:17:27Time to choose.
01:17:28Sherlock!
01:17:40Sherlock!
01:17:41What if I don't choose either?
01:17:43I could just walk out of here.
01:17:48You can take a 50-50 chance.
01:17:51Or I can shoot you in the head.
01:17:53Funny enough, no one's ever gone for that option.
01:17:59I'll have the gun, please.
01:18:02Are you sure?
01:18:05Definitely.
01:18:06The gun.
01:18:07You don't want to phone a friend?
01:18:10The gun.
01:18:17I know a real gun when I see one.
01:18:21None of the others did.
01:18:22Clearly.
01:18:24Well, this has been very interesting.
01:18:28I look forward to the court case.
01:18:34Just before you go, did you figure it out?
01:18:38Which one's the good bottle?
01:18:40Of course.
01:18:41Child's play.
01:18:43Which one, then?
01:18:44Which one would you have picked?
01:18:47Just so I know whether I could have beaten you.
01:18:51Come on.
01:18:53Play the game.
01:18:54Oh, interesting.
01:19:08Oh.
01:19:09Interesting.
01:19:12so what do you think
01:19:22shall we
01:19:25really what do you think
01:19:30can you beat me
01:19:34clever enough
01:19:37to bet your life
01:19:41I bet you get bored don't you
01:19:58I know you do
01:20:01man like you
01:20:03so clever
01:20:05but what's the point of being clever
01:20:08if you can't prove it
01:20:10still the addict
01:20:13but this
01:20:16this is what you're really addicted to
01:20:19you do anything
01:20:22anything at all
01:20:25to stop being bored
01:20:27you're not bored now are you
01:20:31and they could
01:20:34was I right I was wasn't I did I get it right
01:20:53okay tell me this
01:21:00your sponsor
01:21:02who was it
01:21:04the one who told you about me my fan
01:21:06I want a name
01:21:08no
01:21:09you're dying
01:21:11but there's still time to hurt you
01:21:12give me a name
01:21:14a name
01:21:19now
01:21:20the name
01:21:24why have I got this blanket they keep putting this blanket on me yeah it's for shot
01:21:35I'm not in shock
01:21:54yeah but some of the guys want to take photographs
01:21:57so the shooter no sign
01:22:00cleared off before we got here
01:22:02but a guy like that would have had enemies I suppose
01:22:04one of them could have been following him but
01:22:06got nothing to go on
01:22:08oh I wouldn't say that
01:22:11okay give me
01:22:14the bullet they just dug out of the walls from a handgun
01:22:17kill shot over that distance from that kind of a weapon
01:22:20that's a crack shot you're looking for
01:22:21but not just a marksman
01:22:22a fighter his hands couldn't have shaken at all
01:22:24so clearly he's acclimatized to violence
01:22:25he didn't find until I was in immediate danger though
01:22:28it's a strong moral principle
01:22:29you're looking for a man probably with a history of military service
01:22:32and nerves of steel
01:22:41actually do you know what ignore me
01:22:43sorry ignore all of that it's just the uh the shock talking
01:22:47where are you going
01:22:48I just need to talk about the rent
01:22:50I've still got questions for you
01:22:52what now I'm in shock look I've got a blanket
01:22:54Sherlock
01:22:54and I just caught you a serial killer
01:22:57more or less
01:22:59okay
01:23:02we'll put you in tomorrow if you go
01:23:11um sergeant donovan's just been explaining everything
01:23:16two pills
01:23:18dreadful business
01:23:20dreadful
01:23:21good shot
01:23:23yes
01:23:25yes must have been
01:23:26through that window
01:23:27well you'd know
01:23:28need to get the powder burns out of your fingers
01:23:32I don't suppose you'd serve time for this
01:23:34but let's avoid the court case
01:23:35are you all right
01:23:38yes of course I'm all right
01:23:39you have just killed a man
01:23:40it's true
01:23:45but he wasn't a very nice man
01:23:49no no he wasn't really was he
01:23:52you know frankly a bloody awful cabbie
01:23:54that's true he was a bad cabbie
01:23:58should have seen the route he took us to get there
01:24:00we can't giggle it's a crime scene stop it
01:24:03you're the one who shot him don't know me
01:24:04keep your voice now
01:24:06sorry it's just um nerves
01:24:07sorry
01:24:08you were gonna take that damn pill weren't you
01:24:12course I wasn't
01:24:13biding my time
01:24:15you'd turn up
01:24:17you didn't
01:24:18that's how you get your kicks isn't it
01:24:20you risk your life to prove you're clever
01:24:21why would I do that
01:24:23because you're an idiot
01:24:24dinner
01:24:27starving
01:24:28and a baker street
01:24:30there's a good chinese
01:24:31stays open till two
01:24:32I always tell the good chinese
01:24:33backs up near the bottom third of the door
01:24:34Sherlock
01:24:35that's him
01:24:36that's the man I was talking to you about
01:24:38I know exactly who that is
01:24:40so another case cracked
01:24:43how very public spirited
01:24:45that's never really your motivation is it
01:24:48what are you doing here
01:24:50as ever
01:24:51I'm concerned about you
01:24:53yes I've been hearing about your concern
01:24:54oh it's so aggressive
01:24:56it never occurred to you that you and I belong on the same side
01:24:59oddly enough
01:25:01no
01:25:01we have more in common than you like to believe
01:25:04this petty feud between us is simply childish
01:25:08people will suffer
01:25:09and you know how it always upset mummy
01:25:11I upset her
01:25:14me
01:25:15it wasn't me that upset her
01:25:18Mycroft
01:25:19no no wait
01:25:20mummy who's mummy
01:25:22mother our mother
01:25:23this is my brother Mycroft
01:25:26putting on weight again
01:25:28losing it in fact
01:25:30he's your brother
01:25:31of course he's my brother
01:25:32because he's not
01:25:35not what
01:25:36I know
01:25:38criminal mastermind
01:25:39close enough
01:25:42for goodness sake
01:25:43I occupy a minor position in the British government
01:25:46he is in the British government
01:25:47when he's not too busy being the British Secret Service
01:25:49or the CIA on a freelance basis
01:25:51good evening Mycroft
01:25:53try not to start a war before I get home
01:25:56you know what it does with the traffic
01:25:57so when you say you're concerned about him
01:26:02you actually are concerned
01:26:03yes of course
01:26:05I mean it actually is a childish feud
01:26:08he's always been so resentful
01:26:10you could imagine the Christmas dinners
01:26:13yeah
01:26:14no god no
01:26:16I'd better um
01:26:19hello again
01:26:20hello
01:26:23yes we met earlier on this evening
01:26:25oh
01:26:27okay good night
01:26:28good night
01:26:29good night Dr. Watson
01:26:30so dim sum
01:26:33I can always predict the fortune cookies
01:26:35no you can
01:26:36almost can
01:26:36you did get shot though
01:26:37sorry
01:26:38in Afghanistan there was an actual wound
01:26:40oh yeah the shoulder
01:26:41the shoulder I thought so
01:26:43no you didn't
01:26:43the left one
01:26:44lucky guess
01:26:45you never guess
01:26:45yes you do
01:26:47what are you so happy about
01:26:48Moriarty
01:26:50what's Moriarty
01:26:51absolutely no idea
01:26:53sir should we go
01:26:56interesting that soldier fellow
01:27:00he could be the making of my brother
01:27:02can't make him worse than ever
01:27:04either way we'd better upgrade their surveillance status
01:27:09grade three active
01:27:11sorry sir
01:27:12whose status?
01:27:15Sherlock Holmes
01:27:16and Dr. Watson
01:27:18we'll see you next time
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