- yesterday
Category
đŸ˜¹
FunTranscript
00:00:00Why today?
00:00:14Do you want to hear me say it?
00:00:1518 months since our last appointment.
00:00:18Did you read the papers?
00:00:22Sometimes.
00:00:23And you watched telly?
00:00:26Do you know why I'm here?
00:00:30I'm here because...
00:00:33What happened, John?
00:00:52Sure.
00:00:57You need to get it out.
00:01:00You're my best friend.
00:01:03You should have gone.
00:01:07He's dead.
00:01:08You're my best friend.
00:01:09You're my best friend.
00:01:09You should have gone.
00:01:09I'm here.
00:01:10You should have gone.
00:01:13You should have gone.
00:01:13¶¶
00:01:42Falls of the Rikerback, Turner's masterpiece, thankfully recovered, owing to the prodigious talent of Mr. Sherlock Holmes.
00:01:55A small token of our gratitude.
00:01:58Diamond cufflinks. All my cuffs have buttons.
00:02:01He means thank you.
00:02:02Do I?
00:02:03Just say it.
00:02:05Back together with my family. After my terrifying ordeal. And we have one person to thank for my deliverance. Sherlock Holmes.
00:02:23Typing. I don't wear ties.
00:02:30Peter Riccolati. Number one on Interpol's most wanted list since 1982.
00:02:37Well, we got him. And there's one person we have to thank for giving us the decisive leads.
00:02:42What is customary diploma syntax?
00:02:45Sarcasm.
00:02:46Yes.
00:02:47Ooh, chips in.
00:02:57Oh.
00:02:58Put the hat on!
00:02:59Put the hat on!
00:03:00Yeah, Sherlock, put it on!
00:03:01Just get it over with.
00:03:03Boffin. Boffin Sherlock Holmes.
00:03:20Everybody gets one.
00:03:21One what?
00:03:22Tabloid nickname.
00:03:23Subo. Nasty Nick.
00:03:24Didn't worry, I'll probably get one soon.
00:03:26Page five, column six, first sentence.
00:03:28Why is it always the hat photograph?
00:03:30Bachelor John Watson.
00:03:31What a hat is it?
00:03:32Bachelor?
00:03:33What the hell are they implying?
00:03:34Is it a cat?
00:03:35Why's it got two friends?
00:03:36It's a deer stalker.
00:03:37Frequently seen in the company of Bachelor John Watson.
00:03:39You stalk a deer with a hat?
00:03:40What are you going to do?
00:03:41Throw it?
00:03:42Confirmed Bachelor John Watson.
00:03:43Some sort of death frisbee.
00:03:44Okay, this is too much.
00:03:45We need to be more careful.
00:03:46It's got flaps.
00:03:47Ear flaps.
00:03:48It's an ear hat.
00:03:49John.
00:03:50What do you mean more careful?
00:03:51I mean, this isn't a deer stalker now.
00:03:53It's a Sherlock Holmes hat.
00:03:55I mean that you're not exactly a private detective anymore.
00:03:57You're this far from famous.
00:03:59Oh, it'll pass.
00:04:00It better pass.
00:04:01If the press will turn, Sherlock, they always turn.
00:04:03And they'll turn on you.
00:04:07It really bothers you.
00:04:08What?
00:04:09What people say.
00:04:10About me, I don't understand.
00:04:11Why would it upset you?
00:04:14Just trying to keep a low profile.
00:04:16Find yourself a little case this week.
00:04:19Stay out of the news.
00:04:27You're and I don't know.
00:04:28Go back, all right.
00:04:30We're back and we're back and we're back then.
00:04:31Move out, all right.
00:04:32Move out, I'm leaving.
00:04:33Oh.
00:04:34Oh.
00:04:35Oh, well.
00:04:36It's really good.
00:04:38No, we're back.
00:04:38It's really good.
00:04:39No, I'm leaving.
00:04:40Oh.
00:04:41Oh, my God.
00:04:42Come home.
00:04:44I got you too.
00:04:46There's another law.
00:04:47Oh, man.
00:04:48It's your phone.
00:05:04Mm, keeps doing that.
00:05:09So, did you just talk to him for a really long time?
00:05:14Oh, Henry Fishguard never committed suicide.
00:05:17Those street runners missed everything.
00:05:21Pressing case, is it?
00:05:22We're all pressing to the stalls.
00:05:25Quickly, feedback, please.
00:05:31Excuse me, sir.
00:05:33Any metal objects, keys, mobile phones?
00:05:38Yeah, you can go through.
00:05:47I fancy a couple then, mate.
00:06:14Yeah, why not?
00:06:17Diltz at seven.
00:06:19Dutch telecoms in free fall.
00:06:22Thank you, Harvey.
00:06:27What do you say?
00:06:29Refuse them all parole and bring back the rope.
00:06:32Let's begin.
00:06:33Sir, I'm going to have to ask you to leave.
00:06:57Sir, there's been a break-in.
00:07:14Not our division.
00:07:15You won it.
00:07:15The vault.
00:07:35Packed into the town, bloody lot of security.
00:07:37How?
00:07:39Tell them we're going on our way.
00:07:40There's been another one.
00:07:41Another break-in.
00:07:43Bank of England.
00:07:44Security's down, sir.
00:08:06It's failing.
00:08:09Where is it now?
00:08:10Penteville Prison.
00:08:13Oh, no.
00:08:13Workers now!
00:08:21Oh, no.
00:08:26Oh, no.
00:08:36Oh, no.
00:08:40Oh, no.
00:08:40Oh, no.
00:09:13No rush.
00:09:30I'll get it, shall I?
00:09:40Yeah.
00:09:41Not now. I'm busy.
00:09:43Sherlock. Not now.
00:09:44He's back.
00:10:02That glass is tougher than anything.
00:10:04Not tougher than crystallized carbon.
00:10:06He used a diamond.
00:10:07Oh, cinnamon, where you gonna run to?
00:10:32Cinnamon, where you gonna run to?
00:10:35We gonna run to
00:10:39All on that day
00:10:41Will I run to the rock?
00:10:44Please pack me and run to the rock
00:10:47Please pack me and run to the rock
00:10:47Please pack me and run to the rock
00:10:50Take the fruit
00:10:51Take the fruit
00:10:51Take the fruit
00:10:52That way
00:10:52Don't you see me down here praying
00:10:54But the Lord said
00:10:57To the Lord
00:10:57Please heart me, Lord
00:11:01Don't you see me praying
00:11:04Don't you see me down here praying
00:11:08But the Lord said
00:11:11Go to the devil
00:11:13The Lord said
00:11:15Go to the devil
00:11:17He said go to the devil
00:11:21All on that day
00:11:22So I ran to the devil
00:11:25He was waiting
00:11:26I ran to the devil
00:11:28Remember
00:11:29Yes
00:11:30Remember
00:11:32Remember what they told you
00:11:36Don't try to be clever
00:11:37And please just keep it simple and brief
00:11:39Can't forbid the star witness of the charge
00:11:41We come across as intelligent
00:11:42Intelligent, fine
00:11:43Let's give smartass a wide berth
00:11:45I'll just be myself
00:11:47Are you listening to me?
00:11:50Power!
00:11:57Today standing outside
00:11:59This is the trial of the century
00:12:00The trial of James Moriarty
00:12:02James Moriarty earlier today accused of attempting
00:12:05Attempting to steal the crown jewels
00:12:07At the Old Bailey we have
00:12:08Reichenbach hero Sherlock Holmes
00:12:10Yeah
00:12:11Would you mind slipping your hand into my pocket?
00:12:22Oh yeah
00:12:22Would you mind slipping your hand into my pocket?
00:12:24Oh yeah
00:12:24Oh yeah
00:12:25Oh yeah
00:12:26Oh yeah
00:12:28It was boiling around the sea
00:12:44It was boiling around the sea
00:12:47Crown versus Moriarty
00:12:49Please proceed to court's tent
00:12:51You're him
00:12:55Wrong toilet
00:12:58I'm a big fan
00:13:00I read your cases
00:13:02Follow them all
00:13:03Sign my shirt would you?
00:13:06There are two types of fans
00:13:09Well?
00:13:12Catch me before I kill again
00:13:13Type A
00:13:13Uh-huh
00:13:14What's type B?
00:13:15Your bedroom's just a taxi ride away
00:13:17Hmm
00:13:17Guess which one I am
00:13:20Neither
00:13:24Really?
00:13:26No, you're not a fan at all
00:13:27There's marks on your forearm
00:13:29As you have a desk
00:13:30You've been typing in a hurry probably
00:13:31Pressure on
00:13:32Facing a deadline
00:13:34At all?
00:13:35There's a smudge of ink on your wrist
00:13:37And the bowels in your left jacket pocket
00:13:38Bit of a giveaway
00:13:40Smudge is deliberate
00:13:41To see if I'm as good as they say I am
00:13:42Hmm
00:13:44Oil base
00:13:45Used in newspaper print
00:13:46But drawn on
00:13:47With an index finger
00:13:48Your finger
00:13:49Hmm
00:13:50Journalist
00:13:50Unlikely you get your hands dirty at the press
00:13:53A bit like that to test me
00:13:56Wow, I'm liking you
00:13:58You mean I'd make a great feature
00:13:59Charlotte Combs, the man beneath that
00:14:01Kitty
00:14:02Riley
00:14:04Pleased to meet you
00:14:06No
00:14:06I'm just saving you the trouble of asking
00:14:08No, I won't give you an interview
00:14:10No, I don't want the money
00:14:11You and John Watson
00:14:12Just platonic
00:14:12Could I put you down for a no there as well?
00:14:16There's all sorts of
00:14:17Gossip in the press about you
00:14:20Sooner or later you're gonna need someone on your side
00:14:23Someone to
00:14:25Set the record straight
00:14:28You think you're the girl for that job, do you?
00:14:31I'm smart
00:14:32And you can trust me
00:14:34Totally
00:14:36Smart? Okay
00:14:38Investigative journalist
00:14:39Good
00:14:41Look at me and tell me what you see
00:14:43If that's skillful
00:14:47You don't need an interview
00:14:48You can just
00:14:49Read what you need
00:14:51No?
00:14:54Okay, my turn
00:14:55I look at you and I see someone who's still waiting for their first big scoop
00:14:59So that their editor will notice that you're wearing an expensive skirt that's been re-hemmed twice
00:15:04Only posh skirt you've got
00:15:05And your nails
00:15:06You can't afford to do them that often
00:15:07I see someone who's hungry
00:15:09I don't see smart
00:15:10And I definitely don't see trustworthy
00:15:12But I'll give you a quote if you like
00:15:13Three little words
00:15:14You
00:15:17Repel
00:15:18Me
00:15:20A consulting criminal
00:15:34Yes
00:15:36Your words
00:15:37Can you expand on that answer?
00:15:40James Moriarty is for hire
00:15:42A tradesman?
00:15:44Yes
00:15:44But not the sort who'd fix your heating?
00:15:47No, the sort who'd plant a bomb or stage an assassination
00:15:49But I'm sure he'd make a pretty decent job of your boiler
00:15:51Would you describe him as...
00:15:54What?
00:15:55Can't do that
00:15:55You're leading the witness
00:15:56He'll object to the judge and uphold
00:15:57Mr. Holmes
00:15:58Ask me how
00:15:59How would I describe him?
00:16:01What opinion have I formed of him?
00:16:02I'll teach you this
00:16:03Mr. Holmes
00:16:04We're fine without your help
00:16:06How would you describe this man?
00:16:10His character
00:16:10First mistake
00:16:12James Moriarty isn't a man at all
00:16:15He's a spider
00:16:17A spider at the center of a web
00:16:19A criminal web with a thousand threads
00:16:22And he knows precisely how each and every single one of them dances
00:16:25And how long?
00:16:30No, no, don't, don't do that
00:16:32That's really not a good question
00:16:33Mr. Holmes
00:16:34How long have I known him?
00:16:36Not really your best line of inquiry
00:16:37We met twice, five minutes in total
00:16:39I pulled the gun, he tried to blow me up
00:16:41I felt we had a special something
00:16:43Miss Sorrell
00:16:45Are you seriously claiming this man is an expert?
00:16:49After knowing the accused for just five minutes?
00:16:52Two minutes would have made me an expert
00:16:53Five was ample
00:16:54Mr. Holmes, that's a matter for the jury
00:16:56Oh, really?
00:17:01One librarian
00:17:01Two teachers
00:17:02Two high-pressure jobs
00:17:04Probably the city
00:17:05Foreman's a medical secretary
00:17:07Trained abroad
00:17:08Judging by her shorthand
00:17:09Mr. Holmes
00:17:10Seven are married and two
00:17:10Having an affair with each other
00:17:12It would seem
00:17:12Oh, and they've just had tea and biscuits
00:17:13Would you like to know who ate the wafer?
00:17:16Mr. Holmes
00:17:16You've been called here
00:17:19To answer Miss Sorrell's questions
00:17:21Not to give us a display
00:17:22Of your intellectual prowess
00:17:25Keep your answers brief and to the point
00:17:27Anything else will be treated as contempt
00:17:30Do you think you could survive
00:17:32For just a few minutes
00:17:33Without showing off?
00:17:39What did I say?
00:17:56I said don't get clever
00:17:57Can't just turn it on and off like it
00:17:59Well?
00:18:01Well what?
00:18:02You were there for the whole thing
00:18:03Up in the gallery, start to finish
00:18:05Like you said it would be
00:18:06Sat in his backside
00:18:08Never even stirred
00:18:09Moriarty's not mounting any defence
00:18:11Bank of England
00:18:12Tower of London
00:18:13Pentonville
00:18:14Three of the most secure places in the country
00:18:17Six weeks ago Moriarty breaks in
00:18:19No one knows how or why
00:18:21All we know is
00:18:23He ended up in custody
00:18:24Don't do that
00:18:27Do what?
00:18:28The look
00:18:29Look?
00:18:30You're doing the look again
00:18:31I can't see it, can I?
00:18:33It's my face
00:18:34Yes, and it's doing a thing
00:18:35You're doing a we both know what's really going on here face
00:18:37We do
00:18:38No, I don't
00:18:39Which is why I find the face so annoying
00:18:41If Moriarty wanted the jewels
00:18:42He'd have them
00:18:43If he wanted those prisoners freed
00:18:44They'd be out on the streets
00:18:45The only reason he's still in a prison cell right now
00:18:46Is because he chose to be there
00:18:48Somehow this is part of his scheme
00:18:51Mr. Crayhill
00:19:03Can we have your first witness?
00:19:08Your Honour, we're not calling any witnesses
00:19:11I don't follow
00:19:12You've entered a plea of not guilty
00:19:15Nevertheless, my client is offering no evidence
00:19:19The defence rests
00:19:21Ladies and gentlemen of the jury
00:19:33James Moriarty stands accused of several counts of attempted burglary
00:19:38Crimes which have used found guilty
00:19:41Will elicit a very long custodial sentence
00:19:45And yet this legal team has chosen to offer no evidence whatsoever to support their plea
00:19:53I find myself in the unusual position of recommending a verdict wholeheartedly
00:19:59You must find him guilty
00:20:02Guilty
00:20:06You must find him guilty
00:20:08Coming back
00:20:20Six minutes
00:20:23Surprised it took them that long to be honest
00:20:25There's a queue for the loo
00:20:27Have you reached a verdict on which you all agree?
00:20:50Not guilty
00:20:51They found him not guilty
00:20:52No defence and Moriarty's walked free
00:20:55Sherlock
00:20:59Are you listening?
00:21:01He's out
00:21:01You know he'll be coming after you
00:21:02You know he'll be coming after you
00:21:03Sherlock
00:21:03Sherlock
00:21:03I don't know.
00:21:33Most people knock.
00:21:54But then you're not most people, I suppose.
00:21:58Kettle's just boiled.
00:22:01Johann Sebastian would be appalled.
00:22:08May I?
00:22:09Please.
00:22:15You know when he was on his deathbed, Bach, he heard his son at the piano playing one of his pieces?
00:22:24The boy stopped before he got to the end.
00:22:26The dying man jumped out of his bed, ran straight to the piano and finished it.
00:22:29Couldn't cope with an unfinished melody.
00:22:31Neither can you, it's why you come.
00:22:32But be honest, you're just a tiny bit pleased.
00:22:35What with the verdict?
00:22:36With me.
00:22:37Back on the streets.
00:22:40Every fairytale needs a good old fashioned villain.
00:22:45You need me or you're nothing.
00:22:50Because we're just alike, you and I.
00:22:52Except you're boring.
00:22:54You're on the side of the angels.
00:22:57You got to the jury of course.
00:22:59I got into the tower of London.
00:23:00You think I can't worm my way into twelve hotel rooms?
00:23:06Every hotel bedroom has a personalised TV screen.
00:23:12And every person has their pressure point.
00:23:15Someone that they want to protect from harm.
00:23:19Easy peasy.
00:23:21How are you going to do it?
00:23:24Burn me.
00:23:26Well, that's the problem.
00:23:28The final problem.
00:23:31Have you worked out what it is yet?
00:23:35What's the final problem?
00:23:37I did tell you.
00:23:39But did you listen?
00:23:54How hard do you find it having to say I don't know?
00:23:57I don't know.
00:23:59Oh, that's clever.
00:24:00That's very clever.
00:24:01Speaking of clever.
00:24:03Have you told your little friends yet?
00:24:05Tell them what?
00:24:06Why I broke into all those places and never took anything.
00:24:09No.
00:24:10But you'll understand.
00:24:11Obviously.
00:24:12What if you go then?
00:24:13You want me to tell you what you already know?
00:24:14No.
00:24:15I want you to prove that you know it.
00:24:16You didn't take anything because you don't need to.
00:24:18Good.
00:24:19You'll never need to take anything ever again.
00:24:21Very good.
00:24:22Because?
00:24:23Because nothing, nothing in the Bank of England, the Tower of London or Pentonville Prison could possibly match the value of the key that could get you into all three.
00:24:31I can open any door anywhere with a few tiny lines of computer code.
00:24:36No such thing as a private bank account now.
00:24:38Or all mine.
00:24:39No such thing as secrecy.
00:24:40I own secrecy.
00:24:42Nuclear codes?
00:24:44I could blow up NATO in alphabetical order.
00:24:47In a world of locked rooms.
00:24:49The man with the key is king.
00:24:51And honey, you should see me in a crown.
00:24:55You were advertising all the way through the trial.
00:24:59You were showing the world what you can do.
00:25:01And you were helping.
00:25:02Big client list.
00:25:04Rogue governments.
00:25:05Intelligence communities.
00:25:06Terror cells.
00:25:08They all want me.
00:25:10Suddenly, I'm Mr. Sex.
00:25:13You could break any bank.
00:25:15Would you care about the highest bidder?
00:25:17I don't.
00:25:18I just like to watch them all competing.
00:25:19Daddy loves me the best.
00:25:20Aren't ordinary people adorable?
00:25:23Well, you know.
00:25:24You've got John.
00:25:26I should get myself a live-in one.
00:25:28Why are you doing all of this?
00:25:30It must be so funny.
00:25:31You don't want money or power.
00:25:32Not really.
00:25:33What is it all for?
00:25:36I want to solve the problem.
00:25:41Our problem.
00:25:43The final problem.
00:25:47It's going to start very soon, Sherlock.
00:25:50The fall.
00:25:53But don't be scared.
00:25:55Falling is just like flying except as a more permanent destination.
00:26:06Never liked riddles.
00:26:12I learned to.
00:26:15Because I owe you a fall, Sherlock.
00:26:19I...
00:26:20owe...
00:26:22you.
00:26:36what have I done?
00:26:37I...
00:26:39It's just like flying EST from the river.
00:26:41It's just like it's not a monster.
00:26:42I don't know.
00:26:43It's actually a monster.
00:26:44I can't wait to try anything.
00:26:45It's not a monster.
00:26:46I don't know.
00:26:47I'm gonna into a monster.
00:26:48I'm gonna die.
00:26:49I'm gonna die.
00:26:50I'm gonna die.
00:26:51I'm gonna die.
00:26:52What's up here?
00:26:53My, my, my...
00:26:54I'm gonna die.
00:26:55You're gonna die.
00:26:57I'm gonna die.
00:26:59BIRDS CHIRP
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00:29:25Albanian hit squad expertly trained killer living less than 20 feet from your front door
00:29:30It's a great location jubilee lines Andy John. What's it got to do with me? Diachenko, Ludmilla
00:29:40Actually, I think I have seen her Russian killer. She's taken the flat opposite
00:29:45Okay
00:29:46I'm sensing a pattern here in fact four top international assassins relocated within spitting distance of
00:29:53221p
00:29:56Anything you care to share with me?
00:29:59I'm moving
00:30:00It's not hard to guess the common denominator is it you think this is Moriarty?
00:30:05He promised Sherlock he'd come back if this was Moriarty would be dead already if not Moriarty then who?
00:30:13Why don't you talk to Sherlock if you're so concerned about him?
00:30:17Oh God don't tell me
00:30:20Too much history between us John
00:30:22Old scores
00:30:24Resentment
00:30:25Nicked all his smurfs
00:30:26Broke his action man
00:30:32Finished
00:30:34We both know what's coming John
00:30:36Moriarty is obsessed. He's sworn to destroy his only rival
00:30:40So you want me to watch out for your brother
00:30:42Because he won't accept your help
00:30:44If it's not too much trouble
00:30:46Let's not really know what else do you want to do it
00:30:47We live here with Robert
00:30:48But never know what to do
00:30:49But just make your own brother
00:30:50Make your own brother
00:30:51Papa
00:30:51Hear Mark
00:30:52Hear Mark
00:30:52Believe we all of you are
00:30:53With Gabriel
00:30:53Hope you are
00:30:56You are
00:31:06Ghastful
00:31:07Not
00:31:08Sieges
00:31:09For察
00:31:09Be
00:31:11Er
00:31:12Is
00:31:13I'm serious, mate.
00:31:31Sorry.
00:31:40Sherlock, something weird.
00:31:42What's going on?
00:31:43Kidnapping.
00:31:44Rufus Bruhl, the ambassador to the US.
00:31:46He's in Washington, isn't he?
00:31:47Not him, his children.
00:31:48Max and Cordette, age seven and nine.
00:31:50They're at St. Audates.
00:31:51Posh boarding place, down in Surrey.
00:31:53School broke up, all the other boarders went home.
00:31:55Just a few kids remained, including those two.
00:31:57The kids have vanished.
00:31:58The ambassador's asked for you personally.
00:32:00A Reichenbach hero.
00:32:04Isn't it great to be working with a celebrity?
00:32:06You shouldn't need to kill him.
00:32:21It's all right.
00:32:21It's Miss Mackenzie, housemistress.
00:32:23Go easy.
00:32:25Miss Mackenzie, you're in charge of pupil welfare.
00:32:27You let this place wide open last night.
00:32:29What are you, an idiot, a drunk or a criminal?
00:32:31Now, quickly, tell me!
00:32:32All the doors and windows are properly bolted.
00:32:35No one, not even me, went into their room last night.
00:32:38You have to believe me.
00:32:40I do.
00:32:40I just wanted you to speak quickly.
00:32:42Miss Mackenzie will need to breathe into a bag now.
00:32:52Six grand a term.
00:32:53You'd expect them to keep the kids safe from you.
00:32:56Said the other kids had all left on their holidays.
00:32:58They were the only two sleeping on this floor.
00:33:00There's absolutely no sign of a break-in.
00:33:02The intruder must have been hidden inside someplace.
00:33:10Show me where the brother slept.
00:33:34The boy sleeps there every night.
00:33:37Gazing at the only light source outside in the corridor.
00:33:40He'd recognize every shape, every outline,
00:33:42the silhouette of everyone who came to the door.
00:33:45Okay, so...
00:33:46So if someone approaches the door who he doesn't recognize,
00:33:48an intruder, maybe he can even see the outline of a weapon.
00:33:56What would he do?
00:33:58The precious few seconds before they came into the room.
00:34:01How would he use them if not to cry out?
00:34:04This little boy, this particular little boy,
00:34:06who reads all of those spy books,
00:34:08what would he do?
00:34:10Can I leave a sign?
00:34:23Get Anderson.
00:34:27Then the seat aisle.
00:34:29Not much use.
00:34:30Doesn't lead us to the kidnapper.
00:34:32Brilliant, Anderson.
00:34:33Really?
00:34:34Yes, brilliant impression of an idiot.
00:34:37Floor.
00:34:40He made a trail for it.
00:34:42The boy was made to walk ahead of them.
00:34:43On what, tip-tub?
00:34:45Indicates anxiety.
00:34:46Gun held to his head.
00:34:48The girl is pulled beside him, dragged sideways.
00:34:52He had his left arm cradled about her neck.
00:34:56That's the end of it.
00:34:57We don't know where they went from here.
00:34:58Tells us nothing after all.
00:35:01You're right, Anderson.
00:35:03Nothing.
00:35:05Except his shoe size, his height, his gait, his walking pace.
00:35:08Having fun?
00:35:19Starting to.
00:35:21Maybe don't do the smiling.
00:35:23Kidnap children.
00:35:24How did he get past the CCTV?
00:35:35If all the doors were locked.
00:35:37He walked in when they weren't locked.
00:35:38A stranger can't just walk into a school like that.
00:35:40Anyone can walk in anywhere if they pick the right moment.
00:35:44Yesterday, end of term, parents milling around, chauffeurs, staff.
00:35:48There's one more stranger among that one.
00:35:52He was waiting for them.
00:35:54All you had to do was find a place to hide.
00:36:07Molly!
00:36:08Oh, hello. I'm just going out.
00:36:09Hey, you lot.
00:36:10I've got a lunch date.
00:36:11Cancel it. You're having lunch with me.
00:36:12What?
00:36:12I need your help.
00:36:14It's one of your boyfriends. We're trying to track him down.
00:36:15It's a bit a bit naughty.
00:36:17It's Moriarty.
00:36:17Of course it's Moriarty.
00:36:19Jim actually wasn't even my boyfriend.
00:36:20We went out three times.
00:36:22I ended it.
00:36:22Yes, and then he stole the crown jewels,
00:36:23broken to the Bank of England
00:36:24and organized a prison break at Pentonville.
00:36:26For the sake of law and order,
00:36:27I suggest you avoid all future attempts at a relationship, Molly.
00:36:35Oil, John.
00:36:35The oil in the kidnapper's footprint.
00:36:38It'll lead us to Moriarty.
00:36:42All the chemical traces on his shoe have been preserved.
00:36:45Solo, the shoe is like a passport.
00:36:46If we're lucky, we can see everything that he's been up to.
00:36:52I need that analysis.
00:36:58Alkaline.
00:36:58Thank you, John.
00:36:59Molly.
00:37:00Molly.
00:37:00Yes.
00:37:01I am you.
00:37:26A glycerol molecule.
00:37:30What are you?
00:37:39What did you mean, I owe you?
00:37:42You said, I owe you.
00:37:45You were muttering it while you were working?
00:37:46Nothing.
00:37:47Mental note.
00:37:50You're a bit like my dad.
00:37:52He's dead.
00:37:53No, sorry.
00:37:53Molly, please don't feel the need to make conversation.
00:37:56It's really not your area.
00:37:58When he was dying, he was always cheerful.
00:38:00He was lovely.
00:38:01Except when he thought no one could see.
00:38:04I saw him once.
00:38:07He looked sad.
00:38:08Molly.
00:38:09You look sad.
00:38:11When you think he can't see you.
00:38:18Are you okay?
00:38:19Don't just say you are,
00:38:20because I know what that means,
00:38:21looking sad when you think no one can see you.
00:38:25You can see me.
00:38:27I don't count.
00:38:29What I'm trying to say is
00:38:30if there's anything I can do,
00:38:33anything you need,
00:38:33anything at all,
00:38:34you can have me.
00:38:36No, I just mean...
00:38:38I mean,
00:38:39if there's anything you need,
00:38:41it's fine.
00:38:42What can I need from you?
00:38:47Nothing.
00:38:48I don't know.
00:38:50You could probably say thank you,
00:38:52actually.
00:38:57I'm just going to go and get some crisps.
00:38:59Do you want anything?
00:39:00It's okay.
00:39:01I know you don't.
00:39:03Well, actually, maybe I...
00:39:04I know you don't.
00:39:04I know you don't.
00:39:16Sherlock?
00:39:17Hmm?
00:39:18This envelope
00:39:19that was in her trunk
00:39:20is another one.
00:39:22What?
00:39:23On our doorstep.
00:39:25Found it today.
00:39:27Yes.
00:39:27And look at that.
00:39:30Look at that.
00:39:31Exactly the same seal.
00:39:34Breadcrumbs.
00:39:40Uh-huh.
00:39:40Was there when I got back?
00:39:42Little trace of breadcrumbs.
00:39:44Hardback copy of fairy tales.
00:39:47Two children led into the forest
00:39:48by a wicked father
00:39:49follow a little trail
00:39:50of breadcrumbs.
00:39:51That's Hansel and Gretel.
00:39:53What sort of kid never leaves clues?
00:39:55A sort of likes to boast
00:39:56the sort that thinks
00:39:57it's all a game.
00:39:58He sat in our flat
00:39:58and he said these exact words to me.
00:40:01All fairy tales
00:40:02need a good old-fashioned feeling.
00:40:05The fifth substance.
00:40:07It's part of the tale.
00:40:08The witch's house.
00:40:12The glycerol molecule.
00:40:18PGPR.
00:40:18What's that?
00:40:19It's used in making chocolate.
00:40:20Facts arrived an hour ago.
00:40:33What have you got for us?
00:40:35We'll find a place in the city
00:40:36where all five of these things intersect.
00:40:38Chalk, asphalt,
00:40:39brick dust,
00:40:40vegetation.
00:40:41What then is this?
00:40:42Chocolate?
00:40:42I think we're looking
00:40:43for a disused sweet factory.
00:40:44We need to narrow that down.
00:40:45A sweet factory with asphalt?
00:40:46No, no, no, no.
00:40:48Too general.
00:40:49We need something more specific.
00:40:50Chalk.
00:40:50Chalky clay.
00:40:51That's a far thinner band of geology.
00:40:56Brick dust.
00:40:58Building site.
00:40:59Bricks from the 1950s.
00:41:01There's thousands of building sites
00:41:02in Ragnarok.
00:41:03I've got people out looking.
00:41:05So have I.
00:41:05Homer's network.
00:41:06Faster than the police.
00:41:08Far more relaxed
00:41:08about taking bribes.
00:41:09John.
00:41:26Rotodendron ponticom.
00:41:28Matches.
00:41:34Adelstan.
00:41:35What?
00:41:35There's a mile of disused factories
00:41:36between the river and the park.
00:41:37It matches everything.
00:41:38Come on.
00:41:39Come on.
00:41:52Okay.
00:41:53You look over there.
00:41:54Look everywhere.
00:41:56Okay.
00:41:56Spread out, please.
00:41:57Spread out.
00:42:00Quietly.
00:42:02Quietly.
00:42:02This was a light moment to go.
00:42:09They're still here.
00:42:11Sweet wrappers.
00:42:12What's he been feeding you?
00:42:13That's a legretel.
00:42:25Mercury.
00:42:26What?
00:42:27The papers, they're painted with mercury.
00:42:28Lethal.
00:42:29More of the stuff they ate.
00:42:30It was killing them.
00:42:31It's not enough to kill them on its own.
00:42:35Taking in large enough quantities,
00:42:36eventually it would kill them.
00:42:37He didn't need to be there for the execution.
00:42:39Murder by remote control.
00:42:41He could be a thousand miles away.
00:42:47The hunger they got, the more they ate,
00:42:49the faster they died.
00:42:51Neat.
00:42:52Sherlock.
00:42:53Over here!
00:42:57I've got it.
00:42:58Don't worry.
00:43:06Right then.
00:43:07The professionals are finished.
00:43:09If the amateurs want to go in and have their turn.
00:43:11Now, remember, she's in shock.
00:43:13She's at seven years old, so...
00:43:15There's nothing you can do to...
00:43:16Not be myself.
00:43:17Yeah.
00:43:18Might be helpful.
00:43:29Claudette, I...
00:43:29No, no, I know it's been hard for you.
00:43:32Claudette, listen to me.
00:43:33Get out!
00:43:39Makes no sense.
00:43:40Kids traumatized.
00:43:42Something about Sherlock reminds you of a kidnapper.
00:43:44So, what's she said?
00:43:46Hasn't uttered another syllable.
00:43:47The boy?
00:43:48No, he's unconscious.
00:43:49Still in intensive care.
00:44:05Well, don't they get to you?
00:44:07I always feel like screaming when you walk into a room.
00:44:09Facts are the most people.
00:44:12Come on.
00:44:14Brilliant work you did, finding those kids from Just a Footprint.
00:44:21It's really amazing.
00:44:23Unbelievable.
00:44:35Ah.
00:44:35You okay?
00:44:39Thinking.
00:44:42This is my cab.
00:44:43You get the next one.
00:44:44Why?
00:44:45You might talk.
00:44:59What the hell is this?
00:44:59Chocolate.
00:45:00I think we're looking for a disused sweet factory.
00:45:02Get out!
00:45:03Problem?
00:45:03Problem?
00:45:07Problem?
00:45:19Nation, this is a stunning evening where it's set from us here at London Taxi Street.
00:45:23Can you turn this off, please?
00:45:24As you can see, the set comprises of a beautiful...
00:45:27Can you turn this off?
00:45:29Accompanied by four spades and done for the price.
00:45:34Hello.
00:45:36Are you ready for the story?
00:45:38This is the story of Sir Boastamot.
00:45:42Footprint.
00:45:42That's all he has.
00:45:47Footprint.
00:45:47Yeah, well, you know what he's like.
00:45:50CSI Baker Street.
00:45:51Well, our boys couldn't have done it.
00:45:53Well, that's why we need him.
00:45:54He's better.
00:45:56That's one explanation.
00:45:58And what's the other?
00:45:59Sir Boastalot was the bravest and cleverest knight at the round table.
00:46:03But soon, the other knights began to grow tired of his stories about how brave he was and how many dragons he'd slain.
00:46:11And so they began to wonder, are Sir Boastalot's stories even true?
00:46:17Only he could have found that evidence.
00:46:20Oh, no.
00:46:21And then the girl screams her head off when she sees him, a man she has never seen before.
00:46:26Unless she had seen him before.
00:46:27What's your point?
00:46:28You know what my point is.
00:46:29You just don't want to think about it.
00:46:30So, one of the knights went to King Arthur and said,
00:46:34I don't believe Sir Boastalot's stories.
00:46:39He's just a big old liar who makes things up to make himself look good.
00:46:47You're not seriously suggesting he's involved, are you?
00:46:50I think we have to entertain the possibility.
00:46:53And then even the king began to wonder.
00:47:00But that wasn't the end of Sir Boastalot's problem.
00:47:06No.
00:47:10That wasn't the final problem.
00:47:14The end.
00:47:18Stop the cab.
00:47:20Stop the cab!
00:47:21What was that?
00:47:24What was that?
00:47:26No charge.
00:47:27Look out.
00:47:55Shut up!
00:47:56It's him.
00:48:04It's him.
00:48:05Sulemani or something.
00:48:07Mycroft showed me his fire as a big Albanian gangster that lives two doors down from us.
00:48:11He died because I shook his hand.
00:48:12What do you mean?
00:48:13He saved my life, but he couldn't touch me.
00:48:14Why?
00:48:17Four assassins living rifle have door set.
00:48:19They haven't come here to kill me.
00:48:21They have to keep me alive.
00:48:22I've got something that all of them want.
00:48:26I bet if one of them approaches me, the others kill them before they can get it.
00:48:30All of the attention is focused on me.
00:48:38This is surveillance web closing in on us right now.
00:48:41So what have you got that's so important?
00:48:42You need to ask about the dusting.
00:48:47Precise details.
00:48:48In the last week, what's been cleaned?
00:48:50Well, Tuesday at the July, no?
00:48:52No, in here.
00:48:52This room.
00:48:53This is where we'll find it.
00:48:53Any break in the dust line, you could put back anything but dust.
00:48:56Dust is eloquent.
00:48:58What's he on about?
00:49:01Cameras.
00:49:01We're being watched.
00:49:03What?
00:49:04Cameras?
00:49:04Here.
00:49:06I'm in my nightie.
00:49:25No, Inspector.
00:49:26What?
00:49:27The answer's no.
00:49:29But you haven't heard the question.
00:49:30I'm going to take you to the station, just saving you the trouble of asking.
00:49:32Sure, Doc.
00:49:35Scream?
00:49:36Yeah.
00:49:37Or was it Donovan?
00:49:37I bet it was Donovan.
00:49:39Am I somehow responsible for the kidnapping?
00:49:41Oh, Moriarty is smart.
00:49:43He planted that doubt in her head.
00:49:46That little nagging sensation you're going to have to be strong to resist.
00:49:49You can't kill an idea, can you?
00:49:51Not once it's made a home.
00:49:54There.
00:49:57Will you come?
00:49:58One photograph.
00:49:59That's his next move.
00:50:01Moriarty's game.
00:50:01First the scream, then a photograph of me being taken in for questioning.
00:50:05He wants to destroy me, inch by inch.
00:50:08It is a game, Lestrade, and not one I'm willing to play.
00:50:13Give my regards to Sergeant Donovan.
00:50:15Let's go!
00:50:27Okay.
00:50:28I'll be deciding
00:50:48Deciding
00:50:49Whether to come back with a warrant and arrest me
00:50:52You think?
00:50:53Standard procedure
00:50:54You should have gone with him
00:50:55People will think
00:50:57I don't care what people think
00:50:58You'd care if they thought you were stupid or wrong
00:51:02No, that would just make them stupid or wrong
00:51:04Sherlock, I don't want the world believing you're...
00:51:10And I am what?
00:51:14A fraud
00:51:15You're worried they're right
00:51:18What?
00:51:19You're worried they're right about me
00:51:21No
00:51:21That's why you're so upset you can't even entertain the possibility that they might be right
00:51:24You're afraid that you've been taken in as well
00:51:26No, I'm not
00:51:26Moriarty is playing with your mind too
00:51:28Can't you see what's going on?
00:51:34No, I know you for real
00:51:35A hundred percent
00:51:36Nobody could fake being such an annoying dick all the time
00:51:39Sherlock Holmes?
00:51:48Yes, sir
00:51:48That bloke that's been in the press
00:51:50I thought he was some sort of private eye
00:51:55He is
00:51:56We've been consulting with him, that's what you're telling me
00:51:58Not used him on any proper cases, though, have we?
00:52:02Well, one or two
00:52:02Twenty or thirty
00:52:04What?
00:52:06I'm not the only senior officer who did this
00:52:08Shut up!
00:52:10An amateur detective
00:52:11Given access to all sorts of classified information
00:52:14And now
00:52:15He's a suspect in a case
00:52:17With these Jewish people
00:52:18You're a bloody idiot, Lestrade
00:52:19Now go and fetch him in right now
00:52:22Do it
00:52:23You're proud of yourselves
00:52:30But what if it's not just this case?
00:52:33What if he's done this to us every single time?
00:52:35So I've still got some friends on the force
00:52:48It's Lestrade
00:52:50Says they're all coming over here right now
00:52:52Queuing up to slap on the handcuffs
00:52:54Every single officer you've ever made feel like a tit
00:52:56Which is a lot of people
00:52:57Oh, sorry, am I interrupting?
00:53:03Some chap delivered a parcel, I forgot
00:53:05Marked perishable
00:53:06I had to sign for it
00:53:07Funny name
00:53:09German
00:53:10Like the fairy tales
00:53:12About a Christmas
00:53:22What does it mean?
00:53:25I can't
00:53:28Turn off
00:53:29Excuse me, Mr. Gerson
00:53:31I need to talk to you
00:53:32Just barge in that
00:53:33Have you got a warrant?
00:53:37Have you?
00:53:38Leave it, John
00:53:38Leave it
00:53:40Sherlock Holmes, I'm arresting you on suspicion of abduction and kidnapping
00:53:46He's not resisting
00:53:47No, it's not all right
00:53:48This is ridiculous
00:53:49Get him downstairs now
00:53:51Don't try to interfere or I shall arrest you too
00:53:55You done?
00:54:00Oh, I said it
00:54:01First time we met
00:54:03Don't bother
00:54:03Solving crimes won't be enough
00:54:05One day he'll cross the line
00:54:07Now ask yourself, what sort of man would kidnap those kids just so he can impress us all by finding them?
00:54:14Donovan?
00:54:15Sir
00:54:15That our man?
00:54:17Er, yes sir
00:54:18Looked a bit of a weirdo if you ask me
00:54:21Often are
00:54:22These vigilante types
00:54:24I'm too lucky now
00:54:28You all right, sir?
00:54:33Joining me?
00:54:35Yeah
00:54:35Apparently it's against the Lord of Chim, the chief superintendent
00:54:39Bit awkward, this
00:54:42There's no one to bail us
00:54:44I was thinking more about our imminent and daring escape
00:54:47All units to two, seven
00:54:49All units to two
00:54:51All units to two
00:54:51Ladies and gentlemen, will you all please get on your knees?
00:54:58Ow!
00:55:02When we go
00:55:02Do as he says!
00:55:05Just so you're aware, the gun is his idea
00:55:07I'm just, er, you know
00:55:09My hostage!
00:55:10Hostage, yes, that works
00:55:12That works
00:55:13So what now?
00:55:15Doing all my art at once
00:55:16Becoming a fugitive
00:55:18Run
00:55:18Get after him, let's start
00:55:24Take my hand
00:55:27Now people will definitely talk
00:55:31The gun!
00:55:33Leave it
00:55:33Sherlock, wait!
00:55:41We're going to need to coordinate
00:55:45Go to your right, huh?
00:55:48Go to your right
00:55:49Everybody wants to believe it
00:55:55That's what makes it so clever
00:55:56A lie that's preferable to the truth
00:55:58All my brilliant deductions were just a sham
00:56:00No one feels inadequate
00:56:01Sherlock Holmes is just an ordinary man
00:56:02What about Mycroft?
00:56:03He could help us
00:56:04Big family reconciliation?
00:56:07Now's not really the moment
00:56:08Sherlock
00:56:11We're being followed
00:56:13And you can outrun the police
00:56:14That's not the police
00:56:15It's one of my new neighbours
00:56:16From Baker Street
00:56:17Let's see if you can give us some answers
00:56:19Where are you?
00:56:28We're going to jump in front of that bus
00:56:38Tell me what you want from me
00:56:43Tell me
00:56:45He left it out to your flat
00:56:47Who?
00:56:49Moriarty
00:56:49What?
00:56:51The computer key code
00:56:53Of course
00:56:53He's selling it
00:56:54A programme he used to break into the tower
00:56:56He planted it when he came around
00:57:00It's a game changer
00:57:18It's a key
00:57:20It can break into any system
00:57:22It is sitting in our flat right now
00:57:23That's why he left that message
00:57:25Telling everyone where to come
00:57:26Get Sherlock
00:57:27We need to get back into the flat and search
00:57:29CID will be camped out
00:57:31I might plant it on you
00:57:33It's another subtle way of smearing my name
00:57:35Not in best powers with all those criminals
00:57:37Yeah, well, have you seen this?
00:57:43A kiss and tell
00:57:43Some bloke called Rich Brook
00:57:45Who is he?
00:57:48Too late to go on the record?
00:58:16Congratulations, the truth about Sherlock Holmes
00:58:21Scoop that everybody wanted
00:58:23And you've got it
00:58:24Bravo
00:58:24I gave you your opportunity
00:58:25I wanted to be on your side, remember?
00:58:29You turned me down
00:58:30And then the old someone turns up and spills all the beans
00:58:32How utterly convenient
00:58:33Who is Brooke?
00:58:36Oh, come on, Kitty
00:58:37No one trusts the voice at the end of a telephone
00:58:39There were all those furtive little meetings in cafes
00:58:41Those sessions in the hotel room
00:58:43Where he gabbled into your dictaphone
00:58:44I don't know that you can trust him
00:58:46A man turns up with the holy grail in his pockets
00:58:49What were his credentials?
00:58:54John, and they didn't have any ground coffee
00:58:56So I just got normal
00:58:56You said that they wouldn't find me here
00:59:08You said that I'd be safe here
00:59:09You are safe, Richard
00:59:10I'm a witness
00:59:11They wouldn't harm you in front of witnesses
00:59:12So that's your source
00:59:14Moriarty is Richard Brook
00:59:16Of course he's Richard Brook
00:59:18There is no Moriarty
00:59:19There never has been
00:59:21What are you talking about?
00:59:22Look him up
00:59:23Rich Brook
00:59:24An actor, Sherlock Holmes
00:59:26Hired to be Moriarty
00:59:28Dr. Watson
00:59:34I know you're a good man
00:59:36Don't
00:59:37Don't
00:59:37Don't hurt me
00:59:39No, you were Moriarty
00:59:40He's Moriarty
00:59:41We've met
00:59:42Remember
00:59:43You were going to blow me up
00:59:44I'm sorry
00:59:46I'm sorry
00:59:47He paid me
00:59:49I needed the work
00:59:50I'm an actor
00:59:51I was out of work
00:59:51Sherlock, you better
00:59:52Explain
00:59:53Cos I am not getting this
00:59:54I'll be doing the explaining
00:59:56In print
00:59:57It's all here
00:59:58Conclusive proof
01:00:00You invented James Moriarty
01:00:03Your nemesis
01:00:05Invented him?
01:00:06Mm-hmm
01:00:06Invented all the crimes, actually
01:00:08And to cap it all
01:00:09You made of a master villain
01:00:10Oh, don't be ridiculous
01:00:12Ask him
01:00:12He's right here
01:00:13Just ask him
01:00:14Tell him, Richard
01:00:15But for God's sake
01:00:15This man was on trial
01:00:17Yes, and you paid him
01:00:18Paid him to take the rap
01:00:19Promised you to rig the jury
01:00:21Not exactly a West End role
01:00:24But I'll bet the money was good
01:00:25But not so good
01:00:26He didn't want to sell his story
01:00:27I am sorry
01:00:28I am
01:00:29I am sorry
01:00:30So this is the story
01:00:32That you're going to publish
01:00:33The big conclusion of it all
01:00:34Moriarty's an actor
01:00:36He knows I am
01:00:37I have proof
01:00:38I have proof
01:00:38Show them
01:00:39Can you show them something?
01:00:40Yeah, show me something
01:00:41I'm on TV
01:00:47I'm on kids' TV
01:00:48I'm the storyteller
01:00:50I'm the storyteller
01:00:55It's on DVD
01:00:56Just tell them
01:01:05It's all coming out now
01:01:06It's all over
01:01:07Just tell them
01:01:08Just tell them
01:01:09Tell them
01:01:10It's all over
01:01:11No, no
01:01:11Don't you trust me
01:01:12Don't you lay a finger on me
01:01:14Stop it
01:01:14Stop it
01:01:15No
01:01:15No, no, no
01:01:25You'll have backup
01:01:26Do you know what, Sherlock Holmes?
01:01:28I look at you now
01:01:29And I can read you
01:01:30And you
01:01:31Repel
01:01:32Me
01:01:33Can he do that?
01:01:40Completely change his identity
01:01:41Make you the criminal
01:01:43He's got my whole life story
01:01:44That's what you do
01:01:45When you set a big lie
01:01:46Wrap it up in a truth
01:01:48To make it more palatable
01:01:49But your word against his
01:01:50He's been sowing doubt
01:01:51Into people's minds
01:01:52For the last 24 hours
01:01:53There's only one thing
01:01:55He needs to do
01:01:56To complete his game
01:01:56And that's to
01:01:57Sherlock
01:02:00There's something I need to do
01:02:03Well, what, can I help?
01:02:04No, I'm not
01:02:04You're wrong, you're right
01:02:24You do count
01:02:27You've always counted
01:02:30And I've always trusted you
01:02:31But you were right
01:02:35I'm not okay
01:02:38Tell me what's wrong
01:02:41Molly
01:02:44I think I'm going to die
01:02:46What do you need?
01:02:50If I wasn't everything
01:02:51That you think I am
01:02:52Everything that I think I am
01:02:54Would you still want to help me?
01:02:59What do you need?
01:03:09You
01:03:09She has really
01:03:25Done her homework
01:03:27Miss Riley
01:03:28Things that only someone
01:03:30Close to Sherlock could know
01:03:31Ah
01:03:34Have you seen
01:03:35Your brother's address book lately?
01:03:37Two names
01:03:38Yours
01:03:39And mine
01:03:40And Moriarty
01:03:41Didn't get this stuff from me
01:03:43John, so
01:03:44How does it work then?
01:03:45Your relationship
01:03:46You go out for a coffee
01:03:47Now and then
01:03:49Hey
01:03:49You and Jim
01:03:50Your own
01:03:51Brother
01:03:52And you
01:03:53Blabbed
01:03:54About his entire life
01:03:56To this
01:03:57Maniac
01:03:58I never intend
01:04:02I never dreamt
01:04:03This
01:04:03See, this
01:04:04Is what you were trying to tell me
01:04:07Isn't it?
01:04:07Watch his back
01:04:08Because I've made a mistake
01:04:09Because I've made a mistake
01:04:09How did you meet him?
01:04:18People like him
01:04:19We
01:04:20Know about them
01:04:22We
01:04:22Watch them
01:04:23But James Moriarty
01:04:27The most dangerous
01:04:30The most dangerous criminal mind
01:04:31The world has ever seen
01:04:32The world has ever seen
01:04:32And in his pocket
01:04:35The ultimate weapon
01:04:36A key code
01:04:38A few lines of computer code
01:04:40That can unlock any door
01:04:42You abducted him
01:04:46And you abducted him
01:04:46To try and find the key code
01:04:48Interrogated him for weeks
01:04:51And
01:04:52And
01:04:52He wouldn't play along
01:04:54He just sat there
01:04:57Staring into the darkness
01:05:00The only thing that made him
01:05:06He made him open up
01:05:06I could get him to talk
01:05:13Just a little
01:05:14But
01:05:18In return you had to offer him Sherlock's life story
01:05:21So
01:05:23One big lie
01:05:25Sherlock's a fraud
01:05:28But people will swallow it
01:05:30Because the rest of it's true
01:05:31Moriarty wanted Sherlock
01:05:35Destroyed
01:05:36Right
01:05:36And you
01:05:37Have given him
01:05:39The perfect ammunition
01:05:42John
01:05:49I'm sorry
01:05:54Oh
01:05:55Please
01:05:56Tell him would you
01:06:00Got your message
01:06:13Computer code is key to this
01:06:15We're finding we can use it
01:06:16Beat Moriarty at his own game
01:06:17What do you mean use it?
01:06:18He used it to create a false identity
01:06:20So we could use it to break into the records
01:06:22And destroy Richard Brook
01:06:23And bring back Jim Moriarty again
01:06:25Somewhere in 221B
01:06:26Somewhere
01:06:27On the day the verdict
01:06:28He left it hidden
01:06:28What did he touch?
01:06:33An apple
01:06:33Nothing else
01:06:34You write anything down?
01:06:36No
01:06:36Is it he?
01:06:37No
01:06:37No
01:07:02No
01:07:03Yeah, speaking.
01:07:31What?
01:07:31What? What happened? Is she okay?
01:07:35Oh, my God.
01:07:37Right, yes, I'm coming.
01:07:38What is it?
01:07:39Paramedics. Mrs Hudson's been shot.
01:07:41What? How?
01:07:41Probably one of the killers you've managed to attract.
01:07:43Jesus. Jesus.
01:07:45She's dying, Sherlock. Let's go.
01:07:46You go. I'm busy.
01:07:48Busy?
01:07:49Thinking. I need to think.
01:07:50You need to... Doesn't she mean anything to you?
01:07:52You want half-killed the man because he laid a finger on her.
01:07:55She's my landlady.
01:07:56She's dying!
01:07:57You machine...
01:07:59Sod this.
01:07:59Sod this. You stay here, if you want, on your own.
01:08:03Alone is what I have. Alone protects me.
01:08:05Nope.
01:08:06Friends protect people.
01:08:07Over.
01:08:12Doc.
01:08:20Wilson.
01:08:24Oh.
01:08:25Oh.
01:08:25Oh.
01:08:26Well, here we are at last, you and me, Sherlock, and our problem, the final problem, staying
01:08:55alive. It's so boring, isn't it? It's just staying. All my life I've been searching for distractions,
01:09:10and you were the best distraction, and now I don't even have you, because I've beaten
01:09:14you. And you know what? In the end, it was easy. It was easy. Now I've got to go back
01:09:22to playing with the ordinary people, and it turns out you're ordinary, just like all
01:09:26of them. Oh, well. Did you almost start to wonder if I was real? Did I nearly get you?
01:09:40Richard Brook. Nobody seems to get the joke, but you do.
01:09:46Of course. Attaboy. Richard Brook, in German, is Reichenbach. The case that made my name.
01:09:52Just trying to have some fun.
01:10:00Good. You got that, too.
01:10:04Beats like digits. Every beat is a one. Every rest is a zero. Binary code. That's why all
01:10:13those assassins tried to save my life. It was hidden on me, hidden inside my head. A few
01:10:18simple lines of computer code that can break into any system.
01:10:21Told all my clients. Last one to Sherlock is a sissy.
01:10:26Yes, but now that it's up here, I can use it to alter all the records.
01:10:31I can kill Rich Brook and bring back Jim Moriarty.
01:10:35No, no, no, no, no, no. This is too easy. This is too easy. There is no key.
01:10:44Do fast!
01:10:48Those digits are meaningless. They're utterly meaningless.
01:10:53You don't really think a couple of lines of computer code are going to crash the world
01:10:57around our ears. I'm disappointed. I'm disappointed in you, ordinary Sherlock.
01:11:01But the rhythm.
01:11:03Partie to number one. Thank you, Johann Sebastian Bach.
01:11:07And then how did you...
01:11:08Then how did I break into the bank, to the tower, to the prison?
01:11:11Daylight robbery!
01:11:12All it takes is some willing participants.
01:11:21I knew you'd fall through.
01:11:22That's your weakness.
01:11:23You always want everything to be clever. Now, shall we finish the game?
01:11:28One final act. Glad you chose a tall building. Nice way to do it.
01:11:33Do it? Do what?
01:11:38Yes, of course.
01:11:41My suicide.
01:11:43Genius detective proved to be a fraud. I read it in the paper, so it must be true.
01:11:48I love newspapers.
01:11:50Fairy tales.
01:11:53And pretty grim ones, too.
01:12:06Oh, God.
01:12:07Maybe jump.
01:12:09Is everything okay now with the police?
01:12:11Has, um, Sherlock sorted it all out?
01:12:13Oh, my God.
01:12:21Taxi!
01:12:23Taxi!
01:12:24No, no, no, no!
01:12:25Police!
01:12:26Sort of!
01:12:26Oh, that's right.
01:12:27Thanks for that.
01:12:29I can still prove that you created an entirely false identity.
01:12:31Oh, just kill yourself.
01:12:32It's a lot less effort.
01:12:36Go on.
01:12:38For me.
01:12:40Please!
01:12:41You're insane.
01:12:49You're just getting that now.
01:12:52Okay.
01:12:55Let me give you a little extra incentive.
01:12:56Your friends will die if you don't.
01:13:02John.
01:13:02Not just John.
01:13:04Everyone.
01:13:06This is not everyone.
01:13:09The Strahd.
01:13:10Three bullets.
01:13:12Three gunmen.
01:13:13Three victims.
01:13:15There's no stopping them now.
01:13:17Unless my people see you jump.
01:13:29You can have me arrested.
01:13:31You can torture me.
01:13:33You can do anything you like with me.
01:13:35But nothing's going to prevent them from pulling the trigger.
01:13:37Your only three friends in the world will die.
01:13:41Unless...
01:13:42I kill myself.
01:13:43Complete your story.
01:13:46You've got to admit that's sexier.
01:13:49And I die in disgrace.
01:13:51Of course.
01:13:52That's the point of this.
01:13:54Oh.
01:13:55You've got an audience now.
01:13:56Off you, Pop.
01:14:01Go on.
01:14:05I told you how this ends.
01:14:10Your death is the only thing that's going to call off the killers.
01:14:14I'm certainly not going to do it.
01:14:17Will you give me one moment, please?
01:14:22One moment of privacy.
01:14:23Please.
01:14:29Of course.
01:14:30Of course.
01:14:53What?
01:14:55What is it?
01:15:00What did I miss?
01:15:05You're not going to do it.
01:15:08So the killers can be called off.
01:15:09Then there's a recall code or a word or a number.
01:15:15I don't have to die.
01:15:18If I've got you...
01:15:20Oh.
01:15:22You think you can make me stop the order?
01:15:25You think you can make me do that?
01:15:26Yes.
01:15:29So do you.
01:15:30Sherlock, your big brother and all the king's horses couldn't make me do a thing I didn't want to.
01:15:34Yes, but I'm not my brother, remember?
01:15:36I am you.
01:15:40Prepare to do anything.
01:15:43Prepare to burn.
01:15:45Prepare to do what ordinary people won't do.
01:15:48You want me to shake hands with you in hell?
01:15:50I shall not disappoint you.
01:15:52You talk big.
01:16:00No.
01:16:01You're ordinary.
01:16:03You're ordinary.
01:16:04You're on the side of the angels.
01:16:07Oh, I may be on the side of the angels.
01:16:09But don't think for one second that I am one of them.
01:16:14No.
01:16:24No.
01:16:26You're not.
01:16:34I see.
01:16:37You're not ordinary.
01:16:40No.
01:16:41You're me.
01:16:47You're me.
01:16:53Sherlock Holmes.
01:17:07Bless you.
01:17:11As long as I'm alive, you can save your friends.
01:17:15You've got a way out.
01:17:19Well, good luck with that.
01:17:22Oh!
01:17:22Oh!
01:17:22Oh!
01:17:23Oh!
01:17:23Oh!
01:17:24Oh!
01:17:24Oh!
01:17:25Oh!
01:17:25Oh!
01:17:26Oh!
01:17:26Oh!
01:17:27Oh!
01:17:28Oh!
01:17:28Oh!
01:17:29Oh!
01:17:30Oh!
01:17:30Oh!
01:17:31Oh!
01:17:31Oh!
01:17:32Oh!
01:17:33Oh!
01:17:34Oh!
01:17:35Oh!
01:17:36Oh!
01:17:37Oh!
01:17:38Oh!
01:17:39Oh!
01:17:40Oh!
01:17:40Oh!
01:17:41Oh!
01:18:11Oh!
01:18:12Oh!
01:18:13Oh!
01:18:14Oh!
01:18:15Oh!
01:18:16Oh!
01:18:17Oh!
01:18:18Oh!
01:18:19Oh!
01:18:20Oh!
01:18:21Oh!
01:18:22Oh!
01:18:23Oh!
01:18:24Oh!
01:18:25Oh!
01:18:26Oh!
01:18:27Oh!
01:18:28Oh!
01:18:29Oh!
01:18:30Oh!
01:18:31Oh!
01:18:32Oh!
01:18:33Oh!
01:18:34Oh!
01:18:35Oh!
01:18:36Oh!
01:18:37Oh!
01:18:38Oh!
01:18:39Oh!
01:18:40Hello?
01:18:45John.
01:18:46Hey, Sherlock, you OK?
01:18:47Turn around and walk back to where you came.
01:18:49No, I'm coming in.
01:18:50Just do as I ask.
01:18:53Please.
01:18:54Where?
01:18:57Stop there.
01:18:59Sherlock.
01:19:00OK, look up.
01:19:01I'm on the rooftop.
01:19:03Oh, God.
01:19:05I can't come down, so we'll just have to do it like this.
01:19:11What's going on?
01:19:12An apology.
01:19:17It's all true.
01:19:18What?
01:19:20Everything they said about me.
01:19:23I invented Moriarty.
01:19:31Why are you saying this?
01:19:36I'm a fake.
01:19:38Sherlock.
01:19:40The newspapers were right all along.
01:19:43I want you to tell Lestrade.
01:19:45I want you to tell Mrs. Hudson.
01:19:47And Molly.
01:19:49In fact, tell anyone who will listen to you.
01:19:54That I created Moriarty.
01:19:56For my own purposes.
01:19:59OK, shut up, Sherlock.
01:20:00Shut up.
01:20:00The first time we met.
01:20:02The first time we met.
01:20:03You knew all about my sister, right?
01:20:05Nobody could be that clever.
01:20:07You could.
01:20:07Yeah.
01:20:08Yeah.
01:20:17I researched you.
01:20:19Before we met, I discovered everything that I could to impress you.
01:20:23It's a trick.
01:20:27Just a magic trick.
01:20:29No.
01:20:30All right, stop it now.
01:20:32No, stay exactly where you are.
01:20:35Don't move.
01:20:35You're all right.
01:20:36Keep your eyes fixed on me.
01:20:41Please, would you do this for me?
01:20:43Do what?
01:20:45This phone call.
01:20:46It's, um...
01:20:46It's my note.
01:20:51More people do, don't they?
01:20:56Leave a note.
01:20:59Leave a note when?
01:21:02Goodbye, John.
01:21:03No.
01:21:04Don't...
01:21:04Charlotte!
01:21:20Charlotte!
01:21:21John...
01:21:21...
01:21:22...
01:21:24...
01:21:25...
01:21:31...
01:21:31...
01:21:33...
01:21:34I don't know.
01:22:04I'm a doctor. Let me come through. Let me come through, please.
01:22:16He's my friend. He's my friend, please.
01:22:19Please, let me just...
01:22:37Oh, jeez. No.
01:22:47God, no.
01:22:49God, no.
01:23:19God, no.
01:23:49God, no.
01:24:19God, no.
01:24:21God, no.
01:24:27The stuff that you wanted to say, but didn't say it.
01:24:34Yeah.
01:24:35Yeah.
01:24:36Say it now.
01:24:42No.
01:24:43I'm sorry.
01:24:48Sorry.
01:24:49I can't.
01:24:50I can't.
01:24:51I can't.
01:24:52I can't.
01:24:53I can't.
01:24:54I can't.
01:24:55I can't.
01:24:56I can't.
01:24:57I can't.
01:24:58I can't.
01:24:59I can't.
01:25:00I can't.
01:25:01I can't.
01:25:02I can't.
01:25:03I can't.
01:25:04I can't.
01:25:05I can't.
01:25:06I can't.
01:25:07I can't.
01:25:08I can't.
01:25:09I can't.
01:25:10I can't.
01:25:11I can't.
01:25:12I can't.
01:25:13I can't.
01:25:14I can't.
01:25:15I can't.
01:25:16I can't.
01:25:17I can't.
01:25:18I can't.
01:25:19I can't.
01:25:20I can't.
01:25:21I can't.
01:25:22I can't.
01:25:23I'm angry.
01:25:24It's okay, John.
01:25:25There's nothing unusual in that.
01:25:26That's the way he made everyone feel.
01:25:28All the marks on my table and the noise.
01:25:31Firing guns up at one in the morning.
01:25:32Yeah.
01:25:33Bloody specimens in my fridge.
01:25:35Imagine.
01:25:36Keeping bodies where there's food.
01:25:38Yes.
01:25:39And the fighting drove me up the wall with all his carrying socks.
01:25:42Yeah, listen.
01:25:43I'm not actually that angry.
01:25:44Okay?
01:25:45you alone too, you know.
01:25:59Um.
01:26:01Hmm.
01:26:02You, you told me once
01:26:05that you weren't a hero.
01:26:10Um, there were times I didn't even think you were human,
01:26:13but let me tell you this, you were
01:26:14the best man
01:26:16and the most human
01:26:18human being
01:26:21that I've ever known, and no one will ever
01:26:23convince me that you told me a lie.
01:26:25And so,
01:26:27there.
01:26:33I was
01:26:37so alone
01:26:38and I owe you
01:26:41so much.
01:26:42Look, please, there's just one more thing.
01:26:49One more thing.
01:26:50One more miracle, Sherlock, for me.
01:26:52Don't
01:26:52be
01:26:53dead.
01:26:57Would you?
01:26:59Just for me.
01:27:00Just stop it.
01:27:01Stop this.
01:27:02Huh.
01:27:03...
01:27:04Huh.
01:27:09Huh.
01:27:12tune
01:27:19Oh.
01:27:24Huh.
01:27:24Huh.
01:27:25Huh.
01:27:25Huh.
01:27:26Huh.
01:27:28Huh.
01:27:28Huh.
01:27:30Huh.
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