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00:00:00Who are you?
00:00:07Jim Moriarty
00:00:08Hi
00:00:09Consulting criminal
00:00:13I have loved this
00:00:16This little game of ours
00:00:18People have died
00:00:20That's what people do
00:00:22I will stop you
00:00:27If you don't stop prying
00:00:30I will burn you
00:00:34I will burn
00:00:36The heart
00:00:38Out of you
00:00:39Catch you
00:00:42Later
00:00:43No you won't
00:00:47Sorry boys
00:00:53I'm so
00:00:54Tangible
00:00:55It is a weakness with me
00:00:57But to be fair to myself
00:00:58It is my only weakness
00:01:00You can't be allowed to continue
00:01:03You just can't
00:01:05I would try to convince you
00:01:07But everything I have to say
00:01:10Has already crossed your mind
00:01:11Probably my answer
00:01:18Has crossed yours
00:01:19But to be fair to both
00:01:31I need to do
00:01:32I need to know
00:01:35I need to know
00:01:36do you mind if i get that no no please you've got the rest of your life
00:02:02hello yes of course it is what do you want
00:02:09say that again
00:02:16say that again and know that if you're lying to me i will find you and i will skin you
00:02:26wait
00:02:33sorry wrong day to die
00:02:48did you get a better offer
00:02:55you'll be hearing from me sherlock
00:03:03so if you have what you say you have i will make you rich
00:03:07if you don't i'll make you into shoes
00:03:14what happened there
00:03:30someone changed his mind
00:03:33question is who
00:03:41well now have you been wicked your highness
00:03:44yes miss adler
00:03:48you
00:03:51you
00:03:55you
00:03:57you
00:03:59you
00:04:01you
00:04:03you
00:04:05you
00:04:07what are you typing blog about us you mean me right
00:04:22well you're typing a lot
00:04:36right
00:04:37well you're typing a lot
00:04:39right then sir what have we got
00:04:46my wife seems to be spending a very long time at the office
00:04:49boring
00:04:50i think my husband might be having an affair
00:04:52yes
00:04:54she's not my real arm
00:04:56she's been replaced i know she has
00:04:58i know you menash
00:05:00leave
00:05:01we are prepared to offer
00:05:02any sum of money you care to mention for the recovery of these files
00:05:06boring
00:05:07we have this website it explains the true meaning of comic books because people miss a lot of the themes
00:05:12but then all the comic books start coming true
00:05:15oh
00:05:16interesting
00:05:20geek interpreter what's that
00:05:22that's the title
00:05:23what's that you need a title for
00:05:28do people actually read your blog
00:05:30where do you think our clients come from
00:05:31i have a website
00:05:32in which you enumerate 240 different types of tobacco ash
00:05:35nobody's reading your website
00:05:36right then
00:05:37dyed blonde hair
00:05:39no obvious cause of death
00:05:40except for these speckles whatever they are
00:05:49oh for god's sake
00:05:51hmm
00:05:52the speckled blonde
00:05:57they wouldn't let us see grandel when he was dead
00:05:59is that cause he gone to heaven
00:06:01people don't really go to heaven when they die
00:06:02they're taken to a special room and burned
00:06:05shallot
00:06:06there was a plane crash in dusseldorf yesterday
00:06:09everyone dead
00:06:10suspected terrorist bomb
00:06:12we do watch the news
00:06:14he said boring and turned over
00:06:15according to the flight details this man was checked in on board
00:06:18inside his coat he's got a stub from his boiling past
00:06:21napkins from the flight
00:06:22even one of his special biscuits
00:06:23here's his passport
00:06:25stamped in berlin airport
00:06:27so this man should have died in a plane crash in germany yesterday
00:06:31but instead he's in a car boot in southwark
00:06:33lucky escape
00:06:34any ideas?
00:06:35eight so far
00:06:37okay four ideas
00:06:44maybe two ideas
00:06:49no no no don't mention the unsolved ones
00:06:54people want to know you're human
00:06:56why?
00:06:57because they're interested
00:06:58no they're not
00:06:59why are they?
00:07:00hmm
00:07:01look at that
00:07:02one thousand eight hundred and ninety five
00:07:03sorry what?
00:07:04i reset that counter last night
00:07:05this blog has had nearly two thousand hits
00:07:07in the last eight hours
00:07:08this is your living sherlock
00:07:10not two hundred and forty different types of tobacco ash
00:07:13two hundred and forty three
00:07:16so what's this one?
00:07:18belly button murders?
00:07:20the naval treatment?
00:07:21oh
00:07:22there's a lot of press outside guys
00:07:25well they won't be interested in us
00:07:27yeah that was before you were an internet phenomenon
00:07:30a couple of them specifically wanted photographs of you two
00:07:34for god's sake
00:07:36John
00:07:38cover your face
00:07:40walk fast
00:07:41still it's good for the public image
00:07:43big case like this
00:07:45private detective
00:07:46the last thing i need is a public image
00:07:51i think it's time don't you?
00:08:19it's time don't you?
00:08:49oh dear
00:08:52thumbs
00:08:56the doors
00:08:58the doors
00:09:03boys
00:09:04you've got another one
00:09:10tell us from the start
00:09:11don't be boring
00:09:19go
00:09:21to the RIGHT
00:09:26you see
00:09:28oh
00:09:29give us everything
00:09:30up
00:09:31alright
00:09:32you see
00:09:33and look at that
00:09:34bye
00:09:35get up
00:09:36even before you
00:09:38get it
00:09:39please
00:09:40,
00:09:41start
00:09:42Let's go.
00:10:12Hey, are you okay?
00:10:18Excuse me.
00:10:20Are you all right?
00:10:32Sir, phone call for you.
00:10:36Carter.
00:10:37Have you heard of Sherlock Holmes?
00:10:39Who?
00:10:39Well, you're about to meet him now.
00:10:40This is your case.
00:10:42It's entirely up to you.
00:10:42This is just friendly advice, but give Sherlock five minutes on your crime scene and listen
00:10:48to everything that he has to say.
00:10:49And as far as possible, try not to punch him.
00:10:55Sir, this gentleman says he needs to speak to you.
00:10:58Yes, I know.
00:10:59Sherlock Holmes.
00:11:00John Watson, are you set up for Wi-Fi?
00:11:02You realize this is a tiny bit humiliating?
00:11:08It's okay, I'm fine.
00:11:10Now, show me to the stream.
00:11:13I don't really mean for you.
00:11:15Look, this is a six.
00:11:18There's no point in my leaving the flat for anything less than a seven.
00:11:22We agreed.
00:11:23Now go back.
00:11:25Show me the grass.
00:11:26When did we agree that?
00:11:27We agreed it yesterday.
00:11:28Stop.
00:11:30Closer.
00:11:31I wasn't even at home yesterday.
00:11:33I was in Dublin.
00:11:34It's only my fault you weren't listening.
00:11:36Shut up!
00:11:37Do you just carry on talking when I'm away?
00:11:39I don't know.
00:11:40How often are you away?
00:11:41No.
00:11:42Show me the car that backfired.
00:11:44It's there.
00:11:45That's the one that made the noise, yes?
00:11:49Yeah.
00:11:50Yeah.
00:11:50If you're thinking gunshot, there wasn't one.
00:11:54He wasn't shot.
00:11:55He was killed by a single blow to the back of the head from a blunt instrument,
00:11:59which then magically disappeared along with the killer.
00:12:03It's got to be an ace at least.
00:12:04You've got two more minutes.
00:12:05They want to know more about the driver.
00:12:07Oh, forget him.
00:12:08He's an idiot.
00:12:08Why else would he think himself a suspect?
00:12:10I think he's a suspect.
00:12:13Pass me over.
00:12:14All right, but there's a mute button, and I will use it.
00:12:17Up a bit.
00:12:18I'm not talking from down here.
00:12:19Okay, just take it.
00:12:20Take it.
00:12:21Having driven to an isolated location and successfully committed a crime without a single witness,
00:12:24why would he then call the police and consult a detective?
00:12:26Fair play?
00:12:27He's trying to be clever.
00:12:29He's overconfidence.
00:12:31Did you see him?
00:12:32Morbidly obese, the undisguised halitosis of a single man living on his own,
00:12:36the right sleeve of an internet porn addict,
00:12:37and the breathing pattern of an untreated heart condition,
00:12:40low self-esteem, tiny IQ, and a limited life expectancy.
00:12:42You think he's an audacious criminal mastermind.
00:12:45Don't worry.
00:12:46This is just stupid.
00:12:47What did you say?
00:12:48Part what?
00:12:49Go to the stream.
00:12:50What's in the stream?
00:12:52Go and see.
00:12:53Sherlock!
00:12:54You weren't answering your doorbell.
00:12:56His room's through the back.
00:12:57Get in some clothes.
00:12:58Who the hell are you?
00:12:59Sorry, Mr. Holmes.
00:13:00Sherlock, what's going on?
00:13:01I think you're coming with us.
00:13:01What's going on?
00:13:02I've lost him.
00:13:03I don't know what...
00:13:05Dr. Watson?
00:13:06Yeah.
00:13:06It's for you.
00:13:07Okay, thanks.
00:13:07No, sir.
00:13:08The helicopter.
00:13:22Please, Mr. Holmes,
00:13:23where you're going,
00:13:24you'll want to be dressed.
00:13:25I know exactly where I'm going.
00:13:50I know exactly where I'm going.
00:14:20You're wearing any pants?
00:14:46No.
00:14:46Okay.
00:14:50You're packing your palace.
00:14:59I'm seriously fighting an imposter
00:15:04to steal an ashtray.
00:15:05What are we doing here?
00:15:13Sherlock, seriously, what?
00:15:15I don't know.
00:15:16Here to see the queen?
00:15:19Oh, apparently, yes.
00:15:23Just once.
00:15:24Can you two behave like grown-ups?
00:15:27We solve crimes.
00:15:28I blog about it.
00:15:28And he forgets his pants.
00:15:29I wouldn't hold out too much home.
00:15:31I was in the middle of a case, Mycroft.
00:15:32What?
00:15:33The hiker and the backfire?
00:15:34I glanced at the police report.
00:15:36A bit obvious, surely.
00:15:37Transparent.
00:15:37Time to move on, then.
00:15:44We are in Buckingham Palace.
00:15:45At the very heart of the British nation,
00:15:47Sherlock Holmes, put your trousers on.
00:15:50What for?
00:15:51Your client.
00:15:53And my client is?
00:15:55Illustrious.
00:15:56In the extreme.
00:15:58And remaining, I have to inform you,
00:16:00entirely anonymous.
00:16:03Mycroft.
00:16:04Harry.
00:16:05May I just apologize for the state of my little brother?
00:16:08Full-time occupation, I imagine.
00:16:09And this must be Dr. John Watson,
00:16:11formerly of the 5th Northumberland Fusiliers.
00:16:13Hello, yes.
00:16:14My employer is a tremendous fan of your blog.
00:16:17Your employer?
00:16:18Particularly enjoy the one about the aluminium crutch.
00:16:20Okay.
00:16:23And Mr. Holmes, the younger.
00:16:25You look taller in your photographs.
00:16:27Take the precaution of a good coat and a short friend.
00:16:30Mycroft, I don't do anonymous clients.
00:16:32I'm used to mystery at one end of my cases.
00:16:34Both ends is too much work.
00:16:35Good morning.
00:16:39This is a matter of national importance.
00:16:41Grow up.
00:16:42Get off my sheet.
00:16:43Or what?
00:16:44Oh, I'll just walk away.
00:16:46I'll let you.
00:16:46Boys, please.
00:16:47You're up here.
00:16:48Who is my client?
00:16:52Take a look at where you're standing
00:16:53and make a deduction.
00:16:54You are to be engaged by the highest in the land.
00:16:56Now, for God's sake,
00:16:59put your clothes on.
00:17:06I'll be mother.
00:17:08And there is a whole childhood in a nutshell.
00:17:10My employer has a problem.
00:17:17A matter has come to light of an extremely delicate and potentially criminal nature.
00:17:22And in this hour of need, dear brother, your name has arisen.
00:17:26Why?
00:17:27You have a police force of sorts, even a marginally secret service.
00:17:30Why come to me?
00:17:31People do come to you for help, don't they, Mr. Holmes?
00:17:33Not to date anyone with the Navy.
00:17:35This is a matter of the highest security and therefore of trust.
00:17:38You don't trust your own secret service?
00:17:40Naturally not.
00:17:41They all spy on people for money.
00:17:42I do think we have a time to.
00:17:45Yes, of course.
00:17:49What do you know about this woman?
00:17:56Nothing whatsoever.
00:17:56Then you should be paying more attention.
00:18:01She's been at the center of two political scandals in the last year
00:18:05and recently ended the marriage of a prominent novelist
00:18:08by having an affair with both participants separately.
00:18:13You know I don't concern myself with trivia.
00:18:16Who is she?
00:18:18Irene Adler.
00:18:20Professionally known as The Woman.
00:18:22Professionally?
00:18:25There are many names for what she does.
00:18:26She prefers dominatrix.
00:18:35Dominatrix.
00:18:36Don't be alarmed.
00:18:37It's to do with sex.
00:18:39Sex doesn't alarm me.
00:18:41How would you know?
00:18:43She provides, shall we say, recreational scolding
00:18:47for those who enjoy that sort of thing
00:18:48and are prepared to pay for it.
00:18:50These are all from her website.
00:18:52And I assume this Adler woman has some compromising photographs.
00:19:21Not very quick, Mr. Holmes.
00:19:23Hardly a difficult deduction.
00:19:25Photographs of whom?
00:19:28A person of significance to my employer.
00:19:31We'd prefer not to say any more at this time.
00:19:34You can't tell us anything.
00:19:35I can tell you it's a young person.
00:19:39A young female person.
00:19:40A young female person.
00:19:46How many photographs?
00:19:47A considerable number, apparently.
00:19:50Do Miss Adler and this young female person appear in these photographs together?
00:19:53Yes, they do.
00:19:54And I assume in a number of compromising scenarios.
00:19:56An imaginative range, we are assured.
00:19:58John, you might want to put that cup back in its saucer now.
00:20:02Can you help us, Mr. Holmes?
00:20:03How?
00:20:04Will you take the case?
00:20:05What case?
00:20:06Pay her now and in full.
00:20:08As Miss Adler remarks in her masthead,
00:20:11know when you are beaten.
00:20:13She doesn't want anything.
00:20:16She got in touch.
00:20:17She informed us that the photographs existed.
00:20:20She indicated that she had no intention to use them
00:20:22to extort either money or favor.
00:20:25Oh, a power play.
00:20:28A power play with the most powerful family in Britain.
00:20:30Now, that is a dominatrix.
00:20:32Oh, this is getting rather fun, isn't it?
00:20:34Sherlock.
00:20:34Hmm.
00:20:35Where is she?
00:20:36In London, currently.
00:20:37She's staying...
00:20:38Text me the details.
00:20:39I'll be in touch by the end of the day.
00:20:40Do you really think you'll have news by then?
00:20:41No, I think I'll have the photographs.
00:20:44One can only hope you're as good as you seem to think.
00:20:51I'll need some equipment, of course.
00:20:53Anything you require?
00:20:54I'll have it sent you.
00:20:55Can I have a box of matches?
00:20:56I'm sorry?
00:20:57Or your cigarette lighter either will do.
00:20:59I don't smoke.
00:20:59No, I know you don't, but your employer does.
00:21:04We have kept a lot of people successfully in the dark
00:21:07about this little fact, Mr. Holmes.
00:21:09I'm not the Commonwealth.
00:21:11And that's as modest as he gets.
00:21:14Pleasure to meet you.
00:21:16Laters.
00:21:20Okay, the smoking.
00:21:23How did you know?
00:21:25The evidence is right under your nose, John,
00:21:27as ever you see but do not observe.
00:21:29Is that what?
00:21:30Ashtray.
00:21:30Kate, we're going to have a visitor.
00:21:46I'll need a bit of time to get ready.
00:21:49A long time.
00:21:52Ages.
00:21:52What are you doing?
00:22:09Going to battle, John.
00:22:12I need the right armor.
00:22:15Nope.
00:22:16No.
00:22:17It works for me.
00:22:18Everything works on you.
00:22:21So, what's the plan?
00:22:22We know our address.
00:22:24We'll just ring our doorbell.
00:22:26Exactly.
00:22:26Just here, please.
00:22:27I didn't even change your clothes.
00:22:29Then it's time to add a splash of color.
00:22:30We're here.
00:22:39Two streets away, but this will do.
00:22:42For what?
00:22:43Punch me in the face.
00:22:44Shave?
00:22:48Blood.
00:22:49Punch you?
00:22:50Yes, punch me in the face.
00:22:51Didn't you hear me?
00:22:52I always hear punch me in the face when you're speaking,
00:22:54but it's usually subtext.
00:22:55Oh, for God's sakes.
00:23:04That was...
00:23:08Okay?
00:23:09I think we've done that.
00:23:10You want to remember, sir?
00:23:11I was a soldier.
00:23:12I killed people.
00:23:13You were a doctor.
00:23:14I had bad days.
00:23:18What are you going to wear?
00:23:19My battle dress.
00:23:21Lucky boy.
00:23:26Hello?
00:23:32Oh, um, sorry to disturb you.
00:23:35Um, I've just been attacked.
00:23:37Um, um, um, I think they, they took my wallet and, um, and my phone.
00:23:44Um, please, could you help me?
00:23:47I can phone the police if you want.
00:23:50Could you please?
00:23:51Would you, would you mind if I just waited here just until they come?
00:23:54Thank you so much.
00:23:55Thank you, Claire.
00:24:00Oh, uh, I saw it all happen.
00:24:03It's okay, I'm a doctor.
00:24:04Now, have you your first aid kit?
00:24:06In the kitchen.
00:24:07Please.
00:24:07Oh, thank you.
00:24:10Hello, sorry to hear that you've been hurt.
00:24:12I don't think Kate caught your name.
00:24:14I'm so sorry, I'm...
00:24:16Oh, it's always hard to remember an alias when you've had a fright, isn't it?
00:24:24Well, there now.
00:24:28We're both defrocked.
00:24:31Mr. Sherlock Holmes.
00:24:33Miss Adler, I presume.
00:24:35Oh, look at those cheekbones.
00:24:38I could cut myself slapping that face.
00:24:41Would you like me to try?
00:24:43Right, this should do it.
00:24:51I've missed something, haven't I?
00:24:55Please, sit down.
00:24:57Oh, if you'd like some tea, I can call the maid.
00:25:00I had some in the palace.
00:25:01I know.
00:25:01Clearly.
00:25:08I had a tea, too, in the palace, if anyone's interested.
00:25:31Do you know the big problem with a disguise, Mr. Holmes?
00:25:38However hard you try, it's always a self-portrait.
00:25:42You think I'm a vicar with a bleeding face?
00:25:44No, I think you're damaged, delusional, and believe in a higher power.
00:25:48In your case, it's yourself.
00:25:50Hmm.
00:25:51And somebody loves you.
00:25:53Well, if I had to punch that face, I'd avoid your nose and teeth, too.
00:25:58Could you put something on, please?
00:26:00Uh, anything at all, uh, napkin.
00:26:02Why?
00:26:03Are you feeling exposed?
00:26:04Don't think John knows where to look.
00:26:06No, I think he knows exactly where.
00:26:11I'm not sure about you.
00:26:13If I was to look at naked women, I'd borrow John's laptop.
00:26:16You do borrow my laptop.
00:26:17I confiscate it.
00:26:18Oh, never mind.
00:26:19We've got better things to talk about.
00:26:20Now tell me, I need to know.
00:26:23How was it done?
00:26:25What?
00:26:27The hiker with the bastion head.
00:26:29How was he killed?
00:26:31That's not why I'm here.
00:26:33No, no, no.
00:26:34You're here for the photographs.
00:26:35But that's never going to happen, since we're here just chatting anyway.
00:26:38That story's not been on the news yet.
00:26:39How do you know about it?
00:26:40I know one of the policemen.
00:26:41Well, I know what he likes.
00:26:43Oh.
00:26:43And you like the policemen.
00:26:47I like detective stories.
00:26:49And detectives.
00:26:51Brainy's the new sexy.
00:26:53What is the car?
00:26:54The position of the car relative to the hiker at the time in the backfire.
00:26:57And the fact that the death blow was to the back of the head.
00:26:58That's all you need to know.
00:27:00Okay, tell me.
00:27:01How was he murdered?
00:27:03He wasn't.
00:27:04You don't think it was murder?
00:27:05I know it wasn't.
00:27:06How?
00:27:07The same way that I know the victim was an excellent sportsman,
00:27:09recently returned from foreign travel,
00:27:10and the photographs I'm looking for are in this room.
00:27:13Okay, but how?
00:27:15So they are in this room.
00:27:17John, man the door.
00:27:18Let no one in.
00:27:29Two men alone in the countryside, several yards apart, and one car.
00:27:34Oh, I thought you were looking for the photos now.
00:27:36No.
00:27:37No.
00:27:38Looking takes ages.
00:27:39I'm just going to find them, but you're moderately clever,
00:27:40and we've got a moment, so let's pass the time.
00:27:43Two men, a car, nobody else.
00:27:46Driver's trying to fix his engine.
00:27:48Getting nowhere.
00:27:51And the hiker's taking a moment, looking at the sky.
00:27:54Watching the birds.
00:27:56Any moment now, something's going to happen.
00:27:58What?
00:27:59The hiker's going to die.
00:28:00No, that's the result.
00:28:01What's going to happen?
00:28:03I don't understand.
00:28:04Oh, I'll try to.
00:28:06Why?
00:28:07Because you cater to the whims of the pathetic
00:28:09and take your clothes off to make an impression.
00:28:11Stop boring me and think.
00:28:12It's the new sexy.
00:28:14The car's going to backfire.
00:28:16There's going to be a loud noise.
00:28:18So what?
00:28:19Oh, noises are important.
00:28:20Noises can tell you everything.
00:28:22For instance...
00:28:33On hearing a smoke alarm,
00:28:34a mother would look towards her child.
00:28:37Amazing how fire exposes our priorities.
00:28:44Really hope you don't have a baby in here.
00:28:46All right, John, you can turn it off now.
00:28:50She said you can turn it off now.
00:28:51Give me a minute.
00:29:00You should always use gloves with these things, you know?
00:29:06Heaviest old deposit's always on the first key used.
00:29:08That's quite clearly a three-bit after that sequence.
00:29:10It's almost impossible to read.
00:29:12Say for the mate that it's a six-digit code.
00:29:14Can't be your birthday.
00:29:15No disrespect.
00:29:15But clearly you were born in the 80s.
00:29:17Eight's barely used.
00:29:19I'd tell you the code right now.
00:29:21You know what?
00:29:22I already have.
00:29:25Think.
00:29:25Hands behind your head.
00:29:28On the floor.
00:29:29Keep it still.
00:29:30Sorry, Sherlock.
00:29:32Miss Adler, on the floor.
00:29:34Don't you want me on the floor, too?
00:29:35No, sir.
00:29:36I want you to open the safe.
00:29:38American.
00:29:39Interesting.
00:29:40Why would you care?
00:29:41Sir, the safe.
00:29:43Now, please.
00:29:44I don't know the code.
00:29:45We've been listening.
00:29:46She said she told you.
00:29:47Well, if you've been listening,
00:29:48you'll know she didn't.
00:29:49I'm assuming I missed something.
00:29:51From your reputation,
00:29:52I'm assuming you didn't, Mr. Holmes.
00:29:54For God's sake,
00:29:55she's the one who knows the code.
00:29:56Ask her.
00:29:57Yes, sir.
00:29:58She also knows the code
00:29:59that automatically calls the police
00:30:00and sets off the burglar alarm.
00:30:02I've learned not to trust this woman.
00:30:03Mr. Holmes doesn't...
00:30:04Shut up.
00:30:06One more word out of you.
00:30:07Just one.
00:30:08And I will decorate that wall
00:30:09with the insides of your head.
00:30:11That, for me,
00:30:12will not be hardship.
00:30:14Mr. Archer,
00:30:16at the count of three,
00:30:17shoot Dr. Watson.
00:30:18What?
00:30:18I don't know the code.
00:30:20One.
00:30:21I don't know the code.
00:30:23Two.
00:30:23She didn't tell me.
00:30:24I don't know it.
00:30:25I'm prepared to believe you
00:30:26any second now.
00:30:29Three.
00:30:30No, stop.
00:30:31Thank you, Mr. Holmes.
00:30:54Open it, please.
00:30:55Batican cameos.
00:31:20Do you mind?
00:31:21Not at all.
00:31:21He's dead.
00:31:28You were very observant.
00:31:31Observant?
00:31:31And flattered.
00:31:32Don't be...
00:31:33flattered.
00:31:34There'll be more of them.
00:31:35They'll be keeping an eye
00:31:36on the building.
00:31:43We should call the police.
00:31:44Yes.
00:31:48On their way.
00:31:49For God's sake.
00:31:50Oh, shut up.
00:31:51It's quick.
00:31:52Check the rest of the house.
00:31:53See how they got in.
00:31:55Well,
00:31:56that's the might hood in the bag.
00:31:58Oh.
00:31:59And that's mine.
00:32:03All the photographs are on here,
00:32:05I presume.
00:32:05I have copies, of course.
00:32:07No, you don't.
00:32:08You'll have permanently disabled
00:32:09any kind of uplink or connection.
00:32:12Unless the contents of this phone
00:32:14had proved to be unique,
00:32:14you wouldn't be able to sell them.
00:32:16You said I'm selling.
00:32:18Well, why would they be interested?
00:32:20If it was on the phone,
00:32:21it's clearly not just photographs.
00:32:22That camera phone is my life,
00:32:24Mr. Holmes.
00:32:25I'd die before I let you take it.
00:32:27It's my protection.
00:32:29Shut up.
00:32:30It was.
00:32:31It was.
00:32:31It was.
00:32:31It was.
00:32:31It was.
00:32:33It was.
00:32:47Must have got me this way.
00:32:48Clearly.
00:32:50It's all right.
00:32:51She's just out cold.
00:32:52Well, God, no.
00:32:53She's used to that.
00:32:54There's a back door.
00:32:55Better check it, Dr. Watson.
00:32:59Sure.
00:33:01You're very calm.
00:33:03well your booby trap did just kill a man he would have killed me it was self-defense in advance
00:33:10what what is that
00:33:14give it to me now give it to me no give it to me
00:33:24now tell that sweet little posh thing the pictures are safe with me
00:33:39not for blackmail just for insurance besides i might want to see her again
00:33:47oh no no no no no no it's been a pleasure
00:33:51don't spoil it this is how i want you to remember me
00:33:57the woman who beat you
00:34:01good night mr sherlock holmes
00:34:05jesus what are you doing he'll sleep for a few hours
00:34:09make sure he doesn't choke on his own vomit it makes for a very unattractive call
00:34:13what's this what have you given him sherlock he'll be fine
00:34:16i've used it on loads of my friends sherlock can you hear me
00:34:19no i was wrong about him he didn't know where to look
00:34:23for what what are you talking about
00:34:25the key code to my safe
00:34:27what was it
00:34:28shall i tell him
00:34:30my measurements
00:34:35got it
00:34:51oh shush no don't get up i'll do the talking
00:34:57so the car's about to backfire and the hiker he's staring at the sky
00:35:05no you said he could be watching birds but he wasn't was he
00:35:09he was watching another kind of flying thing
00:35:11the car backfires and the hiker turns to look
00:35:15which was his big mistake
00:35:20by the time the driver looks up the hiker's already dead what he doesn't see is what killed
00:35:24him because it's already being washed downstream
00:35:27an accomplished sportsman recently returned from foreign travel with a boomerang
00:35:36you got that from one look
00:35:38definitely the new sexy
00:35:41why
00:35:44why
00:35:49hush now
00:35:59it's okay
00:36:01i'm only returning your coat
00:36:05john
00:36:13john
00:36:16you okay
00:36:22how did i get here
00:36:23well i don't suppose you remember much you weren't making a lot of sense
00:36:26oh i should warn you i think lestrade filmed you on his phone
00:36:29where is she
00:36:31where's who
00:36:32the woman that woman
00:36:33what woman
00:36:34the woman
00:36:35the woman woman
00:36:36oh irene adler
00:36:37she got away no one saw her
00:36:39she wasn't here sherlock
00:36:40what are you
00:36:42what no no no no
00:36:45back to bed
00:36:46you'll be fine in the morning
00:36:49just sleep
00:36:50of course i'll be fine
00:36:52i am fine
00:36:52i'm absolutely fine
00:36:54yes you're great
00:36:55now i'll be next door if you need me
00:36:56where would i need you
00:36:57no reason at all
00:36:58you'll be fine
00:36:59you'll be fine
00:37:00you'll be fine
00:37:01you'll be fine
00:37:02you'll be fine
00:37:03you'll be fine
00:37:04you'll be fine
00:37:05you'll be fine
00:37:06you'll be fine
00:37:07you'll be fine
00:37:08you'll be fine
00:37:09you'll be fine
00:37:10you'll be fine
00:37:11you'll be fine
00:37:12you'll be fine
00:37:13you'll be fine
00:37:14you'll be fine
00:37:15you'll be fine
00:37:16you'll be fine
00:37:17you'll be fine
00:37:18you'll be fine
00:37:19you'll be fine
00:37:20you'll be fine
00:37:21you'll be fine
00:37:22you'll be fine
00:37:23you'll be fine
00:37:24you'll be fine
00:37:25you'll be fine
00:37:26you'll be fine
00:37:27you'll be fine
00:37:28Photographs are perfectly safe.
00:37:43In the hands of a fugitive sex worker.
00:37:45She's not interested in blackmail.
00:37:47She wants protection for some reason.
00:37:51I take it you stood down the police investigation into the shooting at her house.
00:37:54How can we do anything while she has the photographs?
00:37:57Our hands are tied.
00:37:59She'd applaud your choice of words.
00:38:01Do you see how this works?
00:38:02That camera phone is a get-out-of-jail-free card.
00:38:04You have to leave her alone.
00:38:06Treat her like royalty, Mycroft.
00:38:08No, not the way she treats royalty.
00:38:12What was that?
00:38:13Text.
00:38:15What was that noise?
00:38:18Didn't you know there were other people after her too, Mycroft?
00:38:20Before you sent John and I in there.
00:38:22CIA-trained killers had an excellent guess.
00:38:24Yeah, thanks for that, Mycroft.
00:38:25The disgrace sending your little brother into danger like that.
00:38:29Family is all we have in the end, Mycroft Holmes.
00:38:32Shut up, Mrs. Hudson.
00:38:34Mycroft!
00:38:41Apologies.
00:38:43They do have, in fact, shut up.
00:38:46Oh, it's a bit rude, that noise, isn't it?
00:38:50There's nothing you can do and nothing she will do, as far as I can see.
00:38:54I can put maximum surveillance on her.
00:38:56Why bother?
00:38:57You can follow her on Twitter.
00:38:58I believe her username is The Whip Hand.
00:39:01Oh, yes.
00:39:02Most amusing.
00:39:05Excuse me.
00:39:07Hello.
00:39:13Why does your phone make that noise?
00:39:17What noise?
00:39:18That noise.
00:39:19The one it just made.
00:39:20It's text alert.
00:39:21It means I've got a text.
00:39:22Hmm.
00:39:23Your texts don't usually make that noise.
00:39:26Well, somebody got a hold of the phone and, apparently, as a joke, personalised their text alert noise.
00:39:31Hmm.
00:39:32So, every time they text you...
00:39:36It would seem so.
00:39:37Could you turn that phone down a bit at my time of life?
00:39:47I'm wondering who could have got hold of your phone, because it would have been in your coat, wouldn't it?
00:39:50I'll leave you to your deductions.
00:39:53I'm not stupid, you know.
00:39:56But do you get that idea?
00:39:58Bond air is go.
00:39:59That's decided.
00:40:00Check with the Coventry lot.
00:40:01Talk later.
00:40:04What else does she have?
00:40:07Irene Adler.
00:40:08The Americans wouldn't be interested in her for a couple of compromising photographs.
00:40:12There's more.
00:40:14Much more.
00:40:17Something big's coming, isn't it?
00:40:19Irene Adler is no longer any concern of yours.
00:40:24From now on, you will stay out of this.
00:40:27Oh, will I?
00:40:28Yes, Sherlock.
00:40:31You will.
00:40:32Well, if you'll excuse me, I have a long and arduous apology to make to a very old friend.
00:40:41Do give him, my love.
00:40:42That's how I breathe.
00:40:43Give him a little.
00:40:43I'll put a very cold.
00:40:44Oh, that's how I'm about to make that.
00:40:45I'll put a little.
00:40:46I say hi to them.
00:40:47I'll let him know.
00:40:48I'll let him know.
00:40:49I'll let him know you guys.
00:40:50I'll let him know you.
00:40:52I'll let him know you.
00:40:54I'll let him know you guys.
00:40:54Oh.
00:41:15Lovely, Sherlock, that was lovely.
00:41:18Marvellous.
00:41:19Very good.
00:41:20I wish you could have worn the antlers.
00:41:22Something's our best left to the imagination, Mrs Hudson.
00:41:24Mrs H?
00:41:26No, thank you, Sarah.
00:41:27No, no, no, no, no, he's not good with names.
00:41:29No, no, no, I can get this.
00:41:30No, Sarah was the doctor, and then there was the one with the spots,
00:41:33and then the one with the nose, and then who was after the boring teacher?
00:41:36Nobody.
00:41:37Jeanette!
00:41:38Ah, process of elimination.
00:41:41Oh, dear Lord.
00:41:43Hello, everyone.
00:41:44Sorry, hello.
00:41:45It said on the door just to, just to come up.
00:41:47Hello, Marley.
00:41:48Everybody's saying hello to each other.
00:41:49Wonderful.
00:41:51Let me, uh...
00:41:52Holy Mary.
00:41:53There we are.
00:41:54Having a Christmas drinkies, then.
00:41:56No stopping them, apparently.
00:41:57It's the one day of the year where the boys have to be nice to me,
00:41:59so it's almost worth it.
00:42:04John, counter on your blog.
00:42:06Wallet.
00:42:06It still says 1,895.
00:42:08Oh, no, Christmas is cancelled.
00:42:10You've got a photograph of me wearing that hat.
00:42:12People like the hat.
00:42:12No, they don't.
00:42:13What people?
00:42:14How's the hip?
00:42:14Oh, it's atrocious, but thanks for asking.
00:42:17I've seen much worse, but then I do post-mortems.
00:42:20Oh, God, sorry.
00:42:23Don't make jokes, Molly.
00:42:25No, sorry.
00:42:25Yeah.
00:42:27I wasn't expecting to see you.
00:42:28I thought you were going to be in Dorset for Christmas.
00:42:30That's first thing in the morning, me and the wife.
00:42:32We're back together.
00:42:33It's all sorts.
00:42:34No, she's sleeping with a PE teacher.
00:42:36And, John, I hear you're off to your sisters.
00:42:39Is that right?
00:42:39Yeah.
00:42:40Sherlock was complaining.
00:42:42Same.
00:42:42First time ever, she's cleaned up her act.
00:42:44She's off the booze.
00:42:45Nope.
00:42:46Shut up, Sherlock.
00:42:47I see you've got a new boyfriend, Molly, and you're serious about him.
00:42:49What?
00:42:50Sorry, what?
00:42:51I think you're seeing him this very night and giving him a gift.
00:42:53Take a day off.
00:42:54Shut up and have a drink.
00:42:55Oh, come on.
00:42:55Surely you've all seen the present at the top of the bag.
00:42:58Perfectly wrapped with a bow.
00:42:59All the others are slapdash at best.
00:43:02It's for someone special, then.
00:43:03A shade of red echoes her lipstick, either an unconscious association or one that she's deliberately
00:43:07trying to encourage.
00:43:08Either way, Miss Hooper has love on her mind.
00:43:10The fact that she's serious about it, Miss Cliff, and the fact she's giving him a gift at all.
00:43:13That always suggests long-term hopes, however, forlorn, and that she's seeing him tonight
00:43:16is evident from her makeup and what she's wearing.
00:43:18Obviously trying to compensate for the size of her mouth and breasts.
00:43:30You always say such horrible things.
00:43:33Every time.
00:43:36Always.
00:43:37Always.
00:43:37I am sorry.
00:43:44Forgive me.
00:43:49Merry Christmas, Molly Hooper.
00:43:55No, that wasn't...
00:43:57I didn't...
00:43:57No, it was me.
00:43:58Michael, really?
00:43:59What?
00:43:59My phone.
00:44:0157.
00:44:03Sorry, what?
00:44:0457 of those texts, the ones I've heard.
00:44:07Thrilling that you've been counting.
00:44:18Excuse me.
00:44:20What's up, Sherlock?
00:44:21I said excuse me.
00:44:22Do you have a reply?
00:44:23Okay.
00:44:23Okay.
00:44:23Okay.
00:44:29Oh, dear Lord.
00:44:54We're not gonna have Christmas phone calls now, are we?
00:44:57Have they passed a new law?
00:44:58I think you're going to find Irene Adler tonight.
00:45:02We already know where she is.
00:45:04As you were kind enough to point out, it hardly matters.
00:45:08No, I mean you're going to find her dead.
00:45:12You okay?
00:45:13Yes.
00:45:13Okay.
00:45:14Okay.
00:45:28The only one who fitted the description had her brought here, you're home from home.
00:45:38You need to come in, Molly.
00:45:39That's okay.
00:45:40Everyone else was busy with Christmas.
00:45:42The face is a bit sort of bashed up, so it might be a bit difficult.
00:45:47That's her, isn't it?
00:45:53Show me the rest of it.
00:45:59That's her.
00:46:02Thank you, Miss Hooper.
00:46:02Who is she?
00:46:04How did Sherlock recognize her from not her face?
00:46:07Just the one.
00:46:28Why?
00:46:29Merry Christmas.
00:46:30Smoking in doors, isn't it one of those, one of those law things?
00:46:42We're in a morgue.
00:46:43There's only so much damage you can do.
00:46:48How did you know she was dead?
00:46:49She had an item in her possession.
00:46:54When she said her life depended on, she chose to give it up.
00:46:59Where is this item now?
00:47:04Look at them.
00:47:07They all care so much.
00:47:12Do you ever wonder if there's something wrong with us?
00:47:16All lives end.
00:47:17All hearts are broken.
00:47:22Caring is not an advantage.
00:47:26Sherlock.
00:47:30This is low, Tom.
00:47:32Well, you barely knew her.
00:47:40Merry Christmas, Mycroft.
00:47:45And a happy new year.
00:47:47He's on his way.
00:47:58Have you found anything?
00:47:59No.
00:48:00Did he take the cigarette?
00:48:01Yes.
00:48:02Oh, shit.
00:48:03He's coming.
00:48:04Ten minutes.
00:48:04There's nothing in the bedroom.
00:48:06Well, looks like he's clean.
00:48:07We've tried all the usual places.
00:48:08Are you sure tonight's a danger night?
00:48:11No.
00:48:11But then I never am.
00:48:13You have to stay with him, John.
00:48:15I've got plans.
00:48:17No.
00:48:20Mycroft.
00:48:30I am really sorry.
00:48:32You know my friends are so wrong about you.
00:48:34Hmm?
00:48:34You're a great boyfriend.
00:48:38Okay.
00:48:38That's good.
00:48:39I mean, I always thought I was great.
00:48:40Sherlock Holmes is a very lucky man.
00:48:42Ah.
00:48:43Jeanette, please.
00:48:44No.
00:48:45I mean it.
00:48:46It's heartwarming.
00:48:47You'll do anything for him.
00:48:49And he can't even tell your girlfriends apart.
00:48:51No, no.
00:48:51I'll do anything for you.
00:48:52Just tell me what it is I'm not doing.
00:48:53Tell me.
00:48:54Don't make me compete with Sherlock Holmes.
00:48:56I'll walk your dog for you.
00:48:58I've said it now.
00:48:59I'll even walk your dog.
00:48:59I don't have a dog.
00:49:00No.
00:49:01Because that was the last one.
00:49:03Okay.
00:49:04Jesus.
00:49:06I'll call you.
00:49:06No.
00:49:07Okay.
00:49:09That really wasn't very good, was it?
00:49:24Oh, hello.
00:49:29You okay?
00:49:29I hope you didn't mess up my sock index this time.
00:49:38Lovely tune, Sherlock.
00:50:07I haven't heard that one before.
00:50:11You composing?
00:50:13Helps me to think.
00:50:21What are you thinking about?
00:50:24The account on your blog is still stuck at 1,895.
00:50:27Yes.
00:50:28Faulty.
00:50:29Can't seem to fix it.
00:50:30Faulty.
00:50:31All you've been hacked on is a message.
00:50:34Hmm?
00:50:37It's just a full thing.
00:50:45Right.
00:50:49Right.
00:50:52Well, I'm going out for a bit.
00:50:54I'm going out for a bit.
00:51:00Come on.
00:51:03Listen.
00:51:04Has he ever had any kind of, oh, girlfriend, boyfriend, a relationship, ever?
00:51:10I don't know.
00:51:13How can we not know?
00:51:14Hey Sherlock, how will we ever know what goes on in that funny old head?
00:51:21Right. See ya.
00:51:36John?
00:51:37Yeah. Hello.
00:51:40Hello.
00:51:41So, any plans for New Year tonight?
00:51:45Uh, uh, nothing fixed. Nothing I could heartlessly abandon. You have any ideas?
00:51:56One.
00:52:01You know, Mycroft could just phone me if he didn't have this bloody, stupid power complex.
00:52:11You know, Mycroft could just go to a cafe.
00:52:16And Sherlock doesn't follow me everywhere.
00:52:20And Sherlock doesn't follow me everywhere.
00:52:24Through there.
00:52:25He's on his way.
00:52:26You were right.
00:52:27He thinks I'm sorry.
00:52:28He's on his way.
00:52:29You were right.
00:52:30He thinks it's Mycroft.
00:52:31He thinks it's Mycroft.
00:52:32He's on his way.
00:52:33You were right.
00:52:34He thinks it's Mycroft.
00:52:36He's writing sad music.
00:52:37Doesn't eat.
00:52:38He thinks it's Mycroft.
00:52:41He thinks it's Mycroft.
00:52:42He's writing sad music.
00:52:43Doesn't eat.
00:52:44Barely talks.
00:52:46Barely talks.
00:52:47Only to correct the television.
00:52:48I'd say he was heartbroken.
00:52:49But, uh, well, he's Sherlock.
00:52:50He's on his way.
00:52:51He's on his way.
00:52:52He's on his way.
00:52:53You were right.
00:52:54He thinks it's Mycroft.
00:52:55He thinks it's Mycroft.
00:52:56It's tetes.
00:52:57He's not to be able to answer.
00:52:59But, uh, you say, sir.
00:53:01Sure figured.
00:53:02Sir?
00:53:03You might?
00:53:04You'd be33 tuned.
00:53:05Yes, you!
00:53:06Brad?
00:53:07He's on his way.
00:53:08He's on his way.
00:53:09ommen.
00:53:10Who are we?
00:53:11Now, I have an insmuffled conversation.
00:53:14I think he's refined.
00:53:15Well, I think that's fine.
00:53:19Good, dude.
00:53:20Good.
00:53:21No matter howól.
00:53:22It's snowing.
00:53:23Mr. Watson.
00:53:25Tell him you're alive.
00:53:35He'd come after me.
00:53:37I'll come after you if you don't.
00:53:38I believe you.
00:53:41You were dead on a slab.
00:53:45It's definitely you.
00:53:47DNA tests are only as good as the records you keep.
00:53:50And I bet you know the record keeper.
00:53:51I know what he likes.
00:53:53And I need it to disappear.
00:53:54Then how come I can see you and I don't even want to?
00:53:59Look, I made a mistake.
00:54:01I sent something to Sherlock for safekeeping
00:54:03and now I need it back, so I need your help.
00:54:05No.
00:54:06It's for his own safety.
00:54:07So's this.
00:54:09Tell him you're alive.
00:54:11I can't.
00:54:12Fine.
00:54:14I'll tell him.
00:54:16And I still won't help you.
00:54:18What do I say?
00:54:20What do you normally say?
00:54:21You've texted him a lot.
00:54:22Just the usual stuff.
00:54:25There is no usual in this case.
00:54:28Good morning.
00:54:30I like your funny hat.
00:54:32I'm sad tonight.
00:54:33Let's have dinner.
00:54:35You look sexy on Crimewatch.
00:54:36Let's have dinner.
00:54:37I'm not hungry.
00:54:40Let's have dinner.
00:54:40You flirted with Sherlock Holmes.
00:54:46At him.
00:54:47He never replies.
00:54:47No, Sherlock always replies to everything.
00:54:50He's Mr. Punchline.
00:54:51He will outlive God trying to have the last word.
00:54:55Does that make me special?
00:54:58I don't know.
00:54:58Maybe.
00:55:00You jealous?
00:55:01We're not a couple.
00:55:02Yes, you are.
00:55:04There.
00:55:05I'm not dead.
00:55:08Let's have dinner.
00:55:12Who the hell knows about Sherlock Holmes?
00:55:14But for the record,
00:55:15anyone out there
00:55:16still cares
00:55:18I'm not actually gay.
00:55:19Well, I am.
00:55:22Look at us both.
00:55:23I don't think so.
00:55:40Do you?
00:55:53I don't think so.
00:56:23I don't think so.
00:56:53Don't sniffle, Mrs. Hudson.
00:57:15It'll do nothing to impede the flight of a bullet.
00:57:18What a tender world that would be.
00:57:20Oh, please.
00:57:21I don't know.
00:57:22I believe you have something that we want, Mr. Holmes.
00:57:26Then why don't you ask for it?
00:57:28Oh, my God.
00:57:31I've been asking this one.
00:57:33She doesn't seem to know anything.
00:57:37But you know what I'm asking for, don't you, Mr. Holmes?
00:57:39I believe I do.
00:57:49I believe I do.
00:57:55First, get rid of your boys.
00:57:57Why?
00:57:57I just like being outnumbered.
00:57:59It makes for too much stupid in the room.
00:58:01You two, go to the car.
00:58:04Then get into the car and drive away.
00:58:06Don't try to trick me.
00:58:07You know who I am.
00:58:08It doesn't work.
00:58:15Next, you can stop pointing that gun at me.
00:58:17So you can point a gun at me?
00:58:19I'm unarmed.
00:58:20What if I check?
00:58:21Oh, I insist.
00:58:35Moron.
00:58:39You're all right now.
00:58:40You're all right.
00:58:41You're all right.
00:58:41You're all right.
00:58:51What's going on?
00:59:12Jesus, what the hell is happening?
00:59:13Mrs. Hudson's been attacked by an American.
00:59:15I'm restoring balance to the universe.
00:59:17Oh, Mrs. Hudson.
00:59:18My daughter, are you all right?
00:59:20Jesus, what have I done to you?
00:59:21Oh, I'm just being so silly.
00:59:23Oh, downstairs.
00:59:24Take her downstairs and look after her.
00:59:26It's all right.
00:59:28It's all right.
00:59:29I'll have a look at that.
00:59:31I thought it was funny.
00:59:32Are you going to tell me what's going on?
00:59:33I expect so.
00:59:34Now, go.
00:59:39Well, let's try out.
00:59:41We've had a break-in at Baker Street.
00:59:44Send your least irritating officers in an ambulance.
00:59:47Oh, no, no, no, no.
00:59:48We're fine.
00:59:49No, it's the, uh, it's the burglar.
00:59:52He's got himself rather badly injured.
00:59:54A few broken ribs, fractured skull.
00:59:57Suspected punctured lung.
01:00:01He fell out of a window.
01:00:04Oh, he stinks.
01:00:05Oh, that was right on my bins.
01:00:20And exactly how many times did he fall out of the window?
01:00:23I was sort of a bit of a blur, Detective Inspector.
01:00:26I lost count.
01:00:34She'll have to sleep upstairs in our flat, tonight.
01:00:36We need to look after her.
01:00:37No, she's fine.
01:00:38No, she's not.
01:00:39Look at her.
01:00:40She's got to take some time away from Baker Street.
01:00:42She can go and stay with her sister.
01:00:44Doctor's orders.
01:00:45That'd be absurd.
01:00:46She's in shock, for God's sake, and all over some bloody stupid camera phone.
01:00:50Where is it, anyway?
01:00:52Safest place I know.
01:00:53He left it in the pocket of his second-best dressing gown, you clot.
01:00:58I managed to sneak it out when he thought I was having a cry.
01:01:04Shame on you, John Watson.
01:01:06Shame on me.
01:01:06Mrs. Hudson, leave Baker Street.
01:01:09England would fall.
01:01:10Where is it now?
01:01:25Where no one will look.
01:01:29Whatever's on that phone is more than just pictures.
01:01:32Yes, it is.
01:01:36So she's alive, then.
01:01:40How are we feeling about that?
01:01:46Happy New Year, John.
01:01:47Do you think you'll be seeing her again?
01:02:10Is that a phone?
01:02:31It's a camera phone.
01:02:33And you're X-raying it?
01:02:34Yes, I am.
01:02:36Whose phone is it?
01:02:37A woman's.
01:02:38Your girlfriend.
01:02:40You think she's my girlfriend because I'm X-raying her possessions?
01:02:43Well, we all do silly things.
01:02:45Yes.
01:02:47They do, don't they?
01:02:50Very silly.
01:02:51She sent this to my address.
01:02:58She loves to play games.
01:03:00She does?
01:03:01She does?
01:03:01She does?
01:03:21I don't know.
01:03:51Do you have a client?
01:03:52What, in your bedroom?
01:04:02So who's after you?
01:04:03People who want to kill me.
01:04:05Who's that?
01:04:06Killers.
01:04:07Would help if you were a tiny bit more specific.
01:04:10So you faked your own death in order to get ahead of them?
01:04:12It worked for a while.
01:04:13Except you let John know that you're alive and therefore me.
01:04:15I knew you'd keep my secret.
01:04:17You couldn't?
01:04:18But you did, didn't you?
01:04:22Where's my camera phone?
01:04:24It's not here.
01:04:25We're not stupid.
01:04:26Then what have you done with it?
01:04:28If they've guessed you've got it, they'll be watching you.
01:04:30If they've been watching me, they'll know that I took a safety deposit box at a bank on the Strand a few months ago.
01:04:34I need it.
01:04:36Well, we can't just go and get it, can we?
01:04:39Molly Hooper.
01:04:41She could collect it, take it to Bart's.
01:04:44Then one of your homeless network could bring it here, leave it in the cafe.
01:04:49And one of the boys downstairs could bring it up the back.
01:04:51Very good John.
01:04:52Excellent plan.
01:04:53Full of intelligent precautions.
01:04:55So, why don't Art Feather?
01:04:57So, what do you keep on here?
01:05:02In general, I mean.
01:05:04Pictures, information, anything I might find useful.
01:05:07Not for black men?
01:05:08For protection.
01:05:10I make my way in the world.
01:05:11I misbehave.
01:05:13I like to know people will be on my side exactly when I need them to be.
01:05:17So, how do you acquire this information?
01:05:18I told you.
01:05:19I misbehave.
01:05:20But you've acquired something that's more danger than protection.
01:05:23Do you know what it is?
01:05:24Yes.
01:05:25But I don't understand it.
01:05:27I assumed.
01:05:28Show me.
01:05:31The passcode.
01:05:38It's not working.
01:05:47No, because it's a duplicate that I had made into which you've just entered the numbers 1058.
01:05:51I assumed you'd choose something more specific than that, but thanks anyway.
01:05:56I told you that camera phone was my life.
01:06:09I know when it's in my hand.
01:06:11Oh, you're rather good.
01:06:13You're not so bad.
01:06:19Hamish.
01:06:20John Hamish Watson.
01:06:24Just if you were looking for baby names.
01:06:29There was a man.
01:06:30An M.O.D. official, and I knew what he liked.
01:06:35One of the things he liked was showing off.
01:06:37He told me this email was going to save the world.
01:06:39He didn't know it, but I photographed it.
01:06:41He was a bit tied up at the time.
01:06:44It's a bit small on that screen. Can you read it?
01:06:46Yes.
01:06:47Code, obviously.
01:06:48I had one of the best cryptographers in the country take a look at it,
01:06:51though he was mostly upside down, as I recall.
01:06:55Couldn't figure it out.
01:06:58What can you do, Mr. Holmes?
01:07:00Go on.
01:07:02Impress a girl.
01:07:18There's a margin variable, and I'm pretty sure there's a 747 leaving Heathrow tomorrow at 6.30 in the evening for Baltimore.
01:07:25Apparently, it's going to save the world.
01:07:26Not sure how that could be true, but give me a moment.
01:07:28Anybody know the case for eight seconds?
01:07:29Oh, come on, it's not code. These are seat allocations on a passenger jet. Look, there's no letter I, because it can be mistaken for a one.
01:07:38No letters past K, but within the plane is the limit. The numbers always appear randomly and not in sequence.
01:07:42But the letters have little runs of sequence all over the place, families and couples sitting together.
01:07:47Only a jumbo is wide enough to need a letter K or rows past 55, which is why there's always an upstairs.
01:07:51There's a row 13, which eliminates the more superstitious airlines.
01:07:54Then there's a style of the flight number 007 that eliminates a few more.
01:07:57And assuming a British point of origin, which would be logical considering the original source of the information,
01:08:01and assuming from the increased pressure on you lately that the crisis is imminent,
01:08:04the only flight that matches all the criteria into parts within the week is the 6.30 to Baltimore tomorrow evening from Heathrow Airport.
01:08:11Please don't feel obliged to tell me that was remarkable or amazing.
01:08:13John's expressed that thought in every possible variant available to the English language.
01:08:17I would have you right here on this desk until you begged for mercy twice.
01:08:24John, please can you check those flight schedules to see if I'm right?
01:08:29Yeah.
01:08:31I might, yeah.
01:08:33I'll never beg for mercy in my life.
01:08:35Twice.
01:08:37Uh, yeah, you're right. Flight 007.
01:08:41What did you say?
01:08:42You're right.
01:08:43No, no, no, after that. What did you say after that?
01:08:44007. Flight 007.
01:08:47007, 007, 007, 007, something, something, 007, 007.
01:08:52What?
01:08:54No, it no.
01:08:55No, no, no.
01:08:56No, no, no, no, no.
01:08:57Can you tell us the truth?
01:08:58Can we tell us something?
01:08:59Yeah.
01:09:00No, no.
01:09:01No, no, no, no, no.
01:09:02Not.
01:09:15Hold on to that.
01:09:17Bond here is gone.
01:09:47Bond here is gone.
01:10:17Bond here is gone.
01:10:28That's decided.
01:10:29Check with the Coventry lot.
01:10:37Coventry.
01:10:38I've never been.
01:10:40Is it nice?
01:10:42Yes, John.
01:10:44He went out a couple of hours ago.
01:10:47I was just talking to him.
01:10:48He said you'd do that.
01:10:50What's Coventry got to do with nothing?
01:10:55It's a story.
01:10:57Probably not true.
01:10:59In the Second World War, the Allies knew that Coventry was going to get bombed because they'd broken the German code.
01:11:03But they didn't want the Germans to know that they'd broken the code.
01:11:05So they let it happen anyway.
01:11:06Have you ever had anyone?
01:11:11I'm sorry.
01:11:13And when I say had, I'm being indelicate.
01:11:15I don't understand.
01:11:16I'll be delicate then.
01:11:18Let's have dinner.
01:11:23Why?
01:11:24You won't be hungry.
01:11:25I'm not.
01:11:25Good.
01:11:26Why would I want to have dinner if I wasn't hungry?
01:11:36Mr. Holmes, if it was the end of the world, if this was the very last night, would you have dinner with me?
01:11:47Sherlock?
01:11:47Sherlock?
01:11:49Too late.
01:11:50That's not the end of the world.
01:11:51That's Mrs. Hudson.
01:11:56Sherlock, this man was at the door.
01:11:57Is the bell still not working?
01:11:59He shot it.
01:12:00Have you come to take me away again?
01:12:02Yes, Mr. Holmes.
01:12:03Well, I declined.
01:12:05I don't think you do.
01:12:17There's going to be a bomb on a passenger jet.
01:12:37The British and American governments know about it.
01:12:39But rather than expose the source of their information, they're going to let it happen.
01:12:42The plane will blow up.
01:12:45Coventry all over again.
01:12:47The wheel turns, nothing is ever new.
01:13:17Well, you're looking all better.
01:13:29How are you feeling?
01:13:31Like putting a bullet in your brain, sir.
01:13:37They'd pin a medal on me if I did, sir.
01:13:40You're going to be able to make the blood.
01:13:44You're here to go.
01:13:58He's looking all over again.
01:14:00It's pretty, you know.
01:14:02I'm not a man.
01:14:03You're looking all over again.
01:14:04I'm not a sinner.
01:14:05I'm not a man.
01:14:05I'm not a man.
01:14:06I'm not a man.
01:14:06You're looking all over again.
01:14:07the coventry conundrum what do you think of my solution
01:14:24the flight of the dead
01:14:28plane blows up mid-air mission accomplished for the terrorists hundreds of casualties but nobody
01:14:36dies neat don't you think you've been stumbling around the fringes of this one for ages or were
01:14:43you too bored to notice the pattern they wouldn't let us see granddad when he was dead she's not my
01:14:51real aunt i know human ash we ran a similar project with the germans a while back though i believe
01:14:58one of our passengers didn't make the flight
01:15:00but that's the deceased for you late in every sense of the word
01:15:08how's the plane going to fly of course unmanned aircraft hardly new it doesn't fly it will never
01:15:15fly this entire project is cancelled the terrorist cells have been informed that we know about the
01:15:22bomb we can't fool them now we've lost everything one fragment of one email and months and years of
01:15:32planning finished you're mod man that's all it takes one lonely naive man desperate to show off
01:15:43and a woman clever enough to make him feel special
01:15:47you should screen your defense people more carefully i'm not talking about the mod man sherlock
01:15:53i'm talking about you
01:15:55a damsel in distress
01:15:59in the end are you really so obvious because this was textbook the promise of love the pain of loss
01:16:11the joy of redemption then give him a puzzle and watch him dance
01:16:18that'd be absurd absurd
01:16:21how quickly did you decipher that email for her was it the full minute or were you really eager to
01:16:29impress i think it was less than five seconds
01:16:32i drove you into her path
01:16:36i'm sorry i didn't know
01:16:41mr holmes i think we need to talk
01:16:44so do i there are a number of aspects i'm still not quite clear on
01:16:48not you junior you're done now there's more loads more on this phone i've got secrets and pictures
01:16:55and scandals that could topple your whole world you have no idea how much havoc i can cause and
01:17:01exactly one way to stop me unless you want to tell your masters that your biggest security leak is your
01:17:07own little brother
01:17:15we have people who can get into this
01:17:17we have people who can get into this
01:17:19i tested that theory for you
01:17:21i let sherlock holmes try it for six months
01:17:24sherlock dear tell him what you found when you x-rayed my camera phone
01:17:27there are four additional units wired inside the casing i suspect containing acid or a small amount of explosive any attempt to open the casing will burn the hard drive
01:17:35explosive
01:17:37it's more me
01:17:39some data is always recoverable
01:17:41take that risk
01:17:43you have a passcode to open this i deeply regret to say we have people who can extract it from you
01:17:48sherlock
01:17:50there will be two passcodes one to open the phone one to burn the drive
01:17:54even under arrest you can't know which one she's given you and there would be no point in a second attempt
01:17:58he's good isn't he
01:18:00i should have him on a leash
01:18:02in fact i might
01:18:04we destroy this then no one has the information
01:18:08fine good idea
01:18:10unless there are lives of british citizens depending on the information you're about to burn
01:18:14are there
01:18:16telling you we'll be playing fair
01:18:18i'm not playing anymore
01:18:21a list of my requests
01:18:25and some ideas about my protection once they're granted
01:18:29i'd say it wouldn't blow much of a hole in the world
01:18:33the nation but then i'd be lying
01:18:39imagine you'd like to sleep on it
01:18:41thank you yes
01:18:43too bad
01:18:45i'll few pop and talk to people
01:18:51you've been very thorough
01:18:54i wish our lot were half as good as you
01:18:58i can't take all the credit
01:19:00i had a bit of help
01:19:02jim moriarty sends his love
01:19:06yes
01:19:07he's been in touch
01:19:08seems desperate for my attention
01:19:10which i'm sure can be arranged
01:19:13i had all this stuff never knew what to do with it
01:19:16thank god for the consultant criminal
01:19:18gave me a lot of advice about how to play the homes boys
01:19:24nobody calls you
01:19:26the ice man
01:19:28and the virgin
01:19:31didn't even ask for anything i think he just likes to cause trouble now that's my kind of man
01:19:36but here you are
01:19:38the dominatrix
01:19:40who brought a nation to its knees
01:19:42nicely played
01:19:44yes they played
01:19:45no
01:19:48sorry
01:19:50i said no
01:19:52very very close
01:19:54but no
01:19:55you got carried away
01:19:56the game was too elaborate
01:19:58you're enjoying yourself too much
01:20:00no such thing as too much
01:20:02no enjoying the thrill of the chase is fine
01:20:04craving the distraction of the game
01:20:06i sympathize entirely but sentiment
01:20:08sentiment is a chemical defect found in the losing side
01:20:11sentiment
01:20:12what are you talking about
01:20:14what are you talking about
01:20:15you
01:20:16oh dear god
01:20:18look at the poor man
01:20:21you don't actually think i was interested in you
01:20:25why
01:20:26because you're the great sherlock holmes
01:20:29the clever detective in the funny hat
01:20:31no
01:20:39because i took your pulse
01:20:41elevated
01:20:54your pupils dilated
01:21:01i imagine john watson thinks love is a mystery to me
01:21:03but the chemistry is incredibly simple and very destructive
01:21:06when we first met you told me the disguise is always a self portrait
01:21:09how true of you
01:21:11the combination to your safe your measurements
01:21:12but this
01:21:13this is far more intimate
01:21:14this
01:21:15is your heart
01:21:16and you should never let it rule your head
01:21:20you could have chosen any random number
01:21:21and walked out of here today with everything you've worked for
01:21:24but you just couldn't resist it could you
01:21:27i've always assumed that love is a dangerous disadvantage
01:21:31thank you for the final proof
01:21:35everything i said
01:21:36it's not real
01:21:37it's not real
01:21:40i was just playing the game
01:21:41i know
01:21:45and this is just losing
01:21:46everything
01:21:57they are brother
01:21:58hope the contents make up for any inconvenience i may have caused you tonight
01:22:01i'm certain they will
01:22:02if you're feeling kind lock her up otherwise let her go
01:22:04i doubt she'll survive long without her protection
01:22:06are you expecting me to beg
01:22:07yes
01:22:13please
01:22:18you're right
01:22:20i won't even last six months
01:22:24sorry about dinner
01:22:37you don't smoke
01:22:51i also don't frequent cafes
01:22:54it's the file on irene adler
01:23:06closed forever
01:23:08i am about to go and inform my brother
01:23:11or if you prefer
01:23:12you are
01:23:13that she somehow got herself into a witness protection scheme in america
01:23:17new name
01:23:18new identity
01:23:20she will survive
01:23:22and thrive
01:23:24but he will never see her again
01:23:26why would he care
01:23:28he despised her at the end
01:23:30won't even mention her by name
01:23:32just the woman
01:23:33is that loathing
01:23:35or a salute
01:23:37one of a kind
01:23:38the one woman who matters
01:23:40he's not like that
01:23:42he doesn't feel things that way
01:23:44i don't think
01:23:46my brother
01:23:47has the brain of a scientist
01:23:49or a philosopher
01:23:50yet he elects to be a detective
01:23:53what might we deduce about his heart
01:23:56i don't know
01:23:58neither do i
01:24:00but initially he wanted to be a pirate
01:24:05he'll be okay with this witness protection never seeing her again
01:24:08he'll be fine
01:24:09i agree
01:24:12that's why i decided to tell him that
01:24:16instead of what?
01:24:19she's dead
01:24:21she was captured by a terrorist cell in karachi two months ago and beheaded
01:24:32it's definitely her
01:24:34she's done this before
01:24:35i was thorough this time
01:24:38it would take sherlock holmes to fool me
01:24:41and i don't think he was on hand
01:24:43do you?
01:24:46so
01:24:55what you would tell sherlock
01:24:56clearly you've got news
01:25:06if it's about the leads triple murder
01:25:08it was the gardener
01:25:09nobody noticed the earring
01:25:11hi
01:25:13no it's um
01:25:15it's about irene adler
01:25:16well
01:25:17something happened did she come back?
01:25:22no no she's uh i just pumped into mycroft downstairs he had to take a call
01:25:26is she back in london?
01:25:27no
01:25:29she's uh
01:25:31she's in america
01:25:36america?
01:25:37mm-hmm
01:25:38got herself on a witness protection scheme
01:25:40apparently
01:25:41don't know how she
01:25:42swung it
01:25:43but uh
01:25:45well you know
01:25:46i know what?
01:25:47well you won't be able to see her again
01:25:48oh but i want to see her again
01:25:50didn't say you did
01:25:51is that her file?
01:25:52yes i was just gonna take it back to mycroft
01:25:55do you want to?
01:25:56no
01:25:57listen actually
01:25:58oh but i will have the camera phone then
01:26:09there's nothing on it anymore it's been stripped
01:26:12i know but i
01:26:14i still have it
01:26:16i've got to give this back to mycroft you can't keep it
01:26:20sherlock i have to give this to mycroft it's the government's now i couldn't even
01:26:24please
01:26:25yes
01:26:39thank you
01:26:43well i better take this back
01:26:44yes
01:26:45did she ever text you again?
01:26:55after
01:26:57all that?
01:26:58once a few months ago
01:27:00what'd she say?
01:27:02goodbye mr holmes
01:27:03goodbye mr holmes
01:28:33The woman.
01:28:43The woman.
01:29:03The woman.
01:29:14The woman.
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