Searching for Sugar Man (2012) Full Movie HD

Sky Dream

Searching for Sugar Man (2012) is an inspiring documentary that follows two fans as they investigate the mysterious story of musician Sixto Rodriguez, whose songs quietly influenced a generation across the world. With emotional depth, unforgettable music, and an uplifting message, the film explores discovery, legacy, and the power of art to connect lives. Winner of the Academy Award for Best Documentary.  searching for sugar man, 2012 movie, sixto rodriguez, music documentary, inspiring story, true story, powerful music, legacy and discovery, academy award winner, emotional journey, unforgettable songs, uplifting film, real life mystery, artistic impact, documentary film

Transcript

00:05:17C'est ce qu'il y a de l'esprit, c'est ce qu'il y a de l'esprit, et c'est ce qu'il y a de l'esprit.

00:05:24C'était une scène, si vous voulez.

00:05:29Foggy night, foghorn, smoke so thick que vous ne pouvez pas voir ce qu'il y a de l'esprit.

00:05:35Et c'est ce qu'il y a de l'esprit.

00:05:37Peut-être que ça m'a forced à l'esprit de l'esprit, parce que vous ne pouvez pas voir le face.

00:05:41Et c'est quand nous avons parlé à lui et nous devons faire un album sur lui.

00:05:45Le seul écrit que j'ai entendu de l'esprit de l'esprit, c'était peut-être Bob Dylan, qui était écrit bien.

00:06:15C'était un homme ou un joueur, qui vous a fait payer les coûts ?

00:06:21Qui maintenant assumez les positions relaxes et prostitutes votre perteur ?

00:06:27Ou vous êtes torturé par votre propre thirst, dans les plédiens que vous cherchez ?

00:06:33Qui vous a fait tom, le curieux, qui vous fait James le Weak ?

00:06:38Et vous dites que vous avez quelque chose qui va ?

00:06:52Quelque chose que vous appelle unique ?

00:06:58Mais j'ai seen yourself pretty showin'

00:07:04As the tears roll down your cheeks

00:07:10Oui !

00:07:11Il y a de l'esprit du défi

00:07:22Ronde-esprit de l'esprit

00:07:27Je me suis très loin du brewery et je me suis demandé,

00:07:30et j'ai ajouté cette mythologie.

00:07:33Comment ça va, c'est qu'il fait ?

00:07:35Qu'est-ce qu'il fait ?

00:07:36Je l'ai entendu, il fait un petit bouteillage,

00:07:39du construction travail,

00:07:41je crois que c'est comment il m'a été mis au niveau,

00:07:44il était juste...

00:07:46Je dis ça avec de l'amour, je dis ça avec respect,

00:07:49mais je pensais qu'il était juste

00:07:52pas beaucoup plus de quelque chose de sa famille.

00:07:56Il était juste un drifteur.

00:07:58Il était juste...

00:08:00Je ne savais pas si il avait un home.

00:08:02Il était comme si il pouvait aller de shelter

00:08:06à quelque chose.

00:08:13Détroit dans les 70s était un endroit difficile.

00:08:16Mais c'est toujours un endroit difficile.

00:08:18Il y a beaucoup de ruines,

00:08:20des pauvres existent dans la ville.

00:08:22Et ces streets étaient des habitants

00:08:24des habitants.

00:08:26C'est une fois qu'on a rencontré

00:08:28pour parler de ce que nous étions,

00:08:30il s'allait rencontrer dans le quartier.

00:08:32En plus, il n'était pas à venir à ma maison.

00:08:36Il s'allait rencontrer dans la rue

00:08:38et dans la rue.

00:08:40Et nous devions être là.

00:08:42Mike et moi nous étions dans nos cars

00:08:44et nous étions dans le quartier.

00:08:46Il s'allait être là.

00:08:48Il s'agissait.

00:08:50Nous pensions qu'il était comme l'Inner-Cité Poet.

00:08:52Voilà un peu d'humour et il s'agissait.

00:08:54Il s'agissait vraiment

00:08:56et il s'agissait dans nos

00:09:20à l'époque, il y avait tout le machiné en place.

00:09:25Il y avait des noms, des monnaies derrière ça.

00:09:28Les circonstances étaient correctes.

00:09:29Pourquoi ne pas il y avait ça ?

00:09:30C'est la question que aujourd'hui encore me haunts.

00:09:34Il y a eu de la promotion ?

00:09:35Il y a eu de la performance ?

00:09:37Il y a eu de la politique ?

00:09:39Il y a eu de la politique ?

00:09:41Il y a eu de ça, il y a eu de ça ?

00:09:44Il y a eu de ça ?

00:09:46Il y a eu de la violine ?

00:09:47Il y a eu de l'obo ?

00:09:49On et on, il y a eu de l'obo.

00:09:51Mais au final, si vous écoutez ça maintenant,

00:09:55vous allez dire, je ne comprends pas.

00:09:57Il y a eu de ça, il y a eu de ça.

00:10:01Je ne savais pas.

00:10:02Je ne savais pas.

00:10:03Il y a eu de la musique qu'il avait sur son album.

00:10:06Il y a eu de la musique,

00:10:07il y a eu de la musique.

00:10:09Il y a eu de la musique ?

00:10:11C'est ça le nom de la musique ?

00:10:12Je savais ça, le sugar man.

00:10:15Et il y a eu de la musique.

00:10:17Il y a eu de la musique.

00:10:19Il y a eu de la musique.

00:10:20Il y a eu de la musique.

00:10:22Il y a eu de la musique,

00:10:23si vous voyez un peu à la musique.

00:10:25On va dire?

00:10:26Le sugar man,

00:36:23Je ne sais pas quand ça a été fait, mais je n'ai absolument pas idée.

00:36:26C'est 1970, je pense.

00:36:28Oui.

00:36:32C'est mon ami.

00:36:38Il m'a dit qu'il m'émotionale encore.

00:36:40Il m'émotionale, mais je ne m'émotionale pas,

00:36:43mais je ne m'étonne pas, mais je ne m'étonne pas parler à toi, man.

00:36:47Si j'avais à nommer 10 artistes que j'ai jamais été involvée avec,

00:36:50il m'étonne pas de 5, simple comme ça.

00:36:54Il n'a jamais eu n'ai jamais entendu de rien comme ça.

00:36:56People would say, well, Bob Dylan, no, no, no, no.

00:36:59Bob Dylan was mild to this guy.

00:37:02Did it make any money?

00:37:04We judge this thing here in America.

00:37:06If you say, was it the top 100?

00:37:10Was it number, did it get on the charts, is number 12?

00:37:14Did there was a lot of radio play?

00:37:16The answer is no, man.

00:37:17Nobody didn't, Rodriguez?

00:37:22You know, that name didn't register.

00:37:26Although he looked like he was a white guy,

00:37:27but he hadn't still, Rodriguez.

00:37:29Everybody knew, Rodriguez, that's a Spanish name.

00:37:32A Latin name.

00:37:33Latin music was not happening then.

00:37:35How many records do you think he sold in America?

00:37:37In America? Six.

00:37:39Maybe my wife bought it, maybe my daughter bought it.

00:37:42Boy, she couldn't buy it.

00:37:42Maybe Neil Bogart, maybe Dennis and Mike.

00:37:45Look, man, it didn't sell here.

00:37:50And there was some excitement about him.

00:37:53A couple of agents heard him

00:37:55and wanted to bring him to California.

00:37:58And when he came to California, he was nervous

00:38:01and he turned his back to the audience

00:38:03and everybody said, well, what the hell is this?

00:38:05But the thing is that the guy sold hundreds of thousands records

00:38:08in another country.

00:38:10Well, I'm going to South Africa

00:38:11to try to chase somebody to sell on records?

00:38:12Shit, no, man.

00:38:13But did you know that he was big in South Africa?

00:38:16Rodriguez, young man, never happened insofar as I'm concerned.

00:38:22Period.

00:38:23But if I'm really going to try to track down the money,

00:38:26how should I do?

00:38:27Well, is that important, the money?

00:38:29Which is important?

00:38:31Rodriguez's story or you worrying about the money?

00:38:35If only, how many people in South Africa?

00:38:3740 million, 40,000, 40 million people?

00:38:39How many people?

00:38:4040 million people live in South Africa.

00:38:41Well, I mean, so they've been freed for how long?

00:38:44Three hours?

00:38:45So what the fuck's that supposed to mean?

00:38:47You told me at lunch they scratched records

00:38:49because they wouldn't let them live.

00:38:51So, underground movement, how big was it?

00:38:55He sold half a million records in South Africa.

00:38:57Well, so he sold half a million records.

00:38:59So what?

00:38:59I don't know who you sold him to.

00:39:01How many distributors did you have?

00:39:03I have no idea.

00:39:04There are only three record labels.

00:39:06I spoke to all the record labels in South Africa

00:39:09who has released his records.

00:39:12It was...

00:39:12Go back to him and tell him to send me an account.

00:39:15You think somebody's going to worry about a 1970 contract?

00:39:18If you do, you're out of your goddamn mind.

00:39:19Buddha Ricker's out of business.

00:39:22I'm out of business.

00:39:25So you think they give a shit about that?

00:39:28I know I wouldn't.

00:39:32I'd been looking for information about Rodriguez for a long time.

00:39:36I'd even set up a webpage called The Great Rodriguez Hunt

00:39:39in the hope that someone out there in cyberspace

00:39:41would post a message on the forum

00:39:43giving us any information about Rodriguez.

00:39:46But there was nothing.

00:39:47At that stage I met Craig

00:39:50who was the musicologist detective

00:39:53who had read my liner notes

00:39:54and who was also searching for Rodriguez

00:39:56and he flew down to Cape Town

00:39:58and we met in a coffee shop

00:39:59and we exchanged all the information we had

00:40:02but unfortunately we had very little.

00:40:04and at that stage I remember we felt

00:40:07it was probably best that we just stopped.

00:40:09So basically I was lost.

00:40:11I'd come to a dead end.

00:40:12I couldn't find him.

00:40:13I didn't know where to look anymore.

00:40:15I'd even visited the places that he sang about.

00:40:17I'd been to London.

00:40:19Nothing.

00:40:19I'd been to Amsterdam.

00:40:21He sings about Amsterdam.

00:40:22Nothing.

00:40:23And one day I'd basically given up.

00:40:25I thought, well, this is it.

00:40:26And one day just by accident

00:40:27I was listening to the album in the car

00:40:29and I heard the song

00:40:30Inner City Blues.

00:40:32Great song.

00:40:32And the line came up.

00:40:34I met a girl in Dearborn

00:40:35early six o'clock this morning.

00:40:37A cold fact.

00:40:39And I thought, hang on a minute.

00:40:40I'd never checked out Dearborn.

00:40:42I didn't even know if it was a city

00:40:43but then I thought,

00:40:44actually that sounds like a town or a city.

00:40:46And I thought, hang on.

00:40:47Let me check it out in an atlas.

00:40:49So I went through to my old atlas

00:40:52and pulled it out.

00:40:55I thought, let me see what I could find here.

00:40:58Let me see if I could find Dearborn.

00:41:01Um, dear...

00:41:03And then I found it.

00:41:04Dearborn, Wayne, Michigan.

00:41:06F7.

00:41:10See, F...

00:41:12F7.

00:41:14Dearborn, part of Detroit.

00:41:16That was a huge breakthrough in my mind.

00:41:18Detroit, home of Motown,

00:41:21Marvin Gaye, Stevie Wonder,

00:41:24and eventually Mike Theodore,

00:41:26the producer of the album.

00:41:32I was sitting in my condo

00:41:34just having a cup of coffee.

00:41:36I was looking out the window

00:41:37watching the ocean.

00:41:39Phone rings.

00:41:41It's a long-distance call from South Africa

00:41:44from a writer.

00:41:47His name's Craig Bartholomew.

00:41:48and he starts telling me

00:41:52this amazing story.

00:41:56So he said,

00:41:57do you know that Rodriguez

00:41:58has been selling in South Africa

00:42:00for 25 years?

00:42:01These albums are selling millions.

00:42:04I said, what?

00:42:06Then he's sitting there

00:42:07and he wants to start telling me

00:42:09some stories about,

00:42:10he said,

00:42:11how did Rodriguez die?

00:42:12He's telling me information that he had,

00:42:15that Rodriguez had blown his brains out on stage

00:42:19or set himself on fire and killed himself.

00:42:21I had a hundred questions I wanted to ask.

00:42:24I mean, I was just hoping I could get all my questions in,

00:42:27you know.

00:42:28Why did he write this lyric?

00:42:29Why did he write that lyric?

00:42:31Where did he record this album?

00:42:33Where did he record that album?

00:42:34And we got talking

00:42:36and I asked him a lot of questions

00:42:37and it was amazing.

00:42:39It was a rollercoaster ride

00:42:40of questions and answers

00:42:41and it was a euphoric moment

00:42:43of just having finally broken through

00:42:45and discovered something

00:42:46and finally I got to the one question

00:42:48I wanted to know the answer of

00:42:49was,

00:42:50how did Rodriguez die?

00:42:52Did he blow himself up on stage

00:42:54or what is this dramatic story?

00:42:57Let's open up the lid on this right away

00:43:00and find out what happened

00:43:01and Mike Theodore was,

00:43:05what do you mean dead?

00:43:06He's not dead.

00:43:09Sixto is alive.

00:43:10He's alive and kicking.

00:43:11The principal, kicking,

00:43:12the principal artist known as Sixto Rodriguez

00:43:15is alive and kicking

00:43:16and living in Detroit.

00:43:22I can't remember who called me

00:43:24and it just said they found him.

00:43:25I said,

00:43:26no,

00:43:27you're shitting me.

00:43:29This is,

00:43:30no.

00:43:31At first I thought it was a hoax.

00:43:34I thought somebody was faking it.

00:43:37You know,

00:43:38it's like,

00:43:38it's like going into Tutankhamen's tomb

00:43:41and finding the mummy.

00:43:42You know,

00:43:43it's like,

00:43:43wow,

00:43:43he lives.

00:43:44I remember dancing on the spot

00:43:46when I was staying on the phone

00:43:47and Craig and I were jumping up and down

00:43:49saying,

00:43:50we found him,

00:43:51we found him.

00:43:51And that was the most exciting thing.

00:43:53We'd actually done it.

00:43:56Just a song

00:43:58we shared our hymn

00:44:01Brings memories back

00:44:04when you were here

00:44:06Of your smile

00:44:10Your easy laughter

00:44:12Of your kiss

00:44:15Those moments after

00:44:18I think of you

00:44:21So that was it.

00:44:26I'd come to the point,

00:44:28this was the end of the story.

00:44:29I was searching for a dead man.

00:44:31One morning I discovered a living man.

00:44:34And to me that was the end of the story.

00:44:36I wrote my article,

00:44:37I called it Looking for Jesus.

00:44:39I faxed it to many individuals,

00:44:41many people involved,

00:44:42but somehow

00:44:43this article made its way

00:44:45across the Atlantic

00:44:46and into the hands of someone in America.

00:44:49And what I thought was the end of story

00:44:51was actually just the beginning of another story.

00:44:54And the best part

00:44:56was still to come.

00:44:59Because I don't know where it is.

00:45:01It might take a while.

00:45:02They do have the dates.

00:45:04Three years search for dead singer.

00:45:06Yes.

00:45:07August 97.

00:45:09I was in Kansas.

00:45:10I got a copy of it to me at work.

00:45:13I was on like a 24-hour shift.

00:45:15And then I went online

00:45:17and that's when I discovered the website.

00:45:21When I went online,

00:45:22there was this milk carton with a picture.

00:45:26And it said,

00:45:28Wanted and have you seen this man?

00:45:31I was like,

00:45:32Matter of fact,

00:45:32I have seen him before.

00:45:34And I was like...

00:45:35I replied,

00:45:38Rodriguez is my father.

00:45:39I'm serious.

00:45:41Do you really want to know about my father?

00:45:44Sometimes the fantasy is better left alive.

00:45:47I don't know why I said that,

00:45:48but anyway, I did.

00:45:49And then I gave him email,

00:45:51address, phone numbers,

00:45:52anything that they wanted to contact me.

00:45:56And he phoned me.

00:46:02Well, we'd found out that Rodriguez was alive.

00:46:04I'd spoken to Craig.

00:46:06And I came to work.

00:46:07And Alex McCrindle,

00:46:08who was the guy I worked on the website with,

00:46:10said,

00:46:11You're not going to believe

00:46:12what's on the website.

00:46:14And on the website was a forum

00:46:15where people could post messages.

00:46:18And there was a message that said,

00:46:19My name's Eva.

00:46:20I'm Rodriguez's daughter.

00:46:22She'd left a phone number

00:46:23and she said,

00:46:24I'd like to speak to someone

00:46:25in connection with this.

00:46:26So that night,

00:46:27I phoned her.

00:46:28I said,

00:46:29Hi, I'm Sugar.

00:46:30She said,

00:46:30I'm Eva.

00:46:31And we had the most amazing conversation.

00:46:34She explained to me

00:46:35who her father was,

00:46:36what he had done,

00:46:37where he had been.

00:46:38She asked me who I was

00:46:39and I explained

00:46:40why my name was Sugar

00:46:42and how I was involved

00:46:43with the website.

00:46:44And then at the end,

00:46:45I said to her,

00:46:46This has been the most amazing thing for me.

00:46:49And what would be really great

00:46:50is if I could at some point

00:46:51speak to your dad.

00:46:53I'd love it if I could just say hello to him.

00:46:54Because for me,

00:46:55this was sort of the end of the search

00:46:57and I just wanted to speak to this man.

00:46:59I mean, I went to bed

00:47:00and one o'clock in the morning that night,

00:47:03the phone rang

00:47:04and my wife answered it

00:47:07because it was her side of the bed.

00:47:09And I remember she picked up the phone

00:47:11and her face,

00:47:12she changed.

00:47:14She had this look of awe.

00:47:15She said,

00:47:16It's him.

00:47:18And I was in shock.

00:47:19I'd been sleeping

00:47:20and I ran into the other room,

00:47:22into my study

00:47:23and I picked up the phone

00:47:24and she put hers down

00:47:25and I said,

00:47:26Hello?

00:47:27And a voice said,

00:47:28Hello, is that sugar?

00:47:30And I knew.

00:47:31I just knew

00:47:33because I knew that voice.

00:47:34I'd heard that voice

00:47:35so many times on the records.

00:47:36I knew it was him.

00:47:38I was talking to Rodriguez.

00:47:40That for me

00:47:41was one of the greatest moments of my life.

00:47:54What was that?

00:47:59I knew it was him.

00:48:02I knew it was him.

00:48:04And I was thinking that love

00:48:06as to get it wrapped up in his life.

00:48:08And I'm listening to him.

00:48:09So it was about how he Alvarez

00:48:09And I was thinking of him.

00:48:10I was thinking about how he didn't

00:48:11and how would take it from your life.

00:48:13And I really liked the work

00:48:13and high-passed process of my life.

00:48:15And I followed him.

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Recommandations