Skip to playerSkip to main contentSkip to footer
film world
  • 2 days ago
In the heart of Mumbai during the 1990s, β€˜Arif,’ a notorious and desperately romantic figure, rises to infamy as the kingpin of film piracy. As he weaves an intricate web of distribution, his audacious exploits attract the attention of law enforcement, Bollywood celebrities, and the criminal underworld, leading to a thrilling cat-and-mouse chase.

.
🎬 Welcome to Film World – The Ultimate Destination for Hindi Blockbusters & Dubbed Action Movies!

Are you a fan of adrenaline-pumping action, gripping drama, or edge-of-your-seat thrillers? You're in the right place!

At Film World, we bring you the latest Hindi movies, South Indian action films dubbed in Hindi, top-rated web series, and exclusive trailers β€” updated regularly for your entertainment.

🟒 Why Subscribe to Film World?
βœ… HD Hindi Movies – Classic hits to recent blockbusters
βœ… South Indian Action Films – Dubbed for maximum impact
βœ… Popular Web Series – Full episodes & ongoing shows
βœ… Movie Trailers & Teasers – Be the first to know what’s coming
βœ… Cult Action Scenes – Iconic fights, stunts & chase sequences
βœ… 100% Entertainment – Free, nonstop, and updated frequently!

Whether you're looking for a weekend binge or a quick action fix, we’ve got something for every movie lover. We aim to create a cinematic escape right at your fingertips!

πŸ“² Stay Connected:
πŸŽ₯ New videos uploaded weekly
πŸ”” Hit the follow button and turn on notifications so you never miss a release
πŸ’¬ Like, comment, and share your favorites with friends

πŸ”₯ Trending Hashtags (For Search & Discovery):
#HindiMovies #DubbedActionMovies #SouthIndianCinema #WebSeries2025 #MovieTrailers #FullHDMovies #BollywoodBlockbusters #ActionMovies #FilmyWorld #WatchOnline #DailymotionMovies #LatestReleases #BingeWatch #MasalaMovies #TeluguDubbedHindi #TamilMoviesHindiDubbed #FreeMoviesOnline #EntertainmentHub #ThrillerMovies #SouthToHindi

Please Watch And Give Reviews in The Comment Section.

Category

😹
Fun
Transcript
00:0013 cuts?
00:0613 fucking cuts.
00:09Are they crazy, the censor board?
00:11We'll go to tribunal.
00:13If we don't talk about that, we'll go to high court.
00:16We'll fight it.
00:18But Uncle, there's no difference between the cuts and the story.
00:25Story?
00:26Who gives a fuck about the story?
00:34This is ridiculous.
00:49We will fight it.
00:50This is a war.
00:51Sir, but accounts.
00:53Sir, actually, 7 crores are set up.
00:587 CR.
00:59The whole picture is ready.
01:00We'll go to court and we'll go out three to six months.
01:04And if they've challenged it, then at least six months.
01:08Now the distributors are ready.
01:09The picture is released.
01:12Then, in the next film, we'll do something new, sir.
01:15Your favorite scenes, we'll shoot them in a few new angles.
01:20We'll shoot them in a few months, sir.
01:21Then the board will be changed, sir.
01:25Okay.
01:26Let's release the picture.
01:28Thanks, sir.
01:29Let's release the picture.
01:31A poster or music next release.
01:33Sunlyana, pa-ji.
01:34Yes.
01:35The picture is released.
01:36Sabina, contact all the artists.
01:39Promotion, all artists want music to release.
01:41Yes, sir.
01:42And Sabina, NM artists,
01:43The poster, take the phone and take the phone.
01:45Yes.
01:46Okay?
01:48Aanji, Thradani ji.
01:50Are you releasing the picture?
01:51I have a sensor, a little, a little.
01:55He also thinks that the show is reduced from the theater.
02:00He's a man, he's a man.
02:01But he's a big producer.
02:05You don't think you're scared that you don't get to work.
02:08You go straight and build it.
02:10It's daring.
02:13I was not afraid of my father when I left my house and ran away from home.
02:19So what is Mahesh Kumar?
02:23I don't know this story.
02:25In India, which father will send his daughter as heroine in India?
02:34Then something happened here.
02:36There was an emergency.
02:38There is no one here.
02:40You.
02:46My...
02:47My...
02:48My...
02:49My...
02:58Hey Munah Ji, Kim Jo.
03:00What did you say?
03:02What did you say to him?
03:03You are sitting in a Sunday, what did you say to him?
03:06Munah Ji, what do you mean?
03:08We were a walkman at home.
03:10We were a single one.
03:11What is the problem with that?
03:12We are a single one.
03:14Sometimes the one goes on the line to come on, and sometimes the one goes on.
03:18If the one goes on the line, then I'll go on the line to come on.
03:20I'll tell you, Munah Ji.
03:21I have a long line.
03:22What can you tell me?
03:23Sometimes we have to be in a position.
03:24What are you saying?
03:25Oh, what's he doing?
03:26You're a idiot.
03:27What's the job?
03:28What's the job?
03:29You're a idiot?
03:30What's the job?
03:31The part of the sensor.
03:33Please come to mind.
03:35Munah Ji, wait for a minute.
03:36What?
03:39It's a work for two minutes.
03:41Sit down.
03:43And everyone knows that you're my partner.
03:45Something's different from a car?
03:49Can you tell me?
03:50Come here, brother.
03:52I'm a personal toilet.
03:56Arif,
03:58it was a little advance.
04:01What?
04:02What?
04:03The next month is Diwali.
04:04And four pictures are also released.
04:06I don't see the work of money.
04:08Praveen can see.
04:09Praveen can see.
04:10We won't get advance.
04:11We've got our money.
04:12We've got our money.
04:13We've got our money.
04:14Come on.
04:15Come on.
04:16Tell me to Praveen.
04:18Praveen,
04:19give it.
04:20Arif, we've got our money.
04:22Give it.
04:23I'll do it.
04:24I'll do it.
04:31Thank you, Abai.
04:32Thank you, Abai.
04:33Thank you, Abai.
04:34Thank you, Abai.
04:40Noji.
04:41If you go out for five minutes,
04:44then you'll have to talk about important things.
04:47You'll have to talk about important things.
04:48You'll have to deal with all the time.
04:50You'll have to deal with discomfort.
04:52Don't mind.
05:01Sit here.
05:02No shoulders,
05:03But don't just...
05:04Can't be on that stuff.
05:05Wait, Arif.
05:06Look, Kaurif.
05:07Jasser.
05:08Let's talk about those things.
05:09You're behind the scene of his spends...
05:10Who's hiding on that other car?
05:11What's hiding behind the house?
05:12Don't be here.
05:13Why?
05:14You're flying?
05:15I'll be there.
05:16For moreε₯½δΊ† hospice.
05:17Maybe within the sites.
05:18And, understood
05:20Just two houses and others,
05:22I mean
05:25You're behind the scenes.
05:26He's behind tν‚€.
05:27He's behind the scenes.
05:28I'm behinditt Unit,
05:30If I wanted to understand the censor, I'd like to talk to you, right?
05:34Arif, I'll talk to you later.
05:38They come to you because they feel that they won't be their work without their work.
05:43And you'll understand.
05:45I'll understand.
05:47I'll tell you.
05:50But I'll tell you to me.
05:55I'll tell you everything.
05:58You've been keeping a little loose, right?
06:01You know me. You're watching me.
06:04I'm not a fool.
06:07I mean, I don't do anything.
06:09I'm just going to catch the video.
06:14Look, any partnership,
06:18can't be broken by one person's fault.
06:21I don't have time to do that.
06:28You're my brother.
06:30But remember one thing.
06:32I'll tell you everything.
06:34I'll tell you everything.
06:37Lala, I don't know.
06:39I'm telling you.
06:41I'm telling you,
06:42that once again,
06:43you don't have to buy a walkman.
06:45You don't have to pay attention to me, Arif.
06:49You're my brother, Lala.
06:51You're my brother, Lala.
06:52You're my brother.
06:53You're my brother.
06:54Go.
06:55Go.
06:56Go.
06:57Go.
06:58go.
06:59Go.
07:00Go.
07:01Go.
07:13Go.
07:14Do you think anything?
07:17Raveen is your friend, right?
07:20I'll handle him with love.
07:24What are you talking about today?
07:26Are you going to play?
07:27In every relationship.
07:29The relationship of a business partner is complicated.
07:32It's okay, but we're friends too.
07:35Where will you go, Salah?
07:37Everything will be fine.
07:39The ones who are close,
07:41are not the same.
07:44When you go far,
07:48it's fine.
07:54I feel like you were saying something.
07:59It's a shame.
08:02But what do you do?
08:05You're in the same place.
08:07But you're in the same place.
08:09The relationships are complex.
08:12They have to be careful of other habits.
08:16And when you don't be careful,
08:20the struggle begins.
08:22I didn't think so, Gaby.
08:27What kind of relationship are you?
08:30What do you feel?
08:31I love your relationships.
08:33I have a little distance.
08:36What do you need?
08:39What do you love?
08:40What do you love?
08:41What do you love?
08:42What do you love?
08:43I'll keep them with me.
08:47All are busy.
09:02We need to have their own space.
09:05To love anyone.
09:11We don't need to live with him.
09:14I don't know.
09:16Do love.
09:18Don't love.
09:21But you've made a way too.
09:24Love will be a long time.
09:32Can I say something?
09:41Mona.
09:43Say it.
09:58I'm falling for you, Arif.
10:01Why don't you speak English?
10:04Why don't you speak English?
10:05Why don't you speak English?
10:06Why don't you speak English?
10:07Why don't you speak English?
10:08Why don't you speak English?
10:09Why don't you speak English?
10:10Why don't you speak English?
10:11Why don't you speak English?
10:12Why don't you speak English?
10:13Why don't you speak English?
10:14Why don't you speak English?
10:15Why don't you speak English?
10:16Why don't you speak English?
10:17Why don't you speak English?
10:18Why don't you speak English?
10:49Afrin!
10:51Come on!
10:52You're crazy!
10:55You're sick of me, Afrin!
10:56You're sick of me!
10:57I'm not coming!
10:59Come on, Arif!
10:59You're sick of me!
11:00Come on, Arif!
11:02Let's go!
11:03You'll be sick of me!
11:04You're crazy!
11:06I don't like to be sick of you in the rain!
11:08You're sick of me, you're sick of me, and then you're sick of me!
11:11Yes, you're sick of me, you're sick of me!
11:13Give me time for my time!
11:14I'm sick of you!
11:45I've never heard of you, Arif!
11:49If someone feels good, mind to tell him the time to tell him, that's the love, right?
11:56Mona, I don't know what you've seen in me.
11:58I've never heard of you!
11:59I've never heard of you!
11:59I've never heard of you!
12:01When I see you, I'm going to fight with my enemies.
12:09But I can't leave Afrin.
12:13I feel very good with you.
12:17I don't want to open up in this puddle.
12:20And if I don't come back to my head,
12:24then don't give up to me.
12:26If I don't want to open up in a moment,
12:29then I'll forget it.
12:34If it's like this,
12:37it will probably be enough love for me.
12:53Hey, Lela Majnu! What?
12:56What?
12:59Oh, my father is also here in the office.
13:01And Mona, don't you have a host?
13:03Is there a picture in the public?
13:06Radeem.
13:11I'm going to go, Arif.
13:15Oh, let's go now.
13:26Oh, they're here.
13:28Are you ugly?
13:30Oh, no.
13:32You're ugly like, you're ugly.
13:35I'm ugly like that.
13:37I feel like you're ugly.
13:44I'm ugly like that.
13:46I was ugly like that.
13:47.
13:49.
13:51.
13:54.
14:01.
14:02.
14:03.
14:04.
14:08.
14:09.
14:10.
14:11.
14:13.
14:16.
14:17No, he was driving a car and he was going to cover it.
14:27I was driving.
14:32He told Praveen, he was driving quickly.
14:37He was driving.
14:42Come on, come on.
14:46Come on, come on, come on.
14:49Come on, come on.
14:52Come on, come on.
14:54Come on, come on.
14:56Come on, come on.
14:58Where did you come from?
15:00Your theatre is stored, right?
15:02From there.
15:0310, 10, 15, and 20.
15:07I mean, the theatre is not the theatre.
15:10The theatre is also the theatre.
15:12It's just for the canteen.
15:15You take your picture.
15:17And I will see this theatre maintenance.
15:21Look, we have made a film.
15:24Now, it's just in the hands of people.
15:27You don't like the public.
15:29And the public always loves us.
15:32Oh, looking gorgeous.
15:42Presenting the star of the film, Ayesha.
15:47Thank you so much for this.
15:50It's too big for me.
15:53It's your hard work.
15:54It's your destiny.
15:55Come.
15:56Come.
15:57Come.
15:58Let's go.
16:00Come.
16:01Let's go.
16:02Alright, come on.
16:03Let's go.
16:04Sir, good.
16:05It was good that the censor had lost all scenes.
16:09I mean, now kids can also watch a movie.
16:13We have a wider audience now.
16:16It's good for you.
16:18Now, let's see how the child of this country knows your name.
16:26Uncle.
16:27You're so smart. Why don't you go to Kadotpati?
16:29You'll put your papa's phone in my pocket.
16:32Sit down.
16:34Mani, who are you today?
16:37Didi, this picture is in every theater.
16:40Dad, this is the picture, right?
16:42Which is the heroine?
16:44What's his name?
16:46Aisha Kapoor.
16:47How do you remember the name of the heroine?
16:50Oh, Devy and Sajjan,
16:52the DVD guy was telling you that this film is a family drama film.
16:55That's why your family drama won't be here.
16:57Okay?
16:58Now, the picture is going on.
17:00That's it.
17:01That's it.
17:02That's it.
17:03One, two, three.
17:06That's it.
17:14That's it.
17:15Oh, wait.
17:16Nope, my mom.
17:17Look at her.
17:19You know what?
17:22Okay, dad.
17:23Hey, big, big, big, big, big.
17:25Look at that.
17:26Hey!
17:27Hey!
17:28Mami, let me tell you.
17:29What are you looking for?
17:30Hey, little girl.
17:31Hey!
17:32Hey, little girl.
17:33Hey, little girl.
17:34Hey, little girl.
17:35Hey.
17:36You are coming out of the house.
17:38What are you going to say?
17:39Mani, what are you doing?
17:41Take your adult pictures.
17:42Don't worry.
17:43Don't worry.
17:44Mani, don't worry.
17:48Mani, what are you going to do here?
17:54And stop this.
17:56Now let's go.
17:57Why are the pictures everywhere?
17:59Take a look.
18:03Sit, sit, sit.
18:06All the phone lists are blocked, sir.
18:12Before and after, all the numbers are dialed,
18:14make a list of them.
18:15Yes, sir.
18:16The scenes that the sensor was given
18:18was released on DVD.
18:19This means that
18:21any sensor board is doing all this.
18:33How are you, sir?
18:34I'm Rani.
18:35I've come from Suar and Vriksha policy.
18:37I don't have to invest.
18:38Wait, wait, wait.
18:40I'm Rani.
18:41I'm Rani.
18:42I'm Rani.
18:43I'm Rani.
18:44I'm Rani.
18:45Rani.
18:46Rani.
18:47Rani.
18:48Rani.
18:49Rani.
18:50Rani.
18:51Rani.
18:52Hello, Sadanand. I'm Prithvi.
19:01Oh, Prithvi. I was going to send you a phone call.
19:04They sent them to your house. What did you do?
19:08Yes, there was no one of them.
19:11Okay, listen. I gave them my details. You also give them.
19:15Okay, okay.
19:22Let me tell you.
19:27Sir, we know that you have a very low savings.
19:32But in this month, you registered a four-wheeler.
19:37Oh, madam. Are you an investment or an income tax?
19:41No, sir. What is that?
19:43In the sewer and drifts policy,
19:45the loose cash we invest.
19:48We get a lot of interest.
19:5025% of a month.
19:53I mean, you will double the money.
19:56How much do you invest?
19:58You can start with 1,000,000,000.
20:02Okay, 1,000,000.
20:05I mean, for 12 months, it's $12,000,000.
20:09But your salary is $25,000, sir.
20:13Who gave this information to you?
20:16Huh?
20:17Sir, one minute, one minute.
20:18Don't be angry.
20:19Listen to me.
20:20This is a formality, sir.
20:21Sir.
20:24Sir, we need to do this formality, sir.
20:26We need to keep the client's knowledge.
20:28We need to keep the client's knowledge.
20:29Now, we will take this policy.
20:30It will be cash-dealing.
20:31So, please, please, be transparent.
20:33Our help.
20:35Please.
20:36Look.
20:37This is our distribution set-up.
20:40Yes.
20:41With some people with industry.
20:42Okay.
20:43What do you mean?
20:44What are the films?
20:45Yes.
20:46The films?
20:47Yes.
20:48Look.
20:49The films come for the sensor.
20:50We give them a little bit.
20:53If you give them a little bit more,
20:54then in that form,
20:55it becomes a little bit of a benefit.
20:57Yes.
20:58It becomes a little bit of a public.
21:00If you film so much,
21:01that's enough.
21:02In the market,
21:03what are the piracy of crores and this?
21:06What are you under?
21:07A crores?
21:08Yes.
21:09We have one or two lakhs.
21:11Sir.
21:12What do you do for your work?
21:14What is your name?
21:15No.
21:16Tell us the names.
21:17We'll talk about that.
21:18That's a crore.
21:19You are one or two lakhs.
21:20Oh, madam.
21:21Oh madam, who are you?
21:23You are the police.
21:25No, sir, you are the police.
21:28I am not the police, I am the police.
21:31Thank you very much.
21:44Sir.
21:45Bye.
21:46First of all, you have to understand the policy.
21:49You have to understand the policy.
21:51Hey, listen.
21:52Why don't you call me?
21:54Sir.
21:55This is too easy.
22:00I believe there is somebody else behind all of this.
22:05Wait?
22:07Oh, brother.
22:09Ah, sadhanan.
22:11What did you say, you are working for 10-15 lakhs.
22:13And you are spending millions.
22:15When you come to your house,
22:18you are working for 10-15 lakhs.
22:20And you are working for 10-15 lakhs.
22:22You are working for 10-15 lakhs.
22:23Got him.
22:35What are you doing?
22:36What are you doing?
22:37What do you do?
22:38What do you do?
22:39What do you do?
22:40What do you do?
22:41What do you do?
22:42What do you do?
22:43What do you do?
22:44What do you do?
22:45What do you do?
22:46What do you do?
22:47What do you do?
22:48What do you do?
22:49What do you do?
22:50What do you do?
22:51What do you do?
22:52What do you do?
22:53What do you do?
22:54What do you do?
22:55What do you do?
22:56What do you do?
22:57What do you do?
22:58What do you do?
23:00This?
23:04For your mobile, new.
23:07This is like cordless.
23:09This is a small one.
23:11You can take it out.
23:13You can take it anywhere.
23:15Now, you don't need to find PCO.
23:17Shopping, bazaar.
23:22And I have also taken it for myself.
23:24Now, if you ever call me,
23:30I will send you a phone call.
23:33Don't call me.
23:35What is your number?
23:39This is my number and your number is your number.
23:43How big is your number?
23:45How big is your mobile number?
23:48Give me a phone call.
23:49What do you hear?
23:50I'll do it.
23:52You can also put it.
23:53But, there is a phone call for 28.
23:55You can use it.
23:56You know, you're talking about the whole day.
23:59How many?
24:02This will flop.
24:04Who will do that?
24:06I think it will go a lot.
24:08The public will feel it.
24:11As you can see it.
24:13And this is the path of every crime.
24:17Make sure to make the shock of people.
24:24If you need it,
24:26it's my shock.
24:28It's always to use it, right?
24:32It's my standard.
24:34But I heard that the standard is changing in 21 days.
24:38It's bad, right?
24:40It's good for me.
24:41I see it.
24:42Rav KureΕ‘i!
25:09Arif Qureshi!
25:15DVD Piracy King.
25:23Let's go.
25:25Put the cover and get the police man to understand his DVD player.
25:39Arif Qureshi!
25:49After two years of life, Arif Qureshi.
25:52DVD Piracy King.
25:57The name of the human being is big.
26:00But it gives a lot of pain to the families.
26:05Remember, the story starts from jail.
26:09For the last time to mix cassettes for $60,
26:12the jail made me that
26:15that I'm going to go outside and sit on the crows of crores.
26:24What do I have done with crores?
26:26Think about it.
26:28If I come out this time,
26:30then what will I do?
26:392.
26:401.
26:412.
26:422.
26:432.
26:443.
26:452.
26:481.
26:492.
26:502.
26:512.
26:52Yeah, yeah, yeah.
26:56Danda, a chao, ya, bura,
26:58bas start badi honi chahiyeh,
27:00nakli pehna ya, toh kya hua?
27:02Pahenne waaliki awkaad badi honi chahiyeh,
27:05haa, lardke tis bhaaghe, lardke chitate jiase,
27:10jad tak jita na, koi puchhan haki, sikhe kya se.
27:12Lardke tis bhaaghe, lardke chitate jiase,
27:16samandar mein shaakhe, nagi bata, koi tiki kya se.
27:19Haa Bombay gasang, yo amare chalang,
27:20I don't want to stop the door
27:22I'll be black, I'll be black, I'll be white
27:24Today I'll be mad
27:25If the world is wrong, you can't make anyone
27:28Don't leave me here, you don't want to make a fool
27:31What's happened to the jail? Why can't I see everyone?
27:34I can't see anything from my own
27:35I can't see anything from my own
27:37I won't hear anyone from you
27:39I don't want to tell you
27:40That's how it goes here
27:41I don't want to tell you
27:42I don't want to tell you
27:50You'll get me with your eyes
27:52You'll find me something like that
27:54You'll never ruin me
27:55You'll be rich about your money
27:56Two numbers, brother, you can't see
27:58That's just the one I want to say
27:59That's my first coffee original
28:01And your OG is also fake
28:02To be back with my son
28:03coming to bed
28:04You'll never have to wait for four diwari
28:05Thank you, glasses, for lunch
28:07You'll never want to relax
28:08Two numbers, brother, you can't see
28:10That's just the one I want to say
28:11That's my first coffee original
28:12And your OG is also fake
28:16You say fake, babe
28:17He is making a live picture.
28:47We will give one take,
28:49your first copy also
28:51and your original copy also.