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  • 6/21/2025
Castle Season 3 Episode 22

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Transcript
00:00Previously on Castle.
00:03What the hell are you doing? That's my suspect.
00:05Okay, relax. We're on the same team.
00:08Royce?
00:09Hey, kid.
00:10All they ever taught us in the Academy was how to do paperwork.
00:12You were the one who taught me how to be a cop.
00:14You were easy to impress.
00:16No, I wasn't. I was drowning.
00:18And you're a dry land.
00:20I didn't mean for it to go like this.
00:22Mike, I was in love with you.
00:24Go ahead, kid. Do what you gotta do.
00:26And when I arrest you, you're gonna realize that what you destroyed today was worth a hell of a lot more than money.
00:56You should have stayed out of this for us.
01:22You have no idea how the hell it's about to rain down on you.
01:28Scary.
01:41Where is he?
01:44Turn around and go back home and let me handle this, all right?
01:47Sir, I've seen dead bodies before.
01:48Come on, kid. You don't want to remember him like this.
01:58Kessel, if it was me lying there, would you just walk away?
02:08I'm so sorry, honey.
02:12Just tell me what happened.
02:13He was shot in the leg. Judging from the blood trail, I'd say the bullet broke the bone.
02:19He tried to hide, but...
02:22I found this in his pocket.
02:27He just flew in from Los Angeles this afternoon.
02:30What was he doing in L.A.?
02:31I heard he moved there after he lost his bounty hunter's license.
02:34I guess he was trying to make a fresh start.
02:36When was the last time you spoke to him?
02:37When I arrested him.
02:47Lini, could I?
02:48Sure.
03:07Royce, um, had something else in his pocket.
03:20It's addressed to you.
03:28Is it about the case?
03:31No.
03:33Look, we got the murder weapon.
03:35Found it in the garbage around the corner.
03:37The gun was definitely fired recently.
03:39The shooter took the time to empty the ammo before he dumped it.
03:41Word, we'd find figureprints on the bullets?
03:43This is a cheap street gun. It's a throwaway.
03:47They're starting on the barrel.
03:49Silencer?
03:49Yeah.
03:50Allowing our killer to shoot Royce in broad daylight.
03:54Listen, Beckett, we're gonna get this guy.
03:56We got uniforms hitting every store and apartment in a five-block race.
03:59This is New York.
04:00Somebody had to have seen something.
04:02L.A. to New York.
04:07It's like Royce was running from something.
04:09Like, he knew he was in danger.
04:11Yo, you're right about the silencer.
04:14The lab found trace amounts of titanium alloy in the threads.
04:17They've narrowed it down to one of two commercial suppressors.
04:20Both run about a grand.
04:21Why put an expensive silencer on a cheap gun?
04:24Because our killer followed Royce from L.A. and couldn't bring his own gun on the plane.
04:29But a silencer is just a cylinder.
04:31It could easily be hidden in a checked bag.
04:33Isolate all of the flights that someone could have followed Royce from L.A. on.
04:35There couldn't have been that many.
04:36And specifically focus on the people who might have bought tickets last minute.
04:39Right.
04:39What were you into, Mike?
04:44Okay, so we got five flights out of L.A. that meet our criteria.
04:47I ran all the passengers and one named Pop.
04:50Neil McCauley bought his ticket at the airport an hour before the flight.
04:54His identity is brand new.
04:57No credit history.
04:58And his driver's license number is a fake.
05:00Neil McCauley?
05:01Really?
05:01Why?
05:02That's Robert De Niro's character in Heat.
05:06That's our guy.
05:07Well, if it is, you're gonna need to get on a plane.
05:09Because Mr. McCauley flew back to L.A. two hours after Royce was shot.
05:13I'm not sending you to L.A.
05:15You have no solid evidence linking Neil McCauley to this murder.
05:18He came to New York for six hours.
05:20Who flies in for that short a stay?
05:21Businessmen do it all the time.
05:23Businessmen don't use false IDs.
05:24Or pack a silencer?
05:25That supposition, I need a lot more than that to justify flying a detective across the country.
05:29You and I both know that the longer I wait to go out there, the colder this trail gets.
05:34Take a day, shore this up.
05:35And if there's sufficient evidence, I'll contact L.A.P.D.
05:38You'll contact the L.A.P.D.?
05:39This is my case.
05:40This happened in our jurisdiction.
05:42You think the L.A.P.D. is gonna lift a finger?
05:44Kate, you're too close to this.
05:46No, sir.
05:46I am committed.
05:47I am not compromised.
05:49You're torn up.
05:55Kate, things between you and Royce ended badly.
05:59I get it.
06:00But that emotion is exactly why I need to sign this to someone else.
06:05You know what?
06:10You're right.
06:12I am too close to this.
06:17I have some vacation days coming up.
06:19I think now would be a good time.
06:21Kate.
06:25Hope you're not thinking about doing something reckless.
06:28No, sir.
06:28Where are you going?
06:41Home.
06:41The hell you are.
06:42Castle.
06:44Please.
06:45He was my training officer.
06:46My friend.
06:48I just, I really need to be alone right now.
06:50Dear Kate, I bet I've written this letter a hundred times.
07:06Someday I might actually send it.
07:08There's no excuse for what I did, especially what I did to you.
07:11And I'm on a righteous path now.
07:15And I hope someday that path earns me your forgiveness.
07:33Hi.
07:34Excuse me.
07:42Detective Beckett?
07:44Yes.
07:45You've been upgraded to first class.
07:49I'm sorry.
07:50Excuse me.
07:52Sorry about that.
07:53Seat 3C.
08:01Shopee.
08:01Kessel, what are you doing?
08:15Well, the studio's been after me for weeks to fly down and do a set visit for the heatwave movie.
08:21Imagine my surprise when I saw your name on the standby list.
08:24You cannot be a part of what I'm going to do out there.
08:26I thought you were on vacation.
08:27Kessel, it is one thing for you to follow me when we're in New York, but I am not a cop in L.A.
08:33I don't have any authority or backup.
08:36I'll be your backup.
08:37Besides, going rogue is kind of my specialty.
08:40Yeah, but subtlety isn't.
08:43I'm not going to get rid of you, am I?
08:48Okay, look.
08:49If we do this together, you have to promise me that we're going to fly under the radar.
08:54Of course.
08:54Is this what you call under the radar?
09:13In L.A., this baby fits right in.
09:15So what's our first stop?
09:16My hotel.
09:17It's on Ventura Boulevard.
09:19That's all the way in the valley.
09:21How are we supposed to work together if you're an hour away?
09:23Kessel, we weren't supposed to work together at all.
09:26Okay, look.
09:26The studio comped me a two-bedroom, four-star suite.
09:29You just stay with me.
09:30Ha!
09:30Yeah, right.
09:32What?
09:32You have your own room.
09:33No, I am not staying with you.
09:35Huh?
09:36Worried you can't control yourself when we're alone?
09:38Actually, it's not me that I'm worried about.
09:41I assure you, my intentions appear.
09:42We're so happy to have you back, Mr. Castle.
09:53I've taken the liberty of setting up the suite just the way you like it.
09:56And I've scheduled a couple's massage at seven.
09:59Pure, huh?
10:01Maurice, you can go ahead and cancel that.
10:03And get rid of the flowers and the champagne.
10:05We're here to work.
10:06Very good, sir.
10:07For you.
10:13Thank you, Maurice.
10:18The last time I was here, I brought this Parisian supermodel, so he thought it's not important.
10:23Would you like to choose your room?
10:25No.
10:25I'd like to start the investigation.
10:27We haven't even ordered room service yet.
10:29Castle, I'm not here for room service.
10:31I'm here for justice.
10:34Wow.
10:35In L.A. for all of a minute?
10:37And already she's spouting cheesy movie dialogue.
10:40Must be something in the air.
10:44This is Royce's place?
10:46This is the address listed on his driver's license.
10:48Did I miss the part where you told me he was rich?
10:50No, he was barely scraping by.
10:53Yeah?
10:54Yeah, I'm a friend of Mike Royce's.
10:55Come around the back.
10:59Jerry, I cannot help you out.
11:01I'm sorry.
11:02You gotta go without...
11:03Yeah.
11:03I gotta go.
11:05Hello.
11:05Hello.
11:07Wow, you're Gene Simmons.
11:08Yeah, I'm that weird guy and kiss.
11:09Yeah, the guy with the long tongue and everything.
11:11Hello.
11:12Who's this pretty little lady?
11:13I'm, uh, I'm Detective Kate Beckett, NYPD.
11:19Is Mike in trouble?
11:20Yeah.
11:21Actually, he was murdered.
11:22Oh, that's terrible.
11:23How did you know him exactly?
11:25Well, I got into trouble a few months back, and Royce helped me out.
11:28I helped him, and I've been letting him live in my guest house.
11:31So you're saying he was in the business of helping people in trouble?
11:34He was pretty good at it.
11:35Was he helping anyone lately?
11:36Well, there was a girl.
11:38She came by two days ago.
11:39Uh, really beautiful, stunning.
11:41Uh, this girl.
11:42Do you remember her name?
11:44You know what?
11:45She dropped off a headshot.
11:47If you give me a chance, I'll go find it.
11:49This is so weird.
11:52What?
11:54I've dressed up as him for Halloween.
11:56Hmm.
11:57I did, too.
11:59Violet Young, a smoking-hot wannabe starlet whose only credit is slumber party zombie.
12:05What kind of trouble would an actress be in that would scare Royce into running?
12:09What are you doing?
12:10Playing up slumber party zombie on Netflix.
12:13What are you doing?
12:14I'm going to get a hold of Violet's agent, see if I can find out where she is.
12:17Yo, Brian, what's up?
12:19We got lucky.
12:20Kids were tagging that building across from the alley, so the owner put up a camera.
12:24Where's that shooter?
12:25Can't see his face or the license plate number.
12:27You can see the driver's arm.
12:29A black guy.
12:31Ebony Twilight Killer's ivory.
12:32Still got that friend at TSA?
12:34Yeah, what?
12:34Maybe he'll share surveillance footage of the security checkpoint that our shooter went through.
12:38The guy was in town for six hours, right?
12:40There's a chance that he's wearing the same clothes at the airport that he's wearing in our video.
12:45Which might get us a look at his face.
12:46So Violet's shooting a commercial at Zenith Studios.
12:52No way.
12:52That's why they're shooting Heat Wave.
12:54It's Kismet.
12:55Violet's commercial shoots on stage seven.
13:15Rick Castle.
13:16I cannot believe we finally got you out here.
13:19Tony, you money-grubbing bastard.
13:22How's filming?
13:23You're kidding me?
13:23It's awesome, buddy.
13:24You keep writing and we'll keep making them.
13:25Tony, I want you to meet Kate Beckett.
13:28This is the inspiration for Nikki Heat.
13:29Wow.
13:30With your looks, honey, you could be an actress.
13:32I'm completely comfortable being a cop.
13:34I'm going to go and look for Violet.
13:35It was nice to meet you.
13:36You too.
13:37She's hot.
13:38No wonder your sex scenes are so steamy.
13:41So, uh, where's our Nikki Heat?
13:43Natalie Roots.
13:44What?
13:46Natalie's having some personal issues.
13:49What kind of personal issues?
13:50Let's just say there was a slight mix-up with one of her prescriptions.
13:53She's in rehab?
13:53Hey, you do not hear that from me.
13:55Oh, there, the actress played Raylene Ochoa.
13:57Buerve, Taylor.
13:58It's your man.
13:59Yeah, that's what I said.
14:00This is your creator, Richard Castle.
14:01Yo, big fan, bro.
14:03Thanks.
14:04Bye.
14:07I've read all your books.
14:08If you have time, I'd love to talk about my motivation.
14:10What do you mean?
14:11I mean, what's my character's inner life?
14:13Why do I do what I do?
14:15You're a cop, so what's your job?
14:19Castle, Violet didn't show up to work today.
14:21I just talked to her agent.
14:21He said there's no way she would have missed this commercial.
14:23This was a huge break for her.
14:27I've got her address.
14:29You think she's in trouble?
14:31Yeah, or worse.
14:32You guys on a job?
14:33Yeah.
14:35Yeah.
14:37You guys look great.
14:42That is just creepy.
14:43Totally.
14:49Hey!
14:50Hola, chica.
14:51What are you doing here?
14:52I was in the neighborhood.
14:54Mmm.
14:55I thought I'd stop by and see if those bullets you pulled out of Royce were ready to go over
14:59to ballistics.
15:00I got a friend there who'll make sure they get processed right away.
15:06Mmm.
15:06Wait, wait, wait, wait, wait.
15:08Is your friend that top-heavy tramp in reception?
15:11Hmm?
15:12What?
15:13I...
15:13You know I only have eyes for you.
15:14I don't even...
15:15Mmm-hmm.
15:15And you know I have easy access to sharp objects.
15:21The hell?
15:26Are those the bullets?
15:28Yeah.
15:29They're dissolving.
15:31I mean, ice bullets, I've heard of.
15:34But dissolving bullets?
15:35Violet?
15:36Violet Young?
15:37You think somebody on my conspiracy websites would have mentioned that?
15:42I don't think Violet's home.
15:44Yeah.
15:52You sure this is okay?
15:54No, it is not okay.
15:56It is actually completely illegal.
16:01Hello?
16:02Hello?
16:05Violet?
16:05I don't smell a dead body.
16:13She's not here.
16:14Nope.
16:15She's not.
16:17She's in New York.
16:19This was Royce's flight.
16:21Okay, so they flew together.
16:22He probably knew that they were in trouble,
16:25and he tried to protect her by taking her to New York.
16:29Protect her for what?
16:31Maybe from this.
16:34Surveillance photos?
16:34What would she be doing with surveillance photos?
16:37Maybe Royce was doing some kind of P.I. work for her?
16:39Yeah.
16:40The building this guy's coming out of looks familiar.
16:43She has articles on corgis, on surfing, wine tasting.
16:48How does any of this add up?
16:50Maybe she was researching a role.
16:51And what role would that be?
16:53And what does any of it have to do with Royce?
16:54The power-up sound compels you.
17:07Cops, cops, cops, cops.
17:09Photo.
17:10Okay.
17:11Okay, go.
17:15LAPD!
17:16Don't move!
17:17Thanks.
17:29Afternoon.
17:30Kyle Seeger.
17:31Robbery homicide.
17:32Look, Kyle, this is a misunderstanding.
17:34Meaning you didn't pick the lock or illegally enter this house?
17:37Meaning she's NYPD.
17:39I know who you are, detective.
17:41And while I can appreciate your loss,
17:43I can't have you and your offbeat sidekick
17:45running around my town committing felonies
17:47in some misguided quest for justice.
17:49Are you arresting us?
17:51Much worse.
17:52Somebody wants to have a word with you.
17:55You're on speaker, sir.
17:57Breaking into people's houses?
17:58That's your idea of a vacation, Beckett?
18:00Sir, I can explain.
18:02I would...
18:02No, you cannot.
18:03What you can do is get your ass on the next plane out.
18:05Uh, we have a dinner reservation at Spago.
18:07Is the morning okay?
18:08Oh, this is all a big joke to you, isn't it, Castle?
18:10But when Beckett is working mall security,
18:12I guess following her around
18:13isn't gonna have quite the same allure.
18:15Both of you, come home now.
18:21Wow, that was awkward.
18:23You know, unless there's something else,
18:25I think we should go now.
18:29Hey, one last thing.
18:30Did you find what you were looking for?
18:33Wrong house.
18:33Welcome to L.A., detective.
18:36Now go home.
18:38Was Montgomery really fiery?
18:40Yeah.
18:40So we're going back to New York?
18:42Hell no.
18:48Detective Ryan.
18:48Hey, it's me.
18:49Can you talk?
18:51Yeah, but Montgomery is seriously fired up.
18:53Yeah, I know.
18:54Look, I need a favor from you,
18:55but you can feel free to say no.
18:56Oh, come on.
18:57Whatever it is, I'm saying yes.
18:58Okay, great, thanks.
18:59We think that Roy's had company
19:00when he traveled to New York.
19:01Her name is Violet Young.
19:03We think whatever trouble he was into,
19:04she was involved somehow.
19:06You think she's still in town?
19:07Unless Macaulay got to her first.
19:08Her headshot lists an acting school in New York.
19:11She might have friends out there.
19:12Can you see if she contacted any of them?
19:14You got it.
19:14I'll keep you posted.
19:15Great, thank you.
19:16Uh, Esposito's got something back in line, too.
19:22What's up, girl?
19:24How's the weather in your world?
19:25Sunny, chance of ass kicking.
19:26What do you got?
19:27A photo of our killer, courtesy of TSA.
19:30I'm shooting it over to you now.
19:38And that's Neil McCauley?
19:39Well, whoever he is, he wore the exact same clothes
19:42at JFK as he did in that alley.
19:44That's how we got him.
19:45Okay, look, this is a long shot,
19:46but run facial recognition through the federal
19:48and local databases.
19:49You got it.
19:50I found him.
19:52Neil McCauley?
19:53No.
19:54The mystery man from the photo and violence place?
19:55I realized where I'd seen that building
19:57he was coming out of before.
19:58It was the bad guy's headquarters
20:00in Primal Fury, Primal Vengeance.
20:02So, did a little internet search,
20:03and bam, said the lady found it's the home
20:05of Kelvin, North America,
20:07some kind of R&D facility.
20:08The chief executive officer is Charles Kelvin.
20:10Guess what his hobbies are?
20:12Wine, corgis, and surfing.
20:14Violet was studying him.
20:19Mr. Kelvin!
20:20Mr. Kelvin!
20:22Your assistant said that we could find you here.
20:24This is my surf hour,
20:25so whatever you have to say can wait till I'm done.
20:27No, it can't.
20:28I'm Detective Kate Beckett.
20:29This is Richard Castle.
20:30Do you recognize this woman?
20:32Sure.
20:35I met her in line for coffee last Friday.
20:37Asked her out.
20:38Thought the date was going well
20:39till she went to the bathroom and never came back.
20:41What's this all about anyways?
20:43Something happened to her?
20:44Does this recording mean anything to you?
20:46The power-up sound compels you.
20:48Isn't that your voice?
20:49That bitch.
20:50What does that mean?
20:51That phrase is the key to our high-security vault.
20:53Violet must have pieced it together
20:54from the words I said during the date.
20:55I gotta get back to the office.
20:56Oh, you're gone.
21:02What was in here?
21:04It's proprietary information.
21:06A bullet.
21:07I'm guessing it dissolves.
21:10How do you know about those?
21:11They were used in a murder.
21:13God.
21:14You created them to try to land a defense contract
21:16in ultralight ammunition.
21:18The dissolving property was a complete accident.
21:21Unfortunately, it rendered the bullets useless to the military.
21:23Yeah, but valuable to someone else.
21:26How the hell did this happen?
21:30Hey!
21:31Good news on Violet.
21:32You found her.
21:33Not that good, but she is alive.
21:35Or at least she was last night.
21:37Tracked down an ex-verse,
21:38said she showed up on his doorstep,
21:40scared out of her mind,
21:41told him she had come out from L.A. with Royce,
21:43but he had disappeared.
21:44So the ex let her stay the night.
21:45Next morning, Violet was gone,
21:47so was his wallet.
21:48You know where she was headed?
21:49Uh, no, but two hours later,
21:51a large African-American gentleman
21:53with a fondness for kidney punches
21:54showed up and asked that very same question.
21:55The driver who picked up McCullough.
21:57You know, that's what I was thinking.
21:58Worked the ex over pretty good, too.
21:59Let's get him with the sketch artist.
22:00Way ahead of you, bro.
22:04Looks like we're not the only ones hunting for Violet.
22:08Picture this.
22:10A gullible young actress
22:11desperate to make a name for herself.
22:13She meets our mastermind at a club.
22:16He needs a pretty girl
22:18to help him get the voice code.
22:20He tells Violet he's a producer,
22:21promises to make her famous
22:23if she helps him play a practical joke on a friend.
22:26She doesn't even realize
22:26that she's participating in a crime
22:28until afterwards.
22:28She can't call the cops,
22:29so she contacts Royce.
22:31But then our Mr. Macaulay finds out.
22:33And Royce tries to change the game.
22:35He goes to New York.
22:36Home field advantage.
22:39Classic.
22:39Classic, Royce.
22:40I was so in awe of him, Castle,
22:47when I first met him.
22:49I just hung on his every word.
22:52And then later I realized
22:53he was just making up stories to mess with me.
23:02I can't believe that I'm never going to see him again.
23:04I can't believe that I'm never going to see him again.
23:10You know what I thought
23:12when I first met you?
23:14Hmm.
23:18That you were a mystery
23:19I was never going to solve.
23:24Even now,
23:25after spending all this time with you,
23:28I'm...
23:29I'm still amazed
23:32at the depths of your strength,
23:35your heart,
23:36and your hotness.
23:39You're not so bad yourself, Castle.
23:57I should go.
23:59It's late.
24:00Good night.
24:04Kate.
24:06Good night, Castle.
24:09Come and find me now.
24:23Come and find me now.
24:29Come and find me now.
24:37Good night.
24:48Good night.
24:51Good night.
24:59Good day.
25:00Wow somebody's up early. Hey. Did you pack a murder board? Concierge. Call down and then
25:15ten minutes later voila. Oh Maurice is amazing isn't it? I bet if I ordered the Ark of the
25:20Covenant he'd come through. Wouldn't you be afraid to open it? No it only melts Nazis.
25:25Is that Kelvin North America? Yeah I'm trying to figure out this heist. Kelvin said that the
25:30last time that vault was accessed was at 11 46 Tuesday night. Well that must be
25:34when our thieves stole the high-tech ammo. 800 pounds worth and they would have had
25:38to take it out the loading dock. But that guard station there I remember seeing
25:42that when we went in. There's no way they could get all that ammo past him without
25:45a little insider help. Exactly so I called the security company and they said that
25:49the only guard that was stationed at the loading bay that night was some guy named
25:52Reggie Walsh. I feel the plot about to thicken. He has to be reassigned the next
25:57day. Are you expecting anyone? No. Wait, wait, wait, wait, wait.
26:16Detective Seeger. Mr. Castle. Do come in. Wow nice digs. Sure pays to travel with a
26:28best-selling author huh? Seeger if you're here to drive us to the airport we're not
26:32packed yet. I'm here because a report crossed my desk about a theft at Kelvin
26:36North America. Your name's jumped out at me. Now tell me what is the theft of high-tech
26:42bullets have to do with your murder investigation. We're not investigating a
26:46murder anymore remember? We're off the case. Are we gonna do that dance? Look we
26:51don't know any more about that theft than you do. But if we stumble across
26:56something on our way to the airport we'll be sure and let you know. See that you do.
27:00Detective. Goodbye.
27:06Are you sure it's such a good idea cutting him out? He might be able to help us. Castle
27:12the only thing Seeger cares about is that robbery not Royce's murder. What we need to
27:16do is question that guard Reggie Walsh. How? You're not a cop here remember? Reggie doesn't
27:23need to know that. Oh.
27:30Like I told you I don't know anything about a robbery. Give me a break Reggie. You're lying.
27:34You're a punk. A dirty scale. A bow down rat bastard.
27:38Easy guys. Yeah I mean we all wear the uniform right?
27:42Yeah and I just hope yours makes you look good on TV. What are you talking about?
27:46The news cameras outside of the precinct they just love a good perp walk Reggie. And
27:51if you're mixed up with this I'm sure you wouldn't want to be seen talking to the cops.
27:55So as a courtesy I'm going to let you cover up with my jacket.
28:04I'm going to take it off before we get into the interview room. There might be reporters
28:09on the inside. Okay.
28:11You're a security guard Reggie. In prison? You're the lowest of the low.
28:19I thought that was chai molesters. Yeah well. Dude. Security guard. And you know what they
28:29do to guys like you in Lompoc. No. This is a latte. Okay. I drink chai tea lattes. How
28:37long do you have to work for me until you get that right? Or maybe.
28:40We know you were at the loading bay that night. All right. Um. These two guys came
28:47to me. Offered me 500 bucks to take a cigarette break at midnight. The only reason I went along
28:53is because saying no didn't really seem like an option. Are these the men? Yeah. Yeah.
28:59Did they give you their names? No. Oh but when they were walking away the black guy called
29:04the other guy Gans. All right guys. Thanks very much. We're done with the room.
29:09What the hell? Welcome to Hollywood. Great scene Ricky. Who said she was a star? That's right. Me.
29:21Does this mean I can leave? His name is Russell Gans. Suspected of pulling off several high-profile
29:26heists during the last five years including the theft of military grade circuit boards in
29:312009. Gans very smart and very violent. His multi-million dollar scores have allowed him
29:36to live like royalty. Fast cars, hot women. Dissolving bullets would be worth a fortune for
29:41the right buyer. Like a gang or a drug cartel. Do we have an L.A. address for Gans or any known associates?
29:48Negative on the address. And it looks like most of his friends are incarcerated.
29:52Wait. Here's one that's not. Donald Maness. He looks exactly like the guy hunting Violet.
29:57Okay. Maness might lead us to Gans so let's get his photo to all the troops.
30:01Got it. I'll get back to you. We gotta find Gans fast. Once he fences those bullets he's gonna disappear.
30:07Don't worry. The guy likes the perks of wealth. I know just the guy to help us find him.
30:12Oh Mr. Gans is well known within my network. He's a frequent guest at our city's five-star hotels.
30:17Do you actually know where he is? At a poolside cabana at the Eastway.
30:21He enjoys being surrounded by beautiful women as he connects business on the phone
30:24which according to a poolside waiter he's doing as we speak.
30:27Maurice, thank you very much. You never fail to amaze.
30:30My pleasure sir. Ma'am.
30:34Okay, so if Gans is doing business poolside he's probably trying to find a buyer for those bullets.
30:40If I can put him with those bullets I can prove he killed Royce.
30:42Well don't you think it's time we called the LAPD?
30:46I think I have a better idea.
30:49It's time for a celebration. Set it up for the night will you Max? Yes sir.
31:10There's a certain kind of feeling on the other side.
31:20It'll touch you from a distance and it's hard to find.
31:25I've got to walk and say I'm lost but at least I tried.
31:35There's a certain way of dealing with the other side.
31:40If you want proof of its existence well that's hard to find.
31:46I appreciate a woman who knows how to make an entrance.
31:52This thing at the hotel?
31:54Now I'm meeting someone.
31:56Business a pleasure.
31:58Hopefully a bit of both.
32:00Mr. Gans.
32:02I'm Lola Black. Please sit.
32:05What can I do for you Ms. Black?
32:11I represent a small but powerful group of Colombian business interests.
32:16And they understand that you're in possession of some unique merchandise.
32:22I'm afraid you got me confused with someone else.
32:26No I don't think so.
32:27That business in New York, that ex-cop, it was a very effective product demonstration.
32:33My offer is serious and my clients are not accustomed to hearing the word no.
32:39Well.
32:41Bidding on that particular item closed about 20 minutes ago.
32:45Better luck makes fun.
32:46Wait, I...
32:48Two million.
32:50I can have it here within an hour.
32:53I'm impressed actually.
32:58The way you've lured me in.
33:00You had me guessing there for a second.
33:02What's that supposed to mean?
33:03It means you're a cop.
33:05You're the hottest thing I've seen come out of major crimes in quite some time.
33:09But you're a little too eager.
33:11A little green.
33:14Nice meeting you Lola.
33:20God, Cass.
33:22So what happened?
33:27Ow!
33:28I was trying to keep him from seeing you and so I pushed too hard and he made me...
33:31He called me green.
33:32Cass, what the hell were you doing?
33:33I saw his phone in the cabana.
33:35I thought it was worth the risk.
33:36You took his phone?
33:37No.
33:38No, I took a picture of his recent call list.
33:40What?
33:41Where is it?
33:42Don't...
33:43Don't poke me.
33:44Poke you?
33:45I want to kiss you.
33:46Okay, we need to run down these numbers, see if we can trace one of them to Gantz's buyer.
33:48Okay, now can we call Seeger?
33:53Gentlemen, where are we with Violet Young?
33:56I just got off the phone with her mother.
33:57She says she remembers Violet having a roommate who lives near Canal Street.
34:00Yeah, we're gonna head over there and see if Violet reached out to her.
34:02Well, let me know.
34:03Yeah, right.
34:04Hey, you heard from Beckett?
34:08No, sir.
34:09Yeah, me neither.
34:10She's not answering her cell.
34:11Maybe she's airborne.
34:12Hmm.
34:13That would explain her phone being turned off.
34:15Hmm.
34:16You know, I'm trying to decide who is the worst liar, him or you.
34:26Go find Violet Young.
34:27Help Beckett put this thing to bed, all right?
34:29Yes, sir.
34:30Right on.
34:31Hey, Detective Seeger.
34:32Hey.
34:33You run wild in my city, then you call me for a favor?
34:34You got a lot of nerve, Detective.
34:35I'll give you that.
34:36Hey, we're trying to get a vicious criminal off of your streets.
34:37Hey, can I interest you in one of these robes before you say no?
34:38I feel how soft this is.
34:39No.
34:41Look, we're all on the same team now, so why don't we just get this done with?
34:43As long as it gets done my way.
34:44Fine.
34:45What do you got?
34:46Well, Gans' phone is a burner, and so are most of the numbers he called.
34:48Which means you didn't get the buyer's ID.
34:49Okay.
34:50Okay.
34:51I'm sorry.
34:52I'm sorry.
34:53I'm sorry.
34:54I'm sorry.
34:55I'm sorry.
34:56I'm sorry.
34:57I'm sorry.
34:58I'm sorry.
34:59I'm sorry.
35:00I'm sorry.
35:01I'm sorry.
35:02I'm sorry.
35:03I'm sorry.
35:04He called.
35:05Which means you didn't get the buyer's ID.
35:06We did manage to trace one of the burners he called, the New York City.
35:09Manis.
35:10That's Gans' partner.
35:11I bet Gans was calling to ask why the hell Violet Young was still alive.
35:13Did you happen to get a location on Manis' phone?
35:15Just said it's from Manhattan.
35:16Okay.
35:17So let's call him, rile him up a bit.
35:18Rile him up how?
35:19I'll tell him I met Gans.
35:20Gans was gonna cut him out of the deal.
35:22Manis wasn't pulling his weight.
35:23Manis gets pissed.
35:24He calls Gans.
35:25Maybe one of them lets something slip about the location of the exchange.
35:28And we'll be listening.
35:29Good.
35:30I'll try and get a warrant.
35:34You're a hard girl to find, Violet.
35:36I know it was wrong to run, but I was afraid to go to the cops.
35:41I never meant for Royce to get hurt.
35:44Well, let's just get back to the station.
35:46We can work it out.
35:47Alright?
35:48Let's go.
35:52Gun!
35:53Gun!
35:54Gun!
35:55Gun!
35:56Gun!
35:57You okay?
35:58Yeah.
35:59You?
36:00Yeah.
36:01You okay?
36:02Yeah.
36:03Gun!
36:08Yo.
36:09Esposito?
36:12Beckett?
36:13Are you with Manis?
36:14Yeah.
36:15I just shot him.
36:16Wait, why are you calling him?
36:17Look, we need to know where and when Gans is selling those bullets.
36:21Don.
36:22Yeah?
36:23Where's the deal going down?
36:24I'm hittin', man.
36:25Call an ambulance.
36:26Well, my partner's on that.
36:27Nine, one, what comes after that one?
36:30I'm in pain here, man.
36:31It's over, Manis.
36:32Give us the meet location.
36:33I'll tell the DA in LA that you're cooperating.
36:37I can't.
36:38Santa Monica Pier.
36:39Six o'clock.
36:40Now call an ambulance.
36:41Who shot Royce?
36:42It was Gans.
36:43You get that?
36:44Yeah, we got it.
36:45Thanks.
36:46Gotta get to Santa Monica Pier.
36:47It's quarter of six now.
36:48This is gonna be our last chance to get Gans.
36:49Okay, let's roll.
36:50D'Ace!
36:51Ah!
36:52God!
36:53God!
36:54Get us!
36:55Come on!
36:56T'Ace!
36:57Come on!
36:58Come on!
36:59Come on!
37:00Come on!
37:01Okay, let's roll.
37:31LAPD freeze. Put the case down. Put the case down. Put your hands behind your head.
37:42You in the van. Police. Both hands out the window.
37:46Open the door. Get out slow.
37:51Slowly. Up against the van. Up against the van.
38:00Where is he? Where's Gans?
38:05Where is he?
38:21Bingo.
38:24Where did Becca come?
38:30All right.
38:39Police!
38:46Stop!
38:48Watch out, guys!
38:57Stop!
39:01Watch out, guys!
39:03Stop!
39:04Watch out, guys!
39:06Stop!
39:08I knew you were a cop.
39:17I knew you were a cop.
39:24My name is Detective Kate Beckett, NYPD.
39:29Michael Royce was my friend.
39:33You shot him and you left him in an alley like a piece of garbage.
39:40Consider this poetic justice.
39:42You said something about hell raining down on me.
39:43Never imagined hell looked like you.
39:49You.
39:50Kate!
39:51Kate!
39:52Russell Gantz, you are under arrest for the murder of Michael Royce.
39:54All three, North morning, sir.
39:57You're in love with Michael Royce.
39:59You're in love with my friend.
40:00How did you realize this guy?
40:01You're in love with my friend?
40:02I told you.
40:03No, no, no, no, no, no...
40:04I didn't know.
40:05You were a cop.
40:06You said something about hell raining down on me.
40:08Never imagined hell looked like you.
40:12Kate!
40:14Russell Gantz.
40:16You are under arrest for the murder of Michael Royce.
40:30You okay?
40:32Yeah.
40:38Yes, I understand
40:40Every life must be
40:42End of
40:46As we sit alone
40:48I know someday we must
40:50Go on
40:56I'm a lucky man
40:58To count on both hands
41:00The ones I love
41:04Some folks just have fun
41:06Yeah, others they got none
41:08Not hard
41:10So how close did you come?
41:12With Gantz
41:14Stay with me
41:18Let's just breathe
41:20Let's go home Castle
41:22Now for the hard part, kid
41:26It's clear that you and Castle have something real
41:30And you're fighting it
41:32But trust me
41:34Putting the job ahead of your heart is a mistake
41:38Risking our hearts is why we're alive
41:40Risking our hearts is why we're alive
41:42The last thing you want is to look back on your life and wonder
41:48If only
41:50Nothing you would take
41:52Nothing you would take
41:56Everything you gave
42:00Hold me till I die
42:04Meet you on the other side