With I'm A Celebirty
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00:00:00The birthplace of heavy metal, and very little else.
00:00:12Birmingham has undergone a resurgence in recent years,
00:00:15but no amount of bright lights can mask its darker underbelly,
00:00:19especially in the very dark, black country.
00:00:23The perfect place for the mistress of the macabre, Yvette Fielding,
00:00:26to take a crack team from I'm a Celebrity Get Me Out of Here
00:00:29on a night ghost hunting.
00:00:33How will they cope with the terror?
00:00:36Will they be resorting to the star card?
00:00:39I'm a Celebrity Get Me Out of Here.
00:00:42And will they ever be the same again?
00:00:44A Wake Up
00:00:47A Wake Up
00:00:50A Wake Up
00:00:51A Wake Up
00:00:55Timmung
00:01:00A parked car
00:01:02Ghost hunter extraordinaire Yvette Fielding
00:01:22is in the Midlands to pick up a very celebrated fare indeed.
00:01:26Having brave rats...
00:01:28Cockroaches...
00:01:32...and indulge in a kangaroo's private parts in the Aussie Outback,
00:01:36the cast of I'm a Celebrity Get Me Out of Here are no strangers to fear.
00:01:40But how will they cope on a night ghost hunting?
00:01:46I'm not really very easily scared.
00:01:48I don't really get scared at, like, you know, movies or anything like that.
00:01:51We are getting in some serious...
00:01:53I certainly was quite scared by a kangaroo...
00:01:57...but in reality, I don't think there's much that does scare me.
00:02:02Oh, f***ing hell!
00:02:03I can't sustain any thought of going anywhere in the dark on my own...
00:02:08...for any amount of time.
00:02:11I might be absolutely fine with it...
00:02:13...but I might be...
00:02:15...might just run away.
00:02:18I'm scared of ghost trains, so I don't know what the hell I'm doing in this ghost hunt experience...
00:02:26...with loads of spirits.
00:02:28How did you see this?
00:02:30Hey!
00:02:31Hey!
00:02:32Hey!
00:02:33Gaffers!
00:02:34Gaffers!
00:02:35How are you?
00:02:36Welcome.
00:02:37Are you all right?
00:02:38Pleasure.
00:02:39This is just like the jungle, only with ghosts.
00:02:40Yes.
00:02:41Exactly.
00:02:42Here's the ghost hunting.
00:02:43Here's the ghost hunting.
00:02:44Here's the ghost hunting, yes, exactly.
00:02:45Cheers.
00:02:46Let's hope we all get out alive.
00:02:47Good evening, ladies and gentlemen.
00:02:49Good evening.
00:02:50Please put your champagne down.
00:02:51There's a taxi outside waiting for you.
00:02:53Would you like to follow me?
00:02:54Yvette has gathered our jungle celebs from all corners of the UK...
00:02:57...to the centre of England to search for ghosts...
00:03:00...in locations never before investigated.
00:03:04Follow me in the woods.
00:03:06Don't forget that.
00:03:10The gang are being brought to some of the black country's spookiest locations.
00:03:16However, Yvette is not alone in her quest...
00:03:18...to test the ghost hunting metal of these jungle heroes.
00:03:21Our resident psychologist and body language expert, Professor Jeffrey Beattie...
00:03:25...is on hand to analyse and interpret our novice ghost hunters...
00:03:28...every jump and terrified scream...
00:03:30...in order to give us an insight into their true mindset...
00:03:33...as the fear kicks in.
00:03:35I'm interested in how fear is going to affect them...
00:03:38...both as individuals and as a group.
00:03:40I'm fascinated by the way that fear changes everything.
00:03:43It changes how you feel inside.
00:03:45It changes what you see and what you hear.
00:03:47It can even affect how you feel about yourself.
00:03:50Now, fear may start off inside...
00:03:52...but it soon leaks out...
00:03:54...and can influence everyone around you.
00:03:56The f***ing table's moving!
00:03:58Oh, are you all right?
00:04:00No, I'm going to like you.
00:04:01And of course, watching your friends succumb to fear...
00:04:03...can be a truly terrifying experience.
00:04:06If I absolutely f*** myself and I'm terrified...
00:04:10...and something really freaks me out...
00:04:12...I probably will leave...
00:04:14...and run into the arms of Jeffrey.
00:04:17I'm not going down. I'm not going down there.
00:04:20I just want to kind of go in there and kind of see what happens.
00:04:23You know, see if I come out a believer.
00:04:25You know, because at the moment I'm not really one.
00:04:27So, we'll see.
00:04:29Ah!
00:04:30Oh, what the f***? F*** that!
00:04:33It's possible that you will hear a scream...
00:04:35...because, you know, I am open to anything happening.
00:04:38So, yes, I'm not averse to screaming.
00:04:41Ah!
00:04:42I'm not so much scared of the dark...
00:04:45...but it's noises and things like that...
00:04:47...that I'm going to be worried about.
00:04:48Hello?
00:04:52I am a total, total believer in ghosts.
00:04:55I was put in a haunted room once by the rest of the band...
00:04:58...when I was in Catatonia.
00:04:59They didn't tell me it was haunted.
00:05:01It was totally haunted.
00:05:02So, yeah, I love the idea of ghosts.
00:05:04Ah!
00:05:05Oh, are you all right?
00:05:07I don't like you.
00:05:08Tonight's ghost hunt kicks off...
00:05:10...at the very eerie Black Country Living Museum.
00:05:13Built to celebrate the area's industrial heritage...
00:05:18...the Black Country Museum is a collection of buildings...
00:05:21...brought here from around the district.
00:05:23They were transported here and reassembled brick by brick...
00:05:26...but the souls of those who lived and worked in them...
00:05:29...are also thought to have moved.
00:05:36Okay, come over here.
00:05:40You all right?
00:05:41Yes.
00:05:42All in one piece?
00:05:43All in one piece.
00:05:44Yes.
00:05:45Welcome to the Black Country Living Museum.
00:05:49Everything you see here is absolutely real.
00:05:51These buildings are real.
00:05:52It's not a set.
00:05:53And the most important thing is they're all extremely haunted.
00:05:59But first, do you fancy a drink?
00:06:01Oh, yes.
00:06:02Come along.
00:06:03The Bottle and Glass Inn, built around 1776...
00:06:06...is said to be haunted by a malevolent male figure...
00:06:09...who goes by the name of Reynolds.
00:06:12A bit quicker, if you please.
00:06:14He's said to be aggressive to any man who dares enter this place.
00:06:18Our medium also believes that Reynolds was involved in a murder in this very pub...
00:06:23...where a gentleman by the name of Isaac was killed in cold blood.
00:06:27It's within the pub's cold, dark cellars that Yvette decides to start the search.
00:06:37You okay?
00:06:38Thanks.
00:06:39You all right?
00:06:40You okay?
00:06:41Watch your heads.
00:06:42Watch your heads.
00:06:43Watch your heads.
00:06:44Come on in.
00:06:45Come on in.
00:06:46Okay, so, we've been told by our medium that the murderer was called Reynolds.
00:06:56The poor man that was murdered was called Isaac.
00:06:59Reynolds is down here.
00:07:01Reynolds is the one that doesn't like men.
00:07:03The women, I'm not sure about.
00:07:05But just be very...
00:07:06Just be aware of your body and your head and see if you can actually feel anything.
00:07:10The slightest push, the slightest movement, okay?
00:07:13I'll call out and see if we get any activity.
00:07:16Everybody keep your feet completely still.
00:07:20Reynolds, if you're here, you murderer, make a noise.
00:07:27I'm calling out to the spirit of Reynolds.
00:07:30Make a noise.
00:07:31Let us know that you're here.
00:07:39So the first step.
00:07:40Did you?
00:07:41Yeah.
00:07:42Yeah.
00:07:44Reynolds...
00:07:45Whoa!
00:07:46What?
00:07:47Stop that.
00:07:48Okay.
00:07:50No.
00:07:52The stone being thrown appears to be the first sign that the spirit of Reynolds is in the room.
00:07:56I'm going to throw this back out into the hallway.
00:07:59If you want to, Dean, you can check there's no one stood there, just in case it comes back.
00:08:03Do you want to do that?
00:08:04No.
00:08:05Okay.
00:08:06I'll check.
00:08:07I'll check.
00:08:08I'll check.
00:08:09Okay.
00:08:10If you want to have a check, just make sure there's no one in the hallway messing about.
00:08:13The unconscious actions of our novice ghost hunters in the cellar are providing Professor Jeffrey Beattie with a telling insight to the positioning of the individual celebs within the group.
00:08:23The first few seconds in a situation like this can be very revealing about how the group is going to function.
00:08:30Now, when a group is going to go through something together, everyone needs to know what their role is going to be.
00:08:35And there are three possible contenders for the role of alpha male here.
00:08:38Biggins, Matt and Dean.
00:08:41But just look at the way Dean responds when he's offered to take on a kind of important role within the group.
00:08:47He rejects it immediately.
00:08:48Do you want to do that?
00:08:50No.
00:08:51Okay.
00:08:52Now, Matt kind of accepts it and Biggins accepts it at the same time.
00:08:55But what's interesting about Matt is that in terms of his underlying personality, I know that he's got a pretty nervous disposition.
00:09:01And I think you can already see signs of his nerves coming out.
00:09:04Lots of lip batting, lots of lip licking.
00:09:07And I think people will be sensitive to that.
00:09:10Back in the pub cellar, Matt and Biggins are checking the source of the stone.
00:09:14Believed to have been thrown by the spirit of a man named Reynolds.
00:09:19No one walk up there?
00:09:22No one there?
00:09:25No.
00:09:26Okay.
00:09:28Oh!
00:09:29Oh!
00:09:30Oh!
00:09:31Oh!
00:09:32Oh!
00:09:33That was a bag.
00:09:34Was that your head?
00:09:35Can you hear that?
00:09:36What?
00:09:37There's a big thumping sound in this room.
00:09:39Oh, let's go in the room.
00:09:40Come on, guys.
00:09:41I swear.
00:09:42Do they not want us to be in here?
00:09:43Like, it sounds like he doesn't want us to be in here.
00:09:45No.
00:09:46No, no.
00:09:47Reynolds does not want us to be in here.
00:09:48Particularly when he's been talking about what he's done.
00:09:50Can you imagine?
00:09:51You're a murderer and you're sort of basically saying he's a killer.
00:09:56I'm going to throw this back.
00:09:57I don't...
00:09:58I want him to do more stuff.
00:09:59Come on, Reynolds.
00:10:00I'm going to throw it out of you.
00:10:01Come on, throw it back.
00:10:02Come on.
00:10:03Oh!
00:10:04What?
00:10:05It's f***ing hit my foot.
00:10:06Oh, my God.
00:10:07Oh, my God.
00:10:08Oh, my God.
00:10:09Calm down.
00:10:10Everybody take a deep breath.
00:10:11Deep breath.
00:10:12Deep breath.
00:10:13Deep breath.
00:10:14Okay?
00:10:15Three, three.
00:10:16I swear to God.
00:10:17It just hit my torch.
00:10:18Take careful.
00:10:19Where's the torch?
00:10:20Who's got the torch?
00:10:21And then it went over there.
00:10:22Matt, when you went out there, was anyone out there?
00:10:23I swear to...
00:10:24No, there's nobody.
00:10:25There is.
00:10:26Okay.
00:10:27Let's throw it again.
00:10:28Everybody quiet.
00:10:29I'm just going to...
00:10:30I'm too free.
00:10:31No, no.
00:10:32You throw it.
00:10:33Somebody else throw it.
00:10:34And say, say, come on, Reynolds.
00:10:35Throw it back.
00:10:36Come on, then, you f***ing.
00:10:39Throw it back.
00:10:40Come on.
00:10:45It's boring.
00:10:46Great.
00:10:47Oh, there we go.
00:10:48What's that?
00:10:49You just rolled it down.
00:10:50Rolled it down.
00:10:51They are?
00:10:53They are?
00:10:54That's not.
00:10:55Okay.
00:10:56Reynolds, you're making noises.
00:10:57You're throwing stones for us.
00:10:58Please, can you make a noise?
00:11:00Or push one of the men.
00:11:06Make a noise, Reynolds.
00:11:07Use your voice.
00:11:10What?
00:11:11Well, I just heard that.
00:11:12I did.
00:11:13Make that noise again, please.
00:11:14Two noi...
00:11:15Two knocks.
00:11:16Two bangs, if you can hear my voice.
00:11:18Two knocks, if you can hear mine.
00:11:29Come on, Reynolds.
00:11:30Talk to us.
00:11:34Okay.
00:11:35Let's go out.
00:11:36I just wanted to get a phone.
00:11:37Shh.
00:11:38Shh.
00:11:39Shh.
00:11:40Reynolds?
00:11:41What?
00:11:42What?
00:11:43What?
00:11:44There's something in here.
00:11:45It's like a scratchy.
00:11:46Yes.
00:11:47It's me, Christopher.
00:11:48Reynolds?
00:11:49Make yourself known.
00:11:51You...
00:11:52Let's make my cup now, yeah?
00:11:53Mm-hmm.
00:11:54Okay.
00:11:55It's like a scratchy hole.
00:11:57Yes.
00:12:00Speak, Christopher.
00:12:01Reynolds!
00:12:04Make yourself down.
00:12:10You b******.
00:12:13Let's make our mic back up now, yeah?
00:12:15Mm-hm.
00:12:16OK.
00:12:17Having stirred the spirit of Reynolds,
00:12:19Yvette is keen to search for the other spooks
00:12:21said to haunt the Black Country Living Museum
00:12:24and leads the celebs back upstairs.
00:12:31So, how are you feeling after that?
00:12:34All right.
00:12:34Yeah?
00:12:35A bit, you know...
00:12:36A bit spooked.
00:12:37A bit spooked, yeah, to say the least.
00:12:38There were some strange noises down there,
00:12:40some stones being thrown.
00:12:41Yeah.
00:12:42So, a good introduction, I think.
00:12:44Now it's going to start to get a little bit harder, OK?
00:12:49And it's going to get creepier.
00:12:51Yvette is now about to lay down the gang's
00:12:53next ghost-haunting gauntlet.
00:12:55So, what I want to do is I want to take you
00:12:58to somewhere you've never been before, in the village.
00:13:01All right?
00:13:02Happy?
00:13:03But you're going to be with us?
00:13:04No, no-one's going to be with me.
00:13:05You're not going to be with us?
00:13:06No.
00:13:06So, on her own?
00:13:07Completely on your own.
00:13:10Completely.
00:13:11I don't think Emma would be too happy with her.
00:13:13Yeah, I don't really want to be on my own.
00:13:16You don't have a choice.
00:13:21Dean, you're the first.
00:13:22You ready?
00:13:24In order to tune their sense of hearing and touch,
00:13:26Yvette is introducing another element to the ghost hunt.
00:13:29You're going to be blindfolded as well.
00:13:31What?
00:13:31You ready, Dean?
00:13:33Come on.
00:13:34Coffee shop.
00:13:35Come on.
00:13:36Jog on.
00:13:37Say goodbye.
00:13:38Goodbye, Dean.
00:13:39Goodbye, Dean.
00:13:40It's been lovely.
00:13:41Have fun.
00:13:42Pork scratching before you go.
00:13:43You wait here.
00:13:44Come on.
00:13:45Follow me.
00:13:50I'm going to have to go with you.
00:13:51I can't be on my own.
00:13:52I really don't know that.
00:13:53No, you don't want to go on your own.
00:13:54No, I feel all right.
00:13:56Do you?
00:13:57Well, then if you feel okay, then go.
00:13:59But, you know, I'm not going to feel all right with a bag on my head,
00:14:01left in a ring on my own, with things touching me and, you know.
00:14:06It's not what you do when you go to bed with him.
00:14:08I know what I do, I expect.
00:14:15Before they've come to this location, of course,
00:14:17they will have mentally prepared themselves to go on a ghost hunt.
00:14:20But, of course, there are always surprises along the way.
00:14:22And this is one of the vet fielding surprises.
00:14:25Dean's going to be blindfolded here.
00:14:27Now, again, from a psychology point of view,
00:14:29just look out for all of those nonverbal cues of anxiety.
00:14:33Look at Matt's reaction.
00:14:35He really is uncomfortable and is pretending it's because Emma
00:14:38wouldn't like to go off on her own.
00:14:40It's really about him, of course.
00:14:41Look at this very tight, closed bodily posture used for protection
00:14:45and look at those signs of nonverbal leakage.
00:14:47Very, very nervous.
00:14:49And, again, these kind of moments are absolutely fascinating
00:14:51because this is something which is completely unexpected.
00:14:54And, of course, the point about human beings is that
00:14:56they become much more fearful when they're not in control.
00:15:00And blindfolding Dean is making the whole group of them
00:15:03feel that much more vulnerable.
00:15:05Walking across the street.
00:15:06Blindfolded and terrified, Dean is being led up the street
00:15:10to the chemists.
00:15:11This place is reputedly haunted by a violent ghost.
00:15:16Two female members of staff believe it was the rogue spirit
00:15:19that, unhappy with their presence in the shop,
00:15:22pushed them down the stairs.
00:15:28OK.
00:15:28There's a very aggressive spirit here.
00:15:43It's a gentleman that's been seen wandering up and down the stairs.
00:15:47Is there a camera crane here, follow me?
00:15:49No, there's going to be nobody here with you.
00:15:51No, there's going to be nobody here with you.
00:15:52I'm just going to set them...
00:15:53No, there's going to be...
00:15:54Set them up top camera and they're going to leave you.
00:15:56Please.
00:15:56No.
00:15:58OK.
00:15:59I'll leave you now.
00:16:00Oh, f***ing.
00:16:01Yvette is now on her way to pick her next victims from the nervous bunch
00:16:04left waiting in the museum's pub.
00:16:18Right then.
00:16:19Everybody OK?
00:16:20Yeah.
00:16:21I'll leave you now.
00:16:23I'll leave you now.
00:16:25Yvette is now on her way to pick her next victims from the nervous bunch
00:16:29left waiting in the museum's pub.
00:16:31Right then.
00:16:32Everybody OK?
00:16:34Yeah.
00:16:34Who's ready to come on their own with me?
00:16:36What about you, Chris?
00:16:37Are you happy?
00:16:38OK.
00:16:39And are you happy to come on your own?
00:16:41Um, yeah, if you're happy.
00:16:43I'm sticking with her.
00:16:44OK.
00:16:45I don't want to go on my own.
00:16:47Chris and Keris together, please.
00:16:50You two.
00:16:51Come on.
00:16:52Are you OK with that?
00:16:54Come on.
00:16:57See you later.
00:16:58Bye.
00:16:58Have a good one.
00:16:59Yeah, thanks very much.
00:17:00Have a good time.
00:17:01You too.
00:17:05While Matt and Emma are left to ponder their fate, Yvette leads Keris and Biggins towards
00:17:10the hardware store.
00:17:14I'm here.
00:17:15This place is said to be haunted by a forthright gentleman who likes to make his presence felt.
00:17:20But before Keris can even get through the door...
00:17:23It's me, it's me, it's me, it's me.
00:17:28No, it wasn't.
00:17:29It was, darling.
00:17:30It was me.
00:17:30It's all right, it's okay, it's okay, it's okay.
00:17:38It was me, it was me, you big burke.
00:17:42Come on.
00:17:42Where you're standing now is the haunted part of this building.
00:17:53There's a gentleman that has worked in this building and is very brusque in his manner.
00:18:00So he'll slam his fist down on the counter and say, what do you want?
00:18:03Like that.
00:18:04Try and do that.
00:18:05He's very kind of, this is my space, you're in my place.
00:18:09So try and call out to him and see if you get any noises, creaks, moans, anything like that.
00:18:14Remember everything I've told you?
00:18:17Only take your blindfolds off when I leave, please.
00:18:19And all the lights in the whole street are going to be taken down.
00:18:22Good luck.
00:18:27Right.
00:18:29So, take your blindfold off, darling.
00:18:32Mine's off.
00:18:32And yours is off?
00:18:34Yeah.
00:18:35Oh, we're not in the chapel, thankfully.
00:18:37Oh, my God.
00:18:42We're in the shop.
00:18:44Is anybody here?
00:18:48Hello?
00:18:52Who's there?
00:18:56This is really freaking me out.
00:19:01I can hear little noises.
00:19:02Really, really, I can't explain to anyone.
00:19:09I don't know what it's like unless you're here.
00:19:12As Dean's fear builds, it's time for Yvette to lead our remaining celebrities into the dark.
00:19:18Right then, just two of you left.
00:19:20I bet you're wondering what's going to happen to you, aren't you?
00:19:22Mm.
00:19:23A little bit, yeah.
00:19:23Yeah?
00:19:24Are you ready to come on your own?
00:19:25No.
00:19:26Okay.
00:19:26Are you ready to come on your own?
00:19:28I'm happy to go on my own, as long as it doesn't mean that I have to leave her and she has to go on her own.
00:19:31Right, okay.
00:19:32So, possibly using the girlfriend as an excuse.
00:19:35No, I mean, I'm happy to go.
00:19:37Absolutely, yeah.
00:19:38Right.
00:19:39I'll savour the embarrassment.
00:19:40You can both go together.
00:19:42Come on, thank you.
00:19:43Okay.
00:19:47I saw a hand tickle of me and it was Yvette's hand.
00:19:51It was what?
00:19:52Yvette's hand.
00:19:57That was me.
00:19:57Was it?
00:19:58What is it?
00:19:59It's the bell.
00:19:59Shall I ring it?
00:20:01Right, you ring the bell.
00:20:03Hello?
00:20:06Hello?
00:20:08Is anybody there?
00:20:09It's interesting when the main group splits up into pairs like this.
00:20:14The way that people adapt their behaviour to each other.
00:20:17Now, just look at Biggins and Curse, the way the pitch of their voice has changed.
00:20:22Curse's pitch has gone up much more childlike, much more higher pitch.
00:20:27Biggins is becoming loud and booming and really kind of solid.
00:20:31Who's there?
00:20:33And it's his way of saying, I'm the alpha male here, I will look after you.
00:20:37And it's this Curse's way of unconsciously saying to him, I'm going to need looking after.
00:20:42She knows she's got a nervous disposition.
00:20:45She knows she's going to need someone like Biggins here.
00:20:48Yvette is taking Matt and Emma into the back room of the general store.
00:20:53The ghosts of children have been seen here and the sound of their laughter is said to echo through the shop.
00:20:58What, where am I going?
00:21:05You're going to sit next to me.
00:21:06Oh, there you go, sit.
00:21:08Oh, my f***.
00:21:09You all right?
00:21:10Are we in separate chairs?
00:21:11Yeah.
00:21:12Are you good?
00:21:13I'm right here.
00:21:14Right, OK.
00:21:15Some ghosts of some children have been seen here.
00:21:19Only take your blindfolds off when you hear the door slam behind you, OK?
00:21:23You can get up, you can walk around, you can investigate the whole building.
00:21:26It's up to you.
00:21:26And I'm going to turn the whole light, all the lights off in the street when I leave you.
00:21:30I don't like this.
00:21:31Good luck.
00:21:31Thanks.
00:21:33Are you cold?
00:21:34I'm freezing.
00:21:35Are you, baby?
00:21:36I'm OK.
00:21:37Are you really cold?
00:21:37Mm.
00:21:40Oh, Matt, I'm scared to look.
00:21:42Will you look first?
00:21:48Right, it's OK.
00:21:49OK, right, obviously we're in a room, we're in a room, in a house, like a house where you
00:22:00wasn't in.
00:22:01Uh, here's a fire.
00:22:03OK.
00:22:06Hello?
00:22:06Hi.
00:22:08Tap if there's anybody there.
00:22:13What's that noise?
00:22:19OK, I'm going to.
00:22:28She said to speak to children like you would talk to children.
00:22:33OK.
00:22:37Scarlet.
00:22:40Hello, guys.
00:22:41Are you there?
00:22:43Is anybody there?
00:22:44if you're here touch Matt easy now come on come and talk to us I've got Chuck
00:23:00guys just going to look around wait for me there is no way I'm going to walk about this house
00:23:13so I'm going to sit with you in this chair
00:23:17I'm a celebrity get me out of here
00:23:33if there's somebody here with us can you come into this room please
00:23:41oh god he kicked I thought it was a headless body
00:23:48oh I feel like there's something behind me Matt
00:23:52if there's anyone here could you make a noise please
00:23:57did you hear that down there no that was my tummy I think
00:24:05do you sense anything biggins
00:24:08I really am susceptible to things yeah
00:24:13I'm quite susceptible too
00:24:15I haven't thought anything at all
00:24:18but I've just been scared by the dark
00:24:20yeah
00:24:21but those squeaky noises I couldn't put reason to
00:24:26wonder how Dean's doing on his own
00:24:30I know they got him out first as well
00:24:33spirit are you there
00:24:37if there's any good spirits in this house
00:24:43please show me somehow
00:24:47having not witnessed any ghostly goings-on in the hardware store
00:24:53a slightly relieved Keris and an unmoved begins
00:24:56take time out to talk to Jeffrey Beattie in the taxi
00:25:00did anything happen in the hardware
00:25:02no nothing's happened really at all
00:25:05this is very disappointing because I'm quite susceptible to things and the only thing we heard was the creaking of the door and that was because of the wind
00:25:12yes I feel really comfortable I don't feel like that's
00:25:15you know what I mean
00:25:17so in terms of how everyone's coping is everyone coping how you thought they would or
00:25:28well I heard a noise when we were in the um the general store and it was like
00:25:34fingers crossed that you don't get frightened of fingers crossed that you do get
00:25:43fingers crossed that something does happen I'd be very disappointed if I go to bed tonight
00:25:47and the most frightening thing I see is my reflection in the mirror
00:25:51as I'm brushing my teeth
00:25:52if that's a spirit
00:25:57talk to me
00:25:59hello
00:26:01get me out now
00:26:09get me fu-
00:26:10hello
00:26:14screamer
00:26:27screamer here is absolutely amazing and it's something he knows that he does he's seen himself and I'm a
00:26:31celebrity he knows he's a bit of a screamer the question is is this put on I don't think it is
00:26:36look at his nervous head movements when people are terrified they go into this fight-or-flight response
00:26:41and if you just listen to the screams they're incredibly aggressive
00:26:45evolutionarily speaking they're designed to frighten off whatever it is that's terrifying you
00:26:50he was terrified in the jungle he's terrified here
00:26:53spirits
00:26:55spirits
00:26:57spirits
00:27:13spirits
00:27:15spirits
00:27:19Spirits? Spirits, I'm not here to harm you. I'm scared.
00:27:31Sensing that Dean is near hysterics, Yvette decides it will be better for all concerned,
00:27:36including the spirits, to relieve him from his ghostly nightmare.
00:27:41Yvette? Hello?
00:27:46Is that Yvette? Yvette, is that you? Yes.
00:27:55Can you come and get me? Yes.
00:28:02I could hear you screaming. Yeah, the reason I screamed is because the door opened.
00:28:06It freaked me out. So the door was like this. Yeah.
00:28:11And then I could hear noises, and then the door opened, but it wasn't the wind,
00:28:20because the wind would have shut it and not opened it.
00:28:22Oh, especially with an open window. That would freak me out. Well, come on, let's get you out of here.
00:28:27With Dean on his merry way to Geoffrey in the taxi, Yvette checks up on the ghost hunting progress of Matt and Emma.
00:28:34It sounded like someone was like... It was a definite, definite noise.
00:28:39Dean, you were quite sceptical at the start of the night. Are you still sceptical?
00:28:42To be honest, I don't think it's about being sceptical. I think that, you know, when I first came here,
00:28:46I didn't know whether it was all camera trickery or, you know, crew members making noises to scare you.
00:28:52And, you know, I just want to come in with an open mind and see what it is. The pub side of what we did tonight didn't really scare me at all.
00:28:59Reynolds, you're making noises. You're throwing stones for us. Please, can you make a noise?
00:29:03And I think that's because we're all in it together. It makes it easier.
00:29:06Yeah. Because you share the load of being frightened.
00:29:08If you hear something, you want to have it backed up by someone else.
00:29:11And this next thing we did where I had to go up into a house kind of thing, I was on my own.
00:29:16Did I hear you making some noise in there as well?
00:29:18I made a few screams.
00:29:19Because I don't know if there is such a thing as spirits, I don't know what they look like.
00:29:26I don't know if they come out in human form or if they come out in a white sheet with eyes on it.
00:29:32You know, what do these things come out like?
00:29:34So when there's a door opening in front of me, I don't know what the hell's going to come out to me.
00:29:38I'm scared.
00:29:39And the people that saw me in, you know, I'm a celebrity, get me out of it, know that I can scream.
00:29:45With the spooks of the Black Country Museum truly spent, it's a quick taxi ride to our next scary location.
00:29:56I'm scared.
00:29:57I'm scared.
00:29:58I'm scared.
00:29:59I'm scared.
00:30:08Known as the Cast Iron House, this building dates back to 1925, when due to a shortage of bricks between the two world wars, iron was used as a replacement.
00:30:18This house was moved here from nearby Dudley and it is believed that as well as its furniture, it brought the ghost of a previous occupant.
00:30:25The spirit, known as Jack, is said to haunt this house and people have reported being pushed from the chair in the front room.
00:30:33Yvette has decided that Biggins, king of the jungle and nearer to the ghost of Jack in age than the rest of the group, should be the first one into the house.
00:30:43Now then, Chris, this is Cast Iron House. It's very, very haunted and I'd like you to spend some time on your own.
00:30:49Perfect.
00:30:50Happy?
00:30:51Very happy.
00:30:52Come along then.
00:30:54However, it turns out that Biggins might not be the best person to engage with Jack.
00:30:59As he deposits himself in the ghost's favourite chair, Biggins ignores his spook searching duties and takes a little time for himself.
00:31:08Okay, shut the door.
00:31:19With ten minutes past, it's time to see how Biggins has coped in the dark.
00:31:24Hi, Christopher.
00:31:25Hi.
00:31:26Hello.
00:31:27Did anything happen?
00:31:28No.
00:31:29Nothing at all?
00:31:30No.
00:31:31Oh, nice and quiet.
00:31:32Very quiet. I went upstairs.
00:31:33Did you?
00:31:34Yes.
00:31:35Oh, you are brave.
00:31:36That's good.
00:31:37Brilliant stuff.
00:31:38Cool.
00:31:39Okay.
00:31:40As Biggins has reported no spiritual activity, Yvette hopes to contact the ghost of Jack using
00:31:46a planchette.
00:31:47Paranormal advocates believe that the planchette, a specially designed wooden mount for a pen,
00:31:53is moved by spirits of the dead in an attempt to answer questions posed by those at the seance
00:31:58table.
00:31:59So what I thought we'd do is do a planchette.
00:32:02Are you happy to do it?
00:32:03At home.
00:32:04What sort of planchette?
00:32:05This is it.
00:32:06A piece of paper, and then we have the pen, and you put your fingers on it, similar to
00:32:10the Ouija board, and see if we can get any shapes or drawings that the spirit would like
00:32:16to try and communicate with us by using the power of the pen.
00:32:19Okay.
00:32:20Yeah?
00:32:21Yeah.
00:32:22Right then, are we ready?
00:32:23Yeah.
00:32:24I'll put my finger on it to begin with, and then I'll take my finger off.
00:32:27If there's anybody here, please.
00:32:28Jack, if you're here in the room with us now, we're in your house.
00:32:32We don't mean you any harm.
00:32:34Please, can you come and talk to us?
00:32:38Can you perhaps make a noise?
00:32:40Please.
00:32:41Can you make a noise, please?
00:32:43Spell out your name, or give us a message.
00:32:47I swear to God I don't know.
00:32:49Please, Jack, if this is you, can you perhaps give us your initials?
00:32:53It doesn't matter.
00:32:54Oh, it's not this right now, please.
00:32:55Do I like it?
00:32:56No.
00:32:57That's moving a lot.
00:32:58Oh, are you all right?
00:32:59No, I don't like it.
00:33:00Can I just feel under the table here?
00:33:01Can I just feel under the table?
00:33:02Of course you would like to feel under the table.
00:33:03Can I try and work out?
00:33:04That looks like a J, but then it could be, look, let me turn it over.
00:33:08There's nothing.
00:33:09Feel all you like.
00:33:10Right, let's see if...
00:33:11Oh!
00:33:12Oh, shit!
00:33:13The paper.
00:33:14No, I just felt something under the table, but it felt like...
00:33:15Oh, what's that?
00:33:16The noise?
00:33:17The noise?
00:33:18The noise?
00:33:19Yeah.
00:33:20The noise?
00:33:21The noise?
00:33:22Yeah.
00:33:23The noise?
00:33:24Yeah.
00:33:25The noise?
00:33:26Yeah.
00:33:27The noise?
00:33:28Yeah.
00:33:29The noise?
00:33:30Yeah.
00:33:31The noise?
00:33:32Yeah.
00:33:33The noise?
00:33:34Yeah.
00:33:35The noise?
00:33:36Yeah.
00:33:37The noise behind you.
00:33:38Yeah.
00:33:39Dean, go and see if there's something behind the door.
00:33:40Uh, what?
00:33:41Go and see if there's somebody behind the door.
00:33:42Oh, I'm too scared.
00:33:43What are you doing?
00:33:44Open the door!
00:33:45There's never one behind you.
00:33:46Here we see fear spread through a small social group.
00:34:04Fear is incredibly contagious.
00:34:07Human beings evolved in small groups where they had to see signs that there might be some
00:34:11threat or danger out there.
00:34:13And the way they did it is they pick up unconsciously in all the small signals people send.
00:34:18So you can see that happening immediately.
00:34:20But it's wonderful watching Dean who shows that he is absolutely no contender at any point
00:34:25in the evening for the alpha male role.
00:34:28You can't have an alpha male who jumps like that when he opens the door.
00:34:32So it's almost as if he's sending out repeated signals to say, whoever's going to be leader
00:34:36of this group, it's not going to be me.
00:34:38I want to just be anonymous within it.
00:34:40I want protection.
00:34:41I want to get through the night safely.
00:34:45Back inside, the group are clearly on edge as the planchette appears to be moving of its own accord.
00:34:51Right guys, we all have to be honest and not push this thing.
00:34:55My fingers slid from that side to that side because it's fucked.
00:34:59My finger was just sliding off a bit.
00:35:01Concentrate everybody.
00:35:02Everybody don't want to speak at once.
00:35:03No one's pushing it.
00:35:04Jack, please, thank you very much for this.
00:35:07We don't mean to invade your space, please.
00:35:09Could you just give us your initials?
00:35:11Use the pen and give us your initials.
00:35:14Chris, what do you think that is?
00:35:20I think it's just moving.
00:35:22Does he want us to leave?
00:35:25It is moving very, very easily.
00:35:28Jack, please move the pen if you would like us to leave.
00:35:32Move the pen if you want us to leave, Jack.
00:35:39I think he wants us to stay.
00:35:40No?
00:35:44Can you touch somebody here?
00:35:46No, no, no.
00:35:47Did you hear that behind you?
00:35:48Yeah, yeah.
00:35:49That was a footstep behind you, Matt.
00:35:52Behind me?
00:35:53Behind you.
00:35:54You heard that, didn't you, Emma?
00:35:56I heard something.
00:35:57Yeah.
00:36:00This is still moving.
00:36:01Just relax, just relax.
00:36:04This is still nice, this thing.
00:36:06Jack, come right into the centre of the table and try and lift it up.
00:36:10Can you try and give the table a really big bang?
00:36:13Please, Jack.
00:36:14No, all right.
00:36:15Please, please, I'm begging you.
00:36:17Please give the table a really big whack if you can.
00:36:20That fucking table's moving!
00:36:22Can you see my room?
00:36:23Can you see my room?
00:36:24Can you see my room?
00:36:25Look, it slid off.
00:36:26Oh, it hurts, yeah.
00:36:27Okay.
00:36:28Oh, my God.
00:36:29Is that you pushing it?
00:36:30That was me trying to put it back on, sorry.
00:36:32Oh, okay.
00:36:33All right, that's fine.
00:36:34Should we move on the line?
00:36:35No, I'm just going to leave it as is.
00:36:36All right.
00:36:37Did you like that?
00:36:38Yeah, that was weird, man.
00:36:39The door was interesting, I found.
00:36:40Yeah.
00:36:41The door is behind the door.
00:36:42Mm-hmm.
00:36:43As soon as we started, that was interesting, wasn't it?
00:36:45Interesting.
00:36:46Yeah.
00:36:47Well, come on then, guys.
00:36:48Okay.
00:36:49Let's go.
00:36:50Let's go.
00:36:53With the planchette's movement unsettling the celebs, Yvette decides it's time to search
00:36:57out bigger, scarier ghosts, and leads our gang to the taxi and the next spooky location.
00:37:05Our celebrities are now en route to Dudley's Guest Hospital.
00:37:13This vast complex only closed its doors in 2007, and the wards and corridors still retain
00:37:18much of the medical equipment that was once used here.
00:37:21Built in 1860, it was originally used as a blind asylum and a hospital for limestone workers
00:37:27maimed in the mines.
00:37:29During the war years, the hospital received large numbers of casualties.
00:37:33In the almost 150 years as a working hospital, the guest has seen thousands of deaths.
00:37:39And it is believed that some of the souls that were lost here still remain haunting the
00:37:44eerie corridors and sinister wards.
00:37:50Porter's talk of seeing a woman who walks through walls, and the squeaking wheels of ghostly
00:37:55trolleys are often heard in the corridors.
00:37:58And it is these ghosts that Yvette is hoping to summon up.
00:38:11Okay, I can just bring you in.
00:38:13Welcome to the Dudley Hospital.
00:38:15Now, this hospital has been here since 1871, and it closed just six months ago.
00:38:21It's absolutely huge.
00:38:23It has a Mary Celeste feel to it.
00:38:24When you're walking down the corridors late at night, you will hear whistling of a porter.
00:38:29He's been seen.
00:38:30Strange lights have also been seen.
00:38:32And there are many other spirits here.
00:38:34Our medium has walked around.
00:38:35He's sensed a lot.
00:38:37Obviously, it's hospital, an awful lot of death.
00:38:39Are you nervous?
00:38:40I'll warn you right now, it is going to be horrific.
00:38:45It's not going to be an easy ride.
00:38:47Outside of the taxi, Professor of Psychology Jeffrey Beattie ponders on how this ominous building might affect our group of jungle survivors.
00:38:55With some locations, you have to take it on trust that there have been some deaths there.
00:38:59But, of course, if you go into an old, disused hospital, you know for a fact there have been many deaths.
00:39:04There are lots of distress.
00:39:06And, of course, the other point about hospitals is they are quite threatening, in a way,
00:39:10because you think of all those germs that might have accumulated over the years.
00:39:13Now, you might not consciously articulate that to yourself, but it will always be at the back of your mind.
00:39:19But if you don't like hospitals, you really won't like this one.
00:39:22This one's horrible.
00:39:23The gang's ghost hunting mission begins in the deadliest room of the hospital, the Operating Theatre.
00:39:34OK, what I suggest we do now is plunge this room into complete darkness,
00:39:38and I think we should do a seance around this table where many, many people die during operation and see what we get.
00:39:44You up for that?
00:39:45Yeah.
00:39:46Cool.
00:39:47So can we have the lights turned off now, please?
00:39:49Yvette has been instructed on how to conduct a seance by a professional medium.
00:39:56He has also alerted her to the presence of a spirit who goes by the name of John.
00:40:00I'm calling out to the spirit of John. If you're here, please, can you make a noise?
00:40:07Can you push something, John?
00:40:10These people around this bed don't believe that you're here.
00:40:14They don't believe you.
00:40:23Come towards us, John.
00:40:25Come towards this bed. Don't be frightened.
00:40:31He's not going to do anything, is he?
00:40:33John, please come towards us.
00:40:35Please come towards these people standing around this bed.
00:40:38Make us aware of you.
00:40:40Come on, John.
00:40:42Do something to let these people know that you're around.
00:40:52It's very quiet.
00:40:54No.
00:40:57OK.
00:40:59Can we have the lights up, please?
00:41:02So what did you think to that?
00:41:04There was definitely a loud noise over there.
00:41:05Yes.
00:41:06Yes.
00:41:07I heard it.
00:41:08Yeah.
00:41:09But there's nothing there.
00:41:10But the strange thing is that it's this, which is metallic.
00:41:15And was it there before?
00:41:16No.
00:41:17We would have heard that.
00:41:18Before you came in the room, I was pushing these and playing around.
00:41:21I actually looked under bed.
00:41:22There was nothing there.
00:41:23There was nothing there.
00:41:24So what do you think?
00:41:25The sound was from over the door.
00:41:26That's right.
00:41:27There was no sound over here.
00:41:28We didn't hear.
00:41:29Dean and I were right.
00:41:31This is between our feet.
00:41:32That's right.
00:41:33I've heard it.
00:41:34So quite how that got there, without any noise, and yet the noise was over there.
00:41:38It's the same.
00:41:39We don't know.
00:41:40I have no idea.
00:41:41That's very interesting.
00:41:42With the seance at an end, Yvette leads Keris and Emma to the other side of the hospital
00:41:46to a ward named after Lady Georgina, whose ghost is said to have been seen here.
00:41:54Come.
00:41:56Come closer.
00:41:57Right, this was one of the wards, and I'm going to leave you in here.
00:42:06Lots of people have seen things in here, felt things in here, and I want you to see if
00:42:10you can get anything on camera.
00:42:11Okay.
00:42:12All right?
00:42:13Yeah.
00:42:14Don't forget to film yourselves, want those lovely little faces screaming.
00:42:17See you.
00:42:18Thanks for that.
00:42:19You're welcome.
00:42:20As Keris and Emma are left to ponder their fate, Yvette makes her way back across the
00:42:24hospital to force a very uncomfortable dilemma upon the boys in the operating theatre.
00:42:29Hello, gentlemen.
00:42:30Hello.
00:42:31Hello.
00:42:32Right.
00:42:33Okay.
00:42:34Keris and Emma are on their own in a horrible part of the hospital.
00:42:48They're both absolutely terrified, and I'm going to ask you to make the decision who should
00:42:53be left on their own.
00:42:55Oh, my God.
00:42:56It's a very, very...
00:42:57So we're about Keris and Emma?
00:42:58Yes.
00:42:59Very difficult situation.
00:43:00Oh, man.
00:43:01It's your choice.
00:43:02I think Emma would much more appreciate not being on her own.
00:43:05Yeah.
00:43:06Yes.
00:43:07Emma back here?
00:43:08Yeah.
00:43:09You're absolutely sure?
00:43:10Yes.
00:43:11Okay?
00:43:12I'll go and get her.
00:43:13You're absolutely sure?
00:43:14Yes.
00:43:15Yes.
00:43:16Sorry, Keris.
00:43:17This is a beautiful little moment, I think, which illustrates the micro-politics of the
00:43:21social group.
00:43:22Biggins doesn't say anything here.
00:43:24Matt sticks up for his woman, and Dean just shows his complete discomfort, because he
00:43:29knows that he's got no power in this situation, and that his voice really will not be listened
00:43:33to.
00:43:34I think this illustrates a lot about the three men, and how they position themselves within
00:43:38a group.
00:43:39There?
00:43:40No.
00:43:41Oh.
00:43:42Hi.
00:43:43Okay.
00:43:44How would you feel if one of you was left here on your own?
00:43:47I wouldn't like it very much.
00:43:49How would you feel, Keris?
00:43:50I'd like it.
00:43:51You would like it.
00:43:52Okay.
00:43:53Well, I have to say, I asked the boys to make a decision who would stay on their own
00:43:59here.
00:44:00And nothing to do with me, they said Keris to be left on your own in here.
00:44:07Okay.
00:44:08I'm not locked in, am I?
00:44:10No.
00:44:11Okay.
00:44:12Do you want to be all right?
00:44:13Are you sure?
00:44:14Yeah, I'll sit on the end of the bed.
00:44:15Okay, so if I get scared, I'll run.
00:44:16Are you sure?
00:44:17Yeah.
00:44:18I want you to come with me, then.
00:44:19Good luck, Keris.
00:44:20We'll see you later.
00:44:21If I scream, come get me.
00:44:22Okay.
00:44:23Will Keris be able to brave it out on her own while trying to make contact with the ghost
00:44:36of Lady Georgina?
00:44:37No!
00:44:38No!
00:44:39No!
00:44:40No!
00:44:41That would be a no.
00:44:45Keris!
00:44:47Keris!
00:44:48But it's not the spirits that have put the willies up Keris.
00:44:51A combination of a vivid imagination and a clumsy Emma bumping into a chair...
00:44:57Oh, shit!
00:44:58..result in Yvette softening her image as the queen of all things scary
00:45:02and allowing a very shaken Keris to join Emma and the boys back in the operating theatre.
00:45:07Oh, boy, I'm gonna kill you guys. You both didn't need to be on my own.
00:45:11No, no, no, I didn't. I wanted you to come back.
00:45:14Didn't lie.
00:45:15It was all big in this.
00:45:16Right, let's stand on the side.
00:45:17This is a really important moment for a number of quite different reasons.
00:45:20Biggins is trying to use language to redefine the situation,
00:45:23to redefine what happened.
00:45:25He lies, but just look at his face.
00:45:27The leader of the group has lied.
00:45:29So that will make Matt feel much more insecure
00:45:32because you want a leader you can believe in.
00:45:34And, of course, Keris is quite nervous to begin with.
00:45:37And in this situation, she's been rejected by the group.
00:45:40So, of course, if the group have done that once, they might do it again.
00:45:44Believing that the ghosts will be more willing to reveal themselves
00:45:47if the group is split up, Yvette announces the next.
00:45:49Okay, now it's time to send one of you off onto a little bit of a journey,
00:45:58completely on your own and in the dark.
00:46:00Who out of you would like to go on your own?
00:46:02Who would like to volunteer?
00:46:04I'm very happy to go on my own.
00:46:07Good man, because I was going to suggest you out there.
00:46:10Right, here's your camera.
00:46:11Right.
00:46:12Okay.
00:46:13You're going to head and follow the signs towards the Sankey ward,
00:46:15and you stay there until I come and get you.
00:46:17Okay.
00:46:18All right?
00:46:19See you later.
00:46:20Don't forget to call out.
00:46:23As Biggins makes his way upstairs, he has to walk the entire length of the hospital
00:46:27towards the Sankey ward.
00:46:29As well as voices being heard, strange lights have been seen here.
00:46:33These phenomena are believed to be the ghosts of the countless people that have died here.
00:46:40No signs are moved in .
00:46:46Once he had just gone, he was Caught any one to run for you.
00:47:07Ah!
00:47:08oh my god it is quite eerie even though I'm not feeling any spirits it's it's
00:47:26not a happy room by any means that is it's really a horrible room well you're
00:47:35next enjoy it's on record good luck go to the Stanky Ward enjoy up the stairs and
00:47:43don't forget to call out bye Matt
00:47:53it's got pretty dark now upstairs which seems unbelievably dark
00:48:03hello if there's anybody here could you make a noise
00:48:18keep hearing like a faint faint sort of like this noise like
00:48:24right so who do you think it's going to be I'm gonna do it I'm gonna do it you're gonna do it
00:48:36so you're happy to go all on your own do it don't make me wait okay enjoy don't labor the point love
00:48:44come on up the stairs you can move a bit faster than that Karras I'm not gonna move any faster than this
00:48:51at this point we really have to get inside Karras's head Karras admits that she's terrified of doing
00:48:59anything on the road and suddenly she actually volunteers to go off on her own so psychologically
00:49:05what's all this about what's pretty simple really she wants to take control of this situation being
00:49:11not in control makes you feel powerless and makes you feel more frightened and the psychology of this
00:49:17whole thing becomes clear when Yvette tells her to get a move on just look at Karras's reaction to it
00:49:23you can move a bit faster than that Karras I'm not gonna move any faster than this
00:49:26in a terrifying situation it's better to be in control than not in control and Karras understands that message
00:49:33but faced with the reality of this ominous corridor Karras decides to move a lot faster
00:49:38and at that speed it's not long till she reaches Biggins and Matt
00:49:47a cautious Dean has already set off on his way but it's not the ghosts he's trying to make contact
00:50:00with as Dean makes contact with the living as opposed to the dead it's now Emma's turn to search
00:50:13for spooks on the creepy corridor and she's not too happy oh for fuck's sake this is ridiculous
00:50:29what the fuck is that
00:50:51I'm not going down I'm not going down there
00:50:57I'm not going down there there's a weird noise
00:50:59I'm not going down there there's a weird noise
00:51:04I'm not going down there's a weird noise
00:51:12oh for fuck's sake
00:51:14oh for fuck's sake
00:51:22oh for fuck's sake
00:51:25oh for fuck's sake
00:51:29oh for fuck's sake
00:51:33I'm not going down there on my own. I'm not.
00:51:40I'm not going down there on my own.
00:51:42You all right? What happened?
00:51:43I don't know. It's just weird.
00:51:45And then something hit my hand and I'm not going down there on my own.
00:51:47No way.
00:51:49What do you want to do? Listen, take a deep breath.
00:51:50I want to go, but I don't want to go on my own.
00:51:53Right, OK. Come on. I'll come with you.
00:51:55You ready?
00:51:56All right, hold on to me. We'll be fine.
00:52:03All right.
00:52:10Nice and slow.
00:52:12Down there.
00:52:13Nice and slow.
00:52:14I got to go out here and something hit my hand.
00:52:16Did it?
00:52:20I don't know.
00:52:22I don't know if it was the camera thing or what, but...
00:52:25Can you hear it? Is it still there?
00:52:27Yeah.
00:52:28There, the cookie?
00:52:29Yeah.
00:52:30There?
00:52:30Yeah.
00:52:31Let's go for it now.
00:52:33This place is fucking horrible.
00:52:39It gets worse, I'm going to tell you, than this one.
00:52:45Oh, gosh. Did you hear that?
00:52:48Is there anybody here?
00:52:56Just there.
00:52:57Yeah.
00:52:57With Yvette's guiding hand, Emma is reunited with the rest of the waiting gang.
00:53:05With Emma feeling she was touched by unseen hands, Yvette wastes no time, and leads the gang towards the top floor of the dark hospital in search of more spooky shenanigans.
00:53:34Both with the trauma of the corridor, and the terror of the Georgina ward, Keris decides enough is enough, and opts for the taxi and the ever-rational Jeffrey Beattie.
00:53:49Oh, I'm really ready to go out now.
00:53:51We had enough, yeah.
00:53:52Do you want to go and have a break with Jeffrey in this taxi?
00:53:54Yeah, I wouldn't mind.
00:53:56So why have you come out?
00:53:57I just, I hate hospitals. I just, um, it's an old hospital, and it's been abandoned. No, I don't like it in there.
00:54:05So you like to be in charge?
00:54:06Yeah.
00:54:07Make whatever decisions you have to make for yourself?
00:54:08Yeah, exactly.
00:54:09So, so part of the issue was the hospital. You don't like hospitals. Part of it's the kind of smell and feel of the place.
00:54:15There's dripping noises, there's all sorts of banging and echoes, and...
00:54:19I mean, do you sense any spirits, or is it all just, just the physical aspect of the building?
00:54:22At the moment, it's just physical aspects.
00:54:24Right.
00:54:25But my imagination started going when I was on my own.
00:54:27No! No!
00:54:29So what did you start imagining?
00:54:31You know, just shadows and stuff.
00:54:33Right.
00:54:34So you haven't given up on the night's proceedings?
00:54:36Oh, no, no, no, I'll go back in.
00:54:37You know, the whole point of coming here is to see what's going to happen, so I'm not going to just dip out completely.
00:54:42No.
00:54:43Meanwhile, back inside the hospital, the gang are on the second floor, searching for spooks in the ward block.
00:54:49But are they alone?
00:54:50Okay.
00:54:51I've just been told that Martha's followed us in.
00:54:54Martha, if you're here, the spirit of Martha is here, please, can you make yourself be known?
00:54:58Can you show yourself?
00:54:59Could this be the spirit of the lady who's been seen to walk through walls?
00:55:04Can you walk towards us so we can hear footsteps?
00:55:10You can see something white on the right a bit.
00:55:13It's so nice, isn't it?
00:55:14I just saw the right hand side of the door.
00:55:15It's just like a piece of paper stuck on the walls.
00:55:17No, no, like an outline.
00:55:18A slight outline.
00:55:19Did you hear that?
00:55:20Yes.
00:55:21Did you hear that?
00:55:22Yes.
00:55:23Did you hear that?
00:55:24I can...
00:55:27There.
00:55:28Yeah.
00:55:33There.
00:55:34Oh, I like the sound of her frame.
00:55:36She's here, isn't she?
00:55:38Do you know me?
00:55:39Do you know me?
00:55:40Why am I not hearing this?
00:55:41I'm just hearing a drip.
00:55:42I'll have a drip.
00:55:43No, no, no, no, no.
00:55:44You can hear it.
00:55:45Don't hear.
00:55:46It's absolutely loud as anything.
00:55:49Right.
00:55:50That's now.
00:55:51Quiet.
00:55:56Can you hear it now?
00:55:57Is that tapping?
00:55:58No.
00:55:59The loud...
00:56:00It's a sort of...
00:56:01This is an extraordinary reversal of the normal pattern in ghost hunting.
00:56:14Biggins and Emma hear something and try to persuade Yvette of what it is they've heard.
00:56:18And from a psychology point of view, what's perhaps most interesting is the way that Biggins tries to dominate Yvette, tries to kind of overlap with her turns in order to persuade her that there really is something going on here.
00:56:31Biggins wants to be the group leader and he wants to be in charge of the whole group, including Yvette.
00:56:38Back in the hospital, the group are suddenly disturbed by the sound of the lift arriving at their floor.
00:56:47Now, everybody heard that, right?
00:56:49Yeah, I heard that.
00:56:50Close the next meeting.
00:56:51Dad, come on.
00:56:52No one should use the lift.
00:56:53Is that safe?
00:56:57Hello?
00:57:01What the fuck is this?
00:57:03That is fucking...
00:57:04That's unreal.
00:57:09Following Yvette's lead, our novice ghost hunters go to investigate the mysterious list.
00:57:14I'm okay.
00:57:18Oh, fucking hell!
00:57:21That's weird.
00:57:23With our ghost hunting gang clearly unsettled by the movement of the lift, Yvette decides to up the fear factor.
00:57:29Right, I'm going to leave one of you.
00:57:32Dean.
00:57:33No, there's no way I'm standing on there.
00:57:34Why?
00:57:35Because I'm just not, I'm not, I'm not, I'm just not, I'm not in this hospital, I'm not in this ward.
00:57:39I'm not here.
00:57:40Downstairs I was all right, but not here.
00:57:43I don't mind if it was someone else, but I'm just talking to you or me.
00:57:47All right.
00:57:49Okay.
00:57:50I have to ask you something.
00:57:51Okay.
00:57:52I'll go to the taxi.
00:57:55Good luck, guys.
00:57:56Hello.
00:57:59Hello!
00:58:00Hi, Jean.
00:58:01Nice to see you.
00:58:02How are we?
00:58:03Yeah.
00:58:04So tell me how it was in there.
00:58:05I mean, it's, it's, it's, the first part was all right.
00:58:07Um, and then we kind of looked around the whole kind of, uh, hospital with Yvette and that was the worst one.
00:58:15Because we were upstairs in, in a kind of eerie ward.
00:58:20Awful.
00:58:21No lights.
00:58:23Tapping noises.
00:58:25And to be honest, you know, Yvette said, Dean, would you stay on your own?
00:58:27I just didn't want to stay on my own.
00:58:28Yeah, yeah.
00:58:29Anyone else?
00:58:30I don't mind, you know.
00:58:31It's just because it's a hospital and it's got that eerie.
00:58:33Exactly.
00:58:34Feel about it that people, you know, have died in there.
00:58:36Yeah.
00:58:37I don't really feel comfortable about being a man.
00:58:40And, and, and was there anything in particular about the sound or the feel of the place that you didn't like?
00:58:44Just, I suppose it's like, you know, if you watch a scary movie without the sound, you know, the sound turned down, you're not going to be scared.
00:58:50And it's probably a bit like this, you know, if we turn the lights on, it'll be all right.
00:58:54With Kerrit and Dean now safely out of the hospital, Begins is becoming more spooked by his strange surroundings.
00:59:00Oh, Begins, don't like that, too.
00:59:03No.
00:59:04Let's go.
00:59:05Can we go, please?
00:59:07Come on.
00:59:14Okay.
00:59:15Well, that was a, a little bit spooky, wasn't it?
00:59:18It really was horrible.
00:59:20It wasn't very nice on that top floor.
00:59:22Kerris and, er, young man are feeling right now.
00:59:26Hey, how is it?
00:59:27All right.
00:59:28Now.
00:59:29Very strange noises.
00:59:30Did you?
00:59:31You missed a lot of, a lot of good stuff.
00:59:33Really?
00:59:34When I say good, we were getting a little bit freaked out, weren't we?
00:59:37Yes.
00:59:38Right, guys.
00:59:39Okay.
00:59:40Still a little bit scared?
00:59:42Mm-hmm.
00:59:43You're wondering what I'm going to say to you now, aren't you?
00:59:45Yeah.
00:59:46Matt.
00:59:48Yeah.
00:59:49Okay.
00:59:50I would like you to go down there on your own.
00:59:57Okay.
00:59:58Bye-bye.
00:59:59Now?
01:00:00Yes.
01:00:01Bye, Matt.
01:00:02Bye-bye.
01:00:03Enjoy.
01:00:06Matt's area to investigate is at the front of the hospital on the first floor.
01:00:11Oh, fucking hell.
01:00:12Look at this.
01:00:13Watch me walking when it freaks me out.
01:00:14I can't see anything.
01:00:15Man, this is fucking too eerie.
01:00:18Man, this is fucking too eerie.
01:00:19Man, this is fucking too eerie.
01:00:23Can you hear that?
01:00:24Can you hear that?
01:00:25That is one massive, horrible thing?
01:00:26That is one massive, horrible thing.
01:00:27I can't see anything.
01:00:28I can't see anything.
01:00:29Man, this is fucking too eerie.
01:00:30Man, this is fucking too eerie.
01:00:34I can't see anything.
01:00:35I can't see anything.
01:00:36I can't see anything.
01:00:37Can you hear that?
01:00:38I can't see anything.
01:00:39I can't see anything.
01:00:40I can't see anything.
01:00:41I can't see anything.
01:00:42Can you hear that?
01:00:43I can't see anything.
01:00:44I can't see anything.
01:00:45Can you hear that?
01:00:50There is one massive, horrible, dark hallway, which, I'm sorry, I'm not fucking going down
01:01:02there.
01:01:03I can get out of here, because this is not where I want to be.
01:01:08Next to go haunting is Emma and Keris.
01:01:10Keris and Emma, I would now like both of you to get out of here.
01:01:12like both of you to go off in that direction you're not going to the same place as much you're going
01:01:18somewhere completely different off you go all right bye see you in a bit the girls have been
01:01:26asked to explore the hospital's west wing this area is probably the most sinister part of the
01:01:31guest its dilapidated rooms are believed to be the home of the malevolent spirit of a hospital porter
01:01:37something must have left here in the rain hurry
01:01:47oh god i hate places like this emergency exit
01:01:51here we are um we're in this really horrible corridor which i think the only way for us to go
01:02:13is this way look at what i'm saying you can't see it probably
01:02:16it's just a really horrible horrible corridor there's doors which i'm not opening that's for sure
01:02:33did you hear that hello
01:02:35can you hear that slight banging sound listen hello
01:02:50it says somebody there could you bang again please
01:02:58can you hear that tabby should i go closer to it because it looks a lot more appealing than down there
01:03:05with the rest of the gang off in different parts of the hospital it's now the turn of dean and
01:03:09begins to be given their area to explore what i want you to do is go down in that direction okay
01:03:16there's a lot of it to explore the guys will be following their noses to the reputedly very
01:03:22haunted lower ward at the rear of the hospital so she said go and explore
01:03:28i'm doing this on your own i know
01:03:33fuck doing this on your own i mean it's just a
01:03:38oh yeah no
01:03:42i know hello
01:03:48can you hear us
01:03:49what was that
01:03:58it's just those fucking doors they look horrible
01:04:07oh there's a door there
01:04:11there's something very eerie about this corridor
01:04:38but then there's rooms here which i'm gathering
01:04:47probably people have died in which is freaking it
01:04:52i don't like it i don't like it up here
01:04:56i'm gonna make my stuff keep my way down the stairs
01:05:01i don't remember where i am
01:05:04left everyone on my own
01:05:07i'm actually just fucking wandering this fucking horrible hospital on my own
01:05:12i hear some noises
01:05:16matt
01:05:21matt
01:05:25hello
01:05:30he's coming over here
01:05:31Oh, yeah.
01:05:41Matt!
01:05:45I hear someone shouting at me.
01:05:50Hello?
01:05:52Matt?
01:05:53Yeah?
01:05:56Where the fuck are you, Matt?
01:05:58Through the doors that you went through.
01:06:01Matt?
01:06:05Where did you go?
01:06:06I've been on the fucking top floor on my own.
01:06:09OK, I'm going to come with you guys.
01:06:11And also, if you can, don't go upstairs.
01:06:14It's fucking horrid.
01:06:16Seriously, I've been hearing things and everything.
01:06:18It's been fucking freaking me out.
01:06:21Analyzing the true mindset of our celebs
01:06:23from the safety of the taxi parked outside
01:06:26is Professor of Psychology Geoffrey Beattie.
01:06:30This is actually quite a touching moment with Emma
01:06:32kind of running towards Matt,
01:06:34looking for comfort from her protector.
01:06:36But of course, Matt, because of his personality,
01:06:38is someone who feels fear pretty intensely.
01:06:41Matt has been to the top floor.
01:06:43He hasn't actually heard very much.
01:06:44He didn't really want to go down to the end of the corridor.
01:06:46He didn't go into any of the rooms.
01:06:48But he's now turning what was a pretty mundane experience
01:06:51into something much grander,
01:06:53much more forbidding, much more dangerous.
01:06:55Because he wants to be the protector in Emma's eyes.
01:06:59He knows he's got a role to play.
01:07:01He's desperate to be the alpha male here.
01:07:04But he's not really cut out for it.
01:07:06But this... we are getting in some serious shit right now
01:07:09because...
01:07:10Look, this is old as fuck right now.
01:07:13We're not in the new part of the hospital anymore.
01:07:15This is not fucking nice.
01:07:17Look. Look at all the fucking shit on the walls and shit.
01:07:21I have a terrible feeling. We're heading to the morgue.
01:07:25Hello?
01:07:28That is horrible.
01:07:29Oh, my God! Look at it!
01:07:32We're not going to go down there. We're going to go back.
01:07:35Hello?
01:07:42Come up here.
01:07:43Come up here.
01:07:50Oh, my God, you're almost dead.
01:07:53Hello?
01:07:57Who is it?
01:07:58It's us!
01:07:59It's us!
01:08:01Where are you?
01:08:05We can't... we can't get you!
01:08:06It's locked!
01:08:08It's locked!
01:08:09Open the door, guys!
01:08:12No, it's locked. Look, there's a plate on it.
01:08:14Is there any other side of the door?
01:08:16Are there any stairs by you?
01:08:18What?
01:08:19Are there any stairs by you?
01:08:22Staircase?
01:08:23Yeah.
01:08:24Go up one and we'll see if we can meet you above here.
01:08:27This is a proper, old, horrible part of the building.
01:08:30What's that in there?
01:08:31I don't know.
01:08:32Have a look in there.
01:08:33What?
01:08:34Have a look in that room.
01:08:35Fuck off.
01:08:36Who'll come with you?
01:08:37Okay. Come with me, then.
01:08:38I don't know.
01:08:41Oh, what the fuck?
01:08:42What the fuck was that?
01:08:49Seriously, that was fucking real.
01:08:51Something just fell on the floor.
01:08:52That...
01:08:55That was metal.
01:08:58I'm not so sure whether I want to do that.
01:09:04Ty!
01:09:05Hey!
01:09:08It's just...
01:09:09What the hell are we doing here?
01:09:10Again, it's the lift that appears to move between floors of its own free will that does it for Biggins.
01:09:21And as he and Dean make their getaway, they're met by Yvette, who points them in the direction of the taxi,
01:09:26and Geoffrey, who questions Dean and Biggins as to what exactly is spooking them.
01:09:33So you've just been walking around on your own.
01:09:34Did you feel anything out of the ordinary?
01:09:36Any paranormal feelings at all?
01:09:39No, it was just horrible.
01:09:40You're trying to get the attention of whoever met the spirit.
01:09:43So, you know, even in a big building like this, you can hear other people doing exactly the same thing.
01:09:50Is that reassuring of all?
01:09:52No, in a way, it's not.
01:09:53Because in a way, I think there's perhaps too many of us.
01:09:56And I think if we were just one of us in the whole building...
01:09:59Yes, as frightening as it may be...
01:10:01Quite different, wouldn't it?
01:10:02But I think that the spirits must be confused.
01:10:05Exactly.
01:10:06I think they might be a bit confused as to why there are so many people,
01:10:10and where are all these noises coming from?
01:10:12When the lights are off, it's the not knowing.
01:10:15Yeah.
01:10:16And it's also the fact that this was once a hospital and now it's not,
01:10:19and it's all this disused...
01:10:20Yes, yeah.
01:10:21I mean, we walked past, you know, gowns that they would use on patients.
01:10:25It is not an attractive or good place to be,
01:10:30whether you'll be on your own or whether you'll be in pairs or whether you'll be in five of you.
01:10:34I mean, it's not...
01:10:35There is definitely a feeling of something which is not good.
01:10:38So, is it a relief to be out just down in a taxi for a...
01:10:40Oh, yes, we're staying here forever.
01:10:43You got a blanket? Hello.
01:10:44I think we could... I've got a coat.
01:10:48Back inside the hospital, Yvette is making her way towards the remaining ghost hunters
01:10:52to see how they're faring on their own.
01:10:54God, you scared the fucking life out of them.
01:10:57Oh, my God.
01:10:58Fucking hell.
01:10:59No, we had some...
01:11:00We had something...
01:11:01There's...
01:11:02There's something...
01:11:03Something fell down here.
01:11:05Oh, here we go, here we go, here we go, here we go, look.
01:11:09What?
01:11:11There's something here.
01:11:12What is it?
01:11:13I don't know.
01:11:14Ooh.
01:11:15That is a rod or something.
01:11:16What is it?
01:11:17Is this it?
01:11:18Is that the noise?
01:11:19Yeah, that's this.
01:11:20Yeah, that was it.
01:11:22Oh, weird.
01:11:23And that was thrown.
01:11:24Well, we heard it's bland.
01:11:26Oh, grummy.
01:11:27Why is this there isn't there?
01:11:29God, it's freezing in here.
01:11:33Did you call out?
01:11:35No, I was too scared.
01:11:36Emma.
01:11:37Emma.
01:11:38Oh!
01:11:39Shit!
01:11:41You can laugh at me!
01:11:43Even you!
01:11:44Even you!
01:11:45That's the first time.
01:11:46That's the first time.
01:11:47You scream.
01:11:48It's been got by Matt Willis.
01:11:53You person!
01:11:56That's been worth the whole trip.
01:12:00Can we have the lights up now, please?
01:12:03brilliant how does everybody feel about that had some weird stuff going on yeah yeah we had some
01:12:10more metal thrown at us fantastic chris and dean how come on how did you find your time in the taxi
01:12:17yes we did yes it was fascinating talking about our experience what happened to you
01:12:23well we were talking about the fact that you know we neither of us uh liked i don't think any of us
01:12:30like the top floor a because i think it's um uh you know it was because it was so cold and so damp
01:12:37and eerie up there so on the whole have you enjoyed your experience here no it's horrible i thoroughly
01:12:45enjoyed myself it was fantastic fun listening to you all scream anyway now it's time to move on to
01:12:52a different place you ready oh god fantastic follow me the event is now bringing our celebs
01:13:00to the final location of the night the hospital's deserted outpatient building once used as the
01:13:06accident and emergency department it later functioned as a gum clinic for sexual diseases
01:13:11and an eye hospital our medium has sensed the ghost of a man stumbling to his death in the gum clinic
01:13:19area and the spirit of an aggressive male that he believes wanders through the offices in the eye
01:13:24hospital welcome to a different part uh of the building this used to be the a and e accident
01:13:33emergency and then later on it was the gum clinic and if you don't know what the gum clinic is think
01:13:39about your privates through those particular doors there there's a ghost of a gentleman who died in one of
01:13:45the rooms and he actually sort of sat up from his bed in absolute agony got off the table ran down the
01:13:52corridor and collapsed in one of the corridors there and his ghost is said to roam in the corridor and
01:13:58around the rooms a lot of a lot of activity is since going up the ramp here the sounds of trolleys are
01:14:04often heard and a lot of audibles so are you ready to investigate this part of the building yes first of all i would
01:14:13like biggins and emma i would like you to go through those double doors please night vision cameras at the
01:14:20ready happy great okay off you go and the rest of you i'd like you to go up the ramp good luck thank
01:14:29you good luck and we'll turn off the lights
01:14:37so
01:14:37hello
01:14:42hello
01:14:42anybody here
01:14:52oh my god
01:14:56oh my god
01:14:57oh look at this
01:14:59oh my god
01:15:05what's this
01:15:14scabies
01:15:19oh my god
01:15:24look at the drawers look what's in them
01:15:25oh my god
01:15:35oh look and this is a condom for a man with five penises
01:15:42ever met one
01:15:43that's handy
01:15:46oh god how fire
01:15:51hello
01:15:55i don't like this
01:16:05i don't like this
01:16:09oh my god
01:16:15Did you hear that?
01:16:17Yes.
01:16:18Seriously, did you hear that?
01:16:19Yes.
01:16:20It was a club.
01:16:21No, it was a club.
01:16:22It was a club.
01:16:22There was a sliding noise up here.
01:16:26Should we just stand still for a minute, see if we can hear any noises?
01:16:29Okay.
01:16:35No.
01:16:36Are you fucking joking?
01:16:36God, what the fuck?
01:16:39No, seriously, stay still.
01:16:40Stay still.
01:16:40That was weird.
01:16:45Guys, that's weird, because that's now stopped.
01:16:47Hello?
01:16:50Is there anybody there?
01:16:55I saw these curtains are closed.
01:16:57That's freaking me.
01:17:05What?
01:17:06What?
01:17:06What?
01:17:07What was it?
01:17:08It was paper.
01:17:09It was paper.
01:17:12Sorry.
01:17:13Oh, another.
01:17:15What's in there?
01:17:15It's sort of like a...
01:17:17Oh, it's like a...
01:17:17Is it just a room?
01:17:19Yeah.
01:17:22What?
01:17:23What's that?
01:17:24I keep kicking some paper on the football.
01:17:26Don't worry.
01:17:26Don't worry.
01:17:27Don't worry.
01:17:28Don't worry, darling.
01:17:30There's more.
01:17:34Oh, good God.
01:17:35What the fuck?
01:17:37I felt something then, you know?
01:17:38Did you?
01:17:39Yeah.
01:17:39Oh, don't.
01:17:39I'm actually...
01:17:40Guys, I'm not...
01:17:41Don't, don't, don't, don't.
01:17:43No, I'm being serious.
01:17:44Do you?
01:17:44No, just...
01:17:45I felt something on my back.
01:17:46No.
01:17:47Yeah, just...
01:17:47Let's get on again.
01:17:49I definitely felt something then.
01:17:50I'm not lying to you.
01:17:52It's like a warren, isn't it?
01:17:54Yeah.
01:17:54Oh, fuck!
01:17:57Oh, dear, oh, dear.
01:18:10Oh, God, all goose pimply now.
01:18:13Is there anybody there?
01:18:17As Emma and Biggins make their way out of the gum clinic, they hear the other group.
01:18:21Did you hear me?
01:18:23Matt?
01:18:27Once in hearing distance of each other,
01:18:29both sets of celebs hatch a plan to scare the other.
01:18:31Hello?
01:18:37Yes!
01:18:47It's a bit dark down here, isn't it?
01:18:51Matt?
01:18:53That was rubbish.
01:18:55We just heard you.
01:19:05You fools!
01:19:09Even though he was a willing participant in the prank,
01:19:11Dean is still susceptible to the forces of evil.
01:19:15Or is it all in his head?
01:19:17Sorry to touch my face!
01:19:19No!
01:19:21No!
01:19:23I need to knock Christopher over.
01:19:25You're being serious?
01:19:27Guys, I'm not lying.
01:19:29Shhh!
01:19:31What?
01:19:33What was it?
01:19:37What was the matter?
01:19:39What was the matter?
01:19:41What was you standing behind me?
01:19:45I just saw a black figure.
01:19:47Oh!
01:19:48Sorry!
01:19:49Oh!
01:19:50Got it!
01:19:55Very jumpy!
01:19:57With the group reaching the point of hysteria,
01:19:59it's time to head back to Yvette
01:20:01and bring to a close tonight's ghostly goings on.
01:20:03This is the way out.
01:20:04We just came up it.
01:20:09Well?
01:20:10Oh!
01:20:11Oh!
01:20:12That was...
01:20:13Cher!
01:20:14And a few screams.
01:20:15Come on.
01:20:16What happened?
01:20:17Two laughs.
01:20:18Absolutely shit herself.
01:20:19Where are you going?
01:20:24So you've enjoyed yourselves?
01:20:25I have.
01:20:26Strange...
01:20:27In a strange way, yeah.
01:20:28Right.
01:20:29Well, I can now say that you are officially ghost hunters.
01:20:32Well done.
01:20:33Yay!
01:20:34And I will now take you home.
01:20:35Come on, let's go.
01:20:36Let's go.
01:20:49Having been crowned as seasoned ghost hunters,
01:20:52do our jungle celebs now believe in the spirit world?
01:20:55When I arrived, I was a believer,
01:20:58and I'm still a believer in the supernatural
01:21:01and the spooky world of ghosts.
01:21:03Do you know what?
01:21:05That was a lot more scary than I thought it was going to be.
01:21:08You know what I mean?
01:21:09I mean, that was really, really quite terrifying at times.
01:21:13Man, this is fucking too eerie when you get out of here,
01:21:16because this is not where I want to be.
01:21:19I think we all started off as sceptics.
01:21:21You know, all the five of us kind of came to this, like,
01:21:24what are we doing here?
01:21:25Let's be open-minded,
01:21:27but let's also kind of have a thing of,
01:21:29there's not really ghosts here, is there?
01:21:32You know, come on kind of thing.
01:21:33This is fucking freaky.
01:21:35The fact of just being scared because the light was off.
01:21:40Ah! Ah! Ah!
01:21:42The night's been long and scary and weird,
01:21:45but it's been good. It's been good fun.
01:21:47I've got choc-choc.
01:21:49I think probably the scariest part of the night for me
01:21:52was when I was left alone in the old hospital.
01:22:00I am totally scared of the dark, full stop.
01:22:02Whenever the lights went off, I'm a chicken.
01:22:05Ah! It's me! It's me! It's me!
01:22:08Tonight was really scary for me.
01:22:11I'm quite scared of things like that anyway,
01:22:13and, er, my worst fear was being left on my own,
01:22:17and obviously that happened, so I shit my pants.
01:22:20Ah! Ah! For fuck's sake!
01:22:24Every group in the world, of course, has its very own dynamic,
01:22:27and this was what you would call a loosely coupled group.
01:22:30And, of course, when you have a group like that,
01:22:32there is a lot of psychological processes that have to go on
01:22:35in order to establish dominance hierarchies within the group,
01:22:40particularly among men.
01:22:41And I think what we saw right from the beginning here
01:22:44was the men kind of jockeying for position
01:22:46before the one dominant leader emerged clearly and unambiguously,
01:22:51and that one dominant leader, of course, was Biggins.
01:22:53And it's interesting watching, in some sense,
01:22:55the women position themselves around the dominant male,
01:22:59and watching someone like Emma's behaviour and Biggins present
01:23:03is absolutely fascinating,
01:23:05because it's almost as if a primitive part of her brain
01:23:07is saying, this is how you respond.
01:23:10What? What's that?
01:23:12I keep kicking some paper.
01:23:14Oh, dear. Don't worry, don't worry, don't worry, don't worry.
01:23:17And, of course, I love the fact that Emma was trying to get Matt
01:23:20to play a much more dominant alpha male type of role,
01:23:24but he rarely kind of rose to the challenge or the occasion.
01:23:29Hey, have a look in there.
01:23:30What?
01:23:31Have a look in that room.
01:23:32Fuck off.
01:23:33And, of course, Dean Gaffney had the least alpha male type role.
01:23:37He knows that he was never going to compete
01:23:39for dominance in the social hierarchy,
01:23:41and he was quite content, I think,
01:23:43to do his intense emotional displays.
01:23:47Some people in this group,
01:23:49because of the underlying structures of their personalities,
01:23:52feel fear much more intensely
01:23:54than most of us could possibly imagine.
01:23:56No!
01:23:57No!
01:23:58Ah!
01:23:59Ah!
01:24:00For fuck's sake!
01:24:01Ah!
01:24:03Within a human group, everyone has to know their position,
01:24:06and by the end of the night, in this group,
01:24:09everyone unambiguously did know their position.
01:24:12Would I do it again? That's a big question.
01:24:15Would I do it again? Probably not.
01:24:17I'd do it again. I'd want to do it in a group again,
01:24:20and I wouldn't want to be on my own again.
01:24:22Ah! Ah!
01:24:23Fuck's sake!
01:24:24For fuck's sake!
01:24:25I would probably not do this experience again
01:24:27unless I knew that I wouldn't be on my own.
01:24:29I knew that I'd be doing it with people.
01:24:32Would I do it again? Yes, I would, because I'm fascinated.
01:24:35I mean, I'd like to go...
01:24:37I mean, rather than a hospital,
01:24:39I think I'd rather go to a mental institution.
01:24:42Oh, fucking hell!
01:24:45Let's go.
01:24:47I would not do this again at all. No.
01:24:50I figured out that if there are ghosts,
01:24:52they can just stay in those buildings, have a good time.
01:24:55I don't need to prove that you're there,
01:24:57and I don't need to enjoy your company.
01:24:59Ah!
01:25:02With the book closed on ghost hunting with I'm a Celebrity,
01:25:05all the spirits have been laid to rest.
01:25:07Or have they?
01:25:09Ah!
01:25:11With the families of the world?
01:25:12Have theévrop knee.
01:25:13With the people?
01:25:14With the pride.
01:25:15With the people of the soldiers alone,
01:25:16I know he'd not be blown away.
01:25:18There's not going to be won't of a muscle and mots when they go shall justespace.
01:25:20Wow!
01:25:21What makes them afraid?
01:25:22There's no��� zwar radio food.
01:25:23We will have nothing at all.
01:25:24We implement.
01:25:25Just in fifth realize,
01:25:26The al物is,
01:25:27the al物is,
01:25:28the al物is is down in octobre...
01:25:30You