- 6/8/2025
At a girls' school, several students are murdered by a snarling, wolf/man-like creature. Suspicion falls upon a newly-arrived teacher. Suspicion falls upon a newly-arrived teacher.At a girls' school, several students are murdered by a snarling, wolf/man-like creature.
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Short filmTranscript
00:00:00There was a coolest fool
00:00:30yes who are you what do you want I'm Julian Olcott the director is expecting
00:00:54thank you doesn't bother anyone I'm Walter the caretaker I'm pleased to meet you the studio
00:01:11the director is in front of that court at left down there in front at the left give me a suitcase
00:01:16thank you very much one two three four one two three four one two it's a pleasure for you too isn't it
00:01:30teacher quickly please take her to the infirmity and make rules so that you can get some air
00:01:49look she can't even look at a new man without fainting dead away I'm sure she's pretending
00:02:01that one I've known that one for a long time way before she faked it Mary has a marvelous ability
00:02:08for always being in trouble love has never killed anyone she's just found a way to make it pay plenty
00:02:13for her beautiful I don't think that's the reason she did it so what do you think it is only a man
00:02:18can make Mary pass out she's bound to recover in the infirmary so she can go like tonight
00:02:23you are Julian Olcott sir yes I am I'm Leonor McDonald
00:02:45I'm very glad to know you the director is expecting you thank you
00:03:15Julian Olcott correct yes that's right how do you do pleasure dr. Benson told me to see you and
00:03:23here dr. Benson is an old friend he wrote to me I've been expecting you
00:03:27sit down please thank you
00:03:32there's if there's something I should tell you please sit down doctor yes dr. Olcott I know
00:03:44everything Benson explained it to me and he also said you were acting in good faith that's very kind
00:03:51of you you know the court of law has found me to be innocent I know so here you'll just be professor
00:03:57Julian Olcott and the past shall be of no importance thank you it's very good of you you don't have to
00:04:04thank me thank our mutual friend dr. Benson I hope you'll be comfortable here our Institute is not a house of
00:04:12punishment the girls are given a chance here by the generosity of our benefactors without this
00:04:18Institute the majority of them would be in some state reformatory we are trying to give them work
00:04:23and an education and put them back on the right road no one is ill-treated here but your job will not be an
00:04:31easy one very good I shall do my best because it's also important to me to find myself surely the past
00:04:41can become a nightmare unless we can free ourselves of it sir well I was coming here I saw a girl who
00:04:51had just fainted all that that's Mary Smith don't be concerned because she's just coming off age I hope the
00:04:57future will be better yes but you must remember that here you are not a doctor anymore but just a
00:05:04professor of science of course I won't forget if you come along I'll show you your quarters ah thank
00:05:17you very much this way please professor
00:05:47you hear the wolves the other day the farmers had to kill two of them the people are going mad with
00:05:58fear if I were Mary I would be frightened look there
00:06:02Mary she wins trouble so why bother it's better to forget her let her go if she wants to look
00:06:17it's Leonor she's
00:06:47she sees Mary but why doesn't she try to stop her she's the one who doesn't want to be seen
00:06:51funny if she had a lover a lover and who could it possibly be maybe it's that new professor that
00:06:58just arrived here today if it is I can understand that he's pretty good looking any man looks good to
00:07:03you
00:07:05the
00:07:10the
00:07:13the
00:07:18I told you you should never be here at night.
00:07:38Let me go. Don't touch me, pig.
00:07:40You've got your money.
00:07:41Let me go, or tomorrow I'll spill everything.
00:07:43About you and about him.
00:07:44Let me go.
00:07:45It is. You'll be sorry. I want you in one piece.
00:07:52I came here only because of the promise you made.
00:08:15Leave me alone.
00:08:25I came here because I want something.
00:08:32I came here because I want something.
00:08:45What is it you want now?
00:08:48But I've given you everything.
00:08:50And so who needs it if I have to stay walled in here?
00:08:53Make your promise good to get me out.
00:08:55You wanted a little love on the sly?
00:08:58Then find me a way out of this pig pen tomorrow night.
00:09:01Do you hear tomorrow night?
00:09:02No, Mary.
00:09:03You know very well the court has sentenced you.
00:09:05So only the court can possibly free you, Mary.
00:09:08My body for a middle-aged oversex phoniae.
00:09:10Now you expect to get off the hook.
00:09:12No, you don't.
00:09:13Aren't you forgetting, Mary, that you have the letters?
00:09:20The letters.
00:09:21When you give them to me, I'll free you.
00:09:24They're burned.
00:09:26Remember they're important proof.
00:09:27Very important.
00:09:28So careful.
00:09:31No, wait.
00:09:32Something can be done.
00:09:33Wait.
00:09:34You won't keep me waiting.
00:09:35Or tomorrow you'll finish at this school.
00:09:37Mary, wait.
00:09:38Wait.
00:09:39I'll think of something.
00:09:41I'll see you next time.
00:10:11I'll see you next time.
00:10:41I'll see you next time.
00:11:11I'll see you next time.
00:11:41I'll see you next time.
00:11:42I'll see you next time.
00:11:43I'll see you next time.
00:11:45I'll see you next time.
00:11:46I'll see you next time.
00:11:47I'll see you next time.
00:11:48I'll see you next time.
00:11:49I'll see you next time.
00:11:51I'll see you next time.
00:11:52I'll see you next time.
00:11:53I'll see you next time.
00:11:54I'll see you next time.
00:11:55I'll see you next time.
00:11:56I'll see you next time.
00:11:57I'll see you next time.
00:11:58I'll see you next time.
00:11:59I'll see you next time.
00:12:01I'll see you next time.
00:12:02I'll see you next time.
00:12:03I'll see you next time.
00:12:05I'll see you next time.
00:12:06I'll see you next time.
00:12:07I'll see you next time.
00:12:08I'll see you next time.
00:12:10I'll see you next time.
00:12:40I'll see you next time.
00:12:41I'll see you next time.
00:13:10I'll see you next time.
00:13:11Sheena.
00:13:12Sheena.
00:13:17You really are corrupt, Alfred.
00:13:22No.
00:13:23It's not about her again.
00:13:26Not this time.
00:13:27It's now something horrible, Sheena.
00:13:30I saw.
00:13:31You're a beast, not a man, my dear.
00:13:34So go to the devil.
00:13:35I haven't done anything.
00:13:37I haven't done anything.
00:13:38I haven't done anything.
00:13:39I'm not with that girl anymore.
00:13:41It's true.
00:13:42She's blackmailing me.
00:13:44The letters.
00:13:45The letters.
00:13:46Yesterday I wrote a letter to her that can be a disgrace to me.
00:13:51You're not only thoroughly miserable, Alfred.
00:13:53You're without a doubt a pitiful imbecile.
00:13:56But I didn't sign them, never.
00:13:58They can't possibly suspect their mind.
00:14:00You fool.
00:14:01How far do you think you would go if everyone knew what you rarely are, Sir Alfred Weitzman?
00:14:06I know it, Sheena.
00:14:07You're right.
00:14:08I know it, Sheena.
00:14:09You're right.
00:14:10I know it, Sheena.
00:14:11You're right.
00:14:12Miss Schultz, is it all right, please, to go in there?
00:14:36it all right please to go in there I want to see her no no it's not possible take this district
00:15:06in my report from the coroner he said the girl was assaulted by wolves and she died as a result
00:15:26of the injuries inflicted but she could have had a meeting with a man a little before her death
00:15:32I don't believe it could have been the wolves hmm a girl who wanders out at night into the forest
00:15:38and professor she was alone mind you not to mention the probable rendezvous with someone
00:15:44could very easily have been attacked by wolves poor girl it's a terrible disgrace to be destroyed
00:15:50after years of work I fear that the good name of our institute will be compromised we can't be
00:15:57concerned about the institute's good name in a case like this sir here's Sir Alfred Weichmann
00:16:06Sir Alfred something horrible has happened Sir Alfred I believe you know this girl
00:16:13yes yes I believe I've seen her of course at some time may I leave now please what has occurred has
00:16:25upset me very much excuse me sir Alfred will you join us sir for a minute or so for I have to
00:16:31complete my report purely a formality of course
00:16:34oh
00:16:41okay
00:16:42all right
00:16:43were so
00:16:48oh
00:16:49I
00:17:04Sir Alfred, Sir Alfred, Sir Alfred, if you want to go soon, we can finish in a few minutes.
00:17:23I can sympathize with you, but I can't avoid the formalities.
00:17:26Of course.
00:17:34I can't avoid the formalities.
00:18:04I can't avoid the formalities.
00:18:11I can't avoid the formalities.
00:18:15I can't avoid the formalities.
00:18:20I can't avoid the formalities.
00:18:23I can't avoid the formalities.
00:18:26Priscilla, what are you doing here?
00:18:28You'll be late to your next study hall.
00:18:30You must go quickly.
00:18:32Why are you waiting?
00:18:34I thought I'd forgotten my notebook, Professor.
00:18:47Walter is the director in his office. I have to see him immediately.
00:19:02Why do you have to see him?
00:19:03It's personal. It's none of your business.
00:19:05It would be profitable to get together with me just a little.
00:19:09Give me a chance.
00:19:10I don't bargain with your kind.
00:19:12Well, now I'm finished.
00:19:13We'll soften the news and all of the papers as you ask, sir.
00:19:28You're very generous, Inspector.
00:19:29And I should like to thank you in the name of the Council of the Institute.
00:19:31It's my pleasure, sir.
00:19:32Mr. Swift, excuse me.
00:19:33Yes?
00:19:34One of the girls would like to speak to you.
00:19:35Make her wait for me.
00:19:36You shall have no reason to worry.
00:19:37I'll increase the supervision over the girls.
00:19:38There's no need to change this Institute into a prisoner.
00:19:39We might as well leave the girls in a state reformatory.
00:19:40Please don't worry, sir, Alfred.
00:19:41I know well how far I can go.
00:19:42I know well how far I can go.
00:19:49Yes, sir.
00:19:50You shall have no reason to worry.
00:19:51I'll increase the supervision over the girls.
00:19:53There's no need to change this institute into a prison,
00:19:56or we might as well leave the girls in a state reformatory.
00:19:58Please don't worry, sir, Alfred.
00:20:00I know well how far I can go.
00:20:01Yes?
00:20:20What can I do for you?
00:20:23Mr. Swift, I found something of Mary's.
00:20:25What's that?
00:20:27Sit down.
00:20:29Tell me everything.
00:20:31This morning by post, there arrived a letter for Mary.
00:20:34Yes?
00:20:35I opened it.
00:20:37There were only a few words.
00:20:41Mary is blackmailing someone.
00:20:43And in this letter, they're threatening her.
00:20:45From whom is this letter?
00:20:47There isn't any name.
00:20:50Mary and blackmail?
00:20:52May I see the letter?
00:20:54No, I left it in the dresser in the dormitory.
00:20:56We shall have to call back to the inspector.
00:21:01Come in.
00:21:15Call the inspector and ask him to come over as soon as possible.
00:21:17Perhaps the letter has no connection with the death of Mary.
00:21:27However, we cannot ignore it.
00:21:29No, no, a blackmailer is not an assassin.
00:21:35They tell me they've legally established that she was torn up by an animal.
00:21:38But we're not very certain you have told us the truth.
00:21:41The letters are here.
00:21:42I only said that someone was blackmailing Mary.
00:21:46Let's see them.
00:21:47Well, have they just vanished?
00:21:57But they were here.
00:21:58I put them here a few minutes ago.
00:22:00What do you hope to gain with this bad hoax, girl?
00:22:02But let's not waste energy by telling lies.
00:22:05And by alarming us.
00:22:06I have fair grounds to arrest you.
00:22:08Excuse me, Director.
00:22:09You must believe me, Mr. Swift.
00:22:17It was here.
00:22:19Who could have taken it?
00:22:20Whoever did must have known that I left the letter.
00:22:22Don't be malicious and accuse your companions just because you can't deliver this letter.
00:22:26You are the only one who has seen this letter.
00:22:28And we have to believe your words.
00:22:30And my report doesn't count at all for you.
00:22:33It's not for me.
00:22:34It's the police who need the facts.
00:22:37You better return now.
00:22:38I understand that you're upset about the death of your friend.
00:22:41However, I cannot excuse your conduct.
00:22:43Mary was just assassinated.
00:22:45No one will convince me she was torn up by wolves.
00:22:57These barbules, which are red, are presented in the form of minuscule discs that are biconcave.
00:23:03And there are many of them.
00:23:04There are around five million in each millimeter of blood.
00:23:09They're very elastic, possessing the ability of varying their form.
00:23:13Beside elongation, which we discussed earlier...
00:23:16You can't be certain about that.
00:23:18What connection could he possibly have with the letter?
00:23:21He arrived only a few days ago.
00:23:23Possibly he's been living at Brinsville for many months.
00:23:26Here is the charge representing the body and blood.
00:23:30Good.
00:23:34We'll leave this lesson as it is for the day and pick it up on Tuesday.
00:23:37Please go now.
00:23:39Who's done?
00:23:41When are you going to come in?
00:23:43No, I want to speak to the professor.
00:23:44Okay.
00:23:46Professor, excuse me.
00:23:48What do you want, Priscilla?
00:23:49I want to speak to you a moment.
00:23:51But of course.
00:23:52Something you need to know?
00:23:53Have you seen Mary's body?
00:23:59Yes.
00:24:02Why didn't I and the other girls get a chance to see it before the burial?
00:24:06Maybe it's better...
00:24:07...that you remember her the way you last saw her.
00:24:10You know the story of the wolves.
00:24:18What do you mean?
00:24:21But those scratches, those wounds...
00:24:24...were they made by a wolf?
00:24:27To my knowledge, this has not yet been confirmed.
00:24:30And I don't have any actual reason to doubt it.
00:24:35Why did you come to instruct here?
00:24:37You're not from Brunsville.
00:24:41No, from another town.
00:24:43And I didn't choose it, this place.
00:24:46It was my destiny.
00:24:47Not my ambition to accept.
00:24:50Wish something else right now?
00:24:53No, I felt you might know something...
00:24:55...about the death of Mary.
00:24:56But I see you won't tell me anything.
00:25:07Priscilla, what are you doing here?
00:25:16Shh, Sandy, help me.
00:25:17I must open this dresser of Mary.
00:25:18But why?
00:25:18Gotta move on.
00:25:19See if you can try to open it.
00:25:21One key's the same as another.
00:25:22This one can make it.
00:25:24Port it.
00:25:26There they are.
00:25:31Mary, I need you and you can have anything you want...
00:25:36...but I must see you.
00:25:37And please reply very quickly in person.
00:25:39I embrace you, my love.
00:25:42Not even signed.
00:25:49And also this one.
00:25:51Read it.
00:25:51Read it.
00:25:52No, no, not yet.
00:25:53No one must ever see this...
00:25:54...because I know which one murdered Mary.
00:25:56I know the man.
00:25:59Yes.
00:26:00It's very difficult to understand, but now that you've been with us here for a week, what's your impression?
00:26:10Well, I don't think these girls are any more difficult than others of their age.
00:26:15Perhaps you're right.
00:26:16But these have found the bitterness of life much too early.
00:26:20Yes, I must agree with you.
00:26:22Even without knowing them as well as you do.
00:26:26Tell me, that one, for instance.
00:26:27What's she done?
00:26:29Why is she here?
00:26:30She was convicted of attempted homicide.
00:26:33She was living with that poor Mary in town.
00:26:36One night a sailor was trying to beat Mary, almost strangled her.
00:26:39Then Priscilla, defending her friend, almost killed the sailor.
00:26:43Oh, I understand.
00:26:45That's why the news of Mary's sudden death touched her so deeply.
00:26:49Yes.
00:26:49As the girls are alone here, a friendship like this can sometimes be their only consolation.
00:26:55And where's the hard cash?
00:26:57He'll pay you after.
00:27:02Maybe he'll give you more because he likes you.
00:27:06I?
00:27:07Yes, you.
00:27:08I do believe that money makes a person do anything, don't you?
00:27:12It's tough for a girl to resist the fancy notion of cash when she needs it, hmm?
00:27:16Good dog.
00:27:33Stop it.
00:27:38Good friend.
00:27:39Good dog.
00:27:39Good dog.
00:27:40Good dog.
00:27:41Good dog.
00:27:46Good dog.
00:27:54Where do we have to go?
00:27:56You'll see.
00:27:59Are you afraid of the wolves?
00:28:01No.
00:28:03Come on, let's go.
00:28:08Watch the house well, wolf.
00:28:10Quickly, we can't afford to be seen by anybody.
00:28:25Come on, we have been far to go.
00:28:40It's only the beasts fighting among themselves, Priscilla.
00:28:53Come on.
00:29:10Come on.
00:29:36Is this where it was, Walter?
00:29:38What do you mean?
00:29:39Is this where they found Mary?
00:29:42How would I not?
00:29:57Come on.
00:29:59He's expecting you.
00:30:03Go.
00:30:04Go on, girl, go on.
00:30:18He's waiting for you.
00:30:19Go on, girl.
00:30:40Go on, girl.
00:30:43Ooh!
00:31:07Don't be afraid.
00:31:10You're seeing a Whiteman.
00:31:13You expected to find my husband, am I right?
00:31:19Stop it!
00:31:23Take this.
00:31:24This is so you'll have a worthwhile reason for coming here.
00:31:26To me, you're another common slut, just like all the others.
00:31:29And as of now, it's finished between you and my husband.
00:31:31Whiteman.
00:31:34It was your husband.
00:31:37Now it's clear to me.
00:31:39What's clear to you, you little tart?
00:31:41You're all alike.
00:31:42You're all ready to sell yourselves.
00:31:44Yes, but not to be killed.
00:31:47Your husband has killed Mary Smith because she received this.
00:31:51No.
00:31:52My husband is perhaps a philanderer, but he's not an assassin.
00:31:56No.
00:31:57Then I'll explain all this to the police.
00:32:00I warn you, girl.
00:32:01You'd better not be foolish or I'll be forced to appeal to the dogs.
00:32:04That wouldn't help you at all.
00:32:10All the other letters are securely hidden in case they find me like my friend, attacked by the wolves.
00:32:17Where are the other letters?
00:32:19Do you have them?
00:32:20Those letters will be delivered to the police.
00:32:22I only want to know who's written them.
00:32:25Oh.
00:32:26That's the reason you came here.
00:32:27Yes.
00:32:28That's the reason.
00:32:29Even if you don't believe me.
00:32:33Sit down.
00:32:34I believe you, but also you must listen to me.
00:32:38For a long time I've been watching my husband.
00:32:41He's a strange man.
00:32:43He's a sadist.
00:32:45Everyone else believes he's a respectable person.
00:32:48And he's not even faithful.
00:32:50It's true.
00:32:51It's true the other night he had an appointment with that Mary.
00:32:54I followed him, intending to interrupt them and put an end to it once and for all.
00:33:00They met each other.
00:33:01And when Alfred left her, I know that girl was alive.
00:33:04Still living.
00:33:05But suddenly there occurred something horrible.
00:33:12It wasn't my husband who killed your friend.
00:33:14And it was not the wolves.
00:33:15There was a moon.
00:33:17I saw that the assassin didn't run away immediately.
00:33:19He remained in almost a contortion for some moments on the bridge.
00:33:22Before going.
00:33:23And it was then that I was able to recognize him.
00:33:28Who's there?
00:33:29Where?
00:33:30Over there.
00:33:32There was someone at the window.
00:33:42Oh, it was that caretaker who brought you here.
00:33:47Who do you say is the murderer?
00:33:49I don't want to tell you.
00:33:50Not now, anyway.
00:33:52It's better that you keep your nose out of this filthy mess.
00:33:55The letters and all the rest.
00:33:57Also that poor girl.
00:33:59Her name would be covered with mud.
00:34:01Let her rest in peace.
00:34:03But she was assassinated.
00:34:05Another dirty scandal would be the final ruin of us all.
00:34:09And certainly wouldn't bring back to life your Mary.
00:34:10Do you still love your husband?
00:34:13Yes.
00:34:15To the point of killing one of his lovers?
00:34:18I? Why?
00:34:22What sort of a person do you think I am?
00:34:29The dogs.
00:34:30You didn't say anything to them.
00:34:31If they'd find me killed by them, they'd believe it was the wolves.
00:34:35You are really stupid.
00:34:37I've been foolish to confide in you.
00:34:39I've been foolish to confide in you.
00:35:09I've been foolish to know.
00:35:10You are too weak to have a friend.
00:35:11You are too weak.
00:35:12You are too weak.
00:35:13I've been foolish to have a friend.
00:35:14Come on, calm down.
00:35:25What are you doing here at this hour?
00:35:30Maybe I should ask you the same thing.
00:35:31thing. But I, I can respond to that. I'm fixing traps to free the forest from the wolves. In a
00:35:41certain sense, we were doing the same thing. What do you have to tell? Oh, nothing. Were you the one
00:35:48that was following me, Professor? No. Absolutely. Why? I don't know. It seemed like someone was
00:35:56following me. Come on. I think I'd better go back with you to the Institute. I'm
00:36:03certainly safer going with you than going alone. Priscilla, I'm sorry, but I have to
00:36:13make a report. You were told not to come here. Make it. You don't have to worry
00:36:20about me. You're a strange girl. Is that a compliment? Oh, perhaps.
00:36:50I've heard a compliment. I don't care. I don't care. I don't know. I don't care.
00:36:55What's your fault? Let's go. And now, I'm sorry. I have to go to the franklin. I was
00:36:58in the car in the car in the car. I mean, you're going to get away from a car in the car.
00:37:04That's why I did that. That's why I took my fees in the car. I'm sorry. There was a
00:37:09cell phone back in my car. I won't be able to get over to me. You're not sure. I mean,
00:37:14Oh, my God.
00:37:44Oh, my God.
00:38:14You're too pessimistic.
00:38:20Even if life is hard, it's worthwhile living it.
00:38:23You must believe in something.
00:38:29Don't be afraid.
00:38:31It's only a wolf that must have just fallen into one of my traps.
00:38:33You have to go?
00:38:41Yes.
00:38:43Excuse me.
00:38:44It's really necessary.
00:38:45You know, the wolves know how to free themselves and escape with a broken foot.
00:38:49Oh.
00:38:50Don't be worried.
00:38:52I'm almost there already.
00:38:54Don't be worried.
00:38:56Professor?
00:38:58Yes?
00:39:01The report?
00:39:03Don't worry about it.
00:39:04I won't say anything to anybody about it this time.
00:39:07I won't even ask you what you were doing out at this hour.
00:39:10You see?
00:39:11I have faith in you.
00:39:17Priscilla.
00:39:25Priscilla?
00:39:27Is it you?
00:39:29Priscilla?
00:39:45I won't say anything.
00:39:48I won't say anything.
00:39:49I won't say anything.
00:39:51Oh, my God.
00:40:21Oh, my God.
00:40:51Sheena was all to me, a companion both good and kind and devoted.
00:41:05Oh, my God.
00:41:35It seems she was attacked by a monster, one of the girls from the Institute, and she
00:41:43was saved by a dog.
00:41:44One of the girls saw this.
00:41:45She said his right arm was torn open by the dog.
00:41:47Will the police have to inspect each and every man in these?
00:41:49Absolutely.
00:41:49The police are asleep here.
00:42:13We'll have to try and find it ourselves.
00:42:15Certainly.
00:42:16Brownsville will not lay down.
00:42:17They'll find it.
00:42:18Yes, we'd better act before he strikes the game.
00:42:21We don't want him to get hold of one of our children.
00:42:22We don't want him to get hold of one of our children, but we don't want him to get hold of one of our children.
00:42:30Okay, talk.
00:42:41She's still in the infirmary.
00:42:46The dresser wouldn't find anything.
00:42:47You must.
00:42:48You have to find them.
00:42:49If I don't recover those letters, I cannot rest.
00:42:54Look at that man.
00:42:55His right arm isn't functioning.
00:42:59Thank you, sir.
00:43:00He's the caretaker of the Institute.
00:43:04Sir Alfred.
00:43:05The girl was attacked right in the vicinity of the guardhouse.
00:43:09Certainly it's him.
00:43:10Come on.
00:43:10What are we waiting for?
00:43:12Careful.
00:43:12Don't move.
00:43:31He mustn't get out of here.
00:43:33He must account for what he has done.
00:43:35Stop it.
00:43:45You're all going mad.
00:43:47Let go of that knife.
00:43:48Walter, nobody is going to do you any harm.
00:43:51Now let him pass through.
00:43:52The man's hand.
00:43:53Look, men.
00:43:54Look at his hand.
00:43:56This man has no scar on his hand.
00:43:59His hand has been like this since he was born.
00:44:02And we're leaving.
00:44:02Step aside.
00:44:04Come on.
00:44:05Come on.
00:44:06Go on and sit down.
00:44:07Nothing is happening.
00:44:08Get going, boys.
00:44:12What were you doing with Sir Alfred?
00:44:14Nothing, Dr. Fred.
00:44:17Why?
00:44:18Return to the Institute.
00:44:20These people could do you great harm.
00:44:22Yes, sir.
00:44:22But why are you crying?
00:44:45It's all in the past now.
00:44:50It's all in the past now.
00:45:02Calm yourself.
00:45:06Here you are protected.
00:45:07Yes, yes.
00:45:09But it isn't that.
00:45:13And what is all this?
00:45:15Sheena Whiteman.
00:45:18Sheena?
00:45:21Is this what's troubling you?
00:45:24Tell me why.
00:45:26You must have faith in me, Priscilla.
00:45:27Do you know that you can trust me?
00:45:38Finally.
00:45:39They wouldn't even let me in here.
00:45:40They told me you mustn't stay long.
00:45:43Oh, excuse me.
00:45:44I'm not disturbing you.
00:45:45No.
00:45:45I was just telling the professor how very pleased I am to see him.
00:45:50Priscilla.
00:45:50But at this point, it's better to say it all.
00:45:53Right, Professor?
00:45:58Sir Alfred.
00:46:00We've been risking our reputation for him.
00:46:02Just what am I to do?
00:46:03This whole story repulses me.
00:46:06In saving him, you saved the reputation of the Institute.
00:46:09Come in.
00:46:12Sandy, what is it?
00:46:15I must speak to you.
00:46:16It's something terrible.
00:46:17Well, what is it?
00:46:19So speak.
00:46:19I know who the monster is.
00:46:21What's that?
00:46:22Julian Alcott, the professor of science.
00:46:24He's a badly damaged arm.
00:46:26This is not enough proof to even mention.
00:46:27Mary was murdered the night of his arrival.
00:46:29It's him, and he's in the infirmary with Priscilla talking to me.
00:46:32Go and call Professor Alcott now.
00:46:33And don't tell anyone what you just said to me.
00:46:35But I...
00:46:36Listen.
00:46:36If your suspicions are correct, I shall call the police.
00:46:39Now go ahead.
00:46:43Tommy, call Professor Alcott immediately.
00:46:49I cannot tell you too often, but I must have those letters.
00:47:07With pleasure, Sir Alfred.
00:47:08If the letters are still here in the Institute...
00:47:10I'll find them.
00:47:11Good.
00:47:11You wanted to see me, sir?
00:47:22Yes.
00:47:24What, in your opinion, happened in the woods?
00:47:30Well, I...
00:47:32believe it has to do with a lycanthropist.
00:47:35In other words, a sort of werewolf.
00:47:37Exactly.
00:47:39Please explain this to me further.
00:47:45What is this?
00:47:46An interrogation?
00:47:48Better to tell me than the police, don't you think?
00:47:53Yes, of course.
00:47:54Well...
00:48:02You know of my career as a doctor.
00:48:06It was terminated by a tragic incident.
00:48:08I was working for Dr. Benson at the mental hospital for the criminally insane.
00:48:12There was a girl.
00:48:14She was accused of homicide.
00:48:17But the poor girl could not absolutely recall killing anyone.
00:48:21She seemed perfectly normal.
00:48:22Well, I must add, I was in love with her.
00:48:28Continue, please.
00:48:30In a full moon, she would behave in a very strange way.
00:48:36She would lose complete control of herself and transform absolutely.
00:48:42And her face was like a beast's.
00:48:44Professionally, I wanted to try to help her.
00:48:48And after a certain time, I discovered a temporary antidote.
00:48:55And...
00:48:55It's so difficult, actually, without my using the medical terms to explain this to you.
00:49:01I've always been interested in medicine, and I think I could follow you.
00:49:03The pituitary gland controls the function of the hormones, influencing the sexual organs, and the thyroid.
00:49:12And as a direct reaction, it can cause a psychophysical transformation.
00:49:15My colleagues refuted this theory of mine, and I had proven it unequivocally.
00:49:22For example, at every lunar cycle, the pituitary gland acts strangely and becomes enlarged at the start of the transformation.
00:49:35Our psychocontrols upset the balance of the neuroglandula system, causing incredible distortions in the skin, hair, and teeth.
00:49:41In this state, the patient cannot be saved.
00:49:46I was successful with the extract of the brain of a wolf while I was experimenting on her.
00:49:53One night, she gave herself an overdose.
00:49:59Perhaps I made it too strong.
00:50:01And the police then accused me of killing her.
00:50:05Do you want to know more?
00:50:07In observing the body of Mary, did you feel the crime was committed by Lycanthropus?
00:50:12Yes.
00:50:15I'm almost sure about it.
00:50:17I continued my studies in this matter.
00:50:19And this led you to other discoveries.
00:50:21Is it possible to rid yourself completely?
00:50:24I don't know.
00:50:27But that's not of importance anymore.
00:50:31Since I've been here, I've been trying to capture a wolf to extract his glands.
00:50:35They're not rare in our forests.
00:50:38But tell me, Professor.
00:50:39Professor, have you ever experimented on yourself?
00:50:45Once.
00:50:47I had to find out what it would be like for a normal human being.
00:50:51It was impossible to observe myself.
00:50:53Would you mind showing me your right arm?
00:50:55No, of course not.
00:51:01Yes, it's hurt.
00:51:04But I did not attack Priscilla.
00:51:07A strange coincidence, don't you think?
00:51:09Before you arrived, there never was any talk about monsters in this town.
00:51:13Then you think that I'm...
00:51:14Professor, you said yourself that a person can be completely out of control during a crisis.
00:51:19How much does he remember afterwards?
00:51:22Nothing.
00:51:23Absolutely nothing.
00:51:25Not even one sign remains of it.
00:51:27I assure you that this is what happens.
00:51:31Anyway, I must assure you of one thing.
00:51:34I hurt myself accidentally.
00:51:37Professor, I want to believe every word of it, though it may not appear that way.
00:51:42But I advise you, however, to take great care.
00:51:45Perhaps you had better discontinue your experiment.
00:51:47Absolutely not.
00:51:50I can't.
00:51:52The life of a human being may depend on it.
00:51:55And who might this be?
00:51:57I don't know.
00:51:59You asked me to tell you about a lycanthropus.
00:52:03His sickness must have satisfaction.
00:52:07In the next transformation, he'll try again.
00:52:11And you believe that if you manage to find a definite antidote,
00:52:15you'll probably save the life of that person.
00:52:17Then you know who the attacker is.
00:52:19Well, if I should discover an antidote,
00:52:22I'm sure that this person would certainly want to be helped.
00:52:28Sick or not, Professor, he'll be obliged to give himself up.
00:52:32I'm a doctor.
00:52:34It's not fair to treat a lycanthropus like a murderer.
00:52:39If ever I'm successful in finding a cure,
00:52:43these poor victims would possibly begin to lead
00:52:48a normal life like others.
00:52:52Perhaps you're right.
00:52:53If you think murder won't bother his conscience.
00:52:55If you should ever find out that I am the monster,
00:53:06I should like to be treated the same as you would like to be.
00:53:11I understand you perfectly.
00:53:12Don't mess with anybody.
00:53:16Come on.
00:53:46Come on.
00:54:16Come on.
00:54:46Come on.
00:54:47Come on.
00:54:48Come on.
00:54:52Come on.
00:54:53Come on.
00:54:54Come on.
00:54:58Come on.
00:54:59Come on.
00:55:00Come on.
00:55:01Come on.
00:55:02Come on.
00:55:03Come on.
00:55:04Come on.
00:55:05Come on.
00:55:06Come on.
00:55:07Come on.
00:55:08Come on.
00:55:09Come on.
00:55:10Come on.
00:55:11Come on.
00:55:12Come on.
00:55:13Come on.
00:55:14Come on.
00:55:15Come on.
00:55:16Come on.
00:55:17Come on.
00:55:18Come on.
00:55:19Come on.
00:55:20Come on.
00:55:21Come on.
00:55:22Come on.
00:55:23Come on.
00:55:24Come on.
00:55:25Come on.
00:55:26Come on.
00:55:27Come on.
00:55:28Come on.
00:55:29Come on.
00:55:30Come on.
00:55:31Come on.
00:55:32Come on.
00:55:33Come on.
00:55:34Come on.
00:55:35Come on.
00:55:36Come on.
00:55:37Come on.
00:55:38Come on.
00:55:39Come on.
00:55:40Come on.
00:55:41Come on.
00:55:42Come on.
00:55:43Come on.
00:55:44Come on.
00:55:45Come on.
00:55:46Come on.
00:55:47Come on.
00:55:48Come on.
00:55:49Come on.
00:55:50Come on.
00:55:51Come on.
00:55:52Come on.
00:55:53Come on.
00:55:54Come on.
00:55:55Come on.
00:55:56Come on.
00:55:57Come on.
00:55:58Come on.
00:55:59Come on.
00:56:00Come on.
00:56:01Come on.
00:56:02Come on.
00:56:03Come on.
00:56:04Come on.
00:56:05I'm back.
00:56:35Well, there's nothing more to do.
00:56:57He was the monster.
00:56:59He tried to kill Sandy.
00:57:01Enough of that.
00:57:02Miss Leonora, get them all inside.
00:57:04Go on, girls.
00:57:04Enough now.
00:57:04Go on inside.
00:57:08Was he the monster?
00:57:10Perhaps the monster never existed.
00:57:12Water smothered the girl.
00:57:13Now, please, go on, Tommy.
00:57:18I'm going to call the police.
00:57:21All right.
00:57:28Professor?
00:57:30Priscilla?
00:57:30What's happened?
00:57:31Priscilla, it's terrible.
00:57:40Walter killed himself.
00:57:41No.
00:57:42It's true.
00:57:43Caught him by surprise fleeing from the dormitory.
00:57:45After he tried to kill one of the girls.
00:57:48Sandy.
00:57:49Sandy?
00:57:50Yes.
00:57:50So, Walter was the monster.
00:57:55No.
00:57:58He couldn't be the monster.
00:58:01But why not?
00:58:03Because Walter had a dog.
00:58:05And dogs can't stand the odor of wolves.
00:58:13This is appalling, Sir Alfred.
00:58:31Yes.
00:58:31Yes.
00:58:32It's like a compulsion I have here inside of me.
00:58:36And why am I like this?
00:58:38I don't know why.
00:58:40But I've never killed anybody.
00:58:43I've always paid.
00:58:45I've always paid for everything.
00:58:47Those that seem the best sometimes commit the worst.
00:58:51You know you've killed Walter.
00:58:54No.
00:58:55I only ask him to find the letters.
00:58:57I didn't know he'd be foolish enough to risk his life.
00:59:00You must help me.
00:59:05By helping you, Miss Leonor and I were almost involved in this dirty scandal.
00:59:09If Miss Leonor and I had not discovered the letters, you would be in jail.
00:59:14I'm innocent.
00:59:17If only Sheena was still alive.
00:59:20But why?
00:59:22Because Sheena, that night, when Mary was killed, she followed me.
00:59:28She saw who it was.
00:59:30Don't invent these absurd stories.
00:59:32There's no need for it.
00:59:33I have no intention of denouncing you.
00:59:36I haven't had a moment of peace since Sheena died.
00:59:40It's as if I had killed her with my own hands.
00:59:43If only I had the courage to kill myself.
00:59:47But Sheena knew.
00:59:49She knew.
00:59:50If she knew, why didn't she speak up?
00:59:53I don't know.
00:59:55Maybe she kept silent to blackmail me.
00:59:58She said that, with one word, she could send me to the gallows.
01:00:03Even the death of your own wife looks strange in the light of this story.
01:00:08Strange?
01:00:10You think that I...
01:00:11I'm not thinking anything.
01:00:28What are you going to do?
01:00:30What will you do?
01:00:43What will you do?
01:00:49If you destroy me, you destroy yourself as well.
01:00:54Go, Sir Alfred.
01:00:55Come on, Sir Alfred.
01:01:08Come on, Sir Alfred.
01:01:09Come on, Sir Alfred.
01:01:11Come on...
01:01:13come on...
01:01:15He'll find you...
01:01:16Why didn't you tell me about Sir Alfred?
01:01:30Because I was afraid.
01:01:32I don't know much about you, Julian.
01:01:33You continue to have secrets.
01:01:37Julian, I know you're a medical doctor.
01:01:42Oh.
01:01:44Well, then.
01:01:46You must also know that I'm a failure.
01:01:50Julian, is one mistake really so bad?
01:01:52Oh, no.
01:01:55But it's a battle, Priscilla.
01:01:59One cannot forget the past when he keeps following you.
01:02:07All right, let's go.
01:02:09There are more important things to be done now.
01:02:12One, two, three.
01:02:19One, two, three.
01:02:20Come on.
01:02:21One, two, three.
01:02:22One, three.
01:02:23One, two, three.
01:02:25So, let's go.
01:02:56Excuse us, Sir Alfred, but it's very important that we see you.
01:02:59I'm sorry, but I don't have a lot of time to give you.
01:03:03Please.
01:03:04Please.
01:03:04Sir Alfred, I have a very delicate question to ask you.
01:03:25Let me assure you, I will tell no one of this visit.
01:03:30But I don't understand, Professor Alcott.
01:03:32I have nothing to hide.
01:03:34You're in bad trouble because of your relations with Mary Smith.
01:03:37How dare you, sir?
01:03:39The letters.
01:03:42Sir Alfred, that is not the point.
01:03:44Sir Alfred, I want to know exactly what happened that night you met with Mary in the woods.
01:03:52Professor, are you accusing me?
01:03:56Do you have any proof?
01:03:59I didn't say that.
01:04:02But I wondered if you'd come with me to the police.
01:04:06The police?
01:04:07Yes.
01:04:08I don't doubt your innocence.
01:04:13But there are some facts that have to be cleared up.
01:04:16I don't have to defend myself.
01:04:18You're crazy if you think that I had any...
01:04:20Believe me, don't worry.
01:04:21We don't want a scandal.
01:04:22I know.
01:04:29The facts are all against you.
01:04:31Right now.
01:04:33But if you had nothing to hide, why are you afraid?
01:04:37All right.
01:04:39Perhaps I was wrong.
01:04:42So we had a relationship, but that's all there was to it.
01:04:46There's no reason to believe that I would murder her.
01:04:49Excuse me, will you, woman, please?
01:04:54I'll go get the letters, and you can see for yourself.
01:05:10Well, what about him?
01:05:13It's a possibility.
01:05:19I'll go get it.
01:05:48Oh, my God.
01:06:18Oh, my God.
01:06:48Oh, my God.
01:07:18Oh, my God.
01:07:48Oh, my God.
01:08:18Oh, my God.
01:08:48Oh, my God.
01:09:18Oh, my God.
01:09:48Mary was escaping in the woods and might well have seen me come here. Don't have
01:09:53remorse now. You don't know what I've done. Leonore, you're thinking about Sheena
01:10:00Whiteman. How did you know that? Sir Alfred told me that Sheena knew who Mary's
01:10:06murderer was. I was so frightened. Sheena and Priscilla saw each other in the
01:10:10forest. I saw it through the window. Sheena must have seen you kill Mary that
01:10:15night. You must know I was forced to do it. And she recognized me. Yes. Oh all the
01:10:22bad I've done. But we must fight back to save you because without you I don't
01:10:27exist. Leonore, the second injection. You know I'm not a murderer.
01:10:45Leonore! Get away from her! Get away from her! Leonore! I can't help you, Leonore! Get away from her!
01:11:00Leonore! I can't help you! Get away! Leonore! Leonore! I'm dying. The key, Leonore.
01:11:25Leonore!
01:11:47Leonore!
01:11:53I'll kill you.
01:12:03Get away from me.
01:12:05You've killed me.
01:12:06I'm going to eat your brains out.
01:12:09I'll kill you.
01:12:10I'll kill you.
01:12:12I'll kill you.
01:12:14I'll kill you.
01:12:16I'll kill you.
01:12:18I'll kill you.
01:12:21I'll kill you.
01:12:22You must have known it was Walter.
01:12:23You were with him that night in the guardhouse.
01:12:25So what?
01:12:26And now?
01:12:28Listen to that story.
01:12:30Tell us, Chris.
01:12:31Is it because you're making time with a professor
01:12:33that you're being so very uppity about it?
01:12:36Don't listen to her, please.
01:12:52Miss Leonor will not be with you this morning.
01:13:04She had to leave for reasons of her own.
01:13:09You may stay in the park this morning.
01:13:11And tomorrow you'll attend
01:13:13the funeral of Walter.
01:13:17Silence!
01:13:19You have no right to judge others.
01:13:23Much less when they are dead.
01:13:29Judgment is for God alone.
01:13:31Be calm.
01:13:59After all, he got what he deserved.
01:14:01No!
01:14:04No!
01:14:17Get away!
01:14:20Get away from here!
01:14:25Get back here!
01:14:28Go!
01:14:28Go!
01:14:28Go!
01:14:28Go!
01:14:31the death of his master might have affected him a beast sometimes is
01:14:40especially sensitive it's true perhaps he feels guilty of water's death
01:14:52I'm going now
01:15:01well
01:15:08well
01:15:10well
01:15:13well
01:15:16well
01:15:19well
01:15:22well
01:15:29what are you doing
01:15:32leave me alone
01:15:34well where are you taking me
01:15:37well
01:15:44well
01:15:49well
01:15:51well
01:15:52well
01:15:53well
01:15:55well
01:15:56What are you looking for?
01:16:26What are you doing here?
01:16:38There.
01:16:39Over in the woods.
01:16:40It's terrible.
01:16:41It's terrible.
01:16:42What have you seen?
01:16:45I've seen a corpse.
01:16:46It's Walter.
01:16:47What are you saying to me?
01:16:48You're imagining things.
01:16:49No, I've seen it.
01:16:50It's not my imagination.
01:16:52The dog led me to it.
01:16:54The dog?
01:16:55I followed him, and he took me into the woods.
01:16:58At a certain place, I began to dig, and I uncovered something.
01:17:01It was Walter.
01:17:02You're still in shock from that night.
01:17:04Come inside.
01:17:05I'll get you something to drink.
01:17:10All right.
01:17:11I'll go and phone the police.
01:17:12But if we find nothing again this time, come in.
01:17:18But if the body of Walter is buried in the woods,
01:17:21who could be buried in the cemetery?
01:17:24Mr. Swift?
01:17:25Mr. Swift, what are you doing?
01:17:27Can't you hear me?
01:17:29Mr. Swift?
01:17:31Mr. Swift, what are you doing?
01:17:33Can't you hear me?
01:17:34Mr. Swift?
01:17:41Mr. Swift, what are you doing?
01:17:45Can't you hear me?
01:18:04Mr. Swift, what are you doing?
01:18:34Mr. Swift, what are you doing?
01:19:04Mr. Swift, what are you doing?
01:19:06Mr. Swift, what are you doing?
01:19:08Mr. Swift, what are you doing?
01:19:10Mr. Swift, what are you doing?
01:19:12Mr. Swift, what are you doing?
01:19:14Mr. Swift, what are you doing?
01:19:16Mr. Swift, what are you doing?
01:19:18Mr. Swift, what are you doing?
01:19:20Mr. Swift, what are you doing?
01:19:22Mr. Swift, what are you doing?
01:19:24Mr. Swift, what are you doing?
01:19:26Mr. Swift, what are you doing?
01:19:28Mr. Swift, what are you doing?
01:19:30Mr. Swift, what are you doing?
01:19:32Mr. Swift, what are you doing?
01:19:33I don't know.
01:20:03I don't know.
01:20:33Leonor.
01:20:38I've killed again.
01:20:40You haven't killed Priscilla.
01:20:46I shot you.
01:20:48I had to.
01:20:48It's better this way.
01:20:56Without Leonor, I don't want to live.
01:21:00He was with me always.
01:21:14He tried her best.
01:21:16But it's no use now.
01:21:26I murdered Mary Smith in the woods.
01:21:30I went out and killed her.
01:21:32I don't remember.
01:21:34I hoped it could be cured.
01:21:36I followed your research.
01:21:40I begged Benson to send you.
01:21:43Leonor.
01:21:45Leonor.
01:21:47It's Walter's grave.
01:21:51It's she will be buried in the cemetery.
01:21:56May God forgive me.
01:22:03Well, now it's finished.
01:22:24The moon.
01:22:38It was a nightmare for me.
01:22:41I know.
01:22:42Now the nightmare has passed.
01:22:46From you.
01:22:48Let's go.
01:22:49Let's go.
01:22:56Let's go.
01:23:01Let's go.
01:23:02Let's go.
01:23:04Transcription by CastingWords
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