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Dylan
  • 6/4/2025
Transcript
00:00Sous-titrage Société Radio-Canada
00:30Sous-titrage Société Radio-Canada
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03:26Professor of Psychology, and Ghost Hunter.
03:31Total pleasure.
03:32Massive.
03:33Actually, you're wrong.
03:34Professor Palmer spent most of the war as a POW.
03:37Actually, that's a lie told by a very brave man involved in very secret operations.
03:41The type of man who keeps a Victoria Cross in a box in the attic, eh?
03:44But you know that because you're Emma Grayling.
03:48The Professor's Companion.
03:50Assistant.
03:50It's 1974.
03:51You're the assistant and non-objective equipment, meaning psychic.
03:56Getting there.
03:57Bless you, though.
03:58Relax, Emma.
03:59He's military intelligence.
04:00So, what is all this in need of?
04:02Health and safety.
04:03Yeah.
04:04The Ministry got wind of what's going on down here.
04:08Sent me to check that everything's in order.
04:10They don't have the right.
04:11Don't worry, Governor.
04:11I'll be out of here in five minutes.
04:12Oh, oh, look.
04:15Oh, lovely.
04:16The ACR 99821.
04:18Oh, bliss.
04:19Nice action on the toggle switches.
04:21You know, I do love a toggle switch.
04:24Actually, I like the word.
04:26Toggle.
04:26Huh.
04:27Nice noun.
04:28Excellent verb.
04:29Oi, don't mess with the settings.
04:33What's that?
04:34Gadget.
04:34Health and safety.
04:35Classified, I'm afraid.
04:36You know, while the backroom boffins work out a few kinks.
04:40What's it telling you?
04:42It's telling me that you haven't been exposed to any life-threatening, transmundane emanations.
04:47So.
04:47Where's the ghost?
04:51Where?
04:51Show me the ghost.
05:01It's ghost time.
05:02I will not have this stolen out from under me.
05:07Do you understand?
05:08Um, no, not really.
05:09Sorry.
05:09I will not have my work stolen and be fobbed off with a pat on the back and a letter from
05:13the Queen.
05:13Never again.
05:14This is my house, Doctor, and it belongs to me.
05:16This is actually your house?
05:20It is.
05:21Sorry.
05:22You went to the bank and said, you know that gigantic old haunted house on the moors?
05:26The one that dossers are too scared to doss in?
05:28The one that birds are too scared to fly over?
05:31And then you said, I'd like to buy it, please, with my money.
05:33Yes, I did, actually.
05:36That's incredibly brave.
05:39Listen, Major.
05:41We just need to know what's going on here.
05:43For the Ministry.
05:44You know I can't answer that.
05:49Very well.
05:51Follow me.
06:01So what's an empathic psychic?
06:04Sometimes I sense feelings the way a telepath can sense thoughts.
06:10Sometimes, though, not always.
06:11The most compassionate people you will ever meet, empathics.
06:16And the loneliest.
06:17I mean, exposing themselves to all those hidden feelings.
06:20All that guilt, pain, and sorrow, and...
06:24Doctor?
06:24Yes.
06:25Shh.
06:27Would you, uh, care to have a look?
06:33Caliban House is over 400 years old, but she has been around much longer.
06:38The Caliban Ghast.
06:45She's mentioned in local Saxon poetry and parish folktales.
06:49The wraith of the lady, the maiden in the dark, the witch of the well.
06:55Is she real?
06:59As in, actually real?
07:00Oh, she's real.
07:02In the 17th century, a local clergyman saw her.
07:05He wrote that her presence was accompanied by a dreadful knocking, as if the devil himself
07:11demanded entry.
07:12During the war, American airmen stationed here, left offerings of tin spam.
07:18The tins were found in 1965, bricked up in the servants' pantry, along with a number
07:23of handwritten notes.
07:24Appeals to the ghast.
07:26For the love of God.
07:29Stop screaming.
07:29She never changes.
07:37The angle's different, the framing, but she's always in exactly the same position.
07:41Why is that?
07:42We don't know.
07:44She's an objective phenomenon, but objective recording equipment can't detect her.
07:48Without the presence of a powerful psychic.
07:51Absolutely.
07:53Very well done.
07:54She knows I'm here.
08:00I can feel her calling out to me.
08:06What's she saying?
08:10Help me.
08:11The Witch of the Well.
08:26So where's the well?
08:28A copy of the oldest plan that we could find.
08:32There is no well on the property.
08:35I mean, none that we could find anyway.
08:36You're coming.
08:43Where?
08:44To find the ghost.
08:45Why would I want to do that?
08:46Because you want to.
08:46Come on.
08:47Well, I dispute that session.
08:49Hey.
08:53I'm giving you a face.
08:55Yeah.
08:56Can you see me?
08:57Look at my face.
09:00Fine.
09:05Demi.
09:06I dare you.
09:08No takesy-packsies.
09:16The music room is the heart of the house.
09:31So we actually find her?
09:33What do we say?
09:34We ask her how she came to be.
09:35Whatever she is.
09:38Why?
09:39Because I don't know.
09:40And ignorance is, um, what's the opposite of bliss?
09:44Carlisle.
09:45Yes.
09:46Yes, Carlisle.
09:47Ignorance is Carlisle.
09:48Oh, well, now, now, we're all pins on her.
10:01I want to run.
10:02Oh, well, now.
10:02I want to go ahead and review her.
10:04I want her to add.
10:06And now I want to go ahead and review her.
10:08Oh, well, she's a Soon-old.
10:09Oh, well, never into enjoy my church.
10:11Idle her.
10:12Huh?
10:13est-ce que c'est vraiment du ministère ?
10:26Ah, je ne sais pas.
10:29Il a l'air correcte.
10:32Capricieux, brillant.
10:35Deceitful ?
10:37Oui.
10:39Il est un liar.
10:42Mais, vous savez, c'est souvent comme ça que c'est.
10:47Quand quelqu'un a vu une chose ou deux,
10:51l'experience fait des liens de nous.
10:54Nous lions de qui nous sommes,
10:57de ce que nous avons fait.
10:59Et de ce qu'on se sent.
11:03Oui.
11:05Toujours.
11:07Toujours.
11:09Vous savez, je ne sais pas.
11:14Nous devons être en train de faire des choses.
11:17Les équipements et donc.
11:20Bien.
11:21Bien.
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