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Short filmTranscript
00:00:00The End
00:00:30The End
00:01:00The End
00:01:30The End
00:01:59The End
00:02:29The End
00:02:59The End
00:03:29The End
00:03:59The End
00:04:29The End
00:04:59Daniel
00:05:00Daniel
00:05:01Daniel
00:05:05Oh God, I must see him.
00:05:35I must go to him.
00:05:37Raymond.
00:05:38Raymond.
00:05:39Raymond.
00:05:40Wake up.
00:05:42Wake up.
00:05:43Wake up.
00:05:49Oh, just touch me and I won't go.
00:05:51Oh, just touch me and I won't go.
00:06:21Skin.
00:06:27Skin.
00:06:28Skin.
00:06:29Skin.
00:06:30It's like skin.
00:06:31I'm like an animal.
00:06:33No.
00:06:34Even if Raymond had woken up, I'd have gone anyway.
00:06:38No.
00:06:39No.
00:06:40No.
00:06:41No.
00:06:42No.
00:06:43No.
00:06:44No.
00:06:45Even if Raymond had woken up.
00:06:46I'd have gone anyway.
00:06:47No.
00:06:48No.
00:06:49No.
00:06:50No.
00:06:51No.
00:06:52No.
00:06:53No.
00:06:54No.
00:06:55No.
00:06:56No.
00:06:57No.
00:06:58No.
00:06:59No.
00:07:15No.
00:07:16No.
00:07:17No.
00:07:25No.
00:07:28No.
00:07:28Sometimes it's an instinct to fly.
00:07:39I'm not going to feel guilty.
00:07:52Ah, there he is.
00:07:58Uh-huh.
00:08:28Was he really asleep or just afraid to see me go?
00:08:41Will he hear me now?
00:08:58What a place you've brought me to, Raymond.
00:09:27Nothing but cemeteries and military camps.
00:09:32Nearly a million killed here.
00:09:34This place stinks of old wars.
00:09:37And what did they die for?
00:09:39Every street's got a soldier's name on it.
00:09:42At least in Switzerland we only have one, a general.
00:09:44I can't remember his name anyway.
00:09:47Another cemetery.
00:09:49But not all the dead are buried.
00:09:52Why don't they rebel?
00:09:54At least the young ones.
00:09:56Rebellion's the only thing.
00:09:57That keeps you alive.
00:09:58the little cierp.
00:10:00Perfect.
00:10:00Hell, I haven't brought any money with me.
00:10:30And I've left my watch behind.
00:10:33Oh, well, this'll do for a drink in Germany.
00:10:37Oh, shut up.
00:10:46Fill them up, please. Super.
00:10:49A full tank?
00:10:53You going a long way?
00:10:55Quite a way. You know who I am, don't you?
00:10:58My husband is a schoolteacher, Raymond Nace.
00:11:01I've forgotten my money.
00:11:03Would you please ask him on his way to school?
00:11:05He'll pay you.
00:11:07Dressed up like that, you look more like a racing driver.
00:11:11But I know this bike.
00:11:12They aren't too alike in this part of the world.
00:11:14It's a brute of a thing.
00:11:18Your husband should use it.
00:11:20He get to school quicker,
00:11:21and the kids wouldn't make so much fun of him.
00:11:24It's my bike.
00:11:26No one else will ever use it.
00:11:28Yes, Daniel, I'll check the tyre pressures.
00:11:31Check the tyres, please.
00:11:3228 back, 26 front.
00:11:3736 front.
00:11:3938 back.
00:11:58Your husband's a very generous man.
00:12:00Raymond used my bike.
00:12:01Let him dare.
00:12:02But of course he wouldn't.
00:12:03Not the daring kind.
00:12:04Wouldn't even ask if he had to walk a hundred miles.
00:12:06The kids wouldn't make so much fun of you.
00:12:08Why'd you let them?
00:12:09I felt ashamed just hearing you tell me.
00:12:11Raymond.
00:12:12And the Rhine starts, in fact, where I come from.
00:12:13Switzerland.
00:12:14Mont.
00:12:15Saint.
00:12:16Go.
00:12:17Tare.
00:12:18Mont.
00:12:19Mont.
00:12:20public.
00:12:21Mont.
00:12:22Saint.
00:12:23Got.
00:12:25seal.
00:12:26ore?
00:12:27Yes, I've got you.
00:12:28Sorry?
00:12:30I am going to approach the knife to an end of one day.
00:12:31There is not enough.
00:12:32Look at all.
00:12:33Mr compliment.
00:12:34Silmit, of famous people I will find you,
00:12:37me.
00:12:38It is a good.
00:12:39Anders?
00:12:39What are you going to do on the shelf?
00:12:41I am going to try.
00:12:42Well, gladness.
00:12:43Bastard.
00:12:44Attendance.
00:12:45Okay.
00:12:47One.
00:12:48Why are you waving your arm, Philippe?
00:13:01What do you want?
00:13:03I want to go to the toilet, sir.
00:13:09Very well, you may be excused.
00:13:14Silence!
00:13:18This is too much!
00:13:27Where is the radio?
00:13:29Well, I think it was from outside.
00:13:31Where is the radio?
00:13:34Stand up, boys.
00:13:35Let's get radio.
00:13:37Where is the radio?
00:13:37What is that?
00:13:40I don't know what it is, sir.
00:13:41It's them.
00:13:44Where is the radio?
00:13:45Over there, that's the main.
00:13:46Come on, stand up, boy.
00:13:48What does it tell you?
00:13:50I thought you liked music, sir.
00:13:55Don't talk that rubbish, music!
00:13:57Well, I think I might have got it.
00:13:59Make noise!
00:14:07¶¶
00:14:10¶¶
00:14:11¶¶
00:14:13¶¶
00:14:13¶¶
00:14:17Dalyan's right, of course. He's always right.
00:14:20Towns die in their suburbs.
00:14:22Imagine living in a house like that.
00:14:25Suffocating. Slow, suffocating death.
00:14:29Aren't I dying?
00:14:31Being married is a little death.
00:14:33Living here.
00:14:35Christ, I'm talking like I've been married for years.
00:14:39And it's only two months.
00:14:42It's his bloody kindness that's killing me.
00:14:47Look, Daniel. I can rub them out like something in a drawing book.
00:15:11Twist on the throttle and I obliterate this muck.
00:15:13I can turn myself on.
00:15:17I can turn myself on.
00:15:47I can turn myself on.
00:16:15Rebecca, at speed on the wet road, you must anticipate a mile ahead, brake ever so gently
00:16:25and change into third before you brake.
00:16:28Now remember, hmm?
00:16:29Remember everything, every single thing.
00:16:37I fly towards you like those birds.
00:16:40No, like a rocket zooming towards the sun.
00:16:43Will you burn me up?
00:16:44I want to be burnt up.
00:16:47I want it to be exactly the same.
00:16:49Exactly like the last time.
00:16:52When the clocks strike eight at Heidelberg, I shall be in your arms.
00:17:02Eight.
00:17:03It's still too bloody early.
00:17:05It can't be more than, I don't know, four.
00:17:09What time did I leave then?
00:17:11I mustn't be too early.
00:17:12I want him waiting in the summer house.
00:17:16Of course, he'll know I'm coming.
00:17:18He senses prey.
00:17:21I'll stop for a while and let you sleep on.
00:17:22Have your breakfast.
00:17:23I'll arrive as you finish your coffee.
00:17:25Oh, so warm.
00:17:44Even this early.
00:17:45Like thousands of fingers.
00:18:00I think I only come to life when he touches me.
00:18:04I'm a bit like a leaf myself.
00:18:12Green.
00:18:13Not in that usual sense.
00:18:14Very supple and young.
00:18:16Bendable.
00:18:18Just out of the bud.
00:18:19Young and pliable.
00:18:21And there the similarity ends.
00:18:23Picked by Daniel.
00:18:24And the minute he picked me, I began to die.
00:18:26It seems so long, so bloody boring.
00:18:46I've never known 12 days seem so long.
00:18:49Oh, you've no idea how bored I've been.
00:18:52I've been stultified.
00:18:54I like that word.
00:18:56Is it the right word?
00:18:57Suffogating.
00:18:58No.
00:19:00Stultified.
00:19:01And the bike waiting.
00:19:03Almost champing at the pit.
00:19:05No, much more virile than a horse.
00:19:08And fast, fast.
00:19:09Last time I passed this very spot, it was already so hot.
00:19:12The handlebars were burning through my gloves.
00:19:14I was doing 130.
00:19:44It's fine.
00:19:45It's fine.
00:20:03It's fine.
00:20:08Eddie.
00:20:38It's a woman.
00:20:53You can tell the difference these days.
00:20:55Oh, yes?
00:20:56I can.
00:20:58He knows I'm naked under this thing.
00:21:00He could unzip me to see if I'm smuggling anything.
00:21:02Passport.
00:21:04I've heard all about the way they search.
00:21:06God, he'd do it to a random sort.
00:21:09Only myself to declare.
00:21:12Anything to declare?
00:21:13Yeah, what did I tell you?
00:21:16Nothing at all, sir.
00:21:17Nothing but myself, as you can see.
00:21:19And very pretty merchandise, too.
00:21:24Nothing?
00:21:26Are you sure?
00:21:29Show me.
00:21:30What?
00:21:32The papers for your motorbike.
00:21:42Good.
00:21:45There you go.
00:21:47Come back some time and give me a ride on your pillion.
00:21:50I promise you'll hang on tight.
00:21:56Now I'm leaving Raymond's country and entering Daniel's.
00:22:02Guten Morgen.
00:22:02Can I see you on pass?
00:22:03Can I see you on pass?
00:22:03Can I see you on pass?
00:22:03Can I see you on pass?
00:22:07Good trip.
00:22:08Good trip.
00:22:09How beautiful my lover's country is.
00:22:16Such architecture.
00:22:17Gotcha.
00:22:47You're welcome.
00:23:17You're welcome.
00:23:47You're welcome.
00:24:17You're welcome.
00:24:47You're welcome.
00:25:17You're welcome.
00:25:47You're welcome.
00:26:17You're welcome.
00:26:47You're welcome.
00:26:49You're welcome.
00:26:51You're welcome.
00:26:53You're welcome.
00:26:55You're welcome.
00:26:57Do they have time to make love?
00:26:59Do they know how?
00:27:01Were you ever a soldier, Daniel?
00:27:09I can't imagine you taking orders from anybody.
00:27:15You'd never fall for all that flag-waving crap.
00:27:17Rise, quickly, burn me.
00:27:25Rise, quickly, burn me.
00:27:29I can't imagine you.
00:27:31I can't imagine.
00:27:33You're welcome.
00:27:35I can't imagine.
00:27:37I can't imagine.
00:27:39I can't imagine.
00:27:41So
00:28:11how's that daniel idiot haven't i told you a clutch won't last five minutes with that treatment
00:28:29you are just showing off that's all
00:28:31timid mice caught in traps i'm caught i run around my little cage i must ask daniel why bridges
00:28:49always look like mousetraps he'll know the reason if he doesn't he'll invent one and i'll believe it
00:28:57that little space at the end that's the escape hatch for the time being
00:29:27imagine i once thought trains were fast
00:29:30funny little red mountain train chugging away i felt so happy of sean catherine
00:29:37they're so bloody uncomplicated life could be very simple and i could enjoy it
00:29:43look at his light reading super symphony in b minor wouldn't this thriller be more appropriate
00:29:57for his skiing weekend thrillers are too clever for me i can never follow them
00:30:01haven't you any ordinary common old folkotists several he means me
00:30:08here we are
00:30:26a red room sexy red for danger
00:30:51thank you
00:30:55seems you
00:30:56my room's next to yours so don't lock your door tonight
00:31:11me
00:31:18so
00:32:01Let's make another round.
00:32:25Come on.
00:32:31I've had enough.
00:32:32All right.
00:32:33I'll beckon in two then.
00:32:34Why?
00:32:35Aren't you enjoying yourself?
00:32:36Not particularly.
00:32:37Liar.
00:32:38You never do what you want to do.
00:32:39You only do what you ought to do.
00:32:40All right.
00:32:41We'll make a compromise.
00:32:42We'll make one more run.
00:32:43Good.
00:32:44Now at last you admit what you want to do.
00:32:46But you know what you ought to do.
00:32:47No.
00:32:48You ought to tell me to shut up and do what you want to do.
00:32:51Oh, darling.
00:32:53If you weren't always so reasonable, you wouldn't drive me into being such a bitch.
00:32:57You should get yourself another girlfriend, somebody nice, not like me.
00:33:03Oh.
00:33:04Oh, Rebecca.
00:33:05Oh.
00:33:06Oh, Rebecca.
00:33:07Oh, Rebecca.
00:33:12Oh, my God.
00:33:14Oh, Rebecca's listen, because we all know a story I have.
00:33:15Oh.
00:33:19Oh, my gosh.
00:33:25Oh, my gosh.
00:34:28Who is that man staring at you at the bar? Do you know him?
00:34:31I think I may have seen him come into my father's bookshop.
00:34:34Stupid!
00:34:35You can't put Oscar Wilde next to Charles Brontë.
00:34:38That would cause an awful scandal.
00:34:39Where does it go, then?
00:34:41Next to Bernard Shaw and St. Augustine, of course.
00:34:44It's odd the bedfellows a man does keep when he's dead.
00:34:47Good morning.
00:34:51Good morning.
00:34:55I was passing and wondered if that copy of African Genesis had come in yet.
00:35:00No, no, I'm afraid not.
00:35:01You see, English publishers are like the Almighty.
00:35:03They have no orders and they have no sense of urgency.
00:35:05But I picked up something the other day I think may be of interest to you.
00:35:10Copy of Chardin's Divinity.
00:35:12The Marseille edition?
00:35:15No.
00:35:15You do know my daughter, Rebecca, don't you?
00:35:19No.
00:35:20Oh, darling, this is Monsieur Daniel...
00:35:22Coligny.
00:35:24Coligny, from Lausanne.
00:35:25Lectures at Heidelberg.
00:35:26And Divine Love and Wisdom.
00:35:37Oh, I'm sure I sold you a copy of that last spring.
00:35:40I haven't read it yet.
00:35:41Pity.
00:35:42Anyway, winter is the season for Divine Wisdom.
00:35:44As for Divine Love, that's valid all seasons of the year.
00:35:49And I don't think Rebecca will deny that.
00:35:52Well, I'll go and fetch the Divinity.
00:35:56Here we are.
00:36:08I can't wait to get my hands on that.
00:36:12In mint condition.
00:36:14I'll certainly take it.
00:36:22Interesting, man.
00:36:24Typically Swiss.
00:36:26Despises German thought, but exploits it.
00:36:44You're crazy.
00:36:47Oh, no.
00:36:47Oh, no.
00:36:49Oh, no, give me my hand, come on.
00:36:59Oh, you think so, huh?
00:37:03Oh, yes, here I am.
00:37:09Oh, good night.
00:37:17Good night.
00:37:17Good night.
00:37:17Good night.
00:37:17Good night.
00:37:22Good night, Raymond.
00:37:23Good night.
00:37:25Here I am.
00:37:31Good night.
00:37:40Good night.
00:37:42Good night.
00:37:51Good night.
00:37:55White.
00:37:58White for Raymond.
00:38:25No, I can't.
00:38:55Oh, no. What's wrong with me? I can't go through with it.
00:39:12Rebecca.
00:39:15Rebecca.
00:39:25Rebecca.
00:39:26Rebecca.
00:39:27Rebecca.
00:39:28Rebecca.
00:39:29Rebecca.
00:39:30Rebecca.
00:39:31Rebecca.
00:39:32Rebecca.
00:39:33Rebecca.
00:39:34Rebecca.
00:39:35Rebecca.
00:39:36Rebecca.
00:39:37Rebecca.
00:39:38Rebecca.
00:39:39Rebecca.
00:39:40Rebecca.
00:39:41Rebecca.
00:39:42Rebecca.
00:39:43Rebecca.
00:39:44Rebecca.
00:39:45Rebecca.
00:39:46Rebecca.
00:39:47Rebecca.
00:39:48Rebecca.
00:39:49Rebecca.
00:39:50Rebecca.
00:39:51Rebecca.
00:39:52Rebecca.
00:39:53Rebecca.
00:39:54Rebecca.
00:39:55Rebecca.
00:39:56Rebecca.
00:39:57Rebecca.
00:39:58Rebecca.
00:39:59Rebecca.
00:40:00Rebecca.
00:40:01Rebecca.
00:40:02Rebecca.
00:40:03Rebecca.
00:40:04Rebecca.
00:40:05Rebecca.
00:40:06Rebecca.
00:40:07Rebecca.
00:40:08Rebecca.
00:40:09Rebecca.
00:40:10Rebecca.
00:40:11Rebecca.
00:40:12Rebecca.
00:40:13Rebecca.
00:40:14Rebecca.
00:40:15Rebecca.
00:40:16Rebecca.
00:40:17Rebecca.
00:40:18Rebecca.
00:40:48Rebecca.
00:40:49Rebecca.
00:40:50Rebecca.
00:40:51Rebecca.
00:40:52Rebecca.
00:40:53Rebecca.
00:41:22Rebecca.
00:41:23Rebecca.
00:41:52Rebecca.
00:41:53Rebecca.
00:41:54Rebecca.
00:41:55Rebecca.
00:41:56Rebecca.
00:41:57Rebecca.
00:41:58Rebecca.
00:41:59Rebecca.
00:42:00Rebecca.
00:42:01Rebecca.
00:42:02Rebecca.
00:42:03Rebecca.
00:42:04Rebecca.
00:42:05Rebecca.
00:42:06Rebecca.
00:42:07Rebecca.
00:42:08Rebecca.
00:42:09Rebecca.
00:42:10Rebecca.
00:42:39Rebecca.
00:42:40Rebecca.
00:42:41Rebecca.
00:42:42Rebecca.
00:42:43Rebecca.
00:42:44Rebecca.
00:42:45Rebecca.
00:42:46Rebecca.
00:42:47Rebecca.
00:42:48Rebecca.
00:42:49Rebecca.
00:42:50Rebecca.
00:42:51Rebecca.
00:42:52Rebecca.
00:42:53Rebecca.
00:43:23Rebecca.
00:43:24Rebecca.
00:43:25Rebecca.
00:43:26Rebecca.
00:43:27Rebecca.
00:43:28Rebecca.
00:43:29Rebecca.
00:43:30Rebecca.
00:43:31Rebecca.
00:43:32Rebecca.
00:43:33Rebecca.
00:43:34Rebecca.
00:43:35Rebecca.
00:43:36Rebecca.
00:43:37Rebecca.
00:43:38Rebecca.
00:43:40Rebecca.
00:43:41He didn't even look back.
00:44:04Rebecca!
00:44:08Rebecca!
00:44:12Rebecca, it's me!
00:44:23Come on, get up! Don't you want to go skiing? It's ten o'clock!
00:44:27You have been asleep for hours.
00:44:30How do you know I've been asleep?
00:44:32I came into your room.
00:44:33When?
00:44:34Soon after we came up.
00:44:35I kissed your nose, but you didn't stir.
00:44:38It must be the mountain air.
00:44:41Yes.
00:44:42It must be the mountain air.
00:44:47Raymond, do we have to wait three months before we get married?
00:44:50It's your father's idea that I qualify and get that job in Osas.
00:44:54I'll persuade him.
00:44:55Let's get married next week.
00:44:58Please, Raymond.
00:45:00Frightened.
00:45:01Frightened of what?
00:45:02Of losing you.
00:45:04Or myself.
00:45:06If only you knew.
00:45:09And if only I knew for sure.
00:45:11And so they married and lived happily ever after.
00:45:17It's a sick joke.
00:45:19It's mad the way girls rushed to marry.
00:45:22Who's the first after leaving school?
00:45:25That fat Giselle.
00:45:26What an unsuitable name.
00:45:29All in white with her little hands stuck out of those lace sleeves like pig's trotters.
00:45:34But why did I do it?
00:45:37Better than the bookshop, nine till five.
00:45:4024 hours nonstop stuck in a lousy suburb miles from Switzerland.
00:45:44And what's the future?
00:45:45Lots of babies and not much money.
00:45:46Putting the pram round the local cemeteries.
00:45:48And no escapable ones there oneself.
00:45:51So why did I marry Raymond?
00:45:54Stopped becoming a tard.
00:46:17Good morning.
00:46:19Oh, good morning.
00:46:21What have you got on Swedenborg?
00:46:23It was him, of course.
00:46:25A stranger.
00:46:27And he knows more about my body than anyone in the world.
00:46:30Just a few months ago.
00:46:31Wait a minute.
00:46:32The humanity and the redemption.
00:46:33I know I've got here somewhere.
00:46:35I look at the office.
00:46:46I knew it was here.
00:46:58Yes, well, I have the English abrégé.
00:47:00But the redemption, I must have it somewhere downstairs.
00:47:04Shall I go and get it for you?
00:47:05No, no, I must get used to looking for things myself.
00:47:08Trouble with daughters is they get married.
00:47:10This one's getting married in a few weeks.
00:47:13Congratulations.
00:47:15She looks rather pale for a bride.
00:47:18You can see she breathes nothing but book dust.
00:47:20If you can spare her for now, I'll check her out on my bike.
00:47:24Bring some color to her cheeks.
00:47:27Yes, you go along.
00:47:29Hmm, why not?
00:47:30Might wake her up a little.
00:47:36Go along, you haven't been out since you were skiing.
00:47:39I'll have your books ready for you when you come back.
00:47:41Right, off you go.
00:47:45Here we are.
00:47:49Hold tight and put your feet up.
00:47:56Not too far.
00:47:58Never been out of motorbike before.
00:47:59Hold tight.
00:48:13Not that way, stupid.
00:48:15Put your arms around my waist.
00:48:17Then tight.
00:48:18You have no idea.
00:48:32Are you okay?
00:48:33I'm walking!
00:48:46Where are you taking me?
00:48:49The place I know.
00:48:51I began to think you wouldn't come again.
00:48:55I've left a shot.
00:48:57It's been two weeks. I thought you didn't want to see me again.
00:49:01That's what I did this time.
00:49:04What?
00:49:06Not to see you again.
00:49:19Why did you come?
00:49:21Shut up!
00:49:25Why did you decide never to see me again?
00:49:31Was it because you didn't like me or because I was engaged to be married?
00:49:36No!
00:49:37Witch!
00:50:01Oh!
00:50:03Two kilometers ago I said witch. Because you didn't like me or because I'm getting married.
00:50:07Because I didn't like you.
00:50:08Because there's no future in it, you mean?
00:50:09Yes.
00:50:11Then why did you?
00:50:13Because there is a present.
00:50:14Oh, blast it!
00:50:15Oh, blast it!
00:50:16Oh!
00:50:17How are you?
00:50:18The two miles away?
00:50:19Because I didn't like me.
00:50:20Because you didn't like me or because I'm getting married.
00:50:21Because I didn't like you.
00:50:22Because there's no future in it, you mean?
00:50:23Yes.
00:50:25Then why did you?
00:50:26Because there is a present.
00:50:33Oh, blast it!
00:50:34Blast it.
00:51:04Blast it.
00:51:34Blast it.
00:52:04Blast it.
00:52:05Blast it.
00:52:06Blast it.
00:52:07Blast it.
00:52:08Blast it.
00:52:09Blast it.
00:52:10Blast it.
00:52:11Blast it.
00:52:12Blast it.
00:52:13Blast it.
00:52:14Blast it.
00:52:15Blast it.
00:52:16Blast it.
00:52:17Blast it.
00:52:18Blast it.
00:52:19Blast it.
00:52:20Blast it.
00:52:21Blast it.
00:52:22Blast it.
00:52:23Blast it.
00:52:24Blast it.
00:52:25Blast it.
00:52:26Blast it.
00:52:27How much money do you have?
00:52:40Fifty marks.
00:52:49I bet he's queer.
00:52:57Pass and greener carter, Peter.
00:53:04No luggage.
00:53:07What are you doing in Germany?
00:53:10Just trying out the bike on the Autobahn.
00:53:13In Alsace, the roads are too narrow.
00:53:16Too much traffic for safety.
00:53:27What a couple of nasty bastards.
00:53:31Why did I bother to lie?
00:53:33What business is it of theirs?
00:53:37Last time I came, it was so warm.
00:53:39I like to be warm.
00:53:41There was a cold wind that killed my mother.
00:53:44Perhaps it's an omen, this cold wind.
00:53:47Oh, I'm stupid.
00:53:57Champagne, my darling Dionysus.
00:54:09And water for Raymond.
00:54:11Poor old Raymond.
00:54:13I must attract teachers.
00:54:16Both of them, husband and lover.
00:54:19I like the word lover.
00:54:21Raymond obviously knows I have a lover and allows me too.
00:54:25Daniel allows me nothing.
00:54:27Treats me like a slave.
00:54:29When he lets me go, he knows I'm not free even though.
00:54:32What do you teach, Daniel?
00:54:35Philosophy?
00:54:37Psychology?
00:54:39Anthropology?
00:54:41I know!
00:54:44You're a doctor of pornography!
00:54:48I should feel guilty.
00:54:58I know I should feel guilty.
00:55:00Poor Raymond.
00:55:02I was an adulterous teenage bride.
00:55:05Did I marry him because I was a masochist?
00:55:10Daniel said I did.
00:55:12Then he would.
00:55:13Daniel.
00:55:14What was it, Daniel said?
00:55:16In 15 years there won't be any more marriages.
00:55:18I was born too soon.
00:55:20All free love.
00:55:22Free love.
00:55:23Free field.
00:55:24We love but while we may.
00:55:26Hoof!
00:55:27Playboy magazine, sir?
00:55:29Probably.
00:55:31But quoted from Tennyson.
00:55:34I didn't know they thought of free love in his time.
00:55:36What do you think of it?
00:55:38In relation to the alternative.
00:55:40Marriage.
00:55:41You get to eat the biscuit without having to buy the packet.
00:55:45Right, sir?
00:55:46What do you understand by free love?
00:55:53Come on, one of you.
00:55:55It's your generation that will do away with the marriage custom.
00:55:59Well, free love is being free to love someone without a permanent commitment.
00:56:06Not bad, as far as it goes.
00:56:10Free love.
00:56:11Love without marriage.
00:56:13Love without love.
00:56:14Now for love, let's say, make love.
00:56:17So?
00:56:18Desire without love.
00:56:20Possible?
00:56:21Of course, sir.
00:56:22You can fancy a girl without loving her.
00:56:25So what is love?
00:56:27It's the most misunderstood word in any language.
00:56:31And the most misused.
00:56:33We use it as a blanket to cover all the dark emotions.
00:56:39Desire.
00:56:40Lust.
00:56:41The need to hurt.
00:56:43To be hurt.
00:56:44But doesn't love make these other emotions acceptable?
00:56:51If you mean respectable, say so.
00:56:54A virtue is its own reward, then so is sin.
00:56:57Right?
00:56:58I suppose so, sir.
00:56:59Then isn't love just a word to make seem respectable to ourselves as much as others?
00:57:04And isn't marriage just a form of protecting ourselves from pointing fingers and wagging tongues?
00:57:09I suppose it is.
00:57:10Oh, is it?
00:57:11Then go away.
00:57:12Fall in love.
00:57:13Then come back and tell me how free you are.
00:57:15You'll find there are still a few problems with free love.
00:57:18Well, what's wrong with free love, Daniel?
00:57:21Oh yes, I see.
00:57:22Poor cow!
00:57:23Four down and one to go.
00:57:24She looks exhausted.
00:57:26But it's not vitamin pills she needs.
00:57:28Poor Carl, four down and one to go. She looks exhausted, but it's not vitamin pills she needs.
00:57:47Just like you told me, Daniel, German drivers prefer to travel in convoy, like soldiers.
00:57:53What was it you said? Like lemmings. All of us like lemmings.
00:57:58On our way to the cemeteries, one way or another.
00:58:04I always thought I had identity.
00:58:07No mother. That gave me distinction at school.
00:58:10And a scholarly father. The teachers like that.
00:58:15Identified by my parents, but no identity. I have no identity.
00:58:20Lost forever in you, Daniel. A randy bitch permanently on heat.
00:58:24That's what you want, isn't it? You don't care, do you?
00:58:27You're a sadist, my darling. A magnificent sadist.
00:58:32And you're a bastard!
00:58:37Bastard! Bastard!
00:58:40Like a bloody mausoleum.
00:58:50Daniel, I wonder if this is where you hide all your dark secrets.
00:58:55you've got the dark secrets.
00:58:56Oh, man!
00:58:57Like a bloody mausoleum.
00:58:59Daniel, I wonder if this is where you hide all your dark secrets?
00:59:02Daniel, I wonder if this is where you hide all your dark secrets.
00:59:09God, I must have a drink.
00:59:33It's still time to kill.
00:59:39It's still time to kill.
00:59:54Ben Schmeyer, look at this.
00:59:59A black leather is modern.
01:00:02I want you to take it with me.
01:00:05I want you to take it with me.
01:00:07Yes, yes, but wait for me.
01:00:09Still only half past six.
01:00:12One moment.
01:00:14When I look at it, I want you to take it with me.
01:00:15gewöhnlich.
01:00:16Kaffee?
01:00:17Nein, nein.
01:00:18Kirsch bitte.
01:00:20Ein bisschen Literal.
01:00:21Mal, naja.
01:00:23Mal.
01:00:24Bisschen, mal.
01:00:25Mal, mal.
01:00:26Mal, mal, mal, mal.
01:00:27Mal, mal, mal.
01:00:28Mal, mal, mal.
01:00:29Mal, mal, mal mal.
01:00:31Mal, mal, mal mal.
01:00:32Balm, mal mal.
01:00:34And the way you taught me to drink it.
01:01:04A room and a bottle of cash.
01:01:19It is open.
01:01:22He's been here before.
01:01:34Come in.
01:02:48How stupid.
01:02:54Daniel, I do wish you'd teach me to drive a motorbike.
01:03:00I will.
01:03:01We'll start tomorrow.
01:03:03Now, remember this.
01:03:05Treat machinery as if it were human.
01:03:08And it responds.
01:03:09It's only people who allow themselves to be treated as machines.
01:03:13Right?
01:03:14Let the clutch in gently.
01:03:16No more.
01:03:17Now, give the engine a little throttle.
01:03:20Now, heal it.
01:03:23Hit it into first.
01:03:25Now, slowly, gently.
01:03:27Very slowly.
01:03:28Here we go.
01:03:30Bland.
01:03:32Easy, easy.
01:03:35That's good.
01:03:37A little more throttle.
01:03:38Not too much.
01:03:40Take it easy.
01:03:42A little more throttle.
01:03:44No, too much.
01:03:46Easy.
01:03:48Now, change into second.
01:03:52It's in.
01:03:54And...
01:03:55Fetch.
01:03:56I did it.
01:03:57Stop, Fetch.
01:03:58Look at the door.
01:03:59Don't look around, idiot.
01:04:01You don't have to shout at me like that.
01:04:05I have to shout above the ashes.
01:04:07All right.
01:04:08Stop blubbering and sense deal again.
01:04:10Right.
01:04:11Next turn, he's tense down.
01:04:12Don't look around, idiot.
01:04:13The other.
01:04:14No!
01:04:15Don't look around.
01:04:16The other.
01:04:17The other.
01:04:18No!
01:04:19Don't look around.
01:04:20The other.
01:04:21No!
01:04:22Don't look around.
01:04:23The other.
01:04:24No!
01:04:25Don't look around.
01:04:26The other.
01:04:27No!
01:04:28Don't look around.
01:04:29The other.
01:04:30The other.
01:04:31No!
01:04:32Don't look around.
01:04:51Well, how was that?
01:04:52Not bad.
01:04:53Not bad.
01:04:54A slight improvement.
01:04:55Seat behind.
01:04:56I'll show you how to take the bands.
01:05:03Hold tight.
01:05:23I've been done, sir, before I get there.
01:05:25Now, lean into the band.
01:05:27Don't be afraid.
01:05:28Oh.
01:05:29The speed takes me around.
01:05:30Got it?
01:05:31Oh.
01:05:32Yes.
01:05:33Yes, I think so.
01:05:44Right.
01:05:45On your own.
01:05:46No, no, I couldn't.
01:05:48You can do it.
01:05:52Yeah.
01:05:53No, no.
01:05:54It's a professional.
01:05:55Yeah.
01:05:56I sido, I ain't doing that.
01:05:57That's how I do it.
01:05:58No, no.
01:05:59No, no.
01:06:00I didn't do it.
01:06:01No, I need nothing.
01:06:02No, I didn't do it.
01:06:04I don't know.
01:06:05It's mental.
01:06:06Wow.
01:06:07It's mental.
01:06:08You're just.
01:06:09I don't know.
01:06:10Don't expect me to speak for it.
01:06:11Oh, my God.
01:06:41Oh, my God.
01:07:11Oh, my God.
01:07:41Oh, my God.
01:08:11A motorbike is closer to you than any human being.
01:08:19A car, it's something outside yourself.
01:08:24But a motorbike becomes part of you.
01:08:27You are the sensations.
01:08:29They're in between your thighs.
01:08:31Has that been the only love in your life?
01:08:35That's a stupid thing to say.
01:08:37Of course it hasn't.
01:08:39And love is also a stupid word.
01:08:41Always crawling through labyrinth of sentiment.
01:08:44Love is a feeling.
01:08:45So is toothache.
01:08:49What do you do with toothache?
01:08:54If it hurts too much, you put it out by the roots.
01:08:57Then it's dead.
01:08:57No more trouble.
01:08:58Is that what you did with her?
01:09:04Where's she now?
01:09:13Is she dead?
01:09:14Daniel, would you marry me?
01:09:20No.
01:09:22Because of her?
01:09:24You said she was dead.
01:09:26Could still be the reason.
01:09:31Daniel, in three weeks' time, I'm going to marry Raymond.
01:09:34I wrote that in my diary.
01:09:40I must send you a wedding present.
01:09:42Just come and look.
01:09:43The most ridiculous wedding present I've ever seen in my life.
01:09:57You can't accept it.
01:09:59It's out of the question.
01:10:00The man may be well off, but there are limits.
01:10:03You can't accept it.
01:10:04Send it back.
01:10:07Should I, Raymond?
01:10:08Is that what you want me to do?
01:10:14Not if it makes you unhappy.
01:10:17Do what you want to.
01:10:27Merci.
01:10:34Well, you had your chance there, Raymond.
01:10:57Oh, and you missed it.
01:11:00I know who is going to be unhappy.
01:11:01You's a good one.
01:11:15Thanks.
01:11:16Yes, I'll come soon.
01:11:18I'll have a drink.
01:11:28Come here, come here!
01:11:30Yes, come here, come here!
01:11:32What can I bring to you?
01:11:42Give me something to drink, please.
01:11:46Daniel, today is it.
01:11:56I'm going back to France by train.
01:12:00You can keep your bloody bike.
01:12:16Dear Raymond.
01:12:28Darling Raymond.
01:12:30Oh, Christ.
01:12:32The point is, I've left you.
01:12:36I mean, I'm not coming back.
01:12:40I can't help it.
01:12:42Help it.
01:12:56He never gives me any identity.
01:13:00He never even says I'm pretty.
01:13:02He never even says I'm pretty.
01:13:06I'm pretty.
01:13:16It's all.
01:13:18I don't know.
01:13:50My black devil.
01:14:19You make love beautifully, like my red devil Daniel.
01:14:24You're his pounce.
01:14:26This be the whore should sue me in the hands of my client.
01:14:30Take me to him, my black pimp.
01:14:49Take me to him, my black pimp.
01:15:04Take me to him, my black pimp.
01:15:23Take me to him, my black pimp.
01:15:38Oh, Christ.
01:15:41You bloody fool.
01:15:43You silly little cow to drive like that.
01:15:45You should have been killed.
01:15:47And you deserve it.
01:15:48You're quite right.
01:15:49I was a silly bitch.
01:15:51I must pull myself together.
01:16:21Don't worry, darling.
01:16:36I'll keep my body unmangled for you.
01:16:39And I know my body's all you care about.
01:16:54Here's the son-off.
01:16:55Here's the son-off.
01:16:56Here's the son-off.
01:16:59井是也就向了她.
01:17:00So on такой jump.
01:17:01Here's the son-off.
01:17:03Here's the son-off.
01:17:04Here's a son-off.
01:17:05Chool-off.
01:17:06Here's this son.
01:17:37Why do I do it?
01:18:01Daniel, why do I come here?
01:18:03Because you want to.
01:18:05Because I want to.
01:18:08Yes.
01:18:10Because I want you.
01:18:12Does that make me a nymphomaniac?
01:18:14Darling, am I a nymphomaniac?
01:18:17A bit, I suppose.
01:18:19So cunning to give me that motorbike for a wedding present.
01:18:24If it weren't for that, how else would I be able to get you?
01:18:27Do you know, all Raymond said was,
01:18:29I would have thought one of your father's friends
01:18:31could have given you a more useful wedding present.
01:18:34Poor Raymond.
01:18:37I often tried to tell him.
01:18:39God knows often I tried.
01:18:42But it seemed pointless.
01:18:44Too late.
01:18:45And then, I decided to keep the bike.
01:18:51Just to spite you for giving it to me and then never see you again.
01:18:55How long did I keep that up?
01:18:57A month.
01:18:57Fifteen days.
01:19:00Not that you'd have noticed.
01:19:04You know why I married Raymond in such a hurry.
01:19:08I married him as a protection against you.
01:19:11I tried to make him happy.
01:19:15I tried desperately to forget you.
01:19:19Do you know what I've been doing to get you out of my system?
01:19:22Every night, before I go to sleep,
01:19:25I list your faults in my mind.
01:19:28Your cruelty.
01:19:30Your arrogance.
01:19:32Your conceit.
01:19:35Your callousness.
01:19:36It's easy enough to think of them.
01:19:41Then I concentrate on each one.
01:19:44Hoping that when I wake up in the morning,
01:19:46I wouldn't be thinking of you.
01:19:48But I do.
01:19:51And I know you don't love me.
01:20:00Did you send her roses?
01:20:03Constantly.
01:20:03You never send me any.
01:20:07You'll never love anyone but her.
01:20:09Whoever the hell she was.
01:20:11Let's say that I shan't love anybody anymore.
01:20:14Let's leave it at that.
01:20:24Don't blow on cold ashes, my little one.
01:20:27It gets into your eyes.
01:20:33On my way here, I called you a sadistic bastard
01:20:38at the top of my voice, and I meant it.
01:20:42Is that how you see me?
01:20:47Is that the way you want me to be?
01:20:52I don't know.
01:20:53I don't know.
01:20:54I don't know.
01:21:14I don't know.
01:21:15Oh, my God.
01:21:45Oh, my God.
01:22:15Your toes are like tombstones.
01:22:28In fact, you're far from irresistible.
01:22:33Then why did you ask me to come?
01:22:36I never asked you to come.
01:22:37You did, my darling.
01:22:41You sent me that wonderful motorbike, and I'm paying for it in installments.
01:22:46But now it's paid in full.
01:22:48I shan't come here anymore.
01:22:50Ever.
01:22:51I'll give you ten days.
01:23:00But you were wrong there, my darling.
01:23:03It was twelve days.
01:23:05I know.
01:23:06I counted them.
01:23:07I counted them.
01:23:34Typical.
01:23:42Even when they get out into the country, these morons have to sit in their cars.
01:23:46What?
01:23:58Oh, my God.
01:24:01Oh.
01:24:03Oh, my God.
01:24:05Oh, my God.