- 6/8/2025
Category
đ„
Short filmTranscript
00:00:00Hello, may I see Mr. Surdwin? It's important.
00:00:10Ah, Mr. Marchand.
00:00:11Your shooting schedule.
00:00:14Would you tell Mr. Surdwin...
00:00:15Have you filled this up?
00:00:21Couldn't you just show these to him, please?
00:00:24Is you're out here yet?
00:00:26Not very likely.
00:00:27But he said that he'd help me.
00:00:30Well, then, follow me.
00:00:37Just ask anyone.
00:00:39Up ahead.
00:00:49More to the right.
00:00:51Keep turning.
00:00:53Come forward a little.
00:00:58Keep coming this way.
00:01:00Yeah, that's fine.
00:01:02All right, now.
00:01:03Try it higher.
00:01:05Get the skirt up higher.
00:01:07Do you know Mr. Surdwin?
00:01:09Well, yes, that's me.
00:01:10Oh, no, no, no.
00:01:11No, today it's me.
00:01:12Oh, no.
00:01:12Do you know where I might find him?
00:01:14I tried the problem.
00:01:15Up the street.
00:01:16Thanks.
00:01:17Excuse me, how does one make a phone call?
00:01:37Local call?
00:01:38I don't know.
00:01:39I don't know why.
00:01:40Is it in Paris or not?
00:01:42Why, yes, in Paris.
00:01:44That's 60 centimes.
00:01:46Yeah.
00:01:48Do you have one of those, um...
00:01:51Uh, a directory?
00:01:53Hello.
00:01:54Waiter.
00:01:55Do you have Surdwin's phone number?
00:01:57Sure, but he was just upstairs.
00:01:59He was?
00:02:00Did you tell him I was here?
00:02:02Yeah.
00:02:03Well?
00:02:04Well, he left.
00:02:06He didn't say anything?
00:02:07Oh, yeah.
00:02:08Well, what?
00:02:09You really want to know what?
00:02:13No.
00:02:23There's always a Salvation Army, I suppose.
00:02:26Oh, brother.
00:02:28When they house you?
00:02:28Yeah, sure.
00:02:30Don't you want to eat something before you sleep?
00:02:32Come on.
00:02:33It's on me.
00:02:36I'm not going to rape you.
00:02:40But what will I do with this thing?
00:02:42Here, give.
00:02:43I can always use it.
00:02:45Hey, hey, hey.
00:02:46Haven't you got anything else to wear?
00:02:49Why, yes.
00:02:56Hey, make it snappy.
00:02:57You saw me.
00:03:02Hey, let's go.
00:03:25Hey, how?
00:03:28Nice piece.
00:03:44Have you always lived in a train station?
00:03:46Well, why not? It's practical.
00:03:49Look, do you mind?
00:03:58Good evening.
00:03:59Evening, Antoinette.
00:04:02Hi.
00:04:03Your wife is here.
00:04:04What?
00:04:04Well, it's pouring on the Riviera.
00:04:06The bitch.
00:04:08Oh, sorry.
00:04:09Catherine, William, I know you two will love each other.
00:04:12A pleasure.
00:04:14Come along.
00:04:18Have you just arrived in Paris?
00:04:20Is it obvious?
00:04:22Yes.
00:04:22Is it true that his wife is so terrible?
00:04:28Not at all.
00:04:29She's quite charming.
00:04:30And yours?
00:04:31Don't mind it so long ago I've forgotten.
00:04:39Try not to change too quickly.
00:04:40You wouldn't, you wouldn't happen to have any milk instead?
00:04:55No.
00:04:56No.
00:05:10No.
00:05:15No.
00:05:15No.
00:05:38No.
00:05:39Good night, my dear.
00:05:43Good night.
00:05:43Thank you for coming.
00:06:03Oh, I'll be going now, sir.
00:06:05But you're welcome to sleep here.
00:06:07If you insist.
00:06:10Of course I insist.
00:06:14But don't forget, to sleep means to sleep.
00:06:16Oh, but that's what I meant when I said it.
00:06:20Sleep well.
00:06:26Nowadays, if you want to start a successful business, you incorporate yourself.
00:06:31No one can hurt a corporation.
00:06:33When business is good, everybody's a big shot.
00:06:35And when it's bad, they disappear.
00:06:37A corporation is you and me.
00:06:39And when you and me have problems, well, I don't know you, you don't know me, the company folds and everyone's rich.
00:06:45Right?
00:06:45You're not sleeping, are you?
00:06:52Now, wait a second.
00:06:54Do British girls all behave like that?
00:06:56No.
00:06:57And are there many men around like me who'd leave you alone?
00:07:01Oh, no.
00:07:03I hope you know how lucky you are.
00:07:05The main thing is to remove all the organs intact.
00:07:11If you burst the gallbladder of the bird, you'll find the flesh is tainted.
00:07:15The bitter taste is unpalatable.
00:07:16Now, the twist of the wrist, you see?
00:07:21And everything is out in one piece.
00:07:24A simple operation.
00:07:25Oh, why not you, then?
00:07:36Go ahead.
00:07:39Go on.
00:07:41Well?
00:07:41Oh, I'll never be able to do that.
00:07:45We'll collect a call for Manchester.
00:07:58In booth number one.
00:07:59Could you please try room again?
00:08:08Oh, one can always try.
00:08:11Hello, Mummy?
00:08:12Huh?
00:08:13I can't hear you.
00:08:15Did you enroll in the cordon bleu yet?
00:08:17Oh, yes.
00:08:18You'll be glad to know I'm having the most fabulous time.
00:08:21Wonderful.
00:08:22Now, you keep up the good work, Catherine.
00:08:24It's amazing I'm at everyone's for French cooking.
00:08:26But you know I'm broke already.
00:08:27How'll I keep the wolf from the door?
00:08:29Prune sorting is a real art.
00:08:38It takes more than time to sort out prunes.
00:08:40You've got to be an expert.
00:08:42Not anyone can be a prune sorter.
00:08:44Oh, you bet.
00:08:48You're not asleep.
00:08:51Do you think very many guys would let you get away with that?
00:08:54No.
00:08:54Tell me, who else but me would be dumb enough to leave you alone?
00:09:01Nobody would.
00:09:02I appreciate it.
00:09:04Now, you damn well better be, too.
00:09:06Because you don't find anyone else like me.
00:09:10Who else but me do you suppose would accept this?
00:09:12Nobody.
00:09:12I know.
00:09:13Ah, jeez.
00:09:17And every time it's the same thing.
00:09:19Talk, talk, talk.
00:09:20I've been a problem, though.
00:09:21Oh, mine's no problem.
00:09:22You see, my guy's married.
00:09:23And since I live with my folks, I just wait for the thundering.
00:09:26It's over there.
00:09:27I know, but the ones that I keep running into can't leave me alone and they won't shut up.
00:09:30Well, then why would you sleep with them?
00:09:31Well, that's just the trouble.
00:09:33They won't let me sleep.
00:09:36During the day, the workmen are usually here.
00:09:39Well, they'll have to be swept out a little.
00:09:41Oh, you know for me, this is really the Ritz.
00:09:44If you use the telephone, try not to overdo it.
00:09:47Oh, are you sure that it won't make trouble for anyone?
00:09:50Not until I've sold it.
00:09:51Besides, it's much better if there's someone around while the work's being done.
00:09:54The owner should appreciate that.
00:09:55Still, perhaps it'd be better to tell him.
00:09:57Oh, never mind.
00:09:59I'll handle that part of it.
00:10:00It's not very fancy, I know.
00:10:03No blankets, either.
00:10:04Oh, as long as I'm alone, I could sleep in the refrigerator.
00:10:30Oh, I could do it.
00:10:36Oh, I will speak.
00:10:38Ooh.
00:10:38Oh, I'm right.
00:10:51Oh, I'm wrong.
00:10:53Room service.
00:11:11Room service.
00:11:24Well?
00:11:25It's all right.
00:11:33Is my bed all right?
00:11:35Are you the owner?
00:11:37Oh, golly, let me explain it.
00:11:39No, no problem.
00:11:40Marv explained.
00:11:41So...
00:11:42So?
00:11:43So, I came to have a look.
00:11:48Your hand.
00:11:53Give me your hand.
00:11:57Doesn't my hand go well with yours?
00:12:00Well, yes.
00:12:03Oh, you shouldn't have hesitated.
00:12:06Because they're matched so well, it takes your breath away.
00:12:13François.
00:12:14My name's François.
00:12:15Catherine.
00:12:16Catherine.
00:12:17Oh.
00:12:18That spoiled it.
00:12:19What's wrong?
00:12:20We'll never be a perfect couple.
00:12:22François, Catherine.
00:12:23It's just not harmonious.
00:12:24It sounds hollow.
00:12:25Ah, right.
00:12:26It sounds hollow.
00:12:27It's so hollow, but it's like a vacuum.
00:12:29There.
00:12:30I'll leave you Snoopy.
00:12:31He'll take care of you.
00:12:32Do you think he knows all the tricks?
00:12:33Oh, you can teach him, I'm sure.
00:12:35Oh, you can teach him, I'm sure.
00:13:00Ah.
00:13:01So long.
00:13:02Hello.
00:13:03Information.
00:13:05Can you give me the number of a, of a William Martin, please?
00:13:30Oh, God.
00:13:39Oh, you can't give you the number of tricks and get served.
00:13:44All long.
00:13:46Sorry.
00:13:47You can take care of everyone working.
00:13:49You can take care of yourself.
00:13:52So long.
00:13:52So long.
00:13:53You can take care of your life.
00:13:54There.
00:13:55You can take care of your life.
00:13:56haar apart.
00:13:57Where'd you find that?
00:14:18I found her in the bathtub.
00:14:20I turned the water on and out came a mermaid.
00:14:22But then she swam off.
00:14:24She just washed up on shore again and now I'm wondering.
00:14:27If I can get it to return.
00:14:55Good morning, Amy. How are you?
00:14:57I hope you.
00:15:00Bye-bye.
00:15:01How much will that be?
00:15:30Nothing, Miss. I'm the one that owes you.
00:15:32What?
00:15:32It's already paid.
00:15:33Well, keep the change.
00:15:34No, no. The tips include.
00:15:35A guy gave me money just now.
00:15:47Let me have his address.
00:15:49It was William who paid me.
00:15:51I mean, that's awful, isn't it?
00:15:52I mean, it depends on the amount.
00:15:54He gave 500 francs to the taxi driver and the change was 490.
00:15:57So what is the problem?
00:15:59So what is the problem?
00:16:00Hungry?
00:16:01But I wouldn't think of accepting it.
00:16:05What do you get for his money?
00:16:08What do you think?
00:16:09Oh, I think it was rather nice.
00:16:12Oh, come on now. Do you mean that?
00:16:14When they're generous with their taxis, it's a good sign.
00:16:16Now, that's something we'll never agree about because with me the reaction's automatic.
00:16:20It starts me cold.
00:16:21At any rate, it didn't leave any traces.
00:16:25I'm not so sure.
00:16:38Come on.
00:16:38Where to?
00:16:39You are going out with me.
00:16:41Ah, like that, after two weeks with nowhere to talk.
00:16:43No where to talk. Come on, let's go.
00:16:49Let's go.
00:16:51There.
00:16:59Hop in the back.
00:17:15Housemaiden.
00:17:17Mariel.
00:17:18Baba.
00:17:21Catherine.
00:17:24Catherine.
00:17:24Catherine.
00:17:24La filho Paella.
00:17:33?
00:17:33There.
00:17:35That pass between us.
00:17:42Rain that lightly falls upon the spring.
00:17:52really kissing your fiance in public what could be more kitsch
00:17:59oh it seems like this one will never end my dear in our day things were different
00:18:22i want you
00:18:52do
00:18:55do
00:18:58do
00:19:01do
00:19:04do
00:19:07do
00:19:10What do you think of the wizard generation?
00:19:26What?
00:19:27What do you think of the wizard generation?
00:19:29Don't ask me, I'm you here.
00:19:351,200 minus 1,185.
00:19:3815 francs.
00:19:47Oh, miss, you're forgetting your pay slip.
00:19:54Welcome to the playground of the establishment.
00:19:57Hello, you.
00:19:59Ah, you bet we do.
00:20:00We've known each other for ages.
00:20:01Yeah, we went to different schools together way back when.
00:20:04Uh-oh.
00:20:05You know what?
00:20:06Well, you're going to meet the best tango dancer on the Riviera in 1939.
00:20:11Dear delightful girl.
00:20:15My father, the Marquis de Puissade, Catherine.
00:20:18How'd you do?
00:20:19If you were only 20 years older, have a good time.
00:20:28Don't mind him.
00:20:29That's his classic opening gambit.
00:20:31Oh, really?
00:20:32From champagne.
00:20:33Thanks.
00:20:34And you?
00:20:35Oh, what are you doing here?
00:20:45Merv's offending.
00:20:46Hey, hurry it up.
00:20:47You don't want to be late.
00:20:48Late?
00:20:49Ski train to Switzerland.
00:20:51Leaves in an hour.
00:20:51Oh, no.
00:20:52Not before I've eaten.
00:20:57Do you want to come along?
00:20:58Very funny.
00:20:59I'm a working girl, you know.
00:21:01Here, Bernard.
00:21:02Thanks, baby doll.
00:21:07You want to come?
00:21:08Or not?
00:21:09Oh, I've got to work, too.
00:21:14Well, I'll schedule you for my return.
00:21:18Uh-huh.
00:21:18Are you having fun with Snoopy?
00:21:22I exhaust him.
00:21:23He's absolutely worn out.
00:21:27Coming?
00:21:28Oh, yeah.
00:21:30Hey, I thought Osmine was coming with us.
00:21:32She is.
00:21:33I'm picking her up right now.
00:21:34Why don't you invite Catherine?
00:21:40Why do you think?
00:21:42Ay, ay, ay.
00:21:42You said it, yep.
00:21:44What now?
00:21:45Right now, the beautiful Osmine awaits me.
00:21:47The rich Osmine, screw you.
00:21:56Did they leave yet?
00:21:58Oh, yes.
00:22:01Hey, shall we eat?
00:22:02We'll eat.
00:22:08No, no, no, no, no.
00:22:10Don't eat a bite of that, do you hear?
00:22:12Give me ten minutes to rid myself of these tiresome antiques.
00:22:16And I'll have the pleasure of your company for dinner.
00:22:18Huh?
00:22:24Come in.
00:22:27I'm terribly sorry, but I have a date.
00:22:30At half past midnight?
00:22:31Yes.
00:22:32It's with an actor.
00:22:34No use trying to hide it.
00:22:35You can tell him how lucky he is.
00:22:37Too late.
00:22:38We're only meeting tonight to decide not to meet again.
00:22:41My dear girl, the most successful goodbyes are achieved without explanation.
00:22:45Stay here with us.
00:22:45No, I prefer my goodbyes with explanation.
00:22:48In that case, good night.
00:22:50Good night.
00:22:51Call me.
00:22:54Will you have a drop of cognac?
00:22:56This one is almost a century old and it's bearing up well.
00:22:58That's a comforting thought for me.
00:22:59What would I know about it?
00:23:00Beautiful.
00:23:01The tour is now completed.
00:23:24You realize, my child, that woman represents the total sum of true perfection in art.
00:23:30You may be considered both renaissance and acrylic.
00:23:34How's that again?
00:23:36I mean, it would give me enormous pleasure if you would consider posing for me.
00:23:40Posing?
00:23:41Posing, posing?
00:23:42Why, of course, posing, posing.
00:23:45Ah, you mean you want to paint my portrait?
00:23:48Well, of course, the term is somewhat in disfuse, but let's say an interpretation of your image.
00:23:56I can hardly wait to begin our collaboration.
00:23:58Do you have an apartment?
00:24:00No.
00:24:00We can remedy that.
00:24:02Find one you like and we can arrange it over the phone.
00:24:05It's that simple.
00:24:06No fooling.
00:24:07You mean it?
00:24:15It's there to the left.
00:24:16I have a feeling I'm going to like it.
00:24:33No two ways about it.
00:24:34I feel at home already.
00:24:36Oh, now that's enough daydreaming.
00:24:38Let's go.
00:24:38Oh, but it's a perfect setting for a renoir or whatchamacallit or I can't even remember what you said.
00:24:46Did he say 6,000 francs per month?
00:24:48Oh, but for him that's nothing.
00:24:50I'm considered to be his work of art.
00:24:52Aunt William said that a work of art is considered to be the smartest investment.
00:24:57Well, then in that case, the work of art can let me have her signature.
00:25:01Oh, well, yes.
00:25:02I'll be glad to, but listen.
00:25:04About the check.
00:25:06Do you think you could wait just a week?
00:25:07I just don't understand it.
00:25:10What?
00:25:11Well, why is it that the sticks worth 10 points are always harder to get than the ones worth one point?
00:25:16Oh, if I knew the answer to that, I'd be a whole lot richer today.
00:25:19Why's that?
00:25:20Last week I missed a stock deal.
00:25:22Thought it was too risky.
00:25:24It would have meant all I had.
00:25:26And the trouble was I got cold feet.
00:25:29That's right.
00:25:29You never risk anything, do you?
00:25:31Oh.
00:25:35Your turn.
00:25:36You see that?
00:25:37That one there.
00:25:39I'll get it.
00:25:40Careful, you'll lose everything.
00:25:42It's possible.
00:25:44But then nothing ventured.
00:25:46Nothing gained.
00:25:48Is that the way you make your decisions?
00:25:50Of course.
00:25:51What have I got to lose by it?
00:25:53I never saw my mother take a risk in her whole life.
00:25:57But now the years have caught up with her.
00:25:59I don't ever want to look at myself in the mirror and have to say,
00:26:04it's too late now, dum-dum.
00:26:07You missed the boat.
00:26:09You know what I mean?
00:26:17Hmm.
00:26:22You know it's possible to lose.
00:26:24It's not a crime.
00:26:26Talk about something else, huh?
00:26:27If you wish.
00:26:31Tell me how a corporation works.
00:26:33Oh, no, you don't.
00:26:34When I explained it last time, you fell asleep on me.
00:26:36Come on, I'd like to know.
00:26:37Oh, all right.
00:26:40Money is all you need.
00:26:42Money?
00:26:43Whose money?
00:26:43The stockholders.
00:26:47More than one?
00:26:48Naturally.
00:26:49Each one comes up with a little.
00:26:50Each one comes up with a little.
00:26:56Hey.
00:26:58You've begun more auspiciously.
00:27:01Allow me to express my thanks.
00:27:03And apropos of that, I believe I promised to assist you on a monthly basis for those.
00:27:07I loathe having to talk about such things, but here you are.
00:27:13No.
00:27:14Till next Monday, then.
00:27:15Until next Monday.
00:27:19You needn't bother to see me out.
00:27:21I already know the way.
00:27:25Bye-bye.
00:27:27Is that all?
00:27:36Damn it.
00:27:45Do you want me to get a taxi for you again?
00:27:51Why bother from now on?
00:27:54We can bypass the middlemen.
00:27:57I hope you haven't forgotten about me.
00:28:11Yes.
00:28:12Ah.
00:28:13So I cannot counter you, hmm?
00:28:15Oh, well, if you don't mind, I've got an old jeep for you.
00:28:18An old jeep?
00:28:19What can I get out of an old jeep?
00:28:21A bad workman blames his tools.
00:28:23What, what, what, what, what, what, what, what, what, what?
00:28:24Why, no, I wouldn't forget about you.
00:28:27I think I have just what you want me to do.
00:28:28Ah, baby.
00:28:29I chose it personally for you.
00:28:31No fooling.
00:28:32Can we have a look?
00:28:33Uh, no.
00:28:34No?
00:28:35No.
00:28:35We have to prepare her to polish her,
00:28:37so that she'll be so that she'll be especially beautiful for you.
00:28:40Well, when do I get her?
00:28:42Ah, she'll be ready at six o'clock at the corner of Avenue Yenna and Rue de Bassinot.
00:28:46But that's right where my office is.
00:28:48I know.
00:28:49Ah.
00:28:50That's pretty good, eh?
00:28:52Getting organized around here, hmm?
00:28:56And what's the make?
00:28:57Oh, she's English.
00:28:58Born in Coventry.
00:29:00Fantastico.
00:29:01Uh, I warn you one thing, though.
00:29:04You have a slight price increase.
00:29:06Oh, don't worry.
00:29:07It's no importance.
00:29:09At your service.
00:29:10Ha, ha, ha.
00:29:11Hmm.
00:29:12Hmm.
00:29:12Hmm.
00:29:12Hmm.
00:29:13Hmm.
00:29:14Hmm.
00:29:14Hmm.
00:29:15Hmm.
00:29:16Hmm.
00:29:17Hmm.
00:29:18Hmm.
00:29:19Hmm.
00:29:20Hmm.
00:29:21Hmm.
00:29:22Hmm.
00:29:23Hmm.
00:29:24Hmm.
00:29:25Hmm.
00:29:26Hmm.
00:29:27Hmm.
00:29:28Hmm.
00:29:29Hmm.
00:29:30Where do we go?
00:29:47Wherever you want is up to you.
00:29:55Oh, da, da.
00:29:57Yeah?
00:29:59Yeah.
00:30:00Hey, that's not bad.
00:30:02No, not bad at all.
00:30:07Let's go.
00:30:08Bye-bye.
00:30:24What's wrong?
00:30:26Just that I got a wife and six children.
00:30:29Oh, really?
00:30:31Girls or boys?
00:30:33All girls.
00:30:34You don't mean it.
00:30:36Six girls, but that's wonderful.
00:30:39I mean, when I...
00:30:41I somehow feel so bad about it.
00:30:44A man who feels bad only because he's enjoyed himself?
00:30:46What a fool.
00:30:48Oh, easy for you to say.
00:30:50Not at all.
00:30:52It took me a long time to find that out.
00:30:54I'm a fool, I know.
00:30:56Yeah, sure.
00:30:57You're right, I know.
00:30:58We can still have fun together, hmm?
00:31:01Ah, no.
00:31:02We're just good pals.
00:31:04See you next Thursday?
00:31:06I'll be right there.
00:31:07Same place, same car.
00:31:09By the way, the raise you mentioned, it was how much?
00:31:14Um...
00:31:15This mig, hmm?
00:31:16Will that do?
00:31:17The what?
00:31:18This mig.
00:31:19That's the maximum interprofessional weight scale.
00:31:23I can't get more?
00:31:25You won't get more.
00:31:27I promise you, next time we'll have spaghetti.
00:31:29Okay, now we're going uphill, so we get into gear and...
00:31:51Oh, I see.
00:31:55I was in reverse, wasn't I?
00:31:56Uh-huh.
00:32:02Not too fast.
00:32:03Not too fast.
00:32:04What's the good of being in a car if we're just going to creep along?
00:32:06It's against the law to honk the horn.
00:32:31I love it.
00:32:32Everybody's looking at us.
00:32:40I love driving.
00:32:41It's great fun.
00:32:45Oh, darn, my handbag.
00:32:46Oh, that's really nice.
00:33:01May I?
00:33:07Goodbye.
00:33:07Goodbye.
00:33:16It's my turn now.
00:33:19Go on.
00:33:39Hello, me.
00:33:41Well, thanks.
00:33:44Third floor.
00:33:45Yes, I know.
00:33:46Yes, I know.
00:34:15Yes, I know.
00:34:15Oh, dear.
00:34:17Bells, bells, bells.
00:34:32Oh.
00:34:33Tell me, what's a company supposed to do when it's got a sort of deficit?
00:34:41Well, there are two possibilities.
00:34:43One is you go into bankruptcy.
00:34:44Oh, that I won't.
00:34:45Or else it manages to procure an expansion of its capitalization.
00:34:48An expansion of its capitalization?
00:34:50Yes, well, you either float a new stock issue or you go after a new market.
00:34:54Oh, of course.
00:34:55I must get some new stockholders.
00:34:56How silly not to have thought of that.
00:34:57Oh, but you're cheating.
00:34:58Cut it out.
00:34:59I'm not the one that's cheating.
00:35:00It's you.
00:35:07Put you there.
00:35:10Tom.
00:35:11And do you earn a regular salary?
00:35:18Uh, no.
00:35:19No, mine's very irregular.
00:35:20Goes up a lot.
00:35:21I'm forming my own company, you see.
00:35:26And would you prefer the checkbook in your name or the company's?
00:35:29Well, no, it's not important at all.
00:35:31The company's me.
00:35:47Who's there?
00:35:47Well, you still around?
00:35:56I'm still around.
00:35:57Aren't you going to kiss me?
00:35:58Too busy just now.
00:36:14Pretty classy stuff you've got here.
00:36:16How'd you pay for all that?
00:36:18It's the company that pays.
00:36:20Oh, yeah?
00:36:20What's that?
00:36:21Oh, it's a tax gimmick.
00:36:22I don't understand a thing about it.
00:36:24Well, never mind.
00:36:27What should we do?
00:36:29Well, nothing just now.
00:36:29I'm going out.
00:36:32You want to get married?
00:36:33Oh, I'd love to, but not today.
00:36:35I'm in a terrible hurry.
00:36:38Where are you going?
00:36:39I'll give you a lift if you want.
00:36:40Don't bother.
00:36:41I've got my own car.
00:36:42Oh, my God.
00:36:42Oh, my God.
00:36:48Ciao.
00:36:49I'll schedule you for one day next week, okay?
00:37:04You had lunch yet?
00:37:06No.
00:37:07All right.
00:37:07Come and have lunch.
00:37:10Come on.
00:37:12What's come over you?
00:37:13Look, I have a feeling you've got a lot of things to tell me.
00:37:15Who is it?
00:37:37Room service.
00:37:42I believe Madam ordered a bottle of mineral water.
00:37:45Golly, a week certainly went by quickly.
00:37:48It's amazing how time flies.
00:37:51Go on in.
00:37:53I'll be right with you.
00:38:15What's the special occasion?
00:38:23In honor of your promotion.
00:38:25By what?
00:38:30I hope your company's a great success.
00:38:36You didn't chill the champagne.
00:38:39Don't you belittle my efforts.
00:38:41I don't belittle yours.
00:38:44Are you quite sure?
00:38:47Well, look.
00:38:49You lived your life.
00:38:50Huh?
00:38:51That's fine.
00:38:51That's perfect.
00:38:53Did I do the right thing?
00:38:54How should I know?
00:38:56You're the only one who'd know about that.
00:38:58That's right.
00:38:59The only one.
00:39:00Then everything's fine.
00:39:06Apparently, you decided to postpone your wedding.
00:39:10Apparently.
00:39:11Well, what are you waiting for?
00:39:14Do the others make you scream that much?
00:39:33What?
00:39:35Do they all affect you that way?
00:39:38That's right.
00:39:39You think you can't make a mistake.
00:39:41Oh, but I certainly can.
00:39:42You're proof of that.
00:39:43Sorry.
00:39:44I'll leave you to your clients.
00:39:45They're not my clients.
00:39:46They're stockholders.
00:39:47Well, you can call them what you will.
00:39:48It doesn't change a damn thing.
00:39:50But it changes everything.
00:39:51Don't you understand?
00:39:52They're friends of mine.
00:39:53Don't you see?
00:39:53How are they now?
00:39:54Huh?
00:39:55Well, I'm good for you.
00:39:56I would have slept with them sooner or later,
00:39:57so if they give me money as well,
00:39:59I don't see who'd get upset about it.
00:40:01Me!
00:40:02Then you poor idiot, that's different.
00:40:05Do I hold it against you for wanting Osmeida and all her money?
00:40:07Do I?
00:40:08Hey, whatever you give to her,
00:40:10it won't be something you've taken from me.
00:40:12Nor am I going to give my friends
00:40:13something I've stolen from you.
00:40:17You keep Osmeida,
00:40:18and once a week you see me.
00:40:20Okay?
00:40:21If you want Saturday's hours,
00:40:24but the rest of the week's yours.
00:40:26I wouldn't even want you to be faithful.
00:40:28I just want you to love me.
00:40:31That's what you can expect from me.
00:40:32I thought you might want to know.
00:40:38Don't worry about the law.
00:40:39As long as you keep off the sidewalks,
00:40:41they won't put you in jail.
00:40:42Oh,
00:40:43come on!
00:40:45Don't worry about the law.
00:40:48I'm sorry.
00:40:48Come on,
00:40:49you're in jail.
00:40:50I mean,
00:40:50we'll let you go.
00:40:51Come on.
00:40:52I don't want you to let me here.
00:40:54I'm sorry.
00:40:55Come on.
00:40:55Hey,
00:40:56come on.
00:40:57Let me know.
00:40:58Come on.
00:40:59Come on.
00:41:02Come on.
00:41:02Come on.
00:41:03Come on.
00:41:03Come on.
00:41:04Come on.
00:41:04Come on.
00:41:05Come on.
00:41:06Come on.
00:41:07Come on.
00:41:08Come on.
00:41:08We get off here.
00:41:17What?
00:41:18Look, I thought we were going to get off here.
00:41:34One more station and we come to the end of the line.
00:41:36Don't worry, I'm coming to the end of the line now.
00:41:38Oh, oh, oh, oh, oh, oh, oh.
00:42:08It's their way to tell you that they love you.
00:42:11My parents do have a proxy, then.
00:42:14Don't you see them much?
00:42:16I don't see them at all.
00:42:17They pay for everything.
00:42:19You must have some friends.
00:42:21No.
00:42:24At least you have a girlfriend.
00:42:26Not me.
00:42:28I think girls are silly.
00:42:29Oh, I don't believe you.
00:42:36Why did you close the blinds the other evening?
00:42:38Huh?
00:42:39Why do you want to know?
00:42:41Someone else.
00:42:42You spend all your time at the window.
00:42:45You don't love me.
00:42:47Oh, but I do.
00:42:48Every Tuesday.
00:42:50Won't you let me have two days a week?
00:42:52No.
00:42:53I can afford it.
00:42:54It's one of the rules.
00:42:56Never favor one stockholder at the expense of the others.
00:42:59Stockholder?
00:43:00Don't worry about it.
00:43:09Hello?
00:43:11Hello?
00:43:12Oh, damn.
00:43:13Tell me, do you have this sort of idea often?
00:43:30That I'm not alone.
00:43:32I've been helped by all my associates.
00:43:35Now, now, don't be modest.
00:43:37You've got imagination.
00:43:37I can see that.
00:43:39That's possible.
00:43:41I'll say.
00:43:43Oh, my dear young lady,
00:43:48I'm about to make you the greatest heroine in France today.
00:43:51Heroine?
00:43:52Me?
00:43:52Yes, and if I get you this contract in New York,
00:43:55you'll be a worldwide star.
00:43:57Huh?
00:43:59Oh, you're going to write a book.
00:44:02But, but that's absurd.
00:44:04I can't write.
00:44:06But there's no question of your writing.
00:44:08Nowadays, no good author's supposed to write.
00:44:10Well, yes, but all the same.
00:44:11Of course, but no, no, no, no.
00:44:12Nowadays, the author is insuffable.
00:44:15All we do is to allow the reader to read him, huh?
00:44:18You understand?
00:44:19Have a moment.
00:44:20You get started.
00:44:21You want to wait to me right now?
00:44:22No, you just talk about yourself.
00:44:24You have the microphone.
00:44:25Here's the button.
00:44:26You push it down, speak.
00:44:28You just say anything comes into your head, no matter what.
00:44:30If you're ready.
00:44:31Go on, go on, just talk.
00:44:34You could do that, can't you?
00:44:36Go ahead.
00:44:38Wait a minute.
00:44:40Oh, it's nice to be a celebrity and all that, but...
00:44:44Huh?
00:44:47How much?
00:44:48Oh, just something in advance.
00:44:50A hundred?
00:44:51I'm surprised at you.
00:44:54How about two?
00:45:00How about three?
00:45:08Now, come on.
00:45:09Four.
00:45:10Huh?
00:45:11Oh, all right.
00:45:12Five, then.
00:45:14Oh, by the way, generally I'm free on Fridays.
00:45:17Oh, wow.
00:45:25Thank you, love.
00:45:26Shall I have it wrapped up for you, miss?
00:45:28Huh?
00:45:29No, I'm going to wear it.
00:45:30Put Lucy Brown in the box.
00:45:39But there are no prices on this menu.
00:45:41How can I order the most expensive food, then?
00:45:43Oh, well, you just choose all the things you prefer, like caviar or foie gras or lobster thermodeau.
00:45:51Any food on this menu will be a pure work of art.
00:45:54And shouldn't be eaten.
00:45:56Oh, well, you taste them a little, but only as a gesture.
00:45:59Or else you also have the choice of having an enormous appetite and devouring everything.
00:46:04In snobbism, there's one law.
00:46:07Do whatever you want.
00:46:07Oh, that's very easy.
00:46:09Oh, you can't imagine how much work is involved in being a snob.
00:46:13You have to know a little about all that one should know.
00:46:16But you must know it before everybody else.
00:46:18All that you should know?
00:46:20Well, yes, the plays that are on, the exhibitions, the books.
00:46:24But what if I don't like to read?
00:46:27Never fear, you won't have to.
00:46:29We can't expect you to waste your life turning pages.
00:46:32No, it might wear out your lovely eyes.
00:46:34Michel?
00:46:36Yes, sir?
00:46:36Bring us a book that won one of those literary prizes.
00:46:40Is there one you prefer, sir?
00:46:42Absolutely not.
00:46:43Right away, sir.
00:46:50Here you are, sir.
00:46:52Very good of you, my friend.
00:46:53Pay attention.
00:46:57This is most important, though.
00:46:59On one side, the author's life story.
00:47:02And on the other, is what the book's all about.
00:47:06All the rest serves no purpose, but the author wouldn't be happy if they didn't print the whole thing.
00:47:10François.
00:47:11Hmm?
00:47:13François is here.
00:47:14Well, why don't you give him a smile?
00:47:18Not me.
00:47:20I'll smile at him for you.
00:47:22A little courtesy doesn't cost anything.
00:47:34I would have come over before, but you were having an intense conversation.
00:47:38How are you?
00:47:41Fine, and you?
00:47:44Oh, we've been discussing literature.
00:47:47I've read a sublime book.
00:47:50Ah.
00:47:51Ah, you recommend it, then.
00:47:53You have to love reading.
00:47:57What'd I do?
00:47:59For you.
00:48:02I'll read it right away, sir.
00:48:09Well done.
00:48:10But I feel I ought to point out one thing.
00:48:15I am perfectly willing to give you a few lessons in snobbism.
00:48:19But be careful to what use you put it.
00:48:21Hmm?
00:48:22Ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah
00:48:52And he was really awfully nice, so...
00:48:55Well, I did.
00:48:56And then...
00:49:00It's great, huh?
00:49:04Uh-oh.
00:49:22Well, what's the matter?
00:49:29There's something I've got to tell you, but I don't know where to begin.
00:49:32Ah.
00:49:33And the thing you're to say is disagreeable?
00:49:36Well, yes.
00:49:37Well, then say quickly.
00:49:39Your book will never be published.
00:49:41Oh, but I always knew that it was awful.
00:49:43That doesn't bother me at all.
00:49:44Oh, no, I didn't mean that.
00:49:45I meant that I've always known that it would never be published.
00:49:50Oh, but...
00:49:52But then why did you make me write it?
00:49:56For my personal pleasure.
00:49:58Your what?
00:49:59You won't understand.
00:50:00Well, I think I'm beginning to, but tell me anyway.
00:50:05Well, I wanted to live a dream with the illusion of it not being a dream.
00:50:10Gosh, it's to his own, but...
00:50:13You mad at me?
00:50:14Oh, well, yes.
00:50:19Are you really a publisher?
00:50:20Oh, sure.
00:50:22Medical books, that's all.
00:50:24I'm glad of that.
00:50:25I'll see you Friday.
00:50:27Why?
00:50:28Well, sure.
00:50:29There's plenty of new material to write for volume two that's not going to be published either.
00:50:37William!
00:50:38What?
00:50:39What?
00:50:39What on earth's the matter?
00:50:42Here.
00:50:43Read this.
00:50:46Sugar topping out at 3,000.
00:50:48Please advise.
00:50:50I sold it for you.
00:50:53I don't have any more sugar?
00:50:54No.
00:50:55Neither sugar nor coffee.
00:50:56Oh, that's awful.
00:50:58How am I going to live then?
00:51:02Invest.
00:51:03Invest with what?
00:51:04The 5,000 in options I placed.
00:51:06That sale earned you a big bundle from the sugar and coffee.
00:51:09You've got 100,000 now.
00:51:10100,000 dollars.
00:51:12Net?
00:51:13Net.
00:51:13And it's already in your account.
00:51:28Here.
00:51:28What's that?
00:51:31A commission for you.
00:51:34How about a small personal commission?
00:51:36A what?
00:51:37Well, the commission on the commission.
00:51:40What crook.
00:51:41The 5,000.
00:52:11The 5,000.
00:52:41Ah, I hope I'm not too terribly late.
00:52:47You late?
00:52:48That's impossible.
00:52:50No party could begin without you.
00:52:52Perfect, my darling.
00:52:53Perfect.
00:52:54Oh, Osmain.
00:52:55I was afraid you couldn't come.
00:52:56So was I.
00:52:58Well, hello.
00:53:00Ah, Bernard.
00:53:03Courage, my friends.
00:53:04Paris is looking at us.
00:53:06You know, we two were idiots.
00:53:21That's right.
00:53:23But I'm home.
00:53:25Yes, you're home now.
00:53:26They're all looking at you.
00:53:34You're being an ostrich.
00:53:46Yes.
00:53:50I changed my mind.
00:53:51I didn't sell.
00:53:52What didn't you sell?
00:53:54The old studio.
00:53:57I'm going to keep it.
00:53:58Your lady friend was too much for you.
00:54:02Not because of that.
00:54:04I just preferred not to sell it.
00:54:06But why?
00:54:08Don't ask me.
00:54:11You liked it, didn't you?
00:54:13Oh, yes.
00:54:15Sometimes.
00:54:21Someone's looking at you.
00:54:24You know I love that.
00:54:26He loves.
00:54:27Yes.
00:54:27Yes.
00:54:37I'll be back.
00:54:41Thomas.
00:54:43Thomas, I want you to do me a favor.
00:54:45Just leave me alone.
00:54:46Oh, come on, smile.
00:54:47Just once.
00:54:48Will you give me an exchange?
00:54:50A promise.
00:54:52What's that?
00:54:53You'll see me tomorrow.
00:54:55If you still want to.
00:54:56Just a smile?
00:54:58Oh, yes.
00:54:58But I wanted all the evening a big smile.
00:55:01Why shouldn't I want to see you again?
00:55:03I just thought you mightn't.
00:55:05All right, come on.
00:55:05I've got something for you.
00:55:07I've got something for you.
00:55:37I've got something for you.
00:55:38I've got something for you.
00:55:39My dear Catherine, of course you know GonzĂĄlez Amor.
00:56:01Oh, yes, I try very often to decipher his articles,
00:56:05so I feel I've spent lots of time in his company.
00:56:06Isn't she exquisite now?
00:56:09I've learned from the best.
00:56:11With your permission, I'd like to borrow our dear Marquis.
00:56:14The permission granted.
00:56:16Excuse me.
00:56:17Certainly.
00:56:17That's Friday.
00:56:40Monday.
00:56:42That is for you.
00:56:44For me?
00:56:49Oh.
00:56:51But what's this for?
00:56:52And this also is for you.
00:56:55What's that?
00:56:58But it's an enormous sum.
00:57:01Oh, and it's not all that huge.
00:57:02It's the precise sum that you'd invested.
00:57:04I checked my books and I reimbursed you to the last penny.
00:57:07But my darling, you and I have never cared about that.
00:57:09Well, since we don't care about that.
00:57:11And you know, in any case, I couldn't accept it.
00:57:14But what could prevent you accepting from me what I've accepted from you?
00:57:17That's very true.
00:57:20But I hope you're not closing down, are you?
00:57:23Oh, I'm not, no.
00:57:25Just returning the capital.
00:57:26Excellent initiative.
00:57:28But, but then...
00:57:31Well, I've got some ideas to reorganize the business all around.
00:57:34I see, yes.
00:57:35But what'll happen to your poor old stockholders?
00:57:41You're all dear to me as friends, not only as stockholders.
00:57:44If I may be quite frank, I'm afraid I'm not fooled by the Child of the People Act your friend puts on.
00:58:12You are?
00:58:14The girl is too distinguished.
00:58:16I'm a good judge of blood, you know.
00:58:17The girl is too distinguished.
00:58:19As a misty breeze
00:58:35Upon the leaves
00:58:39That pass between us
00:58:44Rain that light leaves
00:58:49Upon the rain
00:58:56There are some sleds
00:59:04The clouds do not
00:59:09All pass right over
00:59:13Sunshine, nature
00:59:18Can't go
00:59:20Then we're in
00:59:22We're around
00:59:27Watch the world go round
00:59:35All right, who's that?
00:59:50A very old shareholder
00:59:51You mean that he is an ex-stockholder
00:59:55Why no?
00:59:57Why do you say that?
00:59:58He was one of the first
00:59:59You mean you're going on?
01:00:04But I mean, why not?
01:00:11It really beats me
01:00:12It's simple, you know
01:00:15But why all these men?
01:00:18You've got enough money
01:00:19Oh, Luke, why bring it up again?
01:00:21I don't know what you want anymore
01:00:22You know
01:00:22But I'm free on Saturdays
01:00:24Why not come then?
01:00:26No, I'll marry you
01:00:27Oh
01:00:28But why?
01:00:32Because on Saturday, Sunday, Monday, Wednesday
01:00:34And Thursday and Friday
01:00:35All of them, I want you
01:00:36Sure, I know what you meant by it
01:00:37But why?
01:00:39You really want a reason?
01:00:41Yes, give me one good reason
01:00:42And Thursday and now
01:00:47They'll be loved
01:00:47They'll be loved
01:00:48But why?
01:00:49Well
01:00:50I don't know
01:00:52As well
01:00:54I don't know
01:00:56Oh, my God.
01:01:26Oh, my God.
01:01:56Oh, my God.
01:02:26Oh, my God.
01:02:27Oh, my God.
01:02:56Oh, my God.
01:03:26Oh, my God.
01:03:56Oh, my God.
01:03:57Oh, my God.
01:03:58Oh, my God.
01:03:59Oh, my God.
01:04:00Oh, my God.
01:04:01Oh, my God.
01:04:02Oh, my God.
01:04:03Oh, my God.
01:04:04Oh, my God.
01:04:05Oh, my God.
01:04:06Oh, my God.
01:04:07Oh, my God.
01:04:08Oh, my God.
01:04:09Oh, my God.
01:04:11Oh, my God.
01:04:12Oh, my God.
01:04:13Oh, my God.
01:04:14Oh, my God.
01:04:15Oh, my God.
01:04:17Oh, my God.
01:04:18Oh, my God.
01:04:19Oh, my God.
01:04:20Oh, my God.
01:04:21Oh, my God.
01:04:22Oh, my God.
01:04:23Oh, my God.
01:04:24Oh, my God.
01:04:25Oh, my God.
01:04:26Oh, my God.
01:04:28Oh, yes, I got that in the mail this morning.
01:04:32Mr. and Mrs. Boutard and Mrs. Desforges are pleased to inform you of the marriage of their beloved daughter,
01:04:39Osmaine Marie, Friday, July 10th, to Mr. François de Charnaison.
01:04:49Well, looks like that's it.
01:04:51Looks that way.
01:04:55Where are you going?
01:04:58Where are you going?
01:05:28Where are you going?
01:05:45How isn't it right, Preeti?
01:05:47Shh.
01:05:50What are we waiting for?
01:05:51The mayor.
01:05:53The mayor.
01:05:53I don't know.
01:06:23I don't know.
01:06:53I don't know.
01:07:23The mayor, I'll ask you all to rise, please.
01:07:28I don't know.
01:07:59Hold on a minute.
01:08:00Thanks for coming.
01:08:11Nice of you.
01:08:11Not at all.
01:08:15It was the least I could do.
01:08:17I hope you're doing well.
01:08:19Just fine.
01:08:20And you're not sorry?
01:08:25No.
01:08:27Are you sorry?
01:08:28No.
01:08:29No.
01:08:33No, I'm not.
01:08:37Well, my very best wishes for your success.
01:08:39I appreciate that.
01:08:48Saturday, you're free sometime?
01:08:52Sunday, I'm free too.
01:08:53Oh, Sunday, I'm not sure if I am.
01:08:59Okay.
01:09:00Friendly kiss?
01:09:02Oh, no.
01:09:03A handshake's better.
01:09:04I love you.
01:09:10I love you.
01:09:12I love you.
01:09:13I love you.
01:09:13I love you.
01:09:20I love you.
01:09:21I love you.
01:09:24I love you.
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